#Essay about identity

[writersbeware]

Thoughts on a Monday

I’ve never been the attention-seeking kind of person. You’d find me in the back of a classroom or off to the side in a meeting. I dreaded having to stand up and deliver a speech. The night before, I wouldn’t sleep and the day of, I’d be so terrified I’d be sick to my stomach and shaking so hard my entire body trembled. Yet for some reason I dreamed of being a teacher. I knew that teachers…

[myopicry]

lurking in radfem spaces has really changed my entire view of most mainstream internet spaces because once you realize just how censored women's voices and feminist thought are on these sites, and how much porn and misogynistic values are defended, you can't unsee it.

how anyone can bear to participate in an online space where porn, of all things, is lauded as the bastion of "self-expression" and yet any woman slightly critical of popular cultural opinions is demonized is wild, especially when a lot of that porn is a) violent and misogynistic b) often accessible by minors c) gross and shallow d) myriad of other reasons far better writers have probably described

fuck I'm just so tired. seeking rationality online is just opening a pandora's box of garbage and seeing the reflection of how bleak the social hegemony has become.

[headspace-hotel]

I hope I can express this properly and sensitively, but I think oftentimes people need to have Categories and Identities and to be healthily exploratory and playful and elastic about them, else they can get vulnerable to some negative things, sometimes really awful things

I wish I could remember where I read it, but there was something that wrote about whiteness in America as an abyss.

Whiteness is something that sheltered white Americans' ancestors, and at the same time devoured them. They used to have a distinct medley of heritages: Irish, German, Scottish, Italian. "Whiteness" ate it up, the languages, the cultures. There were privileges if you destroyed it, and punishments if you held onto anything that was "Other." In a white supremacist society, white people wanted to be "white" first before any other possible identity or connection they could have.

Yay! You're white. You're on top. You win...what? Turns out the prize for "winning" is just that you get to perpetrate the violence of the game instead of being on the receiving end of it.

And that's the nasty twist—there is no prize. The deeply embedded vice of "Southern pride" is not just what the Confederate flag stands for, but also why they've got to cling so hard to that symbol of traitors and losers: they need to be on top of something so bad that even a pile of shit will do. My ancestors were ultimately dirt poor, loads of them ending up in prison or breaking their bodies down doing hard labor, but they were white. Their reward, and their pride, was being stepped on by the violence of poverty only, instead of also by the violence of white supremacy.

"White pride" is all about hate because white supremacy didn't give these folks anything to be proud of. It stripped away the culture and heritage their ancestors had in favor of "whiteness." All those jokes about how white people have no culture, well, it's true isn't it? This shit is how we ended up a primarily monolingual nation. And what looks like happened is that white Americans wound up just...scavenging most of their culture from those they oppressed. Food, music, all of that stuff. Our white ancestors didn't GIVE us anything that was their own to start with.

And this is something that really strikes me about the white supremacist and fascist movements nowadays: the starvation and hollowness behind them. These folks are empty inside. They were given nothing by white supremacy except a very vague sense that they deserve something, and they see people of all different cultures celebrating and flourishing in their unique heritages and identities, and they feel like...they've been cheated.

Equality is so threatening when you're in this situation because it feels like you've got less than everyone else at the end of the day. Not just because of comparison to previous privileges, but because your whole identity was "person that gets to step on everybody else" and your whole inheritance was "shit stolen from everybody else" and in a world where all is set right, you have no identity and nothing. You are nothing.

Anyway I was looking just now at a blog that seemed really white-supremacist-leaning and it was 99% about like, Norse and Proto-Indo-European paganism and "traditionalism" and that's what got me thinking about this again.

This person had apparently done DNA tests on themselves or something, and were really fixated on figuring out their Norse and Germanic ancestors and separating out their genetic and racial identity at a level of precision that seems really pointless that far back in time. And honestly all the paganism stuff seemed like totally arbitrary speculation as well.

And how to become satisfied as a person like this? I am just as much Germanic or Norse as they are, but I don't believe that distant ancestors determine who you are to such an extent that I have some sort of innate cultural tie to Vikings or Visigoths or what have you. I know what percentage Celtic or Anglo Saxon or Norse I am—zero. I learned about those things in books the exact same way I learned about all the cultures and past kingdoms of the world that I presumably don't have ancestors from.

I feel like the experience of being a baby ally and obsessing about apologizing for being white is the same kind of thing in another direction, or another outcome of the same process. Some people seem to get really twisted up for a time over how to stop being guilty about being white.

It's part of the same thing as this guy who is trying to genetically identify his ancestors from like 3,000 years ago. It's the emptiness and meaninglessness of "white" identity apart from white supremacy.

I talk about deradicalization sometimes and I've had the notion a few times that fascism appeals to people who are hollow and starving in terms of identity, and if it wasn't for the sense of emptiness and hunger, they would be less easily radicalized. But it's also a little bit awkward to talk about the deeply unsatisfying nature of white supremacy, because...well, that is pretty low on the list of things bad about white supremacy.

I think this concept is worth talking about in general, though: People want to feel like they come from or are part of something meaningful. They are drawn toward Identities and Categories and Belonging to groups. This is something I think is commonly true about humans, I think it is normal and not a bad thing, and I think we could stand to be a little more upfront about its reality.

I think this means that wanting, and seeking, a sense of cultural identity as a white person (particularly an American) needs to have some kind of non-horrible outlet for it. Because right now, it's nothing but a way to get radicalized, and the dominant other option people take (becoming the Guilty White Person) is liked by no one and helps nothing.

And maybe it doesn't need to have anything to do with race or culture or your ancestors or any of these things that can lead a person down such terrible paths. Maybe more of us should be furries!

As just another thing to consider, I'm reading the book Ecology of a Cracker Childhood and the author of the book uses the word "cracker" not like, with the gravity of reclaiming a "slur" or something like that, but seemingly because that is just the word she most strongly identifies with, the word that best articulates who "her people" are. This feels very solid and levelheaded to me, something that comes from someone with a good sense of themselves.

Personally I've thought a long time that more people should reclaim "redneck." Not in the sense of reclaiming a slur exactly, but in the sense of putting it in neutral usage among the folks it always referred to, instead of letting it increasingly be associated with any Southerner (regardless of working class background) that is the sort to wave a Confederate flag around. The very idea of gatekeeping "redneck" away from racists is just absolutely hilarious to me, I won't lie.

