#God its just like.... There could have been love there from the start but its impossible to feel or express unless the conditions are right

[mysticmutants]

not a lot, just forever

summary: weddings were never logans thing. the sappy vows, hundreds of people watching two people profess their love for each other— so why was being at jean and scott’s wedding with you affecting him so much?

pairing: logan howlett x reader

word count: 1k

warnings: romcom themes, weddings, possibly ooc!logan

authors note: sooo this is my first fic! I have some plans for a much longer, chaptered fic but figured I should ease myself into this! please go easy on me! any tips or suggestions are welcomed. thank you if you read my loves ౨ৎ

logan had been here so long he began to question where he went wrong in his life to put him here. what primordial being he had wronged to place him where he was— sitting next to you, adjusting uncomfortably in a cheap folding chair. not only were his senses being ambushed, overwhelmed—the guests cheap perfumes, the soft classical music playing in the background, mixing with the chatter of excited guests— but being here with you, was triggering something inside of him. he wasn’t someone that enjoyed weddings. anyone who looked at him even for a fraction of a second could deduce that about him. too gruff, hardened, to enjoy such a sappy environment.

it was anxiety inducing, to say the least. he shifts in his seat, trying not to fidget too much as his eyes flick from you—sitting next to him, raving about how beautiful the venue was, how excited you were for your teammates— to his surroundings.

“not a wedding person, logan?”

you speak softly, eyes raking over his appearance as you note the way his brows pinch together a little more than usual—a telltale sign of what was going on in his mind. he shakes his head in response. “they should’ve just eloped. less hassle.” he mutters gruffly, earning a laugh from you. he feels you lean in, elbowing him gently. “be nice. it’s their big day, you know? a celebration of their love.” you exclaim, a warm grin adorning your plush lips. the sight nearly makes his heart leap out of his chest—yearning for its rightful owner, you. he huffs in response, arms crossed over his broad chest. he wants to stop talking about this, to think about anything other than this god forsaken wedding. at least when he got through the ceremony, there would be alcohol at the reception. you lean in once more, and he can smell your perfume. his breath hitches and he eyes you, hoping you didn’t catch it. “so, I’ll take it you don’t see yourself settling down, cowboy?” you inquire.

not unless it’s with you.

he doesn’t miss the way your eyes drift to his lips, and back up to his eyes, but he does brush it off as him seeing things; chalking it up to his old mind deteriorating. he scoffs, brow raising as he scans the room once more in a feeble attempt to avoid eye contact with you. “settle down? no. people like us rarely get to settle down, darlin’. you know that. wouldn’t want anyone to get tangled in my mess.” he remarks—his way of saying ‘I’m terrified to get close to anyone, for fear of them winding up kidnapped by enemies or worse; waking up with my claws in their stomach—your expression darkens at his words, lips pursed and nostrils flared.

you nod, a sheepish grin curving at your lips. “right, yeah. of course.” you chuckle. “people like us don’t get the chance at a life like that very often. all the more reason to be happy for these two.” you nod, gesturing to scott standing at the altar. “you’ll get it, too.” he grumbles, pulling at the tie on his neck. “any man would be lucky to have you. just a matter of finding the right person.” your eyes linger on him at the mention, before tearing away to gaze up at the altar again.

“well,” you start, sighing, “I don’t think that my person thinks that I’m their person. so I’m sort of at a standstill.” you admit, breathlessly. now you’ve got his attention.

he leans forward, palms on the top of his thighs. “oh? and who might this person be, doll? have you tried telling him how you feel?” he questions, trying—and failing—to come off as subtle. you grin, a small chuckle falling from your lips. “no, but only because I know better. why try when you know the answer, right? I mean.. I’ve tried, I suppose. dropped hints. but I’m beginning to question if he doesn’t realize, or if he doesn’t want to realize, you know?” you turn to him, confused on why he was suddenly so attentive; his anxiety from moments before gone. his brow raises, waiting for you to elaborate. his heart skips a beat as you lean in even closer, breath fanning across his face.

“well, my right person… he doesn’t let people in. not fully. he acts like it’s because he doesn’t care but… i think he’s scared. he wants to be loved so badly, and i can see it. he doesn’t want someone to get hurt because of him. not again.” you speak cautiously, looking at him. really looking at him.

his breath hitches in his throat as he meets your eyes. were you… talking about him? no way. he opens his mouth to speak, to counter, to confess, but he’s cut off by the wedding march beginning to play.

and he’s right back to cursing whatever god he could think of. he can’t help but grin, though, as he stands with all the other guests. his heart beats rapidly in his chest, filling it with warmth.

he turns to watch jean walk down the aisle, anticipating the end of the ceremony—wishing his mutation was to speed up time rather than his adamantium claws. for once, though, it wasn’t because he couldn’t wait to get this over with. to get to the fun part already—the part where he could drink. it was because he couldn’t wait to finally tell you how he felt. to face his fears.

maybe, for once, he didn’t mind weddings so much.

he just hoped the next one would be yours.

[starrydali]

hii i got a request for a luke castellan fic🤭

so i thought of it the other day.. what if its during a capture the flag game but reader and luke get carried away with yk.. making out or smth and they get caught !

do what you want with it, i just thought it could be cute😊

Friends With Benefits - Luke Castellan

∘°∘♡∘° Stoppp I love this so much♡

✧˖*°࿐*✧.┊You and Luke have always been close friends, but lately, things have been a little… complicated. You're not quite dating, but you're not just friends either. Stolen kisses here and there, moments where the line between friendship and something more starts to blur. ✧. ┊

The moonlight filtered through the trees, casting dappled patterns on the forest floor. You were supposed to be patrolling—Luke was supposed to be patrolling—but instead, you were backed against the rough bark of a tree, his lips brushing against yours in a way that sent your thoughts spiraling into chaos.

“Luke,” you mumbled between kisses, though you made no effort to stop him. “We’re going to get caught.”

He pulled back slightly, his face so close that his breath warmed your skin. His smirk was maddeningly cocky, the kind that made you simultaneously want to shove him and kiss him again. “Relax,” he said, his voice low and full of amusement. “You worry too much.”

“You don’t worry enough,” you shot back, your hands resting awkwardly on his chest, unsure whether to push him away or pull him closer.

Luke just chuckled, leaning in again, his lips brushing against the corner of your mouth before moving to trail down your jaw. “It’s adorable how you think anyone’s paying attention to us right now.”

You were about to retort when—

“Luke Castellan.”

The sharp voice cut through the quiet of the woods like a blade. Your head snapped toward the source of the sound, and your stomach dropped. Annabeth.

She stood a few feet away, arms crossed and a look of utter disbelief etched on her face. For once, her calculating gaze wasn’t directed at some strategic move in Capture the Flag—it was pinned squarely on the two of you.

“Oh gods,” you muttered under your breath, stepping away from Luke so fast you nearly tripped over a root.

Luke, on the other hand, didn’t seem the least bit fazed. He leaned casually against the tree, his arms crossed over his chest, and gave Annabeth his most infuriating grin. “Hey, Annabeth,” he said, as if she’d just caught him skipping chores and not...well, this.

