#which is funny because Ryoji in a way is also the End of the World

[leelreallylikespersona]

SHOOTS HIM WITH THE IV GUN 💥💥💥

I've had this AU in my brain for so so long, I've been trying to design Minato first but it wasn't working.. So I started with Ryoji and I'm so obsessed with his design, this was so fun (✿◕‿◕✿)

Caption was going to be "Punts him into Limbo" but he can't go to Limbo so........

Some design rambles because I can

His hair isn't all white because. Because he'd look too similar to the woman who gave it to him..

I didn't mean to take so much inspo from Thanny but it works

This AU is the most self indulgent but I don't care 👊👊

I will get Minato's design down soon... I have a few more ideas for him now and I'm very excited!!

Lore stuff I guess (I'm still working on some things but):

He's in charge of Purgatory! He's usually there to greet people when they arrive in the afterlife, he guides them to either the demon or angel realms, whichever they prefer.

He (along with Minato) also make sure people don't get lost in Purgatory and become Husks. If they do, he takes care of them (doesn't have to be killing them, can be making sure they are in a facility that is able to restore their humanity).

Gave Nyx her body back, if he needs to be in his non-human form, it is Thanatos (who is also getting the IV treatment of course).

Ryoji can visit Limbo, but even if he were to stay in the main area, he would not experience any biological changes like deities usually do. He's considered a Temporal-Independent Entity.

He does have quick access to Limbo, should he need it for whatever reason!

I'm gonna sit down eventually and actually plan out the story and how it works after the events of P3 and such, but yeah >:)

[niko-jpeg]

Do tell the reader insert ideas! I might have a go at one for practice

*viBRAtes*

Okay, I'll try to keep the balls off the walls one for last. I have 4 total here.

A fluff/angst reader insert where the reader is aware of the events of the game and gets forced into the game isekai style. I know, how original. If it takes place in Persona 5, then Jose and Maruki are heavily involved. This one is my least developed out of all of them, but I want to make it so if some ideas begin to seem insane thats your chance to turn back.

2. A persona au for any of the games where the reader is pulled into the events of the game and are basically a Shadow whisperer. They never develop a persona, but they have the Shadows they've befriended to help them fight. Mostly fluff and adventure, and the reader tries to keep the whole 'Shadows are friends" thing under wraps. If in persona 4, the main Shadow cast grow humans to join the reader in the human world and chaos ensues. Honestly its mostly supposed to be cute and funny. I may actually write this one at somepoint but if you want to, do it! Because I probably wont actually get around to it.

3. A sweet and straightforward fic about the reader being a wildcard but ultimately failing their mission, and going off of the idea of Velvet Room attendants being failed Wild Cards who got their memories wiped to help other wild cards.

4. Okay so this one is the balls off the walls one thats been rattling around in my brain. Its kind of embarrassing honestly but I'm going to share anyway because the bitch doesnt even pay rent.

Its a fic where the reader walks right into the Persona universe on accident and gets involved with the Shadow Operatives by pure chance, eventually awakening to a persona. But the persona is fucking Nyx Avatar which sends the entire group into a panicked frenzy for obvious reasons.

However through basic communication, reader pieces together that this isnt the actual avatar from the events of the game and is from Readers dimension, but its not like reader can really just tell them that.

The ops decide to go ahead and try to either a. very possibly kind of illegally experiment on reader to try to figure out how its even possible for their persona to be NA (too lazy to keep typing out the name) and or squeeze info out of one or both of them. Upon receiving the news, reader runs for it with a little bit of inside help and is now running from not only the Ops, but the constant Shadow attacks from Shadows attracted to such a powerful persona and on top of it all, a persona that isnt very good at following instructions and takes a lot of stamina to deal with.

From there, take it in any direction you want. I would probably make it a 10-15 chapter fic with decently sized chapters about all of the above as well as Reader and their universes Ryoji/Pharos/NA learning to get along and cooperate over time. Happy ending (unless you want a bad ending) and take it in any way you want.

