#DID YOU THINK YOU WERE SAFE

[mylordshesacactus]

The Fourth Sister walked into a cave, and died there. Lyn Rakish stumbled back into the light, clutching a dying Jedi and determined to save her life. But she has no training, no skill as a healer, and no friends left in the galaxy--and Barriss, as night falls and her fever rises, is running out of time.

[the-eighteen-horsemen]

being a system is having one of your headmates say the wildest shit known to man and just going "WHAT." while turning around to look at nothing

this post is NOT for anti endos!!

[pt: this post is not for anti endos!!]

[weaselishmcdiesel]

katnep is the type of ship you'd expect nepeta to try really hard and dress all cutely and karkat be a bit more lazy and wear the same clothes BUT if we're all being honest karkat would absolutely dress up all fancy and nepeta would wear her usual clothes. karkat would go to kanaya in a heartbeat, kanaya would try to reach out to nepeta but nepeta will not comply.

bonus points if kanaya continues to try and make something pretty but also comfortable and fitting for nepetas tastes but it backfires because she then never takes it off and kanaya has to watch it very clearly become worn and ruined as nepeta rolls around in dirt. Kanaya accounted for that of course, but nepeta somehow surpassed her expectations anyways

i think youre totally completely right

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[superbat-lmao]

A Jayroy fic where Jade drops off baby Lian and they just.. retire.

There’s a really difficult conversation they have about dating and raising a kid and vigilante work and they decide screw it. It’s not safe to raise a kid around.

And by retire, I mean they disappear. Go to ground.

(Talia knows what it is to want the best for your child even if they have different opinions on what best is. She gets them off the grid and funded in some sort of suburban hellscape that takes the both of them a while to adjust to. They say they have a deep space mission and just, don’t come back.)

Roy works in a rehab clinic and Jason gets a degree in Literature. He becomes a professor at a small college, taking on graduate students and falling into academia.

They go to therapy, the make friends with other parents, they become normal people. And they have an insane security system for their house, and AI that scrapes cameras of their faces, and a modified basement that Roy compares to the Batcave exactly once that has a gym and space to work on equipment and a method of escape should it be necessary to uproot their lives again.

Because they want to be civilians, but that doesn’t mean that if their past lives come knocking, they’ll be caught unaware and too out of the game to defend themselves. In fact, because they don’t go on patrol, they’re at peak performance at all times and rarely injured more than a sprained wrist or paper cut. Gone are the days of concussions, GSWs, and stab wounds.

The superhero community doesn’t know what to do, what to think. Because all of their resources are expended elsewhere. And because space is a big place, and trying to find two humans in its vastness is an exercise in futility.

So Lian grows up normally. She’s a girl whose parents love her. And her problems are ordinary, like homework and sleepovers and playing soccer.

And when she’s in middle school, the same age as Roy and Jason were when they started superhero training, they tell her about their past lives. About the danger it will bring if they’re found. Because they promised never to lie to her, and to never let her get wrapped up in the vigilante scene.

They’re well adjusted people raising a normal daughter.

And they explain to Lian that they came from very large and complicated families. Families that did dangerous work, work that put anyone who knew about it at risk. And that Lian was a baby, and that all of that risk of their jobs, was not worth her life. That they loved her more than their families, their jobs, their previous lives. But that it meant they could be discovered, and that those old lives would be dragged back up again and she could get hurt.

Lian thinks of it like witness protection.

So Lian memorizes code names and pictures of people that may try and approach her. She learns the differences between friendlies and uglies. Between ex-family, and rogues. And she doesn’t ask questions, doesn’t look into things when her parents ask her not to. Because she trusts them to protect her. She trusts them like a well adjusted young girl who could very well ask her parents for more information, but doesn’t care about the answers because she trusts they’re not important. That it doesn’t change how much they love her or what their lives are.

There are a couple of versions of this:

1. Jason, Roy and Lian live out their lives happily and away from their families. They are never again vigilantes or found out by them.

A) Alfred dies and that is the only thing that almost breaks Jason, that he didn’t get to see the man again before he died.

2. The Bats track them down, ask them what they hell they were thinking, that they thought they were dead. To come home, be part of the family again. They’re told no - and the three of them disappear again to somewhere they’ll never be found.

3. Alfred finds them, says nothing to anyone and once a year, on Lian’s birthday, goes to visit. None of the Bats ever figure it out.

4. Alfred knows where they’re going from the beginning, he keeps them updated on their families and helps hide them from everyone. He never once tells a soul that Jason and Roy are alive. He is allowed to visit Lian sometimes and they are all happier for it.

