#Been using statues for reference to practice

[ebenelephant]

Look, I think you're misconstruing some of my points and since this is reaching way farther than I wanted I would like to clarify for a second. This was kind of a bit of a rant post which I didn't expect people other than like 4 mutuals to... see? So as you can imagine I wasn't exactly my best articulated. Some of my points have definitely come across wrong, so to try and explain what I mean a little better:

I'm not saying we should see more flashbacks to Tom's life. This is a criticism I have of this plot point not being thought through, more than anything. It tells us something other that what was probably intended because you get the impression that Rowling didn't really consider the wider implications of what she was saying in the time period it was set. I'm not suggesting this should be delved deeper into, I'm just suggesting that it wasnt the best thought through.

With the Weasleys I just messed up the timeline on this one. I do genuinely have issues with some of the portrayal of the Weasleys which I won't get into, but this one is my mistake.

The Snape one is more of a personal gripe. My tongue in cheek remark about being "surprised you caught onto that" is in reference to the fact that I have heard/seen multiple people just glossing over that context to his life entirely - either because they missed it of because it was too minor for them to care.

My issue with the Hermione thing isn't actually that she obliviated her parents – as you say, this makes sense with her character – but rather how underutilised they are. We meet the parents and guardians of other, less important characters when they're thematically and narratively relevant, and given how important Hermione's status as a muggleborn is in the books you would think they would be both. It always seemed a weird choice to me that her parents are practically non-entities, spoken of occasionally but never seen. It's the show-don't-tell thing: we are told that Hermione loves her parent a lot, and of course we know this to be true, but the biggest time they are really relevant is when she obliviates them. Even if Harry had just seen them once, maybe sending Hermione to platform 9¾, and had seen them in contrast to the Dursleys this would have given them more weight. Hermione is distraught, but we as the reader are much less emotionally involved because we have no idea who these people are.

The Lily point honestly feels like a bad faith arguement, because she was never just 'the main character's long dead mum', she was the person who saved him, who made him the chosen one, who is referenced throughout the series, and who is directly related to the actions of multiple characters. I would literally just like consistent characterisation for her, because the way she is spoken about doesn't align with the ways we see her acting in the few scenes she has, and even in those scenes she is somewhat contradictory. This is never addressed by Harry the way it's addressed when he learns the negative qualities of his father – though in a book targeted at a 9-12 audience you would certainly expect it to be. This makes me think, again: oversight. Kids books have to guide the reader somewhat, and this aspect doesn't really do that. Could've been a great addition to that "nobody's perfect" theme JKR had going, but wasn't executed in a way properly accessible to a nine year old as opposed to other points in the series.

thinking again about jk rowling being a bad writer. like, we all know about the massive flaws in her worldbuilding and i hope by now it's clear she's a bigot on basically every front. (hello, regular reminder that she doesn't even actually like women.) but like. she's especially good at dropping bits of lore and then those not being relevant in the fucking slightest. riddle was told to go home to his orphanage in london during what would have very much been the blitz? whatever. the weasley's are so strapped for cash that they're sending their son to school with a potentially dangerous broken wand? of course they're spending their lottery winnings on visiting their adult son in egypt, what else would they do. snape grew up in what was likely a dying northern industrial town with abusive/neglectful parents, largely cut off from the magical world? almost impressed you caught on to that, with how little it's expanded on. yes hermione has a supposedly good relationship with both her parents, no we're not going to show you it at all, yes she's going to wipe they're memories like it's nothing. lily evans is the moral compass of james and basically the most important person in the series but fuck you if you want to actually know anything about her lmao. even what little we see is wildly inconsistent.

[vamps-hmu]

you ever love someone so much you want to hold them so tightly they bleed?

[headspace-hotel]

How people in the USA loved nature and knew the ways of the plants in the past vs. nowadays

I have been in the stacks at the library, reading a lot of magazine and journal articles, selecting those that are from over fifty years ago.

I do this because I want to see how people thought and the tools they had to come up with their ideas, and see if I can get perspective on the thoughts and ideas of nowadays

I've been looking at the journals and magazines about nature, gardening, plants, and wildlife, focusing on those from 1950-1970 or thereabouts. These are some unstructured observations.

The discourse about spraying poisons on everything in your garden/lawn has been virtually unchanged for the past 70 years; the main thing that's changed is the specific chemicals used, which in the past were chemicals now known to be horribly dangerous and toxic. In many cases, just as today, the people who opposed the poisons were considered as whackos overreacting to something mostly safe with a few risks that could be easily minimized. In short, history is not on the pesticides' side.

Compared with 50-70 years ago, today the "wilderness" areas of the USA are doing much better nowadays, but it actually appears that the areas with lots of human habitation are doing much worse nowadays.

I am especially stricken by references to wildflowers. There has definitely been a MASSIVE disappearance of flowers in the Eastern United States. I can tell this because of what flowers the old magazines reference as common or familiar wildflowers. Many of them are flowers that seem rare to me, which I have only seen in designated preserves.

There are a lot more lepidopterans (butterflies and moths) presumed to be familiar to the reader. And birds.

Yes, land ownership in the USA originated with colonization, but it appears that the preoccupation with who owns every little piece of land on a very nitpicking level has emerged more recently? In the magazines there is a sense of natural places as an unacknowledged commons. It is assumed that a person has access to "The creek," "The woods," "The field," "The pond" for simple rambling or enjoyment without personally owning property or directly asking permission to go onto another person's property.

There is very little talk of hiking and backpacking. I don't think I saw anything in the magazines about hiking or going on hikes, which is strange because nowadays hiking is the main outdoor activity people think of. Nature lovers 50-70 years ago described many more activities that were not very physically active, simply watching the birds or tending to one's garden or going on a nice walk. I feel this HAS to do with the immediately above point.

Gardening seems like it was more common, like in general. The discussion is about gardening without poisons or unsustainable practices, instead of trying to convince people to garden at all.

Overall, the range of animals and plants culturally considered to be common or familiar "backyard" creatures has narrowed significantly, even as the overall conservation status of animals and plants has improved.

This, to me, suggests two things that each may be possible: first, that the soils and environments of our suburbs and houses have sustained such a high level of cumulative damage that the life forms they once supported are no longer able to live, or second, that our way of managing our yards and inhabited areas has become steadily more destructive. Perhaps it may be the case that the minimum "acceptable" standard of lawn management has become more fastidious.

In conclusion, I feel that our relationship with nature has become more distant, even as the number of people who abstractly support the preservation of "wilderness" has increased. In the past, these wilderness preservation initiatives were a harder sell, but somehow, more people were in more direct contact with the more mundane parts of nature like flowers and birds, and had a personal relationship with those things.

And somehow, even with all the DDT and arsenic, the everyday outdoor spaces surrounding people's homes were not as broadly hostile to life even though the people might have FELT more hostile towards life. In 1960, a person hates woodpeckers, snakes and moths and his yard is constantly plagued by them: in 2024, a person enjoys the concept of woodpeckers, snakes and moths but rarely sees them, and is more likely to think of parks and preserves as the place they live and need to be protected. Large animals are mostly doing better in 2024, but the littlest ones, the wildflowers and bugs and birds, have declined steeply. It's not because "wilderness" is less; it seems more because non-wilderness has declined in quality.

[yakutarts]

Nightmare and Dream but feral, non-skeletal body!

For the love of god PLEASE click on the image for better quality + close ups and clothed version under the cut!!

Would you kiss them?

Video process:

I made these using a specific context

A while ages ago I drew and posted a drawing of Nightmare and Dream on their light ball form but with some alterations/personal headcanons.

On the post, I expressed my desire to draw the twins in a universe were Nim didn’t need to give them bodies, and just let them grow naturally. And specifically give them an animalistic appearance, instead of a humanoid one like most artist do.

You can see on the process video that it took me 1000 sketches to make something that looked good and I was happy with, the video is obviously sped up, the total time it took me to make this was 28 hours and 15 minutes.

Now explaining some things:

Why are they so big?

I read on a post made by Joku that Nim, before giving them skeleton bodies, tried to make them human ones, but the pure amount of magic and power the twins had made the human bodies explode or some shit. So she picked skeletons since the magic could flow freely through the bones without being confined by muscle and flesh. That made me think if their power had physical forms, it would be gigantic. So I gave them gigantic forms to better represent their status of strength and power, beings made from raw magic to serve as guardians of all emotions throughout the multiverse, of course I needed to make them big and intimidating!

Why the horns?

Artistic design choice, I gave them little horns and a chubby tail in their light ball form to purposefully make them more animalistic, wanted to keep it while making these. Also just giving them a smooth head with nothing much going on looked weird and boring.

Why the draconian look?

Dragons had been created and depicted as symbols of pure power above humanity and worshipped as deities throughout several cultures around the world, different depictions of dragons has been one of the only things present among almost all cultures, like a default folklore creature. While I tried to incorporate other mythical creatures in the design, the draconic body plan felt more right due to the influence of dragons on human beliefs, and their representation as magical and powerful beings beyond human comprehension. Plus I just really love drawing dragons.

Why the clothing choice? Also why is Dream half naked while Nightmare has everything covered?

While designing the clothes for Nightmare, I used as reference clothing that usually royalty would wear, Nightmare has a really big ego and sees himself as a king, so he uses fancy, expensive clothing and jewelry, adapted and designed for his anatomy. Not practical for battle, but his corruption can go through the fabric without damaging it, and most people and monsters just run when they see him, so he doesn’t worry about it getting dirty or tearing, Nightmare just expects every soul to instantly submit when they see him, so he never worries about getting into a battle and getting dirty he has that big of an ego.

Dream is the opposite, his style of clothing much more practical for running, jumping, flying, fighting and general exercise. He has 4 bags in total, 2 on each side, inside them he keeps several items, be it healing food, magical artifacts, first aid kit, gifts he receives, stuff he buys or random things he finds and wants to take home with him. Dream’s crown is now a colar couldn’t figure out how to make it work with the head shape and horns, his cape is from his official design, but changed to white, was planning to make it yellow but when I looked at it my eyes hurt because there was too much yellow everywhere. I made Dream’s clothes with the intent to match his official design, I didn’t to the same for nightmare because a turtle neck with a hoodie on a dragon would make him more huggable than intimidating. Plus I like to think that the leg warmers was a gift from Blue, and the ring on his horn a gift from Ink. Didn’t add more stuff on him because I couldn’t think of something that would look good and match Dream’s vibe, the rest of his clothes on his official design didn’t translate well here. Oh, while I was drawing this, I drew the colar and the leg warmers first, without the cape, Dream looked like a twink with a pet play kink.

Side note; neither Nightmare or Dream see the use of clothes as a necessity or as decency. For them clothes are nothing but pure decoration and to show off status for Nightmare, they can wear full body suits, partial clothing, just jewelry, or nothing at all, which is what they usually go for when at home, wearing or not wearing stuff doesn’t make that much of a difference to them at all.

Do they act as animals or do they have human intelligence?

Despite me using the word “feral” all the time to describe them, they do not actually act as animals. I’m only using “feral” to describe their body/anatomy, Nightmare and Dream are fully sentient and have human level intelligence/awareness. They are capable of speech and have opposable thumbs on their front paws, they can grab, write, hold… do anything a human can do with their hands with dexterity. But they do have to use only hand one at a time, and balance themselves with the other. To use both hands, they have to be sitting, or be supported by something, they can balance themselves on their wings if they have to.

And now contradicting what I just said, they have some animalistic behaviors. The twins can growl, purr and roar. Despite Nightmare being able to use his tentacles and Dream being able to shoot magic arrows out of his wings, they to also scratch and bite while fighting. Since they are big and heavy, they can easily crush bone under their weight and their bite force is strong enough to split someone in half. If you need a reference, just use Smaug from The Hobbit, he has more or less the balance of animal behavior and human intelligence I’m looking for.

Expanding more on this, the twins stretch just like felines, and often sleep in positions usually cats sleep in (they don’t actually need to sleep but do anyway). Dream likes to go fishing, and by fishing I mean jumping in a lake and chasing the fish underwater. He finds it more fun than sitting around and waiting for the fish to come to you instead.

I guess you count their lack of necessity to wear clothes as animal logic too?

_________________

If you have any more questions about them, I will be happy to answer!

And yes, I do plan on making more drawings of Nightmare and Dream on this form!

Dreamtale belongs to @jokublog

Feral concept/design by @yakutarts (me)

[hannieehaee]

18+ / mdi

content: loser!seungcheol, afab reader, smut, continuation of my previous two loser!cheol fics, mentions of fwb relationship, confession, penetrative sex, etc.

part 1, part 2, part 3

wc: 2017

a/n: im creating the loser cinematic universe

masterlist

"so, are you guys dating now?", jeonghan asked one day as a few of the other frat members hung around the kitchen after a rowdy night partying.

"oh, uh, i'm not sure," was seungcheol's response.

it was the truth.

after only a few weeks of knowing each other, – and you jumping his bones every time you saw him – seungcheol still had no idea what label he was supposed to use when referring to you.

you were quite sweet to him any time the two of you got down to unseemly activities, but you were yet to mention anything about being exclusive, much less about officially being his girlfriend.

still, when jeonghan asked, seungcheol felt slightly embarrassed answering.

he wanted to proudly claim you as his; to have his fellow frat brothers look at him in envy when he brought you around, knowing you had picked him out of everyone else; that despite having the reputation of being a loser and a smartass, he had scored the prettiest and sweetest girl on campus.

sadly, he could only daydream about such a thing. he fid not have the balls to actually ask you out, something that jeonghan apparently caught sight of when seungcheol gave him his answer.

"dude, just ask her out," he practically scolded, "she clearly likes you. just make the first move and tell her you wanna be official."

"it's not that easy," he grumbled.

except it was.

what seungcheol didn't seem to realize was that you and jeonghan weren't just mere acquaintances. you were actually friends, which meant that he was pretty well informed on the current status of your relationship. while seungcheol remained unaware of what you sought out of the relationship, jeonghan had been made privy of that information by you directly.

your current hope was for seungcheol to ask you out himself. you knew he was shy and introverted, – and entirely inexperienced when it came to relationships – but you wanted him to want you so bad that his want for you bypassed all those barriers. being asked to be official by the pretty nerd from your friend's frat house was something you simply felt was a must. refusing to make the first move, you waited for him to grow frustrated enough to snap and beg you to be his.

meanwhile, seungcheol was disheartened at the thought of you being so nonchalant about it all, believing that if you were really interested, you wouldve already asked him to be yours.

"girls like to feel wanted. all you have to do is ask her out to a movie or something. easy," shrugged jeonghan.

