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anominous-user · 8 months ago

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Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton.

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff | Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine | Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on.

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives.

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair.

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another?

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her."

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first." • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

#honkai star rail #double indemnity #veritas ratio #aventurine #golden ratio #ratiorine #an attempt at analysis by one a-u #relationship analysis #you know what‚ i guess i can tag the other names of this ship #aventio #raturine #you could make a fucking tierlist of these names #um‚ dynamics (yk what i mean) dont really matter here in the analysis just fyi if youre wondering its general enough #also if you're wondering about the compilation thread - its not done. it'll take a while (a long while.)#this post was so long it was initially just a tumblr draft that i then put into google docs. and it ended up being over 2k+ words long #is this a research paper‚ thesis‚ or essay? who knows! this just started as just a short analysis after watching the movie on may 5 #final word count according to docs (excluding alt text): 13013 - 43 pages with formatting #i wish i could have added more images to this‚ 10k words vs 30 images really is not doing me any favours…#plus‚ i hit the character limit for alt text for one of the images.#if you see me mixing up british and american spelling‚ you probably have!#oh yeah. if any of the links happen to break at some point. do tell. i have everything backed up #there also may be multiple links strung together‚ just so you know.#I link videos using the EN and CN voiceovers. Just keep that in mind if the jump between two languages seems sudden.#I had to copy and paste this thing from the original tumblr draft onto a new post because tumblr wouldn't let me edit the old one anymore.#Feels just like when I was finalising my song comic…#(Note: I had to do this three times.)#I started this at May 5 as a way to pass the time before 2.2. You can probably tell how that turned out.#Did you know there is a limit to the amount of links you can add to a single tumblr post? It's 100. I hit that limit as well.#So if you want context for some of these parts... just ask.#I'm gonna stop here before I hit the tag limit (30) as well LMAOO (never mind I just did.)

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sunsetsandsunshine · 2 years ago

Text

~ Just say you’re sorry ~

THIS IS FOR THE AMAZING ANON THAT INSPIRED THIS FIC SO KUDOS TO THEM 💞✨💗💕

Also tagging my fellow moots who love this HC as much as I do:

@someone1348 @tickleebug @prettychillbrainfreeze @ghostlyshylee @itzystopkiddingmenowloco

Lee’s: Leo🐢💙 and Mikey🐢🧡

Ler’s: Raph🐢❤️ and Donnie🐢💜

Summary: Raph and Donnie have been getting pranked by they’re younger brothers all day. So like the good big brothers they are, they hatch a totally not devious plan to teach they’re younger sibs a lesson.

(A/N: AS ALWAYS- T*EST DNI YOU NASTY CREEPY WEIRDOS)

———————————————————————

“Stupid dumb-dumbs…stupid stupid dumb-dumbs…”

Raph turned around from where he was sitting on the living room couch to see his immediate younger brother- Donnie- pacing back and forth in the kitchen, holding a mug of coffee that spilled a little bit every now and again as he turned around in a pacing circle.

The young genius was wearing his dark purple sweatshirt with the sleeves pulled up to his elbows, wearing his occasional purple mask and goggles. Raph was wearing his own mask as well, clashing with his grey/gray sweatshirt.

The snapper got up from the couch, putting his phone down and walking to his immediate younger brother. “Hey, bud…you okay?” Raph asked, putting a hand on Donnie’s shoulder as a way to show his comfort. The younger looked up at Raph and started chuckling, even though the eldest turtle was 99.9% sure nothing he just said was funny…

“What’s wrong..? What’s WRONG???” Donnie yelled, going close to Raph’s face so they’re snouts touched before stepping away from him. The softshell put his coffee mug on the counter, pacing back and forth again while his hands were behind his back.

“Oho, I’ll tell you what’s wrong. What’s wrong my dear older brother, is that those imbeciles that I apparently have to call my younger brothers have been pulling pranks on me left and right ALL DAY. I can’t get any work done without fearing for my life that another water balloon or paint cannon is going to hit me!” Donnie said, throwing his hands up to the air before putting them back down. The purple cladded sibling sighed, rubbing a hand down his face slowly as he tried to calm himself down.

Donnie was frustrated- very very (that’s two very’s) frustrated if you couldn’t tell. The genius wanted to have a productive day; a day where he got almost all of his work done and he had the rest of the evening to spend with his family and friends. Believe it or not, the softshell actaully enjoyed spending time with his family, even if he acts like he dreads every single second of it.

