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saintsenara · 11 months ago

Note

Riddle’s extremely fearful and aggressive reaction to Dumbledore when he thinks he’s a doctor (and the fact that he assumes this at all and believes he is being lied to) has some pretty dark implications (which of course no one follows up on). Do you have thoughts?

thank you very much for the ask, anon!

and yes - this has occurred to me too... which means that my thoughts come with a trigger warning for the sexual abuse of a child, and are under the cut.

the relevant scene in canon is, of course, this:

“I am Professor Dumbledore.” “Professor?” repeated Riddle. He looked wary. “Is that like doctor? What are you here for? Did she get you in to have a look at me?” He was pointing at the door through which Mrs. Cole had just left. “No, no,” said Dumbledore, smiling. “I don’t believe you,” said Riddle. “She wants me looked at, doesn’t she? Tell the truth!” He spoke the last three words with a ringing force that was almost shocking. It was a command, and it sounded as though he had given it many times before. His eyes had widened and he was glaring at Dumbledore, who made no response except to continue smiling pleasantly. After a few seconds Riddle stopped glaring, though he looked, if anything, warier still. “Who are you?” “I have told you. My name is Professor Dumbledore and I work at a school called Hogwarts. I have come to offer you a place at my school - your new school, if you would like to come.” Riddle’s reaction to this was most surprising. He leapt from the bed and backed away from Dumbledore, looking furious. “You can’t kid me! The asylum, that’s where you’re from, isn’t it? ‘Professor,’ yes, of course - well, I’m not going, see? That old cat’s the one who should be in the asylum. I never did anything to little Amy Benson or Dennis Bishop, and you can ask them, they’ll tell you!”

the surface-level reading of this scene - which is clearly what the text wants us to go for - is that riddle thinks he's about to be institutionalised for being "mad" - and, specifically, that he thinks that what dumbledore has been told is his "madness" is actually his magic.

[he is also clearly meant to be read as panicking a little bit that he's fucked around torturing his fellow children and is now about to find out...]

that riddle accepts he's a wizard so easily - and that he is so reassured by dumbledore agreeing that he's not mad - is something the text wants us to read as sinister. him immediately describing himself as "special" is set up as a precursor to the adult voldemort's delusions of grandeur - which the entire arc of the series, ending in his death as an ordinary man, is designed to undermine.

but i've always disliked this reading. the eleven-year-old riddle - a magical child raised around non-magical people - is objectively correct to describe his powers as "special" [in that they make him identifiably different from the crowd] within the context in which he lives. the word choice is nowhere near as deep as dumbledore decides - he's clearly known since he was very young that he's a wizard, but he didn't have the precise language to describe this fundamental part of himself until dumbledore offered it; prior to that, "special" is a perfectly reasonable alternative term.

and, in always knowing that he's a wizard, he also knows that he doesn't have a mental illness - but he must also know that this is something it's near impossible for him to prove.

in the real world, if i spoke to a patient who told me:

“I can make things move without touching them. I can make animals do what I want them to do, without training them. I can make bad things happen to people who annoy me. I can make them hurt if I want to.”

then i would be correct to describe them as experiencing psychosis. and i might - depending on their other symptoms - have reasonable cause to admit them [voluntarily or not] for psychiatric treatment.

riddle is - of course - demonstrably not psychotic. but it's not unreasonable that mrs cole would assume he is - the world she lives in, as a muggle [even if she's a religious one], is one in which people do not possess the ability to move objects or control animals with their minds, and if one of her charges is convinced that he can, then she's justified in seeking medical intervention.

[that psychiatric treatment in the 1930s can be described without exaggeration as inhumane is another matter...]

which is to say, i think we can easily suppose that mrs cole has - prior to dumbledore's arrival - succeeded in having riddle "looked at", and that the idea that he's mentally ill and should be committed to an asylum has been mentioned before. i think most of us would be instinctively [and angrily] wary of doctors if this happened to us, regardless of how nice the doctors in question were.

and maybe that's all there is to it.

and maybe it isn't...

in the doylist text, the eleven-year-old riddle's personality is the way it is because he's the villain of the series. where harry is preternaturally capable, even as a child, of all the things the series defines as admirable - above all, enduring difficulty without complaint - riddle is preternaturally incapable of them. he's meant to come across as unambiguously sinister - and the fact that the text repeatedly emphasises that he has control over his unpleasant traits invites us to view him as someone who is acting with full agency. that he lives in an orphanage is a trope which the text uses, like a campy horror film might, predominately to underscore how creepy he is - and the text, in keeping with its general lack of interest in states and their institutions, never really prompts us to interrogate the impact of his childhood upon the course his life takes.

[this is despite the fact that voldemort's reliving of the night he killed the potters in deathly hallows is an incredibly accurate depiction of ptsd...]

but it's also the case that the eleven-year-old riddle's behaviour and personality fits a pattern we might expect to see in a child who is being abused, sexually or otherwise:

he's aggressive, he has a hair-trigger temper, and he becomes distressed even by behaviour - such as dumbledore speaking mildly and calmly - which would not ordinarily be expected to provoke such a reaction.

his broader emotional state is fractious. his mood changes sharply, he seems to feel emotions very profoundly, he struggles to control his emotional response to things, he's extremely easily irritated, he's attention-seeking - and he particularly seeks negative attention, and he's very highly-strung. his admission in deathly hallows that he feels calm before he kills - or before he otherwise eradicates a threat or a problem - comes with the flip-side that he's someone who appears, when things aren't going well or he finds himself in a situation which he can't control, to become quite anxious. which is a trauma response.