[lycandrophile]

i could honestly write a whole essay on how the internet’s obsession with romanticizing ‘girl dads’ while simultaneously making fun of ‘boy moms’ and gender reveal parties is directly related to a pervasive lack of care for trans men&mascs even among supposedly pro-trans people.

[felix-lupin]

In Coraline, there’s a recurring theme with names and identity, and I personally don't think it's talked about enough. 

(As a note, this is dealing largely with the book, not the movie, although there are some hints of this theme in the movie as well)

Coraline’s neighbors constantly get her name wrong, calling her “Caroline” and not “Coraline”, to which she persistently corrects them. Despite her attempts, they never get it right, until chapter 10, in which Mr Bobo (Mr Bobinsky) finally gets it right.

"It's Coraline, Mister Bobo," said Coraline. "Not Caroline. Coraline." "Coraline," said Mr Bobo, repeating her name to himself with wonderment and respect. "Very good, Coraline."

It should be noted that, until this chapter, Coraline did not know Mr Bobo’s name either. In fact, it had never even occurred to her that he had a name. Up until then, she had just been thinking of him as “the crazy old man upstairs”, not as a person with a name. This moment, with her learning his name and him getting her name right, is a moment of genuine understanding and connection between the two, humanizing them both to each other.

Coraline’s other neighbors get her name wrong, which is representative of them not listening when she says anything, really, such as her telling Miss Spink and Forcible that her parents are missing and them literally not even acknowledging it at all??

"How are your dear mother and father?" asked Miss Spink. "Missing," said Coraline. "I haven't seen either of them since yesterday. I'm on my own. I think I've probably become a single child family." "Tell your mother that we found the Glasgow Empire press clippings we were telling her about. She seemed very interested when Miriam mentioned them to her." "She's vanished under mysterious circumstances," said Coraline, "and I believe my father has as well." "I'm afraid we'll be out all day tomorrow, Caroline lovely," said Miss Forcible. "We'll be staying with April's niece in Royal Tunbridge Wells."

Mr Bobo gets her name right after being corrected (only after being corrected alongside her using his name, mind you, showcasing her making an effort to listen to and understand him as well), which is representative of him actually making an attempt to listen and understand her. This point is further illustrated by a conversation Coraline had with the Other Mr Bobo in chapter 10.

As Coraline entered he began to talk. "Nothing's changed, little girl," he said, his voice sounding like the noise dry leaves make as they rustle across a pavement. "And what if you do everything you swore you would? What then? Nothing's changed. You'll go home. You'll be bored. You'll be ignored. No one will listen to you, not really listen to you. You're too clever and too quiet for them to understand. They don't even get your name right."

He equates those in the real world not getting Coraline’s name right with them not listening to her, and fundamentally not understanding who she is. So, somebody getting her name right, then, shows them actually listening to her, and being willing to understand who she is.

The mice in the real world know more than they should be able to know, and they also get Coraline’s name right.

"The message is this. Don't go through the door." He paused. "Does that mean anything to you?" "No," said Coraline. The old man shrugged. "They are funny, the mice. They get things wrong. They got your name wrong, you know. They kept saying Coraline. Not Caroline. Not Caroline at all."

They seem to know about the other world, somehow, on some level, and the dangers it presents. Them getting her name right represents them knowing more than they should know, more than they are told. Animals in general seem to have this type of quality in Coraline, actually.

The cat does not have a name. It says so in chapter 4, that cats do not need names. It says that this is because cats know who they are. But humans need names, because they do not.

"Please. What's your name?" Coraline asked the cat. "Look, I'm Coraline. OK?" The cat yawned softly, carefully, revealing a mouth and tongue of astounding pinkness. "Cats don't have names," it said. "No?" said Coraline. "No," said the cat. "Now, you people have names. That's because you don't know who you are. We know who we are, so we don't need names."

The cat shook its head. "No," it said. "I'm not the other anything. I'm me." It tipped its head on one side; green eyes glinted. "You people are spread all over the place. Cats, on the other hand, keep ourselves together. If you see what I mean."

This shows that, in humans, names are connected to our identities and who we are. Names are used to individualize and distinguish ourselves from each other. But cats do not need names to recognize each other, or be recognized.

"Oh. It's you," she said to the black cat. "See?" said the cat. "It wasn't so hard recognising me, was it? Even without names."

With or without names, it is still the same cat.

During the Other Miss Spink and Forcible’s performance, in chapter 4, they begin quoting Shakespeare. The specific quotes that they use are interesting to me when looked at under this lens of the importance of names, especially Miss Forcible’s.

"What's in a name?" asked Miss Forcible. "That which we call a rose by any other name would smell as sweet."

"I know not how to tell thee who I am," said Miss Spink to Miss Forcible.

Now, of course, this is just them quoting Shakespeare. But. Why these quotes specifically? They’re at the very least notable when discussing Coraline’s recurring theme of names. Especially the quote about the rose. It makes me think of what the cat said earlier, about how cats are sure of who they are so they don’t need names, about how Coraline didn’t need the cat’s name to be able to recognize it for who/what it was.

But, of course, this does not apply for humans. We need our names to be able to know ourselves, to be able to tell others who they are.

In chapter 6, Coraline wakes up and is disoriented. This disorientation is compared to the feeling one might experience upon being suddenly pulled out of a daydream. In this comparison, forgetting one’s name is equated with forgetting who one is and where one is.

Sometimes Coraline would forget who she was while she was daydreaming that she was exploring the Arctic, or the Amazon rainforest, or darkest Africa, and it was not until someone tapped her on the shoulder or said her name that Coraline would come back from a million miles away with a start, and all in the fraction of a second have to remember who she was, and what her name was, and that she was even there at all. Now there was the sun on her face, and she was Coraline Jones. Yes.

The ghost children have also forgotten their names, and with it most of who they were. In chapter 7, when Coraline is locked behind the mirror in the Other World, one of the ghost children says that names are the first things that one forgets after death.

"Who are you?" whispered Coraline. "Names, names, names," said another voice, all faraway and lost. "The names are the first thing to go, after the breath has gone, and the beating of the heart. We keep our memories longer than our names. I still keep pictures in my mind of my governess on some May morning, carrying my hoop and stick, and the morning sun behind her, and all the tulips bobbing in the breeze. But I have forgotten the name of my governess, and of the tulips too." "I don't think tulips have names," said Coraline. "They're just tulips." "Perhaps," said the voice sadly. "But I have always thought that these tulips must have had names. They were red, and orange-and-red, and red-and-orange-and-yellow, like the embers in the nursery fire of a winter's evening. I remember them."

