#Being an artist is so powerful I can draw whatever I want and then make people look at it

[leelreallylikespersona]

SHOOTS HIM WITH THE IV GUN 💥💥💥

I've had this AU in my brain for so so long, I've been trying to design Minato first but it wasn't working.. So I started with Ryoji and I'm so obsessed with his design, this was so fun (✿◕‿◕✿)

Caption was going to be "Punts him into Limbo" but he can't go to Limbo so........

Some design rambles because I can

His hair isn't all white because. Because he'd look too similar to the woman who gave it to him..

I didn't mean to take so much inspo from Thanny but it works

This AU is the most self indulgent but I don't care 👊👊

I will get Minato's design down soon... I have a few more ideas for him now and I'm very excited!!

Lore stuff I guess (I'm still working on some things but):

He's in charge of Purgatory! He's usually there to greet people when they arrive in the afterlife, he guides them to either the demon or angel realms, whichever they prefer.

He (along with Minato) also make sure people don't get lost in Purgatory and become Husks. If they do, he takes care of them (doesn't have to be killing them, can be making sure they are in a facility that is able to restore their humanity).

Gave Nyx her body back, if he needs to be in his non-human form, it is Thanatos (who is also getting the IV treatment of course).

Ryoji can visit Limbo, but even if he were to stay in the main area, he would not experience any biological changes like deities usually do. He's considered a Temporal-Independent Entity.

He does have quick access to Limbo, should he need it for whatever reason!

I'm gonna sit down eventually and actually plan out the story and how it works after the events of P3 and such, but yeah >:)

[miraculouslbcnreactions]

If you were to write Lila would you keep her being a con artist criminal with multiple identities but hinted at/revealed it earlier than S5 or would you cut that part down of her character entirely ?

It would really depend on how much space I had to fill. Gabriel is not the kind of villain that you can draw out forever. His story needs to have a clearly planned ending right from the start. In fact, I think they drew him out at least a season too long. So, if I also had to fill eight seasons, I could see myself going the Lila route. I'd just make a few changes. Off the top off my head, here's how I'd handle serious villain Lila as opposed to what canon wrote, which is petty school bully Lila who is entirely unbelievable as a serious villain.

First of all, Lila wouldn't be introduced at the end of season one. While her and Gabriel probably need to have some overlap, that's way too soon. In my version, she shows up at the start of season four and she'd be heavily toned down. We'd know that something was off about her, we may even keep the liar thing, but it would be a lot more subtle. Lies like, "Ladybug rescued me" and "I got to go backstage at a Jagged Stone concert" instead of "Ladybug is my bff" and "Jagged Stone wrote a song about me." Her goal would no longer be gaining peons, but instead gaining true close friends who like and trust her. The reason for this is that Lila is replacing Optigami as Mayura's last sentimonster.

See, season three ended with all those identity reveals and most of the revealed identities are in the same class. That's curious, so it makes perfect sense for Nathalie and Gabriel to want someone undercover in Adrien's class, but they can't do it. So Nathalie makes a sentikid of her own, gives her the power of manipulation, and sends her off to try to find Ladybug and/or Chat Noir by whatever means necessary.

This would give a clear reason for Gabriel to trust Lila, a clear reason for Lila to know all about the miraculous, and a clear reason for Lila to hate Ladybug. In this version, I wouldn't do Nathalie's lackluster redemption. Instead, Nathalie stays bad right up to her death. Perhaps her last act is getting the butterfly to her daughter and ordering her to get revenge on Ladybug and Chat Noir should Gabriel fail. After all, Gabriel can't wield more than six miraculous at once, so it makes sense for him to send Nathalie off with at least one of them while he enacts his master plan just in case it fails.

That's just one potential path to take. I also like the idea of having Lila be someone who came to Paris in order to find the miraculous, but who has no ties to the Agrestes. That would require some pretty big changes to her character, though, as I can't see that type of character caring about things like dating Adrien or being a model or all the other crap that has nothing to do with gaining a miraculous and everything to do with popularity and social clout. Lila canonically doesn't know that Gabriel even has a miraculous until the final of season four, so she basically just lucked into finding one instead of doing anything logical to find it because this show has no clue how to actually write smart, clever characters.

In summary, I'm totally fine with complex, master-manipulator Lila, it's just hard to figure out the best way to make her work when we don't know anything about her backstory or motivation. The version proposed above is just the best I can do to fit her into the role canon placed her in. A role I could easily see later seasons flat out ignoring.

[saguette]

What do you think Johnny's art looked like before he was stripped of his powers? This is something that bugs me a lot, and I'm curious about what you think.

ok i needed to draw a few shitty pictures to demonstrate cuz i wanted to talk about more than just his previous art but his art journey in general IDC if there's some canon tweet that proves something i said wrong or out of timeline these are my headcanons and projections so you either like it or not.. anyways I think his style pre-pre-JTHM (lets say 15-18) depicted many things, He was good at realism and fluctuated just fine between stylized art and big hefty works with a lot of detail. His stylized works looking similar to Jhonens and the whole 2000's artstyle cuz its fitting.

Of course he's like, a late teenager around this time so its GOOD but not perfect. If you pulled up a few of his drawings from this time he would probably be embarrassed by all the disproportionate limbs and goth girls he sketched and thought were badass. He probably has old sketches of friends in his style regardless if they asked to be drawn or not since his art was something he was proud of and people around him made him feel proud of. His old art also feels like it'd have anime elements unintentionally to add to that amateur artist swag. Johnny doesn't like anime copies but stuff he rips inspo from was anime inspired so it rubbed off on his work too. Moving onto PRE-JTHM (18-20) Is when his art started to get more serious and complex. In his happy era he took to drawing lovecraftian horror sometimes but it was always the secondary focus of any drawing.

Moving out and growing up was around the time his mental state started to worsen and he started using art to cope with emotions rather than just use it for fun, drawing complex monsters was a subconscious way to depict underlying mental illness that's out of his hands. He cant depict what he doesn't know he has, he can only scribble things that feel someone close to him because there is no physical appearance to emotions. He never liked his art around this time because it always felt unfinished or wrong or like it just didn't interpret what he wanted right. Overtime his art lost coherent appearance, quality, and meaning which made it feel worthless. It wouldn't be all that bad but it reached a point not even he knew what it was trying to be and it was frustrating. How can your own art not make sense to you? Its weird to let your hands go and do their own and you not recognize what they're trying to say. Which leads to SHORTLY BEFORE JTHM-and later.. Johnnys NEW preferred method for art currently is a little abstract, it became two extremes of the same thing; nothing. his art lost alot of what it used to be so he says he cant draw anymore.

Johnnys lovecraftian horror art slowly engulfed itself over time and always becomes an abstract mess. Its purposely made to be incomprehensible by having too much, regardless if its creation is poetic, an outside view not being able to tell what it is or how much work went into it is on purpose. its metaphorical or whatever.. Johnnys fucked up or something.. Whereas Noodleboy i imagine was made by him drawing a stickfigure one day to see if he can still "draw" and overtime gave him his features like angry eyes and that big hair, creating his own sort of vent sona to replace the sketchy abstract art he used before. Noodleboys chaoticness is too sporadic to rip any meaning off of, he also purposely represents nothing. His existence uses up paper the same way, just without all the extra effort. SORRRYYYY long tangent thats probably super messy i just winged it. but i cant help myself ive thought about this for a while ik i didnt strictly answer the question but i had so much more to say

[noxiousgrace]

TCF/LCF headcanon

Honestly one of my favourite headcanons i have so far about krs and og!cale is the fact they're both able to draw

I have explanations for both

The reason krs is able to draw:

During the cataclysm, a lot of methods of recording things became very scarce. (We see this during the sealed gods test when krs relies on the abilities of other people to record whatever they'll need for the future. Information about monsters, how to deal with them, etc.)

And I'm assuming electricity relies on ability users as well considering how devastating the cataclysm was to earth. It would be hard to maintain a power plant during the beginning whilst not knowing how to survive in the new ruined world, so charging devices are out of the question. As far as batteries go, they aren't permanent solutions either, and would run out eventually.

And relying on ability users isn't easy either, first of all getting a power specifically needed for this issue is a very rare occurrence and people on earth aren't sure how these abilities are assigned (they do have theories that it's related to the og persons personality, but I haven't seen any confirmations on this. And i haven't finished reading book 2 of lcf so if the answer is a spoiler from that half then correct me if I'm wrong)

And krs received the ability to record everything he sees and to never forget it, he has the perfect opportunity to make physical copies of information and the subsequent imagery. This would make information accessible to everyone else and also raise their chances of survival because they won't be taking blind shots in the dark in intense situations.

There isn't a reason why krs would refuse to learn how to draw and show everyone what to be wary of.