he's extremely isolated. the text presents the fact that he has no friends as a deliberate choice - "lord voldemort has never had a friend, nor do i believe that he has ever wanted one" - and his relationship with everyone else he ever meets, including his fellow orphans, is defined by the text as exclusively involving him controlling, manipulating, and punishing them. or: he is always the more powerful person in the pairing. but this need for control can be read as self-protective just as easily as it can be read as sinister. there are hints in canon that riddle is not just some malevolent force in the orphanage preying on mild-mannered innocents. for example, billy stubbs, the owner of the rabbit he kills, is targeted by riddle as revenge: “Billy Stubbs’s rabbit... well, Tom said he didn’t do it and I don’t see how he could have done, but even so, it didn’t hang itself from the rafters, did it? [...] But I’m jiggered if I know how he got up there to do it. All I know is he and Billy had argued the day before." on the rare occasions billy turns up in fics, he's usually - i find - written very like neville - sweet and guileless and a bit pathetic. but the alternative reading - especially when we take into account that riddle attacks the rabbit rather than billy himself - is that billy is someone he would be afraid to physically confront. indeed, it's striking that voldemort - at all stages of his life - is described as being quite physically fragile. not only is he very thin, but he's always cold and his heartbeat is described several times in canon as irregular. i think this is supposed to be a comment on the physical changes he undergoes the more horcruxes he makes - although the idea that the soul would affect the heart doesn't actually align with how the series understands the soul to relate to the body - but it can also be interpreted perfectly legitimately as something he was experiencing prior to splitting his soul. i am committed to the headcanon that riddle was quite a sickly child - and that this is one of the things which drives his fear of death - and i'm also committed to the idea that his obsession with magic is because the enormity of his magical power makes up for his physical lack. he can defeat - and humiliate and frighten and remove the threat of - billy or dennis [or even an adult man?] with magic. without it, if they were to physically overpower him, then he wouldn't be able to throw them off.

he is extremely nervous about being alone in a room with dumbledore - someone he doesn't know, and who he assumes is connected to a profession [and, maybe, who knows any other doctors he's been previously made to see...] of which he is frightened.

he doesn't trust or confide in anyone - which, as a child, means particularly that he doesn't trust or confide in adults in positions of responsibility. he's clearly uneasy with the idea of finding himself in the subordinate position in an adult-child relationship when dumbledore offers to take him shopping for school supplies - potentially because he's worried that dumbledore will try and dictate or restrict what he's allowed to buy unless he behaves in a certain way... and i am always very struck that dumbledore says in half-blood prince: "He was very guarded with me; he felt, I am sure, that in the thrill of discovering his true identity he had told me a little too much. He was careful never to reveal as much again." this is presented in the text as evidence that dumbledore is the only person of whom voldemort is afraid - by which the text means that voldemort acknowledges that dumbledore knows that an ordinary man, mortal and unimpressive, lurks behind the mask of unassailable power he has created for himself; and which the text thinks is a good thing. but we can also read it as a self-protective act on riddle's part. in his excitement, he offers dumbledore information [that he is known to be a liar, that he is in trouble a lot, that mrs cole dislikes him and is disinclined to believe anything he says] which would give dumbledore - or anyone in a similar position of power and presumed respectability - cover to abuse him, safe in the knowledge that he would be unlikely to be believed if he reported it.

he doesn't appear to feel safe in the orphanage and he's frequently absent from it - by his own admission, he spends a huge amount of time wandering around london on his own, which may even involve him staying away for several days at a time. nobody appears to notice or care about this.

he's very independent - which the text again presents as evidence of his deliberate self-isolation and rejection of the bonds of love and friendship - and his independence is unusual for a child his age [i.e. that he is capable of doing all his own shopping for school].

his knowledge of violence - i.e. how he designs the trip to the cave to be maximally psychologically devastating for dennis and amy and devoid of repercussions for himself - is also more advanced and methodical than would be expected in a child of his age. again, the text uses this to emphasise how inextricable the child-voldemort is from his adult self - and also, to some extent, to underscore the intellectual brilliance [his magic is also more advanced than is normal for a child] which his narrative archetype [the exceptional villain who is defeated by the everyman hero] requires. but we can also read it as evidence of his own victimisation. a common sign that a child is being sexually abused is that they display a knowledge of sexual behaviour which is more advanced than is reasonable for a child of their age - for example, knowing in detail how a sex act is performed, or fluently using sexual slang which they have no chance of knowing either from age-appropriate settings like school-based sex education or conversations with a parent or trusted adult, or from the sort of enthusiastic hoarding of rude words and phrases all children enjoy as they grow up. riddle's precise, clinical knowledge of how to manipulate, frighten, torture, and control can be seen as something similar. if he can - at eleven or younger - methodically break down another child until they're "never quite right" again, then this is because he's learned how to from someone.

he keeps secrets. and he also goes out of his way to extract them. his grooming of ginny in chamber of secrets - he manipulates her into confiding things she wants to keep to herself, promises he won't tell anyone, and then uses the threat that he will to get her to do his bidding - is an absolutely textbook example of how abusers use the idea of secrecy to control their victims. it doesn't make his abuse of ginny any less inexcusable if we assume he learns this from being on the other side of things.

dumbledore understands his little cache of objects as trophies he's taken from victims - and the text takes the view that dumbledore is correct in this assessment. that hoarding trophies is something widely associated with serial killers means that this is yet another thing which underlines how creepy - and how like his adult self - the child-voldemort is. but it's also the case that the adult - and teenage - voldemort places a lot of emphasis on gift-giving as part of his control over other people. the two most obvious examples in canon are wormtail being given his shiny hand as a reward for helping voldemort get his body back, and slughorn being buttered up with crystallised pineapple before voldemort asks him about horcruxes. the text thinks this is sinister - and one of the reasons it does this is because gift-giving is a grooming tactic. the text also clearly thinks this isn't behaviour voldemort has learned from the other side. and yet a common sign that a child is being abused is if they have possessions it doesn't make sense for them to own [i.e. a child from a low-income background who is suddenly decked in designer clothes] and which they can't or won't explain how they came by. riddle's cache isn't luxurious - although he's so poor that a yoyo or a mouth organ probably is a luxury to him - but there's also nothing in canon which precludes the objects being presents, rather than stolen goods. if the spell dumbledore uses to make the box rattle is caused by a statement which is both relatively ambiguous and dependent on dumbledore's subjective personal morality - is there anything in this room he's acquired through nefarious means? - then the spell would still work as it does in canon if riddle was an abuse victim given the objects as "rewards". dumbledore's tendency to locate right and wrong in the individual and dumbledore's belief that good people should steadfastly endure misery means he can be written entirely canon-coherently as someone who would think a victim who appeared to collude in their own abuse - such as a victim who "offered" a sexual act because their abuser promised them something if they did - was behaving consensually, manipulatively, and nefariously. and it's worth noting that when riddle doesn't know what dumbledore has done to make the box rattle, he is "unnerved". when he realises dumbledore thinks he's stolen the objects - and that he has no interest in forcing him to admit this aloud - he is "unabashed". perhaps because he's just received proof that an experience he doesn't want to talk about is still secret...

on the other hand, the objects could indeed be stolen - because petty criminality and anti-social behaviour, especially in pre-teen children, is also a sign of abuse.