“‘Hey, Annabeth?’” she repeated, her voice rising slightly. Her eyes flicked between you and Luke, her expression a mix of shock, confusion, and something that looked suspiciously like secondhand embarrassment. “What the hell was that?”

You opened your mouth to explain—or maybe apologize—but no sound came out. Your face was burning so hot you were sure it could rival Apollo’s chariot.

“We were just...uh...” Luke began, his grin widening as he glanced at you.

“Don’t,” Annabeth interrupted, holding up a hand. “Don’t even try to explain.”

Luke shrugged, clearly enjoying himself. “Alright, if you insist.”

“Luke!” you hissed, swatting his arm.

“What?” he said, feigning innocence. “I’m not lying. She told me not to explain.”

Annabeth groaned, pinching the bridge of her nose. “I cannot believe this. You two are supposed to be best friends.”

“We are,” Luke said, the casual tone in his voice almost convincing.

“Best friends don’t...” Annabeth gestured vaguely between the two of you, clearly at a loss for words.

You wanted to sink into the ground and disappear forever. “This isn’t—it’s not—”

“Not what it looked like?” Annabeth supplied, raising an eyebrow.

You nodded furiously, though you weren’t entirely sure what you were agreeing to.

Luke, ever the opportunist, slung an arm around your shoulders, pulling you close enough that you could feel the heat radiating off him. “Come on, Annabeth,” he said, his tone light and teasing. “Can’t two best friends share a kiss now and then without it being a big deal?”

“No!” Annabeth snapped, her face incredulous. “No, they can’t!”

“Well,” Luke said, his smirk practically glowing in the dark, “guess we missed the memo.”

Annabeth threw her hands up in frustration. “You’re both unbelievable.” She turned on her heel and stalked back toward the creek, muttering something about idiocy and never being able to unsee things.

As soon as she was out of earshot, you turned to Luke, your jaw dropping. “What is wrong with you?”

“Nothing,” he said, his expression far too pleased with himself. “That went better than I expected.”

“Better?” you repeated, your voice a mix of disbelief and mortification. “She’s never going to let us live this down.”

“Probably not,” Luke agreed, his grin softening into something almost fond as he looked at you. “But hey, at least now you know what you're dealing with.”

“And what exactly am dealing with?” you asked, narrowing your eyes at him.

Luke’s gaze flicked briefly to your lips before meeting your eyes again. “A best friend who doesn’t play by the rules.”

You rolled your eyes, but the warmth in your chest betrayed you. “You’re insufferable.”

“And yet, here you are,” he teased, leaning in just enough that your noses brushed.

You shoved him lightly, though the smile tugging at your lips was impossible to hide. “Come on,” you said, grabbing his wrist and pulling him in the direction of the creek. “Let’s actually do our job before we get caught again.”

“Whatever you say, best friend,” he said, his laughter echoing through the trees as he followed you.

✧. ┊ Send requests! :)

[bappablipblip]

[Spoilers for the Warframe Whispers in the Walls and 1999 Quests]

The way that Albrecht responds to the Indifference in this scene is so pivotal in my opinion. It opens up a lot of conversation about Albrecht Entrati and his motives.

He immediately recognizes the feel of the hand on his shoilder without even looking. He knows that the Indifference took on the form of his lover. The way the hand creeps up and caresses shoulder may not have matched exactly, but he knows what Loid feels like.

His face even screams that he knows who it is. But he knows it isn’t real. Loid isn’t ACTUALLY with him, which is the whole point.

Albrecht went to incredible lengths to keep the Indifference away from Loid but I interpret this part of the quest as him accepting the fact that he’s not going to see his beloved for a long time, yet still indulging in the fact that he can see him again.

But it also implies that Albrecht now knows that the Indifference is aware of Loid and has been watching him for some time (which may have driven Albrecht to have a bigger sense of urgency when the Drifter refused to kill “Rusalka”). It understand that there is a bond, but it can’t replicate it in a way that matters.

The Indifference shifts between the scientist and his assistant, mocking their dynamic as a way to torture Albrecht. It implies that Albrecht is abusive and toxic towards Loid, with the former referring to the latter as his “faithful man-cat”. In this warped view of their relationship, Albrecht does whatever he pleased to Loid and feels like he can treat and do whatever he wants to his lover, even going as far as to putting his hands on him. And Loid is seen as a forever obedient and unrequited servant, devoted and damsel-like.

As seen in the Whispers in the Walls quest, this isn’t at all how the characters genuinely behave towards one another. Loid is PISSED at Albrecht for leaving him, not desperate to get him back. He scorns their relationship, although he slowly starts to heal, but overall wants nothing to do with him. And Albrecht is gentle with him in the moments before he departs to 1999.

This is what makes Albrecht realize what the Indifference’s weakness is, it cannot fathom love.

All it knows is fear and negative emotions. Up until now, it has never replicated anything good or tasteful. It can’t understand what love is worth and what it can make people do for one another.

Albrecht literally goes back in time to protect Loid and to some (more assumed) extent, his daughter and in-laws, out of love. Even if Loid could not see the adoration Albrecht held for him (which is totally valid, its literally entrati.), the Indifference tries to use him as a method of torture against the Doctor. It’s also what makes Albrecht realize what he needs the Drifter to do. He tells the Drifter to develop relationships with every Hex member so that they trust them enough to let the player help themselves.

If Albrecht was loveless and did not have people in his life that he cared about, he probably would not have worked so hard to fight the Indifference. Sure, he’s pretty egotistical and a narcissist with a slight god complex, but he did not need to do everything he’s done to fight the Murmur. He’s too smart, he would know when it is hopeless. But he still fights, for love.

Also, if Albrecht wasn’t Albrecht and the Indifference could copy Loid’s mannerisms to a tee, then the doctor would have definitely felt more despair and struggle during his torture session.

That’s just my rant. I realized not many ppl have talked about this yet.

Ha! That's it, isn't it? The poison to your plan. And what is that? Love.

[kukuandkookie]

The end of 2024 has proven that 2025 seems to be a huge year for donghua and I’m gripping everyone to give all these donghua besides just the most popular ones a chance!!!:

Link Click, Yingdu arc: releasing December 27, 2024

Nezha 2, sequel to Nezha 2019 aka Nezha zhi motong jiangshi, confirmed for January 2025

To Be Hero X, likely April 2025 release (I hope people will also support the version with Chinese VAs! 🙏)

Lord of the Mysteries, 2025 summer release—accompanied by more good news: the novel has officially entered the British Library and it will also be translated into English by Yen Press

False Memory, series version, confirmed 2025 release

I am making this post because False Memory just released its new trailer and I am very much so looking forward to it! The series started as an indie short before growing into a bigger thing, much like Fog Hill of Five Elements and The Legend of Luo Xiaohei and Alita’s Trial. We’ve thus been waiting a couple years for news so this is really exciting, especially after it recently got a Twitter account!!

Bonuses:

Ya She, released a couple months ago but late enough into 2024 I’d still love for more people to check it out!