I don't think he would've learnt how to draw as a kid. Doodles before his parents passed away? Definitely. After moving in with his uncle and having to survive the abuse that followed it? Probably not. (But this doesn't negate the fact he could've tried drawing his parents so he wouldn't forget them, but the quality of his work would've upset him and he could've given up on that along with everything else)

Another reason is to have identification of deceased bodies. He remembers everything, and would easily identify any corpse out in the field as long as he'd seen that person before their death.

In case any of their records or pictures got lost krs would make a sketch and they'd frame it and use it if they were capable of holding any funeral or adding the portrait to the tombstone. (I definitely believe making portraits of LSH and CJS definitely hurt him emotionally)

Why og!cale is able to draw

I don't have a very extensive headcanon as to why og!cale can draw, but i find the idea that he doesn't want to forget his mothers face very endearing. Plus he's from an artisan family and would have to be artistic at some level (well, violan is the artistic one since she values sculptures i think, correct me if I'm wrong) so she could've tried teaching him how to draw and sculpt as a way to bond with him and not leave him as an outcast in his own family. (Maybe she saw his earlier sketches and found his frustration in being unable to replicate jours face and decided to give him tips)

And if they do have a big portrait of jour in the house I'd like to think it was painted by cale

[harpieisthecarpie]

Okay not to be analysis georg over Alien Stage but I adore the ROUND 7 (Till vs Luka) art that dropped recently so much. And thus I will be analysis georg

(cw: I lightly and nonexplicitly reference the abuse Till suffered under captivity, including the heavily implied sa.

This is mostly contemplating Till's psyche, how Ivan's impact on Till contrasts the aliens, and art as rebellion against dehumanization. With that comes the possible triggers of Till's story.)

Till's closeup is what compelled me to post at all, because it's a very deliberate choice that speaks to his emotional state going in, and contrasts him strongly against Luka

This is long btw

The closeup focuses on the lower half of Till's face. It draws attention to his mouth and headset mic by mimicking a camera's depth of field to emphasize the yawning space between them, while using the metallic mic as a lure. The lighting sharpens the mic while softening Till.

The emphasis on Till's mouth (and mic) is indicative of a stark emotional shift from Round 6, where crushing hopelessness left him passive and barely singing.

Metatextually, the story being told by completely diagetic music videos ties strongly to the contrast between the aliens who've made the voices of the enslaved humans a commodity and the humans who are only given a voice through song.

There's a reason why music has been used for both propaganda and rebellion throughout our societal conflicts. You can only scream so loud before bystanders tune you out; music compels them to listen.

And I think that dichotomy between authority and autonomy, between the artist as product and as person, within the universe of Alien Stage is going to be delved a lot deeper into with 7.

Till having a hands-free mic and green strap over his shoulder leads me to believe he's going to be playing guitar again. Which we've seen him use for acts of rebellion before.

I saw someone saying the headset was a sign of his isolation, but I see it as him reviving the angry hope he'd extinguished using Ivan's memory. From what I've seen, Till never seemed happy when he had a standing or handheld mic. He's a creative, hands-on guy whose art and rebellions come from when he is able to use those hands.

Drawing, guitar, fighting... there's a reason he was singularly stripped of autonomy in ways we haven't seen happen much elsewhere (that physicality reminds me of Hyuna, I wonder if Luka will notice that). The caging, bodily restrictions, and physical degradation and assault from the aliens singularly target his personhood.

Even in the closeup art there's that possessive ownership, that clear replacement of Person with Commodity. His tears (or sweat) have been pointed out and remarked upon by the aliens. Yet the shot leaves out his eyes, which are often tied to personhood in literature because of how humanizing they are. Dilation, movement, eyelid position, blinking. It's hard to look into a creature's eyes and not understand there's a mind behind them.

The aliens commodify the emotion through his tears but deny the humanity behind them. They dissociate music as art with an artist behind it, even while intuitively knowing how an artist's lived experiences can create compelling music. The aliens want their product, they don't care that art isn't just entertainment to consume. They don't recognize the power music can have. They don't value it enough to truly understand it.

I wonder if this could be analagous to anything in the real world. Hm. Nahhhhhh. ANYWAYS

Till is creating what the aliens want, but the closeup has the same color palette as when he and Ivan were running away during the meteor shower. That shine on the mouthpiece even looks like a falling star.

The meteor shower was a moment of tension. A held breath before a breaking point: you can escape or you can stay trapped, but whatever decision you make you can't ever take it back.

It doesn't matter whether Till believes his last decision to stay was a mistake, he was a different person when Ivan took his hand. And he was changed again when Ivan kissed him before making that stage his death bed. Their death bed, perhaps, since something in Till had to die in order to be revived.

And Till is the only one in that arena who has the memory of running with Ivan under a cascade of falling stars. He is the only one those colors mean anything to. The aliens may be commodifying his tears, but they have no grasp on the emotions behind them. There is something within Till they cannot take, breathed into him by Ivan.

Ivan may have believed his love for Till was shallow, but he gave it freely. One of the reasons I even ship them is because Till has spent all his life in captivity getting pieces of himself carved out by aliens trying to consume his soul, and while Ivan can certainly be fucked up... he has always lain his insides out on a silver platter for Till. Given even the ugly bits over, despite knowing they'd be disregarded.

Till was strangled more visibly for how his humanity spilled out, but Ivan had been slowly suffocating because he refused to let them free. He accepted the role as pet (entertainment product dress-up doll) to keep his humanity safe. He played into the aliens' desires because he refused to give them any parts of himself that mattered.

But he still wanted to be seen, still needed to be known, so he gave them to Till.

And now Till is on that stage again (that had eaten Sua and Mizi and Ivan), carrying fragments of his loved ones that they had slipped into his palms. Quiet moments of joy and despair and fear and love. Bits of themselves they never allowed the aliens to have, that made a home in Till.

And what is love, surrounded by an entire society that refuses to acknowledge your humanity, other than an act of rebellion?

Which I think will be very interesting to see juxtaposed against how Luka seems to be portrayed. With an earpiece seemingly feeding him information, in the cool tones evoking a memory of Hyuna, whose closeup doesn't even deign to glance at his face.

(Though- not to overanalysis georg- it's interesting we get a glimpse at his seemingly gloved fingers. And that their color palettes are both interrupted by a small bit of green. Till's by what I think is a guitar strap, and Luka's by the center of his earpiece- and its sound.)

[micahulrichdraws]

I don't think self-deprecation or concern for the person's well-being is ever going to come across well to someone saying they like what you do. Maybe I'm missing something, but there are reasons to like your art besides being miserable. Even if only the truly miserable liked your work, responding to them by pointing out how miserable they must be wouldn't feel great for them. Your art isn't giving them depression, and it's not like you're contributing to net suffering by making art with ~themes~, so it seems unnecessary to bring up. You suggested that if you struggle to enjoy life, and you make something, anyone who resonates will also struggle to enjoy life. I disagree. Some people will like it for completely shallow reasons. Some people have empathy for others' suffering. You can have a decent life and no mental illness and probably still appreciate a well-drawn skeleton. I don't know what kind of art a perfect world would produce, but any world where people are mortal is going to have sadness, and some art will reflect that. Yours isn't uniquely dark.

Sorry if you've gotten 100 asks saying this same thing. I wasn't sure based on the ones you responded to, and I just found your blog. I know it's sort of a joke, bc you do still sell art prints and stuff, so you clearly are okay with people liking your art. Tbh, I /had/ depression for a few years, so I'm not exactly proof against the theory that your art somolehow only appeals to depressed people. It seems unlikely, though. And the way you talk about your art as "garbage" kind of gave me flashbacks to the sort of self-deprecating humor I'd use when I hated myself. I don't know you or how you're doing, but that feeling made me want to say something.

You didn't just miss something, you missed like, everything I've ever said on my blog about like, everything to the point I'm not even sure this was intended for me? Like I'd break it down, point by point and be like 'no what are you smoking' but that'd be a waste of time after the 'why do you think my art gives people depression!?' part of whatever this is. Like, this is offensive levels of trying to make me be someone I'm not for the sake of a hypothetical argument against a strawman. So if, you want to take offense to who I am in case you misclick and end up here again here's an asshole enough of a response to give you a legitimate reason to find me intolerable:

Welcome to my page! I make art, jokes, and bullshit with folks to make people happy. I started doing this when I was big sad, because cheering people up cheers me up. Now, here's the crazy part: some people are very sad, and sometimes they tell me it makes them a small amount of happy, which gives me dopamine and makes me do it again. The word 'some' means 'not everyone', or even 'a fraction of a percentage'. For example, in this case, it means 'most people just like my drawings but some people get an extra lil bit out of it'. I don't take myself seriously because I know that the art world is insanely intimidating to those outside of it, and sometimes artists tend to be egotistical and condescending, a word that means 'having or showing a feeling of patronizing superiority'. Naturally, I do everything in my power to avoid that, because I'm a very 'gates open' kinda person.