The ghost children may have their memories, but they have largely forgotten who they were. They may remember their tulips, and certain strong memories, but there is very, very little left of them, and they have forgotten who they once were, they have forgotten their names.

"That is why we could not leave here, when we died. She kept us, and she fed on us, until now we're nothing left of ourselves, only snakeskins and spider-husks. Find our secret hearts, young mistress."

"She will take your life and all you are and all you care'st for, and she will leave you with nothing but mist and fog. She'll take your joy. And one day you'll awake and your heart and soul will have gone. A husk you'll be, a wisp you'll be, and a thing no more than a dream on waking, or a memory of something forgotten."

The Other Mother stole their hearts and their souls and their selves. She stole who they were away from them, their identities and names and the names of those they loved, leaving nothing in her wake.

The same ghost that talked about the tulips and the names of the tulips struggles to answer when Coraline asks their gender, as well, and when they do eventually give an answer they seem somewhat unsure of it, as shown by the word choice of “perhaps” and “I believe”

"A boy, perhaps, then," continued the one whose hand she was holding. "I believe I was once a boy." And it glowed a little more brightly in the darkness of the room behind the mirror.

(I personally take this quote, specifically it "glow[ing] a little more brightly" after coming to this conclusion, to mean either that the ghost is happy at realizing that he was once a boy, or even to mean that he has become somewhat more tangible upon this realization; upon remembering something about his self, and his identity.)

As an aside, it's noteworthy to me that we never learn the Other Mother’s true name. She is simply “The Other Mother” and “The Beldam.” Never is an actual name applied to her, only titles. We do not truly know who, or what, she is. Beings without names are shrouded in mystery (or should i say mist-ery). The ghost children are benevolent mysterious beings, the cat is an ambivalent-leaning-helpful mysterious being, and the other mother is a distinctly malevolent mysterious being.

"Who are you?" asked Coraline. "I'm your other mother," said the woman.

"She?" "The one who says she's your other mother," said the cat. "What is she?" asked Coraline. The cat did not answer, just padded through the pale mist beside Coraline.

But in conclusion, names in Coraline are extremely important. I’m sure there’s probably more that I'm missing, and feel free to add onto this, but basically—

People need names to know and remember who they are, and forgetting one’s name is the first step to losing the rest of who one is. Names humanize a person; with a name, they are less shrouded in mystery, more clear.

Knowing somebody's name helps one connect to and better understand that person; it is the first step in getting to know them and see them as a full person, the transition from “the crazy man upstairs” to “Mr Bobo”. Names, to people at least, are one of the fundamental building blocks of who we are.

[owl-with-a-pen]

Outside of superhero emergencies, Kara didn’t tend to lean into her super hearing where she could avoid it. Girl’s night at her apartment, for example, definitely shouldn’t have called for it. Then again, she wasn’t usually the subject of discussion in just about every apartment block on her street.

So, maybe that wasn’t completely true. She’d certainly heard her name mentioned a lot more since the whole secret identity reveal thing; it was just, nowadays, instead of hearing Supergirl, it was usually Kara Zor-El.

She was used to it. She’d been used to it for years; her name was normally a hot topic days, if not weeks after a major save was broadcast. The only difference now was… not all of those voices were as positive as she’d come to expect.

Like right now, for instance. No matter how hard she tried to shut it out, she couldn’t help but listen for that same voice echoing from hundreds of homes across the city, streaming from earbuds, speakers and laptops alike. His voice was charismatic and quick, like a less polished Maxwell Lord, and while he may have been a nobody just a few weeks ago, he’d certainly gained enough traction now to give Kara one hell of a headache.

Unfortunately for her, she’d inadvertently tuned herself in at just the right time for her downstairs neighbour to hit play:

“Alright folks, if you missed our last episode I’ll catch you up to speed. Last week, we rounded off at the crux of the Supergirl Problem; that she hasn’t just been living in our midst this whole time, but that she’s been actively working as a journalist for CatCo Worldwide Media. And, just a few weeks ago, she was publicly put in charge of the editorial process for that same media outlet minutes after she came clean about her alter-ego to the world. And, as I doubt Supergirl will want to speak for herself on the matter, we have one of her self-proclaimed super-fans in the house today to speak on her behalf. Say it with me at home folks, debate me, Supergirl!”

The aforementioned ‘super-fan’ let out a surprised scoff at her introduction. She didn’t waste a minute of her airtime, jumping immediately into the conversation: “Well, for starters, I think you’re taking this whole thing out of context. Supergirl didn’t just become a journalist for CatCo overnight. If you knew anything about Kara’s story, you’d know that she worked her way up the food chain for years! I mean, how empowering is that? She started as a PA!”

“Yeah, a PA with superspeed, how difficult. No wonder she ended up in Cat Grant’s palm! And yes, I do know her origin story, thank you very much.” The host’s voice crackled as Kara imagined him relaxing into his microphone. “Let the audience not forget that she was a PA for Cat Grant before she became a journalist. Are we really going to pretend that wasn’t her foot in the door?”

“Cat Grant wasn’t even her boss when she got into journalism,” argued the young woman. “And by the time Kara made a name for herself, Cat wasn’t even leading the company anymore! She got to where she is now on her own merit, no one elses!”

The host spoke over her: “It begs the question, did Cat Grant know this whole time? She takes a sabbatical only to re-emerge just in time to offer Supergirl a promotion. On top of that, she’s been promoting Supergirl for years! She created her – her words, on record. And now she’s put her in charge of media distribution. Get this: Supergirl is now in charge of the media we consume. Isn’t that a little self-indulgent?”

The young woman didn’t back down. “Kara Danvers was a Pultizer winning journalist long before we found out who she really was,” she argued. “She’s been standing for truth and justice just as much as Supergirl has. In fact, she’s just as much a hero as—”

“But what’s the agenda here?” the host continued with a conspiratorial air. “How can we even believe the news now it’s being headed by a liar? And she did, didn’t she? She lied to us all! She had a secret identity this whole time, and what? We’re just supposed to accept that? What’s the bet that this story will make a headline at CatCo magazine tomorrow morning, with my comments made out as Supergirl’s latest villain story? Or, better yet, will I be Kara Danver’s first official nemesis?” He barked out a laugh into his microphone. “There’s no freedom of the press anymore, folks, not when CatCo is bias towards the very hero that made it so popular in the first place!”

Before she could hear any more, Kara was thrown from her super-eavesdropping rather unceremoniously when a hand shot out in front of her face, waving impatiently.  

