#Bull tribe
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kitethedragon Ā· 3 months ago
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Extra Chapter 1: Matt, 7
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allthecanadianpolitics Ā· 1 year ago
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It was a jarring sight for more than one reason: plains bison darting from a cattle trailer onto long grass on land owned by the Louis Bull Tribe.
One by one, the 25 young animals sprung forcefully from the open back gate of the trailer and raced up a gentle hill toward the horizon on a cloudless Monday 90 kilometres south of Edmonton almost as though theyā€™d done it before.
Except it was the first time in generations that bison had seen these homelands. It was the culmination of a four-year effort to reintroduce them to Maskwacis by the Louis Bull Tribe and Elk Island National Park.
Among the people watching the display was Louis Bull Tribe Chief Desmond Bull, who described the historic scene as one of mixed emotions.
ā€œPride, definitely. I felt a little bit of sadness, but honestly, a lot of hope,ā€ Bull said. [...]
Continue Reading.
Tagging: @politicsofcanada, @abpoli, @vague-humanoid
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meirimerens Ā· 1 year ago
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you know i must have been bone-tired when this part of the herb brides lore didn't come to my mind when i discussed how the Kin fundamentally differs from the cultures it is inspired by um There Is The Human Sacrifice part. like it's an important part of pathologic 2 that you are doing human, or anthropomorphic (if you want to see the Herb Brides as closer to spirits, which comes with its own set of problematics regarding how to approach their oppression) sacrifice. it's an important part of pathologic 2 that you kill a woman, as part of the journey and in direct resonance with you ritualistically killing cattle earlier, and she offers herself to you with cultural and religious significance.
human sacrifices have been done across the globe for millennia, but i cannot, for the life of me, find any source at all that mentions the Buryats (since that was the discussion point) partaking in human sacrifices by the turn of the 19th-early 20th century (or even anything past the 16th). every single source mentioning offerings and sacrifices i've read mentions animals, things such as milk and vodka, and often both at once. would love to read anything about these rituals if papers exist, but i'm personally drawing a blank.
the Kin has Obvious and very Visible influences but it also differs from specific (in this discussion's case, the Buryats) or wider (here, turkic/mongolic as a whole) cultures from the area by so many pieces, big and small, that i wouldn't have enough appendages on my whole body to count them all. and sister. i have plenty of appendages.
#i AM reading a paper that mentions the human sacrifices at Mongol burials where people (typically servants or family) would be sacrificed#to accompany the dead; as well as the Shor practice of sacrificing women/girls (replaced apparently quickly by sacrificing ducks)#but those seem pretty old [the Mongol part mentions the 13th century] & like. nothing about the buryats in that time period#i'm like 85% sure i saw in the beginning of being into patho someone saying how equating the Kin; who practice human sacrifices [& others]#to correlate/be meant to represent Real Life ethnicities is insulting because They Don't Do That.#and like. everythingggg that touches upon representation/appreciation/appropriation/theft is subjective and#informed my how much leeway you're willing to give the creators so that's like#bro i'm just reading PDFs#also just found out the discussion of ''The Kin Is Obviously Inspired But Not Meant To Represent [x]'' is over 2yrs old. we're still at it.#as anon said. ''unless you're tolkien; coming up with a whole fictional language is hard''.#anyways appendage time. stuff that differs just out of the top of my head:#everything relating to the religion which is almost a complete inverse of buryat tengrist/shamanic faith + don't get me started on buddhism#the clothes. the homes. the creation myths; beyond the apparition of Clay; which is present in so many cultures on earth#no swan ancestor. no lake worship. no sky/heavens. no tens of named hierarchical deities. NO BURBOT! no hats. no hats (burts into tears)#NO HORSES? ON THE EURASIAN STEPPE?#the belief that earth mustn't be cut is so buryat. i'm sure i've read it. no idea if it is also in other mongolic peoples but buryat it is.#also a bull-ancestor/bull totem. that exists in buryat tribes; but they also have a bunchhhhh of other sacred animals (including. swans.#also horses. there's this [charm?] made out of horse hair there is)#neigh (blabbers)#i'm realizin how crazy i sound repeating shit that has been said 2yrs ago but like someone already mentioned the human sacrifice.#someone already mentioned the clothes. someone already mentioned the yurts/gers. someone already mentioned the religion#like i'm just. repeating stuff. and yet. give it up for year 2
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your-heart-is-a-treasure Ā· 2 years ago
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The warrior is not someone who fights, because no one has the right to take another life. The warrior, is one who sacrifices himself for the good of others. His task is to take care of the elderly, the defenseless, those who can not provide for themselves, and above all, the children, the future of humanity.