Yet again, if anyone wants these ideas, take them. They are yours. Just tag me so I can read them. Honestly I like option 4 best but its the one I've thought about the most and by far the most ambitious out of all of them plot wise. I also just want to write sibling like bickering between Ryoji and Reader in the beginning because it would be funny. Also heavy emphasis on how difficult of a persona NA is and how terrible he is at following instructions. Like sometimes he just literally says "no" and does his own thing. Anyway hope I didnt just make my entire following hate me and hopefully didnt just embarrass my self too badly.

[mingmingfufu]

Can we just talk about the ending of KawoShin open discuss. *sort of spoilerish*

I feel like I’m the only one who’s like reallly disappointed LMFAO--ya’ll there’s so much “canon” alternative universe and merchandise for Kawoshin in Evangelion that it kind of makes me upset to realise this couple just went down the drain. Yeah, I can see how people were like, “Kaworu’s toxic” or “Kaworu has a hero complex for Shinji” to which I say are valid points. But the toxic thing I feel like can also be applied to pretty much everyone around Shinji tbh, except for Rei. I did NOT, like Asuka at all but I really love her character though, and I felt for her a lot throughout the series.

I did not ship them either because honestly, Shinji and Asuka seemed better off playing the sibling dynamic instead of trying to play bf/gf which honestly is kind of forced by their living situation. Also since they’re in a similar disposition non existent father and dead mother, you’d imagine they would rely on each other for emotional comfort. Though Asuka—her personality I feel like she can’t differentiate between familial love and romantic love and the affection she wants is a bit of both. But, her character tries to be “mature”; she wants romantic love more and does this through sexual means and romantic gestures e.g. like kissing. One of my friends told me that you can’t stay friends as a boy and a girl cause eventually you catch feelings. Which I say is kinda dumb cause I have a lot of male friends, and I definitely don’t harbour those feelings, but I guess it’s a common phenomena.

I think this is what happens in this case, of Asuka and Shinji. Even after rejection of instrumentality they actually are depicted as childhood friends. But knowing how they both were before to each other, it was not good tbh. Also to mention the choking like thrice— bro if anything, this showcases a really abusive relationship and I think this outstretches the idea of their character tropes. Which I firmly stand by saying they’re superficial to each other. AsuShin were never really there for each other and are using each other in a forced situation. However, you can’t deny that they didn’t at some point catch feels, also Shinji is pretty consistent how he still cares about everyone around him. Which I really like how they add that to his character because it reminiscent of Yui, because you see a duality of both his parents personality in Shinji throughout the series—it’s a really nice touch. But bruh, if we gonna talk about that coma scene—I’m out LOL.

Thoughhhh, she is a true definition of best girl I really like her arc, fighting drive, and her skills as an Eva pilot 😭💗--but bruh she’s still a toxic and sometimes annoying tsundere trope, but still she’s 14 what can you do. So I feel like Kensuke and Asuka are actually a pretty good combo, cause he’s always been pretty mature even without parents. Also Asuka was into older guys, so I guess this is a win win?? Also Rei and Shinji, I honestly cannot get my head around it cause that’s pretty much his mom��so in a way that’s like either his half-sister or mom-ish clone?? Idk but Yui is definitely the donor LOL.

Kaworu and Shinji I felt like brought a bunch of things out of each other. I don’t know which timeline begins first, but I’d like to think the manga, the anime (plus its movies), and then to the rebuild series. Because I think that order is kind of pivotal to observing Kaworu’s character development from being a person who’s trying to understand human feelings to then the kinder person we see in the final series. You can tell how he’s changed and he knows Shinji a lot more as well as being considerate to him e.g. giving him personal space or letting him work at his own pace. Also that “we’ll meet again.” Is an obvious nod to how he’s done this before.