"easy for you to say. i've never done it before," complained seungcheol, deflated.

"when's the next time you're seeing each other?"

"she asked to come over tonight, why?"

"great," smirked jeonghan, "i have a plan."

~

even as socially inept and inexperienced as seungcheol was, he knew this was the cheesiest thing he could've possibly done.

however, jeonghan had been right about setting him up with you in the first place, even having orchestrated the perfect plan to do so in such a seamless way that it landed seungcheol the prettiest fuck buddy, so he decided to blindly trust jeonghan's expertise yet again.

and now he stood in his room, staring down at the bed covered in red rose petals as what jeonghan described to be 'baby-making music' played. the lights were dimmed and the entire aura was nothing short of suggestive.

after having confirmed for you to come over, – all while jeonghan dictated the text seungcheol was meant to send you – he prepared his room for 'a night of romance,' as jeonghan had called it. the plan was to welcome you in, somehow work his way into a confession, and then 'make love' to you (jeonghan's words, not seungcheol's). as much as cheol wanted to actually make love to you and make you officially his, his anxiety was through the roof. he had never had a girlfriend before. you were his first everything, and he was terrified of scaring you away by being too forward. maybe all you wanted was something casual – which would break his heart, but he'd respect it.

it was, however, too late to back down, as you were supposed to arrive within minutes. in fact, he could already hear the door being opened, accompanied by muffled speech, coming from the entrance of the frat.

upon hearing a quiet knock on his door, he went to open it, offering you a sheepish smile as you walked in and took in the sight.

you giggled in disbelief, "cheol, what's all this?"

"uh, i, uhm, i wanted to make tonight a little extra special, that's all."

— 'tell her you coward!', he could hear jeonghan's voice playing in the back of his head.

"yeah? that's all?", you asked, nearing him with a purpose.

"well, no, i- i actually wanted to ask you something."

"mhm?," you smiled, placing your hands on his shoulders.

he was visibly sweating by now, gulping after every sentence and his eyes fleeting from your own down to his shoes.

"just, uh, i wanted to, f-fuck- it's kinda difficult when you- when you do that," he stammered when your hands made their way to the back of his neck, playing softly with the hair there, drawing goosebumps in the process.

"it's okay, cheollie, just tell me. i can get a lot more distracting," you practically warned, not halting your soft touches and now invading all his personal space.

without even thinking of it, his hands had wrapped around your waist, a place that was now natural for him to hold, albeit always in a shy manner.

"y-yeah, okay, uh, i just- just wanted to know if you ... if you'd like to- to, uh, maybe go out sometime," he gulped and cringed at how not-smoothly it had gone over. he hadn't even asked you out how he meant to, how he had rehearsed with han.

"go out? but, cheollie, we already hang out so much. what do you mean by 'go out'?", you tilted your head in fake confusion, clearly acting obtuse on purpose to further mess with an already nervous seungcheol.

nevertheless, cheol was not planning on backing down. not even when you leaned in and began pressing hot kisses to the skin of his neck. not even when your tongue came out to lick at the splotches you'd begun leaving behind. and specially not when your teeth went up to softly nibble at his earlobe.

"b-be my girlfriend, fuck, please? i ...", he whined all at once, hands tightening into your hips.

seungcheol could not be blamed for being such a weak man, falling to your seduction so easily. you were always in control whenever it came to the bedroom. this was something seungcheol absolutely adored. maybe it made him feel weak and a little bit pathetic at times, but it sure made his dick insanely hard, just like at this same moment.

"yes, cheollie," you sighed with a smile as your lips remained attached to his skin, "i'll be your girlfriend, angel."

"y-you will?", he managed to let out a gasp when your hands joined in on the fun, reaching under his shirt and feeling up his chest and abdomen.

"of course, baby. like you so much ... just wanted you to ask me out first," you revealed between kisses on his neck, reaching to his cheek and then finally landing on his lips.

"mmm," he hummed against your lips, hands tightening around your waist as he instinctively pulled you into himself, "god, wanted to ask you out since the day we met."

"i know, cheollie," you giggled, "you're just a little shy, huh?"

"you just make me so nervous," he groaned, letting himself fall limp to your touches, molding to your body and letting you guide him to bed with zero complaints.

"me? but i like you so much," you stress the words as you undress him, with him numbly following along to all your wordless commands.

"like you more ..." he breathed out once he was completely undressed and your hands reached down to toy with his cock through his boxers, "l-like you so much, you have no idea ..."

"can't believe such a pretty boy likes me so much," you went back to his lips, pulling his head back by his hair in order to force his mouth open for your tongue to make an entrance. you breathed in his gasps, making love to his tongue with your own.

"y-you're pretty. so pretty, you- fuck, can't believe you even looked my way," he kept mirroring your compliments, feeling an innate need to let you know how much more into you he was than you could ever understand.

"yeah? let me show you how much i like you, then?" you smiled against his lips, whining at how he seemed unable to disconnect your lips, chasing after your own with a huff.

nodding feverishly, he helped you out of your clothes, groaning any time your hand would go back down to make contact with his cock, eventually pulling it out of his boxers.

"m gonna fuck you now, okay, baby? gonna fuck you just how you like," you promised once undressed, sitting on his lap as his breath accelerated.

he felt a cold sweat rush through his body at the thought of you sitting on him. he'd gotten the privilege of fucking you many times in the pas, but he was always unprepared for the feeling of your cunt wrapped around him. the sight of your nude body in front of him was already enough to make him lose the ability to think coherently.

"f-fuck, oh, fuck, thank you," he groaned when you finally sat down on him, eyes rolling back and fingers digging into your hips.

"cheollie ... fuck, always feel so good for me," you breathed, arching your back and wrapping your arms around his shoulders for support, "such a good boy ..."

the praise made his hips cant upwards, beginning to fuck into you with a complete lack of rhythm, yet still making you let out those high-pitched moans that always made him lose his mind.

"it's so fucking tight ... fuck, love it so much. l-like you so fucking much. so perfect for me ..."

"can't believe you're mine ... please tell me you're mine. please ..."

"need you every day. can't live without your cunt. fuck, you ruined me ..."

uncharacteristically, his words were endless, wanting to let you know how much he liked you and how badly he needed to have you day after day. he needed to make you feel as wanted as you always did him. after every single one of his confessions, you'd respond with a reciprocation, making him even more desperate for you.

"'m gonna cum for you, cheollie," you eventually whined, "cum with me , angel. please? show me how m-much you like me?"

how could he deny you when you played that card? when all he wanted was to give you anything your heart desired? he had no ability to resist you, always following your every request without question.

there was no need for him to hold back his orgasm, as he could practically cum on command if you so much as looked at him a certain way. he just liked you so fucking much, having no control of himself any time you touched him.

his hips accelerated when your orgasm hit you, pistoning into you at punishing speed due to the way your cunt wrapped around him all of the sudden. despite already being used to your cunt, he could not resist its warm embrace any time your orgasm would rob you of your senses. predictably, his own orgasm followed yours almost immediately.

"t-thank you. fuck, thank you. like you so much, fuck. baby, l-like you so fucking much," there was a mantra of thank you's and confessions through the entirety of his orgasm, sounding entirely too pathetic but not caring for it as he expressed his truth for you.

"such a good boy, cheollie," you whispered into his ear once both your orgasms subsided. your hands played softly with his hair, pressing him against your skin in a comforting manner.

seungcheol could die happily in this moment. how could things be better than now? he had the prettiest girl holding him in her arms after the best orgasm of his life, having found out that his feelings were mutual. no more words were needed as the two of you softly loved on one another, eventually laying in bed and napping together, only to wake back up again and express the same sentiments over and over again.

[enarei]

i was banned late in 2022 for what the moderators told me was "hate speech". in my last post before the ban took place i'd called myself a tranny (i had been doing for months admittedly). i guess self-referential use of a slur could be framed as "hate speech" if you really wanted to police a group's speech. besides that i'd very recently expressed my dislike of all the associations centered around venerating american veterans and the conspirational origins of the "MIA" flag. "veteran status" is a protected identity under tumblr's community guidelines, which i think is as patently ridiculous as it sounds to anyone who is not from the US.

but those are just guesses. for all i know it could've been something else. i can't know for certain because i didn't receive any warnings or strikes prior to the ban. they refused to cite the offending post when i pressed them on it, and they didn't follow-up on my emails when i asked them again. they just said my whole blog violated the community guidelines. how? that's the kinda absurd part about using this website for an extended period of time (i had had that account for almost 5 years). any trans woman who is mildly public or vocal about their opinions when those opinions relate to her personhood is subjected to a torrent of hate speech. radfems were much more prominent back then, which gave the impression that this site's moderation was very lax. but when i was banned my account was deleted in one swift stroke, with no reference to what the offending content was, no previous warnings, and thus no means to reasonably try to contest it. i still don't know if I actually violated the community guidelines or not. no other social media does this. and one can argue tumblr is *relatively* more stringent about hate speech which impacts trans people than it was in 2022, but it's still a terrible practice. because people who might've been falsely banned due to an antagonistic moderator targeting a popular blog for personal reasons, something we know to have occurred with transmisoginistic actors in the past, that staff themselves have admitted happened, however briefly, have no means to prove it happened to them and end up just sounding like conspiracy theorists.

even if they claim they've rooted out the problem and their moderation team is "better" the complete lack of transparency makes it impossible to prove trans women aren't being targeted

[artifacts-and-arthropods]

2,000-Year-Old Fayum Portraits from Roman Egypt: also known as "mummy portraits," these funerary paintings were often fastened to the coffins of the people they depicted

Above: Fayum portrait of a woman from Roman-occupied Egypt, c.100-110 CE

Fayum portraiture was a popular funerary practice among the upper-class families of Roman Egypt from about 50 CE to 250 CE. Given the high mortality rates for children during this period, many of these portraits depict children and youths, but adults were often featured, too.

Above: portrait of a youth wearing a golden wreath, c.130-150 CE; the wreath and the background of the portrait are both gilded

The population of the Faiyum Delta, where most of these portraits were found, largely contained individuals with both native Egyptian/North African and Greek heritage. The Greek lineages can be traced back to the Ptolemaic period, when the Greeks gained control of Egypt and began to establish settlements throughout the region, gradually leading to a cultural diffusion between the Greek and Egyptian populations. The Romans eventually took control of Egypt in 31 CE, absorbing it into the Roman Empire and colonizing much of North Africa, but the demographics of the Faiyum Delta remained largely unchanged.

Above: portrait of a man with a mole on his nose, c.130-150 CE

Many of these Fayum portraits reflect the same blend of ethnic and cultural roots, depicting individuals with both Greek and native Egyptian heritage (a claim that is supported by both archaeological and genetic evidence). Some portraits may also depict native Egyptians who did not have any European ancestry, but had been integrated into Greco-Roman society.

Above: portrait of a bearded man, c.170-180 CE

These representations of native Egyptians provide us with unique insights into the actual demographics of Roman-occupied Egypt (and the ancient world at large). Non-European peoples are rarely included in depictions of the classical world; it's also interesting to see the blend of cultural elements that these portraits represent.

Above: portrait of a priest of Serapis, c.140-160 CE; the man in this portrait is shown wearing a fillet/crown that bears the seven-pointed star of the Greco-Egyptian god, Serapis

As this article explains:

In the 1800s and early 1900s, Western art historians didn’t know what to make of these portraits. Scholars of Roman history labeled them Egyptian. Scholars of Egyptian history labeled them Greco-Roman. These binary academic classifications failed to capture the true complexity of the ancient (or, indeed, modern) Mediterranean. In reality, Fayum portraits are a syncretic form, merging Egyptian and Greco-Roman art and funerary practices. They reflect the cosmopolitanism of both Roman and Egyptian history.

Above: portrait of a man, c.80-100 CE (left); portrait of a bearded officer, sometimes referred to as "Perseus," c.130-175 CE (right)

Above: portrait of a young woman in red, c.90-120 CE

Nearly 1,000 of these portraits are currently known to exist.

Above: portrait of a man wearing a gilded ivy wreath, c.100-150 CE

Above: portrait of a bearded man, c.150-170 CE

Sources & More Info:

Curationist: Fayum Portraits

Harvard Art Museums: Giving the Dead their Due: an Exhibition Re-Examines Funerary Portraits from Roman Egypt

Getty Museum: APPEAR Project

Getty Museum: Faces of Roman Egypt

National Geographic: Ancient Egypt's Stunning, Lifelike Mummy Portraits

The Athens Centre: The Myth of Whiteness in Classical Sculpture

Forbes: Whitewashing Ancient Statues: Whiteness, Racism and Color in the Ancient World

[pinkeoni]

Why I Think Will is the "Sorcerer"

When I first saw the episode titled "Sorcerer" way back when the episode titles first leaked, I immediately associated it with Will. But of course I did, considering he is my favorite character after all. But I do have more evidence to back this up other than favorite character bias.

Wizard as Sorcerer

For some of the international episode titles in other languages, the title for "Sorcerer" is occasionally translated to "Wizard." (sometimes it is translated as "Magician" but the general idea of a magic wielder is still there) It has also been noted that in some gendered languages, such as German and Italian, that the word takes on its masculine form. Thank you to @bylrndgm for your help with this! (Edit: adding this post)

It is true that Wizard and Sorcerer are two separate DnD classes, but I think it important to also consider the broader definition and understanding of "sorcerer" outside of just it's DnD definition.

There are multiple definitions that can be found online that refer to a sorcerer as a wizard.

"a person who practices sorcery: wizard" - Merriam-Webster

"Magical, mysterious, and quite possibly mythical, a sorcerer is a name for a spell-casting wizard." - Vocabulary.com

"a person who practices sorcery; black magician; wizard." -Dictionary.com

"a person who practices sorcery : a wizard or warlock" - The Britannica Dictionary

"One who practices sorcery; a wizard." - The Free Dictionary

So I think it is reasonable to see why so many, including myself, immediately associated Will with the sorcerer title— Sorcerers and wizards are heavily associated with each other and are oftentimes used interchangeably.

Since episode 1, Will has been closely tied with wizards. From his DnD character Will the Wise, to the password of Castle Byers referring to a fictional wizard, to dressing up as a wizard, to Will's depiction as a wizard making it into his painting of foreshadowing, the wizard status has followed Will throughout the seasons.

But wait, isn't Will a cleric and not a wizard?

Well yes... and no.