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supericee Ā· 1 year ago
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Zero Tribe Lineup
Took time out one day and drew the members of the Zero Tribe. All of them in my canon are demigods that were sealed away as a terrible evil 500 years ago, each tied closely to a Chaos Emerald and its origin. From left to right: Mei Panda ("the Dark Empress") Valent the Blue Jay ("the Mighty Wind") Apollyon the Bull ("the Unstoppable") Talia the Monkey ("the Huntress") Kenji the Lynx ("the Resourceful") Ahote the Tenrec ("the Bashful") Len the Raccoon ("the Thief")
Posted using PostyBirb
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prairie-tales Ā· 2 years ago
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Native American war bonnet made with golden eagle feathers, weasel skins, glass beads and dressed hide.
Belonged to Chief Sitting Bull of the Lakota Sioux tribe, c. 1870.
Source: Royal Ontario Museum.
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emma8895eb Ā· 6 months ago
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Iā€™ve always wanted to work at Target as I frequent there probably more than I should. Iā€™ve applied to work there I couldnā€™t tell you how many times. I finally got an interview to work there. And I couldnā€™t be more EXCITED! My aunt told me I wouldnā€™t have a paycheck , which sheā€™s probably right I will probably spend all my paycheck there . Please send the good vibes šŸ™ŒšŸ¼!
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filosofablogger Ā· 2 years ago
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A Short, Important Story
I found this very short true story on the Jon S. Randal Peace Page.Ā  It is a story that is well worth the retelling, for it is a story of immense importance and wisdom, one that should be remembered for all time, for in many ways, no matter how the world changes, some things never change. He just wanted to dance one last time, he was old, and he wanted to celebrate the heritage that was beingā€¦
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the-ancient-dragons Ā· 3 months ago
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HiveWing. Overcomplicated. But also not?
Joy and Tui, y'all cooked, I just put my own spin on it.
Details and explanation below.
Otherwise, next week are LeafWings! See you then!
More overcomplicated dragons.
I thought I had fun with the RainWing.
I was wrong. This was FUN.
Of all the ones I've done this design is nearly identical to the original. I'm not saying that to toot my own horn, it just somehow came out like that because I found the perfect references (and avoided altering the skull too much lol). Let's talk about them!
First, an unlikely one: iguanas. I originally picked them for their spines, but when I saw their eyes and large jaw scale (or whatever it is) I knew I'd found the new reptile base for the HiveWings. I also included the little snout and under-the-chin spikes they have; it just fits perfectly for a beetle-and wasp inspired dragon.
Speaking of beetles and wasps: I took heavy inspiration for the HiveWing's 'beak' from wasp mandibles. I love the way the mouth looks originally and wanted to preserve and exaggerate it. So, when creating the beak, I combined the jagged jaws of wasps with the curved beak of an African fish eagle. To top it off I referenced the rhinoceros beetle (obviously) for the horn on the nasion.
(The nasion is a point where your nose meets your forehead between your eyes). The HiveWing's horn isn't directly on it but I couldn't think of another word.
I actually wanted the entire head to have an insect-like feel, that's why the snout and forehead are built from large plates (once again referenced from rhino beetles).
Lastly, besides the lion-inspired teeth, an incredible animal called the nyala was responsible for the back horns. Whoever photographed that bull in that exact angle: thank you.
Let's see how badly I mess up the LeafWings next week. If you've read this far, perhaps let me know if you would like to see all of my personal headcanons for the LeafWings? For Alate Atta's Ascension I use a design where they have four wings and extra frills to look like leaves. I can do one closer to canon where they're more like a Pyrrhian tribe and another where they visually fit in with the other Pantalan tribes. Let me know!
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serpentface Ā· 6 months ago
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The god Od depicted in a symbolic representation of the word's creation as a docile bull awaiting sacrifice at the altar.
It carries the foundations of the world in its horns (via a very old cross and wheel motif representing cyclical totality, now mostly used as a visual shorthand for the world). It has three sets of horns in the form of the lunar crown, a mostly obsolete symbol of Wardi royalty. The altar is decked with an orange lily motif, after a hardy native water lily capable of regrowth in waters that dry seasonally. This symbol of rebirth and fertility in a sacrificial scene evokes the sacrifice-rebirth cycle initiated by Od's primordial slaying, which is fundamental to the world's functioning.