So, here's the WILD part: in my perfect world I would've never had depression. Now, I know, that would have been inconvenient for you as someone who passed by my page one time, and I do apologize. I also apologize that I don't make 'dark art', because I like frogs and mice doing cool shit. Finally, I apologize for my art having -~*themes and concepts*~-, I know good art only comes from ChatGPT and that was my bad.

Sike, I didn't apologize, my fingers were crossed behind my back when I said that. Fuck you for thinking me not wanting to be around for a decade is 'worth' because I drew a mediocre skeleton, and because somehow sadness is necessary. That line of thinking is so awful, here's a video explaining it:

PS: the reason my friends and I in these parts call my art 'art garbage' is because that's what my professors called it back in school for like 4 years, back when I started this shitshow. Much love.

[rainba]

Ok hear me out…

Luka and kairos with INSANE baby fever B)

Luka and Kairos both definitely experience baby fever, to some degree… It hits Luka harder than Kairos, but I like to think that Kairos’ side of things is much funnier. 

I… Thiiiink I answered this ask right? ｡ﾟ(｡ﾉωヽ｡)ﾟ｡I hope I did!

This ended up being a lot fluffier than I thought it would be...

(Darling’s gender isn’t mentioned! Only mentions whether or not they can bear children. (つω`｡)

Kairos knows that he’s broke and definitely can’t afford to raise a kid– not yet, anyway! But once he continues building up his portfolio and raises his prices, he will eventually make a decent wage!

If darling is capable of having children, Kairos’ mind would basically become mushy as he imagines your all’s children together. Like… Whose eye color would they inherit? Would they be a boy or a girl? Ooh, would they take after him and also be an artist–!? There are so many possibilities to consider! 

Kairos would absent-mindedly start drawing out what your all’s future children might look like. ^^;;;;

But also, most importantly: what would you all name your children? 

Kairos would definitely come up with the edgiest, kind of corniest names ever. They sound more like OC names than anything, names like, “Twilight!” Or “Lucifer!” So, unless you also want to name your kids that, you’ll have to tell him that you don’t really like those. ^^;;;;;

If you’re a darling that can’t have kids, then Kairos would also be happy to adopt!! When he has baby fever, he’d get all excited about the idea of going out and going through the process of adoption with you. It’d be a long journey, but a journey he’s willing to take if it’s with you!

The most kids he would want/be able to handle is two, but he’ll ultimately let you decide how many kids you'll both have. (o^ ^o) Kairos would feel so nervous taking in someone of any age, but he’d still try his best!!

He’d absolutely be the pushover dad who just does whatever his partner wants him to.

｡ﾟ(｡ﾉωヽ｡)ﾟ｡

As for Luka, the insane baby fever really does hit him hard sometimes. Like– throughout his entire life, the idea of being a father has sounded nice to him. And the idea of raising a child with you makes his heart and mind feel all fuzzy.

As shown in a few posts of him before… He mostly gets that baby fever when he’s in heat. ^^;;;;;; The thought of having a family with you just sends him over the edge, and all he can think about is fucking you until his dream becomes a reality.

Honestly, I think that Luka would be a decent father. Overprotective? Absolutely. Overbearing? Sometimes, for sure. Cruel and abusive? Not a chance in hell. (ﾉ_ヽ)

If darling can get pregnant, and they do end up pregnant, there would be a few nights where Luka is unable to sleep at night, tossing and turning in bed as he constantly glances over at you. You’re lying there so peacefully, carrying his child… He’d lovingly place his soft ears against your stomach while caressing you gently. He can’t help but feel that he’s incredibly lucky to have you– the love of his life– his obsession- his everything. The first and only person to ever make him feel alive. ⸜( *ˊᵕˋ* )⸝ The two of you are truly bound together, forever. ღ

Luka would honestly end up falling asleep with his head on (or beside) your stomach, all curled up with his pink tail wrapped around you. (o´∀`o)

He knows that he can be, um… An asshole, to say the least. And that he’s not very good at understanding complex emotions. But when you have his child, he’ll do everything in his power to get better at being empathetic and patient, for the sake of you and your all's family. (｡╯︵╰｡)

(Luka wouldn't stop his games with you entirely, though. It's always gonna be in his nature to tease and mess with you (´-ω-`). )

When it comes to adoption, Luka would have absolutely no problems with adopting multiple kids. For him, his ideal family size is four children!! He would definitely be able to provide for all of them– although, he might end up stuck at work doing overtime more frequently. But doing more work doesn’t matter to him, so long as everyone is happy. (=`ω´=)

Also, side note, Luka would definitely want you to be a stay-at-home, full-time parent. ^^;;;;;; It’s a small fantasy of his to always come home from work and see you all happy and cozy, smiling warmly as you welcome him back. Maybe you’ll have a meal prepared for him, the house will be all tidied up and your all’s kids will be excited that he’s home from work.~

The holidays, the vacations, the good and bad days… (っ˘ω˘ς ) Luka would like to live that kind of life with you, one day, if you let him.

[exorcqism]

﹆₊ 画家‧₊˚ THE BLOOD PAINTER, KAMO CHOSO

𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒 ﹆₊ 概要 ‧₊˚ art; the painter‘s hidden identity is made known. wc, 3.42K. dark mode recommended.

␥ note. i’m back with this storyyyy. getting near the good part which also means the end but not just yet sooo just keep reading. hope ya enjoyyyy and reblog to support meee.

␥ tags. artist!choso, college AU, possible nsfw, female anatomy, smoking, etc. lmk if i missed anything

␥ misc. masterlist AO3 PART THREE

the art class was bustling with students, the scent of paint and clay wafting through the air. choso sat at his usual spot stealing glances from you. the professor announced a small project; drawing and painting your partners. but there was a twist—only two colors could be used.

choso’s heart raced as ideas began to flood his mind. everyone scattered around to their new seats and the male instantly scooted next to you. he smiled at you. it was something about that shy smile he gave you before he quietly asking if he could draw you.

“let me draw you first,” you smiled. “i don’t want you getting caught up with me and i completely forget to draw you.”

“oh, i don’t know…i’m not really good with posing or anything. and i’m not able to sit still for very long.” choso warned but you only smacked your lips as if the boy was spewing nonsense right out of his teeth.

“quit doubting yourself. you got nice style and your face would literally be perfect on a magazine cover maybe even in the art show that’s coming up.”

“art show?” choso raised a brow. for someone that loved art contests and taking trips to museums just to stare at the portrait hanging on the white walls encased in an embezzled gold frame, he seemed surprised about this information.

“yeah. don’t know how you haven’t heard about it but i was thinking of putting my painting of you in once it was finished.” you looked down at your blank canvas that was resting flat on the table just as it did when you first arrived to class.

“oh, no, you shouldn’t—i mean..you can if you want to it’s your painting but…i really don’t like being the center of attention. i don’t really like being stared at.” choso explained. he bit down on his lower lip and he sighed.

“come on, it’ll be a powerful piece.” you beamed. “i feel like it’ll really make an impact on the audience. and i promise i won’t use your name if you don’t want me to.”

choso hummed, his lips pursed before speaking again. “um…well if you think so highly of the piece then i guess i can’t say no. just promise you won’t tell anybody it’s me.”

“sure. now just hold still for me.” you say with a smile.

classes finally end for the day and the two of you made progress on your art pieces. you decided to ask choso to spend the rest of the day together, to which he agreed to without hesitation.

you both gathered your items and headed out into the bustling city of tokyo. the sun is setting, painting the sky in hues of orange and pink. you and choso arrive at a cozy cafe and settled into a booth by a large window, surrounded by the warm aroma of freshly brewed coffee.

the two of you had been there for a good thirty minutes talking about whatever came to mind, bouncing from topic to topic and bookmarking whatever part of the conversation you thought was interesting for another time.

“so, choso, you’ve always been into art?”

“yeah, well, i’ve always had a creative side, but i never really pursued it until recently. art helps me express things that are hard to put into words, you know?”

you nod. you never seen his art before and you just wondered how he had done things. your eyes travel over to the tote bag that was sitting flatly beside choso’s thigh. you fixed your lips to speak but a camera flash went off. you were pretty used to his off guard photos ever since the two of you started to hang out more often.

“can i see?” you leaned your body over the polished wood table before choso lowered his camera.

“not yet.” he answered. “mmm…i’ll show you when the project is complete. until then, i’ll have to hold off on showing you.”

you pout but you could understand why choso was being a bit selfish with his crafts. instead of begging to see a photo of yourself, which you prayed you didn’t blink in, you pointed to his bag.

“why don’t you finish your sketch? i mean, we have a lot of privacy right now and we don’t have any classes tomorrow. i also wanna watch you paint. its something about watching an artist in action is just so satisfying.” you say.

choso, lost in the depths of his own world, takes a sip of his green tea when he hears your unexpected statement. he recently started drinking it a bit more since that was the only thing he actually liked besides ice water.

feeling a surge of nervousness and excitement, choso shifts in his seat. painting in front of someone, especially you, made him feel vulnerable in a way he isn’t used to.