A) When Alfred gets old enough, he tells Bruce he will be retiring. He asks that he is not followed, that no one from the super hero community is allowed to keep tabs on him. He tells him he’s sorry, but that it has to be this way. Alfred goes and lives the end of his life with Jason, they speak about literature every day, about Alfred’s parents about anything he wants to. Jason buries Alfred in England and Bruce Wayne gets an unmarked alert to its location.

5. The Bats find them, and never approach them. Each Bat basically figures out that Jason is alive, doesn’t say anything to the rest of the family, and keeps tabs on him and Roy. Once they realize that Lian exists, none of them ever breach that level of trust, even as they all grow into old age and move on with their lives.

6. Bruce finds them.

A) He waits for Jason in a cafe, watches him realize who he is and turn to look at the Roy Harper, who nods once and walks away. Jason approaches him and sits down. He asks how he found them. Bruce doesn’t say anything, just looks at his son, alive, seemingly happy. Tells him it was an accident, he had genuinely still thought they were in space, maybe dead, until someone plagiarized Jason’s work, submitted it through a Wayne Enterprises competition of some sort, and it flagged the system. It had been entirely work related, pure coincidence. No capes.

B) And Jason laughs and it’s lighter than Bruce has heard it in years. Jason asks how much Bruce knows about him now, how much intel he gathered before approaching him. Bruce says he knows about their marriage, their daughter, their jobs and habits. Jason nods and he’s smiling. Bruce doesn’t know what to do. He had checked the area, and there were no reports of anything approaching vigilantism, no anonymous casework, no decrease in crime, nothing to suggest the presence of the Red Hood and Arsenal. He hasn’t spoken to Jason outside of business in years, isn’t sure he knows how to anymore. And he looks happy, he’s alive, he’s a civilian.

C) He wants to ask him everything, ask him to come home, wants to know the man his son became. He asks Jason why. Why they disappeared. And Jason is still smiling and it’s honest and Bruce can’t stand to look at him and can’t help it either. So Jason tells him that they will never let their daughter into vigilantism. That they quit, and needed it to be absolute. That he and Roy couldn’t do this halfway, that if they loved their daughter they had to do only what was best for her, and that meant burning their old lives entirely, becoming civilians.

D) Their lives had been too complicated, too many people, too much history. So many ways for things to go badly, to leave Lian without parents or get her killed as leverage against them. And for as much as he and Roy had cared about the people in their lives, couldn’t stop caring about them, they knew that they would just drag Lian into all of the emotional problems that come with being a vigilante. That it wasn’t healthy, for any of them. That trying to do so would kill them. So they disappeared. And Bruce thinks of the pain he and his family had gone through over Jason, wondering how he was doing, if he was dead, hearing nothing and trying not to let it eat at them. But right now, his son is in front of him smiling, something he can’t seem to stop doing. Something Bruce never thought he’d see again.

E) And he has a son in law, a granddaughter. His son has a family, one he built himself. He looks healthy, he’s not closed off, he’s more open than Bruce thinks he’s ever seen him. It’s jarring, like Bruce is wrong footed. He doesn’t know what to say. Wants to tell him about everything that’s happened, to his brothers to their family, to Gotham and old contacts. Wants him back in the loop. Wants to ask about their lives, and college, and his wedding and his daughter. Bruce wants to know all of it. And he wants to know how he did it, how he hid himself so well in plain view.

F) And the detective in him will always prioritize the how over everything else. He wouldn’t be Bruce if he didn’t. So Bruce asks how. And Jason laughs, says he’s not going to tell him.

G) You know I can’t tell you that, old man.

H) He can’t let it go, Bruce can never let anything go, that’s his burden to bear. He tries to push old buttons, doesn’t notice he’s doing it. But Jason won’t stop smiling, won’t switch from civilian to vigilante. There is no trace of anger, of the Red Hood. He doesn’t look surprised and Bruce’s arguments, about flaws in his code, software, he’s just smiling. Won’t rise to the bait. And for once, Bruce has a feeling he’s only felt around Clark. A feeling of being outmatched. Jason knows all of his buttons, isn’t pushing a damn one. Isn’t letting Bruce push his either. It’s not even a stalemate. Bruce has no openings.