“Earth to Kara,” Alex said, snapping her fingers in front of her sister’s nose. “Hey, anyone home?”

“Huh?” Kara said before screwing her eyes shut, swatting away Alex’s offending hand. “Hey, hey, stop that!”

It was only then that she realised that it wasn’t just Alex who had been trying to get her attention. Lena and Kelly were staring at her from the opposite sofa. Nia sat cross legged on the footstool by the coffee table, nursing her drink with an expectant expression.

Kara glanced lamely at the TV. It didn’t look like anyone had been paying attention to the movie for quite some time.

Just how long had she been…?

Kara tried not to cringe.

Kelly cleared her throat, smoothing her hands over her lap. “From your expression, I’m guessing you were listening in on something pretty important.” She hesitated. “Is everything okay?”

Kara’s eyes widened. “What? Oh, oh no, it’s not a superhero emergency, I swear. Girl’s night continues uninterrupted, I promise!”

“Okay,” Nia said with a slow smile. “Then what was with the—” She mimicked Kara’s spaced-out expression a little too well, earning a few grins at her expense.

Kara pursed her lips. “Uh—I mean. It was nothing. Just…” She sagged in on herself awkwardly. “Okay, so I may have been listening to this podcast…”

“Oof.” Alex winced. “You don’t wanna do that.”

Kara groaned, falling back against the sofa. “I’ve been trying not to, but it’s kinda hard when half of my building’s listening to it.” She rubbed aggressively at her ears. “Super hearing can really suck, you guys.”

“Wait,” Nia said, perking up. “Are you talking about the Debate Me, Supergirl podcast?” When everyone turned to stare at her, she shrugged. “What? Brainy’s been keeping tabs on all social channels for this stuff ever since your interview first went public, y’know, calculating the odds on them picking up any real traction. In case things go… south.”

“And what are the odds on this guy?” Alex asked seriously.

Nia made a vague gesture. “I mean, until a few days ago, Brainy had him in the unlikely category. But his latest interview with a Supergirl stan got a whole lot of attention on social media. They were basically at each other’s throats the entire time.” She took a mild sip of her drink. “People ate it up.”

Alex rolled her eyes. “Of course they did. And I’m guessing from your tone, not much of the audience were on this super – uh – stan’s side?”

Nia pulled a face, taking an even larger swig.

Kara groaned again, burying her face in her hands. “This is awful. I- I just can’t believe how little faith they have in me now that they know the truth!”

Lena smiled her sympathy. “Take it from someone who was once deluded enough to fall right into that same category of hatefully ignorant.” She toasted her scotch glass to no one in particular, swirling its contents with a gentle twist of her wrist. “It’s not easy for people to accept that their larger-than-life hero was living amongst them.”

Kara’s head shot up in protest. “I never wanted anyone to put me on a pedestal.”

“Want has nothing to do about it. Like it or not, they did.” Lena paused, tucking her legs into the sofa’s arm. She fixed Kara with a level look. “Kara, I say this as your friend, but you have to understand how powerful you are in the eyes of a regular citizen. You fly, you shoot laser beams from your eyes, you’re bullet proof and fire proof. Your power is limitless and even though this city has seen you fall, they’ve also seen you get back up time and time again.”

Kara bit her lip. “That part I can understand, but it���s not just that. This podcaster isn’t only targeting my Supergirl persona. It’s Kara Danvers, Kara Zor-El that they don’t trust.” She snorted, throwing her hands wide. “They think the fact that I’m working as CatCo’s Editor-in-Chief makes the whole platform inherently bias. And – yes – I know I’ve fought my own biases in the past, and it’s not like being impartial was what won me a Pulitzer, but to them— a superhero in the press just doesn’t appeal. They think I’m a fraud, that I’ve been manipulating public opinion.” Kara could feel her face begin to flush in frustration. She ran a hand through her hair, standing just to put her energy somewhere. She slammed a fist against her palm, taking a step around the coffee table with every beat. “But, I mean, don’t they remember how CatCo turned on Supergirl after the Red Kryptonite incident? And rightfully, too. I lost the people’s trust then, and now—now it’s happening all over again and I just… I don’t know how to win them back,” she laughed through her teeth, “or if I can win them back!”

Alex took Kara’s arm swiftly as she passed her by, tugging her to her side. “Hey, no one said this was gonna be easy.”

“I think those were Cat’s exact words, actually,” Nia said helpfully, pointing in Alex’s direction.

Kara huffed, anchored by her sister’s steadying hand. “Yeah? Well, they didn’t say it would be this difficult, either.”

“Don’t listen to a few angry voices,” Nia insisted, her voice sobering. “They aren’t worth your energy, trust me.”

“Are they just a few?” Kara asked grimly. If she tried hard enough, she was sure she could still tune into hundreds of versions of that same podcast playing from across the city. Whether they agreed with him or not, the people of National City and beyond were listening to this nameless podcaster, and that was dangerous enough on its own.

Nia smiled tightly, balling her knuckles against her lap. “Just don’t listen to them, okay?” She closed her eyes. “Look, people like to make a lot of noise when they feel like they’ve been lied to, but the truth is, they were never entitled to that information to begin with. When I did my Dreamer interview with you, a lot of people were so supportive; some of them even saw themselves in me, but there were always hateful voices that tried to drown out the positive ones.” She straightened her back, opening her eyes. “But, y’know, they make that much noise because they know they’re in the minority, and they do not have the power that they think. Putting it into perspective like that… it’s a lot easier to ignore them, especially when I know how many people I’ve helped by sharing my story.”

“You’re right,” Kara said softly. Because she was. Of course she was. A single podcast spouting a single negative view didn’t diminish everything good that had come out of Supergirl’s identity reveal. Yes, the celebrity-level thing took some getting used to and openly flying to work made her something of a spectacle when it came to the office situation, but for the most part, Kara was relieved to have that weight off her shoulders, and it was a joy to know just how many aliens felt more confident to live as themselves now that they knew Supergirl had also shared their struggle.

In truth, the world knowing where she had come from, who she had been ever since she’d landed on Earth, grounded her to the people in a way that had never struck quite the same as just Supergirl. And that was worth any amount of growing pains.

Kara reached out for Nia’s hand over the coffee table, squeezing tight. “Thank you.”

Nia’s smile softened. “Any time.”