This is a rundown on interpretations of the god Od, a deity that has a long history in the lands surrounding the Mouth of the eastern inner seaway, and the impact (or lack thereof) of its primordial sacrificial nature in religious practice.
The god Od appears in religious practices throughout the region, having the utmost significance to the Imperial Wardi faith and lesser or separate significance elsewhere. The five religious practices wherein variants of Od has longstanding historical significance are the Burri Faith, the (Imperial) Wardi faith, the Old or 'Heathen' Wardi faith, the faiths of the Hill Tribes, and the Wogan faith.
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The name Od and most significant elements of this god have origins in the Burri faith, which was transferred across the sea to the Wardi, Wogan, and Hill Tribes in the time of its second and third empire.
The Burri Od is described as having been the first being. The universe began as a cosmic sea and empty, eternal sky, loosely representative of a primordial and fundamental female and male dualism. Od appeared at their borders as a result of their interfacing, in the form of a giant aurochs or bison whose hooves touched the seafloor and horns touched the sky. He dipped his head down to the silt and lifted it out of the sea in his horns, thus forming the foundations of the world. His semen spilled into the cosmic sea and created the first seven gods, who then killed and divided their father, giving the world its form with his body.
While significant to the creation story, Od is of relatively little importance in everyday practice of the Burri faith and is not commonly worshiped (rather his seven children are, as they were the original and most powerful group of gods and created life).
Though the Burri Od takes on a sacrificial role in creation, animal sacrifice is not central to the Burri faith and is only performed in specific contexts (some festivals and holidays, in times of great strife, and to a few specific gods within a wide pantheon). The Burri faith does not involve a sacrifice-rebirth cycle as foundational to the world's functioning and god's health, and offerings are instead mostly gifts to please and rightly venerate the gods (or avert the malice of less savory deities). Offerings of food, drink, and precious materials are preferred by most gods. When animal sacrifice does occur, bulls ARE generally favored, as a reflection of their primordial counterpart.
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The modern/Imperial Wardi Od is partly an import of the Burri tradition, which fused with both native monotheistic/animist worldviews and animal cults during the reign of the 2nd Burri Empire and developed into a new faith, which has presently become the state religion of the Wardi Empire.
ā€˜Odā€™ in the Imperial Wardi context is best translated as capital G ā€˜Godā€™ (anyone saying 'God' is, in-universe, saying the word 'Od'). Its creation of the world plays out in a very similar fashion, but the first human life (rather than other gods) is created by Its semen mingling with the cosmic sea. It willingly sacrificed Its body at the hands of the first people, who formed the world with its remains. Its shed blood spattered the earth and can be found today as meteoric iron, and animal life emerged from the mingling of the blood and the soil. Its death initiated the eternal cycle of sacrifice/death and rebirth, with each begetting the other and necessary for the world to function.
Od's body is dead and the world is Its corpse, but Its spirit survives in seven 'faces' which govern specific functions of reality and society. The connection of Its spirit to Its body is maintained by right practice, right prayer, and right sacrifice (in the form of food/drink offerings, bloodletting, common sacrifices of animals and occasional sacrifices of people).
The Imperial Wardi Od is generally regarded as genderless and dual-sexed, and referred to with a unique deified pronoun most effectively translated as capital I 'It'. Its sex is of relatively little significance to everyday religious practice, and discussions of Its dualism are more likely to occur in scholarly and philosophical contexts (like debates on the minutia of how Its semen, milk, and menstrual blood are all mentioned in old accounts of creation, and how the implications of this should translate to body politics and taboo).
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The Old Wardi or ā€˜Heathenā€™ Wardi faith is a separate branch of old ethnic Wardi religion with significantly less Burri influence. This is a minority practice that only survives intact in isolation. Its practitioners are often hostile to all foreign influence and the Imperial Wardi faith, and suffer minority status and religious suppression.
Its version of Od is a more intact surviving remnant of ancient Wardi monotheism, as an androgynous creator god who lost physical form in the act of creation, and lives on as innumerable spirit aspects of its whole. This deity is referred to as Od in describing its primordial form, but is mostly referred to as a unique word for spirit, which is 'the Koya'. Practitioners of the old faith often identify the seven-faced Od as a twisted, foreign misinterpretation of the Koya.Ā 
This practice is somewhat animistic in nature and involves veneration of individual spirits that form a larger whole. Every aspect of the world has a spirit (plants, animals, minerals, bodies of water, etc) that exist in an ideal balance and as strands of an interconnected death-rebirth cycle. Each spirit is referred to as 'the [noun]-koya'. All discrete forms of life/matter have at least one attached Koya, while living beings also have a soul (which is separate from the Koya and reincarnated upon death).
