#CreativeScotland

[g3creative-blog]

The Future of Artificial Intelligence in Graphic Design: Where Creativity Meets Technology

Artificial Intelligence (AI) has been making waves across various industries, and the field of graphic design is no exception. With advancements in machine learning and computer vision, AI is revolutionizing the way designers create, optimize, and enhance visual content. In this blog post, we will explore the exciting future of AI in graphic design and how it is reshaping the industry.

AI-powered tools are streamlining design processes, allowing graphic designers to work more efficiently. Automated design platforms can generate layouts, compositions, and even entire designs based on given input, saving designers time and effort. Machine learning algorithms can also analyze vast amounts of data, including user preferences and market trends, to generate personalized design recommendations. This integration of AI into the design workflow enables designers to focus more on the creative aspects, while repetitive and time-consuming tasks are handled by intelligent algorithms.

Artificial intelligence is enabling designers to create visually stunning content with greater precision and sophistication. AI algorithms can analyze images, recognize patterns, and generate realistic visual effects, such as realistic 3D rendering and lifelike animations. Additionally, AI-powered image editing tools can automatically enhance and retouch images, adjusting colors, removing imperfections, and optimizing compositions. These advancements empower designers to push the boundaries of creativity, producing captivating visual content that captures attention and engages audiences on a deeper level.

The future of AI in graphic design lies in its ability to deliver personalized user experiences. By leveraging machine learning, designers can create dynamic and adaptive interfaces that cater to individual user preferences. AI algorithms can analyze user behavior, demographics, and preferences to tailor visual elements, layouts, and content in real-time. This level of personalization enhances user engagement, satisfaction, and ultimately, the effectiveness of design. As AI continues to evolve, we can expect increasingly sophisticated and intuitive design systems that seamlessly adapt to the unique needs and preferences of each user.

The future of AI in graphic design is a promising one, where technology and creativity converge to unlock new possibilities. From streamlining design processes and enhancing visual content to delivering personalized user experiences, AI is reshaping the industry in profound ways. By embracing AI as a powerful ally, designers can unlock their creative potential and take design to new heights.

To see samples of print design visit: https://www.g3creative.co.uk/print-design-glasgow

[gianttankeh]

Ali Robertson: 'D/deaf Musicians Experiment With Haptic Technology' research & development project at Tramway, Glasgow next week.

Did I tell youse that I got a project funded some months back? Probably not as I’m pretty dreadful at self promotion beyond spamming about my gigs. Well, thanks to the support of Creative Scotland & Glasgow Tramway, I’ll be embarking on several days of research & development at Tramway, with collaborating D/deaf musicians Sonia Allori & Evie Waddell, experimenting with haptic technology for use in real time musical group improvisation by D/deaf players. The r&d sessions will result in the creation of new musical work and new workshops for ALSN & D/deaf participants. You can read more about this on Tramway’s website !

[mood-of-collapse]

Enjoyed hearing about @adeadesina creative journey last week at Grays. A truly visionary artist with a lot of depth both in his work and as a friend. #creativeaberdeen #aberdeenculture #art #architecture #music #history #film #design #poetry #fashion #dance #learning #aberdeenartists #creativescotland #granitecity #aberdeen #scotland #moc83 #adeadesina #printmaker #environmentalart #linoprint https://www.instagram.com/p/Co7bmONqi-6/?igshid=NGJjMDIxMWI=

[mybtextiles]

Here is a sneak peak of our upcoming Blind Collection currently in production, here we are getting the fabrics ready to be photographed for our website! #lace #madras #textiles #scottishtextiles #textiles #lacefabric #madrasfabric #heritagemill #mill #heritageindustries #textileindustry #textilesscotland #handmadelace #handmadetextiles #interiordesign #luxurydesign #luxurydesign #luxuryinteriordesign #luxuryhome #luxuryinteriors #creativescotland #blinds #luxuryblinds #rollerblinds #softfurnishing (at Morton Young & Borland) https://www.instagram.com/p/Ch1_fgiqpYu/?igshid=NGJjMDIxMWI=

[ccorinnef]

Come along to the next Community Creative Club on Wednesday 26th February in @madeinstirlingstore Remember to bring something creative you want to work on for the session! 🎨 #community #communitycreates #communityovercompetition #communitycreativeclub #createcommunity #creativecommunity #creativestirling #madeinstirling #craftclub #stitchandbitch #creativescotland #local #localartist #localartiststirling #stirlingalive #whatsonstirling #creativity (at Made in Stirling) https://www.instagram.com/p/B8UZZvRFqFO/?igshid=w8go5b2y9mf

[g3creatives]

Lubbers wallchart designed by Glasgow based graphic design studio, G3 Creative.