But sadly, the universe didn’t want the day to go the way Donnie had originally planned. The universe had to give him not 1 but 2 younger siblings that were annoying as FU- fudge. Annoying as fudge.

Anyway, the two gremlins have been placing boobytraps and pranks all over the lair, such as sparkle canons, water balloons, whoopie cushions- you name it! And at the end of every single prank there would be this…card that mysteriously came out of nowhere. It was orange and blue and had Mikey and Leo’s faces on it, saying “You just got pranked by the Portal Pals! (P.S. L + Bozo)”

Which was…cute. It was nice that the two were having fun and spending time with each other…but WHY did they’re fun have to torture Donnie in the process?

“You too, huh?” Raph chuckled, reaching into his sweatshirt pocket and taking out a couple of Leo and Mikey’s “You just got pranked!” cards. Donnie couldn’t help but chuckle along with Raph at the sight of the cards, going over to him and resting his head on his plastron, groaning. The snapper just laughed some more, wrapping his immediate younger brother in a hug as he patted his battleshell.

“They’re. so. annoying.” Donnie whined, rubbing his hands along his face as Raph sighed. “I mean, yeah. They’re our little brothers, little bro. It’s kind of they’re job to annoy the living hell out of us, y’know?” The eldest reasoned, patting Donnie’s shoulder as he huffed, his anger starting to slip away. “Yeah…I guess so…” the softshell mumbled, taking his head up from Raph’s plastron and smiling at him.

“But hey! Look on the bright side: that doesn’t mean we can’t get payback~!” Raph exclaimed, winking at Donnie who raised one of his sharpie drawn eyebrows, curiosity and mischievousness written all over his face. “Are you implying what I think you’re implying?” Donnie asked, grinning from ear to ear.

Raph grinned back, nodding his head in confirmation. The second-oldest turtle smiled a bit more (this time being a kind of evil smile) as he took out his phone from his pocket, going into they’re family GC. The younger started typing up something on his phone, beginning to walk to his lab.

“Walk and talk with me, Raphie. I’ve got a plan…”

🕺🏾🐢🍕Cool Kids GC 🍕🐢🕺🏾

Today at 2:34 pm

*🕺🏾👾Bootyyyshaker9000👾🕺🏾 is online*

Hello my fellow fam

*UrfaveChamp😘😘😘✨💙 is online*

*Mystic_Mike🎨🤩 is online*

Yoooo

Hey Don!

How are you 😁🥰?

Good good.

How’s the eyebrows working? Feelin pretty, bro?

Donnie groaned from Leo’s text, about to type “kys” in the GC to his younger twin before Raph cleared his throat, shaking his head in disapproval as they continued to walk. The softshell sighed, deleting the text before he was about to send it in the GC.

“There. Happy?” Donnie asked as the oldest nodded, walking into the lab and both sitting on the lab’s desk chairs. “Very.”

“Anyway, what’s he even talking about, Don?” Raph asked, confused. Donnie ran a hand down his face, clicking out of messages and showing Raph a picture he took earlier. It was a pic of Donnie’s eyebrows covered in sparkles, glitter and fake gemstones- and it looked completely awful. Let’s just say the eyebrows looked like a second graders art project.

Uh…no offense to any second grader of course…

“One of they’re sparkle canons got me…” Donnie mumbled. The softshell was so glad he was able to clean that monstrosity off- he would never be able to live that down without anyone making fun of him for it.

Raph cackled at the picture, putting a hand to his face as he did so. “Stop laughing...” Donnie glared, taking the phone back so Raph couldn’t see the photo anymore. And if the alligator snapping turtle knew any better, he could’ve sworn that he saw a pout on his immediate younger brother's face.

“It isn’t funny.” The pout caused Raph to giggle a bit more, booping the softshell’s snout as the younger playfully swatted his hand away. “It is a bit funny…” Raph giggled, smirking at Donnie. The second oldest just chuckled as he rolled his eyes, clicking out of his Photos app and right back to the GC.

They’re fine, actually. The sparkles really complimented my eyes.

See! Told you he would like it, Mikey!

A success in my book

Oh whatever 😒😒😒

✨Anywaysssss✨

What is it that u needed, Don?

R u okay?

Oh, yeah. I’m fine.

I just need you both to come to my lab.

I have to make a huge announcement to say to everyone.

It’s extremely important.

Raph’s already with me so I just need you two to come.

Oh!

Okay!