The one reference to Will being a cleric in the show is the one scene where Mike tells Max all of the party members' roles in the group. Here, I do not think he is referring to their DnD roles (even though some of them do share these titles with their characters) but rather, he is referring to their role in the real world using DnD classes. El is assigned as a mage, despite not having a DnD character of her own. The mage title refers to El's real position as a user of magical powers, and Will's cleric title refers to his connection to an otherworldly plane. "Clerics are intermediaries between the mortal world and the distant plane of the gods." from Dnd Beyond. Despite Will's label as a cleric, he is still heavily associated with wizards as well, and thus sorcerers.

The DnD descricption for sorcerers does seem to match Will as well, however. One defining element of a sorcerer, as described by DnD Beyond, is how they acquired their powers, which is either through "an exotic bloodline" or "exposure to unknown cosmic forces." "Is it a family curse, passed down to you from some distant ancestors? Or did some extraordinary event leave you blessed with inherent magic but perhaps scarred as well?"

I believe that Will has some sort of untapped powers that originate from his trip to the Upside Down in season one, which is why we are getting flashbacks to his time there, as has been indicated in behind the scenes material. I also have a more detailed post on why I believe that Will has powers here.

I don't think El is the "Sorcerer," but I do think it could also refer to Vecna

There are a couple of reasons why I do not believe that the title of sorcerer refers to El. The first being the use of masculine articles which I described above, and the second is that high fantasy imagery does not typically follow El the way it does Will. El is usually encased in science fiction tropes and imagery, and gets the title "Superhero" in relation to her powers rather than "Sorcerer" or "Wizard" or "Magician."

I do, however, acknowledge that Vecna has been referred to as a "dark wizard" by Dustin within the show, and has acquired his powers in a similar way that Will has re: the stage play. I think it is possible that the moniker "Sorcerer" could refer to both Vecna and Will, considering how closely they are connected and how they seem to be intentional foils of each other.

[lamentationsofalonelypotato]

Chapter 27: Take Me Back To The Beginning

Pairing: Soldier Boy x f!reader, Reader POV

Summary: When the reader left Payback 40 years ago after a falling out with her childhood best friend she never looked back, but when two men show up to her apartment and start asking her questions about the past, the reader begins to think those things can’t stay hidden and starts to question what’s real and what’s fantasy.  This is a re-telling of The Boys Season 3, where the reader is a supe who's known Soldier Boy since 1927. The chapters will fluctuate between past and present. This is chapter twenty seven of my "You Call It Madness But I Call It Love" series. (I'm so bad at summaries please forgive me!)

Word Count: 13.3K (I tried to cut it down I promise 😭)

Warnings:  I'm gonna label this one 18+ because it's Soldier Boy. Homelander is a freak AGAIN,  A little bit of Oedipal Complex (It's Homelander the man is a walking Greek Tragedy), Graphic depiction of death, Dark thoughts, References to Past Trauma,  Angst, Cursing, Sexual References, Family Problems- A LOT of family problems, Homophobic comment (It's Soldier Boy), Past Trauma, Death Mentioned, Blood mentioned. Soldier Boy might be, is, really, absolutely, completely a little OOC. Soldier Boy is really all you need as a warning.

Note: This is told from the Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. Reader is described as "curvy" occasionally. If you don’t like, don’t read, but if you do like, you’re my favorite!

Internal Monologue is in first person and is in italics

Series Masterlist

Main Masterlist

A/n: It's that time y'all! The final battle is finally here! This chapter was a doozy to write, there were so many things that needed to be wrapped up, but I really have loved writing this series and I really like how everything came together.

READER POV

The building is just as cold as you remember it, the hallways are silent and empty as if they'd been cleared for this exact moment as the three of you make your way into the depths of Vought Tower.

I wonder if Homelander was the one who did it, or if someone else realized what was coming.

There was an electricity in the air like the coming storm, rolling in front of Ben, Butcher, and you like a dark omen.

Homelander is going to get what is coming to him.

Any remorse you had for him left the moment that he took Lou. There was nothing human to save, nothing left to redeem, the only thing left was the sharpened, cruel creature that Vought created from your own flesh and blood.

And if you were his beginning, you might as well be his end.

Ben was walking beside you, any softness that you'd seen outside the building replaced by the cold calculating mask of Soldier Boy, you knew all too well, but this time you didn't fear his descent into the blaze, you reveled in it. For the first time in years, you were happy to see Soldier Boy again, and this time you knew that Ben was becoming this for you, for Lou, and for Rosemary.

You hoped that this time he wouldn't hold you back from doing what you needed to do as he had earlier. Though he did seem sorry for what happened while the two of you were outside, you weren't sure how eager he was to put it into practice.

Butcher seems to know where he is going, so you fall into step behind him, not concerned as to how Butcher knows exactly where he is headed. He stops outside a massive gilded door across from a rather exhaustive statue of the Seven craved from black marble.

The double doors that lead into the main conference room at Vought Tower are made to look intimidating, but you didn't feel anything but anger and fear. Not fear for yourself, but fear of what Homelander had done to Lou and to Rosemary.

Butcher pushes open the doors with one hand revealing a large room that lacks warmth. The last rays of the setting sun send honeyed light onto the black marble floors, dramatizing Homelander's stoic figure where he stands at the large floor to ceiling wall of windows at the opposite side of the room. His gaze is focused on the city below, like a proud emperor observing his kingdom and everything he owns.

He probably believes he does.

You think to yourself, eyes skating around the edges of the room looking for possible threats, but you don't see any. The wall to your left is lined with monitors and the wall to your right also has some, but instead holds a smaller pair of black double doors.

You didn’t know what kind of tricks Homelander had up his sleeve, but you were preparing yourself for the worst. Of the Seven teammates remaining he was the most formidable. You doubted that the Deep could do anything to you on dry land and you were more than happy to turn him into a tuna roll. You were a little worried about A-Train. He was fast enough to cause a problem, but you didn't know how much. Butcher had told you not to be worried about Hughie's girlfriend Starlight, mentioned that she wouldn’t side with Homelander and that she probably wouldn't be anywhere near Vought Tower. You figured that she'd probably gone to pick up Hughie from the gas station that Butcher had left him at, but you didn't know if she would come take down Homelander.

Honestly you were more worried that she would come for Ben. You'd seen her posts on social media proclaiming Soldier Boy as a terrorist and a villain, which meant that she probably wasn't your biggest fan either. You hoped that she was far away, you didn't want to kill someone who didn't deserve it or rather someone who lashed out against Ben or you because they didn't understand the whole situation.

Butcher also seemed unsure about who would be at Vought, mentioned something in passing about his old team that included the man you'd seen back at Herogasm, but you hadn't seen anyone in the building or sensed that anything unusual was about to happen other than your plan to rip out Homelander's spine and wear it around your neck like a fur boa.

"I remember the first time I stood here." Homelander says without turning around. You could see his pristine reflection in the glass, blonde hair perfectly styled and glowing in the last few wisps of sunlight. "I hadn't seen anything like New York City before, hadn't been around so many people in my entire life." His arms are crossed behind his back, the epitome of control. "They told me it was mine. That this was what I had been bred for my entire life." He glances over his shoulder at you. "I would have been willing to share it with you and dad."

"Where are Lou and Rosemary?" You keep your voice under control.

He ignores you and turns, eyes flicking from Butcher, to Ben, to you. "You are so beautiful. When I imagined what my mother would look like I never imagined someone like you. Maybe I imagined you looking a little more motherly." The feeling of his eyes tracing your figure makes your skin crawl. "But I can see why dad loves you so much. And of course why Noir was obsessed with you."

The mention of Noir makes your blood run cold. How did he know about that? Did Noir tell him?

That was another side of this whole situation that you had considered, you had no idea where Noir was. If he had stayed at the Tower or if he had cut and run when he heard that the rest of his team was being killed one by one. You hoped that it was the first option, trying to hunt him down and find him seemed inconvenient and you'd much rather just settle this now.

"Answer her question." Ben growls, the air around the two of you heating from Ben's newfound powers and the smell of ozone begins to float under your nose. He was trying to hold himself back from stepping in front of you and hiding you behind his body, that much was obvious. You could tell how much he hated how Homelander kept staring at you.

You did too. The guy is creepy enough, does he have to turn this into a Greek Tragedy? Did he see how things ended up for Oedipus?

Homelander only smiles, the same one he had back at Legend's, wide and with too much teeth. The smile of a predator before it catches it's prey, pretty until its teeth latch onto your throat.

He's very confident for someone who has no chance of taking down both of us. Then again, maybe he feels that way because he has the two people in the world who mean everything to me.

You strain your hearing to find Lou and Rosemary, but you can't hear them. There's a low buzz being projected through the building that makes it impossible for you to hear anything else.

Interesting that he's willing to handicap us even if it handicaps him as well.

"Hello William, still standing in my way and feeding them lies about me I see." Homelander tsks his finger as if Butcher is a child.

"Jealous that your dear old dad gets along better with me? Or maybe that your mother doesn't think that I'm as big a twat as you?" Butcher breezes with an easy smile.

Homelander's right eye twitches with Butcher's taunt.

"Sorry mate, does that make you angry? That your parents see me as the son they never had?" Butcher's smile grows.

You take this moment to skate your eyes around the room looking for any evidence of your granddaughter and daughter but you don't see any. Butcher was buying you time, but you didn't know how long it would take for Homelander to be done talking and you were ready to beat the location of your daughter and granddaughter out of him.

"Where are Lou and Rosemary?" Ben shouts again interrupting Butcher. "If you've hurt either of them I swear-"

"Why would I hurt my niece? I'm not a monster. She's fucking four years old." Homelander scoffs.

But hidden in his answer is the possibility that he hurt Rosemary, and it makes your blood run cold.

"We both know that you're capable of that." You respond coldly. "You thought nothing of using her as a human shield earlier."

Homelander presses a hand to his chest as if you've hurt him. "Why mother dearest, how could you say that about your only son?"

"Tell me where they are, and I will consider letting you live." You say without emotion.

Lie.

"There she is." Homelander smirks. "There's the woman I know and love. The one I met at Herogasm had so much ferocity, such rage, and pride. I think you try to hide her behind this. When you act pathetic and human." He gestures to you as if that explains things. "Because you're afraid to embrace it."

"You don't know me-"

"Well. The saying is, like father like son, but-" Homelander's smile doesn't reach his eyes. "The woman I met at Herogasm, she's something special, and exactly like me. Not to mention the woman who killed Stan is just as ferocious, and I'd like to talk to her."

"Keep pissing me off and you're gonna do a little more than talk to her."

Homelander chuckles. "Don't tease me." He has the audacity to wink.

"Don't you fucking look at her that way you sick fuck." Ben growls.

"Why? Aren't pretty things made to be worshipped?" His smirk grows. "And if I had someone like her I sure would worship her."

Ben lunges forward, to wipe the smirk off his face, but when you reach out and grab his arm, he stops. When he turns to look at you he looks like he's ready to snap Homelander in half, a fire blazing behind his eyes that you're not sure if it's because you held him back or because he's upset over what Homelander said.

With your eyes you try to say:

"You can rip him apart after he tells us where Lou and Rosemary are."

You're not sure Ben gets it, but he doesn't advance so you assume he got some form of that.

Deep down you were worried that Homelander had already handed them over to Vought or to the government for some kind of deal. It was an all consuming fear, because yes you would fight tooth and nail to get them back, but it wouldn't be easy if you had to fight the United States government to do it.

"Ashley." Homelander says, but when no one appears he roars the name again, with so much ferocity that it echoes off the walls of the round room, vibrating against the monitors, and into the hallway behind you.

A red-haired woman appears at the black double doors on the right side of the room, looking frazzled and pale. There are pieces of her hair stuck to her fashionable black pantsuit in clumps and she's wearing a pair of crimson heels that clack loudly against the marble floors. She's got a death grip on her phone so tight that you can hear the tension of her tendons in her hand.

You remember seeing her before in the background of an interview on t.v., but never paid much attention to her. Ben looks as confused as you do at her appearance, no doubt waiting for her to start lobbing fireballs or make heads explode, but instead she drags Lou through the doors behind her.

Lou looks the same as she did when Homelander took her, still wearing the same pink polka dot pajamas, except now she's holding the hand of a boy who looks maybe twelve years old with blondish-brown hair that hangs into his eyes that you're assuming is Ryan.

The woman, identified as Ashley disappears as suddenly as she appeared and slams the doors behind her.

Probably had the right idea. This entire room is about to become ground zero. Which is horrifying because now Lou is here.

The amount of relief you feel at the appearance of your granddaughter is overwhelming, fear of her being locked away somewhere evaporating as her eyes fall on you, wide and green.

"Lou." You breathe and cross the room to get to her, ignoring Homelander's gaze that follows your every move. You drop to your knees to give her a hug, but for the first time since you met her, she doesn't hug you back. "Are you alright? Are you hurt?” She's not smiling at you, she's frowning.

"Are you my grandma?"

The question makes you freeze for a moment. Obviously Homelander had told her the truth about everything and you didn't want to lie to her again. You knew this day would come, but you didn't think that she would find out this way. If anything Rosemary and you were going to tell her when she was old enough to understand that it wasn't something she should say in public.

You didn't look like a grandmother, nor did you think that anyone would believe Lou if she said it in public, but it would reveal that you were in fact Indigo.

Then again, we're probably past that. You frown at the thought, but it was true. There was no going back. You'd walked into Vought with no disguise in front of all the cameras and you certainly were going to leave your mark here tonight. You'd be lucky if Vought didn't run the story in the morning:

"Payback Strikes Back Against the Celebrated Seven"

Of course in that story everyone would conveniently forget that Ben and you were also beloved heroes, were also worshipped and elevated in society. Funny how things like that seem to be lost in translation.

"Yes." You reach up to push back her hair and she moves her head away, her dark hair slipping through your fingertips.

"Why did you lie? Lying is mean." She whispers, hurt flashing in her eyes. "Did you not want to be my grandma?" Lou looks down at her feet clad in a pair of teddy bear slippers.

"Oh sweetie." You sigh, tilting her chin up to look at you. "I did. I am. It was just easier this way-"

"Mommy says that lying is bad." Her green eyes are watery, voice quiet.

"I know. It is. But you have to understand it was a grown-up decision and we didn't want you to find out like this." This time she lets you brush her hair back from her face. "And it doesn't mean we love you any less."

Her eyes flick to Ben. Ben had followed you over, to make sure that Homelander didn't attack you when your back was turned.

"You're my grandpa?" Lou sniffles.

"Yeah." Ben forces a tight smile for Lou's sake, but you know that he's thinking that this isn't the place for this.

It isn't.

You could still feel Homelander's eyes against your back and you were trying to fight the shudder of disgust.

"Ryan say hello to your grandparents." Homelander calls from his position by the window, his voice proud and filled with  humor.

"Hello." Ryan smiles, but its hesitant and you’re happy that he’s at least able to read the room. A skill that his father didn't seem to have.