[botannboots-blog]

Bòtann – starting Scotland’s welly boot company

Bòtann started life as an idea conceived by co-founder David Smith after attending @thedolectures. The DO people are inspiring characters, just like their books, and the videos they share on their website. Check them out here: https://www.thedolectures.com/talks  

David was particularly inspired by the @hiutdenimstory and its mission of bringing jeans making/manufacturing back to Cardigan in Wales. 

This led to wellies. Dumfries in southwest Scotland once made the best wellies in the world, so David began to explore the possibilities

An idea needs to be implemented but before you do that you have to convince others of its worth. David talked to friends and family about the idea to road test it. It met with an enthusiastic response.

Could there be a new Scottish welly company? Could it create jobs in Scotland? Could welly making and manufacturing return to these shores? One thing was certain, he was going to need a team.

An idea not only needs to inspire others it also has to convince them to get involved. Robert McCaffrey and Michael Nicholson saw something that they could mix and shape, something they could bring value to. The idea started to grow, as we began to think about creating a new type of welly.

We began to think about who might benefit from our boot, what the people we serve might want, what other things they like to own and do. Themes like modern utility, the outdoors, trainer-like comfort, practical style and heritage all ran through our discussions, as Robert worked on designing our first boot.

Thankfully we’ve come a long way since our first prototype, but that day genuinely gave us the hope and belief we needed. It gave us enthusiasm to keep moving forward.

[heraandares]

Celestial cat necklace hiding amongst some air plants 🌿 . . . . . . . . #handmadejewellery #makersgonnamake #igersedinburgh #jewelrygram #instajewels #handmade #catjewelry #witchyaesthetic #witchyvibes #bohemianstyle #makersmovement #instafashion #madeinedinburgh #creativeedinburgh #creativescotland #celestialjewelry #moonjewellery #tillandsia #airplants #plantsofinstagram #urbanjungle #instaplants (στην τοποθεσία Edinburgh, United Kingdom)

[natashaillustrates]

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A post shared by Natasha illustrates (@natasha_illustrates)

Wonder Woman in bus! That is a challenge when everything is shaking 😂 Cheers from sunny Edinburgh!! ��� . . . . . . . #digitalpainting #drawing #wonderwoman #natashaillustrates #dc #comic #art #love #edinburghart #londoncreative #creative #creativescotland #characterdesign #conceptart #sketch #sketchbook #trip #bus #batman #superman #oxfordart #illustration #illustrationtoday #graphicdesign #brushes #anime (at Edinburgh, United Kingdom)

[g3creative-blog]

Braveheart invitation - 184,265 visitors per year to The Wallace Monument

On Sunday 3rd March 1995, the European premiere of the award-winning historical drama ‘Braveheart’ was held at The University of Stirling. To say that the impact of the film was phenomenal is no exaggeration. Prior to its launch, annual visitor numbers to the National Wallace Monument were in the region of 80,000 per annum. By 1998 they reached a record figure of 184,265.

[katiemcgroarty]

As some of you might know, next week I start teaching drawing workshops with @outspokenartssc n I could just burst with excitement! I've worked towards this for over a year and it's finally coming to fruition after being delayed due to the ongoing panini! The team at outspoken arts have been fab and the artists I'm teaching along side are fab too so go check them out! Less than a year ago I graduated and now I'm teaching who'd a thunk it! The classes are free and for school leavers or anyone thinking about going to art school! This is the kind of accessibility and community help that gets me super excited n I'm delighted that I've been able to be a part of such an incredible thing so early in my career! Anyways, I'll do a wee thing in my emails to tell you when I'm not available etc, but also 💫tell ur friends or anyone who wld want to be in the classes💫 💫 💫 💫 💫 💫 #artteacherscotland #makerswest #creativescotland #artgrad #postgradart #tutor #workshops #freehand #thirdhanddrawing #youngartists #communityart #supportyoungartists #creativescots #drawingworkshop #lochlomond #scotland #scottishfineartists #outofoffice #zoomclasses #freeartclasses #glasgow #WestofScotland (at Alexandria, West Dunbartonshire) https://www.instagram.com/p/CLMSTn6lXHz/?igshid=8tnciexjf2gs

