#Exploring Even Alter

[lipeg]

The RWBY team and Jaune were in Nevermore made by the Glyphs of Weiss.

Thanks to the Semblante Jaune, Weiss's Nevermore was twice as big to support the weight of the five.

They were approaching the walls of the city of Vacuo.

Ruby was more excited than ever to see Atlas's ships.

But when she got closer, she saw far fewer ships than she had in Atlas' kingdom.

Weiss: It looks like we have a reception waiting for us

Jaune: I'm not so sure

Nevermore dived.

In front of the city gates stood Qrow, Winter, Robyn, Oscar where most of his hair was white, Theodore was also present.

Nevermore landed on the ground, Ruby ran off in the direction of her dear uncle.

Ruby: UNCLE QROW!

Like a bullet, she ran out to hug her uncle. Qrow opened his arms to welcome his niece, tears falling from his eyes with happiness.

Yang ran to his dear uncle, Weiss ran to hug his dear sister.

Blake thought something was wrong, she looked back and saw Jaune with his hands in his pockets looking back.

Her cat ears heard a noise.

They were surrounding, Vacuo soldiers had their guns pointed at Team RWBY and Jaune.

Blake: Why are they pointing guns at us?

Blake and Yang and Weiss and Ruby drew their weapons.

Weiss: Winter tells them to put down their guns!

Winter: I'm not in command, Weiss

Weiss was surprised.

???: So those responsible for the destruction of Atlas are here in my kingdom

Weiss: YOU!!!

Weiss pointed Myrtenaster at the woman who had just arrived.

Winter: Weiss put down his weapon

Weiss: You've forgotten who she is, sister! Killer number Atlas is in front of us

???: Young lady, you don't have any authority, I'm the authority

Ruby: Who is she?

Weiss: Eula Lawrence, she's the biggest murderer and traitor in Atlas!

Eula: And current ruler of Vacuo

Weiss: WHAT!!!!

Eula: Arrest them and throw them in jail, we'll hold the tribunal to convict those responsible for the fall of Atlas in a week's time

Ruby: We save Atlas...

Eula: Being "saved" means destroying an inner kingdom and losing a small percentage of its population. So, you saved a lot of people! So much so that we have several Atlas scientists and engineers missing or lost

Jaune: They're all dead Eula

Everyone looked at Jaune, who had his head down.

Eula: Are you sure

Jaune pulled his scroll out of his trouser pocket and threw it to Eula.

Jaune: Here's a list of the names of almost all the missing people, some of whom I couldn't find.

Ruby: Jaune what are you talking about

Jaune: The water in that place was acidic Ruby

Everyone kept quiet.

Ruby: what?

Jaune: The sea water there was acidic. For anyone without an awakened aura or with little aura is asking to die. You certainly don't explore that place much, do you?

Blake: No

Jaune: So you were unaware of the many dangers that this place holds. I don't think you've all been underground in that place

Jaune took his left hand out of his pocket and stared at it with a sad expression, then he closed his hand tightly.

Jaune: I tried to save people from Atlas but I didn't succeed either time Eula, I'm sorry

Eula: No need Jaune, I know very well what happened in Atlas was your idea

Weiss: Did you two know each other?

Jaune: Of course, after all, she's my girlfriend

Everyone's mouth dropped. Everyone was shocked.

Weiss's soul left his body.

Yang: WHEN! HOW! You caught a big fish

Jaune: On that mission, it was just me and a few other soldiers who ended up dying in the storm.

Eula: For the first time, someone in Atlas gave me a real duel. He's worthy of being my man

Jaune: Ruby surrenders

Ruby: BUT!

Jaune: There's nothing you can do to stop it, Atlas was destroyed as a result of your plan, the idea of evacuating Atlas using the staff was also your idea. You indirectly have blood on your hands

Ruby was frustrated.