“i’m not sure…” choso looks down at his cup half filled with tea, which still had smoke billowing from it because of how hot it was. “i’ve never painted with someone else in the room before. it’s a pretty personal process for me.”

“c’mon, please? just for a minute.” you pleaded, clasping your hands and intertwining your fingers to be dramatic. choso chuckled at your silly behavior and simply sighed.

“let’s head back to the school and you can watch me work in my room, fair?” choso looks at you, awaiting an answer. of course, you agree.

back at jujutsu tech, you and choso were settling in, slipping your shoes off once you entered the room and placing your bags together against the wall.

you were amazed at how much space he had and how organized he was. the books on the bookshelves were all in size and color order and so were the cute little jars of paint that were on another shelf but you noticed that there was no red paint.

the desk was neatly organized also with choso’s laptop and ipad with its stylus side by side, charging. there was a mug with a bunch of pencils and pens and another cylinder item that looked handmade and painted with brushes in them. you assumed choso made it.

there was an easel in the corner of the room by the large windows that had blinds that would be shortly opened to let in some of the remaining light as the sun set. choso grabbed a few brushes and the rolling chair that sat at his desk and pulled it over in front of the easel and sat down. the male then reached for the canvas that had the drawing of you from his bag and placed it onto the easel. he looked pretty prepared now.

“you mind filling me a cup of clean water from the faucet?”

the question snaps you out of your awe-stricken mind and you nod. you went to the kitchen area and grabbed a cup that didn’t look like it would be used any time soon and filled it with water then brought it back to choso. he directs you to place the cup on the desk before thanking you for the simple gesture.

you noticed choso had his eyes closed now, taking a few breaths before removing the bandage on his nose and trashing it. you saw how blood shot from the black mark running over the bridge of his nose and onto the palette that was in his lap.

choso picks up one of the brushes and dipped it into the crimson liquid that had also been running down his face and began to paint. once the brush hits the canvas, all his nerves seem to dissipate, replaced by the familiar focus that comes with creating.

as choso dips his brush into the blood-infused paint, the room falls silent. the only sounds are the soft scrapes of the brush against the canvas and the occasional drips of paint.

you watched as colors of red and black filled the canvas. you weren’t familiar with the meanings of specific colors but the way you were drawn on his canvas as royalty, you could see sophistication and passion. choso put the brush down and rolled up his sleeves and began to use his fingers to paint. smearing the colors together with his knuckles.

your eyes sparkled, entranced, as choso’s knuckles danced across the canvas, blending the deep reds into the black that was present. the male was aware that he was in need of a palette knife but he’s never gotten the time to buy any.

“the way you use blood for your art is actually unique.” you spoke, breaking the silence. “i guess it adds depth and richness that’s hard to describe. it looks like the painting is alive almost.”

you were seeing it with your own eyes, his art style was hauntingly beautiful. you never seen anything like it. this whole scenario made you wonder if blood was often used when he painted or was this just a perfect coincidence. you slouch in your chair, in thought once again.

“blood has always been a part of me. a part of everyone, i should say. but mine is a curse and a blessing. incorporating it into my art feels natural to me. it’s like i’m putting a part of myself into each piece.” choso murmured.

“um…you know, i never heard you talk about your parents much, only your brothers. they must be really proud of you…you being all smart and artistic and such.” you say softly.

choso’s hand freezes mid stroke, his expression darkening. he sets down his brush and turns to face you. you see how that empty expression of his appeared onto his face again.

“my parents…they’re not in the picture. my mom isn’t alive and my dad was never proud of me. he only saw me as a tool, a weapon to be wielded. i’m happy he left me behind…”

your expression softens. on the outside, choso looked like he had it all. he was attractive, smart, talented, hell if he wasn’t the smartest guy around he probably would’ve gotten in just for being attractive and talented. he seemed perfect. but in reality, he was living in a fucked up world holding on to his creations for comfort.

“i’m so sorry, choso. i probably shouldn’t have brought that up and make you relive painful memories. but despite your past, you managed to create something beautiful out of the darkness. that takes a lot of courage and strength.”

choso nods, his gaze returning to the painting. he picks up his brush once again, lost in thought. he exhaled from his nose. though the topic did hit a nerve, he felt like he could trust you.

“it’s…fine i guess. it was a while ago. my brothers were the ones who helped me escape that life. we all live for each other and nothing can make me change that narrative. they’re my family and we’ve been through a lot together.”

“they must be really important to you, huh? you see them often?” you query. choso nodded again.

“as much as i can. i don’t really have the funds to constantly take train rides back and forth from my house to here and vice versa. we try to stay in touch, the most i can do is call them each night. yuji and eso are busy with their own business and you know they have to keep kechizu close because he’s pretty childlike and clings to eso like he’s his savior.”

you noticed the small smile on his face as he spoke of his brothers. him being the eldest, you would’ve expected him to severely despise his brothers but it seemed like he couldn’t even say the word ‘hate’ when talking about them. it was actually pretty sweet.

as the evening comes to an end, you find yourself standing outside of choso’s room and he’s leaning against the doorframe, his sleeves still rolled up, revealing thin strips of stitches along his forearm.

“what happened to your arm?” you point, making choso break his gaze and follow your finger to where you had been pointing. he only shrugged.

“a stupid accident. nothing too much to worry about.” he answered, rubbing the brand new bandage he had over his nose. his cheeks were still a little red from the blood that had been running down his face earlier.

“you should keep your bandage off. that mark is a part of who you are, and you know i accept that.” you say. choso is taken aback by your words, his hand instinctively touching the bandage again.

“it’s…not easy. people have always been afraid of me because of what what i am. it’s just easier to keep it hidden.”

“but you don’t have to hide from me. i see you, choso, for who you are, not what you are. you’re a human just like any other person here. and i think your mark is pretty cool, actually.”

choso couldn’t help but smile at your words. maybe—just maybe you had a point. maybe it was time for him to change his ways. get out of his comfort zone a little.

“um…yeah, thanks. i’ll think about it. goodnight.”

“goodnight, choso.”

“and this one would be called ‘the blood painter’.” the announcer spoke as the crowd followed around. it was perfect. better than anything else being displayed. choso stood in front of the painted canvas, staring at his own face looking down at his own partially painted portrait with a crimson liquid dripping from his nose and onto the canvas. there was a white cup filled with tea, which had been leaking from the sides as if it were overfilled.

his hair flopped down into his face before lifting a hand to brush it back with his fingers. he was awestruck. how could you have painted something like this with almost no experience. he could’ve sworn you said you were horrible at this kind of thing…maybe his memory was faulty.

“it’s perfect….” you hear him mumble as he stepped closer to the portrait. he was so tempted to touch it but he abided by the rules of not touching or taking any photos of the paintings being displayed. “how did you do this? you couldn’t have—no, you did…but this is so different from your drawing.”

“it was only a sketch. a way to get your features and everything properly. but a few days ago when we hung out, i thought i’d make something more expressive.” you grinned.

“i’m impressed.” choso’s eyes sparkled. “it’s like you captured my soul onto the canvas. i mean, i’ve seen art that expresses the soul of another person but this one is—wow.”

the male looked at you and his cheeks flushed a little. “maybe i got a little too excited. you did a nice job on your painting. hopefully you got a passing grade on it.”

you smiled at choso’s excitement and love for the art you made of him. you both knew it was simply for an assignment that would be graded then tucked away forever or thrown into a nearby dumpster but this was a sentimental thing. it was like a piece that needed to be preserved.

as you both stood in the middle of the large crowds, you two could hear people praising the painting for its raw emotion and style. one patron mentioned that it gave off a bit of a edgy feeling despite the cozy looking background.

choso was a bit surprised and delighted by the positive reactions, he felt a sense of pride in his portrait and the artist that created it—you. he turned to you with a smile on his face.

“i never thought my own portrait would have an impact like this.” choso said shifting his weight onto one leg. “see, now i kinda regret not letting you reveal my name.”

“you’re okay. it’ll make you a mystery man like the mona lisa…well she’s a real person but you get it, don’t you?” you chuckle lightly and choso does just that right along with you.

“i get it. but i’ll never be as known as she is. i’ll only be a mystery man that’s occasionally seen in shibuya.” he said. you threw your arm over choso’s shoulder and waved your hand dismissively.

“sure you will. one thing will lead to another. when you start seriously pursuing art and get your name out there, people will realize that you’re this man in the picture.” you pointed to the portrait, lightly tapping your nail against it as it created a hollow sound. you knew that you weren’t supposed to touch anything but you didn’t seem to care that much. you even went out your way to take a quick picture of it—it was surprisingly clear.