Oooh! Must be a pretty important if we’re coming to Dee’s lab…

Yes- it is important. I literally just said that.

See you in like- 15 seconds, Dee!

Wait! Raph’s w/ u right now?

Yes. Raph is with me as of right now.

Ask him for me how he likes his new room setup 😁✨

LMFAOAOAOAO

Raph grabbed Donnie’s phone out of his hands, his face red in embarrassment as he typed in the group chat. “What’s he talking about, man?” Donnie chuckled confused, not used to seeing his older brother so flustered.

After the snapper was done with…whatever he was typing, his face relaxed- seeming really calm and content now. Raph cleared his throat, handing the phone back to Donnie. “We don’t talk about it.”

KSYNDND

*KYS

THIS IS RAPH TYLINGNEN

*TYPING

KANSHSJAKSHS!!!

U KNOW ITS FUNNY BRO-BRO

I HATE YOU 2 SM LITERALLY DIE😡😡😖!!!

BAHAHAHAJSHSBDKDK

We love you tooooo Raphieee~!☺️☺️☺️😘😘💕💖💞💖💖✨✨

Donnie clicked out of the messaging app and glared at Raph. “How come I can’t type ‘kys’ in the group chat but you can!?” He asked, putting his phone on his desk and crossing his arms. “Eldest brother privileges, duh.” Raph said calmly, merely shrugging as Donnie rolled his eyes for probably the millionth time today.

“What’s with the random call to Dee’s lab? Are we experimenting on something?” Leo asked excitedly, looking around the lab to see if there was anything brand new or important to test on as him and Mikey walked in. “Yeah! What is it? I wanna know!” Mikey asked as well, grinning from ear to ear waiting for either of his older brothers to answer the question.

Leo was wearing his dark blue sweatshirt, with his blue mask. Mikey was also wearing his favorite orange sweatshirt, also wearing his mask.

Not answering any of the younger two's questions, Donnie tapped a few buttons on his wrist watch, closing the lab door behind them. The two quickly looked behind them at the door and then at each other, nervousness starting to broil up in they’re stomachs. “Don? Raph? You guys okay…?” Leo asked, his head tilting to the side in confusion as his twin and older brother just stood there staring at him and Mikey.

“So…you guys gonna keep staring at us, or are you gonna tell us why we’re here…?” Mikey said as he scratched his head in confusion.

“Glad you two are so curious to find out why I called you here.” Donnie smiled, him and Raph getting up from they’re chairs, looking at they’re younger brothers with a deadpanned face. There was another awkward silence with all of them just staring at each other.

The two youngest weren’t sure if they were called in Donnie’s lab for a legitimate reason or if this was some huge staring contest. Leo and Mikey exchanged worried glances, “Soooo…you gonna tell us or what?” Leo chuckled, crossing his arms trying to hide his nervousness at his twins vague answers.

“Well, you and Mikey have been pranking me and Don a lot.” Raph said stating the obvious, only for Leo and Mikey to chuckle. “Is this what this is about? Are we in trouble or something?” Mikey giggled, nudging Leo in the elbow causing the older to snicker.

“You two aren’t in trouble per say. We just want to join in on the fun too!” Donnie smiled…a bit too sweetly. Leo crossed his arms, squinting suspiciously at his older brothers. “Join in on the fun?” The slider repeated. “Oh, but of course! The fun I’m personally thinking of starts with an r and ends with ‘evenge’. Isn’t that right, Raph?” Donnie grinned as Raph nodded his head.

Mikey gulped, “Wehell…Ihi just remembered I have to goho feed my pehet rock…so, uh…if you’ll excuse me I’ll just be on my way…” Mikey giggly said, nervously walking backwards to the opening door to the lab. Mikey attempted to open the lab door again and again but it just wasn’t budging. He turned around, trying to turn the knob but it wasn’t moving an inch.

“The lab door is locked my dearest Angelo.” Donnie chuckled as he saw the youngest trying to pry the door open- an evil smile plastered on his face as he leaned against Raph’s side, crossing his arms.

Well shit.

“You get Mikey, I’ll get Leo.” Raph instructed, walking towards Leo as Donnie walked towards Mikey, both of the older siblings wiggling they’re fingers slightly with huge evil grins on they’re faces. The two youngest looked at each other completely petrified, stepping away from the door and splitting up, going deeper into Donnie’s lab but making sure to keep they’re eyes on they’re “attackers.”