His literal story in every timeline is always romantic LOL, like bruh I can’t remember which game it was but basically a bad ending of Kawoshin route is that you reject Kaworu and he starts the third impact 🤡. Also I don’t know why but I started to see a weird dynamic between those two, in the manga their interactions reminded me of Asuka and Shinji—which Shinji is the tsundere Asuka here. I don’t know if this is relevant but the older character relative to the character they’re with seems to play off a mature vs a childish person trope. Asuka is younger than Shinji and Shinji is actually younger than Kaworu. Then again I could be overseeing this but istg manga Kaworu and Shinji mirror the whole Asushin dynamic. Like he’s seriously agressive against Kaworu, then after killing him he admits liking him. 🤡 I don’t know which is funnier no homo Shinji, homophobe shinji, or just closet Shinji who needs to realise sexuality is a spectrum so he could’ve idk—come out as bisexual, but whatever manga Shinji lol that timeline is over.

Anyways the development of these two is real and I think the rebuild timeline shows them at their best bringing their own personage out from each other like how they both enjoy music together--WHICH I’M SO SAD WE NEVER GET TO SEE THAT CELLO AGAIN. Then there’s those feelings of humanity, love, kindness, etc. Which yeah an angel could represent those things, but Kaworu is still his own person, self-aware of a cycle and if you think about how he initially was there to USE Shinji, but ultimately turned on that plan set by SEELE because he loved Shinji (and a bunch of other things like him showing Kaworu humanity). I also can see the argument, how “ideal” Kaworu is to Shinji, but he’s more self aware of the time he has before he KNOWS he’ll die and knows how to act for himself in that duration to make the most of it. All with Shinji. At some point, I think he fell in love with Shinji tho I don’t know where it began tbh—considering that all those alternate universes do exist. Kaworu does romantically love Shinji--so, in some universe they both reciprocate their feelings to each other. 

In the last movie during that convo with Shinji. Like bREH it’s so emotionally moving because Kaworu remembers ALLLLL the timelines and how he’s been with Shinji and later Shinji himself recalls the events too. Where they show the scene from the manga and anime. Kaworu cries after being set free from the EVA cycle. Which, I definitely understood what he meant by him saying “it’ll be lonely” and how Shinji changed or that he’s actually different this time.

Either way, Shinji did right by him because it’s always Kaworu who has the purpose of “trying to save Shinji” but it always ends up the same. I thought that was really moving because Shinji tells Kaworu he’s gonna let him live a life for himself for once and he wants the same for everyone as well. Which was honestly so meaningful cause I think Kaworu’s character and like Rei too when they start to realise how to “live” like a person and not another puppet it’s truly liberating. Another thing I forgot, bruh Kaworu calls Gendo his father and ngl I feel like this is kind of a weird lore situation because I for sure don’t think he’s the donor. I think he calls him that as an insult because he knows Gendo’s whole doing and relative to Shinji—I kind of see it as a joke LOL. Like it’s equivalent to saying, “daddy chill”, or “hey look it’s daddy and his plans to end the world” also I kind of like to think of it as a father in law thing cause you know, Kawoshin *winks amirite*

The ending, I’m honestly hoping is just an open ending because it gives everything an actual start of their adult lives not being dictated by extraterrestrial forces. Though, I’m kind of wondering if the world doesn’t have EVAs does that still mean everyone else still has the same backstory, and do they remember? Maybe Mari really is just a coworker lmfao, and there’s still a chance for Kaworu and Shinji cause ngl, they did have a convo (presumably from the spoilers) about still remaining close afterwards and that stare at the ending seems very hopeful.

I call bs from Anno saying, “oh Shinji is based off him and Mari off of his wife”, like honestly any OCs made theres always some part of yourself made into that character. Which is probably why a lot of people relate to the characters in EVA because they’re based off real things (e.g. those war machines characters are named after and people around them). I think why Kaworu and Rei are together at the end, is bc they’re very much the same. They’re mass produced dolls—which oddly enough that’s the case for all the children except they don’t recall the loop. Kind of funny also how both Kaworu and Rei became farmers lmfao so ig it runs in the family (yes that’s right I like the idea that they’re siblings it was always noted that they’re like “the same”).

