#But this post is already long enough

[rookinthecrownest]

Some Updated Thoughts on Lucanis' Romance (Both Positive & Constructive)

I want to make this as balanced and as reasonable a take as I can. I'll put everything under the cut and tag as critical so you don't have to engage with it/see it if you don't want to.

As usual, these are just my opinions. If you really enjoyed Lucanis' romance, none of what I'm about to say is meant to dissuade you from that. I'm happy for you!! I'm so glad you enjoyed it. There were parts of it that I absolutely loved too, and I hope I'll do that justice with this post so it doesn't come across as hate. Because I don't hate his romance, I just think there was some places where it could have been fleshed out a bit more.

If you want to engage in discussion with the more critical aspects of this post, my only request is you do so respectfully.

Positives

I'd like to start on a good note by detailing the aspects of his romance that I really liked. There are a few places where I think they did a great job with his romance.

Party Banter & Codex Entries

Although meant to be supplemental material to the story, I think they do a really good job at helping the slow-burn aspect of his romance they were going for. There's one codex entry that goes something along the lines of 'It is not an hour lost, but an hour found' and that is one of my favourite codex entries....ever. It's such a short entry but so meaningful and shows you a lot about his character. You get this profound sense of just how much Rook means to him with this one line.

His party banter once you're in a relationship is also very sweet. I didn't get a lot of it, but what I did get was lovely. Especially when he admits to Neve that Rook is good for him and makes him smile. There's another line about how he doesn't know what Rook sees in him, but he's happy they're with him which is super sweet. Telling Emmrich how Rook is his first relationship? Adorable.

Everything about the party banter and codex entries did a good job of giving us more insight into how his character is dealing with things, when it's not explicitly shown to us in cutscenes (We'll come back to this later). It helps form a more complete picture of the way they wanted to handle this romance in general.

Relationship Cutscenes

There's a few scenes throughout the romance that I enjoyed a lot.

The scene with Illario at Cafe Pietra and the talk of first kisses and kisses goodbye was very cute and well done. It really did feel like a coffee date haha.

The almost-kiss scene was also amazing. The confident stride towards Rook, the wall-lean, his facial expression when he pulls away. You can feel how much he wants it, but something in the back of his mind (whether it's him, or Spite) pulls him away at the last second? I loved that. I'm actually super glad they didn't kiss here. The pull away made for great tension (I'm going to come back to why this is important later).

His line about Rook breaking apart his 'perfectly gathered clouds of doom' was beautiful, and one of my favourite lines in the game.

Although there could have been more to it, his romance lock-in scene with him baking dessert for Rook is also sweet and shows his romantic side and thoughtfulness.

The ending scene of the romance, after Rook comes out of the Fade Prison, is some of my favourite romance scenes in any Bioware game. Any game, period. It was so incredibly well done. From the writing, to the dialogue, to the facial expressions - absolutely everything was perfect. The wings coming out, the fade to black, the banter about falling asleep and playing cards with Spite? Lovely. All absolutely lovely. 10/10, no notes.

His dialogue about killing any god to keep Rook safe is very sweet/romantic. How he wants Rook to tell them this all ends with him asleep in their arms. How Rook's voice is a comfort. This was SO beautiful.

All in all, in some places, I feel that they did achieve the slow burn they wanted with his romance. Even excelled at it, really.

Constructive Criticism

I'm just going to re-iterate that while this section may be longer than the positives, it comes from a place of love rather than just wanting to hate for the sake of hating. I've been a fan of this character ever since I picked up Tevinter Nights, and was looking forward to his romance the most.

The Neve Situation

I'm going to get this one out of the way first because it's probably one of the more.... contentious points in this discussion.

Besties, I need you all to hold my hand so tightly as I say this, but absolutely none of my frustration with the Neve/Lucanis thing is to be construed as hate towards Neve. In fact, I love Neve. I've been a fan of her since she appeared in the comics. I loved her in Tevinter Nights. I love her in the game, I can't wait to romance her. I don't have a problem with these two characters getting together if Rook is not romancing either of them. That being said, there are a few things about his interactions with Neve if romanced by Rook that I can see why they would rub people the wrong way (and why they rub me the wrong way a little bit too).

-Neve and Lucanis can still flirt after Lucanis is locked into a romance with Rook. This is a pretty big oversight from the devs. Its no secret that characters will romance each other if not in a romance with the player character. It happened in DA2 with Fenris/Isabela, in DAI with Josephine/Blackwall, Sera/Dagna, and Bull/Dorian. In ME, I believe it happens with Garrus and Tali as well. So, I don't think the simple fact that they can get together is really what's bothering people.

Importantly, unlike previous games, once the player character is locked into a romance with the other party, the LI doesn't flirt with other companions. I think if the devs had locked the flirting once Lucanis is locked in with romance, much of this conversation wouldn't even be happening.

DATV is a role-playing game. Nothing would take someone out of a role-playing game faster than their love-interest being flirty with another companion - and understandably so. It just feels...icky? Like your player character is getting in the way of a ship the writers wanted. I don't think it's unreasonable for someone to not want to feel like a third wheel in their own romance.

-In Lucanis' mind-prison quest, even if he's romanced by Rook, Neve will still appear. The way Spite describes her seems to imply he still has some sort of romantic feelings for her. Which.... yikes (but this may also just be the way I read his line). If he's not romanced by Rook, Neve being here would make sense. There's not even a mention about Rook in a note or anything. Spite has one line about Rook opening doors and not closing them but that's about it. There's no special romance reactivity in this scene, even though it happens pretty late in the game and after the romance-lock in. Afterwards, he says he trusts you with his thoughts, which is sweet. But this should have been in the cutscene - not skippable banter at the LightHouse.

Set Up & Pay-off

This is a fundamental aspect of storytelling I'm sure you're all familiar with. The classic Chekov's gun. Don't set up something you don't plan to pay off.

Let's go back to the almost-kiss. They set up some fantastic romantic tension here. If you go see Lucanis again after this scene, I think he has a line along the lines of "I'm sorry Rook... I can't ..." But that's all we get. And the almost-kiss isn't really addressed again. Actually I wouldn't even call this being addressed in the first place, because if you wait too long to see him after that cutscene it may not trigger in the first place. This is probably the most egregious example of wasted set up with no pay off. There's no discussion about it. There's no cutscene of Lucanis talking to another companion, or even having some kind of internal monologue about it.

Another example of set up & pay-off is after confronting Illario. Lucanis says he has a plan to celebrate instead of sticking around at the party.

Cut to him drinking coffee by himself back at the Lighthouse.

Rook & Lucanis could have sneaked off to Cafe Pietra, or gone walking in the Treviso market. Or hell, taken the Gondola ride that was in the concept art. Or kissed in the rain under an awning. (I'm never getting over that concept art they showed us...)

The conversation about sparing Illario, how he doesn't want to lose what he has left, including Rook, is fine. But I feel this was another wasted opportunity.

The romance lock-in scene is another example of a missed opportunity/failed set-up. It doesn't even feel like a romance lock-in to a lot of people. If so many players think their game is bugged because that's how you lock in the romance, I think there's a problem. You go from almost kissing to a full on relationship. There is so much that can happen in between that (none of which has to be physical intimacy btw) which could have helped make the lock in scene make more sense. It's the same scene as the one with Neve - but almost...done worse?

Having coffee with Spite & Lucanis. This one is more a writing issue. At the end of the scene he stands awkwardly next to Rook and says, "Whatever this is, I'll take it" and I couldn't help but feel... the writers really just didn't know what they wanted to accomplish with this scene. 'Whatever this is' could have been 'I don't know what this is yet or what to call it, but whatever it is, I want to see it through with you' or something along those lines. Astarion actually says something similar in one of his romance scenes, but he holds your hand, looks at Tav earnestly, and says "Honestly, I don't know what we're doing. But this...this is nice..". He doesn't put a name to the relationship either, but it's the way he says it and how it's conveyed that make it a more effective scene.

He's been imprisoned for a year. He was made into an abomination. He doesn't sleep. He's dealing with PTSD probably. He's a romantic at heart but needs to learn to trust again. It makes sense that he's not overly flirty with Rook, and the romance isn't very physical. This is all FINE.

BUT.

While I listed the codex entries & party banter as a positive (because I do like it), I feel that they leaned too heavily on that for the romance.

Let's contrast Lucanis' romance to Cullen's romance in DAI. After all, Cullen has also gone through some pretty traumatic shit and is literally struggling with Lyrium addiction when you meet him in Inquisition. I want you to remove all of Cullen's side-banter about the inquisitor, all party banter about their relationship, and all the codex entries. When you watch the cutscenes of his romance in order, you are still left with a solid romance. If you're a mage, you even get some heartbreaking mage-specific dialogue about whether or not he'd cut you down if you ever become an abomination.... And I'm getting off topic here, sorry.

My point is, these things are meant to be extra. They are not supposed to be the way you piece together bits of your own relationship and a substitute for companion interaction. And here is where I think DATV's choice not to let you randomly talk to your companions really hurts it as a game.

Romance Reactivity

There's a few points in the game where romance-specific dialogue would have really helped solidify things.

No, I don't mean flirting. I mean dialogue that reads like he's struggling with building the relationship - not bulldozing right past it. It makes the romance-specific dialogue wheel options feel rather useless.