"Hi." You smile back tightly, the same smile that Ben had moments ago.

Meeting Ryan made all of this worse. You hear Homelander's footsteps as he gets closer to you and Ben mirrors his movement to block Homelander narrowing his eyes. You weren't here for a family reunion, you were here to kill Homelander and get your family back, but the thought of killing Ryan's father in front of him made you hesitate. That was something that seemed too cruel to consider, unless if Ryan was somehow shown how monstrous his father was.

Homelander holds his hands up in mock surrender. "I just want to talk this out."

You stand and push Lou behind you, refusing to let Homelander get anywhere near her again. "I thought you didn't want to talk to us anymore." You spit the words.

"I changed my mind." He forces his expression into something that looks like shame. "Maybe I got a little carried away before. But you have to understand I have been waiting to be apart of a family for such a long time and now that I have Ryan I’ve realized how important it is to have one. I'd never felt that kind of love for someone else, the kind of love that drives you to sacrifice whatever you have to save them.” He glances down at Lou who is peeking out from behind your leg at Homelander. "The kind of love you have for Lou."

He speaks like a practiced actor, his hand movements simple, rehearsed, the expressions on his face calm and collected, but you don't believe it for a minute.

"I know you said that I wasn’t your son, but I am." He says, eyes flicking from Ben to you. "I am your blood that's all that matters and now we can be a family. A real family."

"Where is Rosemary?" You ask. Lou hasn't moved from behind you.

"Please. All I'm asking is for a chance-" Homelander says ignoring your question.

"Why should we give you a fucking chance? You kidnapped Lou, you've probably hurt Rosemary or worse!" You could feel the room beginning to shake with the force of your anger, eyes shifting to purple.

"You kidnapped her, Dad?" Ryan asks in surprise.

You look back at where he was standing. Lou was still holding on to his hand and when you'd pushed her behind you, you'd also inadvertently pushed Ryan behind you too.

"I thought you said that Lou wanted to come live with us." Ryan continues looking confused. "And who's Rosemary?"

"He lied." Ben snarls, eyes not leaving Homelander.

"My guess is he does that a lot." You sigh looking at Ryan. "She's Lou's mother, your aunt. She flew after him when he took Lou. You haven't seen her?"

Ryan shakes his head.

Fuck.

Homelander ignores the question again and changes tactics, his blue eyes turning on Ben. "I understand what it's like for your team to betray you, to stab you in the back, to act like you didn't fight together, bleed together and to act like you weren't willing to die for one another. We could be unstoppable together, all of us. A family. Isn't that what you always wanted dad?" Homelander says the last part softly, enticing Ben to make that choice. "I read your file. Everything about what happened to your mother and it wasn't hard to figure out what happened with your father."

Ben's jaw clenches together and you watch his entire body tighten at the mention of his dad.

It was true. Ben had always wanted a family, always wanted someone in his life that cared for him, that he could love and be loved by, and you had made sure in all the years you'd known him that it was you. You were his family just as Ben had become your family and cared for you. It was hard to not be family to one another after all the years you'd spent together, to not care about him the way you did. It wasn't a burden to you to love Ben and wasn’t a burden for you to take up the title of family, because it was simply true.

You reach out and touch Ben's back to let him know that you’re there, feeling his muscles twitch for just a moment beneath your hand, before he glances over his shoulder at you. For just a fraction of a second you see the Soldier Boy façade drop and you see your Ben again, before something hardens in his eyes. The conversation that passes through the glance you share is absolute and quick, but he understands.

Ben takes a step towards Homelander letting your hand fall as he forces a tired sigh. "I'm sorry." He places his hand on Homelander's right shoulder.

You watch Homelander relax under the contact, the expression on his face hurts you. You didn't think it would, but Homelander looks happy and comforted that Ben was here with him. Content that Ben finally gave in.

In some ways you wished that it could be this way, that Homelander was redeemable, and that you could all be a family the way he wanted. But you couldn’t. The blood on his hands was too great and you had to stop him before anyone else got hurt.

"I'm sorry that I wasn't there, sorry that I wasn't able to teach you what I should have father to son." Ben sighs. "I think it would have helped you. I think your mother could have helped you."

"You're here now." Homelander says, looking over Ben shoulder at you, his eyes misty. You force yourself to send him an encouraging smile. "Both of you are." Homelander's voice sticks a little as he says it.

Something deep down breaks when he says that, because it’s the same thing that Ben and you had said to each other outside. As much as you wanted to hate Homelander, to push him away, another part of you was beginning to unravel, the part of you that wanted to accept him as your son. But you couldn’t because he didn't deserve that. Homelander was the monster that Vogelbaum created, there wasn’t a shred of human decency left and that meant Ben and you had to make a hard decision.

You wonder if Ben really did feel that way or if he was just doing this because he knew you wanted him to.

Ben continues to smile at him. "It would have helped you not to become a sniveling weak pussy starved for attention."

Homelander's smile falters. "Weak? But I'm your blood. Your son-"

"I know." You try to ignore the emotion that bleeds into Ben's voice when he says it. "And you're a fucking disappointment."

"What-" Homelander doesn't get the word out before Ben tackles him back away from you and Butcher leaps over the table to help him.

Ryan stiffens behind you as they do this and you look at him. "Dad?" Ryan whispers.

Lou gasps and touches the end of your shirt in fear, watching Homelander fight Butcher and Ben back, his eyes glowing an ominous red.

You open your mouth to say something to her and Ryan, but you feel a sharp pressure on the back of your neck and hear a high pitched snap.  You turn your head to look to your right and see Black Noir standing there, a broken syringe that holds a clear liquid in his right hand. The tip snapped when he had tried to press it into your body, unaware that your newfound power meant that nothing could break your skin.

"Ryan, please take Lou out of here. I don't want her to see this." You say calmly, not looking away from Noir, who lowers the syringe slowly in shock.

"But-" Ryan begins to say.

"Do it now." You order turning your body to face Noir. "Hello Earving. Long time no see."

Noir takes a small step backward realizing his mistake as Ryan pulls Lou to the doors on the other side of the room.

You hear Noir try to form a word, nothing more than an awkward click and a wheezing sound. "Sorry I can't hear you." You smile cruelly at him.

"I’d say you look good but, Ben really fucked you up pretty good didn't he?" You look through the mask with your x-ray vision, seeing just how messed up Noir is underneath. "It's a miracle that you're alive. That any of you got out of there alive."

Noir drops the syringe and pulls a knife, the blade shining in the fluorescent lights.

"You know, if the syringe didn't work, I don't think the knife will either." You begin to say, but he's undeterred.

He lunges forward sweeping the blade in a deadly arch aiming for your neck, but you catch his wrist. “If I had been there you all would have suffered.” You turn his wrist at an awkward angle, listening to the sharp cracking of bone as it snaps and Noir’s wheeze of pain.

Behind you, you could hear the telltale sound of punching and crashing, but you don’t look away from Noir, trusting that Ben and Butcher have it under control.

"Before I killed Countess I had to listen to her go on and on about how proud she was about that day, how proud she was that you all stabbed Ben in the fucking back, and honestly I didn’t mean to kill her. Though I will admit I regret not making it last a little longer. The Twins begged for mercy, tried to tell me that it was a big mistake, that Ben lied to me." You shrug advancing on him. "But Ben doesn't lie to me."

Noir tries again, kicking his foot up to hit your abdomen, but your hand closes on his ankle keeping his leg extended between the two of you.

 "He told me exactly what happened that day." You snarl, shoving Noir back from you so harshly that he lands on the ground. "You all turned on him. And honestly, you got off easy. You're lucky I wasn't there. Do you have any idea what I would have done to you if I had been there?" You smile and let out a low laugh. "Well I guess that doesn't matter, because you’re about to find out."

He scuffles back still on the ground, trying to crawl back, and reaches into his pocket for something. You were expecting a gun or a throwing knife, but instead he pulls out a notepad and a pen and you stop.

"What are you-" You begin to say, but Noir starts frantically writing with his only good hand.

He curls his ruined arm under the notepad to hold it steady as he forms the words on the page, and holds it up for you to see.

Did it for you.

"What?"

Noir drops the pad to write again.

Using you.

"Who?"

Him.

"Ben?"

Noir nods frantically.

Only way.

Wow he is so much worse off than I thought.

Then again, when Ben broke your heart you did think that too for a little bit. That all the years spent together had been a lie and that he was manipulating you and using you because he didn’t want to face the silence alone. It reminded you of the thing your mother shouted at you when you gave Howard back the ring and left home:

“You really think that disappointment will ever love you? Care about you? You are nothing to him, just another plaything. And the day he finally tosses you away, don’t bother coming back here.”

It makes you hesitate again and Noir sees it as an opportunity to write more on his piece of paper.

Set you free.

"You thought that the only way to free me was to send Ben to fucking Russia?"

Noir nods.

"I wasn't some fucking damsel in distress. I wasn't locked up in a tower by some dragon. I wasn't trapped-

You were.

"No I wasn't I chose to be there-"

Not happy.

"I was happy Earving."

I am better for you.

Your jaw snaps together, looking past the mask and into his scarred face. The expression in his eyes has shifted now, to something softer, something vulnerable and earnest. You remember what Stan said about Noir going through your apartment when you weren't there, stealing pieces of your clothing, and stealing your jewelry.

I did everything for you.

Noir reaches into his pocket and pulls out something that glimmers in the light. It takes you a moment to recognize it, but it's your pearl necklace, the one your father gave you when you spent your first birthday away from home. He holds it out to you and you take it from his hand. The beads are just as you remember, maybe a little yellowed with age, but still in good condition. Soft and supple against your fingertips, warmed from where they were in Noir's pocket.

Said I could have you.

"Who?"

Stan.

The name of the man you killed makes your blood run cold and for a minute you feel bad for Noir, feel bad that he believed what Stan said. Stan who told Noir whatever he could into manipulating him to do his bidding.

Stan knew that he was obsessed with me, knew exactly what to say to make sure that Noir would do what he wished. And Noir believed that I was something that Stan could give away. I didn't belong to Stan, didn't belong to anyone but me.

That was the problem with Stan after all, that he thought you were a commodity to be sold. That everyone else in the entire world believed that you were nothing more than a puppet to be used and disposed of whenever they saw fit. It was the same attitude that drove Stan and Vogelbaum to take your genetic material.

But then you left. Tried to find you. Couldn't find you. Why did you hide?

You watched Noir's shoulders slump as if it was painful for him to go through the past forty years not knowing where you were.

Could have helped you.

 A chill of disgust traces its hand down your back. You wondered how long he had been stalking you and wondered how many things he still had from forty years ago. The pearls were quickly icing in your hands, a symbol of the girl you used to be, the one who walked around Philadelphia and saw the world in color, saw the good in people. You knew that she was gone, long gone. Not after everything that you'd been through in the past week, finding out about what Vogelbaum did to you changed you, finding out what happened to Rosemary with Charlie changed you into someone different.

But you didn’t hate who you had become. You glance behind you at where Ben is fighting Homelander, ducking beneath the blows that Homelander tries to land, dancing around him.

I love you.

When your eyes trace over the familiar words and see the earnestness in Noir's eyes behind the mask. A part of you breaks for Noir, understanding that his obsession with you maybe did stem from good intentions but the descent into madness that drove him to do the things he did was dark and consumed him quickly.

"Did you know about Homelander?"

Noir was still sitting on the ground looking up at you and when you ask the question you watch him drop his head to his chest in shame.

Yes.

You move the pearls to your front pocket, considering your next move. "I saved your life before from Ben, not because I loved you but because I didn’t think it was right for him to hurt you. I didn't think that you deserved to lose your life over a film role.” You murmur with a sigh “But maybe if you'd gone about this the right way I would have given you a chance."

Do it now.

"No." You shake your head.

But I love you. I'm here-

The next word is just a scribble now as you fling your hand out and Noir's body flies back into the concrete wall. It cracks around him as you increase the pressure and he begins to fold in on himself.

"If you really loved me Earving, you wouldn't have let them do that to me." Your voice sounds hollow, but you know that it's the truth. “You would have tried harder to find me every day, to tell me what they fucking did.”

“Did try-“ He wheezes in a broken voice, barely audible.

“Should have tried harder.”

"Please-" The word is only a shadow of what it should be, his injuries making it difficult to form it, and through the mask you see a single tear tracing the side of his scared face.

"Ben would have ripped them all apart if he knew what they did. But you didn't, you sat at Stan's table for forty years and did absolutely nothing. You don't get the privilege to beg for mercy. Not after the things you did to Ben, and after the things you kept from me." There’s a purple outline glowing all around him, weaving around his torso. Your hand closes, the subtle glow of purple around his body tightening more and more, his screams sounding more like muffled wheezes, different than the shrieks of pain that Stan released in his final moments. And you continue to close your hand until there's nothing left, but a ball of flesh, tissue, and bone sitting on the ground where Noir used to be. Blood flecks the floor, forming rivulets that run like rivers over the pristine black marble like the roots of a tree.

You take in a breath, trying not to go into the darkness again that surges up with Noir’s death, the same darkness that dragged you under when everything happened with Stan, but you right yourself and turn to look at where Ben is fighting Homelander.

Ben is shaking his head and rising from a pile of debris, while Homelander floats in the air holding Butcher by the throat, looking down at him with a sickening smile.

"Goodbye William." Homelander turns and throws him against the window. It shatters with the force of Butcher's body being thrown against it and his body disappears from view into the air outside of the building.

Homelander turns to look at Ben and you. Ben has a cut on his cheek from Homelander's laser vision and takes a shaky step forward, but he stands proudly, putting himself between Homelander and you.

“Dad why did you do that?" Ryan asks. "Butcher was my friend."

Your gaze flicks to where Ryan and Lou are peeking around the door way that leads to another part of the tower and you're suddenly afraid that Lou saw what you did to Noir, but she's only looking out the shattered window in horror, tears in her little eyes. She liked Butcher, thought that he was funny.

"He was standing in my way son. And we don't let anyone stand in our way do we? Even our friends." Homelander's hair is hanging in his face from the fight, suit ripped away from his chest to reveal the black bodysuit underneath, one of his golden eagle shoulder pads is missing, and he has a prominent bruise on his cheek.  "See isn’t that better. No more Butcher to spread lies about me. Now we can all talk like a family.”

"Wouldn’t be too sure of that you narcissistic cunt." You hear Butcher’s voice say.