Scissor Seven, another one that’s had its newest season out for a while now, but I assume that for those who have Netflix, it hasn’t been officially English subbed or dubbed yet. We’re also still getting trailers for its game!:

I Am What I Am 2, released Dec 14, 2024 in China!

Reminder that Mo Dao Zu Shi is now on Crunchyroll! They may have removed it from Tencent’s donghua YouTube channel for this, so definitely go support it if you do have Crunchyroll!

Some children’s donghua have also recently released, including news of the new Balala the Fairies season and the other magical girls show, Rainbow Crew! The latter is confirmed for an official release in English.

The Yi Ren Zhi Xia game is also coming soon to global, and Fox Spirit Matchmaker even updated their OP recently after quite a long time of silence.

And speaking of silence, even the long-awaited SVSSS donghua saw some movement recently!?

Now if I could get a confirmed 2025 release for White Cat Legend season 3 (and maybe God Troubles Me and Lie Huo Jiao Chou and Fei Ren Zai and All Saints Street and The Legend of Luo Xiaohei and Wo Jia Dashixiong Naozi You Keng etc…)), I could die a happy man (gender-neutral)—after watching all of these newly released donghua shows and films and seasons, of course ahaha. 🙏

For more news and info on donghua, you can check here:

There’s a bunch of new donghua information in the above document that came from 2024, even though they don’t have official release dates yet! Including but not limited to:

The announcement and PV of Call-Up Girls, based on a baihe manhua

The announcement of a Nirvana in Fire donghua, based on the danmei novel with a famous cdrama adaptation (with the manhua having recently gotten an official English license via Aloha Comics)

Trailer and announcement for 《向火而生》, based on Shui Qian Cheng’s danmei novel Blazing Armour

More announcements for Jing Wei Qing Shang, based on the popular baihe novel

Trailer for The Story of Rong Song, a spin-off of the famous Big Fish and Begonia movie

and many, many more…!

Hope everyone can join me in watching more donghua for 2025!! :D

[moonspirit]

Jealous aruani are fun and all, but...what if it's their friend that's the reason for the jealousy??? No love triangles.

Annie suddenly feels a twinge of irritation when she sees Pieck say something to Armin and they laugh together. Or maybe Armin overhears gossip about how Annie Leonhart and Connie Springer look so cute together. The next time he sees Connie, his stomach twists. And it's terrible!

Considering how Armin and Annie both have self-esteem issues...well, I can see how that could happen. Irritation, doubt, jealousy, and self-loathing for feeling that way about a friend. it's just painful, stupid and awkward. I have no idea how they will solve this😗

Hello jealousy anon! As promised, and thank you for the ask, it made me laugh xD

Because of-fucking-course there's nobody more capable of causing problems for Aruani off more than their very own family xD If you ask me, outsiders don't have the type of talent the other four have in creating misunderstandings and unnecessary chaos xD Plot-required-3rd-party-love-interest who? Move over, here's Connie the Springer man!

At first it's all quite unintentional. Connie spends time with Annie because Circumstances and Coincidence and hardly notices Armin's watery puppy eyes gazing at him from a depressing corner. It's not like Armin ever says anything out loud either because of course, he's happy! He's happy Annie has a silly friend that makes her laugh and forget that she's awkward and possibly frightening around people. He's glad Connie comes prepackaged with a whole lot of shitty jokes that happen to tickle her. He's really fucking glad Connie treats Annie like he treats everyone else!

But. Connie can also... dance. Really well. Like the guy's got those moves and can easily take Annie for a nice spin. He also... makes her laugh, like... a lot? A lot lot? Hm.. has Annie ever laughed like that with me? Uh... yeah, nevermind that, um- oh god, Connie's been looking pretty nice lately in those suits and he's rather good with the whole easy-fashion thing and uh- well shit, it's Connie, he's my friend, he's not- no, I mean, that photo in the newspapers was just an accidental shot, of course Annie was just laughing at his bad joke but well... she did look really happy with him and, oh shit--

Man.

Pieck on the other hand, doesn't fuck with people more than necessary. I don't actually see her getting *too* close with Armin but they do become very good friends! They have a lot in common, (for example music) and vibrate on the same atomic level of "yeah this is wrong and backhanded and probably will get us arrested in 18 countries but lets do it hehe". Hc that they probably get off to a slightly rocky start as Pieck doesn't put much faith in Armin's "naivete" and harbours resentment for his blowing up of Liberio's port, but as time goes by, they grow closer!

Maybe... too much closer for someone's liking 💀

Because okay? Annie gets it, she finds politics too boring and her takes end up being too cynical and skeptical in the room. Technically, she's glad Armin has someone in Pieck who will humour his ideas with a generous (but nice) dash of realism. Also, they enjoy picking out records together and she often finds them nodding their heads to a new tune once home.

She's glad, okay?

She is, she really is-

*sound of a thigh being stabbed followed by sounds of Reiner screaming*

Pieck is a cheerful girl tho 🥲

On a serious note, both Aruani are going to feel like total crap about this jealousy tho. Because as you said, it's their friends, their literal family who they share a lot of time and space with, and if anything could be clear it's that none of them want to see Aruani unhappy. So its not real, it's not anything to worry about, it's all just in their heads-

And yet.

Tbh the extra funny bit about this is gonna be when Connie and Pieck realize what they're doing to their poor lemonheads xD

"What! We're making you jealous?! wHAaT?? ... Hell YEAH, LET'S TURN IT UP!"

🥲🥲🥲🥲

I mean what else did you expect lol, Pieck and Connie are that duo who are going to derive more entertainment from their very own organic, homegrown family-drama than the moving pictures being shown in the town-square.

Suddenly it's all: "HEHE Armin, I bought Annie CAKES, see? FIVE Cakes! FiVE delICIOUS cakes and *I* am going to give it to her! Me!"

and: "Annniieeeeeeee~~ Oh no, why the long face this morning? Btw did you know Armin wants kids? Like a lot of kids? He told me- oh, he didn't tell you? Hehe I thought you'd be the first to know hehehehehe"

Their approaches to fanning this dumpster fire are different 😌

Their solution when things get too Sad?? Lock Aruani up in a room. Always ends well.

[ashblooddragons]

Just As Bad As You Are

Request made by @athzhowakar

Summary: When a worderful lay with your husband leads to you giving him good news, but what if he pieces together your dark secret, the only thing you would ever keep from your dear older brother.

Word count: 1377

Warnings: smut, p in v, slight choking, mentions of miscarriges, mentions of poisioning, toxic relationship, Targcest, tell me if I missed anything

I moan as Maegor fucks me from behind, there isn’t a night he doesn’t take me. For why should he go to his others when they can’t give him children and I’ve already given him three?

“Maegor.” I moan out as he grabs my hair making me arch my back.

“I’m gonna put another babe in that belly of yours, you’ve been empty of my seed for too long.” he groans out as he grinds his hips just right, that he makes me see stars. 

I can’t help but laugh, for ever since the Maesters said I was fit for childbearing again there hasn’t been a morning or night that his seed wasn’t working its way inside me. “Do you truly think with how often you take me that I am not with child yet?” I say before another moan leaves my throat when his palm lands on my rear. 