Another thing, i think why the rebuild really did well for Kawoshin and in my opinion canonised it—the convo with elder Ryoji Kaji (Misato’s baby daddy) that there was a time he felt incredibly lonely and depressed thinking Misato didn’t love him and so he started looking out for himself. So self love and found himself a hobby in farming which he suggests to Kaworu—basically saying he might feel like Shinji doesn’t love him but he’s gotta remember to take care of himself. if I go thru a breakup ill feel like it’s the end of the world but Kaji says y’a gotta self love broe and take care yo self gad dam fam 😭 💗.

Though, that look at the end from Shinji to Kaworu—I’d like to believe there is still hope that one day when they’re a bit stable in their adult lives, they’ll run into each other.

[daily-rayless]

favorite games of the 2010s

Games with an American release within the 2010s. Arranged roughly in the order I played them, because figuring out favoritism is hard. Spoiler-lite. Also, in case it needs to be said, saying a game is my favorite doesn’t mean I endorse everything the game endorses.

Also important: this is about favoritism, not quality. I’m not saying these are the best games.

Okay.

Persona 3: Portable (Atlus)

P3 was always secondary to P4 to me until Persona 3: Portable came along. This isn't everyone's experience, but being able to play games as a female character is a big deal to me. FeMC's positioning as a capable, respected leader who isn't temporary and isn’t just some guy’s love interest is so wonderful. And I love that the game allows her to social link the entire main cast. While Ken's romantic option was a terrible choice, many of the others benefit: her friendship with Junpei is rich, touching, and believable, even when it devolves into resentment; Akihiko's and Shinjiro's arcs are sweet, but also melancholy; Yukari, Mitsuru, and Fuuka are supportive best friends without all the baggage of the male MC's love routes; even Koromaru gets his spotlight. Ryoji's social link adds important depth to his character, reframing the later stages of the game. As wonderful as Elizabeth is, I find I like Theo even better. The battle system is vastly improved, and while the visuals suffer in the PSP transfer, the story's still told well. P3P remains one of my absolute favorite games and was a great start to the decade.

Nier: Gestalt (Cavia)

Something you’ll see repeated across this list is that I love strong, complex character bonds. The emotional core of a game is really important to me. In combination, this game has one of the most unique main casts, and, in their closeness, one of the most powerful. The jaggedness of Nier, Kainé, Emil, and Weiss fit together as an intense and sympathetic whole. You want so much to see them all safely escape the dark stories surrounding each of them. Nier's secondary strength is its New Game +, which is wrenching, but reminds the player that you never see the whole story in just your first glance.

Fate/Extra (Type Moon & Imageepoch)

For seven weeks, Hakuno fights her way through a blood tournament; the story never spares her from it. Most often, a repetitive story structure is a liability, but in Fate/Extra, it builds the drama. Knowing from week to week that most of the cast is going to die – understanding, increasingly, that Hakuno may not have a happy ending waiting for her – the repetition and inevitability adds to the experience. All three of her potential Servants are interesting, funny, lovable, and morally troubling, and each plays well off of Hakuno's personality. Which Hakuno, despite being a silent protag, has plenty of. The game falls short in a number of areas, but for me, intercharacter relationships are always a big deal, and Hakuno's bond with each Servant is detailed, compelling, and develops across the entire game.

Tales of Xillia 2 (Bandai Namco Studios)

The original ToX is the richer, more complete, more epic game, and definitely the place where you should first meet these characters and this world. But for me, ToX2 edges out its parent for the uniqueness of its premise, its endearing silent protagonist, and the shattering twists and turns of its later plot points. I don't usually like kid characters, but Elle is a useless sidekick worth fighting for, every inch of the way.

