#Gods but he should be here no

[obaewankenope]

Checking through my camera to see what photos I have on it and got blindsided by one of Marley.

The last one I took on that camera... Just before Christmas.

Fucking took me right out then-and-there.

Grief truly is an old friend that shows up whenever it may wish, isn't it.

[cwispihae]

Had to take a swing at this insane Usopp fit GOOD LORD

[hinamie]

thank u canon plant nerd megumi for my life

bonus:

[ghostbsuter]

"I can see dead people." He mentions with a shrug, using the chopsticks to fish more noodles into his mouth.

Dick stares at him. "Huh."

"Is that why you help?" He asks, getting more spring rolls.

"Yeah. Once someone becomes a ghost, word gets out quick, and they come to me. Always tatling about unfairness and justice." The kid waves the words around, rolling his eyes.

Dick just pretens to he uninterested, despite his mind racing at the new info. He is piecing past moments together, every shadow leaping away, every note with tips, leads and—

Huh.

"Do you... like it? Doing all that?" Richard approaches thus carefully, brows furrowed at the kid opposite of him.

Danny moves his head, giving a 'so-so' answer. "It's not much to like, I can see ghosts, and they know it and use it. If it brings them to peace or whatever– well, that's just a plus."

Dick stares. He places his chopsticks down and looks at Danny worried.

In turn, the kid sighs. "Sometimes gifts become curses the longer you have it."

And Dick understands.

Mind made up, he throws a pair of keys at the kid, watching fondly as the other catches them with confusion.

"Next time use these, instead of entering through the window."

Danny mock-salutes with a shit eating grin. "Yes, Officer grayson."

[possession1981-moving]

THE FIRST OMEN dir. Arkasha Stevenson, 2024

[saintaviator]

something something gman tommy something something gordon in stasis. you know how it is.

[poorly-drawn-mdzs]

Normal boy spotted.

[First] Prev <–-> Next

[jasonsbruce]

[the-barefoot-hatter]

pediatricians are hard to find.

you aren't broken and other important things a triangle needs to hear

[coquelicoq]

it's about...longevity? stability? it's about natsume believing he'll be somewhere long enough to plant flowers and see them bloom. it's about him taking touko seriously when she asks him to tell her what flowers he wants to plant. it's about making something with his own hands, building a future with the fujiwaras. it's about him repairing a rundown home for someone else, restoring it because it's beloved to them, because it's the home of someone they love. it's about him seeing touko's joy and thinking about the youkai saying we'd like to look upon her happy face forever. it's about the box garden making him think of the fujiwaras' garden and his parents' garden, about the flowers being both the memory of flowers that bloomed there before, and the flowers that he and the youkai planted earlier that day. it's about him waking up in both worlds with sensei. it's about touko finding the petal in his hair. it's about him feeling how he falls short and the youkai saying, but you have such gentle hands...

[hotasfahrenheit]

this kiss was stupendous

and not just because it looked great, which it did obviously but-

-it's the pause in the first gif, the look in the second gif, it's the way that God glances up at Diew's eyes to gauge if this is okay, if Diew is comfortable, if Diew is enjoying the kiss and the physical contact, it's the way he leaves space in between the kisses and leans back just a tiny bit in the third gif to make sure that Diew is actively choosing to continue kissing him

it makes this scene just so good

[vaperarmand]

he means everything to me

[noisyghost]

rambling out loud about the one year timeline of how getting bit by a werewolf affected ark/his body <3

[otaku553]

Procrastination doodles of sabo for the king sabo au :)

[justaz]

mordred unable to get thru to merlin so he turns to the old druid way of worshipping emrys. he makes little gifts for merlin and shares his food and drink with him like offerings. he prays to emrys when he wakes up and before he sleeps, thanking him for a peaceful night or a good day, thanking him for his protection, etc. its translations to merlin vary daily oddly enough. sometimes, merlin can hear vague whispers of the prayer, sometimes it just causes a feeling of contentment or peace at being thanked for things he doesn’t usually get thanks for (as no one really knows all he does). even in battle mordred will occasionally call on emrys for strength and victory and merlin will just randomly feel some of his power deplete. mordred always wins. it forges a sort of spiritual bond between them as god and worshipper until merlin is holding one of mordred’s handmade offerings and smiles at it and just goes “damn it, that kid is my little brother now. i can be mean to him but i will scorch this earth if anyone causes a frown to mar his face.”

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.