“they’ll call you signore kamo.” you added.

“you know italian?” choso raised a brow, a bit surprised by your pronunciation and how casually you said that word.

“nope, i googled it.” you smile innocently. choso released a breath as if he had been holding it for a while and returned a soft smile to you.

the art show ends and you and choso found yourselves walking close by each other on the sidewalk. the streetlights and neon lights from buildings illuminating your way as you walked back to the university. choso saw that you were on the left of him, closer to the street so he stoped to trade places with you.

“what was that for?” you ask as you put your hands down into your pocket. you had a feeling on exactly why choso did what he did but you just wanted to hear it from his mouth.

“well, just in case something happens, i’ll be hit first and you won’t have to worry about getting hurt.” choso stated, glancing at the street littered with parked cars. your instincts seemed to be correct but your lips involuntarily stretched into a smile anyway and you felt your face heat up a bit.

upon arriving back to the dorms, the two of you stood in the commons, your shadows stretching long in the dim light. since quiet hours were approaching, it was about time the two of you part ways once again until tomorrow. you turn to face each other, a mixture of contentment and longing in your eyes.

“i guess this is where we call it a day. thank you again for everything.” choso says and you nod.

“of course.” you beamed. “i had a really nice time with you today. and don’t forget that you don’t have to hide who you are around me. your true self is beautiful.”

“i’ll remember it.” choso replied before being caught off guard by your sudden hug. you flung your body into him and squeezed his sides a bit. his violet eyes widened as he contemplated on leaving you to cling onto him or hug you back. no one besides his brothers had ever given him a hug.

slowly and awkwardly his arms snaked around your body, finally returning a hug back to you. you both lingered there for a moment, holding on to each other before breaking away.

“hey, dinner on friday?” you ask.

“it’s a date.” choso replied, only making your smile grow. you both say your goodbyes and wave to each other before walking off in the opposite direction to head off to your rooms for the night.

but then another guy came along.

“hey, you got a second?” kashimo whispered. choso never interacted with the guy much but they’ve spoken enough to know how one another looked and each other’s names. sighing, choso obliged.

“i noticed the way you talked to that girl over there just a few seconds ago. you seriously scored.” the cyan haired male smirked at choso. “obviously, there’s something special between you two. maybe i could offer you some advice on that front?”

choso’s eyes narrowed, and as usual, his defensive walls go back up. he was never really comfortable with talking about his personal life, especially with someone he didn’t know all that well.

“i don’t need help with my love life, kashimo. i’m handling it perfectly fine.” choso crossed his arms. kashimo would put his hands up in a placating gesture.

“no pressure. i’m just saying that sometimes it’s easier to open up to someone who isn’t directly involved, you know? sit with me at lunch tomorrow. we can discuss this later.” the other lightly punches choso’s shoulder before heading out of the entrance doors.

“he’s weird.” choso muttered.

⠀© vmpiires | like, reblog & follow.

[katiekatdragon27]

Being an artist is fun cuz I can draw whatever whenever as long as I have a group of people peerpressuring me /j

This all started as a joke talking about THANOS Muffin and sorta escalated/derailed into just sorta assigning OSC characters as a whole to the DSMP characters.

My gc and I had no real idea what we were doing, and this is honestly just for shits and giggles, lol. Everyone was assigned on dynamics and vibes instead of being logical. PLEASE DON'T BULLY ME FOR MY SPELLING, IT WAS SUPER LATE AT NIGHT WHEN I DID THIS.

The culprits: @always-just-down-the-street and @friiskuz (the main two), @mambari, and @glitchtypes

(Also keep in mind that I have never watched a full stream of the DSMP, I only watched certain content creators outside of the server. I barely had any say in this so don't blame me if you don't like iiiiitttt.)

Specifics under the cut:

Firey from BFDI is Tommyinnit. This was decided because of his main characterness, him being one of the most important characters in OSC history, and his mildly chaotic nature.

Leafy from BFDI is Tubbo. This was decided because of Firey being Tommy. Also, because I find the ship between Tubbo and Ranboo cute and this universe's equivalents really funny to pair up.

Taco from II is Wilbur Soot. This was decided because of the betrayal stuff, the violence and manipulation, and because we thought it would be fun.

Top Hat from TNM is Ranboo. This was decided because of vibes, trauma maybe(?), and some other stuff that my friend said. Also, something about hallucinating probably and just being in a general sense of not okayness.

Muffin from THANOS is BadBoyHalo. This was decided because this is litterally BBH. He is literally based on BBH clips from his videos cropped together to make a character. He started this whole thing.

"Blood" Diamond (although their built like Aquamarine) from BFDI (ABCDEFG) is Skeppy. This was decided because Skeppy's skin is literally a diamond. They're a "blood diamond" because of the egg arc, and they are probably a brother instead of sister since that short isn't really canon to anything. They're a blank slate, we can do what we want.

Oodle from AIB is Slimecicle. This was decided because of his omnipotent god powers (immortality) and just being a silly goofy guy in general. We considered Goo for a bit, but Goo's a little too young to have been around since the dawn of the server. Maybe before becoming Oodle he was Goo? Idk.

X from BFB is GerogeNotFound. This was decided because of who we made Dream XD. That's really it (they might have also had some weird romantic stuff happening in the stream before???).

Four from BFB is Dream XD. This was decided because of the revival aspect of Four's power and also their scary and overall powerful nature. The rainbows are because of Infinity being a rainbow in canon.

Call me cringe all you want; I can take the heat. If you want to feed into this hellhole, be my guest. Have a great day bros >:)

[chizups]

Enough of that boring realism for now! Behold, sinner, an angel!

Spent too much on this one just because I tried to figure out what tool works best for me as a liner. More than less I am pleased with this piece.

I also was fighting with myself over that hell of a neckline that became a boob window in the end, even though I tried to avoid it through several redesigns there's always next one. Not sure who lost in this situation lol.

In the mood to write some info about this fantasy. I understand that a ship like that is not everyone's cup of tea, BUT it's not for everyone, it's for ME :D

Behold once again: the info dump✨

***

How character came to be in the first place?

I was gifted Far Cry 6 with Collapse DLC and after playing through it, I had some things to say to Joseph. So I needed an avatar to channel my thoughts. Self insert is always an option, but at the moment I was tired of drawing myself and was not in the mood to make another sona. Besides an unusual looking interpretation of Joseph's mind called for some ethereal entity, not a sad bitch like me lol

I also at the moment was obsessed with playing Warframe (still is), design of my character is based on a frame with the same name - Wisp. Her whole theme is being ethereal and wispy, ghostly character, moving between the fabrics of reality, which works nice with The Bliss, I think. And she has no feet. I'm not sure why it became such a thing for me in this case, I just like this artistic choice, that's all.

Is this character a self insert?

Well, in the end not at all😂 Whatever I wanted to tell through her was taken by the wind it seems. When I started thinking about Blissed Wisp, her biography and their interactions with Joseph, I came to realization that she would be just as easily manipulated by him as so many other characters in the plot, therefore will not say a single word from what was intended to be said in the first place.

If character has to fight, what's their weapon of choice?

Blissed Wisp is a skilled fighter (was created to be) and can use any fire weapon available. However her angelic image in the Project of Eden's Gate limits her choices of weapon to hand to hand combat, which would really be a problem only for her opponents since she is much stronger that an average human being and can injure a person without putting effort into it. She has an option to display her divine power (which are based on warframe abilities as well) but burning people alive is not exactly her cup of tea, so she is restraining herself from using it as well. Blissed Wisp leans more into scaring her opponents - her unusual appearance is just enough to do that - or confuse them by pretending to be a ghostly apparition in the woods.

What song describes character and their partner/love interest?

Who is she? - I Monster

Wisp was a mute witness to Joseph's reflections for years, carefully looking through his thoughts and memories without him noticing. He wasn't the only one she was able to reach, but somehow became most fascinating one to her. For many years after she first spoke to him, Joseph wasn't able to even imagine her face, most probably because she was not allowing him to do that: unsure of how long their connection would last, she figured her appearance was unnecessary information for Joseph to know.

However after some time their established relationship and Seed's religiously charged attitude lead to him become strengthened in faith that he in his mind was talking to an angel or a deity, wishing to get closer to her someday and meet in person if possible, since he was aware that Wisp wasn't just a incorporeal entity (despite her name).

With that desire there were many times Joseph "called" her name in his prayers to engage in conversations.

Where does character live?

Many years was spent in the science facility. I already said before that Far Cry 5 and New Dawn with it's Bliss are two steps away from Outlast and SCP, so I figured making a lab rat of a character that got turned basically into cyborg wasn't really that long of a stretch, but you don't need to agree.

If Wisp arrives in Hope County in time closer to Far Cry 5 dates, her place of residence would be a run down church somewhere in Henbane River region. When she's not there, she is rolling across the bliss fields just genuinely enjoying her freedom under the sun.