Resonance of Fate (tri-Ace)

Set in a broken post-apocalyptic city, this game feels like a combination of Wild Arms and Xenogears. The story is intense and cryptic with a carefully controlled delivery to the player. The three main characters hide their wounds as well as their strengths – until circumstances force them into the open. There's some regrettable juvenile humor, and the story remains too shadowy in places, but Vashyron's, Leanne's, and Zephyr's bond kept me wanting to know more about them and the punishing circumstances they've been left in.

Nier: Automata (PlatinumGames)

Nier: Gestalt taught me that not everything would be as it seemed, and Nier: Automata fulfills that warning a second time. But what makes me love it are the three protagonists, 2B, 9S, and A2. Throughout the different story paths, each one sees their role change from hero to antagonist or antagonist to hero relative to the others' positions. This is such a stand-out concept, and it's written very well. Even when a character shifts from hero to antagonist, they still keep your sympathy; perhaps you don't agree with them, but you still feel for them so much. Incredible music and rideable moose are also a plus.

Horizon Zero Dawn (Guerilla Games)

I can always find room for improvement, but, for me, there's just too much to love about this game. Traveling over the gorgeous environments is wonderful by itself. The gameplay is engrossing, allowing you to try so many different strategies across different fights. The npcs are intriguing. The setting is unique. The monster designs are fantastic. The game gives you reasons to want to fight the villains, yet doesn't leave them unrealistic or ludicrously unrelatable. The hero, Aloy, is no-nonsense but not invincible, practical but also tender, and it's so satisfying building her legend alongside her. The story ends satisfyingly, but leaves the world wide open, just waiting for a sequel. This is a horizon I want to cross again and again.

Transistor (Supergiant Games)

People complain about the story being too obscure, and that's justified at times. But the heart of the game isn't about plot – it's about emotions. Specifically, the emotions Red and Boxer have towards the city, and the emotions Red and Boxer have towards each other. The game organically builds both of these relationships across five hours of gameplay, latching right on to the player's heartstrings and making you worry and fight every step of the way. The gameplay is deeply customizable, the art direction is velvety and lush, and the music is not only gorgeous, but sometimes subtly intermixed with the narrative. The world is shrinking around these characters, and you want to see them through to safety – and you wish you had more time to know them better.

The Banner Saga (Stoic Studio) (all three games)

Its narrative overlaps different plot arcs. There's more than one hero. The story is mature and serious, often threatening you with despair, but still urging you to believe that somehow your brave characters can make it through safely. Your decisions directly influence who lives, who dies, and where the story turns. The music is haunting. The game evokes Lord of the Rings, from its art style to its Norse influences to its focus on the significant actions of humble people. But it still shoulders its way out of that shadow with its giants, centaurs, and multiple central female characters. A game you want to play repeatedly, if you can stand the responsibility of having so many characters’ lives in your hands.

Pyre (Supergiant Games)

Purgatory Basketball sounds like a nightmare premise for me, focusing on the kind of gameplay I'm terrible at. However, the game is accommodating enough that I not only won my rites, I enjoyed the process. Even when I was bad at it. But what makes me love the game is its cast. While not all characters can get equal focus on a single playthrough, each is interesting, some very outside the typical RPG character cast. The main villain is handled atypically, and the story avoids many of the tired plot beats I've gotten sick of over the years. The main character, the Reader, is given a surprising amount of flexibility, and they're just another one of Supergiant Games’ protagonists who are silent, but still make a definite impact on the game's story and playing experience.

In short, this was a good decade for me, game-wise, especially in the last two years. Hopefully there will be lots of stand-outs in the 2020s too.