One example is during one of his personal quests, Rook says

"I'm still here aren't I"

No facial reaction, "We need to talk about Illario"

You can see how this is a bit ... jarring, right? Like you may as well have not even picked the romance-specific dialogue? There's a few instances of this, but that one is just the one I can recall off the top of my head. When I pick the romance-specific dialogue wheel in Bioware games, there's always something about the response from the other character that indicates something more might be going on - it could be something as simple as a nervous smile, or an extra line of dialogue, or hell, maybe they flirt back (although with Lucanis I understand why he wouldn't).

If you're not going to show romance reactivity with Rook, give us a scene with Lucanis where we understand why. Show him fumbling to do something nice for them. Show him pacing and wondering if Rook is really into him. Show him struggling against Spite, if he's worried Spite will hurt Rook. Don't just tell us through codex entries. Show us.

Miscellaneous Sentiments & Final Thoughts

On the whole, I genuinely feel like Lucanis has the least content out of all the companions. Maybe it's because they laid off Courtney Woods & Mary Kirby, maybe there's another reason. I don't know. But so often I found myself going back to the Lighthouse wanting to talk to Lucanis but there's no little indicator thingy for him. But every time I go back Davrin, Harding, Bellara, etc. all have something to say.

We should have had an opportunity to delve a little bit more into his relationship with his family, unpacked the stuff with Caterina & Illario a bit more, and unpacked him being made First Talon. Which, if you read Tevinter Nights, you know he actually doesn't want the job. If they weren't going to include it as a cutscene, then extra dialogue (a-la-Inquisition) would have been a good place to fit that in.

On the whole, I still like aspects of his romance. I'm looking forward to romancing him again. I just feel that the romance could have benefitted from even 1 or 2 extra small scenes. If I can go on 1000 walks in the forest with Davrin and Assan, I should be able to have a real conversation with Lucanis about the relationship, his hangups about it, and try and work through it.

Keep the almost-kiss in there. An extra kiss before the finale would have been fine, but not necessary. What was necessary, imo, is a whooole lot of buildup throughout the course of Act 2 so it doesn't feel like you're getting whiplash in Act 3 when you do kiss and have the implied sex scene.

I think the concept art that was recently released feels like a gut punch to us Lucanis fans. Because it shows that Bioware had the skeleton of a great romance, and chose to axe nearly all of it.

It really feels like they didn't quite know what to do with his character and romance and just said 'put it all in the codex and banter and let them figure it out for themselves'.

Quick Notes

The argument that we should 'run to AO3' to fix our issues with the narrative, to me, is unproductive. Fanfiction should supplement the source material, not act as a replacement for good storytelling.

I don't think telling people to headcanon a majority of a romance they were looking forward to is helpful either. Headcanon is not supposed to replace storytelling either.

Boiling down the criticisms of Lucanis' romance to 'you just want more steam/sex/etc' is also unhelpful. Maybe it's just who I follow, but I have barely seen anyone (on here or reddit) state that this is their main problem with the romance.

Okay, that's it!

Bye!

[midnightfox450]

Can you even imagine the potential of a good-luck-babe-ified fiarina. Like an AU where 12 y/o Fia still stands up for Irina and helps her escape, but then submits to her father's initial punishment of repentance instead of choosing execution. Fia swears an oath to the Reaper and vows never to practice Trickster magic again.

When she's of age, her father has her married off to some random young man (the son of another clergyman, perhaps). Reverend Boginya retires and passes his position down to his son-and-law. *Not* his daughter, for she is just a woman, learned as she may be.

The old preacher's daughter becomes the new preacher's wife. Fia never leaves that desolate little town.

And she's miserable, of course. Miserable in her marriage, miserable in her duties as a woman of the church. But isn't that what she deserves? It's what the Reaper calls for her, for all of them.

But then it happens. They have a Judgement scheduled today, or at least, Fia's husband does. She doesn't do much besides stand next to him and read some hymns. She watches the beginnings of an execution carried out in perfect order before suddenly... Chaos. A woman appears wreathed in green light and fae magicks and vengeance. She burns the entire proceedings to the ground with every bystander caught in her wake.

Or, *nearly* every bystander.

The person on the scales escapes wordlessly, far too terrified of what just happened. Fia's husband, the preacher, is gone. But for some reason, she herself has been spared. She kneels in disbelief in a sea of ash and smoke.

Some part of her, deep down, recognizes that magic. It's sinful Trickster magic, of course, but there's something more, someone more. And that same part, that shameful, shameful part, feels relieved.

[hey-haven]

Oops I am ranking TWST books (minus book 7 cause I’m not going into it till it’s released in the english version)

I will be making these seperate posts cause I have too much to say, but I will link each on in order from worst to best starting with the worst

6: Book 2

Easily the worst one, Book 2 just does not do Leona any form of Justice. Despite being one of the smarter characters, Leona’s plan simply does not make sense. Like yeah sure injure some of the stronger players so the competition would be easier but then his grand plan with the Diasomnia Dorm is literally unleashing a stampede to idk crush them? Injure them? Kill them???? (Okay maybe not that far). He does this in a public setting that could have easily gotten innocent bystanders hurt. Plus it’s Malleus we’re talking about, a stampede would not have done the kind of damage Leona would have wanted it to. It just feels like for a character who is often written to be a master strategist, his big plan for the competition wasn’t well thought out like at all. It paints Leona as someone who’s all bark and no bite when it comes to his arrogant attitude about his intelligence, which is annoying because HE IS VERY INTELLIGENT AND SHOULD BRAG ABOUT IT! It’s just this ONE book that doesn’t serve him justice on this aspect of his character!

Another issue the book has is that it paints Leona in a really bad light to the point that I strongly disliked him for a while till reading some vignettes and realizing “oh no he’s an interesting character it’s just that the main book really fucked him over”. We have to remember that Leona is a grown man at 20 years old who made it his mission to literally harm teenagers just to win a sports competition, and while I understand the competition itself is a big deal it does not at all justify Leona’s actions (nor does his backstory). That was all BEFORE he overblots where the harm can be somewhat justified under uhhh temporary magical influence of insanity lol. And at the end of the book he straight up goes “I actually am not going to learn and grow from this.” And he does a little after the events of the book good for him, but when the main theme of each book being about growth and healing from past scars, why the fuck immediately backtrack on that theme right in the second book???

AND! Shdgss another thing that annoys me is that shortly after learning what an overblot is and how it works, following that logic that the audience was literally taught; Ruggie should have overblotted. He was the one constantly using his signature spell, he was the one having to hurt himself to get others hurt as well, he was the one who nearly got directly killed by Leona. That stress and overuse of his magic should have lead to an overblot but it didn’t only because Ruggie isn’t the twisted version of Scar, it’s Leona.

The book very much tried to use Ruggie as a red herring making us think he will be the main boss when it was Leona, but it was done so poorly that looking back it doesn’t even make sense with the in universe explanation on the function of overblots. Yana cared more about making a not so surprising twist than actually putting the effort in making that twist make sense. The fact that I ended the book caring significantly more about Ruggie than Leona is a sign that Leona’s character in this book was more of an afterthought.

You can just tell that Yana did not put the amount of thought and care into Book 2 as she did with Books 1, 4, 6, and even 5 despite that one also not being that good either though for completely different reasons. She heavily relied on the story beats of The Lion King to work with Book 2 leading to a messy and rather uninteresting story that actively paints the main character of the book as a less interesting person than what he actually is shown to be in later chapters and vignettes. It’s especially disheartening when you do get to Leona’s backstory and see the potential was right there the whole time, it just was not given any ounce of effort in the execution.

[messengerofmechs]

Idk what the fuck the last rb is talking about I personally knew a kid who managed to dual boot his school issued chromebook with Ubuntu in high school. By no means do I think it was easy or straightforward but there is ultimately no way to completely secure a computer against someone who has hardware access. And technically the chromebook OS is built on Linux

But all of this is irrelevant in face of the fact that if the teachers or the school IT department noticed you running Linux they'd probably just make you get a new chromebook and charge you a fee for it. The kid dual-booted instead of nuking the existing OS so he could still use it in class.

All this to say that while school-issued chromebooks happened by the time I was already a year or so into Highschool, I did experience chromebooks as my primary computer for a few years. I ended turning out to be a huge computer nerd and pursuing a degree in it, and I wasn't even the kid trying to dual boot my chromebook. The most I did was figure out how to misspell keywords to get around search filtering.

The reason "Kids don't know how computers work" is because they're kids. Kids don't know a lot of things. Don't expect middle schooler or even a high schooler to know what Linux is. It's pretty niche as an operating system.

And for the record, lots of adults don't know how computers work either. I've worked IT support.

Chromebooks do suck ass though.

We need to lay more blame for "Kids don't know how computers work" at the feet of the people responsible: Google.

Google set out about a decade ago to push their (relatively unpopular) chromebooks by supplying them below-cost to schools for students, explicitly marketing them as being easy to restrict to certain activities, and in the offing, kids have now grown up in walled gardens, on glorified tablets that are designed to monetize and restrict every movement to maximize profit for one of the biggest companies in the world.