he can be extremely obsequious - when dumbledore tells him to watch how he speaks he becomes "unrecognisably polite", he ruthlessly flatters slughorn, and he is cringingly deferential to hepzibah smith. the text understands this as evidence that his apparent charm is only superficial - another trait associated in the popular imagination with serial killers [and it's striking that so much about the young voldemort - handsome, charming, seemingly quiet and polite, true evil lurking underneath the mask - is exactly like the pop-culture persona which has been created for ted bundy...]. voldemort himself agrees that his charm is performative in chamber of secrets: “If I say it myself, Harry, I’ve always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted." but his obsequiousness is also a fawn response - a way of minimising a threat by attempting to please the person issuing it. he becomes "unrecognisably polite" - after all - in response to this: Dumbledore raised his eyebrows. “If, as I take it, you are accepting your place at Hogwarts - ” “Of course I am!” “Then you will address me as ‘Professor’ or ‘sir.’ ” Riddle’s expression hardened for the most fleeting moment before he said, in an unrecognisably polite voice, “I’m sorry, sir. I meant - please, Professor, could you show me - ?” riddle could reasonably interpret what dumbledore says here as a threat to prevent him attending hogwarts - even though dumbledore evidently doesn't mean it in this way - and he switches to being fawning because this is something he really doesn't want to happen...

do i think that any of this is what the text was actually going for? no. and nor do i think that reading riddle as a victim of abuse excuses the violence which the adult voldemort goes on to perpetuate.

but i think it is a reading of his characterisation which is both canon-plausible and interesting - a strange, sickly child with a reputation for cruelty and dishonesty being abused by the respectable doctor who is constantly called in to treat his coughs and wheezes, who buys him little presents and charms him into telling him secrets, who then [to paraphrase the teenage voldemort] feeds him a few secrets of his own, safe in the knowledge that nobody will ever believe him if he tries to get help.

and i also think this a reading which is sincerely important.

a significant contributor to the prevalence of child abuse - no matter what exact form this abuse takes - is that we are culturally conditioned to imagine that both the abuser and the victim will look and behave in a certain way if the abuse is "real".

and this means, all too often, that we take child abuse more seriously when the victim is "sympathetic" - when they're from a stable home, and their family are respectable, and they do well in school, and they're polite and sweet, and they look innocent, and they behave perfectly appropriately for their age, and nobody would ever dare to say that they come across as older than they are, and they're white, and they don't have a history of lying, and they don't have a history of attention-seeking, and they don't have a criminal record, and they're not abusive themselves, and there's absolutely no way of suggesting that they colluded in their abuse, and the perpetrator was someone who looks like a child abuser.

someone who is creepy, low-status, ugly, unpopular. someone who everyone can tell is socially abnormal, someone who nobody would ever intentionally permit to be around their children. not someone who is charming, well-respected, attractive, rich, popular, trustworthy. not someone who has a loving family and a happy home. not someone we might be friends with.

but many perpetrators of child abuse are these second group of people. and many victims of child abuse are "unsympathetic", when their social positions and reputations are compared to their abusers' own.

they lie. they steal. they're attention-seeking. they're vindictive. they have trouble distinguishing between imagination and reality. they're violent. they're bullies. they hurt animals. they abuse other children. they take drugs. they're mentally-ill. they come from broken homes. they're in the care of the state. they're dirty. they're poor. they're odd. they're behind at school and badly-behaved in the classroom. they do things which allow their abuse to be dismissed as something they brought upon themselves - they speak or dress in certain ways, they pose provocatively in pictures and post them on the internet, they are known to be sexually active outside of the context of their abuse, they lie about being over the age of consent, they engage in sexual behaviour with an adult abuser in a way which appears [even though it isn't, and there's never a circumstance in which it will be] to be consensual or for their own personal gain, they are flattered by the attention they receive from someone who is important or attractive grooming them, they have complicated - and not always wholly negative - feelings towards their abusers.

and they are still - unequivocally - victims, and what happens to them is still - unequivocally - abuse.

tom riddle is an unsympathetic victim - not only of any potential abuse, but also of the horrors of his life which are explicit on the canon page: that he is raised in an orphanage; that he is grieving; that he knows nothing about his family; that he is thought to be mad.

the absence of any institutional response to his childhood experiences - dumbledore, by his own admission, discloses nothing about riddle to his fellow teachers - is a flaw repeated again and again in the worldbuilding of the harry potter series.

hogwarts - and the wizarding [and muggle] state more broadly - doesn't intervene in any case of neglect or abuse, from harry to snape to voldemort's own parents. the series' individualistic morality means that we aren't supposed to interrogate these collective failings. and the series' black-and-white view of good and evil - and its general belief that violence is fine if the person it happens to "deserves" it - means that it has no interest in examining the ways that poverty, isolation, and neglect are risk factors; that straightforwardly unpleasant people can still be victims; that victims can go on to become perpetrators without their victimhood ceasing to matter; and that the abuse of children usually takes place not in silence and secrecy, concealed in ways which make it fine for adults not to notice it and not to intervene, but in plain sight.

this is knowledge it never hurts to refresh. thinking about lord voldemort's childhood might be an usual way of doing so... but it is an effective one nonetheless...

#asks answered #asenora meta #tom riddle #lord voldemort #if wizards had the concept of safeguarding it would be a game changer...

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starstruckbyacomet · 3 months ago

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Three Firefighter Shows & Their Queers

Station 19 vs. 9-1-1 vs. Lone Star

A. THE FIREFIGHTER SHOWS

Station 19 is a TV show about firefighters, created by Stacy McKee with Shonda Rhimes as Executive Producer, launched by ABC in Jan 3, 2018. It's a spin-off of Grey's Anatomy.

9-1-1 is a TV show about firefighters, co-created by Tim Minear with Ryan Murphy as Executive Producer, launched by Fox in Mar 22, 2018.

Lone Star (or 9-1-1: Lone Star) is a TV show about firefighters, co-created by Tim Minear with Ryan Murphy as Executive Producer, launched by Fox in Jan 19, 2020. It's a spin-off of 9-1-1.

They sound repetitive? Wait until you get to the next parts.

B. THE TOKEN QUEER COUPLES

Station 19 has only one queer (bisexual) main couple: Maya Bishop (main character) x Carina DeLuca (main character) or MARINA. Maya Bishop is a member of Station 19, while Dr. Carina DeLuca is a medical doctor in... Grey Sloan Memorial Hospital (duh 🙄).

Cheating issue: Maya cheated on Carina with her ex, Jack Gibson.

