“Where’s the crowd?”
“Sleeping perhaps. Or just got off from work. Teenage lovers usually meet up at this place.”
“Lovers like us?”
Tony nuzzled her nose. “Yes.”
“Tony.”
“Hmm?”
“Isn’t that spot cute? The wedding arch, the seats…”
They stood in front of the wedding arch. Tony gently pulled her closer, kissing her cheek. He embraced her, arms loose just atop her butt, he whispered, “I’m thinking about something…”
“Like?”
“Like wedding arches…”
“Wedding arches…you’re not thinking of proposing, are you? Tony…”
“I know. We’re not ready, but…why not practice?”
Priscilla chuckled. “Practice what? Kissing for when we walk up to the altar?”
“Yes…”
“Then I’ll indulge you.”
Tony nibbled her lower lip, before resting his hand around the top of her butt again. With a mischievous smile, his hand found the bottom of her butt cheeks.
“Tony?” Priscilla warned. “This is not how this goes in the wedding – ”
He hoisted her up with a grunt, Priscilla letting a soft chuckle. For a moment, everything was quiet. The far sounds of the city were muffled, their surroundings a blur. Tony kissed her again. When they broke apart, Tony smiled up at her.
“Thank you for making my birthday so great,” he murmured, enough for her to hear. “Just you, coming here was enough, really.”
“And I’m going to make that great into excellent. I have something back at your apartment.”
“You spoil me, love.”
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hi! i've been reading some of your older fics and was wondering if there's any merit in watching buffy for the first time in the year 2024
This may not be obvious, but this is actually an extremely complicated and highly subjective question. I'll try to go on for too long.
As background: my mother loved Buffy and its spin-off Angel growing up. It was our Bible (besides the actual Bible). Not kidding, she was on the forums and fan groups and wrote fanfiction for it and everything (These days, she's really into kdramas and Asian dramas, and calls me about how the Thai seem like big fans of gay people). So I'm quite biased.
BTVS is both a product of its times and ahead of its times. It was a show about feminism and the struggle of living in this world as a woman, when very few shows were doing that. It was the first show to have a long-lasting lesbian couple, and the first show to depict a kiss between them. For better or for worse, it was one of the codifiers of broody vampire boyfriend. It was pretty unafraid to be experimental in a lot of what it did. It had incredibly complex and nuanced character work and growth that I still aspire to. Spike's arc is still matched in quality only by Avatar's Zuko. Angel's long term arc, from Buffy to his spin-off series, still makes him one of the most complex characters on TV. It had the most complex depiction of depression on TV at the time and I still think it's one of the best. I think the show had very high highs.
It also had very low lows. Some of the feminism is problematic in retrospect. The sapphic couple has a rather famous element that was severely problematic. There are, overall, some deeply atrocious arcs that I can appreciate objectively but not in practice. Xander: a whole-ass character aged awfully. On a meta level, the workplace conditions were bad (thanks, Whedon.) There are no people of color. The spoiler's sake I won't go into detail on this, but in general the good stuff was so influential and the bad stuff was just awful.
I think these days people tend to brush off the entire thing because it's Whedon. That is more than fair. But I'd also say that Whedon & Buffy is extremely similar to Brian Michael Bendis & Ultimate Spider-Man. Bendis was fantastic at writing sassy, bouncy, permanently stressed-out teens - issue was, he wrote entirely different serious adult characters the way he wrote these sassy teens. Same with Whedon: the annoyingly constant quips are perfect for Buffy, because that's who the characters are. They're awful in Marvel, because Steve Rogers is not Xander. Kinda similarly, Buffy was genuinely feminist for 90s TV - issue is, Whedon has not grown or developed his views, and now his works feel so sexist (oh my fucking god why did you treat Natasha like that). After a certain point it's egotistical: you're writing like that because you're Joss Whedon and it's how you write, not because it's what's best for the characters and story. But it was really important to me to get the character voices right, and it's freaking difficult to endlessly write dialogue that distinct, full of voice, witty, and clever.
I think BTVS & Angel TV's greatest influence on my writing is how intensely character-driven both of those shows were, and how intricate the characters were. What every character did was something they would do, if that made sense. Even the stuff I hated to watch, that made me uncomfortable, was the culmination of so much (usually). I think I also picked up the constant wit and humor lol. On a personal level, the conversations I would have with my mother where she broke down the character motivations and composition of the story was my first exposure to looking at storytelling from an analytical perspective and a framework of critical analysis, which was an approach I carried into the rest of the media I consumed and that was the primary reason I was able to become a decent writer. Thanks, Mom. Have fun with your kdramas.