[mood-of-collapse]

I'll be heading to the University of Aberdeen to give a talk about the work I've been doing for the past few years, how I got here and plans to expand our output and reach. So if you want to learn more about Exploring Creativity in Aberdeen and Building Meaningful Support Mechanisms then pop along on Wednesday 8th February! Details via the link in bio 🫶 #creativeaberdeen #aberdeenculture #art #architecture #music #history #film #design #poetry #fashion #dance #learning #aberdeenartists #creativescotland #granitecity #aberdeen #scotland #moc83 https://www.instagram.com/p/Cn65z7tqJu9/?igshid=NGJjMDIxMWI=

[mybtextiles]

Here we have our best selling Madras design: Edward (code: 5695). This overall large damask design is over 30 years old and inspired by William Morris! #lace #madras #textiles #scottishtextiles #textiles #lacefabric #madrasfabric #heritagemill #mill #heritageindustries #textileindustry #textilesscotland #handmadelace #handmadetextiles #interiordesign #luxurydesign #luxurydesign #luxuryinteriordesign #luxuryhome #luxuryinteriors #creativescotland #damask #damaskpattern (at Morton Young & Borland) https://www.instagram.com/p/ChCUHrdKqRV/?igshid=NGJjMDIxMWI=

[pierredechambery]

@sam_wagner @lindsayington @neil.baxter.169 preparation for mural #bookstagram #bookpromotion #somekindofangel #drawing #mural #publishing #art #glasgow #glasgowartist @pologlasgow #creativescotland #painting #monochrome #doodle #illustration #illustrationartists https://www.instagram.com/p/CIBFXhnHNbf/?igshid=zs0irn6uvd5u

[g3creatives]

Christmas graphic for deepmatter and Infochem.

[thejennawatt]

In January 2020 I took part in Magnetic North’s Rough Mix Residency, where I was given the opportunity to collaborate with artists from varying practices on a new work. The other artists were Flavia Hevia, Uther Dean, Gavin Glover, Greg Sinclair, Kol Sigfúsdóttir, Rachel Drazek, Apphia Campbell, Claire Willoughby, Elspeth Turner, Marion Geoffray, Nicholas Alban and Sean Hay. 

Leading up to the residency, I was really unsure about what I wanted to explore, with different projects tumbling around in my mind, I felt a real pressure to pick the ‘right’ one, and to come out of the residency with a really solid WIP. I was also a little unsure of how to use the main resource available to us: six performers, especially as I was still unclear about what form I wanted to explore. 

For the first few days, the main artists; Flavia, Uther, Gavin, Greg and myself, gave presentations on our practices. I shared a collection of objects relating to my exploration of rewilding, I observed that I had a strong emotional response to one particular object: a small brass bullet casing. The casing had come from research work that I carried out in the field late last year, where I went Hind stalking in Corrour. I realised that I hadn’t yet fully processed that experience and this residency might be an opportunity to do so. 

I discovered that the best approach for me was to ‘do less’, this didn’t mean less effort, but rather focus on a single objective, action or word and the main focus for my residency emerged; explore what’s it’s like to have other people tell the Hind Stalking story. This was a huge shift for me and it was a total joy to hand over responsibility for telling, what is for me, a hugely emotive experience.  Having other people hold that narrative created space for me to see what they were interested in, what aspects of the story they wanted to take responsibility for and also the gaps that I could write into. I finally understand how it could work with three performers, I could see my work without me in it, and It looked great.

Being able to observe other artist’s practices was hugely inspiring, the language they used, the detail they were interested in and also how they translated what they needed into exercises with the group. Lots of crossovers started appearing between sessions and there was a real enthusiasm and desire to keep exploring. It was a total delight to see everyone’s sharing at the end of the residency, but also to have an insight into how the pieces emerged throughout the two weeks.  It was a huge privilege to have such a wealth of expertise available during the residency and to feel supported by the room despite my own uncertainty. The Rough Mix process allowed my new work to gradually unfold and reveal itself to me, so even though I didn’t feel ready for Rough Mix, the work was.