Parenthood issue: Initially Maya didn't want to be a parent, but Carina wanted to. Maya changed her mind later.

Adoption issue: Marina's effort to adopt baby Liam was far from smooth. First, they needed to foster Liam. They also faced a risk of losing the baby.

9-1-1 has only one queer (lesbian) main couple: Henrietta Wilson (main character) x Karen Wilson (recurring character) or HENREN. Henrietta Wilson is member of 118 Firehouse, while Dr. Karen Wilson is an aerospace engineer.

Cheating issue: Hen cheated on Karen with her ex, Eva Mathis.

Adoption issue: Henren's efforts to adopt Denny, and later Mara, were far from smooth. They also faced a risk of losing their children with each adoption or child fostering 🙄.

Lone Star has only one queer (gay) main couple: TK Strand (main character) x Carlos Reyes (main character) or TARLOS. TK Strand is member of 126 Firehouse, while Carlos Reyes is a police officer, later a Texas Ranger.

Parenthood issue: Initially Carlos didn't want to be a parent, but TK wants to. Carlos might change his mind later.

(Potential) adoption issue: TK wanted to adopt Jonah, his little step-brother. By the time this piece is posted, Lone Star final season is still ongoing. We don't know yet what will happen to the adoption plan.

C. THE OTHER QUEERS: THE "ETERNAL BACHELORS"

Station 19 has only one other queer main character: Travis Montgomery (gay).

Relationship journey: He became a widow after his husband, Michael Williams, died. Since then he had a string of failed relationships.

Final relationship status: By the end of the show, Travis got a brand new boyfriend (Dominic Amaya), whom he could build a relationship with.

It is an odd choice to make Travis went through a string of failed relationships until the end of the show (May 30, 2024), when other main characters got their one 'true love'. Sure, other main couples have their ups and downs during their relationships, but each of them got a 'soulmate', someone who audience assumed would be their end-game partner. Since Station 19 already had Marina set and settled, it is as if the show was afraid to upset the general audience if there were more than one queer couple had a lasting relationship with a happy ending.

9-1-1 has only one other queer main character: Evan Buckley ("Buck") (bisexual).

Relationship journey: He had a string of failed relationships with 4 women and 1 man during Season 1 to Season 8A (current season). Currently he is single.

Final relationship status: Yet unknown, since the show is still ongoing.

Other prominent queer (gay) character on 9-1-1 is Josh Russo (recurring character). He had one failed relationship portrayed on the show during Season 2 (Josh' 1st appearance) to Season 8A (current season).

Lone Star has only one other queer main character: Paul Strickland (transexual).

Relationship journey: Paul had one date with Josie on ep. 5x01 "Studs", but they didn't pursue a romantic relationship after that. Currently, he's in a relationship with Asha Fulton, whose appearance is almost as rare as UFO sighting 🙄. So far, Asha's only appeared in 5 episodes in total, all were in Season 4.

Final relationship status: Yet unknown. Currently the show is on its final season and has aired 9 of 12 episodes of the season. Paul's girlfriend has not yet made an appearance, but there is also no sign that their relationship is in trouble. If fans were lucky, Asha would make an appearance at the final episode of the show 🙄.

D. THE DIVERSITY QUOTA

All the three firefighter shows are marketed towards the general auidence. Each has only one queer couple who enjoys a lasting relationship, and (most likely will) get a happy ending at the end of the show. The other queer characters are not so lucky in love. Either they go through a string of failed relationships, or have an elusive romantic partner when the shows end.

What ABC did to Travis Montgomery of Station 19 is particularly telling. Why Travis didn't get a lasting romantic relationship with a happy ending? Station 19 has resolved any other problems with their characters, except for this one. The show tried to compensate it by giving Travis a major career boost and a brand new love interest. However, it means he had to build the relationship from scratch... again. And it still didn't answer the question: why didn't Travis get a lasting romantic relationship, when other main characters on the show did?

Paul Strickland's elusive girlfriend in Lone Star must sound familiar to Tevan fans, because that's how 9-1-1 treated Tommy Kinard during his term as Buck's boyfriend. Fans celebrated a less than one minute scene and zoomed his figure in the backgrounds, because Tommy's appearance was so few and far between.

Since Buck is bisexual, there's a chance that he'd get a lasting relationship with a woman. Another option is making Buck the Travis Montgomery of 9-1-1. He'd have a string of failed relationships throughout the show. When 9-1-1 ended, he could be in a brand new relationship with a man, because the show wouldn't need to portray the relationship any longer. Giving Buck an elusive boyfriend ala Paul Strickland seems unlikely, considering his personality. And by reflecting on what happened on other shows, the chance of Buck has a lasting relationship with a man is slimmer than celebrities on Ozempic.

It is as if there is a diversity quota for TV shows marketed towards general audience. If anyone disagree, let me ask this:

Why is there no show marketed towards general audience, which has more than one queer couple with a lasting romantic relationship & a happy ending at the end of the show?

'Coincidence' is not a logically acceptable answer, simply because the sheer number of shows marketed towards the general audience. The possibility of coincidence is also practically out of the window when we question 'why Travis of Station 19 didn't get a 'soul mate' while other main characters on the same show did?'

'There is no such diversity quota. I live in LA and have been working in the industry for decades, so you should trust me' is also not a logically acceptable answer. My question starts with 'why'. Logically, the answer should start with 'because'. That kind of answer reminds me of the dispute between Galileo Galilei vs. the Catholic Church. When Galileo promoted the heliocentrism doctrine based on the phases of Venus, the Catholic Church basically answered 'the doctrine is wrong. We've been studying God and his creations for centuries, so you should trust us.' We know how the story ended.

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eliaswoodt · 1 year ago

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The Name List

Organized from A-Z (yes I will add more names whenever I find more I like, probably in reblogs)

I currently have 1035 names (and that’s only including the first names. I have a list of last names, too.)