“Wahait! W-We cahan talk abohout thihis!” Leo giggled, putting his hands up as a way to try and stop Raph from…whatever him and Donnie were planning. Well- he did know what they were planning which is why he’s TRYING his very best not to think about it too much…

Now, don’t get Leo wrong, he can be a menace. He’s been called it many many times by different people, which he takes a LOT of pride in. And he can become even MORE a menace when he’s tickling one of his brothers. To funny remarks to rib-counting to teases. Leo was one scary of a Ler and that was just something you just couldn’t deny.

But sadly, the universe wouldn’t allow Leo to be the only scary Ler in the family. The universe had to give him not 1 but 2 older siblings that were terrifying as FU- fudge when it came to tickling.

When it came to Raph and Donnie, they were just…vile. Finding every single possible way to tickle and fluster they’re Lee until they can’t even think straight.

Since Raph was, like, a TITAN in turtle form, it’s completely impossible to escape him while he’s wrecking you. And since he’s the eldest he will just go on and on and ON about how he was “The best Tickle Monster.” And that stupid thing he would always do was give “Raph-berries.” Basically raspberries but he’s nibbling you as well and it was TORTUROUS.

Now Donnie was an evil force to be reckoned with. For one, he would cheat. The softshell would use his spider arms to ping your arms up so you couldn’t squirm. And worst of all he would pretend as if him wrecking you was a whole big science experiment. Testing out his “hypothesis” or whatever other big words Donnie knew.

So getting that out of the way, Leo knows he’s absolutely dead. Deceased. Expired. 6 feet under…

The red eared slider just knows he’s completely screwed. Based on the facial expressions, body language and overall demeanor of his older brothers, the two were out for revenge. And Leo and Mikey being more sensitive than them, (Leo being a tad bit more ticklish than Mikey), they knew they couldn’t stand a chance. All the two were doing was wiggling their fingers and Leo and Mikey were giggly messes…

“Talk about what, little brother? Talk about how you scared the living heck outta me with all those posters of Mrs. Cuddles that you put all over my room?” Raph taunted, stepping closer and closer to Leo making the younger giggle more frantically.

“I-Ihit wahas funny though!” The younger one stammered, “Actually, now that you mention it…SHE’S RIGHT THERE, LOOK!” Leo screamed, pulling out a completely terrified look out of nowhere pointing somewhere ahead of him, pretending where he was pointing was Mrs. Cuddles.

Hey, he’s not called the Face-man for nothing!

“Wait- WHAT? WHERE?!” Raph screamed, frantically looking around Donnie’s lab to try and spot Mrs. Cuddles. But the only thing he saw was a certain red eared slider running away from him.

Well played…

That little shit.

Before Leo could attempt to try to hide somewhere in the lab, Raph came from behind him, picking the younger up and putting him on his shoulder, carrying him to the middle of the lab where Donnie and Mikey were. Donnie already “captured” Mikey, using his spider arms to hold his arms so he couldn’t try and run away again.

Leo started to hit the back of Raph’s shell, squirming to try and get out of the older’s hold as a bunch of giggly threats flooded out of his mouth. The snapper only rolled his eyes, poking Leo in the side causing the him to let out a surprised shriek followed by frantic laughs. “Don’t forget the position you're in, bud.”

“Yohou guhuys! Plehease dohon’t- noHO Deehee!” Mikey squealed as Donnie released him from his tech arms, sitting down on the carpet floor and pulling him into his lap as Raph did the same thing with Leo, sitting a little bit across from Donnie. Before the young genius could pin Mikey’s hands up- as he originally planned on doing, the youngest retracted into his shell, giggling smugly as Donnie tried to get him out by knocking on his shell repeatedly.

“Hey! You can’t do that!” Donnie said, crossing his arms and glaring at his younger brother. “Toohoo bad. I juhust did.” Mikey taunted, happy he found a way to escape Donnie’s tickly wrath.

Leo, about to go into his shell too was immediately caught by Raph. The older held up his arms, grinning and raising a brow. “Where do you think you’re going, Lee?” Raph asked, chuckling as Leo plastered a nervous smile on his face.

“Nohowhere…” The red eared slider giggled, looking around anywhere but Raph’s face before looking towards his younger brother who was soon about to break by the demon you would call Donatello.

“DeEHEE! NahAt the tUHuhUmmY!” Mikey squealed, squirming in his shell trying to get away from Donnie’s tickly fingers that were now dancing across his stomach. The older shook his head, grinning at the sound of the youngers frantic laughter.

