#Bentley Little

[bitterkarella]

Midnight Pals: Carrie

Stephen King: check it out guys! King: they're publishing a book of essays about Carrie! King: we got richard chizmar, bentley little, mick garris, norman prentiss, tom deady, Anthony Breznican Angela Carter: are there any women involved in this King: oh yeah of course of course Carter: King:

Carter: don't you think, steve, that a collection of essays about carrie should include some womens voices King: oh of course! we've got bev vincent Carter: bev vincent is a guy King: King: what? Bev Vincent: yeah its fine, this happens all the time

King: look it's not all guys in this collection King: we also have caitlin kiernan Carter: oh really? caitlin, what do you think? Kiernan: i think that black people have a special gland in their brain that makes them do crime Carter: Carter: i meant about carrie

King: ok maybe the roster for this collection is a little guy heavy King: but, you know, maybe guys have some interesting thoughts about a story heavy on mother-daughter relationship issues and menstrual themes? Carter: King: it's possible!

Carter: ok fine, i would like to hear some of these interesting thoughts that you men have on carrie Bentley Little: did you ever think that maybe you should change the title from "Carrie" to "The Carrie?" Carter: King: King: you know what, i'll take that under advisement Carter: don't do that

King: c'mon guys don't let me down! Tell me your deep thoughts about Carrie! King: people want to know what you think of this story of a psychic teenage girl Richard Chizmar: psychic girl? wait, girls can do that? Mick Garris: whoa thats bad ass Josh Boone: this changes everything!

Chizmar: this whole time, i didn't know girls were psychic Garris: that explains why they're always setting things on fire with their minds Chizmar: yeah i was wondering about that Boone: everything makes sense now Little: guys i really think it would be better if it was "THE carrie"

Chizmar: [reading carrie] whoa whoa whoa Chizmar: what's all this menstruation stuff? Carter: [whispers in chizmar's ear] Chizmar: EVERY MONTH?!?!?! Chizmar: holy shit Chizmar: that's metal Garris: what are you talking about, i want to know too!

Garris: and blood comes out WHERE?? Carter: [whispers in garris's ear] Garris: ha ha gross! Little: this doesn't sound real, i think you're making this all up

Carter: ok so show of hands Carter: do any other men here need the concept of menstruation explained to them? Poppy Z Brite: no i think i'm clear

[readjthompson]

YEAR IN REVIEW:

Excluding comics and my own fiction, here are all of the books that I read in 2024, in the order that I started them.

Some were rereads.

At 12,435 pages, that Charles Dickens Kindle collection is by far the longest book I’ve ever read.

I’m not quite finished with Leviathan.

[callmebliss]

I am totally normal levels of excited about the bath I am about to take with this bath bomb

and this book

[geekcavepodcast]

The Consultant Trailer

Regus Patoff is a business consultant hired to improve the numbers of a successful game development company after the CEO dies. He’s completely fine with the idea that the employees will hate and/or fear him. 

The Consultant stars Christoph Waltz, Brittany O’Grady, Nat Wolff, and Aimee Carrero. Tony Basgallop serves as creator, showrunner, and an executive producer on the series. The series is based on Bentley Little’s novel of the same name.

The Consultant hits Prime Video on February 24, 2023.

[rbtbc]

8/14/2023: This is my first workplace horror and I have thoughts. Review coming soon, but I'd like to say this now: This book felt like I worked there and those consultants were on something else. I was ready to quit and wondered why most characters didn't (lol).

8/19/2023: It’s been a couple days since I’ve finished this book and I’m still not sure what to say about it. I guess what I said before is all.

#audiobook #bookstagram #bentleylittle #theconsultant #officehorror #satiricalcomedy #bookblurb

[utoshi-san]

Бентли Литтл "Наследие"

Книгу я прочитала за 4 дня, а после половины вообще трудно было оторваться и лечь спать 😁 Эта история с неожиданным концом, держит в напряжении, полностью раскрывая жуткий и кровавый мир абсолютно больного человека, который оправдывает свои убийства.

Не сильно кровавая и в меру жестокая и довольно качественна�� книга.

[biblioshark]

Book Review: Dominion by Bentley Little

Rating: ⭐️⭐️⭐️⭐️⭐️ (5 out of 5 stars) Review: Bentley Little became one of my favorite authors quickly after reading both, “The Store,” and, “The Haunted,” and he has proven himself yet again with, “Dominion.” When I tell you this book is a wild freaking ride! I didn’t know what to expect from this book and honestly, not sure if you can expect what this book ends up being. I’m honestly not sure…

[pagingdrmusic]

Some new thriftshop finds!

[myhikari21things]

Read of The Store by Bentley Little (1998) (418pgs)

[ineffable-romantics]

[aduckwithears]

I was so distracted by the Bentley playing Good Old-Fashioned Lover Boy as Crowley raced back to the bookshop this season that it didn't occur to me that we'd been in this position before.