Angel, Atticus, Atlas, Apollo, Ares, Athena, Achilles, Artemis, Adonis, Avery, Aubrey, Aubry, Aceline, Ashlynn, Aislinn, Anjanette, Arthur, Archer, Addison, Arrietty, Amity, Autumn, Alastor, Alastair, Alasdair, Alistair, Alison, Arren, Arin, Astra, Aoife, Adalyn, Adeleine, Astoria, Agnes, Angus, Abigail, Ann, Anne, Ambrose, Adeline, Avarsel, Agatha, Ari, Azariah, Aniyah, Armani, Anastasia, Annabelle, Adah, Adelaide, Avis, Amelia, August, Axel, Adelina, Amir, Amin, Ayala, Arne, Averett, Adil, Astro, Ava, Anti, Ailun, Akemi, Asahi, Akari, Asako, Atsuko, Azumi, Aka, Aren, Akko

Blossom, Bambi, Babs, Bo, Bella, Blair, Bea, Bonnabel, Badeea, Betty, Bailey, Boris, Bee, Bugs, Blaise, Benjamin, Bog, Buford, Beatrice, Bryce, Bryan, Bazil, Brutus, Bellamy, Brigitte, Bailee, Bailey, Bao, Belladona, Belladonna, Bell, Bill, Bishop, Bones, Boneothy, Benno, Behemoth, Barry, Bellynn, Bowie, Bunki

Clover, Canyon, Cleo, Cameron, Celestial, Celestino, Ciro, Camilo, Cain, Charlotte, Clara, Corey, Cin, Charlie, Cassidy, Chiara, Callista, Cisco, Cynthia, Casper Clinton, Celestina, Clement, Christopher, Cornelius, Clifford, Claudius, Carey, Carrie, Coatl, Cyrus, Cyril, Cecil, Caisus, Castiel, Calla, Cosmos, Cherry, Cheryl, Crowley, Crow, Cassius, Cliodna, Clíodhna, Cliona, Conan, Cordelia, Calypso, Cas, Cillian, Chiyo, Chiaki, Chihiro, Calcifer

Danny, Darlene, Dex, Dot, Diana, Daphne, Demeter, Daedalus, Daeddel, Darphel, Dawn, Derrick, Derek, Dravan, Dravid, Drae, Dallas, Dimas, Dominic, Damien, Drew, Delilah, Dakota, Darian, Darius, Darwin, Devan, Darla, Dagmar, Daelyn, Dale, Dae, Dacey, Desmond, Dabria, Daniel, Daniela, Danialla, David, Davis, Donnel, Dennis, Demitrius, Delaney, Daiki, Daiyu

Everest, Emery, Ember, Elliott, Elliot, Earlana, Eliseo, Ezequiel, Emie, Evan, Eloise, Eric, Emmet, Elizabeth, Eugene, Ethan, Eret, Ester, Elias, Eos, Ellis, Edwin, Ebony, Elijah, Eliza, Enzo, Elissa, Edward, Eddalyn, Esther, Eda, Edalyn, Edalynn, Edison, Eddison, Estervan, Emma, Eden, Erfan, Eun-hae, Erytheia, Egan, Errol, Eiichi, Eiji, Eriko, Etsu, Etsuko, Eiichiro, Ezume

Flint, Finn, Fae, Fred, Fritz, Fang, Frankie, Frank, Fermin, Freddie, Freddy, Finley, Freya, Fai, Felix, Freda, Faolan, Frey, Feylynn, Faelynn, Failynn, Felipa, Febby, Febbie, Febie, Feby, Flynn, Fuji, Feiyu, Fukiko, Fumitaka, Fumito, Fuyuko

Griffin, Garnet, Gothi, Gertrude, Gabe, Grant, Giovanni, George, Gage, Gregory, Gabriel, Gabrielle, Guy, Gilbert, Guadalupe, Gerry, Grey, Gray, Gia, Grace, Gracian, Gracis, Gracie, Gretel, Gideon, Griffilow, Ghost, Ghazaleh, Gavin, Gryphon, Griffith, Goliath, Grayson, Greyson

Harmony, Hannah, Harlei, Harlie, Haritha, Haris, Harry, Harlan, Harvey, Hadrian, Harley, Hari, Harlow, Howl, Hank, Harper, Herbert, Humphrey, Hestia, Helios, Hephaestus, Hollis, Hunter, Hero, Henry, Helda, Hajar, Hasta, Hadis, Howard, Howie, Hannan, Haoyu, Hisako, Hachi, Hiroto, Hoshiko, Honoka, Hiroshi, Hiro, Haitao, Hamako, Haruhi, Harue, Hayate, Hide, Hideyo, Hidetaka, Hisaye, Hisayo, Heiji, Higari

Ivy, Ivey, Ivo, Ida, Iris, Ilyssa, Illy, Irene, Iren, Isaiah, Ira, Idelle, Ivan, Illaoi, Isabel, Isabell, Isabelle, Isobell, Isabella, Ismelda, Io, Ismael, Isolt, Icarus, izuru, Isamu, Itona, Ichiro, Ichiko, Ichigo, Isoko, Ishiko, Isaye, Inari, Ikuko, Itsuki, Itsuko, Inosuke

Juniper, Jupiter, Jinx, Jamie, Javier, Josiah, Joan, Jake, Julia, Jamil, Jamila, Jesse, Jessie, Jess, Jasper, Janus, Jordan, Joshua, Julian, Juilliard, Julius, Juliana, Jeremiah, Jace, June, Junebug, Jazzy, Jackson, Jackie, Jackalynn, Jodie, Johnnie, Jan, Jaime, Jason, Jorge, Justin, Justice, John, Jay, Janelle, James, Jennifer, Jillion, Jill, Jana, Jonah, Jaycee, Jaxen, Junpei, Jona, Jun, Jin

Kenneth, Kat, Kas, Kris, Keith, Kingston, Kaeton, Kingsley, Kent, Katherine, Kyle, Knox, Kristen, Kristin, Kristeen, Kylie, Kaylee, Kamila, Kehlani, Kendall, Kerry, Kry, Kenny, Kath, Kathleen, Krow, Kix, Kedrick, Kennon, Klaus, Killian, Korallia, Krank, Kaz, Kaede, Kirara, Katsuhiko, Keisuke, Kanako, Kenji, Kaemon, Kamin, Katsu, Kaki, Kazane, Kazuyuki, Kazushige, Kenta, Kei, Kimi, Kin, Kohako, Koichi, Kota, Koji, Koharu, Kosuke, Kuma, Kumi, Kuniko, Kuniyuki, Kideko, Kazuko

Lullaby, Lotte, Lapin, Lorelei, Loralai, Lorelai, Luna, Lily, Lucy, Lee, Liana, Lola, Lethe, Lance, Laurence, Luther, Luca, Lennon, Logan, Lennox, Ilias, Liu, Lui, Luis, Lefu, Liam, Lyall, Lowell, Luella, Leona, Leonie, Leon, Lev, Lincoln, Lin, Link, Laverna, Lazarus, Lewis, Louis, Louise, Levi, Leslie, Lesley, Leilana