Tech literacy didn't mysteriously vanish, it was fucking murdered for profit.

[fanaticalthings]

Bruce coming home one day to find Robin Jason clinging onto a chandelier with Dick below him cheering him on.

Bruce: Jason what are you doing?

Jason: Dick said that you missed his antics after he moved out and so he’s teaching me how to be a better son

Dick: After this we’re going to drive the Batmobile into the bay :D

Jason: We’re going to what? I mean yeah! Right into the water.

Jason trying to whisper to Dick: Dick I can’t swim though

This just further fuels the chaotic dynamic of Dick and Jason during a time where Dick was still going through his teenage angst and was absolutely not a benevolent role model LMAO

I mentioned it in this post, but it's just so funny to me to imagine a Jason who grew up with an absolutely WILD Dick Grayson as an older brother, while the younger batkids grew up with a more mellowed out and mature (arguable but when measured against the other kids, he wins by a landslide) Dick Grayson.

Robin!Jason era:

Dick: You wanna go out and get high?

Jason: I can't, I have homework.

Dick, sputtering: HOMEWORK?

----

Dick, about to do an elaborate (and totally not dangerous) acrobatic move in the manor: Watch this, littlewing

Jason: You shouldn't do that, it'll make Bruce upset.

Dick, on the brink of angry tears: Why are you like this.

----

Jason, dejected: Listen, I know you don't approve of me because you think I'm not good enough as Robin, but-

Dick: Not good enough as Robin? I don't care about that, I just think you're a little bitch

----

Dick taking Jason out on a hangout for the first time: OK, looks like I got my work cut out for me. Take out a notepad and write everything down. I will NOT have my successor embarrass me like this. So what you wanna do to piss off Bruce-

---

[Years later, Jason returning to Gotham with the fury of a thousand suns and the chaos to match it]: I'm gonna make your life a living HELL, Bruce

Dick, older and relatively more chilled out: Okayyyyy, maybe let's just– calm down a lil, haha, no need for the theatrics

Jason, betrayed, observing a Dick Grayson who is teaching his new younger siblings to behave and be mature: Dick, what the FUCK

-----

Present!Dick, mentoring Tim: Make sure not to be too impulsive, don't wanna raise Bruce's blood pressure

Red Hood!Jason spying on them from afar: Who even ARE you??

-----

Jason: So you teach me ALL of that, only to turn into the ONE thing you despised so greatly all those years ago

Dick, sweating: Well-

Jason: I'm ASHAMED. How can you be worthy of being called my PREDECESSOR?

[kittykatninja321]

The reason why I always emphasize that utrh era Jason is 18/19 and refuse to let people forget that Jason and Tim are canonically 2 years apart is because the concept of Jason as a fairly young adult with little to no support system is a fascinating concept to me and it goes under explored in both canon and fanon. I think it adds such an interesting wrinkle to the everything and is a great contrast to all the Red Hood shit. I’m thinking about New Earth Jason specifically here, he’s both younger than post-nu52 Jason and more isolated. Most people at 19, even if they can afford to be out on their own in this economy, still have contact with their family of origin for support. Jason is not only estranged from his family with little to no support system (depending on how much you interpret Talia being involved after Lost Days), he’s also doing mob boss shit while he’s still technically young enough to be somebody’s prom date. He didn’t go to his prom because he was probably in Russia learning how to make bombs or something (and because, yknow, the whole dying thing).

Jason is someone who both had to grow up too fast and by all means should be somewhat emotionally stunted. Not only does trauma stunt you he was catatonic for long enough that he’s missing literal years from his adolescence. He’s young enough that he’s still reeling from trauma from childhood and adolescence (late teens/ early twenties are peak ‘desperately trying to recover from childhood’ era).

I think underneath the rough Red Hood exterior that Jason should be naive in ways that people wouldn’t really expect. He doesn’t have much experience with relationships (both romantic and friendships), and it’s been years since he’s socialized much with people his age (he doesn’t socialize much at all he’s pretty isolated). I think even if he doesn’t look young that at times he would slip up and show that he is

Also I just love the contrast. I like the idea that sometimes you’ll hear Red Hood cackle without the helmet on and you’ll recognize traces of that 15 year old kid and then he’ll shoot someone immediately after. Like imagine if utrh was a Boy King of the underworld sorta deal

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[whathorselegs]

I think one of my favourite character journeys in BSD has to be Kunikida learning to be better with kids because you'd expect it to be a fun wholesome character arc. Only, it ends up being heart breaking as it's immediately turned against Kunikida.

Despite the 'Dad status' that the fandom has given Kunikida, he was actually terrible with kids towards the start of the manga.

Take how he treated Atsushi in the first chapter. (Yes, Atsushi is not a little kid, but he was a starving and vulnerable orphan when they met.) When Kunikida and Dazai mention the 'man-eating tiger' Atsushi immediately freaks out and tries to run away.

What does Kunikida do? He grabs Atsushi, slams him to the floor and then threatens to break his arm for information.

It's Dazai of all people who has to reign Kunikida in reminding him "The boss himself warned you that the gathering of intelligence needn't be an interrogation". Dazai was the sweet talker and Kunikida was threat, even to a terrified, starving orphan.

Later with Kyouka, he's not much better. He attempts to intimidate her into giving the agency information. Whilst Atsushi now fulfils the role of the gentle approach. She's a mafia assassin after all, even if he knows she had no choice in it, Kunikida treats her as a threat before he treats her as a child.

Even with Aya, the interaction that gave Kunikida his 'dad status', he started off badly. But, it is here we start to see Kunikida trying to be better, trying to take a softer approach, even if he's clumsy with it.

When he realizes Aya was just handed a bomb, he snatches it from her and gets rid of it. That can't be helped it was a literal ticking time bomb, he then phones the authorities to deal with it. He was planning to leave, it's only because he caught sight of Aya sitting alone did he approach her. It wasn't his first instinct.

If he hadn't seen her in that moment, he might not have gone looking for her at all.

He asks her if she's alright and then she shocks him by wanting to hunt down the culprit. He rightfully tries to dissuade her, but again, he's not good with kids, he's blunt and argumentative with her.

Obviously, that's not going to convince a kid with a hero complex to not chase the bad guy.

However, his turning point, in my opinion, is when he realizes he has to choose between Aya and the people on the train. Now, he had already set off the stun grenade and is putting all his faith in Yosano finding them. He trusts her so he knows they are most likely going to be okay.

But Aya doesn't know that and he can't explain it all in the time they have. He sees a child who thinks she's about to die and is trying to be brave about it. And Kunikida comforts her. He needs her to know that she's not alone, that she's not going to suffer, that he is with her and he hugs her.

There was no need for him to step into that explosion with Aya except to comfort her. He chose to do that. Above his own life, he chose her needs.

And that's where this journey starts to get heartbreaking, because Kunikida hadn't always been like this. He was obviously always going to try and protect children, his ideals state as much, but he also didn't believe himself to be a hero. He doesn't see himself as someone capable or even worthy of that role.

So he built up a barrier around himself that made him harsher and more callous. He called it a professional detachment. He had to, it was to protect himself, to keep his sanity in those moment when they couldn't save everyone. Now it's breaking down and he's showing more and more how much he cares.

And it's immediately used against him.

The very scenario that got him to open up is placed in front of him again. A child with a bomb around their throat. Only this time Yosano isn't there, and this time Fyodor is orchestrating it.

And Kunikida does everything right. He tells Atsushi to leave and carry on the mission so he can stay and help the child. He gets on the child's level, makes himself small and none threatening. He reassures the child in gentle voice that everything will be okay.

And then, it's the line "How about a magic trick?" that really gets me, because he's trying so hard to present himself as someone trustworthy. And a magic trick is exactly what he pulled off with Aya, but it's what goes wrong here.

Because Fyodor planned it this time. He didn't just target children to get at Kunikida, he made a twisted mockery of what happened to Aya. Except she doesn't live this time and Kunikida can't bring this child any comfort or safety because Kunikida is the threat. This child dies alone and afraid because Kunikida was there, just like Fyodor planned.

Fyodor saw Kunikida bare his heart once and immediately reached in his chest and crushed it.

[sunderwight]

Liushen AU where SY transmigrates into SJ's older brother, and subsequently nopes them right out of the slavery backstory by using his general knowledge of the story and actually being an adult in a kid's body to just leave (basically) with SJ and YQ.

SY carts them both up to Cang Qiong for the next sect trials. It's actually not all that hard, the trickiest part is getting enough to eat and finding safe places to sleep between leaving the slavers and taking the trials (SY manages just barely, with considerable help from his new little brothers.) Nobody bothers to go after them because it's before Qiu Jianluo and this style of human traffickers mostly operate by virtue of their merchandise having nowhere else to go. Chasing down runaways is an expense not worth indulging, given that most of them either come straight back or die of exposure.

Anyway, they take the trials, and as expected YQY gets chosen to become a personal disciple for the sect leader, and SJ gets chosen by the Qing Jing Peak Lord, but also as (kind of) expected (by SY alone) nobody wants SY. He's older the Yue Qi, so too old, and unlike YQ and SJ his cultivation potential isn't striking enough to make any exceptions for him.