Lena cleared her throat, shifting higher against her pillow. “And, as for your job,” she said with a sly smile of her own, “let’s just say I know a thing or two about the public coming for your throat, deeming you unworthy of the position you’ve fairly worked your way up to. It’s just like Nia said, you ignore it, Kara. You ignore it because you have nothing to prove to anyone, you’re already doing one hell of a job as a journalist. Remain honest with yourself, and eventually people will see it. Not everyone of course.” She tilted her head, raising her glass to her lips. “You’ll never have everyone’s approval. If you did, well, I’d say you were on another planet, because that’s certainly not how the human race are wired.”

“I’ll drink to that,” Nia chimed in, leaning up to clink her glass with Lena’s. She caught Kelly’s glass on her way back.

Kelly smiled fondly, though there was a strained edge to her expression when she said, “We’ve all had to work twice as hard to prove ourselves. And as much as it hurts, that extends to Supergirl as well.”

Kara sat back down with a sigh, leaning into the embrace that Alex readily offered her. “Cat once told me the same thing; right after she’d first claimed Supergirl, actually.”

“Exactly,” Alex said with a sage nod. She kissed her sister’s hair. “And, hey, Cat Grant won’t let a podcast beat down her creation. Hell, her empire is built on powerful women, it always has been, always will.” She gestured to everyone in the room. “You are all prime examples of that.”

Kara nudged her sister playfully, pushing out of her arms. “Hey, well, the amount of times the DEO has personally kept that building from crashing to the ground, I’d say you’re an honorary member of Cat’s empire, too.”

Alex’s nose crinkled. “I think I prefer the title of badass DEO leader, but I’ll take it.” She grinned, rolling her eyes. “The point is, you have us, Kara.”

“Yeah.” Nia beamed. “And our opinion is worth a million times more than some crappy podcast.”

“Oh, cheers to that, too!” Alex laughed and they all converged with their glasses, meeting with a raucous clash over the coffee table.

Cheers rang out all ‘round, and Kara let the simple joy of that moment infect her. Their combined laughter easily blotted out any chances of hearing another word from that podcaster’s mouth.

She'd lost the taste for eavesdropping, anyway.

[bijoumikhawal]

hello! i hope it's alright to ask you this but i was wondering if you have any recommendations for books to read or media in general about the history of judaism and jewish communities in egypt, particularly in ottoman and modern egypt?

have a nice day!

it's fine to ask me this! Unfortunately I have to preface this with a disclaimer that a lot of books on Egyptian Jewish history have a Zionist bias. There are antizionist Egyptian Jews, and at the very least ones who have enough national pride that AFAIK they do not publicly hold Zionist beliefs, like those who spoke in the documentary the Jews of Egypt (avaliable on YouTube for free with English subtitles). Others have an anti Egyptian bias- there is a geopolitical tension with Egypt from Antiquity that unfortunately some Jewish people have carried through history even when it was completely irrelevant, so in trying to research interactions between "ancient" Egyptian Jews and Native Egyptians (from the Ptolemaic era into the proto-Coptic and fully Coptic eras) I've unfortunately come across stuff that for me, as an Egyptian, reads like anti miscegenationist ideology, and it is difficult to tell whether this is a view of history being pushed on the past or not. The phrase "Erev Rav" (meaning mixed multitude), which in part refers to Egyptians who left Egypt with Moses and converted to Judaism, is even used as an insult by some.

Since I mentioned that documentary, I'll start by going over more modern sources. Mapping Jewish San Francisco has a playlist of videos of interviews with Egyptian Jews, including both Karaites and Rabbinic Jews iirc (I reblogged some of these awhile ago in my "actually Egyptian tag" tag). This book, the Dispersion of Egyptian Jewry, is avaliable for free online, it promises to be a more indepth look at Egyptian Jews in the lead up to modern explusion. I have only read a few sections of it, so I cannot give a full judgment on it. There's this video I watched about preserving Karaite historical sites in Egypt that I remember being interesting. "On the Mediterranian and the Nile edited by Harvey E. Goldman and Matthis Lehmann" is a collection of memiors iirc, as is "the Man in the Sharkskin Suit" (which I've started but not completed), both moreso from a Rabbinic perspective. Karaites also have a few websites discussing themselves in their terms, such as this one.

For the pre-modern but post-Islamic era, the Cairo Geniza is a great resource but in my opinion as a hobby researcher, hard to navigate. It is a large cache of documents from a Cairo synagogue mostly from around the Fatimid era. A significant portion of it is digitized and they occasionally crowd source translation help on their Twitter, and a lot of books and papers use it as a primary source. "The Jews in Medieval Egypt, edited by: Miriam Frenkel" is one in my to read pile. "Benjamin H. Hary - Multiglossia in Judeio-Arabic. With an Edition, Translation, and Grammatical Study of the Cairene Purim Scroll" is a paper I've read discussing the Jewish record of the events commemorated by the Cairo Purim, I got it off either Anna's Archive or libgen. "Mamluks of Jewish Origin in the Mamluk Sultanate by Koby Yosef" is a paper in my to read pile. "Jewish pietism of the Sufi type A particular trend of mysticisme in Medieval Egypt by Mireille Loubet" and "Paul B Fenton- Judaism and Sufism" both discuss the medieval Egyptian Jewish pietist movement.

For "ancient" Egyptian Jews, I find the first chapter of "The Story of the Jews: Finding the Words 1000 BC-1492 AD” by Simon Schama, which covers Elephantine, very interesting (it also flies in the face of claims that Jews did not marry Native Egyptians, though it is from centuries before the era researchers often cover). If you'd like to read don't click this link to a Google doc, that would be VERY naughty. There's very little on the Therapeutae, but for the paper theorizing they may have been influenced by Buddhism (possibly making them an example of Judeo-Buddhist syncretism) look here (their Wikipedia page also has some sources that could be interesting but are not specifically about them). "Taylor, Joan E. - Jewish women philosophers of first-century Alexandria: Philo’s Therapeutae reconsidered" is also a to read.

I haven't found much on the temple of Onias/Tell el Yahudia/Leontopolis in depth, but I have the paper "Meron M. Piotrkowski - Priests in Exile: The History of the Temple of Onias and Its Community in the Hellenistic Period" in my to be read pile (which I got off Anna's Archive). I also have some supplemental info from a lecture I attended that I'm willing to privately share.

I also have a document compiling links about the Exodus of Jews from Egypt in the modern era, but I'm cautious about sharing it now because I made it in high school and I've realized it needs better fact checking, because it had some misinfo in it from Zionist publications (specifically about the names of Nazis who fled to Egypt- that did happen, but a bunch of names I saw reported had no evidence of that being the case, and one name was the name of a murdered resistance fighter???)