Each Koya exists as a quintessential essence (ex: the lion-koya, the maize-koya, the iron-koya, the salt-koya) rather than separate individual objects having separate individual Koya, though unique landmarks do have their own (the Brilla River-koya is separate from the Yellowtail River-koya, though both share the freshwater-koya). Each individual may have multiple spirits (geese have the goose-koya, but also the bird-koya, the freshwater-koya, etc), a system that categorizes the world by intrinsic natures and precisely dictates how each physical body has unique metaphysical significance.
Animal sacrifice plays a somewhat similar role in Old Wardi religion to Imperial Wardi religion in the sense that it intends to maintain the stability and oneness of the divine spirit and a death-rebirth cycle. In this case, in freeing part of the spirit, balance can be brought to the Koya totality and restore the death-rebirth cycle. (Ex- in times of drought, the sacrificial release of the migratory goose-koya can encourage the return of the rains). This is far from the only way to re-balance the Koya. The most significant rites come in the form of songs that summon, release, or expel individual Koya as needed.
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The Od of the Hill Tribes is a mingling of the Burri/Wardi Od and a much older goddess of fertility and agriculture, and is strongly associated with cattle and barley. This version of Od did not create the world and is only one of many gods, though she is said to have been born from the sea and carried up fertile soils with her (which is likely a direct result of Burri/Wardi influence). A few tribes venerate Od as a chief or patron god, though none are fully monotheistic (outside of converts on individual or clan levels).
She has a distant common ancestor with the Finn goddess Morgren (as the various Hill Tribes are descendants of a single proto-Finn population who migrated across the Viper seaway in prehistory), who is also a goddess of agriculture associated with fertility and barley (though in Morgrenā€™s case, she is THE god of the staple crop barley and lacks the cattle association, and has no direct influence from the Burri/Wardi Od whatsoever)
Most of the tribes of Greathill do not practice animal sacrifice but offer grain and fruit to Od, and create a sanctified mix of crushed barley and oil that is anointed on livestock and people to confer Od's blessings of fertility. In some cases, the dominant cow in each herd is considered to belong to Od and will not be milked or slaughtered, and is buried with full rites upon its death.
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The Od of the Wogan religion is distant to the rest of her counterparts, though has absorbed some Burri and modern Wardi elements over time and is referred to by the same name (a definite foreign import). She shares the fertility aspect ubiquitous to other Od variants, and is occasionally depicted as a cow.
She is a goddess of the earth and sea, who was wed to Iapedi, the god of the sky. The ocean is functionally her womb (which may be trace Burri/Imperial Wardi influence, or merely coincidental) and all life emerged from within.Ā 
These are the only two true gods to the Wogan, though there is an additional element wherein the mating of Od and Iapedi also created innumerable spirits found throughout nature that act as an animating life-force. The concept is very similar to the Old Wardi '-Koya' (as the two faiths had close common ancestry), though this one lacks the sort of taxonomical system of its counterpart, and only ascribes spirits to living things. Each spirit in the Wogan religion is distinct (rather than each type of animal, plant, etc potentially having multiple spirits), and the spirits existing in each body are part of a greater whole that exists as a sentient consciousness that can be communed with (ex: each lion has A lion spirit, all part of The lion spirit, the latter of which can be engaged with).
Wogan religion strongly retains ancient animal cult practices common across the ancient Wardi-Wogan sphere, some of which have been translated into the faces of God in the Imperial Wardi context (both religions share commonalities of lions, snakes, albatross, migratory ducks, and cattle being significant sacred animals). The function of animal worship to the Wogan is communication and interface with the greater spirit of each animal (which can range anywhere from gaining personal blessing and protection, to dispelling plague, to 'lay off on eating our crops').
The Wogan faith does not involve animal sacrifice (though ancient variants almost certainly did). This is connected to traditional vegetarianism among the Wogan (as a means to avoid offending animal spirits), which some view as a point of pride and a mark of distinction against their Imperial Wardi majority.
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astrology-by-sita Ā· 3 months ago
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THE STORY OF THE SIGNS AND THE STORY OF HUMANITY
In aries ā™ˆļø humans are hunters-gatherers. Each one lives independently and fend for themselves alone in the wild.
In taurus ā™‰ļø humans start to settle and have families. Families have to be provided for so they have farms. Bulls (taurus) plough the land.
In gemini ā™Šļø the children of those families go to that corner in the neighborhood where they hang out and have fun. They go to school to learn as well.