“Then get out of your shell and fight like a real man!” Donnie taunted, which only caused Mikey to whine throughout his giggles but not coming out of his shell. Suddenly, Donnie stopped tickling his tummy, poking at the boxer turtle’s lower rib. “Boop.”

The younger's reaction was almost immediate as he came out of his shell completely to grab at Donnie’s wrists. “There we go~! See! Was that so hard?” Donnie smiled innocently, using his spider arms to pin Mikey’s arms up. Donnie just smiled at Mikey as Raph let go of Leo to begin tickling his sides.

“Pfft- nohohoho!” Leo giggled, hugging his middles and squirming a bit as Raph lightly scratched around his sides. The older one laughed in amusement, raising a brow and grinning at his reaction. “No? No, what? You two brought this upon yourselves!”

“Oho screw ohohoff!” Leo retorted, pushing at Raph’s wrists as Donnie just continued to look at the youngest, not doing anything quite yet.

“Whahat?” Mikey asked, looking at his older brother who’s face looked like he was solving the worlds hardest math problem- but the genius probably did stuff like that for fun anyway.

“Hm? Oh…nothing. Just trying to remember where you’re most ticklish, Angelo…I can’t quite seem to remember…” The softshell muttered, crossing his arms and looking up intensely at his midnight purple ceiling.

“Wha-?! Whahat ahare yohou tahahalking about??? Yohou know my worst spot!” Mikey giggled, rolling his eyes at his brother who only shook his head. “My apologies, Mikey. I sadly do not. But…perhaps you could possibly tell me?” Donnie smiled, a smile which only caused Mikey’s face to go a bright red. “I aham nohot telling! Yohou already know!”

Donnie laughed at the younger one’s answer, starting to trace his fingers along the place where Mikey’s shell met his neck- a known melt spot spot for the youngest. Mikey giggled slightly at the sensation, squirming a bit under Donnie’s hold.

"Are you ticklish anywhere else?" Donnie asks, not stopping his tracing, looking down at his younger brother’s face that indeed looked like a tomato- which is really weird because he hasn’t even tickled him for that long!

“Noho! I’m not! Juhuhust lemme gohoho!” Mikey squealed, kicking his legs trying oh so desperately to get off his older brother’s lap. “No? You're lying to me, aren't you?" Donnie chuckles, still not stopping as he continued to trace Mikey’s melt spot.

“I bet you're super ticklish. I just need to find the right spots! Just tell me where, and I'll be sure to avoid it like the plague." He pauses, giving the younger a chance to tell him where he was ticklish (because Donnie obviously didn’t know!). His voice was low and teasing now, a playful, taunting inflection in his words. "Or should I just start tickling you until I find out myself?"

Mikey just giggled, shaking his head and stomping his feet on the ground- determined to try and escape while he still could. “That's a yes, then?" Donnie chuckles, smiling a little to himself. "Alright, I'm going to take your lack of response as permission to tickle you." The softshell merely said as he now started to tickle the younger’s exposed underarms.

“HeHEY!” The boxer turtle shrieked, trying his best to squirm away from his older brother. “ThaHAT TIHIckles yohoU BiHIHiG jeHerk!” Mikey cried, regretting his words as soon as they came out.

“Does it?" Donnie chuckles in fake surprise, continuing to tickle Mikey’s underarms, his hands being gentle- not getting to his worst spots…not yet at least. “You really shouldn’t have said that, Mike~!” He remarks, smiling as the younger one only laughed more at the tease. The second oldest soon began to pick up the pace of his tickly fingers, laughing as Mikey tried to hide his face in his elbow- not being able to hide them in his hands since his arms were pinned up.

“What are you squirming around for, hm?” I vividly remember you saying you weren’t ticklish anywhere else…” Donnie stated matter-of-factly. “IHI LIhihiED, AhaLRIGHT? Ihi lihihIED- dOHOn PLEHease! QuiHIT IHIT!” The younger admitted, his laugh muffled from hiding his face away in his arms.

“Do you hear that, Raph? This little shit lied to me! Can you believe that?!” Donnie cried dramatically before lightly scratching his fingers at the sides of Mikey’s neck- making the younger let out a high-pitched squeal; not hiding in his arm anymore as he threw his head back in full blown laughter.

“I wouldn’t be lying to Donnie if I were in your position, Mike. Just saying.” Raph said casually as if there wasn’t a red eared slider in his lap, laughing his shell off and squirming like he’s being electrocuted.