She doesn't really hide and is no stranger to cultists in other regions, but in general avoids being seen by people that are not following Joseph's word.

If Wisp arrives in what's left of Hope County by the time of New Dawn, she sticks to New Eden's region, mostly by Joseph's side, helping him with whatever and protecting his people.

How does character handle their mental health? Do they take care of themselves?

Frankly has no idea what mental health is, when it comes to her, trauma is not a word Wisp would use to describe her struggles, yet she is not just traumatized, but was trained for decades to believe that all the suffering she endured - mental and physical - is for the greater purpose that she might not even understand, but pain is inescapable.

However in case of other people, Blissed Wisp mostly understands the needlessness of their suffering, therefore when being a witness to people mental or physical struggles, she feels compassion and expresses it without doubts.

How do Seeds feel about the character?

As was said, obviously Joseph is a big fan. They have a long lasting connection that in some scenarios grows into kind of a romance between a mere man and a deity. Besides the fact that Joseph cherishes his relationship with Blissed Wisp, his Pride cannot help but make somewhat subtle advances towards her now and again in an attempt to strengthen his feeling of uniqueness and chosenness: a unique partner for The Chosen Son of God and Savior of Humanity sounds just right in his mind.

Jacob keeps his distance and is a bit afraid of the entity that Blissed Wisp appears to be in his eyes. Despite the fact that of all people her and Jacob could've find quite a few themes to talk about, he has a hard time to accept her existence, since none of his beliefs really implied the possibility of meeting something like Wisp at all. Of all heralds he is the one who is closed away from Wisp's influence and does not appreciate her in the mountains.

Faith is almost as big of a fan as Joseph, though she is not aware of Blissed Wisp's real nature and believes in her angelic origin, which is not surprising since girl is probably high most of the time. But then again, Wisp was able to insert herself into The Bliss, and that made girls grow closer to each other at least on that topic.

John Seed takes very little of this angelic bullshit, but keeps his mouth shut to appease Joseph first and foremost. He does not believe in Blissed Wisp being an angel, and in his eyes, if paranormal exists, she is a demon at best. However he is not nearly as closed as his older brother and is able to open his mind to Wisp in some cases.

Why this name?

Wisp is not the name of this woman, but the name of the entity she was designed to be. The purposes she was created for did not imply her having a name at all.

Blissed she became under Joseph's influence at Eden's Gate.

What people say about the character?

Though Blissed Wisp is not exactly hiding from people, the influence of Eden's Gate has spread so much, barely any person outside the project would be able to catch a glance of this unusual looking gal. But some did, and that made her into some sort of a local cryptid. Obviously not too many people believe that there is an actual angel roaming Hope County, but people talk there is some... thing.

Sharky was able not only see Blissed Wisp, but have a small chat with her as well and after that just calls her "Joseph's chick" absolutely ignoring her name.

[purity-town]

Ask responses below the cut! Lots of thoughts on Terraria lore and Purity Town worldbuilding -- mostly focusing on the Crimson, the war, and Guides.

Reasons why I chose Corruption over Crimson, off the top of my head:

Artistic reasons: Chris was always going to lean towards magenta & dark blue weapons/armor where possible as a nod to the nebula pillar coloration, and I felt that it was easier to work with those colors against a purple/gray/brown background than a red one. Similarly, the purple of demonite matches the Corruption colors, making it easy to tie a visual connection between demonite and the shadow orbs' evil energy.

Personal reasons: My first world was a Corruption one, and I tend to favor Corruption in general as I like the music more.

Practical reasons: It's much, much easier to draw worms and the various other Corruption enemies than it is to draw the Crimson enemies, as the Crimson enemies are far more complicated in appearance and poses. Plus all the blood and brains puts me in an awkward spot as I don't want to run into issues with any of the websites I post the comic to.

Lore reasons: While the Brain of Cthulhu does very nicely match up with Moon Lord's actual design, it doesn't have a Mech boss associated with it, and I didn't want the Destroyer to feel like it came out of nowhere; I felt it was easier to justify the EoW being related to evil/Moon Lord in some way than the Destroyer existing in a Crimson world. The Corruption's shadow orbs also naturally tie into the idea of the "ancient spirits of light and dark" being released from the underworld, as the Crimson doesn't really convey the "dark" side of things that well. Also, the Crimson is generally associated with health while the Corruption is associated with mana, and since Chris is a mage I wanted to lean into the magic side of things.

As for my ideas with the Crimson:

Theme-wise, the blood and gore is easy to relate back to the same consuming, flesh-melding energy of blood moons. (While blood moons already have a link to Corruption/Crimson in the form of corrupt/vicious animals, the Crimson just makes more sense.) The massive skeletons in the background bring up similarities with bone serpents and wyverns/phantasm dragon, and the eyeballs with the EoC/WoF/True EoC.

Where the Corruption is more of the culmination of sin and dark thoughts and eldritch energies that twist whatever they come into contact with, the Crimson is a growing, living being that spiraled into wild mutation from eldritch energy. The Corruption naturally grows over time through additional sins giving it the power to spread, while the Crimson grows by actively consuming more and more living material; contamination vs. infection; acidic vs. corrosive.

The Crimson is a hive mind, of the sort where each new mind adds its knowledge and input to the collective, and likewise has its will overridden by the majority. At the core of it all is the Brain of Cthulhu -- intelligent, but not something that can be reasoned with or spoken to; the sort of being whose mind is so fundamentally different from a human's that anyone who comes into contact would be left mentally shattered. Much the same way one who stares into the darkness seeking to study the eldritch and bizarre could be left broken.

Where the Corruption chasms are worm tracks, I've always interpreted the Crimson chasms as a heart and the arteries spreading out from it. Or maybe the tendrils of a spreading infection? Not really sure!

Side note, the general theme (flesh/blood) and many of the monsters (face monster, crimera, blood feeder, etc.) also tie very well into the Wall of Flesh and its hunger. The justification for the WoF being so...flesh in the comic is that Andrew is a human*, and so the WoF's form is influenced by what his soul knows (flesh and blood body), mixed with lots and lots of eldritch energy giving it the visual ties to the EoC/Moon Lord in the eyes/mouth. But it's not as natural of a link as "the WoF's form is steeped in overflowing Crimson energy locked away in the center of the earth."

Instead of shattering, I imagine it would just poof into a particularly liquid-looking red smoke. Something to combine it being an immaterial/magical collection of energy with it being bloody and gory. Less of the sharp/shattered/sparkly look of shadow orbs, and something more organic and primal.

As for Crimson hearts...I suppose it's the other side of the coin of shadow orbs. Keeping with the theme of Crimson being vaguely health/damage-related while Corruption is mana-related, where shadow orbs are pustules of evil and eldritch magic, I could imagine Crimson hearts as concentrations of the life energy that's been consumed by/generated within the Crimson. Something that pulses with the hearts and minds of the countless creatures that have been incorporated into the Crimson before. Hence the panic necklace; something that fills you with adrenaline and the vitality to push forward and run for your life when hurting (compared to the band of starpower boosting your ability to channel magic).

BAD. Really, really, really bad.

The most obvious reason was all of the general destruction that the world had suffered at that point. Land masses ripped apart or twisted/distorted. Civilization shredded, infrastructure destroyed. What wasn't outright blasted to bits was warped beyond recognition or so corrupted there was no hope of salvaging what had been there before. Loss of homes means exposure to the elements, and loss of farmland means starvation; many societies crumbled or were staggered by the loss of vital industries and resources.

The main surviving communities were small subsets of what were once larger cultures. They were the ones lucky enough to have enough resources nearby to be self-sustaining -- cities had it the worst, requiring resources to be brought in from elsewhere, while more remote communities tended to be affected the least. Andrew, for instance, grew up in a very small community out on the plains, and while they did have contact with other communities, trade was limited to only specialty goods. Everything else came from the local area.

On top of the physical loss of land and infrastructure, there was also the loss of knowledge. The people who stood up to fight were the most powerful mages and strongest warriors, trying to hold back the destruction and stop the eldritch power contaminating the world; when they died, their knowledge of the world died with them. Similarly, Dryads were far more common back then, with people relying on them to interpret the weather, bless the crops, protect them from harm, and purify any imbalance of good and evil. So even the folks who did survive had to suddenly adjust to having no Dryads to fall back on.

Then, just when they thought the worst of it was over -- that their world had ended and was something new and scary, but stable -- the first Blood Moon rises and everything goes to Hell in a hand-basket once more (albeit only for a night). So now, rather than the night being a time for mages to practice their craft, the inherent chaos of the dark is now dialed up 1000% (even moreso during blood moons). Hence the push for some folks to try and find solace beneath the earth -- building the underground cabins, establishing the Dungeon, and the Lihzahrds locking themselves within a temple away from the sky.