In cancer ā™‹ļø the children are taught that they belong to a certain family, lineage, tribe, country..."respect the flag and the national anthem" etc etc
In leo ā™Œļø they decide instead to build their own personalities instead of identifying themselves with family/country/nationality etc. They want their identity to be based on what they create.
In virgo ā™ļø they realize that if they want to build their personality they have to be responsible and establish a structured routine, take care of their health, be useful in society etc.
In libra ā™Žļø after they've learned to be practical/useful in society, they are then ready to establish relationships. It's the change from virgin (virgo) to bride (libra). Virgin here is metaphorical not literal nor about s3xual purity. It's about maturity cause saturn exalts in libra.
In scorpio ā™ļø after they've signed the formal contracts in libra, they go deep, beyond the formal. They share intimacy and financial resources. They go through sudden changes. Merging with the other intimately transforms them.
In sagittarius ā™ļø after the sudden changes they went through in scorpio, they gain wisdom. They become teachers, mentors, gurus, here to share their experience in the journey of life.
In capricorn ā™‘ļø they use this wisdom to build a legacy. The wisdom gained in sagittarius equips them with patience. How can you be patient if you didn't learn to enjoy the ride? So life goals might take time but the reward is worth it in the end.
In aquarius ā™’ļø it's no longer about their life goal as individuals, it's about the collective goals of society. They start to care about building a better society with a better, more beneficial structure so that no one is marginalized.
In Pisces ā™“ļø they learn that all these structures are material. They learn to transcend the body and its needs, and find the soul. The soul has no structure or boundaries or ego.
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evenmorefatallyobsessed Ā· 1 month ago
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Milfs Models Candidates
Okay, so after many suggestions and research I've found some more possible Milf Candidates for me to make in the future. I would say don't judge me... But I think that'd be a lost cause.
Milf 01. Tsuki Uzaki
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Y'know it's funny, I actually hate Hana, like she is kinda insufferable to me, I feel bad for Shinichi... Her mother, and sister (And Maybe Brother?) on the other hand... Yeah Tsuki is a top Class Milf.
Milf 02. MitsukiĀ Bakugo
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I love her look, her attitude, just a perfect Milf, I shouldn't have to say more...
Milf 03. Nana Shimura
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Muscle Momm-'Cough, Cough' Sorry, anyways, I like Nana, in the same way I like Endeavor, that is to say I like how their flawed individuals. But her flaw is the same as Summer's, she cares too much about doing good to the point where she hurt those close to her... Honestly someone should've slapped some sense into her when she decided to abandon her son. Like I get it, she just lost her husband the big bad would've targeted him... BUT C'MON!!! WHY WOULD YOU THINK OFA WASN'T ALREADY TARGETING YOU!!! Like she gets some leeway because obviously after just losing her husband she couldn't have been in the right state of mind but someone should've realized that possibility.
Milf 04. Lusamine
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I hesitated with her mainly because I'd have to use the Hair accessories for her, and wouldn't be able to make other hair styles convincingly. But Yeah I'll probably be making her soon, cuz damn man, she's up there with Cynthia.
Milf 05. Susan Luong-Long
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I, and I'm sure a good number of guys (And Girls) who blame this character for our fascination with Asian mommies...
Milf 06. Delia Ketchum
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Honestly lowkey one of the best PokƩmon Milfs.
Milf 07. PokƩmon Black & White's Mom
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Yeah, PokƩmon knows exactly what it's doing by making Milfs like this...
Milf 08. Johanna (Dawn's Mom)
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I Love Her Design, it's rather simple but utterly perfect!
Milf 09. Grace (PokƩmon X & Y's Mom)
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A sporty, country, mom who looks like she's ready to ride a bull, they really didn't use her near enough.
Milf 10. Prof. Sada
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She makes me return to monke... those abs make, that tan, her wild look. Just, y'know a lot of people bought Scarlet for her alone...
Milf 11. PokƩmon Scarlet & Violet's Mom
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Penny was right, their mom is hot... I prefer the model with paler skin and deep brown hair myself.
Milf 12. PokƩmon Sword & Shield's Mom
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Not gonna lie, never played sword or shield, but I gotta say, she is a pretty mom. I like the glasses look with the overalls, gives her a fun vibe. I feel like there'll be a shock factor if I put her in other outfits too, so that'll be fun to see.
Milf 13. PokƩmon Black & White 2's Mom
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Mostly I wanna make her cuz there is a absolute lack of content of her and I'm kinda digging the idea of making her look utterly different with her hair down.