Jaune: Eula is very honorable, she will let you have a fair trial so you don't have to worry

Ruby accepted, even though she didn't want to. The RWBY team was arrested, Qrow and the others followed the guards.

X

Jaune and Eula were in her office.

Eula: So Jaune, I don't know what you've been through but I know you're much older, so do you have anything important to share?

Jaune: Yeah, I have many important things

His eyes were shining.

Jaune: Very important

I like this meme. I really like it.

But RWBY was in such a difficult situation after V9 that I wanted to finish Jaune without anyone. That he didn't stay with Ruby or Weiss.

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[ovenproofowl]

bad blood is one hell of an episode. it literally opens with mulder straight-up murdering a regular teenager via stake-through-the-heart and he and scully are like pretty sure the FBI is going to be sued and they're going to be doing some serious jail time. except both of them remember the story differently. scully's story is predictably logical and straight-forward. the killer was drugging his victims before bleeding them out, mimicking a vampire attack by wearing fake fangs (which are proven to be fake. this is crucial. this kid was wearing plastic fangs when mulder stabbed him. in the chest. with a wooden stake.) what is also crucial is that mulder was a victim of this murderer's attack and so he was tripping hard when scully intercepts the killer. mulder - whilst tripping balls - is convinced that the killer has glowing eyes and flew across the room before running out the door. and so - whilst tripping balls - he gives chase and ends up stabbing the kid through the heart with a wooden stake.

and of course this is the x files and so while scully and mulder are arguing over who gave who the hardest time in their percieved series of events, it turns out that mulder was right. the kid was a vampire and the stake didn't actually kill him. the fangs were fake because he was copying the sorts of vampires that you see in books and on tv. he was a real vampire.

and it's not just the kid. there are bunches of vampires, including the sheriff. the whole town are just. vampires. the lot of 'em. and the second they're found out, they just up and leave without a trace.

sometimes the extent to which mulder turns out to be right in this show is borderline ludicrous, it's amazing, I love it. but what was even better was that the biggest point of contention between scully and mulder's stories wasn't even the vampire thing, it was whether or not the sheriff was actually hot.

[luck-of-the-drawings]

[OLD ART ALERT] A COLLECTION OF SCENES FROM THE GILLIONS CATSCRATCH ARC THAT BROUGHT ME GREAT JOY. i love fishy chips especially when its just gillion being delirious and violent and hostile

[spyres-moved]

the hack to surviving the pmd fandom is to not interact with explorers fans (<- guy that is an explorers fan)

[paragonrobits]

I take 'Aligned Grimlock doesn't seem to actually less intelligent despite nearly 99 percent of his processor's energy being forcibly rewired into muscle power' and raise you 'that IS what is happening, but Grimlock is just so dang smart that he mostly suffers some mild speech issues despite functionally suffering a nearly complete lobotomy'

[itseghost]

FIRST DA2 PLAYTHORUGH EVER DONE. if eel sick

[incomingalbatross]

One of the MANY reasons Sarah and Jo should go on wacky post-UNIT adventures together: I think Sarah's distressing tendency to think the Doctor is dead, plus Jo's distressing tendency to think she herself is dead, could lead to some really entertaining setups where they both briefly think Jo is a ghost.

[leonardalphachurch]

listen none of you understand okay. the idea of dεlta being like. i am a being of pure logic i am an ai created for one purpose and nothing else i am not a person i am not even sentient just a piece of code given a voice for someone else’s mind. and then being like. *is in love with his host* like. it’s so good. it’s SO good.

[coulsonlives]

I just had to share this video because holy shit, it hits the nail right on the head! So well spoken. This stuff needs to be circulated more, esp with the growing number of people thinking they have this because of misinformation, or just outright faking it.

[phoenixcatch7]

If there's one thing I like more than time travel it's crossover reincarnation, so.

Botk link reincarnated as Damian Wayne.