Rosemary floats into the room, supporting Butcher with one of his arms wrapped around her shoulders. She's still wearing the exact same thing she was when she followed Homelander, but now the dark sweatpants and t-shirt are ripped and riddled with what look like bullet holes. Rosemary's hair is wild around her face the hair tie that held it long gone, and she has blood flecked on her arms that you’re sure isn’t hers.

But she's there and she's alive.

You weren’t going to ask her what happened, but the wave of relief you have with her appearance obliterates the weight on your shoulders.

“We aren’t a fucking family.” Rosemary grits her teeth together, spitting the words back at Homelander.

"Mommy!" Lou says happily pulling away from Ryan to go towards her mother, who is closer to Homelander than you wanted her to be.

"How did you-" Homelander sputters.

"Get out of that pathetic excuse for a trap?" She snarls, green eyes flashing, looking more like Ben as she touches down in the room, helping Butcher to his feet. "It was easy. But you and I aren't done."

"I think we are." Homelander's eyes glow bright red, letting lose a bolt, it glances off her arm, but Rosemary crashes into him, grabbing him around the wrist to bring him down against the ground so hard that it rattles the other windows in the room.

But as she tries to bring his body against the marble floor again, Homelander breaks free and rises from the ground to fasten his hand around her throat, his eyes still glowing a sharp red that cuts through the room.

"You’re really pathetic." Homelander sighs. "I expected more, but I suppose you have no training or no practice controlling your powers."

She spits in Homelander's face and his gaze turns murderous.

"Let her go." Ben snarls, his chest beginning to glow, and this time you know that he won't stop, that he won't hold back from hitting Homelander full blast.

Homelander ignores Ben, focusing on Rosemary. "You think that you’re more powerful than me? You're not. I am the oldest after all." Homelander's voice is eerily calm. “You are nothing. Insignificant. You waste your life caring for other people and it makes you weak.”

“Leave my mommy alone!” Lou shouts and kicks Homelander in the shin.

Homelander looks down at her, his eyes still glowing.

Oh shit.

“You know, I thought you were cute at first, but you’re really just annoying.” He sighs kicks out with his foot and before you can do anything Lou goes flying out the opening in the window with a blood curdling scream.

“No!” You shout as her body vanishes just as Butcher’s had only seconds ago. You feel your body take off the ground to chase after her, but before you make it out the window, Lou comes soaring back in her little fists clenched tightly at her sides.

“That was mean.” She states indignantly.

Your eyes widen in shock, feet touching back down on the ground. She can FLY?

“Wow. I kinda expected more than you only being able to fly seeing as you’re supposed to be so powerful but I guess-" Homelander begins to say.

Lou waves her hand a purple glow coming from around her fingertips and the large table in the middle of the room jerks off the floor and slams into Homelander like a freight train. A loud “ooof” comes out of his mouth as he drops Rosemary and flies back against the wall of monitors.

“Mommy are you okay?” Lou says hugging her mom tight.

“Yes sweetie.” Rosemary says hugging her back, but even she seems as stunned by this turn of events as you do.

Yes Rosemary had said that Lou was going to develop powers, but you didn’t think it was going to happen like this or this soon. Then again you weren’t well versed in how long it took for supe children to develop them. Rosemary had developed hers when she was one year old, but you were hoping that maybe you had a few years before Lou developed hers.

“How did she do that?” Ben murmurs to you.

“I have no idea. It’s not a power I was born with or Rosemary was born with. Same with the flying-“ You whisper back. “She didn’t touch Rosemary before she did it, but-“ A horrible thought comes flitting into your mind.

The truth was you’d never used your powers around Lou, neither had Rosemary. Lou didn't know that either of you were supes. She’d never had exposure to super powers before today, hadn't watched them on t.v or been around any other supes which meant that she was experiencing all of this for the first time.

And that’s why they’re manifesting right now.

“But what?”

“She saw me use telekinesis to fight Noir. She saw Homelander fly." You murmur.

I receive powers through death, Rosemary through touch, and Lou through sight.

Holy.

Fucking.

Shit.

She could have limitless power, more than any of us, more than any supe that ever lived. No wonder Charlie was obsessed with her power. All she has to do is see a supe use their powers and-

The fear of Vought and the government comes crashing over you all over again, because you knew that they wouldn't let Lou go free, not when her ability was something like that, something that made her indestructible and unstoppable.

They'd run experiments on her, do whatever it took to try and gain that power for themselves, because who needed an army of supes when there was just one who was able to do anything?

“Are you saying what I think you’re saying?” Ben leans towards you.

“Yeah.”

“Fuck.” Ben mutters.

“You can say that again.”

Homelander rises from the ground brushing off his clothes with a snarl on his face eyeing Lou and Rosemary before he finally turns himself towards Ben and you. "I don’t understand why you're doing this."

"Us?" You scoff trying to shake off the shiver of fear that came with the revelation of Lou’s gift. "You’re the one who kidnapped an innocent child and just tried to throw her out a fucking window."

"You should thank me!" He snaps, eyes gleaming darkly in the light. "I unlocked her abilities. Something that neither of you had been able to do. And now she really is growing into her potential." His eyes flick to where Ryan is standing by Butcher. Butcher's hand is on his shoulder. "You really turned into a disappointment too. I tried to do all of that with you and all you did was kill your fucking mother!"

Ryan inhales sharply, and Butcher's hand tightens on his shoulder. "The only disappointment here is you." Butcher's eyes narrow as he stares at Homelander. "Ryan is not a disappointment to me and he wasn't a disappointment to Becca! And it's not his fault what happened to her."

"Oh right Becca." Homelander rolls his eyes. "You've really got to get over her. She wasn't anything special. Practically brainwashed Ryan into believing he wasn't special. When he comes from a practically god-like bloodline. Judging by Lou's powers I'd say that Ryan got the short end of the stick."

"We are not gods." You spit. "Can't you fucking see that? We are what Vought created. We live, we bleed, we die, that's it. Nothing more, nothing less."

"It wasn't supposed to be like this." Homelander looks furious. "You were supposed to be my family, supposed to love me!" He looks from Ryan to Lou to Rosemary and then finally back at Ben and you. "Somebody has to like me best! Someone has to love me! I'm your blood! Your son! Your first born!"

"She's said it before and I'll say it again." Ben states from where he's standing next to you. "You might be our blood, but you're not our son."

The manic look on Homelander's face makes you anxious. He was like a feral animal backed into a corner. He knew that he had lost and you knew that there was no way to tell how he would react to this.

“Do you have any idea what I could do to you?” Homelander’s voice is more of a growl now as he begins to advance on Ben. “I am the most powerful super who ever lived. I am a god. And you are nothing compared to me.”

You step up beside Ben preparing for what comes next. “You’re nothing Homelander. You’re just a sad little boy who never grew up and became a hollow shell of a person that Vought filled with macho bullshit until you turned into a monster.” You say cooly. You were ready to fight him again, to kill him, because you knew he would never stop, that he wouldn’t leave any of you alone unless he was dead.

“I am not a monster!” His eyes are dark. “You think you’re so high and mighty? You’ve killed more people than me and at least I do it quickly. Did you enjoy it?” He smiles wide. “To watch the light fade from their eyes? To crush them into nothing while you sat back and craved their deaths?”

“The people I have killed I have killed to protect my family. I don’t do it for sport.”

“I don’t understand why you won’t just accept me! I’m your son! I’m not some fuck up disappointment! I’m Homelander! The greatest supe who ever lived. You should be proud of me! Proud to be my parents.” His eyes narrow. “Do you have any idea what I could give you? I have built an empire from nothing. Dad, you could be on top again, a household name, respect, power, money, women, anything you wanted and you’re really going to throw all of that away? For her? For them?”

Ben's eyes skate over Lou and Rosemary, and flick to you before he levels his gaze on Homelander once more.

“I have everything I need.” Ben’s voice is low and gruff squeezing your hand tighter in his as he speaks.

You feel your heartbeat stutter for a second, because Ben had said and done the one thing that you never believed that Soldier Boy ever could. After eighty years, Ben had chosen you just as you’d chosen him the night he asked you to give up everything you knew and dive into the unknown with him. And you felt the last shred of apprehension about him staying in your life crumple up and burn, because you knew that he wasn't going anywhere and that he was going to love you and stay with you for the rest of your life. If you weren’t in this situation you were sure that you would be crying.

“Fine. If you don’t wish to be apart of it, then you’ll burn with the others.” His eyes begin to glow bright red as he prepares to charge Ben and you.

You brace your body for the coming fight, dropping Ben's hand.

Everything slows down. Homelander's feet leave the ground as he starts to fly forward to kill you, the heat from Ben's chest burning the air around you, and the beating of your own heart thunderous in your ears as you feel your eyes shift to red.

But the attack never comes.

A blinding flash of golden-orange light hits Homelander in his left side, there's an unmistakable smell of burning flesh and hair, and Homelander's body is knocked off course through the wall full of monitors. There's a scream somewhere and you turn to see Rosemary, kneeling over Lou's body that lies on the ground.

And you understand. The attack didn’t come from Ben, it came from Lou. Lou who saw Ben use his powers, Lou who had the ability to replicate abilities through sight, and Lou who was so little that you were unsure what something like that would do to her.

"Lou." You gasp racing over to where Rosemary is cradling her little body to her chest.

She looks okay, paler than normal, her breathing is uneven, and you can hear the frantic beat of her little heart, but she does not open her eyes.

"Louisa?" Rosemary says, stroking the back of her head, looking into the face of her daughter, using her full name for the first time in years.

She doesn't move, stays limp in her mother's arms.

No. I can't lose Lou. I've lost so much over the years.

Tears spring to your eyes as you fall to your knees, reaching out to touch her arm. Her skin is so warm it almost burns the palm of your hand, but you don't remove it.

"Lou please. Wake up sweetie." You say, voice thick with emotion.

Lou stays as she is.

Ben's hand comes down on your shoulder and you lean into his leg, shuddering as tears begin to trickle down your cheeks.

Rosemary is beside herself, sobs shaking her shoulders, cradling Lou to her chest. "Please don't leave me." You hear Rosemary whisper.

You suddenly flash back to the day on the beach that you took the bullet for Ben, when your blood turned the sand to mud and Ben held you so tight to his chest that it almost hurt, and you thought you heard him say the same words as you felt yourself began to drift off into nothing.

Ben pulls you up against his chest, tucking your head into the hollow of his throat, his arms wrapped tightly around your waist as he looks down at his daughter and granddaughter. You shudder into his chest, choking back a sob, arms gripping the front of his suit.

"Mommy?" You hear Lou's little voice murmur.

You pull away from Ben's chest to see where Lou is still lying, her eyes blinking open, but it seems like too much effort.

"Yes sweetie?"

"Can we go home now?" Lou says. "I'm tired."

"Whatever you want honey." Rosemary sighs in relief, hugging Lou closer to her.

"I want grandpa to come with us." She breathes into Rosemary's shirt, wrapping her little arms around her mother's neck. "And grandma and Ryan." Lou says the last too so quietly that you don't think that you heard correctly, but she quickly falls asleep.

"Okay." Rosemary's eyes are closed, and she's petting the back of Lou's back.

You exhale, slowing down your breathing, still holding tight to Ben's supe suit. Ben's eyes aren't on you though, they are focused on the giant hole in the side of the building that Homelander disappeared into.

Homelander comes stumbling through holding his head. His supe suit hangs in burned tatters on his shoulders, but his skin looks unscathed. There's a large lump on the side of his temple, and he squints at Ben and you as if he can't recognize you.

"Hello." Homelander says it hesitantly. "Um. I'm sorry I don't know where I am. Do you live here?"

Holy fucking shit.

"Um." You stutter.

"Do you know who I am?" Homelander continues taking a shaky step towards where you're all standing.

"Dad are you okay?" Ryan asks.

Homelander's blue eyes flick to his son. "I'm your dad?"

Butcher is on Homelander before you can stop him, tackling him to the ground and landing a punch against Homelander's nose.

There's a sickening crunching noise and a high pitched wail from Homelander, as the nose breaks beneath Butcher's fist and blood floods down Homelander's face.

He's human now, but he doesn't know who he is. Your eyes skate across where Homelander lays under Butcher until your eyes catch on the lump on his right temple. He has brain damage from when he landed, he hit his head, doesn't remember any of this, any of us, any of who he is.

And before Butcher can land another blow you grab him by the back of the coat and throw him across the room. He checks himself mid-air and lands in a crouch, his coat billowing out behind him like a cape.

"Just hold on for a minute." You say.

"What the fuck are you doing?" He shouts, fist still covered in blood.

What am I doing? The thought was also going around in your head. You had come here to kill Homelander, to make him pay, but seeing him like this, unable to tell who he was or where he was, made this feel wrong. You couldn't put your finger on it, but it felt evil to kill someone who didn't know the reason why they were going to be executed.

"Don't touch him." You say, standing between Butcher and Homelander. Ben and Rosemary are watching you like you're crazy, but you don't let Butcher get close to Homelander.

"Why did you do that?" Homelander cries, holding his gloved hand to his nose to stop the bleeding. Tears are slipping down his cheeks from the pain.

"Ryan give me your jacket please." You hold out your hand for Ryan's red jacket who is looking at his father in total disbelief. "Here." You give it to Homelander. "Tilt your head back and press this to your face."

He does what you say, but he's still watching you like he doesn't completely trust you.

The feeling is mutual.

"You're kidding right? He's still a psychopathic maniac-" Butcher snarls advancing on you. Ben steps forward to stop him.

"I'm not going to let you kill him in front of his child and it-" You glance back at Homelander. "It's different now. He doesn't know who he is, doesn't know why he's here-"

"You don’t think he's fucking faking?" Ben shouts, glaring back at where Homelander is still standing, and for the first time you see genuine fear on Homelander's face.

I mean he is a good actor, but I don’t think that he's acting.

"I don't think he is."

Ben pinches the bridge of his nose. "Look sweetheart I know that he might be having a little bit of memory loss, but he's still Homelander. And I know that he is technically our son but this isn't like starting over. You can't redeem him this way."

"You're my parents?" Homelander asks looking at Ben and you suddenly confused. "But you're so young?"

You ignore him. "I'm not trying to redeem him and I'm not saying that he doesn't deserve to die or that we shouldn't kill him. I just think that we shouldn't kill him now when he's like this."

Ben narrows his eyes at the man who used to be Homelander. You can see the gears working inside of his head as he mulls over your logic, but you knew it meant that you had a shot of convincing him.

"Ben he's human now, you saw Butcher break his nose. He can't fake that-"

"That doesn't matter he's still the same person!" Ben sighs as if you're annoying him. "The same person that hurt Rosemary, the same person who kidnapped Lou."

"I know he's the same person, but it feels wrong to do this, to execute him for something that he can't remember. It's like killing a little kid."