The world was finally given a chance to breathe again once most of the eldritch magic, and in equal measure the divine hallow, was locked away in the core of the world. But by that point the old world was already a distant memory. It's been 500 years since the war, around 450 since most magic was locked away, and what did remain from before the war gave the world a significant boost in recovery. Old magic items and technology can be studied and recreated, and while technological/magical advancement is a bit uneven from region to region depending on their level of development and general population, the Guides have worked hard sharing everything they know between them to rebuild.

Purity Town, and the smaller villages immediately surrounding it (in the desert, snowy mountains, etc.) has such a low population/is so remote that they don't have much in the way of established governance. Various NPCs arguably have varying levels of authority within their specialization: Heather is the go-to for healing, Malik is the local monster hunter, and so on, but it's all very informal. The individual villages probably all have people who handle day-to-day things -- there are various random folks who live in the region to fill out each village outside of the established NPCs -- but it's just something going on in the background to keep the place running.

Guides aren't really meant to be politicians either, but they do often fall into a default leadership role since they're the go-to advice guys!

They're meant to preserve and share knowledge of the world, its languages, and its cultures; a reaction to the vast majority of that knowledge having been lost in the wake of the war 500 years ago. So Guides are out there fielding questions like "how do I make this medicine/when do I harvest this plant/is this edible/etc.," but they also are expected to know enough about situations like weather/celestial events such that they can give advice no matter what crops up. Extend that attitude to a more general "this person knows how to handle Problems, so let's default to whatever they tell us whenever we run into Problems," and you end up with Guides often taking pseudo-leadership or advisory positions.

Andrew is in something of a weird spot, as he took over for a much more established/respected Guide after she retired and threw him into it, and is not particularly good at commanding authority or dealing with people in the way she could, even though he tries to be nice. But he's extremely, extremely knowledgeable, even compared to other Guides due to having been around for long enough to pick up so much knowledge, so at least he can fulfill that aspect of the job easily enough and the townsfolk trust him to do so.

Tangentially related, but the lack of solid governance is specific/unique to Purity Town's remoteness. With a small enough population, folks rely on the cooperation and skills of others much more, and any disputes would be worked out among the townsfolk proper.

The world isn't fully settled, but there are some locations with enough of a population to be considered actual kingdoms (see: Princess NPC) with established government (see: Tax Collector). Chris' hometown, which sees a lot of ship traffic/trade, has a proper government, local guard, etc. along with their own Guide. Purity Town is just particularly out there! But it's still been around for long enough to have seen some trade, built up some skills among the residents, and establish basic infrastructure so that residents can live comfortably. Like comparing a small town in the modern day to a remote village in medieval times, residents still enjoy a relatively high standard of living, despite being a scattered and remote population.

The world hasn't recovered to where it was pre-Moon Lord, but it's certainly not a post-apocalyptic wasteland anymore!

[ancientgoddessofegypt]

5th house placements yall aren’t meant to have regular degular jobs. Y’all should be out there hosting, entertaining, sharing your heart, and going to places that will allow the artist in you to show. When you trust this you’ll feel more fulfillment.

Mercury 5th house are the writers, the poets, the comedians, the speakers. We love your words and we like listening to you.

Neptune in the 5th - the actors, the greats in theater, you guys have a GIFT with this please go and use it im begging. Drama is for you guys. Something about singing and dancing you guys do eloquently but very differently. You guys “feel” the music and you go with it you don’t go against it. You merge with the song it doesn’t merge with you. You become it. Giving it the soul it needs and being the messenger in what ever the music is trying to convey.

Pluto in the 5th - POWERHOUSES!!!! You guys can make anyone cry !! Like your gift here is so intense you make everyone feel these deep emotions as if you were the character really going through it in real life. This connection you have to your art it’s as if your psychic prowess can turn it into a unique experiment to heal yourself and in turn you heal the world.

Sun in the 5th - beautiful beautiful beautiful beautiful. You guys are artist who neeeeed to allow this to grow or you will suffer burn out. You guys are meant to live an artistic life where you express your passion in everything that you do. You MUST get into hosting, comedy, acting or whatever it is you choose. Allow yourself to move into this direction for more fulfillment.

Venus in the 5th - my babies !! You guys are meant to party & hosting something really cool is definitely for you. I could see you being into burlesque or somethjng seductive that shows off your sensuality. Doesn’t matter who you are. Your energy is very healing and it draws everyone to you wanting more.

Moon in the 5th - majestic energy, you need to act out your emotions in some way and I know dancing is something that can heal the sacral chakra for you guys. Sacral connects to our emotions so the more you focus on healing your emotions with something artsy (doesn’t matter what it is) it’ll have good results here and manifesting will be a lot easier for you. Needs a calm life where doing what they want is the main source of income.

Saturn in the 5th - enjoy enjoy enjoy. That’s the secret. Don’t let things bottle up inside you and bring you down. Keep working on those talents it’ll all pay off. You can be a teacher to those in some way who need to know that it is possible to be who they want to be. Take a chance in focusing on your art with no distractions, let go and let your heart sing . <3

Jupiter in the 5th - you have an abundance of magic in your gifts talents and skills. You may can do more than one thing and this can create a lot of income for you. Big personalities and I notice comedians can have this placement attracting a larger audience. When you dance or sing, it attracts a lot of people to you because your energy is powerful and potent here.

Uranus in the 5th - eccentric skills and can be used to shock people . The way you express your art is something no one else can do, so this is how you attract others to you making you a star. Never change the way you express yourself because it works for you and you alone. Gifted in multiple artistic hobbies, but the way you do them makes everyone want to ‘steal’ your blueprint. Be careful cause a lot of watchers are trying to figure you out , but it doesn’t work how they think it will.

[feyspeaker]

Hi! I made an account just so I could follow your work. Your art is brilliant and honestly and inspiration to where I want to be. I’m an older artist who has all the anxiety when it comes to improving my process. I’m trying to get into digital portraits and I have so many ideas in my head, but it’s frustrating because I’m not where I want to be to make this happen. What are some tricks that help you/software do you use? Of course, you don’t have to share anything that makes you uncomfortable. I currently have procreate and an iPad, but I feel a little lost. Wondering if I need a different writing tablet and photoshop. Not sure. I just eventually want to find that 3D, but also artistic look you are able to achieve.

hey there! thank you so much!!

ultimately, I will sound like a broken record but I always recommend you sign up for local figure drawing or painting classes. have people pose for you at home and sketch with charcoal and paper. go to the zoo and sit down in front on an exhibit for an hour and try to draw the animals in front of you as fast as you can and fill a couple of pages, move on to a new exhibit and do it again!

nothing is more powerful of a tool to learn than whatever writing utensil you have in your purse and the back of a napkin when you see something you'd like to capture. I've spent quite frankly my entire rememberable life doing this. I used to spend every single day in middle school/high school/my brief failed stint in community college with a pack of cheap sharpies and a beat up binder full of old worksheets and homework to draw on the backs of.

drawing/painting from life will teach you better than anything.

I use a very outdated version of Photoshop, and only got a "nice" tablet in the past 7 months.

Also, a huge tip to you and anyone else reading this: do NOT get too focused on a "style" that you want. Obsessing over that just ruined me for years and years. I wanted so, so, so badly to be the next Matsuri Hino when I was a kid. I copied her work religiously and it NEVER looked right. Frustrated me to no end. And you know why my stuff never looked like hers? Because I'm not her! You can't force your art to come out any way that isn't natural, and the sooner you can accept the art your hand wants to create, the happier you'll be and the easier art will get for you.

The past couple of years before I started diving into this more realism based work, I was just shoving myself through trying to make what art I envied of others. Very stylized/textured watercolor comic book style stuff. And I just was NOT getting any better at it. I have always been more inclined toward realism work, but I've hated it and yearned for stylized work. Yoshitaka Amano? God, I just drooled over that artstyle and beat myself up for never being able to capture it in studies or otherwise.

I finally essentially restructured my entire career around making the art that makes me happy instead of what I "wanted" it to look like. I was extremely depressed, my life was falling apart, and I still needed to make art to survive but I couldn't "art" if I was depressed and hated doing it, so I just had to step back and stop worrying so much about what I thought I wanted to make, and started making what felt most natural.

there's no easy way, and art can be a soul destroying path at times, truly. your software and hardware should come very last place compared to practicing from life (it doesn't matter if you want to paint cartoony stuff of realistic stuff, always start from life). naturally you will find what makes your heart sing the most.

I get a lot of messages from people telling me similar stuff "oh your art is EXACTLY what I want to do!" but I promise you that kind of thought process is chasing a dragon that is likely to harm or drag your creative process down. art style is such a deeply personal thing, so of COURSE it's important to find inspiration, but the second looking at someone else's artwork stops inspiring you and starts frustrating you, put it away.