[aliliceswonderland]

(Spoilers about everything Persona) I love the Gekkoukan has no standards take, but, by the rules of Persona, reality alteration makes a lot of sense. Heck, all the P3 fuckery started because Kouetsu Kirijo wanted to create a time-altering machine by collecting shadows! Shadow (and Persona) powers can definitely do that. We've seen it in P2 with the rumor system and P2IS ending, P1 has a reality-altering machine that created an alternate world, and Maruki in P5R succesfully changes reality in one of the endings (you can also see some of this in vanilla P5 bad ending with Yaldabaoth's power or even earlier, when the elections happen and the PT start suspecting something weird is going on or when they almost disappear because of his power). It may be just my theory, but I'd say the way it works, the world in Persona is like a collective cognition, made of humanity's perception of it. And so, Personas and Shadows, which are basically manifestations of thoughts and willpower, are able to change it. And Ryoji is an amalgamation of those Shadows. Don't forget him as Death is the result of the Kirijo time-altering machine exploding due to Eiichiro Takeba's meddling. Ryoji DOES have these powers. He could have altered the cognition of everyone involved (and thus, reality itself), including himself to enroll in Gekkoukan. The funny thing is he doesn't even remember nor seems to be conscious about it. I've always thought he was very inspired by Kaworu, but erasing his own memory to be with a certain person is a very Devilman thing when you think about it...

So, how the hell did Ryoji manage to enroll in school? Aigis gets a pass; she had a giant corporation that could make up all the paperwork she would need. But Ryoji just popped into existence with fake memories and a cool scarf and said “Hmm, I should probably be in class right now.” Who arranged this? Did he alter reality so that there really was a Ryoji Mochizuki who spent time overseas? What did he do when he wasn’t in school? Did he have an apartment? I have a lot of questions.

[recentanimenews]

Off the Shelf: Not entirely unanticipated

MELINDA: Heeeeey, look at this, it’s been less than two months and we’re already back again. That’s a huge improvement on our recent record, no?

MICHELLE: Considering that there was a two-year gap before our last column, I’d certainly say so!

MELINDA: Heard any good jokes lately?

MICHELLE: Hmm.. Here’s one! Why did the old lady fall in the well?

MELINDA: Wow, I don’t know! Why did the old lady fall in the well?

MICHELLE: She didn’t see that well.

MELINDA: Hey, that was actually pretty funny!

MICHELLE: Your reaction was unanticipated!

MELINDA: Speaking of “unanticipated”… no, wait, this is totally anticipated. Wanna talk about some manga?

MICHELLE: Sure! I’ve just finished the third volume of Hiroaki Samura’s Wave, Listen to Me!, a Kodansha digital exclusive.

It’s the story of Minare Koda, a waitress with a gift of fluency that catches the attention of a local radio producer, Mato. After secretly recording her drunken rant about her thieving ex and playing it over the air, he eventually takes the chance of giving her her own weekly show in a late-night time spot where she has the freedom to do some really kooky things. The first episode, for example, is a surreal audio drama about murdering said ex, Mitsuo. The next week, it’s time to bury the body on Mt. Fuji!

In this volume, Koda finds that going through those crazy plotlines has actually helped her set aside her bitterness about how Mitsuo done her wrong, and she must think about what she wants the show to be going forward. I really like the scenes wherein Mato mentors her about radio and the relationship between host and linstener. “TV viewers are guests. Radio listeners are participants,” he says at one point. This proves to be true when one of her listeners sends a fax that leads ultimately to the discovery of… well, perhaps I’ll play coy about its exact nature, but it definitely proves that reality is sometimes stranger than the occult.

Minare is a fascinating character. Full of energy and charisma, capable of selfish acts that she’s later thoroughly horrified by… She finally found a goal in life and she’s going for it, but doesn’t exactly know what she’s doing. I like her very much.

MELINDA: Okay, I gotta admit this sounds fantastic. It reminds me a little of a time when I played a lot of Quake so that I could imagine I was repeatedly blowing up my ex, only much more creative and generally productive. Is this series as delightful as it sounds?