An incredible weapon master of all types, but especially prodigious with a sword - he was beating knights at the age of 4 and with his memories as intact as they get for him I can see that goalpost moving even further (probably with traps and tricks, a 3yo doesn't exactly have great bodily control).

He's an excellent survivalist, agile, strong, durable, cunning and creative. He can move like a feather in the breeze, strike from behind with ease. His first kill, an animal, did not stir him as it did the other children. With his poise, grace, skills, obedience, he ought to be ra'as' finest assassin in the making, a jewel in the crown of the league.

Except he never speaks a word. Half his targets escape unscathed. He skates by true punishment on the merit of his skills and achievements in other missions. Testing has shown it is not a physical deformity that prevents his speech, but not even talia has been able to coaxe a word from him past his second birthday.

It is a defect ra'as is growing more and more frustrated by, as each attempt to fix these two final flaws ends in resounding failure. Less extreme solutions are running dry.

Talia fears those solutions. Her child does too, she knows. For them, there is a possible solution, more extreme than anything ra'as would tolerate.

She sends him out of the league. To his father.

To Gotham.

[timeisacephalopod]

I've kinda seen some pushback to the idea of representation in media and I don't necessarily think it's bad to point out actual rights are more important than Disney's thousandth first gay character that's fine, but I've had a LOT of people comment on my works about asexual characters and tell me what I wrote changed their life-and it's always that phrase- because they now have the language to describe what they feel. I've had people who ARENT ace or aro comment that what I wrote finally made a concept they didn't understand make sense, or that the way I explained things was interesting and enlightening and I'm kind of a mediocre writer who hasn't written anything in ages.

Like idk, if reading something from a writer who is fucking around and only somewhat talented can genuinely impact someone because they've not seen anything like them reflected back at them in life or media I don't think pushing for representation in media is as "needless" as some people seem to think and caring about that doesn't mean you don't care about more "important" (although if you think seeing people like you in media ISNT important it's because you already have that representation or are privileged enough to not care if you do, in which case maybe pipe down) stuff. Hell, I even got a Facebook message ages ago from someone who found a comment I left in an ace group about QPR's and what they meant to me and how I perceived them and the person no joke said what I wrote two years before they even found it changed their life forever because they finally knew what kind of relationship they actually wanted.

So like sure, of course there's always bigger fish to fry them diversity in media (you know, like diversity in real life lol) but I don't think it's as frivolous as some people are beginning to act like it is. At least not if you're an aspec person it's not, I STILL don't see ace characters almost ever and I'll bet my whole everything if I asked a writer of a show why they'd tell me that EVERYONE has to be in a sexual relationship and characters that aren't won't sell and are boring- I say this because in film school I had a teacher TELL ME every character needed to basically be sex obsessed and when I pointed out a GREAT MANY CHARACTERS are not revolved around sex (Supernatural stars two brothers, I pointed out) and when she asked if I had love interests I was like ??? That doesn't matter- using my aforementioned supernatural example almost all their love interests die or get mind wiped because at the end of the day that's not what the story was about. So actually I think writers who act like that teacher need like 50 reality checks, and representation in stories isn't unimportant and also support indie writers you'll probably find more funky shit there then Disney anyway lmao.

And also even the asexual characters I DO see in media don't remind me at all of myself even if I appreciate the effort, but they never feel real or genuine and their sexuality doesn't get a lot of exploration so 🤷🏻‍♀️ I actually could use more media focused on characters that I can genuinely see my sexuality reflected in in a meaningful and narratively impactful way because I've got nothing.

[elytrafemme]

(kinda gets 18+ in tags srry. i never know how/where to talk abt it) and honestly it's never like i can pull up and talk about like, emotional abuse either. or like atmospheric triggers and shit. because talking about any of that is hard. but it's specifically fucking impossible to ever talk about sexual trauma to anybody ever, which is fucked because like... i'm trying and i'm doing good at it, i'm proud of myself, but it's so like. idk. when something dominates your entire life for an incredible critical five years of your life and entirely transforms how you approach anything it's like... i don't actually know how to express any of this at all. and i guess it's sometimes hard for people to get it. i dunno.