[raine-dance]

just watched red vs blue restoration

why the fuck is the silly comedy show about the shittiest soldiers in the galaxy still the best dissociative identity disorder representation we have in fiction

[characteroulette]

Here is another random rambling about Layton identity diatribes (I wrote it but I need elabouration):

I think the most interesting thing Layton can feel for Descole is nothing.

I mean, what can one feel for a brother they had blocked out of their memories?

Layton finding love for Descole would be a given. Probably the most in-character thing for Layton, honestly. That was his brother. His brother who sacrificed everything to ensure that Layton had a family and would be loved. That's the brother whose name he now carries, whose life he was gifted. Of course Layton would be able to find it in himself to love Descole even after the murder attempts, the counter terrorism that was just terrorism, and lying to his face for an entire road trip. Layton has a big heart and he is used to loving those who have complicated morality.

Hatred, though less in-character, would also make sense. This is a man who attempted to kill him. Who kidnapped a friend and blackmailed the other with it. Who deprived his best friend of his mother for six months and then tried to have that friend killed as well. Who drove a creature who was the last of her kind to her death. Who lied to his presumed dead friend and made a terrorist out of him. Who has hurt and pushed aside so many people in pursuit of his one goal. Hatred makes sense for someone who has done so much wrong. Hatred makes sense for a man who abandoned even his own identity in pursuit of vengeance. How much better than Leon can Descole claim to be when he's forsaken his once family just the same? Even if not pure hatred, then distaste or annoyance would make an equal amount of sense.

But ambivalence? For Layton to look at this man and all his complications and feel nothing? That's the most interesting option to me. Here is your namesake, someone who sacrificed so much for you, and yet all you know of him is that he's tried to strike you down where you stand. A brother whom you once knew nothing else but love for who has now hurt too many others, has jostled too harshly those knives which sit in your heart. Here is a man whom you once knew as well as yourself, and yet despite your own identity being a hodge podge of those you've loved, you now have more solid of an identity than him. He who wears a mask, who hides behind persona after persona and holds nothing but vengeance beneath it all has less purpose than you who have plunged so many knives into your heart.

You can't feel anything for this man. Not anger, not sympathy, and not fondness. You don't remember anything about him. You know nothing about him. Whatever he's told you while wearing the face of Sycamore, you can't believe to be true. Whatever he's declared behind the mask of Descole is nothing more than the pure Vengeance dragging him forward.

You don't know him. You can't even remember what he used to be.

And so your heart is empty when you stare down at this man.

There is so much complication behind this choice that it's just fascinating to me. Luke can hate Descole all he likes (while also being conflicted about Descole saving him that one time), but I want Layton to look at this man who was once his brother, who gave up everything to ensure Layton had a life, and feel nothing.

It's an uncomfortable feeling. There should be something there. A knife plunged straight to the hilt.

But it's just an empty space. What used to be grief, anger, and love is now a void of nothing.

He blocked that memory from himself. It was once too painful. Now there's nothing there and nothing he can use to respond with.

[magistralucis]

Doing a Robert Rath reread right now what with Fall of Cadia coming out. I've noticed that when Trazyn has to switch bodies, he (and Rath's narration) doesn't shy away from referring to his previous self as 'murdered' or 'dying' or 'dead'.

I find this choice in vocabulary particular, since no necron is ever really 'dead' unless their engrams have been destroyed, or if they've consciously shut off their recall mechanisms. A destroyed body means nothing in itself; a necron reanimated via reconstruction vaults etc. hasn't truly died, their data merely moved from one place to another. They retain all continuity of their personal identity. Trazyn's bodysnatching fulfills all those conditions - but for him to insist that he dies in this process, albeit without consequence, feels like a strange way of looking at things. As if death is something he actively experiences and overcomes, not something he is merely good at avoiding.

Now there's a lot this implies about the mind-body problem in WH40k, and I would like to explore that in a fic or elsewhere someday... but right now the shipping headcanons are going wild, and I'm wondering if him and Orikan are partially in their the_mountain_goats_no_children.mp3 era because they're talking past one another. That they want each other's 'death', but have different definitions of the meaning. That when Orikan wants Trazyn to 'die', he's saying 'I explicitly do not want you to return to this mortal plane I want you to suffer permadeath die and be dead'... but since death is so common for Trazyn, he's interpreting this as 'I only desire to inconvenience you slightly :)', and it's driving Orikan absolutely batty as a result. Trazyn would much rather collect Orikan, anyway, than have him be destroyed body and/or data-wise.

The idiots, the fools 🖤

[cupidsbeaux]

just remembered the greats from jrwi pd. there's a lot of characters i wish we got to see more of in prime defenders and all of the greats are definitely on that list!

[writersbeware]

Stripping Away the Old

Some women keep their maiden name when they marry. The reasons are varied, but deeply personal. Meanwhile, some hyphenate the combination of last names, which is another way to hang onto the maiden name. Me, no. I hated my name because it identified me as a member of a dysfunctional family. A family in which I was ridiculed, harassed, tormented and belittled. As long as that name was mine, I…

[tangents-within-tangents]

Local Ace overthinks headcanon and shipping culture

Happy ace week, my friends! Imma be posting some aspec hc's this week so I felt the need to overexplain my personal stance on orientation headcanons and such

To start, as with any and all fandom things: to each their own. People can do whatever they want, and (for the most part) I can choose what I do or don't engage with. I know that hc and shipping and stuff is mostly for fun, or for seeking/creating representation, no hate to anyone who does it and enjoys it.

But also sometimes things can be problematic and I can still be bothered by those things. Even things that are 'just for fun' or 'not for you' can impact and reflect our views and behaviors, so it's still worth speaking about.

Aro/ace-spec identities are really diverse and complex, and we're really underrepresented as is. We have historically and chronically been plagued by problematic misconceptions and tropes, both in canon representation (or lack thereof) and fanon mindsets. Some of the main issues to be aware of with this topic specifically:

The majority of (sometimes unintentional) representation being non-human characters (like aliens and robots) implying that sex/romance = humanity and/or a fulfilling life. (Here's some video essays that touch on this: X X)

Related stereotype issues like racist or ableist de-sexualization and infantilization of certain groups like Asian men, physically disabled people, or people with autism. (It's an intersectionality thing bc yes those people can be aro/ace as well but it's still complicated) (more video essays! X X)

Common erasure of historically aspec characters in favor of allo plotlines bc that's "more interesting/realistic". Or ignoring canonically established aspec characters in favor of allo shipping (often excused by the fact that some aro/ace people do have sex/relationships, which is true but the complexities and nuances are often ignored and there's lots of double standards) (Here's some posts that touch on this: X X X)

Amatonormativity's over emphasis on sex/romance as a fundamental and necessary part of life, which is often reflected in how media and shipping culture are generally allo-centric, and it can just get pretty pervasive at times (note: we aren't a monolith obv, some aro/ace people enjoy it and participate too, but others don't and it is hard to avoid) X X

So while I know there's lots of reasons for shipping and headcanoning, and for the most part there's nothing wrong with it and people aren't trying to do these things, there are still issues that exist. Honestly seeing posts talking about these things has been really validating for me bc it let me know like yeah this is a problem other's have noticed too and I don't have to just accept it.