MICHELLE: It’s delightful, but it’s also really a genius concept, since letting Minare do many things in many genres allows Samura the same liberty. So, on top of watching Minare’s skills and career progress, there are also wacky happenings to enjoy, too. I very heartily recommend it.

MELINDA: It’s hard for me to resist a Michelle recommendation, especially when it is something so obviously up my alley. You especially got me at “reality is sometimes stranger than the occult.” I mean… I have to know more. I just have to.

MICHELLE: Oh, that reminds me of another fun aspect… because Samura has already drawn out a couple of the audio dramas as if they’re actually happening, when strange things start to happen, it made me question whether he might have started another one without telling us. This is the sort of manga that would totally do that.

Anyway! What have you been reading lately?

MELINDA: I’ve been reading the first volume of Gengoroh Tagame’s My Brother’s Husband, just released by Pantheon Books. If, like me, you’re primarily familiar with Tagame’s work as a bara artist, this slice-of-life seinen manga is certainly a departure, but it feels so natural in his hands, you’d never know that it wasn’t a genre he’s always drawn.

Yaichi is a single dad, earnestly raising his young daughter, Kana, whose life is upended by the arrival of Canadian visitor, Mike, husband to Yaichi’s estranged twin brother, Ryoji, who has just passed away. Yaichi greets Mike with awkwardness and not just a little homophobia, but is forced to invite him to stay after Kana, blissfully unaware of her father’s discomfort, insists that he must be welcomed into their home. Mike, stricken with grief, but anxious to connect with Ryoji’s family and childhood, gratefully accepts Yaichi’s grudging hospitality and settles into Ryoji’s old room.

As the manga continues, we watch Yaichi confront his preconceptions about Mike (and gay people in general), with considerable nudging from Kana, who adores their new houseguest. It’s rough going at first, but as Yaichi gets to know the man who so deeply loved his brother, he is increasingly able to see past his prejudices, to the point that, by the end of the volume, he’s defending Mike’s snoring problem to Kana and fighting the desire to rage at a neighbor who declines to let her child visit Kana’s house, fearing “negative influence.”

True to expectation, this is a pretty moving manga, made all the more poignant by its quiet, slice-of-life atmosphere, The artwork and visual storytelling are downright adorable, as somehow Tagame has managed to create something that wouldn’t look out of place on the shelf alongside, say, Yotsuba&!, without sacrificing his own artistic sensibility. But, of course, it’s not the artwork that makes this book so important.

As a westerner, I’m always wary of imposing my own cultural expectations on books like this, and I’m very much aware that queer culture in Japan is as different from what I’m accustomed to here as is Japanese culture in general, and with that in mind, it’s pretty great to know that a series like this was run in Monthly Action, which, despite its “indie” aspirations, is clearly aimed mainly towards straight men (so many boobs, my friends, so many). Perhaps because of that, it was difficult for me to warm to Yaichi, who is obviously intended as the stand-in for the reader, in all his discomfort over the concept of gay people and how he’s supposed to interact with one. Watching Yaichi’s progress is painful and, yes, eventually heartwarming, but what is most striking to me, as a reader, is Mike’s patience, kindness, and general agreeability throughout. Watching this sweet, hulking man smile with gratitude in every moment, even when he’s being treated with barely-concealed suspicion, is just… heart-wrenching. I can only imagine how this must read for someone who has experienced the same.

MICHELLE: Oh, man. I knew the general premise of this but not that Yaichi would be quite so awful at the outset. And it’s bad enough that Mike’s being treated this way, but when he’s grieving and so desperate for any scrap of his beloved that he’ll take it. From how you describe him, it doesn’t sound as if Mike tries to stand up for himself at any point.