[phantomrose96]

So my mom's birthday was this week and I flew down with Patches to visit her for a few days. Patches, while a verified hater of the airport, really loves my mom's place because there are so many more closets to explore and birds to watch and cobwebs to dust with her stupid little face.

My mom also goes to bed earlier than anyone I know, so for the evenings it was on me to monitor Patches' activity. And she's very good. She's 99% good. She's 1% "could use improvement" good and the 1%, which I'd forgotten about, is tomatoes.

Patches will leave most things alone. (And by "alone" I mean she'll absolutely bitch slap them onto the floor, but they will leave the ordeal with just as many or few surface punctures as they had before the encounter started.) Not tomatoes. Patches has it the fuck out for tomatoes.

So when I noticed her batting something around on the ground I realized that my mom had left a sole, roma tomato in the fruit basket on the counter and it was now experiencing the life cycle of a pingpong ball between Patches' paws.

I take it away from her, like a fucking evil woman, and now I'm like "okay actually, where do I hide this." See at home I have an anti-Patches cabinet, which is for things that have no business living in a cabinet but which WILL have business dying at Patches' hands if left accessible. And this is WEIRD to have such a cabinet but it's my own home.

I'm scanning my mother's cabinets going "is this weird here? can the tomato go in my mother's dish cabinet?" And I briefly consider sticking it in the fridge, as a normal location, but the audacity of altering this tomato's ripening process is an audacity I do not possess. So I go with cabinet. I go with the first eye-level cabinet, which is the coffee mug cabinet, which is perfect because the tomato will not be lost to cabinet purgatory there, since my mom opens it every morning for her coffee. I will simply tell her in the morning that the tomato is there.

Next morning. Seeing as my mother goes to bed at the butt-crack of dusk she ALSO gets up at the ass-crack of dawn. This means I trail down like 2 hours after her with my work laptop and Patches. This is also now her birthday. I'm sharing the sofa with her for a good 15 minutes when I think to myself I'd like some coffee, and I remember I put a tomato in the cabinet. I tell my mom as much. I put the tomato in her coffee mug cabinet.

And the look I get is one I can't really figure out on spot. But she says "Chrissy this is the best birthday present you could have given me" which is a very weird response to the already weird statement "Oh you probably saw, but I hid the tomato in the coffee mug cabinet because Patches has it out for tomatoes."

So I do not at all know how this makes for a good birthday gift. My mom tells me how a week or two ago, she came home unloading groceries. At the end of putting everything away she could not for the life of her find her phone. Absolutely nowhere. She pinged it from her iPad and it started singing. From the fridge. She opened her fridge. Her phone was in the fridge.

A couple days later she lost Ash's collar. Spent three days looking for it. Couldn't remember where she'd taken it off or what she did with it. Showed up in the grass when she remembered she took it off to let him play fetch in the lake.

And then this morning, her birthday morning, she came into the kitchen, made her pot of coffee, opened the cabinet to fetch her coffee mug, and found... tomato. Singular. Tomato in the cabinet. Tomato she had no memory of placing in a cabinet. Tomato she could not possibly fathom having a reason for being in the cabinet.

She was like Chrissy I cried. She was like this is it, time to send her to pasture. She's a harebrained old lady now and there is no coming back from this. She's the lady who accidentally puts tomatoes in the cabinet. Awake before God, standing in the kitchen, signing her life away over this tiny roma tomato. (Roma tomato with little cat vampire teeth marks in it).

I was like oh. No. I put it there. Because Patches was going to commit war crimes against it. I put it there because I did not stop to consider "Will finding a single tomato in the coffee mug cabinet somehow be the very specific thing that undoes my mother this morning?" I put it there out of careful consideration for the life of this tomato, and with no consideration for the extremely esoteric way that a tomato in the cabinet could be received like a horse head in the bed, Godfather style.