“And you. Stop squirming so much! Your making it hard to get your good spots!” Raph playfully scolded down at Leo, tickling at the younger’s ribs, chuckling as Leo grabbed his wrists and uselessly tried to pull them away.

“Ihi’m gOHOnna gEhet yohOU guhuys baHAHAck soho bahahad yoHOu’ll wiHIsh yohOU neHEver knew meehee!” Leo threatened, lightly punching the air in hopes to hit Raph. Which- none of them did. But hey, A for effort, right?

“Oho I bet you are.” Raph laughed sarcastically as he began to tickle Leo’s stomach. “Someone has a ticklish tum-tum, I see~?” Raph teased as Leo’s face began to go almost as red as the oldest’s bandanna. “DOOHOO *snort* naHAT CAHaLL IhiT THAHAT!” Leo squealed, kicking his legs and throwing his head back in hysterics.

“RAHAHPHIEEEE! PLEHEASE! STAHAP IHIT!” Leo cried, still trying to grab at Raph’s hands as they were lightly pushed out of the way each time he tried. Raph smirked as the younger pleaded, only making Raph tickle his stomach more lightly- almost feather-like.

“I will stop as soon as you and Mikey apologize!” Raph smiled. “Agreed. As soon as you two apologize, we’ll stop reminding you two just how ticklish you are.” Donnie exclaimed as he began to knead Mikey’s thighs. The box turtle shrieked, kicking his legs in hopes that the kicking will make it harder for Donnie to tickle him there.

“NAHAHA! DEEHEE! NAHAT *squeak* THEHEHERE!” Mikey squealed, still kicking his legs but Donnie’s hands stayed firm as he began to knead harder. “IHIT TIHIHICKLES! DAHANNIE *squeak* PLEHEASE *squeak* STAHAP!”

“Hm? What? What’s so funny Angelo?” Donnie asked, looking back at his younger brother who- by the way- looked like a full on turtle tomato. “WEEHEE’RE SORRY!” Mikey cackled. Donnie nodded his head, looking at Raph but not stopping tickling Mikey.

“Hey, did Leo apologize yet?” Donnie asked. “Nope! Which I think is a bit rude considering your situation don’t you think, Leo?” Raph asked, stopping tickling Leo to let him breathe as Donnie did the same with Mikey.

“Yohou are thehe woHORST older brohohother eveher…” Leo giggled at Raph, knowing he was absolute dead meat after that comment but couldn’t help himself. Mikey made a teasing ‘ooooh~!’ sound, giggling at Leo’s comment to they’re eldest brother.

“Personally, I wohohould nohot tahake that amount of disrespect…” Mikey giggled as Raph only sighed, shaking his head before smirking. Raph flipped Leo around so that his shell was facing the ceiling- and as he did so Leo felt as if his soul left his entire body.

Leo and his big mouth…

“AHAHA! NOHO! NOHO WAHAIT *snort* A SEHEHECOND!” Leo panicky giggled, kicking his legs and lightly punching on Raph’s thighs. “Waitwaitwaitwait- lehet’s tahalk- RahaHAHAPH! RAHAHAPH WAHAHAIT!” Leo giggly panicked, his laughter increasing as Raph slowly lowered his head to the back Leo’s knees, ALMOST touching it with his face.

“What? Wait for what?” Raph grinned, waiting for Leo to reply but the only response he got from the slider was snorting cackles. Raph took a deep breath before blowing a raspberry on the back of Leo’s knees, causing the younger turtle to go absolutely mad in laughter. Leo covered his face with his hands, muffled cackles bouncing around the walls along with Mikey’s squeaky cackles as Donnie gave raspberries to Mikey’s stomach.

“Jeeheez…you guys are really ticklish, huh~? I wonder how long they could last…what do you think, Don?” Raph asked before going back to blowing raspberries on the slider’s knees, not showing him any mercy now.

“I estimate about 3 more minutes or so…but it doesn’t really matter because I don’t plan on stopping until I hear an apology from Leo~!” Donnie tauntingly sang, laughing as Leo and Mikey’s laughs became more louder after that. “Besides, these two had what was coming to them for a while.”

Mikey absolutely paled at Donnie’s tease. This wasn’t fair! This wasn’t fair one bit! He already apologized! He surrendered!But because of Leo’s stupid comment and the denial that’s he’s the most ticklish out of all 4 of them, they’ll probably be here for an hour!