SY, however, can't leave it at that. He's spent more than five minutes with the street kid codependency gang, so he's gotten attached to both of them. And he knows what will happen if they're left to their own devices and The Plot proceeds accordingly. (Also, they keep threatening to not stay at the sect if SY doesn't stay too, for some reason.) So with a heavy heart and internal candle lit for himself, SY heads to Bai Zhan Peak. Which is the only peak that accepts disciples by way of them turning up and refusing to leave.

SY's not much of a fighter. He actually really hates the atmosphere on BZP, he's not bad at physical cultivation (his health's pretty good in this life, ironic considering how much worse his situation was) but the random ambushes and survival-of-the-fittest stuff is just not his brand. But that's okay, because it turns out that BZP actually DESPERATELY needs disciples on the actual peak who are interested in things other than fighting and cultivating their own strength. Stuff like, filling out requisition requests for An Ding every time things break, apologizing to An Ding every time things break again, organizing schedules, browbeating senior disciples into actually teaching, educating disciples on virtually any artistic or social skill, hosting lectures on how to beat vicious beasts without just overpowering them, and etc.

Okay so some of this stuff isn't and has never actually been on Bai Zhan's curriculum but Shen Yuan is going to make this place tolerable. And stop these children from needlessly getting acid burns or lyme disease or scurvy or whatever. He keeps internally chewing out Airplane for designing a sect system that means there are a lot of largely unsupervised 12-year-olds running around the wilderness on a mountain picking fights all the time. (When he actually meets Shang Qinghua and figures him out he switches to doing it in person, of course, in twice-monthly bitching sessions that look a lot like budding friendship.)

Of course one of the worst offenders is the Liu kid, who SY would suspect was actually raised by wolves if he didn't know for a fact that Liu Qingge has a younger sister, and also the kinds of nice clothing and letters from home that strongly imply not only does he have a family, but that the family is pretty well-off. Liu Qingge is at first deeply offended by SY being a BZP disciple. He rarely fights anyone, and uses tricks and evasion tactics whenever a fight can't be avoided. And he does other annoying stuff, like pestering him about meals and baths and lecturing him on identifying dangerous plants and the early signs of qi deviation. This is not what their peak is about! He should get with the program already! Just fight stuff until you're too tired to keep fighting stuff!

Also SY's younger brother, SJ, is pure evil (at least according to baby Liu Qingge) even though his other younger brother (?) is cool and nice.

Anyway, Liu Qingge stops complaining about SY after their first mission together, where Liu Qingge doesn't lose a fight but does get into a kind of pyrrhic victory situation where he's really badly hurt, and it's SY who helps him win (correctly identifying the monster and then pointing out its weakness) and takes care of him afterwards and gets him safely back to Cang Qiong. SY expresses surprise at LQG actually being polite to him, and LQG realizes that he's been a colossal ass if people think he wouldn't be grateful to someone who saved his life, so the usual Liushen dynamic proceeds from there. Liu Qingge starts bringing SY fans he leaves behind and hunts down animals that are supposed to be useful for bolstering weak cultivation, SY invites LQG to tea and keeps the critters as pets, etc etc.

SY doesn't get the Head Disciple position, because that's only acquired via beating the current peak lord in combat and lol no. Also he's not interested in stealing it from Liu Qingge, to whom it rightfully belongs (in his mind). But that's fine, because Liu Qingge takes the position when the next generation ascends and then he lets SY exclusively handle all the peak duties SY actually likes (mainly teaching). It's perfect -- Liu Qingge gets to focus on his War God antics and occasional administration/meetings without having to deal with students his has no patience for, but the disciples of BZP don't get neglected because SY is actually teaching and organizing classes and student care. BZP hasn't enjoyed a golden age like this since it was founded!

Things are pretty good overall, but Shen Yuan knows that it's only a matter of time before The Plot shows up, and so he can't rest completely easily.

Meanwhile, the will-they-or-won't-they bets on Liushen have been going strong for a while now. The thing is, most of their martial siblings are convinced that these two are already "together", and just being circumspect about it. Those who know SY well (like SJ, YQY, and SQH) know better but think that SY's romantic obtuseness is to blame, whereas those who know LQG well (LMY, WQW, and MQF) are pretty sure that it's actually LQG's obtuseness that's the problem. Of course it's actually both of them, so efforts to "fix" matters by getting through one of their thick skulls inevitably run afoul of the other's.

An additional complication is of course: SJ doesn't like LQG (mutual), and now that he's the leader of his own peak, he wants to poach SY to come and live there. Not only so he can have one of the 2 people he trusts actually close at hand, but also because SJ also hates actually teaching the atrocious little brats on his peak, and would like to have SY come and do it for him. YQY is still a total pushover for him too, and is also now the sect leader, so YQY agrees that SY can change peaks if SY and LQG both agree to it.

Liu Qingge, of course, is a no, but he's a variable "no". He's not going to hold Shen Yuan against his will or anything.

As for Shen Yuan, it's... complicated. He doesn't really like BZP, but it's gotten a lot better than it was at the start. These days he's actually pretty proud of his accomplishments, and it's more comfortable, but it's still a rough and rowdy place with fewer creature comforts, libraries, or other appealing points than QJP. Also, if he goes to Qing Jing to teach, he can personally ensure that SJ doesn't go around persecuting any of his students!

But... SJ never lived with the Qiu family in this AU, and even though SY's not totally clear on what the PIDW backstory for SJ was, he knows he's a better guy now than the scum villain in the book was. He has a reputation for making cutting remarks, not for being an abusive snake or a lecher. SY's honestly less worried about him doing anything bad at all, and there are other people on QJP who can teach. It might even be good for SJ to promote more people to fill out a social circle he can rely on! That guy needs more friends, seriously.

And QJP really doesn't need more layabout literary intellectual types who get into pointless arguments, which is all SY would be if he went there. Just yet another nerdy scholar for the rich kids with middling cultivation that the peak favors to ignore. At least on BZP he's filling a gap.

SY is clearly torn, and the fact that SY's considering it has LQG upset, and LQG doesn't handle being upset very well, so of course they have an argument about it. SY storms off to cool his head and LQG is like, this is it, he's gone to Qing Jing Peak, I've drive him off by being too aggressive and he's probably remembering all those times I told him he didn't belong here and oh no what have I done maybe if I build him a heated bath and get him books he will come back???

Turns out that SY just went to An Ding to vent at SQH while SQH was like "I think you would have fewer problems if you and Liu Qingge just got married and my disciples could call you Shigu to your face instead of behind your back" and SY threw melon seeds at him and sulked on his fainting couch (which is always cold for some reason...)

Thus begins the Liushen Divorce Arc where SY tries to be anywhere but BZP or QJP, Liu Qingge tries to figure out what thing he can punch to fix this not-punchable problem, SJ is like "I don't see what the big deal is they should break up Liu Qingge is awful and I want my brother to teach my classes for me" like the spoiled youngest sibling he's finally allowed to be, YQY is trying to moderate this Hades vs Demeter situation and is all "well maybe SY could spend half the year on QJP and half on BZP?", and Liu Mingyan is going "I know my brother if this doesn't work out he is going to die single and pining like an idiot" and so keeps conscripting other disciples to y'know, lock SY and LQG into storage closets together (ineffective: LQG can punch through walls) or at least get them in the same room (underestimating SY's willingness to yeet himself out of windows to avoid awkward social interactions.)

By the time Luo Binghe joins the sect (as a Qiong Ding disciple), the drama is in full swing and is the main topic of gossip across most of the peaks.

[daily-odile]

odile with a gun perhaps

gun

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

[stainsofgold]

As someone who considers themselves to be good at arguing, I believe them swaying opinions like that was mainly a question of Semantics. Incoherent rambling below cut.

There's a reason academia is done through Papers and not through Emails, personal bias can seep through both, it's just harder for it to seep through in one of those mediums, and hint: it's not Emails.

First, we are only human, so we can never be 100% sure of anything, so we can only say we 'pretty much agree this is the case' (e.g. when we say 'when it's cloudy it rains' what we actually mean is 'from our observations, when it's cloudy it rains.') and that's considered the smartest move. (I mean, it is based on observed reality and building a worldview around the patterns of that reality.). Since we can't really prove all systems are formed from trauma (human experimentation is, at the time of writing, unethical), we say 'Yeah, that's the strongest hypothesis', and that's what happened in the email, from my gathering. (The doctor didn't seem to fully deny or fully confirm anything.) The Profesisonal said 'Well, most cases we know-', since, well, benefit of the doubt, we can't say for sure there aren't endogenic systems[SIC] (put a pin on that*) and SAS might have taken that to an extreme. ("Since a well regarded professional said that, who am I to deny?" <- plausible thought process)

*We can't say for sure there isn't a God either, it's a question of Faith, that's why it's not science, and that's why the DSM-V does not count spiritual belief. Or else, many people who claim to hear God would be, well, diagnosed with something. Therefore, Beliefs have no place in science. If you said humans come back from the dead, you might get weird looks, but believing in Jesus is fine. Culture is extremely complex.

It's like, proving an endogenic system exists is like trying to prove a negative, it's like, trying to prove you're not a DID system which- Come on. Denial?