We made a salad with the tomato. Happy birthday Mom.

[retiredteabag]

Hidden from sight

Synopsis: In a state of humiliation, you attempt to hide an injury from your master, Sukuna, this, of course, does not go to plan.

〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰

Foolish.

That, you were sure, was what Lord Sukuna would call you when you returned to the estate.

He was a harsh, and strict man. He never liked for you to stray from his presence too long, and more than anything else, he was mean. He said what he wanted, and always meant it.

You had begged the king of curses to allow you a day amongst the townsfolk, a day to explore the gardens outside of Sukunas domain, a day to see and hear and feel the world you so rarely saw.

The king, of course, was not too keen on this. You were not a member of kitchen staff, or a concubine, or a groundskeeper either. Like many people on the compound, you were simply a servant to the king. Yet, your relationship was not one that could be compared to your peers.

Beloved to the king, perhaps being too strong of a word. You were special to him, however. He expected your attendance at his meals or downtime. One might think you were close, but the truth of the matter was:

You hardly knew the king.

And he barely spoke to you either.

You had come to the palace an adult, knowing little of the king's mannerisms. Meeting him on rare occasions proved a thrilling experience. He was unlike any man you had ever met.

One evening, your presence was needed in the bath chamber. You had been told to assist in the cleaning of your king. Nonplussed as you were, you pled your case. An uninformed and inexperienced launderer. You were in no position to touch the king, too dirty yourself to even wish for such a position.

Having been told to never deny the king of anything he demanded, you were certain the response would not be one of pleasure. You escaped that day unscathed, a mere,

"Then depart from my sight"

Uttered from him, eyes closed, hand shooing you away.

But time passed and with the phases of the moon, so too did your relationship with the king alter. Night after night you grew more and more certain the king was calling for you directly. You grew acquainted with the king, with his bloodthirsty antics, with his unforgiving nature, with his intolerance for rebellion.

You served him through it all.

Twas' your job.

A launderer.

A foot servant for your employer.

You were sure, he would not be forgiving if you returned to his estate in such disarray. Only having warned you to be mindful a mere two hours prior, you limped from the ache in the side of your pelvis.

Your feet shook on the uneven ground beneath you. You had only just left the village you so desired to see, basket in hand full of goods to bring to your fellow maids. Evening was falling and the memory of the king's warning flooded your mind.

As you had made the trek back, the sight of a deer in the woods had shocked you. Certain you were looking at a curse, you gasped, lunged for cover, and promptly tripped over a stone lining the path through the woods.

Too eager to protect the contents of your basket your hands had been too occupied to catch your weight. You were certain there were scratched on your knees, but the real pain came from just above your hip, where an ill-placed stone had bludgeoned your flesh.

Dark red sept through your kimono, it had never looked so much like your kings. But he would not be pleased. Of this you were sure.

Foolish.

Too easily frightened.

Weak.

You knew little of Lord Sukuna's vast abilities. One thing you knew for certain was that the king had the ability to feel the souls of those around him. He knew when someone was guilty when someone was excited and fearful. He could sense it as if he was feeling those things himself. For this reason, before drawing too close to the palace gates, you steadied your heart and mind, reaching for peace as to not alert Sukuna of your presence so soon.

You went first to the washhouse, and rid yourself of the filthy clothes. After which, you were at once able to see the depth of your injuries. It had hurt, your way back to the palace, but after seeing them for what they were, you had to fight to keep the spike of panic from rising. How could you hide this? Hide it from him?

You wash your kimono of the coppery smell, disposing of it behind a pile of extra wash bins. You occupy your hands by dabbing at the open wound, wrapping yourself in a linen cloth, and dressing in one of the extra cleaning uniforms.

You were so caught up in walking in a straight line back to the estate, you almost forgot your gifts and whine out at the thought of making the trip back to the wash house. But you steel yourself and do it.