"Fuck." Ben mutters it more to himself than to you as he tries again to see your logic.

Honestly, it hard to see it yourself. You had killed a few people over the years, didn't feel remorse when it came to the safety of your family, but this was different. Homelander had killed people, threatened, and tortured others but he didn't remember it. You hated that it made you guilty when if anyone deserved to die it was him.

"Fine." Ben holds up a hand. "Fine. We help him jog his memory then we kill him."

"Okay, yes that's all I'm asking." You agree.

"Wait a minute, I'm not going to agree to any of that bullshi-" Butcher begins to say, but the large doors at the back of the room open and a group of people walk in.

You recognize Hughie right off the bat, one girl as Starlight from her livestreams, the man from Herogasm who tried to gas Ben that Butcher identified as MM, but the other two are unfamiliar. One is a supe, her black hair straight and hanging around her face, but the other is a man holding a canister of some kind in his right hand with cropped black hair who smells like how Ben used to when he would shoot up and smoke whatever he could get his hands on in the 70's.

Well this is either going to go badly or go badly.

"Who are they?" Homelander says, his voice nasally from where he's holding the jacket to his face.

"What the fuck happened?" Hughie asks, looking around the room at the destruction.

"Well-" Butcher begins to say.

"I turned him human with whatever the fuck is in my chest. You're welcome." Ben lies.

You swallow the lump in the back of your throat. The last thing you wanted was for them to know what Lou was capable of. Rosemary is standing now behind you, holding Lou in her arms who sleeps quietly, curled into her mother.

"But how did you-" Starlight asks.

"I held him down telekinetically." You shrug. "Wasn't that hard."

"Huh." She frowns. "But you didn't kill him?"

"He hit his head." Butcher explains coming to stand beside you. "Can't remember a bloody thing."

"And you believe that?" MM sputters. His eyes haven't left Ben and you know exactly what he's thinking about, the night his grandfather died.

"She does." Butcher nods his head in your direction. "And she doesn't want to kill him if he can't remember why he's a fucking cunt."

MM's eyes flick to you. "Who are you?"

"You're Indigo right? The supe from the 80's who vanished?" Starlight asks.

"Mhmm." You hoped that they weren't here to fight you, but the shiny silver cannister in the shorter man's hand says otherwise. "But all of that doesn't matter now. It was a long time ago. The only thing that matters here is that Homelander is human and that no one died."

Her eyes flick to the ball of flesh in the corner that was Noir then back at you. "No one?"

"No one who didn't deserve it." Ben clarifies gruffly.

You could feel the tension in the air between the group of people standing in front of you. Ben was mirroring your protective stance in front of Rosemary, Lou, and Ryan. You weren't sure what was going to happen, but you didn't want to put them in the line of fire.

"We don't want any trouble, we're just going to take Homelander and leave." You say diplomatically.

"Who's Homelander?" Homelander says still obviously confused. "Is that me?"

Everyone ignores him.

"Wait where are you going to take him?" Hughie asks.

"I have a friend. She knows how to handle supes. She'll find a place for him." Your gaze flicks to the other female supe who hasn't said anything since she walked into the room. You didn't like that you didn't know what her powers are and did not know what to expect if she chose to fight you.

You also hadn't spoken to your would-be friend in over forty years, but you figured that she still was able to pull the same strings she had done in the past for you.

"A friend?" Butcher sounds skeptical.

"Yeah. So if you wouldn't mind letting us through-" You take a step forward preparing to push through the group of people.

MM pulls his gun. "We can't let you do that."

"Why?"

"Well for one Soldier Boy is a terrorist. He's killed people." Starlight's eyes narrow when she looks at Ben. "He's a nuclear bomb with a short fuse, who knows who else will get hurt. Not to mention he's murdered people."

"The only people I murdered are the people from our old team, everyone else was an accident." Ben replies gruffly, looking down the barrel of the gun, unfazed.

"Doesn't matter. It's still murder." The man with the gun states, his eyes narrowing at Ben.

This is not going to go well.

You sigh. You didn't want to kill them, but it was quickly becoming apparent that they weren't going to back down.

"We can do this the easy way or the hard way." The other man says in a faintly French accent, the dark haired supe beside him tensing as if preparing to spring.

"And you don't want to fight us." MM narrows his eyes at you.

Ben chuckles under his breath. "Trust me kid, it won't be much of a fight."

He's really not helping his case.

"Oh really?" Starlight's eyes begin to glow a dangerous gold, challenging you to get in her way.

You snort before you can stop yourself. "Your eyes glow, that's cute." You smirk at her, feeling yours shift to bright purple. "Mine do too."

"Annie wait." Hughie says, placing his hand on her arm. "Just let her talk for a minute."

"Really? You want me to listen to this psychopath? You see what she did to Noir-" Starlight, now Annie, gestures back to the blood stained wall and what's left of your old friend.

"If it's any of your business, you would know that he deserved it. And he started it." You say simply. "But it’s not."

"So what? You're telling us to just let you take Homelander?" She spits, eyes still glowing. "And let you leave with Soldier Boy?"

"You really think you can stop us?" Ben takes a step towards Annie, but you hold up your arm to stop him.

"I've honestly had a really bad week and we don't want to fight." You emphasize. "But we will if we have to. And trust me you really don't want that to happen."

"Then come willingly." MM says without lowering his gun.

"You know we can't do that. The last thing I’m going to do is let you lock Soldier Boy up again in some fucking lab. He's been in there long enough.” You reply.

"I'm not going to let you walk away with a ticking time bomb. He's killed people." Annie looks at where Ben is standing slightly to your left.

Like hell you're gonna take him and lock him in a cage.

"He's in control now. And I'll keep him in check."

"You expect us to trust you?" She scoffs. "You, who also have killed who knows how many people over the years."

"Could be worse." You shrug. "But the truth is none of you can stop us, sure maybe you can slow us down for a few minutes, but it won't end well for any of you. And I'd rather not kill any more people today in front of my grandchildren." You raise an eyebrow.

Annie's eyes shift back to where Rosemary is watching her warily, still cuddling Lou to her chest, and you can feel Starlight hesitate for just a second.

"Look Annie, can I call you Annie?" You let your eyes return to their natural color and wave your hand in what you think might be a friendly gesture, but your patience was wearing thin.

"No."

"Annie." You clear your throat. "The things I've done, I've done for my family. I think that maybe you can sympathize with that a little bit. And Soldier Boy well-" You glance at Ben, who is still staring down the barrel of the pistol with a stoic expression. Honestly you knew he was waiting for you to say the word to take down the group of people in front of you. "He's trying to be better and I'm going to help him, but I can't let you put him in a prison cell somewhere or in a cage or a lab."

“I can’t just let you disappear with him.” Starlight’s gaze is firm, unyielding.

You were willing to kill her if that’s what it took, but honestly you were exhausted. Emotionally. Not to mention you didn’t want to have to use the one favor you had but you were going to have to, to make your friend deal with Homelander. You hated owing her favors, they never ended well.

“We won’t disappear.”

“Why should I believe that?”

"You don't have to, but I don’t owe you anything Annie. No explanations, no nothing. Please just be thankful that this is all there is." You look at the faces of the people around her and stop on Hughie, before shifting back to her. "Do you want their blood on your hands? Because I don't. So please let us go and I promise that we won't be a problem."

"You're so sure that it's going to go your way. That you're going to kill all of us. You might be a supe but you don't know that you're going to-" MM begins to say and you finally snap.

Your eyes shift back to bright purple, energy pulsing out from your body as you unlock the anger, rage, betrayal, and hurt you felt the night you almost destroyed Legend's backyard. The bodies of the people standing in front of you lock up as your powers take control, weaving across their limbs, and shrouding them in the warm purple glow from your abilities, forcing them to their knees with their hands behind their backs. The only one you didn’t do this to was Hughie who is looking at you like you're some kind of monster.

And maybe the old you would have thought that too, but the new you wasn't phased.

Annie's body is glowing now, trying to fight the compulsion of your telekinetic abilities, but you know that she can't break it.

"That's how she knows." Ben says with a smirk. You can almost hear pride in his voice.

"Please let them go." Hughie asks you.

"I will. But first we're going to leave. Rosemary, you, Lou, and Ryan go first."

She walks around the people with Ryan in tow who looks back at Butcher for a moment, before he vanishes through the doors. "Ben take Homelander."

"Like fuck I'm going to leave you-" You turn your glowing eyes on him.

"I will be right behind you, now go."

Ben grits his teeth together, waiting another minute, but finally grabs Homelander around the arm and tugs him from the room glaring at you the whole time and muttering something under his breath.

You glance at MM. "I'm sorry for your loss, I am. I know that nothing can make up for what he did and I know that none of you want to believe me when I say this but, he's changed and he's trying to be better." You sigh. "I didn't want it to be like this."

"Wait you're not going to-" Hughie's eyes are wide and you feel Butcher take a step towards you as if he's going to stop you.

"No. Y'all don't deserve that. And I like to think that I'm still a good person. But-" You let out a breath. "I swear on my life that we won't disappear. I swear that I will do my upmost to help him and make sure that no one else gets hurt. And I'm sorry that it turned into this, but I hope that you believe me." Your expression hardens. "Because the next time you come and threaten my family or me again, I won't be forgiving and you won't walk away."

You drop the hold you have on their bodies when you make it to the elevator where your family and Homelander waits for you and you hope that they've chosen not to follow.

"So, what do I owe you for this one?" You ask Grace Mallory, as you stand on the dirt road, surveying the Upstate New York countryside. The fields on either side of the roads were filled with waist high grass that rustled in the wind blowing from the East, wicking the sweat on the back of your neck.

The sun was rising on the horizon and it had taken most of the night to get out of the city to meet her there. It had been a long drive, but the car you'd stolen was working, for now. Rosemary, Lou, and Ryan, were asleep in the back seat and Ben were standing at your side. When Mallory had received your call she didn't sound surprised. You knew that she probably figured you would need her especially with the revelation of Soldier Boy's reappearance. She knew that you had unfinished business with him and that he'd try to find you.

She looks different than she did the last time you saw her years ago. Her hair is now more gray than blonde, pulling free from the severe bun at the back of her head. Her dark colored suit is sharp, pristene, and freshly ironed.

You'd met her in the weeks that followed Ben's supposed death, when Legend and you were planning your disappearance. You didn't know why she helped you make a fake ID and smuggle you out of the city, but she had. The favor you owed her had been collected when Rosemary went off to college, a little supe problem that Mallory's team couldn't handle. Off the books of course. You hadn’t been recognizable and you knew that no one would be able to find you.

"I'll send you my bill." Her smile is tight-lipped, but it's still there. You knew she hated supes, and sometimes you think that she tried to hate you, but you were too much alike.

"The same I'm guessing."

"Maybe." She shrugs watching the other officers escort Homelander into the vehicle.

His nose didn't look much better, it was swollen and purple because no one had set it, and he was wearing a pair of gym shorts and an oversized t-shirt that said "Ask Me About My Cats" on it. It was all you could find at the gas station Ben had stopped at in the middle of nowhere. Technically all of you had to change, especially Rosemary who's clothes were still riddled with holes and with blood splatter. You had a few splashes of blood from Noir, but not nearly as much as her. You knew that the two of you would talk about what happened to her soon, but not right now.

A bird soars overhead and joins another on the power lines hanging above the street, squawking as it settles down.

"Figures. Can't we just call this a favor for an old friend?"

"I guess I should be thanking you. Taking down Homelander, that's pretty impressive. Can't believe Butcher let you walk away with him like that." Mallory says, pressing her lips into a tight line.

Her eyes flick to where Ben is standing beside you. He hadn't said much since he pulled up, still trying to take in everything that had happened last night. You knew she wasn't ecstatic about seeing him again, the last time she saw him she'd told you about after you'd helped her out with her little supe problem and she'd asked you to join her for a beer. You didn't drink it, but you'd sat with her anyway.

When she'd gotten out of the car as you pulled up you'd heard him mutter "is that captain lesbo?" under his breath and it was the first time you'd genuinely laughed since everything happened at Vought tower.

Honestly, you felt kinda heavy on your feet. The stale gas station coffee had done little to boost your energy level and neither had the protein bar that Ben forced you to eat because he said you needed to eat something.

I better get a long vacation after this.

"He wasn't on board, but I convinced him. His team also took some convincing." You frown remembering exactly what you'd had to do to let you walk away, but you didn't feel bad about it. You knew that it was the way things had to be to keep your family safe. "You're not going to tell him about this are you?"

"Maybe. Not for a while though. I'll give him some time to cool down, have a cup of tea, let things settle." Mallory taps a text message on her phone. "It definitely changes things though."

"What does?"

"A cure for being a supe." She eyes Ben for a second. "Word gets out that's not going to be good."

"Believe me I know." You sigh.

You were trying not to think about the revelation of Lou's powers. You hadn't told Mallory that Lou was the one that took down Homelander, nor would you ever. You'd take that to your grave and if Butcher knew what was good for him so would he. You'd destroyed all video evidence on your way out of the Tower, but you were still afraid that someone, somewhere knew something that they shouldn't. Lou had woken up for a little bit on the drive and seemed more like herself after she drank some chocolate milk and ate some dry cereal, than she had when she used her powers earlier.

She just needs to get used to it. We all went through that when we got our powers. But things are never going to be the same though.

Ben nudges your arm with his shoulder as if he's trying to reassure you that he's there and you're not going through this alone. When you glance up at him, you see the corner of his lips twitch into a smile for just a half-second before going back to his stoic expression.

They really aren't going to be the same.

"Don't worry. I'll try to keep it on the down low as long as I can." She shrugs.

Homelander waves once at Ben and you as he is placed into the black Tahoe. The entire trip upstate he had tried to ask more and more questions while Ben drove, but you didn't want to answer him, didn't want to form a bond with him, not when he was acting completely different. You didn't want to get attached, because one day when he remembered who he was and what he had done you were going to kill him.

Ryan hadn't tried to answer his father's questions. You honestly were surprised that he had come with you willingly, he didn't know any of you, but he didn't complain. Plus you'd bought him a pack of state capitals and abbreviations flashcards at the gas station and he'd busied himself with running through the flashcards as fast as he could.

"Do you think he's really forgotten?" Mallory asks you.

"I don't know." You reply honestly. "I think so. But he was backed into a corner, and this may have been his only way out. He didn't like that we weren't accepting him."

"Hmm." Mallory exhales out a breath. "Just makes all of this more difficult I guess."

"It's always difficult." You sigh just as heavily.

"Yeah. Seems like it."

"At least the fucker doesn’t have any powers." Ben adds. "What are you going to do with him anyway?"