There are some artists who I love, that I do not check up on often because their artwork ignites, like, serious bitter jealousy in me. It's the truth. I get so mad at myself for not being more like them, and it's such a poison. I think more artists should be transparent about this feeling because I KNOW the art community has a lot of jealousy and ugliness in it.

A fact of being an artist is that you will never be completely happy with a piece you make. You are always going to see the flaws, and that doesn't change whether you'd been drawing for 2 months or 20 years. Occasionally, you will get one piece that you are like "how did I make that???" and then get frustrated that you can't recreate it lol! It's a tough beast.

It's just really important to step back and work on yourself and where you are at, because at the end of the day, the way your soul wants to express artwork might be WILDLY different from what your brain wants, and it can be really detrimental to let those two go to war.

I hope this helps. I'm very passionate about this, and when I started out I ALWAYS ignored the artists who gave the same exact tips as above. I thought they were so annoying and unhelpful, but now I /get it/.

[flamebearrel]

🔬 + 🎵 + 🗺 for that ask game? I don't even go there, I just like to hear what you have to say about things

ACK thank you… you’re the light of my life

🔬: What character do you want to put under a microscope?

I’m gonna go with YouTube! I dunno why I like it so much but it being a relatively original design based on the UI makes it stand out from the other non-stick antagonists. Plus just LOOK at this goofy thing

If I have to pick a stick specifically then Red. He comes up with such unique and clever solutions to problems that no one else even considers

🎵: What’s a song you imagine an AvA/AvM animatic to? What’s the animatic?

Mother Mother must put something in their music to make so many of their songs animatic-able I'm telling you… In The Wings works really well for Purple I think, a recurring character who continuously teeters between friend and antagonist! Picturing the first verse being about their backstory with their parents and the second about the initial part of their arc where they meet Blue and Green (maybe the bridge montages the later parts idk). Relevant doodles attached

🗺: How do you imagine the world works?

I’ve seen on the wiki and in some discussions that people categorize sticks as either “Artificial” (the hollow-heads) or “Natural” (your “typical” solid color) stick figures. Frankly, I realllly don’t like this system because it clumps these guys with entirely different backgrounds together-

-but not these guys, despite living at most in different neighborhoods and under the exact same conditions.

I’d categorize them instead by how they originate: either “Drawn/Animated”, “Website/Game”, or “City/Outernet” stick figures.

Drawn sticks are created local to someone's desktop, usually via drawing program by an artist or animator. The powers and abilities they have depend on the names they are given, as well as (optional) code like The Dark Lord has. They can detach themselves from their original files, but presumably cannot be recovered if they do so and get taken out. These include Alan's hollow-heads, which are the only ones we've outright seen, but it's canon that other people have brought sticks to life too

Website and game sticks originate from the internet on, as you can guess, designated sites/games. The logistics of their abilities, appearances and lifestyles vary wildly depending on the worldbuilding of their source. If they die they can be revived if in close access to their webpage, but if that goes down, they're taken out too. Red, Blue, Green, Yellow and any Newgrounds/Stick Page guys fall into this category

City sticks live in the Outernet, a separate region almost entirely out of human reach. They live a life most similar to people (albeit vaguely, since a stickman is a simplified approximation of a human), being able to age, reproduce, and having their own economy/work systems. No powers, files or code to be attached to. King is shown to be one of these guys; Purple is slightly more complicated since they've lived on a mac, in games AND in the city at different points but they're one too due to their parents

Gates are needed to get from one area to another, using a site or game as the middleman. The only way to go direct from a desktop to the Outernet is the way this guy does

One other thing - For drawn and website sticks, the fundamentals of their characters like age, relationships, whatever are set by the intentions of their creators. So to me the main five are all set in the general "young adult" range (around 18-23), and only Second and Chosen consider themselves as biological brothers due to having a direct link between their programs and code

[soft5ku11]

Hey so I'm also an artist and a gainer and I was wandering do u have any tips on drawing fat men

Well, it's all about shapes - at least to me. Keep the shapes connected in the right way, with the right volume, and heaviness. That's what I try to focus on. Fat goes over the top of regular anatomy, so learning how that works first can really help.

What I did was just draw whatever and I learned as I drew more of it. It's all about trial and error, learning and evolving and recognising what you want to improve, rather than being discouraged by "this looks bad". Don't compare yourself to others, only yourself.

But, as with anything to do with art, collect inspiration, collect a huge amount of references. Print out your favourite artworks from other artists, smack 'em through a holepunch and keep em together with a treasury tag. Never be afraid to use yourself for a reference picture either. If you cant find something, just save the time instead of mindlessly scrolling image results on your search engine of choice. Especially since you're a gainer, you can use your own body to study how any niche angle or pose might look with your body type.

To add onto this, of course it'll vary from style to style but exaggerate your shapes, (coming back to the shapes thing) for example, I'll use this artwork of my DND guy that I recently did:

See how the shapes of certain parts aren't necessarily more muscled or fatter? The feet and hands for instance, they look better and read clearer if you exaggerate them a bit, and I already set the hands and feet on the 3D reference model I used to almost maximum. You can do this with heads to an extent as well, but it could make the character's proportions feel off. That part is a balancing act and you can find basic proportion guides for the body online to help with that. But - the thickness of the arms and legs and even the neck pulls the figure further from realistic proportions and more into a cartoony illustrative look. I could go on for ages about this but that's the basic gist of it.

One thing I think is exceptionally under-represented in art advice that I've seen in my time is DON'T UNDERESTIMATE THE POWER OF HAVING ARTIST FRIENDS! Learn from each other, talk about stuff, gather and share resources amongst yourselves, etc etc. You learn more when in groups, that's why school isn't one-on-one.

These are just some tips off the top of my head, there's always more out there and I'm sure one of these things won't work for you and others will, but make the leap like you've done here and ask other artists too. Lots of people would be willing to give some advice to help you get going, and you asking will also benefit others who might be too shy to ask so even if you don't take my advice, you can be happy that you've pulled it out of me for others to see at least XD

[vellichorom]

You make rlly good rants / have great takes,. So. I was wondering. What do you think is the biggest / most popular stereotype when it comes to the Narrator ??

I wanna make a drawing kinda based off of the stereotypes people see , and I was wondering what you think. Is probably most popular :3

oh GOD, the biggest most popular stereotype eh? ironically asked just as i'm listening to the narrator's voice lines...

well, i'm going to have to go with something OBVIOUS & say that that would be the IMPOSSIBLE to miss notion that " he's hot " & people envisioning him ONLY through an attractive filter;

do i think his voice is attractive? of COURSE i do, i'm not made of stone! & kevan PRIDES himself in his work & knows a vast majority are INSANE about his voice, as well he should, he's got great talent!

HOWEVER, then going on to define his EVERYTHING based on this attraction is annoying at best & sickeningly irritating at worst.

it's SO obvious some narrator designs are solely based on artist wet dreams or banking on others', with the narrator's actual characterization being thrown COMPLETELY out the window.

guys your sexyman literally gets all pouty without attention & has the bite of a 5th grader, he would Not be as attractive or cool as you think he is. this ISN'T even exclusive TO people who make the narrator a handsome twink either! however, it is WAY more prevalent in that area, therefore we side-eye.

it just feels a Lot like others create designs SIMPLY based around aesthetics & generic appeal rather than... creating a CHARACTER, or recognizing the character that DOES come attached with the voice you find so hot. & then SOMETIMES, people form entirely alternate characterization for their design rather than canon, but still insisting that it IS indeed canon!

listen can we stop touting the funny clock 0ut guy as the Token, peak, & true TSP narrator design. i like him too but it's making me real upset now

IF you're going for characterization of the narrator that you want to be AS TRUE to canon as possible, you need to take a step back & realize this man is a manchild & probably does Not have the divine powers of a god & doesn't have to Look or Act as attractive as you think his voice is. even the most BEAUTIFUL aspects of a person can come from a deeply flawed individual & that's okay, & in characters, EXTREMELY endearing! insisting to make a character beautiful & flawless in every aspect just results in a very flat character that will ONLY ever serve as basic eyecandy, & only to a handful in the end.

beyond that, i can't really think of anything else that's as strongly stereotyped for the narrator beyond. you know, general fandom mischaracterizations methink? pushing his attitude to extremes with NO even level & misunderstanding his intentions. ...but at this rate, i'll TAKE THE most pathetic soft boy narrator as opposed to the absolutely physically RIPPED daddy narrators i've had to see a few times. jesus

& hey, listen- MAKE your AUs, MAKE your characterizations into OCs & such, do WHATEVER you want that makes you happy, i'm REALLY HONESTLY not here to kill anyone's fun & i won't ever resent you for how you choose to enjoy your blorbos, take my words with some salt; these are simply my dipshit ass opinions that some people enjoy hearing!

which, THANK YOU anon! may this new rant satisfy thee & help you with your project!