So with respect and awareness of nuance, ship and headcanon however you want. The rest of this post is about my own personal preferences and such. I'm not necessarily trying to persuade anyone here, I just have some thoughts I want to put into words:

For me personally, when it comes to characters' sexualities/gender identities/etc, I prefer just to stick to whatever is established in canon (or in confirmed intentional coding), and, if nothing is specified, headcanons that are based in canon evidence (more like theories I guess, as opposed to reimaginings or straight-up projection that knowingly ignores parts of canon. Which is fine and fun if that's what you like but to me there is a distinction). This is because:

1: While fandom culture is all about freedom and creativity, I do think it's important in this day and age to recognize actual canon representation and strive towards that because that is what will reach more people and have impact (and personally I think that writers' intentions should actually be given more thought/value)

2: I think that shipping/hc/fandom culture in general tends to perpetuate amatonormativity (specifically in devaluing/erasing friendship and non-romantic love), and sometimes leads to harmful parasocial queer speculation in real life (though again, I know that's not the intention but it's still a thing).

3: Generally, unless it’s explored as a part of a reimagined fic or something, just saying a random character is aspec (or whatever identity) when they did not present that way at all in the actual media doesn't really help me feel seen.

For example, I've seen a lot of people headcanon Mabel Pines as aromantic and that really threw me off bc in the show she is obsessed with romance. Like if other's see themselves in her that is great I won't stop you (the idea is that her crushes are comphet, which is not something I personally struggled with, and maybe I could see it if I rewatched the show with that in mind) but when I watched the show, I specifically did not connect with or relate to Mabel BECAUSE of my ace identity (yeah this post was mainly about her lol) so it just doesn't do much for me to claim her as aspec, in fact it feels counterproductive.

Sometimes it can feel really tacked on too, like 'well it's not confirmed that this character has sex so they could be ace', or 'some ace people do have sex so they can still be ace.' And like sure yes they could be but often it's like a kid show or something so none of the characters' sex lives are relevant or explicitly confirmed. Just bc they aren't not ace doesn't mean that they are, or that saying they are is meaningful if the character/story doesn't actually speak to anything related to the ace identity or experience. (This can happen with canon characters too, like Sponge Bob being asexual means absolutely nothing to me, especially since I get the sense that the creator said that more in a 'sea sponges reproduce asexually' type of way :/ )

So basically, in terms of representation I prefer the theory/interpretation type of headcanons that have supporting evidence of some kind, because that evidence is what makes me see myself in a character and feel represented in some way by them. So that's the type of headcanons I'll be posting, and that's why I'll be discussing evidence and explanations, even though I know plenty of people have fun and find value in just claiming identities without any of that.

Another thing I feel the need to overexplain is kinda the reverse of that. I think it's important to recognize that a character does not have to be a certain identity for you to see yourself in them. Like that sense of relatability and representation is still valid even if they aren't, and I think it's good to leave space for that ambiguity.

This is coming mostly from the fact that I have always valued platonic relationships (between any and all genders) long before I ever knew I was ace. I've always wished that was better normalized and represented in media and real life. I think that is just as important as queer representation, and sometimes they can counteract each other.

Like yes Min and Ryan could be gay and if that's what the writers were going for despite restrictions, or if people see themselves in that, great! But I would also love for this story to give a close friendship this much narrative value for once.

Merida does not HAVE to be aro/ace (or lesbian) to not want to be forced into marriage with a stranger at the age of 16 (in fact she specially says "I'm not ready" and "not yet"). But regardless, aspects of her story are still really relatable to us and applicable to living in amatonormative society.

Mako and/or Raleigh do not NEED to be aspec for this glorious refreshing no-romo moment to happen (nor does one need to be aspec to appreciate it)

And maybe claiming them as aro/ace could even undercut the power of this platonic bond (like saying the only way they could not be interested in each other is if they are not interested in anyone (same if you said they are gay, as if that's the only possible way for a man and woman not to be attracted to each other)). But it's still a moment lots of us aspecs love because platonic relationships AND aro/ace characters do go hand in hand and BOTH are so rarely portrayed in media.

So these ideas also play into my preferences, and I want to acknowledge that my headcanons don't have to be definitive (which like I know that is normal amongst fandom culture anyway) but are more about pointing out aspects we can see ourselves in and relate to, especially in a media landscape that is so lacking in representation and understanding of our identities.

[artheresy]

*breathes in deeply* THE TRAGEDY IN YINGXING/BLADE IS NOT SOLELY HOW HE HATED ABUNDANCE ABOMINATIONS FOR TAKING AWAY EVERYTHING FROM HIM ONLY TO END UP BECOMING THE VERY THINGS HE HATED

There’s also tragedy in his transition from this free, expressive and bright person with a firm, individual identity crafted, that even with the obstacles in his way, pushed past in his own fashion staying true to himself and his goal and creating pieces that he put all his passion and care into, showing off his genius, crafting a true legacy for himself and making change like he always wanted into a person who no longer has a identity outside of a weapon, a self dehumanizing mindset instilled in him from essentially torture in the way he was taught being killed over and over again, and who is stuck on following a pre determined track (with some minor wiggle room) adhering to Elio’s script until his death in the hopes that he will someday FINALLY reach that death and be able to rest and any attempts he has made on his own outside of Elio’s script to reach that end he so desperately seeks are forever doomed to fail no matter what he attempts therefore leaving him restricted to following Elio in order to see that his end of the deal is ensured and fulfilled

And I swear if I think about this anymore I’m gonna cry a whole ocean

And I need to stop myself before I start comparing the status of Blade’s relationship with and where he is in his identity to the status of how Dan Feng’s was and the similarities between them before I actually make myself sven more mentally ill

[fellhellion]

looking up video essays analysing the queer themes of persona 4 has been such an Experience. You will ping pong between white men condescending to u that there’s absolutely no way to read queer subtext (LET ALONE TEXT!) and tiny channels made by queer fans passionately explaining their readings of this game.