TL:DR: There is merit, especially if you care about good character work. There are things about it that may make you want to drop it, which is extremely valid. Season 1 is rough but interesting, Season 2 and 5 are the best, Season 3 is pretty good, Season 4 and 7 skippable, and Season 6 is........epic highs, epic lows......
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“That one time Barnaby broke somebody’s jaw for going a little too far w/ insulting Wally & almost got expelled <3”
Full story please? <3
WITH PLEASURE!
for those who are slightly confused, this is for 'my' modern human au! well. modern-ish!
okay so when they were in freshman year / 9th grade, Barnaby and Wally are soldily Bonded. they are a set, do not separate. they receive a lot of shit for this, because some kids are assholes and that's especially true for 14yr olds. and it's 2006. so Wally and Barnaby get teased/bullied a lot for their closeness. at this point they're kind of used to it. they met early in 7th grade and have been inseparable ever since. most of it slides off of them
but what is Barnaby was having an especially stressful week? one of those weeks were everything is going wrong, nothing is working out. so Barn is at the end of his rope, and then one of the main kids who likes to bother them insults Wally specifically, and badly. like it's some next level So Bad Its Almost Impressive shit. at present Barnaby is walking to his next class with Wally and Poppy. so Barnaby just kind of stops in place, mentally chooses violence, turns, walks up to the kid, and punches him as hard as he can. it knocked the bully out instantly and broke his jaw.
and keep in mind that at this point in time, Barnaby isn't the big strong guy he is later on. he hasn't had his main growth spurt yet. and he still packed enough of a punch to do Damage - which makes him even more intimidating when he Does hit his growth spurt and towers over practically everyone
the pros of this event: Frank and Julie were watching, and Frank respected Barnaby's response so much that he allowed Julie to bring him to hang out with the growing friend group at lunch / asshole kids were less inclined to insult Wally and Barnaby (or his friends) to their faces
cons: Eddie was also watching and was too scared of Barnaby for the rest of their school career to try and talk to him or his friends / Barnaby nearly got expelled but did get suspended, and that's a permanent mark on his record
so the kid goes down, everyone freaks out. Barnaby is still too angry to feel anything other than pissed off vindication. naturally higher Authorities (teachers) come to get the unconscious student to the (i almost said vet) nurse's office, and to bring Barnaby to the principle's office. they call Ms. Beagle and have her come pick him up. Wally has stuck like glue to Barnaby pretty much the whole time, except for when Barnaby was in the office to get chewed out / interrogated. when Ms. Beagle is done w/ her conversation with the principle, she takes Barnaby and Wally home.
there, Barnaby is still worked up, and as "punishment" Ms. Beagle has him do some menial tasks alongside his usual after school chores. Wally tags along, of course, and asks why the hell Barnaby did that. in a nicer Wally way of asking. this is what breaks the camels back. Barnaby just sits down and starts crying, to which Wally is like "oh no. oh fuck. what do i do." cue a solid minute of him just standing and staring in panic before awkwardly sitting next to Barnaby in solidarity.
when they go inside, Ms. Beagle already has Barnaby's favorite dinner whipped up and ready. She gives him a talk where she's essentially says "blah blah blah violence isn't the answer. however, good job for standing up to that kid. he's an asshole and deserved a good wallop." (listen im a firm believer in ms beagle having been a Wild Youth that would have thrown bricks at cops). Moods are lightened, they have a good dinner. The next day or so they need to go have a meeting with the Injured Kid's parents. that's when they find out Barnaby fully broke the kids jaw (he feels a little bad for that) and that the parents are pushing for his expulsion and also juvie. Ms. Beagle manages to whittle down the sentence to a long suspension and then detention for the rest of the year, as well as her paying the kid's hospital bill.
tl;dr Barnaby punches a kid for insulting Wally, gets a new friend out of it, nearly gets expelled, and gains a mostly unfounded Reputation that dissuades most from outright messing with him or his pals
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So many types of books that have strong summertime associations that I spend all my time cycling through cravings for certain genres or books.
Within the last month, I have wanted to read/reread:
Jane of Lantern Hill by L.M. Montgomery
The Electrical Menagerie by Mollie E. Reeder
Valiant by Sarah McGuire
Retellings in general (especially Cinderella retellings)
Golden Age mysteries, especially Josephine Tey and Agatha Christie
The Moon-Spinners by Mary Stewart
Books set in locations that are not America or England, especially warm climates
Books set in wintery/cold weather settings
Science fiction/space opera
Superhero stories
Civil War history/Presidential history
D.E. Stevenson books (and other mid-tier vintage light fiction)
Wilkie Collins books
Graphic novels
And I'm sure there are others that I'm forgetting
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