Spat with Aziraphale?

Check.

Threatened by demons?

Check.

Rushing back to the Bookshop with the Bentley playing something overly romantic?

Check and check.

Friends, it is ENTIRELY POSSIBLE that Crowley was having major flashbacks to the bookshop burning and Aziraphale being gone, which is why he was setting new records for the drive through central London. Maybe everyone else already thought about this but I didn't until right now and I am not ok.

[beebopboom]

yknow what it’s a fucking missed opportunity that Aziraphale didn’t drive the Bentley when he was body swapped with Crowley since he technically had a license

like cmon imagine Crowley’s face when Aziraphale pulled up to the park in the Bentley

[vlarelythere]

Hold the Boi Gently

OG sketch below because I also liked how it turned out

They’ve taken over all my notebooks. And my brain. And my every waking thought. 🩷💚

[1650-1793-1941]

Aziraphale had always been able to feel when a place was loved. As an angel, love was very much in his remit. Often it was just a sense of warmth in a local coffee shop, or the infusion of countless weddings into the stone walls of a church keeping damp at bay. Tadfield had been a special case, Adam’s love for the place multiplying the feeling to almost unfathomable levels, but every close-knit village across the country hummed with a similar, albeit it far subtler, joy.

It was therefore not particularly strange to settle into the Bentley, reading himself for the drive to Edinburgh, and feel a wave of love from the vehicle. Crowley had loved the car for ninety years. That kind of attachment couldn’t possibly not leave a mark. Usually when Aziraphale was in the Bentley, he was sitting beside Crowley, whose terrible emotion processing skills worked hard to suppress the feelings, but now Aziraphale was alone he could tell the car was so clearly cherished. He couldn’t help but smile, running his hands over the leather of the steering wheel to reassure the car that he’d take good care of it, because it clearly mattered to Crowley so deeply.

It was thirty miles out of London that Aziraphale started to become aware that there was something slightly different about the love infused into the Bentley. Usually it went one way, a place was loved but it couldn’t really love back. The car, however, seemed almost fond of him. It played classical musical when Aziraphale asked it nicely, the horn honked merrily rather than with the aggression Crowley usually forced from it on the rare occasions he thought it worth using at all. The travel sweets and the new yellow detailing, the comfortable and warm leather seats, the safe driving speed – Aziraphale could feel the Bentley desperate to please him.

It was only after Crowley checked in through the radio that Aziraphale realised what was going on. It seemed mad to even think it, but it was the only logical answer. Crowley’s love, not just for the Bentley but for Aziraphale specifically, was laced into the fabric of the car, so strongly it was echoing back. He would never have believed it, but the same feeling he got from the car was threaded under Crowley’s words. He might have complained about the yellow paint and the travel sweets, but really he was checking in to make sure Aziraphale was alright. After millennia of existing together, Aziraphale had learnt to read between the lines. So when Crowley asked him to drive faster, he knew that didn’t mean put yourself in danger to get my car back to me quicker, it meant get yourself back to me as fast as possible, because I feel better when I know you’re safe. Aziraphale knew better than to point it out, but he also wasn’t going to protest – he loved a good caper, but he knew he’d also feel better when he was back at the bookshop. Back with Crowley.

[captainbuzzard]

realized i never posted this one. the gamma4 partycrabs.

in the gamma4 universe, a group of baltimore highschoolers attempted to kill the olde one. the final blow of the battle did not kill her, and for the following decades, she lay dying in the bay. she was due to die during the short circuits, and an awful and awkward high school reunion of sorts took place to witness her death and steer her subsequent rebirth.

[ID: a grid of 20 squares, with each corner square containing a drawing of a crab with an eye in its center, with a smaller crab with a party hat in the eye's iris. the remaining 16 squares each show an uncolored digitally drawn portrait of one of the gamma 4 baltimore crabs team. name, stats, and position are shown above each portrait. End ID]

[inuarius]

Eep! So I’ve been scrolling through Good Omens Pinterest Content lately and found a post talking about how during Shax’s conversation with Crowley in the Bentley in Season 2 episode 2, the plants behind him shake, representing his fear of the threat that had been made by Shax during the episode, given that it’s been speculated that the plants are a part of Crowley. So, I decided to watch that scene carefully to notice the detail and found that in the exact same scene, the Bentley’s engine starts up.

Which seems to re-emphasize the fear Crowley has towards the threat made, despite trying his best to play it cool behind his glasses. Shax even notices this detail when she says “So you do understand I’m threatening you?” So yeah, I just thought it was really cool how the Bentley and the plants are both a part of Crowley and reveal the very raw emotions behind him despite his greatest attempts at putting up a brave front :D Hope y’all don’t mind the random little analysis I just placed on here :p