“Every time I think I fuck that brat out of you, then it rears its head begging to be taught a lesson.” He says before pulling out and flipping me so I lay on my back only to slam back into me with more force and vigor than before. 

“What, no snarky remark, no comment on how I love when you’re a brat? He teases as he takes my right leg and puts over his shoulder so we both feel him go deeper. 

I can’t even speak, I just grip the hair on the back of his neck as he ruts into me. I know if any maid, courtier, or gods forbid one of his other fucking wives, walked by they would only hear the sound of skin hitting his and obscene moans. 

“Don’t stop, please don’t stop.” I beg as I feel my peak just along the horizon. 

“Go on, cum on my cock you little slut.” He demands as he reaches up to grip my throat choking me until he feels my cunt spasm around his cock as I milk him for all he’s worth.

“Fuck.” He groans out as his seed fills me before he lays against my chest.

We lay there as we both come down from our highs. Me rubbing his back tracing all his scars like constellations, and him kissing my neck and moving his hands up and down my thighs adn ribs. 

It’s these moments I feel the safest, not when I have two guards following me, or when I stand next to my darling golden Gaelithox. No, I feel the safest when I’m in the arms of the man I love, and who loves me.

“I wasn’t being a brat, the Maesters told me last night I’m with child again.” I whisper before playfully biting his ear.

His look is priceless when he leans back looking down at me as he uses his arms to hold himself up. “Do not jest.” He says with that tone that makes even men tremble, but not me.

I take his shocked state as a chance to take control and flip us so I’m on top. “I do not jest, my moon blood is two moons late.” I say as I pin his arms next to his head. We both know if he wanted to he could easily get out of my grip, but we also both know he doesn’t want to.

With those words I climb off his lap and take my robe and wrap it around me as I go to tell the guard that I am in need of a bath. As I wait I decide to brush my hair before my bath as it doesn’t need washed but it most definitely needs brushed after our escapades. 

I notice Maegor is lost in thought but assume it must be because of a council meeting, he pulls on his breaches as my Maids come in with hot water for my bath. I sigh in relief as I sink into the heat of the bath waving my Maids away. “Leave me.” 

I start to scrub my arms with pomegranate seeds not noticing Maegor taking a stool and sitting behind me. 

“You’ve never lost a babe.” His gruff voice fills my ears startling me as I turn to look up at him.

“No I haven’t?” I look at him confused, fighting the fear that fills my belly that he has figured it out. 

He only moves to take some pomegranate and my other arm starting to scrub the coarse seeds into my skin. I watch as his jaw tenses and releases and I know he knows when his eyes look into mine. 

“And yet all of my other wives have.” He says his eyes boring into mine but I will not show fear, I don’t regret what I did. “I thought Tyanna, though I suspect I was right with her. But there were many lost, too many she couldn’t have known about that left their mothers wombs too soon. My Council said you must have something to do with it, I didn’t want to believe them, but now I wonder if I should have.” He says gripping my arm to the point tears come to my eyes but I refuse to let them fall.

 “Do you want me to admit something? Perhaps make the accusation.” I hiss out as I grit my teeth. 

I watch as his nostrils flare in rage, I know he doesn’t want to accuse me, I’m his sweet little sister, but he also knows I won’t admit anything if he doesn’t accuse me first. 

“Did you force them to miscarry? Did you poison my other wives?” He demands with a scowl.

“Yes.” 

I watch as his face morphes into shock and rage. I know he must have been praying I would no, that I would deny these allegations until my last breath, but I won’t for I don’t regret what I did.

“Why?” He asks in a calm voice that I know is hiding a inferno of rage.

“Your my brother, we came from the same womb, and yet I had to share you with a barren Hightower, a whore from across the seas, and three more courtly whores. You didn’t even wed me properly, you took me at the same time as you did those two other bitches looking for any needy hound. I knew what I had to do, Mother didn’t teach me those dark ways for nothing, she knew just as I do now. That you are weak, you will take any lady or whore to your bed and call her wife, that all a man has to do is have his pretty daughter suck your cock and then he is a man to be jealous of. But I am not some Lady of court, nor am I a whore, I am a dragon and a dragon must find another of their kind or else their embers will cease to burn. So I poisoned your stupid little wives, and I made sure Tyanna didn’t touch my womb for I would be the only one to bear your children. I don’t regret it, I never would, but now you have decision to make.” I say breathless after I let all the darkness I had kept hidden from him for so long out of my heart and into the air so only us and the gods to hear and judge.

He only stares at me, tears brimming his eyes before he looks down, shaking his head. “And what decision is that?” He asks force breaking from sheer shock.

“Will you execute me, charge me for my crimes? Or will you keep this a secret that we take our graves letting no man judge me, only the gods.” I say reaching over the tub to take his hands in mine. 

I smile when I feel his hands squeeze mine and he looks back up at me and says. “Now what kind of older brother would I be to have my little sister hanged for something so trivial?” 

He then leans forward and kisses me fiercely picking me up as I wrap my legs around his waste. 

“I knew you would never betray me.” I say as he kisses down my stomach towards my core as he begins another round.

TAGLIST: @sugutoad @ilikefelines @sachaa-ff @mmogurl @classicsimpforaaronwarner @athzhowakar @themoonlitquill @thelastemzy

[vespaer77]

Aside from the fact that I think I might be the only person on the planet who could genuinely be interested in the Executors (I say "could" because my faith in good storytelling from BW is on shaky ground), I fully agree with this post.

And I say this as someone who wasn't sure that the Veil coming down was the right move. But whether someone thinks the Veil should come down or stay up is immaterial. The whole point is that no arguments for the validity of either claim were really ever truly examined. The only reasoning in the game that we get for the Veil remaining intact is that its collapse would "drown the world in demons." Which is... almost a fallacy on its own. Aside from naturally occurring malign spirits (that we learn about from the Mournwatch), demons exist as a direct result of the Veil simply existing.

Perhaps the danger is in not knowing what would happen to all of the mundane, unmagical folk when confronted with the full power of all the raw, unfiltered, chaotic magic of the Fade. But that's still thinking of magic within the confines of the Fade itself. We have no perspective, outside of Solas, on what magic really looks like when the Fade and the mundane world combine. Does it change? Is it still dangerous? Who does it endanger? Are we wrong? Are we right? Who knows? The whole point is that there's never an opportunity to ask those questions. And we have at least three characters fully immersed and available in the story who could provide concrete, first-person, lived and experienced answers.

But we never ask.

We have a spirit of Wisdom who loves answering questions.

And we never ask.

Hell, in addition, we have two dwarves that are connected, isatunolly, with the Titans, who were also there before the Veil.

And we don't get to really ask anything of great value. Even our characters are canonically frustrated with how little we get to ask.