"Lock him up, see if they can jog his memory." Mallory examines Homelander as he looks through the darkened windows of the Tahoe at the three of you, still smiling. "I'll let you know if it comes back."

"Thank you Grace."

"Sure. You owe me though."

"I know." You pull absentmindedly on the end of the bright pink shirt that you had to change in to at the gas station, because your other one had Noir's blood on it. "Try to give me a little time first okay?"

"Of course." She reaches out to shake your hand and then shakes Ben's. Mallory turns to walk towards her car, before she stops and turns around. "What about Ryan? You want me to take him off your hands too?"

Ben glances back at the car where Ryan is fast asleep, his head leaning against the window, hair fanning out against the glass. "No. I think he'd be better with us."

"With Homelander the way he is, Ryan should be safe now." You look back at Grace. "Rosemary has an extra bedroom in her apartment, she can take him."

"You sure your cousin can handle a supe with his kind of powers?" Mallory raises an eyebrow referring to Rosemary as your cousin as she always does. Though you believed she knew better and just never said anything.

"Yeah. I think she's got it. Plus Ben and I live in the city too. I have an extra room in my apartment, but I just need to clean it out before he can stay with us. Ryan will be safe and maybe he'll be able to have a normal life." The thought was comforting. You didn't know too much about Ryan's background, but thought that maybe he would benefit from having a normal schedule in his life and have a normal life away from being a supe. Of course you were already thinking about ways Butcher could be in his life. It was obvious how much Butcher cared about him and how much Ryan looked up to Butcher.

You were going to call him when you got back into the city. You also supposed that you could have told him about Mallory, but when you and Mallory started working together you had both decided to keep it to yourself, saw that it was better this way.

"Alright." Mallory turns back to walk towards the car. "See you in ten years." She jokes.

When the car pulls away and drives down the street, Homelander waves at Ben and you again as you stand there leaning against the hood of the SUV you stole to get out of the city. It was easy to steal cars when all you needed to do was telekinetically turn it on.

"You didn't tell me you knew Captain Lesbo." Ben says.

"Don't call her that." You snort. "I owe a lot to her, she helped me get away from Vought."

"Why?"

"No idea." You lean your head against Ben's shoulder, listening to the cawing of the birds and feeling the wind pull and tug at your hair as if trying to ask you to play. It was a nice day, warm, but not too hot.

"Tired?"

"Mhmm."

Ben presses a kiss to the top of your head, holding you closer to him for a few precious seconds, his arm squeezing around your shoulders. "Come on Sweetheart. Let's go home." He murmurs into the top of your head.

"Home?" You murmur looking up into his green eyes, cupping his bearded cheek.

Ben's eyes are bright in the sunshine, the same color they were the day you painted him at the park all those years ago with paint splattered fingers and skirts. But it doesn't feel like any time has passed. It still feels like him and you walking the streets of Philadelphia together with warm pretzels, him crawling through your window to escape the rest of the world, him and you soaking up the sunshine along the bank of a pond, him and you drinking sour beer in a bar and singing all the way home, him and you dancing in a ballroom with the lights twinkling above, and him and you and falling asleep in the same bed bodies entwined. He's still your Ben even after all these years. You knew every smile line, every frown line, every freckle, every dimple, every dip and curve of his handsome face. His arm is still heavy around your shoulders, comforting and familiar.

"I'm already there Ben."

Ben brings his hand up to hold your cheek, the rough pad of his thumb tracing along the curve of your cheekbone. You were more beautiful than he remembered, leaving him breathless each time you smiled at him. His eyes trace the frown lines, the smile lines, the scrunch between your eyebrows, the smile on your face, and down to the parts of you that you believe are imperfections. Someone so familiar to him that he was sure he would never forget, and yet looking at you always felt like the first time, like he was a drowning man and you were the first breath of fresh air. He still saw the pieces of you he knew growing up, the girl whose hair caught fire in the sun when you painted him by a pond that was probably dry and gone, the girl who smiled at him every time he crawled through her window to escape the rest of the world, the girl who refused to let him be alone, the girl who protected him and defended him, the girl who saw all the parts of him he tried to hide from the world, and the girl who made him feel loved for the first time in his life. "Good, because I'm not going anywhere sweetheart, for as long as I live, I promise to be here."

"I'll hold you to that Benjamin."

"Forever?"

"Forever."

A/N: Whew! Big chapter. Lots to take in I know!! But also really fun last moments that I just loved writing. I'm not gonna lie I was tearing up a little bit in that final scene. These characters have just meant so much to me to write. There is one more chapter coming! I know this one kinda felt a little bit like a wrap up, but the Epilogue is coming next. Stay tuned!

As always, thank you so much for reading and for all the love and support! If you'd like to be added to the taglist for this series let me know! I know that there's only one chapter of the series left, but I will transfer it to the One-shot fics I have planned for them. 😊

Taglist:

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@deans-spinster-witch @kayleighmeister @demodemo909 @fruitfacess @bobbobbobinogs

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[niteshade925]

April 13, Xi'an, China, Shaanxi Archaeology Museum/陕西考古博物馆 (Part 3 - Qin dynasty to Sui dynasty):

First up is one of many bronze edict tablets of the 2nd emperor of Qin dynasty, made in 209 BC. Inscribed upon it in Seal script is one of two edicts, specifically the one from the 2nd emperor of Qin dynasty (秦二世), which basically is a continuation of Qin Shi Huang's edict on standardizing all weights and measurements. Here Qin Shi Huang/秦始皇 is referred to as Shi Huangdi/始皇帝, where shi/始 means "origin", and huangdi/皇帝 means "emperor".

^The edict inscribed is as follows (this is my VERY rough translation, please take this with a grain of salt, I'm not great at reading Old Chinese; original text is on bottom right of picture):

“First year (209 BC; first year of 2nd Emperor of Qin's reign), [We] issued an edict to chancellors Li Si and Feng Quji: Shi Huangdi pioneered this effort to standardize all weights and measurements, since then all such edicts have been inscribed on bronze. Now that [We have] inherited this Huangdi title, [We] shall not refer to Ourselves as Shi Huangdi here. Likewise, should Our descendants continue to produce tablets of Shi Huangdi's edict, they shall not take credit for Shi Huangdi's achievements. [We] hereby inscribe this edict on the left, so that all may be clear."

Ever since Qin Shi Huang tried to standardize systems of measurements for the entire country, every dynasty since Qin dynasty has also done the same. These are the standardized weights and volume measurements (all made with bronze) from Western Han dynasty (202 - 8 BC). Those volume measurement tools are very much like oversized measurement spoons, since they are mostly used to measure liquids and grains (in ancient China grains can be measured by volume).

Looks like I forgot about this one in part 2, this is a bronze sword from Warring States period (475 - 221 BC), I believe. It's decorated with carved pieces of jade (some are on the scabbard, but the scabbard has presumably decomposed over time):

The painted and carved stone doorway to a Eastern Han dynasty (25 - 220 AD) tomb. The actual (double) doors are in the middle, and the pieces around them are the side jambs and the lintel. Note the animals, mythical creatures, and humans depicted. On the double doors, in order from top to bottom, there's a pair of Zhuque/朱雀/Vermilion Bird, a pair of symbolic door knockers shaped like a beast carrying a ring in its mouth, and a pair of oxen. On the top right and top left of the lintel piece, you can also clearly see the sun crow and the moon toad, respectively.

The layout of some Western Han dynasty (202 - 8 BC) mausoleums. Note that the "pyramids" on the model aren't stone pyramids like the Great Pyramid of Giza, they are actually fengtu/封土, or artificial mounds of earth on top of the actual tomb to symbolically seal the tomb (feng/封 means "seal" or "to seal"), and can serve as tomb markers. Fengtu can differ vastly in size according to the social status of the deceased, so the fengtu of imperial tombs are usually huge, some so big that they are like small hills. However, while Western Han dynasty imperial tombs have these square-ish fengtu mounds, in Eastern Han dynasty (25 - 220 AD) the fengtu mounds became circular, and imperial tomb fengtu have been circular pretty much ever since. But fengtu wasn't just reserved for the elites, common folk also built small circular fengtu mounds on top of graves (these graves are called fen/坟; graves without fengtu are called mu/墓), and this is still practiced today, albeit much more common in rural areas since there are less people and more land. When people tend to the graves of their family members and ancestors on Qingming Festival, if the grave is a fen grave, people would pile more earth on the fengtu to make it rounder as part of the upkeep process.

A set of pottery figurines of entertainers from a Western Han era tomb. I love how they set the display up here, you can practically imagine the music and the dancing

More pottery figurines from Western Han era tombs

Western Han era hollow clay bricks depicting the Four Symbols/四象 of the cardinal directions: Qinglong/青龙/Azure Dragon of the East, Zhuque/朱雀/Vermilion Bird of the South, Xuanwu/玄武/Black Tortoise of the North, and Baihu/白虎/White Tiger of the West.

Left: a piece of intricately painted lacquered wood, I forgot where it's from but it was probably a piece of decoration on a larger artifact. Right: a piece of gold decoration inlaid with turquoise from Western Han era

The biggest decorated yubi/玉璧 (jade disc with hole in the middle) found so far, from an early Western Han dynasty tomb. Its diameter is 43.2 cm (~17 inches). If you zoom in, the inner band is decorated with these almost tadpole-like little swirls, and these are called gu pattern/谷纹, since they might represent sprouting rice kernels. The outer band is decorated with 4 sets of kuilong patterns/夔龙纹 and 4 sets of dragon-phoenix patterns/龙凤纹. It's speculated that the patterns here together depict the universe, and the hole in the middle is where the spirit of the deceased will travel through. This particular yubi also has 六百六十一 ("six hundred and sixty-one") carved discreetly on the side, presumably a "serial number" left by the artisan who crafted this piece.

Decorated backs of bronze mirrors. I didn't take a picture of the plaque so I'm unclear on what time period these are from (may or may not be from the time period indicated at the beginning of the post):

Left: a hand-held incense burner. Right: a particular type of incense burner called a boshanlu/博山炉, so named because the lid was made to look like a mini mountain

Various Northern Zhou dynasty (557 - 581 AD) painted pottery figurines. Below middle arranged in a circle is the metal pieces on a belt.

Sixteen Kingoms era pottery entertainer figurines:

[official-linguistics-post]

Hello Dr. Linguistics!

I've recently been made aware of the concept of "prefered pronouns: none", as in, this person should not be referred to by ANY pronouns, and said person should only be referred to by name. Firstly, I just want to say that I dont mean for this to come across as an argument against 'no pronouns', I'm just new to the concept and trying to learn more about it. That said, what are your thoughts on this from a linguistics perspective?

It seems like it would be very awkward and difficult to form sentences that way. On the other hand, I also struggled with singular 'they' the first time I met someone who preferred it. After some getting used to it though, it has basically become my default. I don't personally know anyone that prefers no pronouns, so I'm not getting the exposure to it like I did with singular 'they', but it also seems like a much larger change to the language. Do you think "no pronouns" is something that can be practically applied in English, or is it too at odds with the grammatical structure to catch on?

I also wonder if there are languages that lack pronouns altogether. As far as I know Japanese kind of has pronouns, but the grammatical structure allows them to be dropped when it can be implied by context. Do you know of any precedents for the lack of pronouns in other languages?

Thanks for your time!

no pronouns, like gender-neutral (in english) or neopronouns, just takes practice! it can feel a little unwieldy at first, but your brain will get used to it eventually, because it's really not at odds with english grammatical structure — just with our status quo of pronoun use. (a pronoun is simply standing in for the noun, of course! they fill the same syntactic and semantic niche.)

"pro-drop" is very different from lacking pronouns in the underlying structure. i'm not personally aware of any languages entirely without pronouns, but there are a lot of languages out there, so as usual, if anybody knows of a case please share!

[ziseviolet]

Hi love ya blog! I’ve been wondering how effective were the coir rain jackets?

Hi! Thanks for loving my blog, and sorry for taking ages to reply! (image via)

Chinese rain capes/raincoats are called 蓑衣/suoyi, and they are mainly made from local materials - in southern China, straw and coir grass are mostly used, as well as brown hair and brown leaves; in the north, thatch and cattail grass are mostly used. It takes about two to three days to make a suoyi by hand. They are typically worn with bamboo hats called 斗笠/douli.

Below - Ming dynasty illustration of a suoyi and douli (x):

Suoyi has a long history, originating before the Qin dynasty (221–206 BC). Although I haven't worn one myself, sources state that they were very effective. Compared with umbrellas, suoyi was not only better at keeping out the rain, but also freed up the two hands to work. Farmers liked to wear it on rainy days, and fishermen often wore it when fishing during rainy and snowy days. During the Ming and Qing dynasties, people travelling during the rainy season usually brought along suoyi (source).

Below - 19th-century late Qing dynasty suoyi made of palm and straw fiber, plus bamboo douli and basket (1, 2):

The tradition of working in the wind and rain wearing suoyi and douli continued until the late 1960s in China, after which they were gradually replaced with modern rain gear. Today, suoyi has become more of a tourist souvenir and decorative object than a practical item. Nevertheless, it can still be seen being worn by some elderly farmers and fisherman.

Below - a cormorant fisherman wearing suoyi and douli in Yangshuo, Guilin, Guangxi (x):

I highly recommend reading the following article for more information on suoyi's history, craftsmanship, and current status: Suoyi: RuCai Lyu’s rain cape and its ongoing tradition of protection.

For additional references, please see my suoyi tag.

If anyone has more info, please share! ^^

Hope this helps!

[seoulmatez]

HO HO HO !

info ⭑ kuroo x fem!reader ﾉ 0.7k wc ﾉ sfw ﾉ fluff ﾉ reader wears a dress and heels, referred to as wife

requested by @tetzoro for my winter wonderland event!

it’s that time of year when kuroo’s company holiday parties are starting to roll around. he isn’t the type to turn down an invitation but he also isn’t the type to go anywhere without you, which explains how you’ve found yourself in your current predicament.

a frown tugs at your lips as you hold a gold earning in one hand and a silver in the other, raising and lowering both of them to get an idea of which would look better with your dress. the fabric wrapped around you is a deeper red color, burgundy if you had to name it. each time you compare the two pieces of jewelry with the garment, the scale begins to weigh in favor of one over the other.

you can practically hear kuroo telling you, “go for gold,” as you put the earrings in with a small smile. 

after a few finishing touches—smoothing down flyaways, spritzing some perfume, fixing your lipstick—you grab your bag and shoes and make your way down to the living room where kuroo is waiting for you.

the christmas music playing over the record grows louder as you descend the stairs and the closer you get to the bottom, the more distinct kuroo’s humming becomes. he isn’t in the living room where you expect to find him, but in the kitchen surveying the cookies for the party that you had told him not to touch. the floor creaks with your approach and his head shoots up like he’s been caught with his hand in the cookie jar.

though, the look of guilt that paints his face is only temporary. widened eyes are quickly traded for wandering ones, dark amber irises raking over your figure before settling on your own questioning gaze.