Marley, Marlai, Mei, May, Mae, Marceline, Marshall, Marshalee, Millie, Mallorie, Marcela, Melanie, Maddison, Mary, Mirabel, Marsh, Murphy, Montgomery, Mildred, Memphis, Molly, Maverick, Maurice, Muiris, Morgen, Max, Moses, Marion, Merrill, Monroe, Melanthios, Maxwell, Matias, Melissa, Maëlle, Marlene, Meredith, Maybelle, Margaret, Maeve, Moss, Mara, Maria, Myrtle, Mona, Mark, Markus, Michael, Micheal, Michelle, Mahsa, Minoo, Mehdi, Mohammad, Matin, Morpheus, Marlowe, Monica, Marilia, Magnus, Malachi, Malachy, Maggie, Makoto, Megumi, Mio, Maemo, Maemi, Masa, Masaaki, Masashi, Michi, Midori, Michinori, Momo, Motoko

Natasha, Noelle, Noni, Neville, Nixon, Neda, Natalio, Ned, Nausicaä, Noxis, Nova, Nathen, Newt, Noah, Nash, Nox, Nathara, Nathaira, Nathair, Nyoka, Nagisa, Nathan, Nate, Nik, Nick, Naohiro, Naoko, Nara, Natsu, Naoya, Nishi, Nobuko, Nori

Olindo, Ollie, Oliver, Ophelia, Odysseus, Orion, Osono, Oxen, Onyx, Otto, Ottoline, Otitile, Ottavia, Octavio, Olivia-Marie, Oakley, Omar, Olivia, Oscar, Octavian, Octavia, Oz, Octavius, Otta, Oisin, Orson, Orlos, Osiris, Owen, Odalis, Odell, Ozuru

Penelope, Patton, Paddy, Percy, Paulie, Page, Pazu, Phoebe, Phebe, Prairie, Porter, Parlay, Pally, Piper, Parker, Payton, Phil, Paul, Philip, Pyre, Piers, Phylis, Patricia, Payne, Payneton, Pip

Quinn, Quincy, Quil, Quinley, Quinstin, Quinlan, Quillen, Quavon, Quaylon, Quensley, Qing, Qrow, Quilla, Quianna, Quita, Qiao, Quinella, Queenie, Qaylah, Qailah, Qitarah, Quenby, Qadira, Qudsiyah, Quan, Qian, Quinby, Quella

Roseline, Raul, Rahul, Rafael, Roque, Rogelio, Remmy, Rei, Rey, Ray, Robin, Ro, Reika, Rowen, Rowan, Rose, Rosie, Ralsei, Riley, Remus, Rosalyn, Rosalin, Rosaline, Renata, Ron, Rat, Ratt, Reef, Roxy, River, Reed, Rufus, Robbie, Renee, Rivia, Ross, Rex, Ruth, Rosemary, Rosabe, Rosabee, Rosabell, Rosabelle, Rosabel, Rai, Rain, Rosella, Rosalie, Rhody, Robert, Raelinn, Rebane, Ren, Rollin, Ralph, Roxanne, Rox, Roderick, Reginald, Reggie, Rio, Ryu, Ryo, Ryoji, Rinmaru

Sage, Sam, Syd, Selkie, Storig, Sal, Sirius, Summer, Susie, Scott, Sunni, Sosuke, Sophie, Satsuki, Sheeta, San, Sulley, Sully, Savannah, Sappho, Selene, Shaw, Sean, Seán, Shaun, Sawyer, Sabrina, Sebastian, Shane, Stan, Socks, Snom, Stolas, Spencer, Sammie, Stevie, Samus, Sarff, Sullivan, Seth, Susiebell, Susiebelle, Sadreddin, Shellaine, Sverre, Saoirse, Sylvania, Sanae, Silas, Sumi, Shiori, Shinzu, Sile

Toby, Tobias, Teddy, Ted, Tomas, Thomas, Tomothy, Tyche, Taiga, Tundra, Tracy, Timothy, Troy, Tatum, Tommie, Tommy, Theia, Tae, Trix, Trixy, Thanathos, Tod, Todd, Toddy, Tora, Torie, Theodore, Theo, Theophania, Talos, Thanatos, Teddy, Tomohito, Tazu, Tanjirou, Touya

Ulysses, Urijah, Uriyah, Urina, Ukiah, Ulnar, Ursula, Ulric

Virgil, Vanessa, Vito, Venacio, Vylad, Veronica, Valentina, Violet, Velma, Venus, Verna, Veld, Victoria, Victorie, Vinyl, Vincent, Vasuki, Vex, Valor, Valentine, Valerie, Valeria, Valerius, Vitoria, Vic, Victor, Vik, Vikktor, Viktor, Vick, Vicky, Vicke, Vickie, Vidya

Wynn, Willow, Warren, Wilbur, Wylie, Will, Walle, Whisp, Wade, Wendell, Wendy, Willard, Wes, Wallace, Wilber, Wyatt, Wybie, Wynnie, Wennie, Winnie, Wynnston, Wynston, Wynsten, Wiles

Xenophon, Xuan, Xio, Xori, Xanthos, Xander, Xavier

Yen, Yukio, Yae, Yoko, Yume, Yaeko, Yui, Yuzuki

Zane, Zana, Zion, Zachary, Zach, Zachariah, Zander, Ziana, Zoe, Zula, Zenix, Zenith, Zaharia, Zaria, Zack, Zakaeia, Zara, Zakaria, Zev, Zaira, Zanata

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asharkapologist · 5 months ago

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CC Tier List: S1-3 Killers + Some Explanations

I didn't include the guys from the first two cases because Matt didn't even have dialogue or a motive, and Dennis didn't really have a motive either, iirc? Or he was barely given anything to say or do? yeah so they're not here lol

Milton being in the offensive category is very self-explanatory (violent, genocidal racism), and the first two are there because of the genuinely awful way mental health is portrayed in the game??? Like Dr. Bishop is just "crazy," and Ophelia killed someone brutally because she had a sudden "lapse in memory" which made her have a nightmare in which she killed him? Yeah uh both are pretty stereotypical, damaging ways in which mental illness are portrayed. And as for Shanaya, the way that Native Americans were written in Grimsborough was just....bad. Really, really, offensively bad.

I've personally played all the games, but if I don't remember a killer/their motive/their name, into the bottom tier list they go

I will say that although I enjoy Danny and Erikah as characters, there is certainly aspects of their characters that are kind of stereotypes. (I'd say the same with Sheik Faisal, but he's a con man and failed actor, so he's obviously in the wrong but still kinda could be better).