I just think it's very interesting that this game was called Dreadwolf for so long, and then it wasn't. The game we got has very little to do with, and makes very little use of, the Dread Wolf at all. So the game is called The Veilguard. But at no point does the Veilguard really ever.... guard... the Veil. Or make any mention of guarding the Veil. Or have any discussion on why guarding the Veil is so super important or what it even means, especially considering that, in the first 20min of the game, the only real element threatening the Veil is neutralized until the last 10min.

The game, called The Veilguard, isn't about the Veil at all.

In my humble opinion? This game should have been given a title that had more to do with the Blight or the gods or something. Or, given how many times it gets said in game, it could've just been called, "Dragon Age: It's Just So Hard." Even on a meta level, that's a title I could've believed, lol.

All this without even mentioning that one mural memory. We all know the one. The one that falls somewhere between a shameful, textbook retcon and a blatant attempt at gaslighting.

Whoops. I mentioned it, didn't I? Maybe I'll make a longer post about that someday. That's the part of this game that really grinds my gears, the status of the Veil notwithstanding.

In short, I firmly believe that the vilification of Solas is purely based on a retcon (and one that makes no logical sense when properly examined) and it's a hill I'm prepared to die on.

Anyhoops, if someone told me that, even though this game had been in development for 10yrs, the final version of this game was produced from start to finish in 16mos or less, I'd honestly believe it. I also feel like they were 100% shooting for a game that would have DLC afterwards and were told late in their development cycle that there wouldn't be so they tried to gift wrap everything with the ribbons and bows that they had. Like... go to the Halls of Valor and tell me that this is a fully finished game that was intended to be complete from the very beginning.

Castles in the Fade, or What Was the Point of the Veil Anyway

Something that will now haunt me until the end of time is why was the concept of the Veil ever introduced into this series.

We’ve been hearing about it since the very first game. There’s a codex entry about tears in the Veil in Origins. Tamlen mentions a thin spot in the Veil if you play a Dalish elf. Sandal has a prophecy in Dragon Age 2: “One day the magic will come back—all of it. Everyone will be just like they were. The shadows will part and the skies will open wide. When he rises, everyone will see.” Admittedly, this is just one line said by a character who often says odd things, but it hinted to the fact they were planning to do something with the Veil from the very beginning. The state of the Veil is repeatedly brought up. It all had to mean something! Or so I thought. 

When I saw “The Dread Wolf Rises” quest in Veilguard, I said, “Oh, here we go!” The Veil is coming down, magic is coming back, and it’s going to set up such an interesting story for the next game. 

Alas, no. 

I hadn’t really enjoyed my time playing Veilguard up until this point. It felt like the game was ducking and dodging every bit of world building and lore that could possibly bring nuance or complexity to the story. Every returning character or faction was a cardboard cutout of themself. They shoved Solas is a time-out box and gave him nothing to do. They refused to let him have any impact or influence on the story when he had been set up to be our main antagonist back in Trespasser. This game used to be called Dreadwolf! And while we learn about his past… we never talk to him about it. In the present, he’s in stasis.

Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains. They are mad, bad, and only as dangerous as the narrative will allow as to not give Rook and co too much trouble. They are surprisingly patient while Rook fixes all their companions’ problems… until Elgar’nan moves the moon to cause an eclipse. A vital component in making his own lyrium dagger. For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure.

The Evil Duo need their own dagger ostensibly to tear down the Veil, because they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead? I guess they haven’t thought that through, because of the madness and the evilness.

Ok, I thought. Perhaps the gods will be the one to tear down the Veil. Or maybe we’ll have a choice to let Solas do it his way before they can, which will be less chaotic and less full of Blight. Because the Veil has to be coming down one way or another? Why introduce the concept of the Veil, especially a Veil that has been thinning and failing since the series began, if it’s just going to… stay.

There is a principle in storytelling called Chekov’s gun. If something is mentioned in a story, it must have a purpose. If you keeping mentioning that gun hanging on the wall over the fireplace, it’s because at some point in the story, someone is going to take it down and use it. The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games.

The Veil has been a character unto itself. It was the central focus of the third game, and its dissolution was set up to be the core conflict of the fourth game. We learn everything we thought we knew about the Veil was a lie. It was not created by the Maker to separate the Fade from this world because of jealous spirits, it was created by a guy named Solas to trap the elven gods and the Blight from destroying the world. Also, the elven gods were never gods, and they are also evil.

This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded. Religious crisis averted.

But I digress.

When the title of the fourth game was changed from Dreadwolf to Veilguard, I started to see the writing on the wall. Still, I held out hope the Veil would have some greater purpose in the story. That its introduction as a concept was for a reason. That something in this world would change.

Instead, from the get-go, the question of the Veil is no question at all. We only get Solas and Varric making oblique or catastrophizing statements about it. Solas says little beyond he has a plan. If I ever wanted to hear a villain monologue about their plan, it was now! Varric, on the other hand, decries Solas’s plan. He warns that should the Veil fall, it will destroy the world and drown it in demons. And that’s that.

We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. In Inquisition and Trespasser, we learn it took the immortality from the elves. It cut most of magic off from the world. Spirits are trapped and are being corrupted into demons, and most of what we know about spirits and demons is wrong. There are ancient elves possibly asleep? That part is left vague, but ancient elves are still about. We meet some in Mythal’s temple. There seems to have been some merit in bringing it down, because elves were flocking to Solas’s cause at the end of Trespasser. He had agents working for him already. What do they know that we don’t know?

Apparently nothing, because by the time Veilguard rolls around, there are no mention of agents. He is working alone. His only motivation now seems to be he’s too deep in his sunk-cost fallacy. The Veil is unnatural, so it must be removed—consequences be damned. We are never given any reason to think Solas has a leg to stand on in his pursuit of tearing down the Veil. We never hear any kind of counter argument from anyone, not even Solas, as to why the Veil should come down. We are only told it will destroy the world. It will drown the world in demons. This is all Solas’s fault.

There is no nuance. No complexity. No moral quandary to mull over. The game gives us vague warnings with no explanation as to what exactly is so world-annihilating about the Veil coming down. We must take Varric’s word at face value. We’re the heroes; Solas is the villain. Stop him.

It makes me wonder why Solas was ever a companion in Inquisition, let alone a romance option. Solas was presented to us as a complicated character in Inquisition. We had the potential throughout the game to make him see the value of this world, to help him realize he was wrong about it. “We aren’t even people to you,” the Inquisitor says in Trespasser. Solas replies, “Not at first. You showed me that I was wrong...again.” He began the third game viewing the world as tranquil, seeing the people in it as nothing more than figments in a nightmare, just as we saw our companions in the In Hushed Whispers quest. He ends the game having made friends, having recognized he was mistaken. He might have even fallen in love. (Or he may still seen no merit in this world if the Inquisitor antagonized him the entirety of their time together.) But something makes him continue with his plan to tear down the Veil, despite recognizing this world is real. He must know something we don’t. Something we’ll learn about in the next game.

We’ve been hearing about the Veil for three games now. We’ve set up our complex antivillain for the next installment, and he’s going to tear the Veil down. We swear to stop him or save him. But it has to be more complex than that. It can’t be so straightforward. Uncomplicated. Simple. Boring. Right? Right?