I) He starts telling him about his brothers, about missions and life developments. He tries to tell Jason everything. And Jason listens, hears everything he has to say. And Bruce asks him about himself, his life, his husband, his daughter. And he hears about NA and AA meetings, about therapy and raising an infant, and being a professor and his students about their friends and neighbors, about Lian’s friends at school. All of it. Except the how. And at some point, it’s been a couple of hours, but not very long at all, Jason gets a text. He doesn’t look at his phone. And Bruce knows that whatever spell had been cast over the cafe, whatever bubble of another universe he had crossed into, he was about to watch it close. Implode on itself with only him inside. Because Jason was about to leave. All of it, the cafe, the conversation, the smiling and the laughter, it was the one distraction that Bruce was liable to. And Jason has him right where he wanted him. It was something that wouldn’t work twice, and they both knew it.

J) And Jason says, I can’t stop you from telling anyone. I can’t stop any of you from looking for us, but this was the third life of mine that you ended. Of the two of us, I would go to greater lengths to protect my daughter. I am asking you not to make me do something you’ll regret. I am asking you not to look for us, not to tell anyone, not to put it in a report. I did not want to hurt you, any of you. And you have made that unavoidable. I know you, Bruce, and I have spent time healing from everything I’ve been through. I cannot allow you to pull me back into it, to pull the three of us back into your world. I know that this conversation won’t stop you, now that you know. So I’m sorry, I didn’t want to have to say this. I know who you are, who all of you are. It was never a question before, that I would keep your secrets. If you look for us, I will go public. It’s not just your life I’ll be placing at risk, it will be the entire league. I will burn every bridge, every alias. I have redundancies in place, you send a super my way you better be sure to send them all. You better be sure you’ve caught all my backups, all of Roy’s backups, everything. We have avoided you for years without triggering any of your, or the league’s, systems. I can’t predict another accident, but if you know what is best for you and everything you’ve built, you will prevent even that from happening. Do not force my hand.

K) Bruce stands, trying to memorize his son’s face. And then Jason is gone. Disappearing down a street and out of sight. And Roy is waiting for him, their house had been cleared of all traces, Talia has new lives set up for them and Lian is asleep in the backseat.

L) Their lives are busy for the next few weeks, traveling and covering their tracks and looking for new methods of being traced. And they change their names, change their lives, are prepared for the upheaval of being new people again. This time, it sticks. They watch Lian graduate school, college, get married, have children of her own. And the media is inescapable - they learn very little about their old families lives, but not nothing. There are funerals and weddings and probably so much more in private, things they will never know, never be part of again. And then they’re just old and together. Their grandkids visit, Lian visits, life is good and long and they are happy.

• Or, it sticks until one day, a spell is cast in Gotham and he’s standing on a rooftop, no mask, identity on full display, surrounded by other vigilantes in mixed states of gear and civilian status. Some being or other from another universe required all hands on deck in this universe and had used a spell to summon them all here.

• Jason spotted Roy appearing near him on the rooftop, both of them stunned. No one had noticed them yet, but their moment of indecisiveness and a moment of pure awareness on the Batfam’s part, meant there would be an inescapable confrontation. Batman seemed to notice them first and looked to Jason, who shook his head. It appeared Batman was trying to talk to the person who had summoned them all here, to argue they should be sent back or ask if it was possible.

• Jason moved himself and Roy towards Batman, doing their best to avoid looking at any of the other vigilantes at all, including but especially family. They walked into a tense conversation.

• You must send them back, they are civilians.

• Batman, you of all people understand the threat we are up against, if the spell believes they are necessary to combat X then they were brought here.

• I understand perfectly well, I am telling you to send them back. Having them here is a security risk, not during the fight, but after. This is not your universe, things are different in ways you can’t know of, this is one of those circumstances.

• Jason and Roy approach, Roy tapping his shoulder in a way that means he’ll follow his lead.

• He announces, You are in violation of the Hempstead agreement. You have one hour to return us to our previous location before we are a security risk.

• They can hear intakes of breath around them, some of the arrow clan and bat clan have approached, uncertain of what exactly is happening, but not comforted by the fact that Batman seems to understand the situation without telling any of them. The argument continues, Jason standing just behind Roy, separating him from the group slowly forming around them, people pushing their way to the center to see their son or brother again. Their friends.

• A decision is reached, It will take me 10 minutes to establish a connection strong enough to send them both through. Do not interrupt me while I prepare, follow me.

• And Jason and Roy are walking away, backs turned to their families. To their friends. There are shouts behind them, their names, other things they choose not to hear. It is all held at bay by Batman.