I believe it's impossible to prove you have no trauma and therefore it's impossible to prove you are an endogenic system. We believe in occam's razor, the 'easiest' explanation is usually the best, and in this case, it means 'people are misguided'. Often. People are wrong. And many people being wrong about their plurality is easier than The Brain Just Doing that.

--

Basically, my view of the situation is this Them: Do endogenic systems exist?

Professional: We can't say for sure they don't. (a.k.a. polite language for We don't fucking know, or Not Enough Research, or We already discard spiritual beliefs)

Them: Wowie!

--

I believe it's stupid to believe in endogenic systems, because that's all it is, belief. Besides, it's a harmful community. I don't care about their LARPing, all I care about are deeply traumatized people with DID who might be misguided because of their arguments.

i cant belive SAS is getting dragged into the proendo bs AND is questioning if they are endo too. all because of a RETIRED old ass doctor. smh.

honestly don't know who SAS is but this sounds really sad. Like I feel bad that endos and pro endos have dragged them into this

[zondearts]

More More doves

[s4ndg3m]

second round of regretevator icons! i meant to make an infected and uhhhhhhhhh emerson one to upload with these but that was 2 months ago so. yes. smaller versions (aka more upload friendly) below cut

Free use, no credit needed! DO NOT REMOVE SIGNATURE

i like prototype's the most. like yeah ur staring or whatever. i might get the infected + emerson + maybe some other characters done at some point if i ever feel like it, but don't wait up. feel free to COMMISSION THESE. because i do make them custom. i HAVE made one custom. they're very fun.

[shalom-iamcominghome]

I've been doing a lot of reflection as of late, especially after this past class.

This past class was about the Torah and Tanakh in general, and the way the rabbi talked about the commandments (specifically the ten commandments) has made me really reflect on how I interpret them, specifically the fifth commandment, or honoring your mother and father.

This is a commandment I have wrestled with for a long time - in fact, it brought me away from g-d at multiple times. I was severely abused when I was incredibly young by my mother, and I used to feel insulted at the implication that I were to honor her while she got to live a better life. It was hypocritical, in my eyes.

But this rabbi surmised that this particular commandment was because parenthood is an act of creation, something that is like the g-d from which we come from. My realization is this: I don't think we're necessarily meant to take even these commandments literally.

I this particular commandment is more of a call to honor creation - creation is a gift, and like any gift, many people simply will not like it and will discard it. The person who abused me created me, but she did not honor creation. She didn't honor me, but I can still honor it.

I have started to honor creation much more. I'm too young, too unstable, not mature enough to be a father (though I fantasize about it), but I create all the time. I create relationships, I create with my hands through crochet. I create memories, I create my world. And I can honor who I am and where I came from that made me who I am. I've been learning one of the mother tongues of my family (Italian, since part of my family originates there) and it was judaism that inspired me to do this.

I don't think g-d wants me to honor my abuser. I think He wants me to remember the Holy action of creation. When I am a father, that act of creation will be Holy, and indeed, I am already joyful about the thought.

I have seen many people struggle with this particular commandment, but I think this perspective helps me personally. I don't think I ever have to forgive my abusers (plural), and I don't think I am commanded to simply because they happened to be family. I am commanded to recognize the holy, to elevate the mundane. In doing so, I will remember g-d. Through creation, I honor g-d and everything he has done for us, for me, and for our collective people.

[moongothic]

When people talk about there being "evidence" for the theory that Crocodile could be Luffy's other bio-dad, they tend to point out these kind surface-level details, easter eggs and Crocodile's odd behaviour during the Marineford-arc. And while all of that is very important as it lays down the groundwork for explaining the theory to people, unironically I think there's even more to the theory. When you really think about the implications the theory has on Crocodile's character and how that would tie into the long running narrative elements and themes in One Piece as a whole, I think it kind of changes everything

So, in this post I want to analyze and speculate about the theory, going a bit "beyond" the basics we already know. Heavy emphasis on the speculation-part, because I'm not here to provide conclusive evidence to prove that Crocodad is Real, rather, I'm here to speculate about how it could be real in practise, and try to explain how so many things would suddenly add up if the theory was true. I'm here to prove that Crocodad would make sense on a narrative level.

Quickly starting with a brief-ish summary of the Basic Thesis of the Crocodad Theory, just so we're all on the same page:

Naturally, if you already know the basics, feel free to skip this bit

Crocodile has secret beef with Ivankov. Although there is no proof that the beef has anything to do with Crocodile being trans, when you go out of your way to introduce a new character whose power is Magic HRT, it's a natural conclusion for people to assume that if these two know each other, then Crocodile could be a trans man. And naturally, if we're assuming he's Luffy's other dad, then he has to be trans

Dragon, as the leader of the Revolutionary Army, is in canon considdered to be the world's Most Wanted Criminal. He is extremely famous as pretty much everyone (except Luffy) knows who he is

Crocodile knowing the second-in-command of the Revolutionary Army doesn't inherently mean he was involved with the Revolutionaries, nor that he has ever met Dragon, but being familiar with Ivankov means it is entirely plausible the two could've met in the past

(Sidenote but I do have a loose theory how Crocodile could've been involved with the Revolutionaries; not relevant here but if you wanted to read it, here you go)

Despite this, when Dragon is revealed to be Luffy's father during the Summit War, although Oda includes the reactions of all the other Shichibukai, he very specifically leaves out Crocodile's reaction to the revelation. This is suspicious as hell, because surely, between his ties with Ivankov and Dragon being world famous, he would've had some thoughts about Luffy being Dragon's son (wrote about this in more depth)

For Crocodad to be real, we are assuming that Crocodile did not know Luffy was Dragon's/his son until Sengoku's announcement during Marineford, this being the reason Oda didn't show that reaction; it would've been too revealing

(We are assuming that Dragon never told Crocodile his name; this is entirely plausible considdering his full name had been a secret to the whole world (as explained post-Enies Lobby), and Dragon had kept the existence of his son a secret even from Ivankov and Kuma. We also need to assume that Crocodile did not name his son, otherwise surely he would have realized Luffy was his son when they met in Alabasta)

This is why Crocodile ends up saving Luffy's life twice in Marineford (as well as Ace's) when until the revelation he had no reason to even care about the idiot

Crocodile choosing to save Luffy's life probably means one of two things; either he really hates the World Government more than the child who foiled his plans to take over Alabasta, or he cares about his son despite knowing Luffy hates his guts

Again, this is just the basic concept, if you want to read more and see all the more easter egg-type hints, I'd reccomend this post, this post and this post (the third one repeats most of the stuff the first two do in but less detail, but also adds a few more notes extra notes). But now that we're generally speaking on the same level, we can delve deeper.

Please, go get yourself a drink and maybe a snack, this is gonna get long and deranged

Going to start with a fairly small thing.

Through out the series Oda has been repeatedly hinting at Crocodile having A Past, some History, A Backstory that lead to him becoming the way he is. But Oda hasn't actually told us what that backstory is. On the surface, this wouldn't be that strange, after all, there's lots of characters whose backstories we haven't seen, for example Mihawk. We know essentially nothing about that man and how he became the way he is. But what's different about Crocodile as opposed to Mihawk and many others, is that Oda hasn't hinted at there being an interesting backstory there that's worth telling. Like I'm sure Mihawk could have an interesting story, but Oda hasn't alluded to that at all. So the fact that he has repeatedly told us that Crocodile does have a backstory, but at most gave us two whole breadcrumbs in an SBS, is a little suspicious. (For clarity, the hints we've gotten so far to Crocodile's backstory were his repeated comments about not trusting people and how he had given up his dreams in Alabasta, while Summit War gave us the Secret Beef with Ivankov and his grudge against Whitebeard. In an SBS in Vol 78, Oda did confirm that Crocodile had his ass kicked by Whitebeard after he became a Warlord in his early 20s, and that he went "quiet for a while" until he started his heroics around his 30s, setting his eyes on Alabasta. Indeed, we have some breadcrumbs of lore, but this hardly paints a full picture. We know nothing abot what he was doing in his late 20s, which would've been the time Luffy was born btw)

What I'm getting at, is that Crocodile clearly has a backstory, but the fact that Oda hasn't spilled the beans yet would indicate to me that it's likely Oda has been saving up that backstory. Which would make sense, Crocodile hasn't been in a role in the story yet where spending time to tell his story would've been appropriate. So really, we're just waiting for the right time for those beans to be finally spilled. But what makes things even more interesting is that One Piece has a very specific track record of not giving its villians extended and dedicated backstories/flashbacks. Villians can cameo in other characters' flashbacks (Moria, Arlong), they can have their own little segments inside the the heroic characters' flashbacks (Orochi, Doflamingo), they might even get their own SHORT dedicated flashbacks (Lucci whose flashback was 6 whole panels long). But villians do not get their OWN, dedicated and EXTENDED flashbacks. Flashbacks are for the heroic characters. There has been a single exception to this rule and that was Big Mom. That's it. And while I'm positive this rule is going to be broken at least one more time before the series ends, really. What do you think is more likely to happen? That Crocodile becomes such an important villian again, this late in the game, that he deserves his own flashback so we can finally find out what his deal is? (When Blackbeard and Imu are also there mind you) Or that Crocodile's role in the story might not be that of a villian anymore, and that Oda had been saving up his backstory all this time because it could reframe his entire character and how we view him?