Nope. He really is just the villain, mustache-twirling and all. He apparently had no greater motivation, no as of yet unrevealed knowledge that would put this whole Veil thing into a new context. It was really as simple as the Veil falling will destroy the world, so Solas must be stopped. There is no new information that is revealed which makes us question what we are doing. Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?

Solas was the trickster archetype of this tale. He was our version of Loki from Norse mythology. What is the role of the trickster archetype? To challenge the status quo. To bring about events of extreme change, like say, the tearing down of a Veil that holds back all of magic. Loki is a huge contributing factor in Ragnarök. Through his manipulation, he causes the death of the beloved god, Baldr. This ushers in a long winter, which signifies the beginning of the end. Loki is imprisoned for this crime. When the final battle between gods and giants begins, the sun and moon are swallowed, plunging the earth into darkness. The earth shakes and Loki is freed to fight on the side of the giants. The world burns in raw chaos, falls beneath the sea, and is reborn. The world is remade, and a new realm of the gods and a new, better earth is formed.

It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic. This could be seen as equivalent to the long winter. Solas falls asleep, trapped in dreams. He wakes and sets in motion bringing about the apocalypse. It’s not a perfect one to one, but it’s there if you squint. We have a war against the gods in Veilguard. I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that. There is a final battle, but it does not end in the end of the world. Or a better world. It just ends, and everything is the same.

It seems our trickster god caused his apocalypse thousands of years before our story started, when he created the Veil. His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. He is no Loki at all.

If you can’t tell, I wanted the Veil to come down. Did I think the Veil coming down would be painless? Have no negative consequences? No. Of course not. But keeping it up has negative consequences too. And it made for an interesting story. Or at least it could have. But we never explore that. The game presents no counter argument to having the Veil stay up, which, again, begs the question: what was the point of introducing the concept of the Veil at all?

Did I think the Veil coming down was actually the best solution to help Thedas become a better place? I don’t know, and I never will, because the game never argues for it one way or another. It just tells you to want it in place and to stop asking questions. In real life, a catastrophic event is not the best way to solve any of the world’s problems. But this is the realm of fiction. We have gods and monsters, magic and myth. We have introduced the status quo of Thedas, recognized it needs to change, then our trickster god appears ready to fulfill his role in the narrative. 

Instead, it all comes to nothing.

I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins. Veilguard actually tries its hardest to pretend any previously mentioned problems don’t exist, so of course the Veil coming down has no merit. There are no problems to solve in this world, apparently. Solas is just stuck in the past and can’t get with the times. Silly Solas.

The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another. Large amounts of bloodshed weaken it, so I guess Thedas better achieve world peace real quick to avoid any battles. There were seven super-powered mages holding it together… now there is just one. Ironically, the Veil was going to fall after two more Blights anyway. The Wardens were doing Solas’s work for him! It would also have released the full force of the Blight at that time… which Solas was trying to avoid, I presume.

It feels like keeping the Veil up just pushed a big problem onto Thedas’ future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares.

Primarily, I wanted the Veil to come down from a storytelling perspective. The Veil was an interesting concept and I wanted the story to do something interesting with it. Conflict is what makes stories stories and the Veil coming down could create so much compelling and complex conflict. And the Fade is weird, and I like weird. Stories are also about change, and I wanted to see Thedas change. Yet, Veilguard is over, and barely anything has changed. Instead of magic coming back being a conflict for the next game, they went with Fantasy Illuminati. Oh.

The Veil turned out to be a nothing-burger, and no problems in this world are even close to being solved. Slavery is still rampant in Tevinter. The elven people are still oppressed everywhere. Mages have no more rights in the South than they did in Origins. Spirits are still trapped and being corrupted. The Calling still exists, though might be different somehow now? They don’t really get into that. The Chantry’s validity is still not allowed to be questioned. The Blight still exists in some form, but again it’s vague. Oh, and we learn the dwarves have been gravely wronged, and the Titans are still tranquil. At least if you redeem Solas and a romanced Lavellan joins him, they can work together on healing the Blight and helping the Titans. Oh, good. One problem is being acknowledged and some action will be taken. Offscreen. Hurray? Solas doesn’t have a really great track record of fixing problems, so Lavellan is definitely going to need to be there to make sure he doesn’t fuck it up.

For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn. The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why.

I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned… things suck quite a bit in Thedas already for a lot of people right now. Let the Veil’s fate be a difficult choice to make. If the conflict cannot be what to do about the Veil, it should be am I doing the right thing about the Veil. If the heart of your game is so thin on motive, everything else falls apart around it.

I hoped they were setting up a complex, Thedas-sized existential conflict for this game in Trespasser, but no. I wanted something to happen, but nothing did. 

I want to feel challenged and changed by a story, not left feeling empty. I’m tired of superficial entertainment. I want to sink my teeth into a narrative that doesn’t paint the world in broad strokes of black and white, good and evil, heroes and villains.

Ultimately, I think my issue is why even introduce a concept like The Veil if you’re not going to do anything interesting with it. Or anything at all. What I thought was Chekov’s Veil turned out to just be a MacGuffin. And that’s disappointing.

[aziraphales-library]

Hey, yall do super cool work, thank you for everything yall do <3

I was wondering if you could find any BPD Crowley fics? It isn’t have to be specifically centric, but just written with that headcanon in mind/referenced/mentioned, just about anything that mentions it 😅😅😅 Original universe if possible

tysm again for everything you do, I've been using your blog for fic recs for a WHILE now, super super useful and wonderful :]

Hello! While compiling this list I realised that a couple of these fics are yours, but I've added them for completeness and so others can enjoy them. Here are some fics in which Crowley has (or at least is implied to have) borderline personality disorder...

In This Twilight, How Dare You Speak Of Grace by cosmickaiju (T)

They can't bear to hear his pity. Can't bear the thought of Aziraphale thinking they're just like any other demon.

My World Can't Turn Without You by LvndrLemonade (M)

Crowley is convinced he's been abandoned for good, and doesn't see the point in going on. Upstairs in Heaven, Aziraphale's plans to stop the Second Coming are hastily interrupted by a sudden feeling of terrible dread.

Delicate by midnightdragons (T)

Aziraphale tries to comfort Crowley after waking him from a nightmare.

i was born sick (but i love it) by sonderrrr (T)

After he regains his breath, he falters three words. Three words that Crowley had prayed he would never have to hear again. Because it meant he was wrong. “I forgive you.” What was he being forgiven for? Initiating a kiss that was unwarranted? Not going with his Angel? Being a demon? Being unlovable? Sighing, Crowley shakes his head and starts for the door. “Don’t bother.”

The Great (not) Gatsby by luckythirt33n, LvndrLemonade (G)

Can't repeat the past? ...of course you can! Ever since being assigned to the states, Crowley has been, admittedly, lonely. He hosts grand, sinful, parties under an alter ego, so he can get Hell of his back, and simply bides his time to get back home. That changes when Aziraphale joins him in the United States, sent on a vague mission from Heaven to 'check in on things.' Though, their newfound time together isn't as simple as it should be; Crowley has gotten into some political hot-water with activity in his overwhelming free time, and the sudden appearance of a mystery man may be what can solidify a rather scandalous article that's bound to hit the front covers of every newspaper in the nation. Aziraphale and Crowley will have to balance want with need, thousands of years of pining finally bubbling to the surface. Will they be able to get their happy ending *and* keep each other safe?