By the time you make it to the kitchens, it is far later than you intended. You simply drop the basket off on a staff table, wobbling to your chambers.

All you want is to sleep, to hide yourself from all the noises of the estate night shift, but the throbbing pain in your side is intense, and worse, you've bled through both your linen bandage as well as a laundry uniform. Even so, you are too tired to come up with a way to right this, you decide, that will be the job of tomorrow y/n.

-

Of course, when you arise the next morning, unable to sit up, you regret your choices of the night prior. Unintentionally a wail escapes your lips, the pain is so deep, so unchanging that you want to cry. You feel the humiliation once again from yesterday, what would Sukuna say if he knew of this? Would he remove you from the estate? Or would he simply look at you with disgust? Would he ever speak to you again?

Something you were sure of, at least, was that there was no way you would be able to work, bent over a wash basin, in the condition you are in. Knowing that, you were concerned with how long you could hide away in your chambers before someone came to get you.

Several maids had already come to speak through your door, asking about your trip, the basket of goodies you left in the kitchen, and eventually, in concerned tones, if you were alright.

You reassured them in a comforting voice that you were quite well but exhausted from your journey and would likely retire before dinner was served.

You had never been up however, still, the other launderers did not question your words, sure you just needed a nights more rest. There was, however, a person in the estate you could never evade, and contrary to popular belief, it was not Lord Sukuna. He certainly did not care enough for you to need to hide yourself from him, however, his loyal servant and chef, Uraume, always had everything in order and was aware of all the "goings on" that occurred within the estate walls.

Only a few minutes after the communal dinner bell was rung did Uraume arrive at your chambers, requesting your presence. Unfortunately, they were not so easy to dissuade. I have no appetite did not work, I long for rest, did not work, I tire from my journey, did not work. None of it worked. They were determined, if nothing else, to see you. There was nothing to be done.

In a grand effort, you slid from your bed to the floor, a dull moan muffled by the mattress as you strained your legs to rise but it was a tireless endeavor. Wincing, you shuddered to the door, opened it a crack to meet th Uraume's stern eyes.

"You are unwell." They announced.

You knew you could not lie, not directly. Still, you attempted to fib your way around it, claiming your menstrual cycle was nearing, but it did not work, claiming you had eaten something foul in the village, they merely squinted at you, you were blundering, grasping for straws. In your desperation, you did not notice Uraume's foot slip out to the threshold, slowly pressing your door ajar.

You had been resting your weight said door, and yelped at the pressure. The chef raised an eyebrow and pressed on more firmly. You called out their name and stumbled to the floor.

"You've been attacked?" They question but the pain is so intense you can simply shake your head, in a show of patience you rarely see from Uraume, they brush the hair from your face.

You knew they could use reversed curse technique on themself, but the management of this injury was something that would likely take time.

In the moments it took Uraume to lift you to your bed, and start to clean your wound they had you recount the story, in between each sentence you begged them to keep this from the king. Do not say a word, I beg, followed by, I pray you wouldn't speak of this, ending your story with Lord Sukuna mustn't know.

Even with all the begging, they never once promised you a thing. Pressing your gouged pelvis more firmly still, they wiped your eyes of tears. And when you finally met their gaze, their look seemed to whisper, do not be stupid. You could only hope.

-

Your hope had been stupid.

You knew it had been last night when Uraume had bandaged you up, you knew it had been when you fought to dress yourself this morning, you knew it had been when you trudged to the wash house, you knew it had been when you began to set up a bin full of sudsy water and even now, bent painfully over, scrubbing away at towels, you knew of your fate.

You had been invited to dine with the king. Once dismissing yourself for not being worthy to wash your king's body had been shockingly, acceptable at one time. But you knew you could not skirt this. You could not deny your presence to him twice.

And in his presence, you knew you could not hide. Uraume had been the one to collect you before the evening meal, washing you, clothing you, and redressing your wound. You walked with intention now, three steps behind the personal chef to the king. You found, however, that you would not be having dinner in one of the many dining rooms, but rather, in the kings chambers.