• They are speaking with the universe hopper, giving him a location to send them while clearly stating that he is not to give out that location to any of the vigilantes here, that violation of these terms will risk the hero community at large. The closer it gets to the ten minute mark, the more the riot behind them frays between silent understanding and desperation. Neither of them turns around, they can’t allow themselves to look. It is excruciating.

• Roy looks Jason in the eye and neither of them are fully able to stand it, but the fact that they’re not alone has to be enough. Jason can see the itch start, the overwhelming feeling that can’t be tolerated, the one that motivates people to seek out something that will just stop. He reaches out his hand, taps it against Roy’s and is met with one of the worst smiles he’s ever seen. It threatens to bring Jason to his knees, but Roy threads their hands together. The portal opens before them and without turning around, they step through.

• There is a shared panic attack, a moment of grief and regret where both of them realize just how greatly they hurt all of the people they used to care about. They break apart together and rebuild each other enough to pick up Lian from school and begin the process of torching their home. Whatever fight they had been summoned for had not happened yet, so they had a larger lead time than they had when Bruce had stumbled across them. But now, the entire hero community, many more points of being able to be convinced, was now aware they were both alive and on Earth.

[sergle]

just saw the doodoo recreation of the Wicked poster and it's taking everything in me not to go on a tangent about how ariana grande fucked someone else's man (AGAIN) when she was doing wicked, and how that guy also played spongebob. in spongebob the musical. and he had a wife. and a brand new baby. and ariana HELD THE BABY

edit: this is the tweet about the poster that i saw. tbh. totally fucked up the composition if you ask me

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.

[shepscapades]

GLAD EVERYONE ENJOYED THE ANDROID INFO UPDATE ABOUT INTERFACING DFGJNDGKGNMXGHNCBNM

[mountaintop-daydreaming]

i knew it was time to get off tiktok for the night when i saw a post where someone said they would feel 100% safe in a room alone with snape and 100% unsafe in a room with james or sirius....😐

[timeisacircleofangst]

because guys we've all talked about how Curly had to watch Anya die, but he had to watch Daisuke die too

like yes Curly watched Anya overdose but he also heard Daisuke calling for Anya as he crawled out of the vent. He might not have witnessed his actual death but he saw him all bloodied and distraught at being too late to save her

and I just think about how he felt. How guilty he must have been. You just watched the arguably two most vulnerable people in your crew die and you could have prevented it, but you didn't. You were charged with protecting them they were your responsibility but now they're gone and you get to watch

[arrowheadedbitch]

Thinking about the episode where Nessie Jr hatches and how Colonel Baird assumes that Ezekiel is goofing off so she gives him a job to do and he keeps trying to get that job out of the way as fast as he can so he can go back to the very important job he was doing.

There's so much to be said about that part of the episode!

The way colonel baird assumes he's goofing off, the way he doesn't even try to defend himself until after he's already finished the thing she was stopping him from doing, the way he only explains why he was on his phone after she's already scolded him multiple times, the way he HACKED a GOVERNMENT SATALITE from his CELL PHONE, the way he genuinely cares about the egg despite it being dumped on him because of the assumption that he isn't working on something worthwhile, the way he's genuinely upset that he almost killed the egg by accident, the way he doesn't realise a bunsen burner will kill the baby but knows how to HACK a SATALITE from his CELL PHONE, the way he doesn't really care that Baird kept him away from his important work because of an assumption, the way he never tries to curb her assumption, the way he's only annoyed and really only mildly scolds her for making him take longer to figure out the other's were in big trouble, the way that this episode deeply effects how Baird sees Ezekiel, there's just so much to be said

[stopper-my-heart]

Nothing like Heartstopper S2E8 removing some of Taylor Swift's "seven" lyrics just so that the singing can specifically come back in at "Or hide in the closet" while Isaac is processing difficult emotions related to the book he's reading (i.e., Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex by Angela Chen).

Did I mention "Or hide in the closet" hits just as the camera focus finishes shifting away from Isaac?

This is fine

[luck-of-the-drawings]

FOR A BEAT OF HEART, THE BREATH IS SHOT. AND WITHIN A BREATH, THE HEART IS CAUGHT. THE PIPES ARE BURSTING, UNDER GREAT STRESS, BOLTS TORN ASUNDER, MAKING A MESS. A FINAL COUGH, A FINAL RETCH, A GOREY SLOUGH, CLAIMED BY WRETCH.

[esmes]

ooh, let the light in at your back door yelling 'cause i wanna come in ooh, turn your light on look at us, you and i, back at it again

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[batcavescolony]

I was talking to an idiot and I need validation.