Many waters cannot quench love, neither can floods drown it by mr_clairdycat (T)

"That said, this angel and this demon love each other in the way someone who loves God does, that much is objective. Their love is patient and kind, it doesn't insist in its own way, it is not irritable or resentful, nor does it rejoice at wrongdoing, but rejoices with the truth. That’s how it truly is; their love bears all things, believes all things, hopes all things, endures all things. Most importantly, however, it will never end. Does not matter whether everyone in the universe isagainst it, they will persevere till the end of their never-ending life. That considered, who could’ve known if God was truly against it in the first place, if this was a test, if this was their plan. But maybe, just maybe it is useless to ponder at such question. Cause that’s what these two are: indescribable, unimaginable, forbidden, wonderful. They are just ineffable."

- Mod D

[muiitoloko]

Could you please write dancing in the living room with Alan rickman? Like maybe started as reader trying to give him a sexy lap dance but the phone was accidentally on shuffle and it changed to random songs that changed the mood from sexy to playful and Alan join reader and they dance together and just goof around?

Thanks!!!

Title: Uptown Love

Summary: An evening of wine and romance takes a hilarious turn when Bruno Mars crashes the mood, reminding you and Alan that the best moments are often unplanned.

Pairing: Alan Rickman × Fem! Reader

Warnings: None

Author's Notes: Thank you for your request.

Also read on Ao3

The warm glow of the fireplace bathed the living room in a soft, flickering light, casting an intimate atmosphere over the space. Alan sat on the plush couch, his long legs stretched out, a half-full glass of red wine in his hand. His cheeks were faintly flushed, a combination of the wine and the way you’d been teasing him all evening with subtle, sultry touches and lingering looks.

When you pushed him gently back onto the couch, his hazel eyes widened with curiosity, his hooked nose twitching slightly in amusement. “What are you up to now?” he asked, his baritone voice smooth and laced with playful suspicion.

You smirked, grabbing your phone from the coffee table. “I want to dance for you,” you said boldly, your heart pounding as you scrolled through your playlist to find the perfect song.

Alan raised an eyebrow, leaning back with an indulgent grin as he swirled the wine in his glass. “Well, don’t let me stop you,” he murmured, his eyes already gleaming with excitement. He took a sip of his wine, his gaze fixed on you as you stood before him, a picture of confidence and allure.

The music started—a slow, sultry beat that filled the room with an undeniable heat. You began to sway to the rhythm, your movements deliberate and teasing, your eyes never leaving his. Alan’s breath hitched, his hazel eyes darkening as he watched you, his hand tightening around the stem of his glass.

“Good God,” he muttered under his breath, his hooked nose flaring slightly as his gaze followed the curve of your hips. “You’re going to be the death of me.”

You smiled wickedly, turning your back to him as you rolled your body to the beat, your hands trailing over your curves. Alan set his glass down, clearly too captivated to bother holding it anymore. His lips parted, and you could see the faint rise and fall of his chest as his breathing grew heavier.

“Keep going,” he urged, his baritone voice low and gravelly. “Don’t you dare stop.”

You felt emboldened by his reaction, your movements becoming more sensual as the song reached its peak. Alan was completely enthralled, leaning forward slightly as though drawn to you by an invisible force. “You’re bloody magnificent,” he murmured, his voice thick with desire. “Every movement—Christ, you’re perfect.”

The song was winding down, the mood electric, and you were just about to step closer to him, ready to finish your performance with a seductive flourish, when suddenly—an upbeat, unmistakably cheerful tune blared from your phone.

"This hit, that ice cold / Michelle Pfeiffer, that white gold!"

Your heart dropped. "Uptown Funk" by Bruno Mars had taken over, shattering the sultry mood like a brick through a window. You froze, your eyes wide with mortification, and then turned to look at Alan, your cheeks burning. “Oh my God,” you stammered, fumbling with your phone. “I didn’t—I forgot the playlist was on shuffle!”

For a moment, there was silence. Then Alan laughed—a rich, deep, belly laugh that filled the room and made your embarrassment melt just a little. “Oh, darling,” he said, rising from the couch, his hazel eyes twinkling with amusement. “Don’t you dare turn it off.”

“What?” you said, blinking at him as he grabbed your hand, pulling you close. “Alan, this isn’t sexy at all!”

“Who says it has to be?” he countered, his baritone voice warm with laughter. “Come on, love. Let’s have some fun.”

Before you could protest, he spun you around, his movements surprisingly fluid for a man of his age. He held you close for a moment, his hands firm but gentle on your waist, then stepped back to do a playful, exaggerated twirl.

“Don’t believe me, just watch!” he sang along, his deep voice comically out of sync with the upbeat tune.

You couldn’t help but laugh, your earlier embarrassment fading as Alan moved with a surprising amount of energy and charm. He grabbed your hands, pulling you into a silly but endearing dance that had you both laughing uncontrollably.

“You like this song?” you teased, your voice breathless as he dipped you dramatically.

“I bloody love it,” he declared, grinning as he pulled you back up. “It’s a masterpiece. And you, my darling, are my dance partner for life.”

Alan twirled you again, and you found yourself completely caught up in the moment, the two of you moving together in a way that was both ridiculous and utterly perfect. He sang along to the lyrics, his deep, rumbling voice making you giggle, and when he spun you into his arms for the final note, he held you close, his hazel eyes softening as he looked down at you.

“You’re wonderful, you know that?” he said, his voice quieter now, though still tinged with amusement. “Even when you accidentally ruin the mood.”

You smiled, wrapping your arms around his neck. “And you’re ridiculous,” you replied, leaning up to kiss him softly. “But I wouldn’t have it any other way.”

As the song faded, Alan pulled you into a warm embrace, his hands resting on your lower back. “You’re the best thing that’s ever happened to me,” he murmured, his voice deep and full of affection.

You rested your head against his chest, listening to the steady beat of his heart. “I could say the same about you,” you whispered, feeling a warmth that had nothing to do with the fireplace.

The night may not have gone as planned, but as you danced together to the sound of laughter and love, you realized it had turned out even better.

[thatgirlwithasquid]

ooo okay this looks fun (and i am procrastinating like a bitch rn so...)

Hm, I'm not sure. Maybe The Naming of Hobbits by @andhumanslovedstories? It was one of the first fics I read when I got into using AO3 and I remember it giving me a good giggle. I really should go back and reread it. It must've been years since I've read it by now... And yet I still think of it fondly as 'that funny The Hobbit fic' so it clearly left a very good impression :)

So many. So many make me cry. I've reread Time Falls Away by @not-close-to-straight like three times I think? And each time the line 'I don't know this part of the story' has me UGLY SOBBING. Love it. Absolutely an amazing read. I still haven't worked my way up to the third fic in the series cause the emotions are still too strong rn, but I am very excited for whenever I finally do! I also gotta mention All Is Fair In Love by @stranger-awakening cause OH MY GOD nothing has ever hurt me like this fic hurt me. The pain. It just kept getting worse. It was so good but I needed frequent breaks when reading cause the emotions were So Much. I'm also just realising I never kudosed that fic and OMG I AM SO SORRY. I was too caught up in the throes of agony, I apologise!!