MELINDA: I feel like I should rephrase, perhaps… I mean, yes, from my perspective Yaichi is being awful, but that’s where my western perception is failing me, I think. I think we can all agree, however, that’s astonishing and awesome about Mike (also a westerner), though, is that he seems to be naturally accounting for differences in culture, and is just ceaselessly kind and giving. And when Yaichi becomes moved by that, it is what really changes his perspective, perhaps even more than Kana’s influence.

There’s obviously a lot more here, too, than just Yaichi overcoming homophobia. We find out a little about his estrangement from his twin brother and also about how his own marriage broke down, and I think in the end they are going to be strong healing influences for each other, and probably also for Kana, who didn’t even know she had an uncle!

MICHELLE: That does sound reassuring. I’m about to begin reading My Brother’s Husband this evening, in fact, so I’ll do my best not to get too riled up. Especially since I’m so very grateful that Pantheon has brought it to us!

MELINDA: Oh, go ahead and get riled up! But I really think you’ll love it in the end. It’s one of my favorite manga I’ve read so far this year.

So, we also have a mutual read this week… do you want to do the honors?

MICHELLE: Sure!

From Rei Toma, whose Dawn of the Arcana I liked and also featured a protagonist whose unusual red hair is viewed with suspicion, comes The Water Dragon’s Bride.

Asahi is spending a pleasant afternoon with her parents and she’s just about to go in and have some cookies when the backyard pond reaches out and ensares her, transporting her to another world. There, she meets a friendly boy named Subaru who unfortunately has some very ruthless parents, who immediately decide to offer Asahi to the water dragon god to obtain prosperity.

Asahi meets the dragon god who is, of course, a bishounen. He decides she’ll do for entertainment and shows off various tricks, but she’s unimpressed and protests so much that he steals her voice, promising to return it when she becomes his bride. Subaru mounts a valiant rescue, but the villagers prove to be just as crappy the second time around and the god decides to intervene.

How’s that?

MELINDA: That’s about the size of it! So. Okay. Honestly, I’m having a hard time coming up with a lot to say about this series so far. It’s definitely kind of adorable. Asahi is a spunky, likable heroine. Subaru, the obvious love interest, is sweetly earnest, and the bishounen water dragon god is pleasantly crusty. But man… haven’t we read this book before? Like a thousand times? Am I too much of a bitter, old schoolgirl-in-another-land fogey to enjoy this… again?

MICHELLE: It was certainly a very lightweight volume! I do think there’s potential, especially in the character of the water god. He’s cold, distant, and uncaring. At one point he simply watches as she wastes away in starvation. And he only intervenes at the end to preserve his entertainment. I’m sure he’ll feel love eventually, since that sort of thing always happens, but he’s definitely the most interesting character so far. Too, at least with the fish imagery and the pond, I had a little bit of Moon Child feels, and that’s always welcome.

MELINDA: I hadn’t thought about Moon Child, but I can see where you’re coming from, though the artwork isn’t nearly as beautiful as Shimizu’s, nor does it hold up well to what was the obvious comparison for me, Yun Mi-kyung’s Bride of the Water God, which, whatever you think of the series in general, I think is objectively visually stunning. Of course Bride of the Water God is a much more serious take on the sacrificial maiden theme, and Moon Child is weird and darkly whimsical like no other manga I’ve ever read. So it’s not really fair to hold this sweet little volume to either of those standards.

That said, I agree that the bishounen god has some possibilities (even if the long hair and excessive lounging just made me wish we were getting a new volume of Loveless anytime soon), and I expect there will be more substance as we go forward. But I kinda hope it hurries.

MICHELLE: Me, too! I did think of Bride of the Water God, but I although I did collect the volumes for a while, I never actually read them.

MELINDA: Well, perhaps this little manga will fare better on your shelves! I guess time will tell!

MICHELLE: I will least give it a few volumes to see how it fares. But it won’t assuage my sorrow that volume four of Wave, Listen to Me! is not even out in Japan yet.

MELINDA: That is a tragedy, indeed.

By: Melinda Beasi