Milf 14. Lila Test
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Y'know, I already wanna make Susan & Mary Test for Dexter when I get to him, so why not the mom too.
Milf 15. Charlotte Pickles
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These three images convinced me, at first I couldn't see it, but thank you Anon, I've been shown the light. I like Milf in suits apparently... I learned something new about myself.
Milf 16. Jane Jetson
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Ahh, Boomerang, how I miss you, this is just a Atlas Mom to me, and I feel like this further proves my childhood interest in redheads...
Milf 17. Wilma Flintstone
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Y'know, I would complain that I can't find a decent pic of Wilma without Betty in it... Wait, No I Wouldn't! She next anyways. Well, this only serves to prove the whole Redheads thing lil' me had going on. I'mma say there from a Secluded Vacuian tribe, fucking savages... Hot, hot savage Milf.
Milf 18. Betty Rubble
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Cavewoman are justice, and need to reenter the genepool of Remnant.
Milf 19. Carol from OK K.O.
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Okay, so recently someone's ask me to make characters from OK K.O. Let's Be Heroes. Specifically Fink & Wilhamena, and to that all I have to say is... HOW DARE YOU NOT MENTION CAROL!!! Dude! Tanned Muscle Mommy! Seriously, she looks like she could be a badass. Not sure how faithful to the design I can be, or well want to be but I definitely like this character.
Milf 20. Wilhamena from OK K.O.
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I mean, I get why so many people brought her up, I am looking forward to making this design, seems like it'd be fun. Still kinow nothing about the show though...
Okay, Last four... Gonna get a bit weird, feel free to judge me -_-
Milf 21. Nicole Watterson
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I'd probably use the middle design as her actual model in Remnant making her a Faunus. Her Semblance would be '2D' Which references her cartoon origin but also can me Two Ds/ Doppelgangers, but well neither actually look like her but she can share her senses with them or have them act independently.
Milf 22. Lin (Millie's Mom)
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Not gonna lie, I wanna make her half to have her get hate fucked (At Least at first), not the most honorable of intentions but FUCK HER!!! I get she's Millie's Mom, and a seemingly good one, but she hates Moxxie Way Too Much! How Can You Hate Moxxie! He's Adorable and a utterly devoted Husband! What, Just Cuz He's Not Country Strong, Fuck Off, No, Fuck Her! Fuck All The Bitch Outta This Milf With a Big Human Cock!
Milf 23. Toriel from Undertale
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She is Literally the Goat HAHAHA!!! Okay but seriously I kinda have to make her. There is just WAY too much content for me to have ignored her. I typed in Game Milfs and this Goat showed up more then the PokƩmon Moms.
Milf 24. Mrs. Kattswell
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... God Dammit, I'm a fucking furry...
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minkydinks Ā· 1 year ago
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SandWings
It's finally time, people!!!
SandWings have been on the agenda for a while and I'm so happy to finally have them done. Here's as much info as I can give right now.
General
SandWings are medium-sized bipedal dragons that inhabit the desert, badlands, and other transitional biomes of Pyrrhia. They come in a variety of muted desert-y colors, but the most common include: Yellow, brown, red, dusty orange, and some black.
SandWings, unlike most other tribes, are built for running long distances rather than flying. While their wings are still perfectly good for travel, it's far more efficient to travel on foot, since they are the fastest tribe on the ground.
Their wings are smaller in comparison to their body than most other tribes as well, so they largely rely on desert thermals to keep them aloft. In places with minimal air currents, or with excess cold, SandWings have trouble gaining lift.
SandWings have light armoring along the scales of their back, although these armor-plated scales are not quite as tough as you would expect. These armored scales are thicker than the rest as to protect them from the harsh sun; although they do double as a nice additional protector from other SandWings' venomous tails. Otherwise, they're not great for protection.
Their armored appearance bears heavy resemblance to MudWings, and it is believed that MudWings and SandWings are quite closely related; albeit MudWings are much more on the heavyweight-end.
A SandWing's horns can be of any shape and array, although most commonly, SandWing horns protrude forward like bull horns; especially female SandWings, where they're used to vie for the throne. These horns are utilized at high-speed to ram into targets, and to duel with rival SandWings. Being hit by a SandWing horns-first at top-speed is near equivalent to being impaled by a motorcycle on the freeway.
SandWings are also adorned with frills along their head, neck, & chest. Male SandWings have additional frills along their lower jaw & lower torso.