My comfort fic is definitely Petey and Wade discuss the proper way to go about vigilantism (and maybe they fall in love too) by @isadancurtisproduction. I have read that fic at least once a year since I first came across it. I love it so much, it's insane. It may even be my all time favourite fanfic

I am gonna have to say Rapture by mia_ugly on AO3. I read it out of morbid curiosity and I have not been the same since. This is the fic that introduced me to this type of time travel fics, where the time travel muddies the relationships and makes everything angsty and confusing and secretive. It is my FAVOURITE kind of angst and I have read multiple other fics with the same trope since. I adore them <3

Oh, 100% @sheena-is-a-punk-rocker. Since I read all your quinnflag fics and loved them so much I started on my own quinnflag wip. Started off thinking 'how would they have gotten together before The Suicide Squad?' like they are in your The Suicide Squad but Rick and Harley are already dating series (which is such a fun read and deserves all the love!!) and my wip has become its own thing from there :)

Lol I'm not the best authority for this since I do not read much fic for either of my main fandoms (sorry Stranger Things and The World of Mr Plant!) but I definitely think @kittyphoenix12-xx's work deserves so much more love. I need to read more of your fics, babes, cause the ones I have read are SO good. I TREASURE that cunningway fic you gifted to me, and getting to beta a couple of your works was such an honour. I especially loved the stars look down and know, cause it's so so sweet!!!

Good question... Commenting, I guess. That's the obvious answer. And I really need to work on it myself (and I'm trying!!) but we could always do with more commenting. Authors love seeing it so we need to do our part more (which is why I'm tagging the authors in this despite being a bit nervous about that lol, cause you guys deserve hearing how wonderful I think your fics are :) )

I really don't know. I don't like telling people not to do things cause I think that's just rude. Fanfic is for fun, and if you like doing something that someone else thinks there's too much of then fuck them! Have fun with it cause that's all that matters. I see people complaining about certain things from time to time and just think 'well... you could just... not?' Maybe that's what I wish there was less of in fandom: people feeling the need to make a fuss when they don't like something, cause most of the time when I see it it's over the most non-problem things.

Alternative Fic Recs

Fic recs are a great way to introduce people to stories you love. But instead of a list, you could try this format instead? I've tried it before and I really liked it, as it made me think about the fics I've read differently.

This isn't a tag game or an ask game. You can copy, repost, reblog, share and edit this at will if you're looking to do a fic rec :)

The fic that's made you laugh the most?

What's a fic that makes you cry?

Your fave comfort, silly fic?

The fic that made you try a genre or a trope you wouldn't normally read.

An author that's inspired your own fic writing (if you're an author), or your TBR list (if you're a reader).

Your fave "underdog" fics/authors in your fandom(s). Those that you feel are underappreciated and deserve some love.

What's one thing you wish writers/readers/the fandom did more of when it comes to fanfiction?

What's one thing you wish writers/readers/the fandom did less of when it comes to fanfiction?

[spotsandsocks]

Hello lovely, what a wonderful idea, I couldn't resist a ❄️ as where I l8ve we get hardly any but could I also go for 🎅 and "kiss" please?

Hello there and thanks for visiting my inbox to help me spread some seasonal fluff. Kiss you said and kiss it is

Buck laughs when he opens his Secret Santa gift. He suspects it’s from Bobby because he has one the same. It’s become a bit of a thing in the team now; his apron collection, it’s up to 8 now. Always room for another one.

He likes this new one, models it for everyone and then takes it off carefully, folds it up and promises he’ll wear it when he cooks next.

He does wear it, it’s Christmas Eve and he’s cooking dinner for Eddie and Chris, now back where they both belong thank god.

Chris is in his room, Buck’s stirring his sauce carefully and Eddie’s behind him, technically being his assistant but mostly watching.

“You look good in an apron, especially that one.”

Buck turns to face Eddie who’s leaning against the worktop, arms folded. He looks like he’s thinking about something.

Buck looks down. It looks like an apron to him, silly words that have been printed in millions of aprons across the world.

“Do you think I should?”

Puzzled Buck frowns at his friend “should what?”

A slight smile in his face Eddie points towards Buck or more precisely his apron. He starts to move and if you wanted to be even more precise you could say he was looking at the letters on his chest.

Eddie stops in front of him. A finger touches each word as he answers the question.

“Kiss the cook”

Buck swallows mouth suddenly dry.

“Well? Should I?”

He can feel Eddie’s breath on his skin.

Trying to get some moisture back he licks his lips. Eddie’s eyes drop to watch him.

“Well it is on my apron and we are trained to follow orders so I guess we should probably do what it says or…”

He doesn’t get to finish his sentence because Eddie is busy following the instructions on Buck’s best Christmas present ever.

Now ❄️ was for the Christmas fic words but I’m not sure you meant that one from the way it’s phrased so I’m thinking the other blue emoji was Christmas jumper so I’m taking a chance you meant that instead. So here you are 💜

And just in case it was words you wanted here’s a mistloe kiss from one of my early fic

“I guess everyone likes kissing huh Eds?” Better he congratulated himself for getting closer to the key topic.

Then in a genius move he added, “its supposed to be bad luck if you don’t kiss under it you know.”

Eddie had remained quiet through his educational broadcast on Christmas’ most famous plant. At this point all he seemed capable of was a quite

“Oh”

Eddie was looking at him with rapt attention, looking at him in the way Buck liked so very much.

He took the plunge “in our line of work I don’t think we should risk it do you?” He offered it as a question wanting to let Eddie choose as he made his intentions clear. His hand only trembled a little as he cupped Eddie’s chin, bravely letting his thumb lightly trace Eddie lower lip. His eyes flickering between Eddie’s mouth and eyes broadcasting his thoughts.

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[lecliss]

I'll never be able to take the theory that Vincent is Sephiroth's real father seriously cuz I cannot stress enough how important I think it is to the plot that Vincent wanted to fuck Lucrecia and did not get to.

[zarovich]

cant sleep, too distracted thinking about him and how hes so beautiful. i dont mind losing sleep if hes on my mind

[todayisafridaynight]

At which point did you realise that the plot of IW is ass? I've seen people complain only about the ending or the halfway point where the teams separate, while I was already actively rolling my eyes like four-five chapters in

i think the moment i fully accepted that IW's story was. Definitely A Story was the moment ebina announced 'bleach japan'. like i think leading up to that point i was thinking to myself 'oh i hope i see X happen' or being like 'i wonder where this is going' and that sort but the proverbial bucket of ice was definitely that moment

[jefferythejelly]

*long, deep, belabored sigh*