Shelly is also a pretty nasty portrayal of a plus sized woman that made me feel kinda yucky (in general, PB made a fair few fat jokes with Frank and while I may not like him that's also kinda like...enough).

Also, there's... a lot of problems involved in the way that Duncan was written imo, as well as things that just don't make sense, like him just magically recovering from paralysis from a spinal cord injury. That's not how that works. But if you like him, that's fine, I'm just not the biggest fan.

Veronica is in the "feel bad" category even though she neither felt bad nor had a sympathetic motive because of SOMBRA brainwashing.

The fact that almost half of the killers, including the FINAL KILLER/MAIN ANTAGONIST OF THE GAME, is in the "I don't remember them" category goes to show how memorable I think s3 is...though if you do like that season, more power to you! I just don't.

#criminal case game #criminal case #criminal case grimsborough #criminal case pacific bay #criminal case world edition #criminal case save the world

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neverenoughmarauders · 18 days ago

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WIP Snippet

Thank you for the tag @albi-bumblebee. The snippet happens to be the draft start of part 2 of When we were up to no good.

It has never been easy to determine exactly when a war starts. There are all these small events that slowly push humans—muggles and wizards alike—towards a period of suffering, destruction and death. Does a war begin when the first victim falls? Or even earlier, when cross words are exchanged, fists or wands are drawn, punches thrown and spells fired, but death is not yet the outcome. Maybe a war start only when the word itself is uttered, when the newspapers print the three letters that unmistakably spell out a new reality, one in which suffering is the norm, happiness only rediscovered in fleeting moments and safety is torn away.

The First Wizarding War—it has later been agreed—started in 1970, when Lord Voldemort, formerly known as Tom Marvolo Riddle, came back to the United Kingdom after an extended period abroad. However, today we know that Lord Voldemort's war against muggles and those that opposed him started much before that, with some of his earliest victims being the likes of young Amy Benson and Dennis Bishop. Further still, he had yet to leave school when he committed the murders that would start the death count belonging to a war decades later.

At Hogwarts, the first to fall, four muggle-borns who disappeared between 1968 and 1970, would similarly only survive as a footnote, not worthy of further notice. It was another date that would forever be recalled as the day the war arrived at the doorsteps of the castle. A reminder that while the school would remain one of the safest places in Wizarding Britain during the war, it was by no means secure. It was perhaps better to be muggle-born under Dumbledore's protection than relying soley on the Ministry of Magic to look out for you; it was perhaps less dangerous to share your opinions on your way to Charms than in the Leaky Cauldron, but no war has ever spared a corner of the countries it affected. Not in the muggle-world, nor in the wizarding world. The students at the castle would learn this first hand on December 14, 1972.

No pressure (and I mean no pressure!) tag @livelaughlovetoread @lilacella @annabtg @goldenlionprince @emmathecasualauthor

#I’ve not spell checked this #very much in drafting #when we were up to no good #part 2 #Messrs Moony Wormtail Padfoot and Prongs #wip snippet #first wizarding war #mwpp #I should also say we do not know exactly when Voldemort came back #it’s a fic #we do know the war started in 1970

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askdennycotl · 5 months ago

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Welcome!

This is an art/text ask blog for my Cult of the Lamb OC.

Rules/Warnings

This is a must-read for everyone!

This blog is not recommended for minors. The blog's age restriction is 16+. This blog may contain graphic and textual images of violence, images of blood, cult themes, suggestive and NSFW content, obscene language. Posts intended for adults will be marked as 18+.

Now you are warned. I'm not responsible for people who ignore warnings and age restrictions.

Everything that happens on the blog is fictional and has nothing to do with reality.

I don't run 18+ rp with people under 18.

I have the full right to control the fate of my character the way I want.

Show basic respect when communicating with the mod.

You can't hurt Denny unless I want you to.

Not all questions will be answered. I usually don't answer questions if they've already lost their meaning in the plot or if I don't know how to answer them. Sometimes I need time to think about the answer, so it takes a while.

Besides this blog, I have my own real life, responsibilities, and other hobbies, so I don't always have time to respond to you.

English is not my native language, so there may be grammatical and spelling errors. Most of the time I use a translator, which sometimes translates incorrectly what I'm trying to say.

About Denny

She was found by the Lamb in the Darkwood.

Denny is an ordinary cultist. She's mainly engaged in farming and prayers at the shrine.

Traits:

Zealous

Pettable

Ascetic

Some facts about Denny

Denny's diary

oct 30

nov 11

"Denny speaks like this."

"The Shadow/Demon speaks like this."

The actions look like this.

(Mod speaks like this) or like this.

Relationships

The Lamb - The Leader of the cult. Denny deeply respects them.

The Goat - Denny doesn't see them as a Leader and treats them neutrally.

*Jade - Denny's beloved. Currently dating.

*Lopina - Denny's daughter. Despite the fact that Lopina is not her biological daughter, Denny loves her with all her heart.

*Spellcaster - a close friend and mentor in magic.

*Lola - a friend.

Dotty, Briar, Jhon, Nox, Obscurus, Keni, Candy - they can't be called friends yet, but Denny definitely thinks well of them and cares about them too.

Narinder, Sean - neither friends nor enemies.

Silas - neither friends nor enemies. Denny had too little interaction with him to have any opinion.

Flowey - ENEMY. Denny would definitely try to burn that damn flower the next time they met.

'*' - the ones Denny cares about the most. Your relationship with these characters will affect your relationship with Denny.

Lola

Lola is a minor character in this ask blog. She will rarely answer questions and even less often take part in role-playing.

"Lola speaks like this."

About the Shadow

She/They/It

Name: ???

Age: ???

After Denny was cursed by anon, the Shadow settled in her mind and didn't disappear even after her death.

At the moment, the Shadow cannot take control of Denny's body. But Denny almost always hears their voice in her head, sees them in the shadows and in the reflection.

There are three ways the Shadow can take control of Denny's body. And under different conditions, they will behave differently.

Denny will voluntarily give up control for some reason.

Denny will experience critically negative emotions that she will not be able to keep control.

Sacrifice or take Denny's soul.

The third case is the most critical and should be avoided.

Remember that when control of the body belongs to the Shadow, Denny still feels, sees and hears everything.

The shadow is a powerful and dangerous creature. There is only one way to kill them.