Oda loves taking inspiration from various mythologies and pop culture alike to bring life into his work.

This is nothing new or surprising, we all know this. For example, Oda did base the original seven Shichibukai on the Seven Heroes from Romancing SaGa 2, each Warlord more or less matching a description of one of the game's villians. Crocodile just happens to match Wagnas, the queer coded leader of the group, who had the noble swordsman Noel (Mihawk) by his side when the group was created to save the world from a great evil. Meanwhile Alabasta as a whole took a lot of inspiration of Egyptian mythology, Crocodile in that arc matching the role of the crocodile-god Sobek. Sobek is a protector god ("Guardian of Alabasta"), associated with military power (literally what Crocodile wanted to obtain) and fertility, carrying the epithet of "he who loves robbery" (man stole a lot of things, from money and lives to rain and nearly a whole dang country). Sobek's name is speculated to come from the words "to impregnate" or "to unite", both being potentially very interesting coincidences (depending on if Crocodad Real and what Cross Guild's purpose in the story is going to be) (if you want more details you can go read the Wikipedia article on Sobek). (Also I'm sure there's something interesting to be said about Sobek's fusion with the sun deity Ra, Sobek-Ra, and how Luffy is our lil Sun God)

The reason I'm pointing this out is that based on Oda's hinting and/or references to mythologies, people have in the past been able to predict certain plot twists and reveals way ahead of time. For example, most recently people were able to predict that Saint Saturn had been the one to give Ginny (and by extension, Bonney) the Sapphire Scale-disease based on a certain legent about ushi-oni, which is what Saturn just happens to be. (Here's one of the many Reddit posts that predicted that reveal) And there is one particular story from Japanese mythology I want to bring up, as it may be relevant to our Crocodad Discussion here. The story of Toyotama Hime. Here's a quick TL:DR;

Princess Toyotama had travelled from the depths of the ocean onto land so she could give birth to her child. When the time to deliver the baby came, Toyotama asked for her husband, Hoori, to not look at her while she gave birth, as she would change into her true form. And while Hoori promised he wouldn't look, he couldn't keep the promise. He peeked in on her wife as she was giving birth, only to discover that she had transformed into a gigantic wani. Horrified by what he had seen, Hoori fled, leaving his wife and child behind. Hurt by what had happened, Toyotama abandoned her son and returned to the ocean. (You can read different summaries of the legend on the Wani-article as well as Toyotama's article on Wikipedia)

Now historically speaking, "wani" in mythology can have referred to serpent dragons, sharks or sea monsters. But in modern Japanese, the word translates to "crocodile". It's what Luffy and a few other characters call Crocodile on numerous occassions. Hell, Crocodile's favorite pets are his gigantic bananawani. Historically speaking it might be more accurate to say that Toyotama had transformed into a sea serpent, but for our intents and purposes, Hoori abandoned Toyotama after she became a crocodile.

I can not tell you what exactly the relationship between Dragon and Crocodile was like, how it began and how it ended. There's no way for us to know when Crocodile transitioned (beyond "after giving birth to Luffy"), nor do we know how Dragon found out about it and how he reacted to it. There's a million options for how things could've gone down, and nothing to truly go off of to even make a guess. All we do really know, is that 1) Dragon does not seem to wear rings at all. 2) Crocodile wears rings, but leaves one out specifically on his ring finger, where one would normally wear their engagement/wedding ring (mind you; for the first half of Alabasta Oda drew Crocodile without a ring on his middle finger, but from the latter half onwards, through Impel Down and Marineford, it's always the ring finger). 3) This suspicious ass comment

"I don't know they have kids or not" YEAH RIGHT

If we wanted to use the story of Toyotama Princess as a jumping off-point though. It's entirely plausible that soon after giving birth Crocodile transitioned thanks to Ivankov's ability, and because Dragon wasn't into it, the two broke up/got divorced. The unfortunate reality is that many couples end up breaking up if/when a partner comes out as trans and chooses to transition. Just like Hoori abandoned his wife because she turned into a crocodile, Dragon could've divorced Crocodile because he transitioned into a man. And Dragon would not be a bad person for it (as long as he was respectful about it). If Dragon is straight and just couldn't see himself being with a man, that's just how it is. At the same time, this would be a gut wrenching, painful thing to go through, and this kind of heartbreak could have devastating concequences for Crocodile's character. Concequences that could play deeply into One Piece's long running narrative elements, which is why a lot of my speculation from here on does end up relying on the Toyotama Myth possibly being inspiration for Crocodile's secret backstory. I acknowledge there's no quarantee that's the case, but I am here to make an argument for why it could be.

QUICK SIDENOTES

As mentioned before, although Ivankov holds the key to a weakness Crocodile has (in their own words), we don't know what that weakness is.

Crocodile joined the Shichibukai in the first half of his 20s (SBS vol 78), and he would've been 27 years old when Luffy was born. This means it's nearly impossible for Crocodile to be stealth trans, as he would've been a public figure for years; which means, Crocodile could be openly trans

A single earring on the right ear can be read as a "gay earring". The man does like his jewelry, so there's no proof he's signaling that he's gay, but if Crocodile's happy to let the world know he's into men, then surely there'd be no issue with him being openly trans either

His transition would've happened 17 years ago pre-timeskip, so in-universe it'd be old ass news and not worth bringing up to the readers if it doesn't add anything to the current plot or his character (which it wouldn't have during Alabasta nor Summit War)

If Crocodile's secret weakness wasn't him being stealth trans, and Ivankov can't detransition him against his will (can't hit Crocodile without Armanent Haki), then what is that secret weakness Ivankov knows about?

As Dragon told Kuma: "A child is a parent's weakness". If Ivakov was anywhere near Crocodile when his child was born (so that Crocodile was able to transition as soon as the kid was out) Ivankov could/should know about the child existing, and would thus be able to blackmail Crocodile by holding the information of his secret child hostage

However, Ivankov did not know about Dragon having a child

Meaning if Crocodile and Dragon were in a relationship, it must have happened in secret, otherwise Ivankov should've realized Crocodile gave birth to Dragon's child

So One Piece has a lot of narrative elements that come up time and time again through out the story,

And some of these have become more and more relevant in the story especially post-timeskip. This is not a comprehensive list of all of them, just the ones that could heavily tie into Crocodile if he were Luffy's other dad, as they could reframe his character. So, let's look at these narrative elements, how they've appeared in the story so far, and speculate how they could reflect in Crocodile.

🐊 People existing in the wrong bodies / bodies that have been altered (and what it means for you to be "you"/how does your body reflect who is on the inside) 🐊 Queerness

Wrote about this more in-depth in this post, but to keep things short; Thriller Bark, Punk Hazard, Dressrosa and Wano all heavily featured characters who have had their bodies either temporarily or permanently altered, sometimes with the person's consent and sometimes without it. Not to mention all the various characters through out the series who have gone through similar things, like Franky, Kuma as well as Brook, among countless others. As well as every Devil Fruit user who can transform their body (including every single Zoan user). People, the way they inhibit their bodies and the freedom to be who you are is very important to One Piece. That is already a very queer-coded narrative, but then we also have explicitly queer characters. Queer characters, who have been deeply important to the story, and whose presence has become more and more prevalent with time. Not to mention how queerness in general has been "escalating" over the course of the story. There's this video from Berry for A Thought on YouTube which explains this more in-depth, but to summarize the most important observation from the video; we have slowly gone from Kuina wishing she had been born a man, to non-binary drag queens (first one being able to temporarily change their own bio-sex by turning into someone else, to the second one being able to change anyone's bio-sex permanently), to two pre-transition transgender characters. All we really need for this escalation to reach its "peak" is if we had a (named, non-background) transgender character who has already transitioned. Unsurprisingly, Crocodile could fill that role really nicely.

🐊 Loneliness

Loneliness is generally speaking a very important theme in One Piece, as it's on the opposite side of coin with friendship on it. So many of our main characters have suffered for years from loneliness, by being ostracized and rejected by their communities, abandoned by their families, sometimes suffering for decades for the sake of their loved ones because they had promises to keep. Luffy himself considders loneliness to be most painful, scary thing imaginable.

Loneliness is something queer people struggle with. A lot. Being rejected by your loved ones for who you are is a painful, common experience for many. It alone can keep many queer people in the closet for years and decades, because the fear of being left alone and abandoned is too much to bear. Some people are accepting of queers but only as long as they stay "over there", pulling a full 180 when a family member comes out. Some people only ""accept"" trans people as long as they don't transition. And while some people may appear to be accepting of you when you come out or are early into your transition, many (trans men especially) lose friends and support the more they start to pass. Crocodile does not trust people. He set up base in Alabasta sometime around the age of 30, meaning he spent around 14 years by himself (until he recruited Robin), unable to trust anyone. That's a long time to be alone. Of course, there may have been a practical side to why Crocodile chose to spend over a decade in utter emotional solitude. If he was scheming to take over a country, then having anybody close who could leak his plans out and foil them would be dangerous. Hell, it's exactly what happened thanks to Robin. But having your significant other destroy your ability to trust people and then isolating yourself to avoid further heartbreak and "betrayal" could be another, potential reasoning as to why Crocodile chose solitude.