“LEEHEEO! LEEHEEON *squeak* PLEHEHEASE! JUHUHUST AHAPOHOL- *squeak*” Mikey cackled as Donnie began to blow raspberries on Mikey’s ribs now, scribbling his fingers along his sides too.

“So? What’s it gonna be, Leo? Have you had enough?” The eldest asked as Leo only glared at him through his laughter, throwing his head back again. Leo shook his head, banging his fists on the carpet. The poor slider was trying to act high and mighty but was still squirming like a fish out of water trying to get back into the ocean…

Or, in this case, trying not to get tickled to pieces.

“Stop squirming, Leo. You aren’t going anywhere. I could do this allllll day.” Raph teased as he blew another raspberry on Leo’s stomach. “Well, scientifically speaking, you can.” Donnie said, stopping giving Mikey raspberries but still tickling his stomach with both hands.

“I was doing some research for um…scientific purposes and I figured out that alligator snapping turtles and softshell turtles can hold they’re breaths for an hour. So, as long as we take certain breaths now and again we could blow raspberries on Leo and Mikey’s ticklish tummies for as long as we-“

“WEEHEE GEHET IHIT!!!” The two youngest screamed, not wanting to hear anymore of Donnie’s “scientific discoveries” about how him and Raph were the most devious ticklish monsters on the planet.

Donnie and his dumb-dumb research.

“Huh…you don’t say…” Raph smiled, trying to test Donnie’s theory about the whole “not needing to breath thing for an hour” thing. He blew probably like the millionth raspberry on Leo’s stomach.

And…Donnie was right! Not that he had one single doubt on his immediate younger brother’s genius of course! It just sounded too good to be true! He will definitely be using this tactic on Leo and Mikey in the future…and maybe April too! He’s definitely not scared of the aftermath of when he does that to her…

Raph smiled, not being taking a single breath as he continued to give a raspberry to the back of one of Leo’s knees. Raph was enjoying this new skill he could do very well! Leo on the other hand…was going absolutely ballistic.

“NAHAO, *snort* AHANYWHERE *snort* EHELSE! NAHAT *snort* THEHE KNEEHEEHEES!” Leo screamed, punching Raph’s thighs lightly again. “Awh~? Why not~? Is this a bad spot, Lee?” Raph teased into Leo’s knees, finding this whole situation quite amusing indeed.

“OHOMIGAHAHA-!!! YEHES! IHIT’S *snort* SOHO FREEHEEAKING BAHAHAD!” Leo cackled, not knowing what to do but just laugh and kick his legs. He was absolutely defenseless! There was nothing more he could do but just take it! “So…it tickles? Would you say this tickles too~?” Raph asked as he began to nibble at the back of Leo’s knees along with giving raspberries at the same time. Or, “Raph-berries” if you will.

“RAHAHAPH! NAHAH- *snort* IHI HAHATE YOHOHAHAH!” Leo snorted, his hands starting to flap against the carpet floor, making light thumping noises.

Raph laughed, a smile still plastered on his face- but instead of that eat shit-and-die” expression he had on earlier, this smile was way more fond.

Fun fact: Anytime Leo was tickled by his siblings, he younger would start happy stimming with his hands. His siblings think it’s the most adorable thing ever- much to Leo’s disagreement.

And it was so funny because he couldn’t even deny that he hated being tickled (even though he did anyway)! The evidence was right there!

“You didn’t answer my question, little bro! Does it tickle?” Raph pressed on, eager to get an answer out of his younger brother. “ *YEHES! MY GAHAHAD! OHOBVIOUSLY!” Leo screamed, still trying to kick Raph off of him.

“Just making sure!” The oldest smiled sweetly, still not stopping his new ability on the second youngest’s knees. Leo whined throughout his cackles, covering his face once more. “Don’t be like that, little bud! You know you love it!” Raph teased.

“NAHAO *snort* THE HEHEHELL IHI *snort* DOHOHON’T!” Leo screamed, happy stimming with his hands again.

“Your body language says otherwise, bud.” Raph teased back.

Back with the PB&J Duo, Donnie an idea sparked in the genius’ head. His eyes sparkled as he grinned at Mikey- causing the youngest to gulp in nervousness. He knew what his older brother was planning…

“Dohonatello- Dohon’t yohou dahahare…” Mikey warned, glaring at Donnie as a warning. But that so-called warning only made Donnie laugh. “Oh I dare. Oh I so, so dare, Angelo.” Donnie taunted before blowing raspberries on Mikey’s plastron where his ribs would be.