Others

@askacultleader as The Lamb

@no-less-than-a-lambgod as the Ascended Lamb

@ask-thepurplecrownbearer as The Goat, unholy Ally

@ask-theredcrown as The One Who Waits

@ask-thegreencrown as Leshy, Bishop of Chaos

@askthe-yellowcrown as Heket, Bishop of Famine

@ask-thebluecrown as Kallamar, Bishop of Pestilence

@ask-thepurplecrown as Shamura, Bishop of War

@disciplesofthelamb as Briar, Dotty and Silas

@askobscurusnahual as Obscurus

@spellcaster-dude as Spellcaster

@pbam0ney as Sean

@ask-follower-jade as Jade

@thepersonaking56 as Lopina

@nox-the-cat as Nox

@jhon-the-cat-follower as Jhon

Hi! I'm Jey. This is my first ask blog on tumblr.

You can also check out my main art blog: @jeyk2117

And my another blog for reblogs and anything else: @jeyirl-21

My second Cotl OC ask blog: @ask-followers-of-the-lamb

Gallery

Art 1

Art 2

Art 3

Art 4

Art 5

Art 6

Art 7

Art 8

Art 9

Sketch 1

Sketch 2

Sketch 3

Sketch 4

Sketch 5

Sketch6

The Shadow 1

The Shadow 2

Denny humanization

Denny from my playthrough

Broken soul

Yandere Denny

Halloween art

Heathers cosplay

Bunny suit

Christmas bunny suit

Suit

Snow

Ice skating

Half Life AU

Circus AU

Goddess AU

Harry Potter AU

Meme

Denny and Jade

Slime Rancher

#cult of the lamb #cotl #cotl oc #ask blog #cotl ask blog #oc #main post

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kali-lamb · 7 months ago

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im 100% late for this but OH WELL (kali is the goddess of life btw) BLOG RULES!!!! ---------------------------------------------------- Mod things [Talks like this] pronouns: She/They (demi-girl) names for mod: Mod, Green, Coi, Azai Be patient with me, i dont understand things well -------------------------------------------------- 1. one the -8% possibility PLEASEEEE don't get thirsty (I will cry violently) 2. Remember, none of my Lambsona is canon 3. because of my situation i often answer at night 4. remember this is an art blog too, i will random drop in lore, or me fighting Kallie again 5. This happened on my Sozo account, PLEASE dont put "go.fund.me asks" as questions. or any thing asking for help, i will only delete them because they do not belong on my Acc's and i CANNOT PAY, i am BROKE, please stop tagging me in these aswell 5. remember, we say some crazy stuff here. Swearing, Adult jokes and Cananblistic things are all said here. YOU HAVE BEEN WARNED

I don't think I have more to say lol, ask and have fun!!! Kali talks like this <<Kali's Actions>> [Mod talks like this] ----------------------------------------------------OTHER BLOGS [that dont belong to me] The one who waits "Narinder"- @ask-theredcrown House cat Narinder "Narinder" - @follower-nari-blog The Bishop of chaos "Leshy" - @ask-thegreencrown The Bishop of Famine "Heket" - @askthe-yellowcrown Another heket, Yarnors mother figure @ask-theyellowcrown The bishop of pestilence "Kallamar" -@ask-thebluecrown The bishop of War and Knowledge "Shamura" -@ask-thepurplecrown The lamb before all the nightmares take hold @lambpregame the cult leader "the Lamb" - @askacultleader Ascended lamb "Lamb" @no-less-than-a-lambgod ---------------------------------------------------- Other friends and foes [I own the Sozo one] She of sleep @the-sleepydragon The little Poet - @askthe-littlepoet The mushroom addict "Sozo" - @ask-sozo-the-ant The cannibalistic spider "Helob" - @helob-the-spider My brother "Sean" - @pbamoney Techinclly my Nephew!! "Tug" @tug6056 Our little brother "Yarnor" - @yarnor-the-timid-raccoon (new acc cuz old one was hacked) An Insane version of my little brother. a monstrous version indeed @the-insane-raccoon-creator Deactivated "flashbang guy" [We'll miss you friend] First dude i revived as goddess of life(?) "?" @spellcaster-dude The TV guy whos no longer in a tv...? "scanny" @scannys-back The nebula anon! "neb" @thenebulaanon Nebs Aunt "Andromida" @forgottenaunt-andromeda Another crown bearer (i believe) "Cotton" @ask-cottonofthefaith Cult Of The Alpaca "denny" @askdennycotl My baby Slugcats!!!! "Salt And Sura" @saltandsura-slugcats What remains of the Anon Inc @whatremains-of-anoninc The taloring spider "alina" @spider-anons-tailor-shop My neice and nephew! "Astar and Willow" @fluffpuffsofwar My brothers partner "Darkwood Hunter" @ask-darkwood-hunter THE FOG??? @the-foggy-remnants The followers of the old faith @the-followers-of-the-old-faith Neb AUS @intothecosmos-neb-aus New sister!!! "ellie" oh and a vessel i guess @ask-ellie-and-navi My goat counterpart and god of sleep "somnus" @mangoorou She of Purgatory @sheofpurgatory ------------------------------------------------- The blogs I own Kali - @kali-lamb (where you are right now) Azai(or Coi) - @azai-coi (mod acc) ----------------------------------------------------Information about the Lambsona AU i use

[so basically shes the lamb from a different dimension, like the goat. she somehow dimension hopped though and everything back home for her is gone now, so she stays. in her world they burned the lambs instead of beheading them. and her bishops/chained god are different] [Leshy = Soren (Snail)]

[Heket = linkino (lizard)]

[Kallmar = Abrey (Axolotl)]

[Shamura = Cinter (centipede)]

[Narinder = Asteria (Rabbit)]

[Aym and Baal = Strike and Bo (Rabbits)] ------------------------------------------------------------------------------ READ THIS -> ... & ... ------------------------------------------------------------------------------ INSANE NEB AU SONG LIST HERE Last updated: (1/30/25)

Timeline of Kali's Life here ------------------------------------------------------------------------------ People you can talk to on this blog: deceased but can be contacted via ghost spell* [Mod Coi or Azai] Kali - Main OC Ivan - Kali's Older brother* (born first but due to age he died at he acts younger) Aiter - Kali's Father* <- changed his name Octavia - Kali's Mother* Crownie - Kali's Crown Ivan (different) - Kali and her deceased wife (igott)'s son (contact with Igott has been unsuccessful) Marisai - Kalis Verison of ratau ------------------------------------------------------------------------------ Epic the musical AU -> X3 ------------------------------------------------------------------------------

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