[summertimemusician]

Linktober (Shadow) 2023

Spirit

Welp turns out my exam season throughly steam rolled through my general Linktober plans, so you get this VERY late thing for now folks who find this, at least until I decide whether to continue this until I finish it even though it's no longer Linktober or if I'll make whatever other stories come later their own thing after exam season is over (mostly because the original for this one is my preferred draft, and that I feel the one for the Link/Dark Link prompt would be kind of wasted if it just sat there collecting dust cause I worked hard on the tension and horror there lord darn it, along with a few others mainly involving Fae Hyrule, Twilight, Time, First, among other Links like Legend, Sky, Warriors, just all of the boys, I wanted to give them all proper spotlight and still want to do that in any way I can). Welp. *Downs coffee like a shot* Also really need to find out how to make a Masterlist on mobile, figure out how AO3 works and answer asks.

Anyway, not really any warnings this time besides Reader Not Being Okay (par the course really) and angst.

As always can be read as either romantic or platonic, Reader is gender neutral on purpose, technically is meant to be read as either Hero's Shade Time x Reader or First x Reader mainly, but you can interpret it as any Link really lol

Good reading!

This corner of Faron Woods was quiet this time of year.

The woods were solemn in this Hyrule, the sliver of moonlight barely enough of a guide through the mist, it was silent but for the soft padding of animals through the underbrush and the howl of a wolf in the distance (not Wolfie's, not musical enough). The stars were your only company as you were separated from the group, the air was cold agaisnt your skin as you attempted to find your way.

Being alone in the forests of Hyrule never spelled anything good for anyone, but as you felt the brush of a hand tenderly twined in yours, the ghost of leather and the faint clinking of steel, and a faint glow of pale gold and ivory cutting through the veil of the night, mindful of roots you may trip onto and never flickering too far out of sight you couldn't feel safer, even  if instead something like melancholy threatened to lock your throat with the chains of silence, you felt as warm as the soft twilight glow and as frigid as ice, frostburned with the bitter cold of your own warring emotions.

You can't help but chuckle a bit whille holding a old scabbard close to your heart, it's a wry sound, "It's been a while, hasn't it?"

There is no answer, of course there isn't, but you don't mind, you know he'll listen, thorns wrap around your heart and crawl up your throat, the smell of lilies and steel coats and sticks in your throat like honey, or maybe blood, "... I didn't think you'd show up, you know? I always considered the possibility but..." You trail off, you feel something brush your side, you can only see him in the corner of your eyes or with a passing glance, there but not, existing but gone, so you keep your eyes on the road and in the flicker of light, so you carefully don't look to your side, you don't think you could contain the shaking in your heart otherwise, to stare at inevitability and prophecy, "... I know, I know you're fine. At least for now, I apologize for all the trouble I gave you."

'It's alright. It could never be a hardship aiding you.', the voice echoes in your ears, and you swallow thickly, breath hitching, the warmth of the sun in the fields of Hyrule, the wind caressing your hair, the song of the animals in Faron Woods, someone holding you carefully, fondly. The warmth of your hand in his. Not really here, but not gone either, more feeling than true echo.

You chuckle, and try to pretend it's not a bit breathless, something like a wounded keen, "... You're too kind. Too, too kind, thank you."

Spirits in Hyrule never spell anything good, in this wild land of light and shadow in a gestalt of divinity. There are some exceptions though, even if it hurts to witness then. So you follow him through the dark, certain that as you've guided his way once, he'll lead you now to where you need to go.

----------------------------------------------------------

... The clearing he leads you to is open, but by no means truly quiet among the trees, there is no peace to be found for the armored skeleton here. You choke on sorrow, on unfinished business, on the cruelty of being brought to ruin and being denied peace, and you stumble towards the familiar figure, almost in a trance as your vision blurs, roots and thorny vines wrap over rusted armor and a thorn cape, the skeleton's void sockets piercing through your soul, illuminated by the solemn gaze of the wretched moon and it's uncaring maids of honor in the stars.

You fall to your knees near the decaying skeleton, biting back against the wounded sound that attempts to leave your throat with enough strenght to bleed, you lay the scabbard by his side with a bouquet of lilies and shiver at the gentle, phantom touch, so soft, so loving it almost leads you to ruin all over again.

'... It's foolish to grieve for someone who isn't gone yet.' the thought comes to you, yet you can't help it. You still hurt for him, you still hold onto the fury at the heavens themselves for denying them quietus. For denying them rest over and over and over again. To watch this cycle and be helpless to stop it all due to the will of uncaring gods.

Alive. Dead. Alive. Dead. Denied full rest over and over again, to watch the chance at rest to the kindest of souls found in this world you found yourself in.

You barely register the touch to your cheek, ephemeral as it is, as you can't help but shed tears, can't help but grieve. Because if you don't, who will?

You know by now that some wounds can never heal, some rifts can never be mended. Even with the guarantee of cyclic, eternal rebirth, some things never return to how they were. And reminding yourself of this inevitability to them will never not hurt, even if you know it's futile to blame anyone but the one god who started this, and maybe the goddess who stood complacent to it. It leaves a bitter taste in your mouth that it'll one day come to this, that the frost of death and the sharpness of pain will leave a mark the sands of time can't scar over.

You reach a trembling hand towards the one in your cheek, try to find catharsis in the remains of decayed, dead yet ever eternal, ever growing love. And you breathe.

'We'll meet again. So do not mourn for me, please.'

You don't think you could deny him if you tried. Not when you know he's trying to soothe you, to thaw your sorrow. To allow your heart's healing to fallow.

"We will, I know. I'm sorry for making you worry." You chuckle, leaning into the cold, trying to brand the memory of the shadowed, but not gone love given to you so you can return it in kind. Just until you meet again, just until you can give all you can to his not yet decomposing self, grasping onto what remains of him, "I love you."

'I love you too. Until we meet again.'

The cold is gone, the echo of love leaves. And you breathe, and pretend you don't feel empty.

(When you see Link again, reuniting with the Chain on the next day's twilight. You hug him as tight as you can, and hope you he doesn't notice the tears in your eyes. And that you don't feel the lingering traces of a frigid embrace.

When no one is looking, you wave goodbye to the shade. And pray he dreams of warmer days until he finds quietus.)