🐊 Two failed weddings and one relationship that never was

In Thriller Bark we witnessed Nami almost get married off to Absalom. On Whole Cake Island, we almost saw Sanji get married into Big Mom's family. During Egghead arc, we saw how Kuma never got to have the relationship with Ginny he had yearned for deep inside. I already mentioned Crocodile's missing ring. How his relationship with Dragon might not have worked out because of his transition. How Crocodile's queerness could've lead into solitude, out of distrust. We already have three relationships that never worked out. So how about a fourth one.

🐊 What makes a family (/chosen families) 🐊 Family reunions (with blood-relatives) 🐊 What it's like when your blood-relatives are really horrible people

For the first half of the series, One Piece did very much focus on the concept of chosen families, as most of the Strawhats grew up with non-blood relatives that they all considdered just as much family as their actual blood relatives (if not more-so); Luffy with Ace and Sabo, Sanji and Zeff, Nami, Nojiko and Béllemere, Chopper and Hiruluk, Franky and Tom's Workers. Chosen families are deeply important to this story. At the same time, a lot of post-timeskip OP has actually revolved around (blood) family reunions. Punk Hazard was about sending the kidnapped children back to their families (as well as Momonosuke to ""his father"" Kin'emon), Dressrosa was about reuniting all the broken families Doflamingo (and his family) had torn apart. Whole Cake Island was about Sanji reuniting with his blood family while being forced into a whole new one, and Wano allowed Momonosuke to reunite with his sister (and Kin'emon with his wife). On Egghead we've gotten to see the gutwrenching reunion between Bonney and Kuma, and we are all dying to see Luffy meet Dragon eventually. Not to mention all the other reunions many of us are waiting to see, like Shanks and Buggy, Moria and Perona. Luffy and Garp (currently held hostage by Blackbeard), Mihawk and Zoro. And many others. But indeed, not all the family reunions have been good. Sometimes, the blood relatives have been horrible people. Like Big Mom (to some of her children and husbands), Judge and Kaidou. Sometimes, your blood relatives suck ass.

Needless to say, Sir "I tried to bomb one million people to take over a country" Crocodile is not exactly the greatest guy around. But what might be arguably more important is that... Why is Crocodile a plot-relevant character again, on an emotional level? As I mentioned, characters like Buggy and Mihawk relate to certain characters, so potentially getting to see them reunite with other characters would have emotional weight behind it. Mihawk and Buggy are both relevant characters both to the plot but also on an emotional level, their return to the spotlight makes sense. But then we have Crocodile, a fellow member of Cross Guild. Sure, he's definitely there to help move the plot along, no doubt about that. But emotionally speaking, why the hell is he here again? Is there a character he could "reunite with" that would have that same kind of emotional weight behind it? You could argue Vivi perhaps, but between Vivi hating the man's guts and and Crocodile probably not giving a damn about her, I'm not sure that reunion would have that much emotional weight? Robin on the other hand could be very interesting, considdering she did live under Crocodile's protection for four years until she betrayed him, an action that seemed to have stung Crocodile. That reunion could be deeply interesting.

But you know what this post is about. If Crocodile is Luffy's other dad, then those two coming across each other would suddenly have enormous weight on it even if Luffy himself didn't know about it. Because if Luffy were to find out, Luffy would then have to decide if he'd acknowledge Crocodile as his other dad or disown him. Mind you, Crocodile already knows that Luffy hates his guts for what he did in Alabasta, not to even mention the fact that he tried to kill him three whole times. Luffy has every reason in the world to hate Crocodile. The man surely understands that. But then there's the fact that Crocodile isn't Luffy's mom, but his transgender father. If Dragon rejected Crocodile for being trans, why would his son be any different? Which raises the question, would Crocodile be afraid of that? Of meeting Luffy again? Of Luffy somehow finding out and then getting rejected by him too? How does Crocodile feel about any of this? Now of course, we the readers already know that Luffy canonically loves and respects queer people. Luffy would never look down on Crocodile for him being his dad (the warcrimes are different). But Crocodile doesn't know that. And this is what I mean by there being emotional weight on these two reuniting, as anything that could go down between these two could have massive concequences for Crocodile's character. And please, keep in mind, although Oda hasn't dwelled too deep into the subject in One Piece, there are people who aren't accepting of queers in this world.

This prince, and his entire kingdom, could not accept his mother for who she was. An entire country crumbled because their queen came out as trans. So just like there are accepting families (including Kaidou strangely enough), there are unaccepting, queerphobic ones too. So the fear of rejection would not be unfounded. (Also, if Crocodile and Dragon are divorced then those two coming across each other, especially after The Shit Crocodile pulled in Alabasta, would have a lot emotional weight on it too.)

🐊 The things you are willing to do and sacrifice to protect your loved ones

Shanks gave up his arm for Luffy. Zeff ate his leg so Sanji could have actual food. Béllemere died for her daughters while Nami sacrificed her freedom in an attempt to save her village. Tom gave up his life to protect Franky and Iceburg. Robin attempted to sacrifice her life so the Strawhats could continue their journey in peace. Sanji gave up his freedom for Baratie and the Strawhats. And so many countless more lives, given up for the sake of others.

So people often give Dragon shit for being a "deadbeat dad". I've discussed this in the past, so to keep it short; the World Government went out of its way to hunt an unborn child, hurting countless pregnant women, mothers and newborns while chasing for Gold Roger's son. A child who had "evil blood" and had to be exterminated from the world. Similarly, the World Government went out of its way to put a massive bounty on an eight year old child for the crime of being able to read ancient texts. Dragon would have known and understood that if he ever had a child, as the leader of the Revolutionary Army, his child would become yet another target for the World Government to hunt, just like Ace and Robin did. This should also apply to Crocodile; if the WG found out about him having been involved with the Revolutionaries they would no doubt strip him of his Shichibukai status and make him a wanted man again. Crocodile's child would thus be in just as much danger, even if the Government didn't realize it was ALSO Dragon's son. If Dragon wanted his son to be free and choose his own path in life, Dragon had to keep his distance from Luffy. The same would apply to Crocodile. Luffy probably ended up in Garp's care, not because his parents didn't want to raise him, but because they wanted Luffy to be free.

But as long as the World Government exists, if they ever found out about Dragon having a son, that child would end up in danger, he could become a target. And the only way to ensure that child's safety would be by eliminating the ultimate threat. The Government.

Now that is the ultimate goal of the Revolutionary Army anyways, something Dragon and co have been working towards for over two decades now. But most of their efforts have gone into freeing small countries by overthrowing corrupt governments and gaining support, little by little. Which is understandable, the WG is impossibly powerful, you can't just walk into Marijoa all willy-nilly, take out the Tenryuubito and free the world, the Government's forces would take you down within seconds. Dragon understands this, which is no doubt why the Revolutionary Army hasn't made a move against Marijoa directly until the latest Reverie. It'd be too risky, and if the Revs were taken down, who would be left to oppose the WG? Their slow approach makes sense. But at the same time, while the Revs did attack Marijoa, destroying the Tenryuubito's food banks and freeing a single slave... as long as the Tenryuubito are allowed to literally stay on top of the world, this attack has done nothing. They're just going to demand more tributes, they're going to enslave more people. It's going to make things worse for those who aren't in power. It's harsh and unreasonable, and I don't agree with them, but I do understand where some fans are coming from when they considder Dragon a "fraud". If you wanted to help free the world from this corrupt rule, then you have to actually strip those in power from their status, otherwise nothing will ever change. You have to actually fight the enemy.

I can not tell you for certain why Crocodile wanted to create "a military nation powerful enough to oppose the World Government", I do not know for sure why he wanted to obtain an Ancient Weapon. But nuking Marijoa out of orbit sure would be a fast way to end the rule of the Tenryuubito, ensure nobody would get hurt by the World Government's corruption and slavery ever again, and make sure your son would never become targetted by them. A line of thought I'm sure Dragon would not have agreed with. But a line of thought Crocodile could believe in.

Remember how we still don't quite know what Cross Guild is up to? How the Shichibukai are based on Romancing SaGa 2's Seven Heroes, a group formed by Wagnas (Crocodile) with the swordsman Noel (Mihawk) by his side to save the world from a great evil? And how Cross Guild has been focusing on hunting down Marines by putting bounties on their heads? Make of that what you will.

🐊 Learning not just to love and trust others but to be loved as well

Robin tried to sacrifice herself not just because she loved the Strawhats, but because she thought she herself was unlovable and did not trust the crew, believing they too would betray her eventually. Sanji tried to sacrifice himself because he thought he was unworthy of being loved. Ace went through most of his life, thinking it would've been better if he had never been born at all. We know Crocodile does not trust people. The logical assumption here is that it's because he was betrayed in the past and had his trust broken. Did he ever have a crew, in his younger pirating days? If so, what happened to them? Did they betray him, leave him? After Whitebeard kicked his ass? Who knows. If Crocodile was in a relationship with Dragon though, it does mean that one point he loved and trusted someone, deeply. So much so they had a child. But if their relationship ended because Crocodile is trans, that would have broken his heart, wouldn't it? Made it hard for him to trust anyone ever again. And what would make you believe you were unlovable more than being rejected by your significant other for being queer. But as I mentioned before; Luffy loves and respects trans people. His affection towards queer characters through out the series is absolutely unmatched (the way he exclusively uses the "-chan" honorific for Bon Kurei, Ivankov and Inazuma, calls Yamato a man, and is far more interested in Okiku's spooky mask than her being trans). What would be a better way for Crocodile to be reminded that he can be loved and that he can trust others than being accepted by his estranged son?