These frills are continuously-growing, meaning that SandWings typically cut, style, & shave them at their discretion. Some SandWings prefer their frills long, like Princess Blister. Other SandWings cut them quite short to keep them out of the way during battles, like Six-Claws. Short frills became standard for SandWings during the War of SandWing Succession, as they became a distraction or a detriment otherwise. It was rare for a SandWing not to have short frills during the 20-year conflict, if they were battlers and not factory-workers.
SandWings are notorious for their potent venom. This venom is created and stored in sacs inside the barb at the tip of their tails.
While adult SandWings are perfectly capable of killing another dragon with a lethal dose, SandWing dragonets are far more deadly. Not strictly because of the venom, but because they lack the control needed to limit how much venom they inject. A sting from a newly-hatched SandWing is more likely to kill you than a sting from an adult, who can decide how much they want their sting to hurt.
Culture
SandWing culture is nothing mysterious; they have some of the most well-known festivals and armaments in the continent.
SandWings, having so much land to themselves, utilize much of it for factories and plants. They are one of the most technologically advanced tribes, with steampunk-esque mechanisms and structures throughout their kingdom.
Their metals of choice include copper, tin, and bronze; much of it mined within the desert itself. However, with the SkyWings' alliance, SandWings on Burn's side of the war have been able to import metals and other materials from the mountains to create stronger weapons & armors. Similarly, Blister & Blaze's forces have been able to do this as well, albeit with fewer materials overall and less armored dragons total.
Weapons and armory aren't the only things SandWings create with their metallurgy though. SandWings, having deep respect for their veterans and a cultural motto that you will always survive to fight, also create advanced prosthetics.
Prosthetic legs & arms are the most common, but you might also catch a SandWing with a prosthetic wing or tail. Some SandWings get horn replacements if their horns break off in battle and become less effective at fighting with.
Prosthetic wings are by far the rarest to find, since they are the most expensive to make & obtain, and don't actually perform quite as well as a normal wing. Most dragons with prosthetic wings use them to show off their worthiness in battle, how they survived and were heavily rewarded for their supreme skill and efforts.
Each prosthetic, weapon, and piece of armor comes branded with several labels: The name of the factory it was made in, the name & seal of the queen/princess it was made under, and its serial number. These labels would allow each rival sister to check their dragons' true alliance. SandWings with the seal of a rival sister would be killed, as it would then be apparent who they went to for their supplies.
After the end of the War of SandWing succession, the seals for Burn, Blister, and Blaze were retired in favor of Queen Thorn's own seal. As a result, armor with the royal SandWing sisters' seals were considered limited collector's items, and have increased dramatically in their value.
Prior to the death of Queen Oasis, these seals were not a generic serial label, but a gift from the Queen, almost like being knighted. To have armor with the Seal of the Queen was considered a great honor, but times have changed.
RGAAAAH I HOPE Y'ALL LIKE THIS If you have any questions or ideas you want me to fill in on, please shoot me an ask or something bc I would love to answer !!
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ttkinnie Ā· 3 months ago
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Tokyo Revengers characters as animals šŸ’– (for no reason)
Kazutora: let's start with the most obvious one, our resident tiger. Which is funny considering he gives 0 tiger vibes. Or maybe rescued declawed tiger from an abusive circus. Wait a sec... Hanma and Kisaki have a circus theme going on... why did I never notice this? This starts well. Saddest tiger pic I could find
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Baji: A black gray wolf of course. 'nuff said
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Chifuyu: A cat. Kitty kitty meow meow. Not crazy enough to be orange, but he's gotta have green eyes and a kind face. This tuxedo:
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Koko: Talking about cats, here he is. Most obvious choice I've ever made. Black cat of course, very fancy, will knock shit off the counter and eats only the most expensive wet food
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Inupi: second most obvious one because you've gotta pick the race of the dog too. I say he's the only serious golden retriever you've ever seen.
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Takemichi: A mouse. He is squeaky and scared, looks like he eats cheese. Very cute. Big eyes.
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Hinata: A doe, beautiful and kind but will ram into you if you touch her loved ones
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Naoto: a buck because I am unoriginal. he does give off buck vibes tho
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Hanma: I know the official art makes him a caracal but I love being contradictory so maned wolf it is. Plus look at its long legs and creepy demeanor, it's him
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Kisaki: Listen, I am not the most partial person when it comes to him. He's my little meow meow, I wanna put either cat or bunny ears on him and squish his cheeks. But! Let's be honest, that boy is a snake. The deadliest snake in the world, the saw scaled viper, not the most venomous but highly aggressive. He eats mouse Takemichi for breakfast. Also look at its scales, they remind me of his adult hair.