The younger let out a glass shattering squeal, causing Donnie and everyone in the lab to flinch a bit. But like Leo- Mikey can’t really do anything but just laugh at this point.

“PLEHEHEHEASE! DAHAN- *squeak*! STAHAP!” Mikey cackled, kicking Donnie in the side with his knees which only caused Donnie to chuckle. “I think our little brothers have mutated into a pig and mouse.” Raph laughed, both him and Donnie laughing at the comment- because they couldn’t really deny that fact that.

“OKAHAY! OKAHAY!” Leo screamed, his hands flapping on Raph’s thighs repeatedly. The older chuckled at the gesture, fighting every ounce of him not to take a picture with Donnie’s phone right now at the younger’s adorableness. “Okay, what Lee~?”

“IHIHI’M SAHAHARRY!!” Leo snorted, his hands still flapping happily and Raph couldn’t help but laugh fondly at it. “Should we let them go, Raphie?” Donnie asked, still nibbling at Mikey’s plastron but eyes on Raph, waiting for his answer.

“Yeheah, we should. We don’t want to accidentally kill them...” Raph said to his immediate younger brother, chuckling at his own joke. The two oldest stopped tickling the two youngest, letting the two just relax in they’re laps; trying to catch they’re breaths.

“Oho my gohod….” Leo breathed out, turning to his side so he could see both Donnie and Mikey. Raph laughed as he rubbed the younger one’s head; trying to soothe him. The younger teen squirmed, holding Raph’s wrist as the older laughed some more. “I’m not gonna tickle you, bud.” He said, continuing to rub Leo’s head as the red eared slider stopped holding his wrists, excepting the gesture.

“Thahat was fuhun!” Mikey giggled with Leo, sitting up and leaning on Donnie’s plastron- now being able to use all of his limbs. The softshell then used his spider arms to give the pranking duo two glasses of water- which the two happily accepted.

“Speak fohor yourself…” Leo giggly grumbled, putting the finished glass of water to the side after drinking it and leaning on Raph’s plastron.

“So! I guess now you two know not to mess with your older brothers, right?” Donnie asked, wrapping Mikey in a hug before lightly squeezing his sides, causing the younger to let out a screech. “YeHES! We learned our lesson, okahay?! Jeeheez! Couldn’t you have warned us in text or something?” Mikey whined, pushing at Donnie’s face lightly.

“Nah. This was way more fun.” Raph and Donnie both said, smiling as the two youngest groaned fondly at they’re answer to Mikey’s question.

——————————————————————

This fic has been a WIP for a LONG ASS TIME so I decided to finish as soon as my stupid exams ended and post it lol-

But srsly- I love this HC for Raph and Donnie sm it’s so evil <3 I hope everyone enjoyed reading it as much as I enjoyed writing it :D

(Also sorry if the phrasing and/or pacing is weird- this is my first time writing with two lees and two lers- I dunno what I’m doing 😭💀😂)

P.S. Since Summer just started for me I will be able to work on more of my WIP’s so keep watch for ‘em :p

#If you couldn’t tell I love writing Raph #He’s such a great character and an even better tickle monster #Brains and Brawn #Its been a couple of months but I think I can officially say they’re my favorite duo #The beginning of the fic was just proof of that #Sorry this took like 2 months to make 💔💔💔#As I said- I had no idea how to write 2 characters getting tickled at the same time #I love you all with all my heart but I’m NEVER doing that again #It was so hard-#But thank you K for giving me advice for it ✨💗💞#This fic wouldn’t have been finished without you 💕✨#Also thank you Jo as well for helping me remember what I wrote for one scene because dOCS FREAKING DELETED IT #This fic probably would be half its size if it wasn’t for ya ✨💗💕#Leo and Mikey are such a shits I hope I did them justice #Oh wait who am I kidding- I’m a younger sibling ofc I have em justice #Raph-berries #Plz- I hate him sm /lh #Donnie acting oblivious to where his Lee is ticklish and “figuring out” the spots might be my new favorite thing #Cuz he could wreck you if he wanted to but he’ll just leave you in suspense 😉#Like the mean older brother he is #Rottmnt tickle #Lee!Mikey #Lee!Leo #Ler!Donnie #Ler!Raph #Rottmnt tickle fic #Rottmnt tickle fanfiction

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