🐊 Inherited Will

In Alabasta we learn Crocodile once had a dream that he gave up upon after learning how strong the most powerful pirates of the Grand Line, the ones standing between him and his dreams, truly were. In Marineford we learn Crocodile lost to Whitebeard in his youth. During Miss Goldenweek's Cover story, we learn Crocodile dreamt of becoming Pirate King.

A dream that he shares with Luffy. An inherited will Luffy carries on.

You know the RPG trope where the final boss is either god or your dad? Yeah. This line really hits different when you shout it at your father.

Now, all of this is fine and dandy, but what does this actually do? How would Crocodile being Luffy's other bio-father add to his character, impact Luffy and the story as a whole?

Now there's no way for me to fully predict how the plot is going to develop through out the Final Saga and what might go down. There's a million moving pieces and a billion potential directions things could go. We could be here forever debating those things. But as I did explain in detail already, if Crocodad Real, it could heavily impact Crocodile's character depending on what does/doesn't happen.

For one, we could have an idea of why Crocodile is a plot relevant character again; if his ultimate goal had always been to destroy the World Government to protect his son at whatever cost, then we might know why he wanted to create Cross Guild to begin with; either create a military force strong enough to fight the WG on their own, or, if nothing else, dwindle down the Government's forces and be a general nuisance that leaves the WG vulnerable (perhaps enough so that the Revolutionaries can do the hard work) and/or unable to spend their resources on hunting down Luffy and the Strawhats. Crocodile could be acting as bait, a distraction to protect his son. There's a few options there. This would also give us an idea of where that Cross Guild plotline could be heading; some people believe CG is there to join the race for One Piece and get defeated by the Strawhats, and that'll be the end of it. But now we would have another option, of Cross Guild joining the expected final war against the World Government together with the Strawhats and the Revolutionary Army. So that's one way Crocodad could impact the story and the general direction its heading.

But then there's the character-side of things, how would Crocodad impact our characters? Now obviously, the three characters that would be most impacted by the theory would be Crocodile, Luffy and Dragon. There's some other characters too, Ivankov (since they didn't know), Robin, potentially some Cross Guild members (could they learn to respect Crocodile more sincerely if they learned that the man did in fact have a heart and something/someone he cared about and wanted to protect?) and maybe even Garp, but realistically, it's the core of the family itself.

Now Dragon already would know about everything so there'd be no Shocking Revelation for him. And based on what we saw him say about Sabo maybe being responsible for Cobra's death at the Reverie, we can make an educated guess that Dragon is Not Happy With What Crocodile Did In Alabasta.

So the two aren't on good terms, probably. Dragon might just be absolutely furious at Crocodile for what he did. Understandable tbh. I guess we're just going to be left wondering if the two could somehow ever reconcile, and whether or not they still love each other deep down, despite all the pain and hurt (and warcrimes) they've gone through.

Then there's Luffy. And I guess everything boils down to two major questions; will Luffy ever find out the truth, and if he does, will that impact how he feels about Crocodile? 'Cause it's entirely plausible the series could end with Crocodad being real and Luffy never finding out. And in that scenario, well, Crocodad could impact those other aspects of the story, just not Luffy. And in some ways that could be fine too. It could still be meaningful for Crocodile (and Dragon) that way. But what if Luffy did find out? Now, mind you, it's already a bit of a mystery how Luffy feels Crocodile as of now in the story; back in Impel Down he still understandably hated the man's guts with a fiery passion, but after Marineford Luffy does kind of owe Crocodile his life after he saved him. And Luffy is generally speaking pretty respectful when it comes to stuff like that. But also Luffy was unconcious when Crocodile yeeted him and Jinbei out of Akainu's reach, so does Luffy even know Crocodile saved him? (Though surely he would remember Croc sparing Ace and getting guarded from Mihawk) Not to mention, when the Cross Guild reveal happened, the only comments we got about it where Luffy calling Buggy an idiot and Zoro being confused about Mihawk being there. They didn't even acknowledge Crocodile. It was almost like Oda seemed to avoid the subject?

We also need to considder how much would Luffy find out? Just the basics, that his other parent is a trans man and just happens to be Crocodile? Or like, everything? From whatever his plans were with taking over Alabasta to however Crocodile might feel about his sweet baby boy? Because if all Crocodile had wanted to do was protect his son, despite knowing he might never see him again, and if Crocodile did still unconditionally love Luffy despite everything that happened, despite knowing (/assuming) that Luffy already hates him... Well first off, Robin nearly assassinated Iceburg and was willing to let the World Government potentially get their hands on an Ancient Weapon just to protect Luffy and co (on top of all the deaths she helped cause while working for Crocodile, all because she wanted to read the Poneglyph herself). If Luffy was willing to forgive Robin for all that, would he not forgive his dad for doing the same? And Luffy isn't one to dismiss kindness, when people express that they genuinely care about him and his well being Luffy does respect that (even if doesn't fully reciprocate the feelings, like with Hancock). And Luffy has deep emotional intelligence too. If Crocodile was convinced he'd be rejected by Luffy for who he was, especially if that had happened to him in the past to begin with, over something Luffy wouldn't bat an eyelash at (like being trans), like. Luffy wouldn't be shitty about that.

We know Crocodile is a broken, traumatized man. We don't know how much shit he has gone through though, beyond getting his ass beat by Whitebeard and The Divorce. Knowing how Oda likes to layer trauma in character backstories*, there definitely could be more to Crocodile than just those two things, but for the sake of this post, let's just focus on The Divorce. *(Like how Robin was alienated by her community long before the Ohara Genocide, and then spent decades of her life fleeing from the Government, hurt and abandoned by people time and time again. Or how Kuma was born into slavery, lost the love of his life and finally gave up everything he had just to save the life of his daughter. Early OP flashbacks may have been a bit simpler, but as time as gone they have definitely gotten more complex and layered, so I would not be surprised if Crocodile's Full Backstory had like 3+ layers to his trauma)

One important part of One Piece has been teaching/reminding certain characters important lessons, to change their view of the world and make them better people as a result.

Here's some of the messages of One Piece, its beating heart and soul

And of course, sometimes some characters can't have their minds changed, at least not that easily. But their ideals and worldview can always be challenged and proven wrong. This is what happens to many of the villians in the story. Like Moria's ideas of how he shouldn't have to do any of the hard lifting himself and how instead of having friends he can just have replacable zombies instead. Moria's worldview was wrong, and is exactly what led to his downfall in Thriller Bark. Or Spandam and the CP9's ideas of justice, how anything they do can be justified as it is for the "good of the world", including killing innocent civilians. They can do that, because they are "heroes of the world", they are "justice". Needless to say, none of the CP9's actions during Enies Lobby could be considdered "heroic", and, well. If "justice always prevails", then their defeat did prove theirs was a false one. Or how Enel isn't a god, how Doflamingo doesn't have a god given right to rule (neither does Wapol for that matter), how Akainu's ideas of "absolute justice" are monstrous at best, how the way Judge and Big Mom treat their families is not how a family should be like at all.

During Alabasta, Crocodile's plans were foiled because of he didn't trust his underlings with his secret identity and refused to communicate properly with them himself. That one conversation between Crocodile and "Mr. 3" (Sanji) is more or less what allowed the Strawhats to reach Alabasta just in time to stop him. But although distrust is what lead to Crocodile's downfall, he still carries that core belief even now; he still doesn't trust others. Which raises the question, what other beliefs might Crocodile still carry deep inside?

That he can't trust anyone because people will betray and leave him sooner or later? That nobody would ever stay by his side, that nobody will ever love him?

Are those not the exact same core messages of One Piece, the false beliefs that we've seen proven wrong, time and time again?

It really wouldn't be right to end the series without Luffy proving Crocodile wrong once and for all, and make him change his worldview, now would it? But hey, the good news is that there might be no better way to prove Crocodile wrong than to have his son unconditionally forgive him and accept him as his father.

All of this to say; yes, I think if Crocodad was real, it would heavily impact Crocodile's character and whatever character arc he might have. Like I'm not arguing for Crocodad in the name of meme'ing. His whole story could suddenly tie into so many of series' core themes and messages, and tie into our main character in a meaningful way. It could impact heavily where the story as a whole is heading.

The other, more likely option is that Crocodad isn't real and that I have lost my marbles thinking I was onto something with this post. In the end, time will be the judge of that. Thank you for reading, I hope you enjoyed my utter derangement.

Minor EDIT (Oct 20th, 2024) but. Because I am still obsessed with Crocodad, I keep on thinking about it and both coming to new conclusions and noticing new things, and I wanted to link a few shorter posts I wrote recently because I think they add to Crocodad, if in minor ways

Crocodile's motif is being a protector

Ivankov's fame as a miracle worker matching the Crocodad Timeline

Whitebeard would not have invited a woman on his crew (side tangent; the actual post is about something else)