In an attempt to plead once more, you made to grab Uraumes robe, they simply gave you a look of greatest disdain, opened the door to Sukunas chambers, and bowed.

You could not meet his eyes, you could feel them as they traced over you. Despite the fiery pain, you fell to your knees. You did not speak, Uraume left, and you stayed glued to the floor.

"I hold no affection for those who hide from me."

You could do nothing but nod in your place on the floor. "Yes, my king."

"You know this."

"Yes, my king." You nod again,

"And yet-" You can hear his voice ever louder, he has gotten up from his place on the bed, coming to you, his steps echoing in your ears. "You evade me like an elusive snake." He paces around you steadily. "You hide yourself from my presence, and you beg" He spits it out, vehement, "beg- Uraume to keep your condition from me."

He has stalked behind you now, and begins to creep ever closer to your side, bending to your position to whisper in your ear,

"Did you believe I could not find you, did you think, even for a moment, you could fool me?" You cannot read his tone, nor his face, too ashamed to look.

He stretches back to his full height. "You have always been the one who's appearance I delight most in. Yet, now, you only appear at my demand. Must I demand you to speak as well in order for you to tell me why you have shamed me so?"

Shaking your head quickly, you heave, "I-I'm sorry! I'm sorry, I did not want to- to show you-" You began but Sukuna cuts you off, whirling around,

"That much is very clear. Tell me why without the blabbering nonsense. I wish not to hear apologies fall from your lips now."

You murmur once more, ashamed, but speak up, "I am such a fool." You look up, resigning yourself, you want to see his face, "I wished not for you to see me as such. I am a weak and poor worker. Please, know, I did not mean to shame you."

Sukuna does not respond. Silently making his way to your form, "You cannot even stand on your own. Do you intend to lay there all night, or do you expect aid to be granted to you?"

He sounds genuinely curious, you are unsure of what to say, you had no plan. Your head falls to your lap but in a sudden movement, Sukuna is before you, one arm stretched out to catch your crestfallen face, "Look at me." He speaks gentler than you have ever heard.

With one hand on your jaw, and another cupping the back of your head he huffs air from his nose. "You are a fool."

You cannot look away from him, but all you want now is to hide your face.

"So very foolish." He speaks clearly, "To hide from me, to work in such a condition." Before his words even hit you, you are struck but the grasping of your waist by his other two hands. His eyes remain open but within a moment all your pain is gone. An unintentional noise escapes you at the immediate relief you are brought.

It cannot be said whether the shock of Sukunas RCT or the grasp he had on you caused you to fall limply into his grasp but you have no time to prepare before he is lifting you tenderly into his arms. An unseen sparkle in his eyes. He carries you the few feet to his bed before he lays you across his lap.

"Your condition is not ideal. You shall not work. You are to stay with me" He is petting your hair rather oddly, as if you are a wounded animal he has found.

Attempting to rise you start, "I feel- I- I must extend my gratitude-"

But he is placing a hand on your stomach to keep you down, "You will extend your gratitude by never hiding from me again."

There is no room for argument. You nod up at him. He has one arm still under your knees, another on your waist, and a third stroking your cheek.

"I will never allow you pain again." He murmurs. "Never again." His palm is large enough to cover your face wholly. "I shall keep you within my sight henceforth."

And it is at this moment that you wonder if, perhaps, you are closer to the king than you had originally thought. If you, by chance, meant something to him? If he had been worried for you. But in your dazed state within your king's arms, you smile to yourself, thinking tiredly of how kindly and merciful he had always been to you.

What you did not yet know, was that it was he that was a fool for you.

〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰

[unboundprompts]

advice for a character who grips control like a lifeline. who wants to be in charge of every little thing because whenever they're not in control of something something bad could happen. has happened. they can't let a single variable be wild or in someone else's hands

How to Write a Controlling Character

Backstory Rooted in Trauma or Guilt

This character likely has a history that has ingrained the belief that they must be in control or face devastating consequences. Perhaps they once trusted someone else with something crucial—a promise, a responsibility, or a life-altering choice—and that trust was broken in a way that had lasting repercussions. For example, maybe they lost someone because they weren’t “careful enough,” or they experienced a betrayal when they trusted another person’s plan.

They might frequently flash back to this moment, possibly catching themselves thinking, If only I’d been the one in control, this wouldn’t have happened. This memory fuels their need to keep a tight grip on everything, especially if they’re in high-stakes situations.

Rigid Daily Routines and Habits

This character’s day is probably packed with small rituals and routines that give them a sense of security. From double-checking door locks to setting multiple alarms, they rely on routines to give themselves a sense of order. In fact, they might be nearly ritualistic about small actions—checking emails three times before sending, never leaving a task halfway finished, or meticulously arranging their workspace.

Even something as simple as making coffee can become a precise process. If someone moves one of their tools or a file from their desk, they may feel a spike of frustration or even anxiety, seeing it as a disruption to their personal “system.” They could feel that control in their daily life is the only thing keeping chaos at bay.

Intensely Observant of Details and Mistakes

They are hyperaware of mistakes or inefficiencies in others, mentally cataloging things like a coworker’s slight lateness or a friend’s disorganization. They may feel a sense of superiority (or frustration) over people who don’t “have it together” and take it upon themselves to organize or “fix” things for others.

In conversation, they might cut people off or “correct” them even over small points, often justifying this to themselves as necessary. For instance, if someone shares a plan that seems half-formed, this character could immediately dive in, pointing out potential problems or filling in details.

Controlling Relationships and Social Situations

This character struggles in relationships where they aren’t the dominant or organizing force. They might instinctively take over when making plans with friends, micromanaging even casual hangouts to make sure everything goes “right.” For example, they might pick the restaurant, plan the travel route, and check weather forecasts—assuming that if they don’t, no one else will think of these things.

When someone resists their attempts at control, they can respond defensively, often turning cold or resentful, unable to understand why anyone wouldn’t want them to manage the situation. Statements like, “Fine, but don’t blame me if this doesn’t go well,” are frequent in their interactions.

Extreme Anxiety or Panic When Control Is Taken Away

When things go beyond their reach, this character might experience panic, as if they’re suddenly powerless. For instance, if an unexpected roadblock prevents them from handling a task (like a canceled flight they needed to board, or a plan that falls apart), they might spend hours trying to regain control, calling every contact or frantically exploring alternatives.

Their reaction may feel extreme to others. Even minor setbacks—such as a colleague taking initiative on a project or a friend planning something without consulting them—can trigger a disproportionate response, like clenching their fists, pacing, or silently stewing as they feel the situation “slipping.”

Inability to Accept Help or Collaboration

Their controlling nature makes it hard for them to collaborate, as they believe their methods are the only ones that work. For them, accepting help feels like an admission of weakness or failure, so they rarely delegate or ask for assistance. If they do reluctantly accept help, they are constantly supervising or “suggesting” things, making it feel more like they’re still in charge.

In a team setting, they might take on all the major tasks, either out of distrust in others’ abilities or a feeling that no one will match their standards. Their motto could be something like, “If you want something done right, do it yourself,” even if that means working late or burning out.

Reluctance to Show Vulnerability or Need

Since vulnerability and control rarely coexist for them, they avoid showing weakness at all costs, preferring to mask stress or struggles as “just part of the job.” If they do become overwhelmed, they’re more likely to shut people out, saying, “I’ve got it handled,” even if it’s far from true.

When people push them to let go or share the load, they might lash out, accusing others of “just not understanding.” They often see their intense responsibility as a form of sacrifice, justifying their behavior with, “If I don’t handle this, who will?”