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Mikey: A honey badger, small and cute but will bite your balls off and kill your family for fun.
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Draken: A lion, beautiful mane and a symbol of strength. Lives among a tribe of lionesses (lucky him)
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Mitsuya: I do not like spiders. At all. But an animal literally producing silk is the only choice for Mitsuya. However I am not masochistic so i won't put a spider image, just the web
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Taiju: Great white shark. Very smooth skin. Anyone who tells you they have sandpaper skin is lying.
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Hakkai: A seal, same eyes, same innocence, favorite prey of the great white shark
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Yuzuha: An orca, beautiful but deadly. Only predator of the great white shark. Also eats seals but let's not comment on that. I support women's wrongs.
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Pah-chin: it's too clichƩ to put warthog here, so i won't. He's a cane toad, one of the stupidest animal on Earth, one of their most common cause of death is eating shit they shouldn't because they stuff their mouth without thinking. They also hump anything, including dead animals from another species, and lay their eggs anywhere, which leads to a high mortality rate among their offspring. Why did I give so many facts? I don't know. Look at it.
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Peh-yan: A tarsier. it's the eyes.
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Sanzu: Arctic hare, crazy eyes and a gift for divination if you can understand his language
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Senju: a cutie baby. Bunny x2, will kick you.
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Takeomi: a rat. I am not a hater, rats can be cute, but this guy definitely gives off rat vibes
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Wakasa: So very pretty. White leopard of course.
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Benkei: A bull. I always thought his tattoos were a bull, but I was wrong I just looked it up. Still a bull.
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Shinichiro: This one was though, but I'd say a koala. I'm partial about it, but I feel like he would give his children poop to eat, and their reproductive habits are also not a good look on them.
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Emma: Japanese dwarf flying squirrel because I play favorites and that's the cutest little furball ever. it looks like it's wearing eyeliner
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Izana: Another small but deadly thing, the Australian box jellyfish, found notably along the coast of Malaysia (I feel so clever right now)
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Kakucho: Fiercely loyal dog, he's a Rottweiler. Don't tell me Izana and him don't have some kind of puppy play going on.
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Ran: Secretary bird. Canonically hates Kisaki which explains why he stomps snakes to death. Wears killer eyeshadow and looks like they hate your fashion style
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Rindou: Did you know a group of male Pacific tree frogs is called a chorus? me neither, which is why Rindou is a Pacific tree frog. Peace of music, yeah
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Mucho: Polar bear, cold and aggressive. Plus arctic hare and polar bear, there's a theme
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jeannepompadour Ā· 7 months ago
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Photographs of men from the Assiniboine tribe;by Frank Rinehart;
Chief Yellow Boy giving a piece sign,Ā 1890-1891
Four Bull and Chief Wets-It, 1898
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haggishlyhagging Ā· 3 months ago
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Male traditions of thievery are found among many peoples. In some South American tribes, the men describe suddenly raiding the women's part of a village and stealing "their things," including string and a flattened stick with which the men made a noisy instrument, a bull-roarer, which they then used to frighten the women. A global mythic tradition of men or boys stealing women's clothing, especially the clothing women leave on the river bank while they bathe, has been suggested by folklorist Martha Beckwith as the theft of menstrual garments. Unless the women gave some of theirs, menstrual blood for sorcery, healing, or magic could be acquired only by stealing. In the West, we might see a fragment of this tradition in college dormitory panty raids!
The male theft of fire, and the sun, is another theme common to myths across a variety of cultures. In a northern Asiatic tradition, Old Grandmother's grandson stole fire from her and burned down the world. Prometheus stole fire from the sun in Greeceā€”from the protomoon, men got the red fire, like blood. In one African myth, the culture hero Mokele "steals" the sun when he goes up a river and discovers the place where the sun lives in a cave. This act of differentiation of the sun surely means he "stole" it from the original protomoon of the female tradition. . . .
Raiding and stealing, always under specific rules, have primarily been men's work, part of men's story. In myths from China to South America, some male characters are thieves who take, not only the paraphernalia of women, but women themselves, queens renowned for their beauty and slaves from other tribes. In addition, they make off with fire, the sun, livestock, treasures, technologies. One effect of this was the accumulation of materials and ideas from many different places, combining and recombining to form mechanical arts and complex trades. Another was the dispersal of "women's stuff" and tribal arts, scattered out from the sacred huts into the secular world. Men, more often than women, have widely dispersed and recombined knowledge, craft, trade, and story.
-Judy Grahn, Blood, Bread, and Roses: How Menstruation Created the World
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