“ho ho holy shit you look good,” kuroo announces, leaning against the kitchen island with a grin.

you groan at his lame joke, earning a deep chuckle from kuroo. you should be used to it by now—his corny jokes and cheesy pickup lines. maybe part of you has grown accustomed to it all, but you can’t help but offer up the same unimpressed reaction every time. 

you join him at the counter, setting your bag on the surface and situating yourself on one of the stools.

“no good?” he asks, taking your heels from your hand and kneeling down to put them on for you.

you hum in contemplation, poking his chest with your toe. “i guess i’d rather have you use your bad lines here than in public.”

“oh come on,” he looks up at you while clasping the strap of your shoe around your ankle, “it wasn’t that bad.”

you giggle at his defensiveness, holding his cheeks in your hands when he rests his chin on your knees. he softens like butter under your touch and you get the feeling your hands on his face is apology enough for your jab. still, you squish his cheeks and tell him, “thank you for the compliment, tetsu.”

kuroo grins before turning to kiss the inside of your wrist. you pat his cheeks and jerk your head in the direction of the cookies you had decorated before getting ready. “help me pack these up?”

“of course.” he gives you a hand to help you down from the stool and lets you start while he washes his hands. 

with festive music filling the air, the two of you store the cookies in tupperware, stacking each bin on top of each other when they’re filled. you’re packing up the last tub now but when you reach for the final cookie, it’s missing from its place on the parchment paper.

you turn to investigate where the treat disappeared to and find it in kuroo’s hand on the way to his mouth.

“hey!” you point a scolding finger at him. “these are supposed to be for the party.”

“what, my wife being the baker doesn’t give me first dibs?” he questions, a confused crease between his eyebrows.

you’re tempted to tell him that his status as your husband doesn’t earn him special privileges but the genuine bewilderment he wears weakens your resolve. it’s a combination of funny and sweet that you can’t bring yourself to say no to.

“fine, it’s yours.” you close up the last tub, short by one cookie than you’d originally planned. “you better be glad i love you.”

he steps behind you, wrapping an arm around your waist and leaning down to plant a kiss on your temple. “i thank my lucky stars every day.”

[chronologicalerrors]

Why Crowley Was an Archangel, And Why it Matters: A Fan Theory

Neil Gaiman has said that Season 2 is a bridging season, setting up what is to come in Season 3, which will be based on a story he and Pratchett outlined many years ago. This season is therefore moving characters into place and establishing facts and mechanics of the Good Omens universe that we need as an audience in order to understand what comes next. It moved Aziraphale back to Heaven, and removed Gabriel and Beelzebub. This season has also been heavy on the references to Crowley’s past as an angel.

Season 2 of Good Omens has been practically inviting us to speculate on who Crowley used to be. If we’d just been given that one glimpse of him in the first scene I wouldn’t make so much of it, but we also saw him return to heaven in disguise and reject an offer of being returned to full angelic status. We have to conclude that there’s been so many sustained hints at this because it will be important next season!

Some of this has already been suggested by others, but GO2 has taken over my brain and I need to write this all out. So, let’s have a look at what we already know about Crowley’s angelic past in-universe, and what else we might be able to guess at from that. 

What’s special about Crowley’s powers?

Crowley is the only demon or angel who is shown being able to stop time. When asked about this Pre-S2, Neil Gaiman said the following:

We first see him do this in Paris in 1793, and the second time to speak to Adam to avert the apocalypse at the end of S1. The first time was something he did casually, while the second required a huge burst of power – it needed to hold off Satan, after all - and happened at Aziraphale’s urging.

A: Come up with something or… or I'll never talk to you again.

(GIF from fyeahgoodomens. There’s a collection of gifs of Crowley stopping time through S1 here.)

When we see him stop time this season, in Edinburgh in 1827, it’s also directly at Aziraphale’s request:

This bit is absolutely key to me, as this establishes that stopping time is something Crowley can do that Aziraphale cannot.

This also seems tied to the crank handle of his Bentley. When Crowley has stopped time to hold off Satan, he is gripping the handle in the same way Aziraphale carried his flaming sword, and spins in when he comes to restart time.

C: I'm going to start time. You won't have long to do whatever you're going to do.

By itself, this doesn’t mean anything. Until we see the same handle at the start of Season 2, in the hands of Angel Crowley. He uses this to start up his nebula, as a tool for setting time into motion.

Is this the same handle? It certainly appears this way. Like Aziraphale’s flaming sword, was this a gift from God that he’s managed to hang on to for thousands of years (And it just miraculously happens to fit his Bentley)? It certainly seems that the Bentley crankshaft handle is more than it seems, and that Crowley can use it as a conduit for power – as he needed to when stopping time to hold off the ruler of Hell himself.

The link between this object, a relic from his time in heaven, and his rather unique ability to stop time, suggests that Crowley was once an angel of great power.

What rank did he hold?

We saw Crowley return to Heaven, in disguise, in S2 E6, with events hinting that he was once a very high-ranking angel:

So, we know for a fact he was above the level of Thrones and Dominions. So where does this place him on Heaven’s organisational chart? My analysis here is metatextual – I don’t think looking at external hierarchies of angels is that helpful to understanding the Good Omens universe, so I will only focus on what Neil Gaiman has confirmed when asked, or has been demonstrated within the world of the show itself.

Good Omens has its own Hierarchy of Heaven, but Neil Gaiman has clarified that the Archangels we see are amongst the most senior personnel in Heaven. This runs counter to many hierarchies of angels (which are often contradictory in and of themselves) but is consistent with the depiction in John Milton’s Paradise Lost as well as Jewish tradition, where the highest ranking Archangels are given the title of “princes” of heaven. “Prince of Heaven” is also a term that Metatron applies to Gabriel in S2 E6.

Of the heavenly entities mentioned in the show, we can infer the following angelic hierarchy:

God

Metatron (NG confirms here)

Supreme Archangel (Gabriel, now Aziraphale)

Other Archangels (Michael, Uriel, Sandalphon, in that order – See NG here)

Cherubim (Aziraphale at the Garden of Eden, when he was the Angel of the Eastern Gate –NG Confirms here)

Thrones & Dominions

Principalities(?) (Aziraphale after the Garden of Eden – NG doesn’t state if this is a promotion or demotion, but it feels very demotion-y)

Other lower-ranking angels (As a Principality, Aziraphale was supposed to lead a platoon of angels into battle in S1 – so there must be many levels below him – see NG here)

Scrivners (Muriel and the level Gabriel would have been demoted to. Appears to be the lowest rank in Heaven, suggested by NG here)

There are likely many other levels in-between these that have not yet been mentioned onscreen. Saraqael, for example, seems lower down than an Archangel (addressing Michel and Uriel as “your beatitudes” before approaching them in Episode 1), but above Aziraphale. You’ll notice Seraphim aren’t in this list, because they’ve not been mentioned on screen – but I suspect they do exist in this universe and are a class below Archangels but above Cherubim.

This doesn’t necessarily mean that Crowley was an Archangel, but confirms pretty explicitly that he was once near the top.

So who was he?

Neil Gaiman has stated that his name when he was an angel was not Crowley/Crawley, and the first scene of Season 2 sees a bit of redirection when Aziraphale tries to get angel-Crowley’s name:

This is quite deliberate, and sets up his name as something important to be revealed later. However, I can’t see why his name would matter to the narrative, unless it’s something recognisable from biblical canon – or, that it’s not necessarily his name, but his rank as an angel that was important.

There are numerous pointed references throughout Season 2 to Archangels, in such a way that feels like the show is setting up for this to be revealed in the future. The misdirection about Angel-Crowley’s name may have been because Aziraphale was likely to have recognised the name of an Archangel.

More than this, I personally do think, that before his fall Crowley wasn’t just any old Archangel, but the Supreme Archangel. This is based on the following 7 points (you know God likes sevens):

The very deliberate way the camera pans to Crowley’s impassive face after Gabriel says “I’m the only first-order Archangel in the room or, you know, the universe.”

2. Metatron’s statement, “For one Prince of Heaven to be cast into the outer darkness makes a good story. For it to happen twice, makes it look like there is some kind of institutional problem.”

While it’s quite clear that we’re supposed to associate this line with Lucifer himself (and yes, I know NG confirms that's who this was alluding to!), it’s interesting that ‘Prince of Heaven’ is a title associated with Archangels in Jewish tradition and very specifically with Gabriel on screen in the universe of the series. That Jimbriel also repeats this line to Crowley in the bookshop specifically feels significant...

3. Crowley also recognises Metatron in the bookshop, where no other Archangel does. Metatron deliberately avoids using his name in this scene, calling him ‘demon’. Which is not inaccurate, but may suggest the Metatron remembers Crowley’s angelic name. It may also explain Metatron’s very dark look at Crowley as he exited the shop – the two of them have some history.

4. It’s never stated explicitly that Gabriel hasn’t always been the Supreme Archangel since the beginning, but there’s enough vagueness in the text to guess at this. When Michael and Uriel are discussing what to do in Gabriel’s absence, Michael and Uriel have this exchange:

M:There is, of course, no question of replacing the supreme archangel. I am the Archangel Michael, you are the Archangel Uriel. U: We aren't in charge. Right now, as of this moment, Heaven does not have a supreme archangel. M: There is always a supreme archangel.

“There is always a Supreme Archangel!” not “Gabriel has always been the Supreme Archangel!” According to some traditions, the Supreme Archangel was the first angel ever created, which would support Michael’s statement: There is always, and there always has been, a Supreme Archangel, since the time of creation. It’s possible that someone else held this role pre-Fall, and Gabriel was appointed as successor after the War in Heaven.

5. The way the other Archangels behave around him. There’s a wariness, but also a strange deference. On being discovered by Saraqael in heaven, they don’t immediately throw him out, but let him watch Gabriel’s trial – even ordering Muriel to show him it. Michael and Uriel then follow him back to Earth without much fuss, giving him quite a look, while Crowley seems to be enjoying himself:

(This also feeds into why I think Crowley looked so different during the Job segment. He knew he might encounter a few Archangels he’s not seen for a thousand years or so, and so appears in disguise.) 6. The lightening! I’ve seen someone point out that Crowley’s electric temper tantrum in S2E1 mirrors the lightening used by Gabriel to travel to Earth in S1E6. This could be a coincidence of VFX, or it could be a Clue.

7. That last conversation between Aziraphale and Crowley:

A: I don't think you understand what I'm offering you. C: I understand. I think I understand a whole lot better than you do.

That’s such a weighted statement, and could be interpreted in so many ways. But, viewed in this light, it sounds like a warning from a former angel who used to be very high up in Heaven indeed – and has absolutely no desire to return there.  

Why does any of this matter?

Obviously just theorising here…

The story is setting us up for a reveal here – Crowley’s status as an angel, and who he was before the Fall is clearly going to factor into Season 3 in some way. Why tease us with it so much and so often if it’s not important?

In terms of the narrative, a powerful revelation would be that Crowley used to have Aziraphale’s new job. That it led him to asking questions about the Almighty’s plan and then, ultimately, falling. And that the Supreme Archangel, for one reason for another, eventually turns against Heaven – it happened to Crowley, to Gabriel (after a few thousand years), and then will have to happen to Aziraphale too.

I could be way off here, but at some point the show needs to explain why Crowley is so different from other demons and has powers that no other demon or angel seems to possess. A reveal that he was once very, very senior in the organisation of Heaven, before asking too many questions and being cast out, would serve as a explanation and be a meaningful development to the narrative of Season 3.

I don’t think we’ll necessarily get a name (because we don’t need one) – but I do think we will get a rank or some idea about who he used to be, and that’s what’s going to be significant. TLDR: Supreme Archangel Crowley!?

[olis-inkwell-symposium]

How do you make your fantasy world feel lived-in?

Making a world feel lived-in requires more than just describing the landscape or architecture—it’s about creating the sense that the world has a history, a heartbeat, and its own rhythms of life. Here’s how I approach it:

Layered History: Every city, village, and ruin in my world has a past. I try to tie in subtle references to historical events, old conflicts, and forgotten legends that shape how people live today. By letting the remnants of the past—such as crumbling statues, faded murals, or cultural taboos—linger in the background, I create the impression that the world has been evolving long before the story begins.

Daily Life and Rituals: I focus on the small details of everyday life—what people eat, the music they listen to, how they celebrate and mourn. By showing the rhythm of daily activities, from bustling marketplaces to quiet moments in a temple, I give readers a glimpse into the culture and traditions of the world. These details make it feel like people are living their everyday lives outside the main plot, even if the protagonist isn’t there to see it.

Architecture and Geography: The physical layout of the world matters—how cities are built around rivers, mountains, or deserts, and how architecture reflects the culture and resources available. I like to create buildings and cities that tell stories themselves, with intricate designs, magical defenses, or decaying remnants of a once-glorious era. The way people interact with their environment adds depth to the world.

Senses: I try to engage all the senses when describing a setting—the smell of the sea, the taste of the air before a storm, the grit underfoot on a well-worn path. These sensory details make the world tangible, giving readers something they can feel, not just visualize.

The Mundane and the Magical: In a fantasy world, magic and the supernatural are often present, but I balance that by showing how the mundane aspects of life coexist with the extraordinary. Maybe magic is used casually, like enchanted brooms sweeping the streets, or it’s feared and tightly controlled. Either way, showing how the mystical fits into the everyday helps make the world feel more real.

Economy and Trade: Who trades with whom? What resources are valuable, and how do people get by in different regions? By grounding the world in economics—whether through thriving markets or resource scarcity—I give the setting a practical edge. These systems help define the way people interact, where power resides, and what drives the tensions in the world.

Flawed Systems: No world is perfect, and by including corrupt governments, failing infrastructures, or struggling populations, I show that this world isn’t static—it’s evolving, sometimes deteriorating. Conflict isn’t always about the grand battles; it’s also about the slow decay of a once-great city or the quiet resistance of a village against an oppressive regime.

By combining these elements, I make my worlds feel like places that exist beyond the plot—places with their own stories, lives, and rhythms that readers can immerse themselves in fully.

[moronkombat]

Johnny cage hcs with a fem reader whos a princess or god?

Johnny with a princess? hell yes tw: afab pronouns used

Johnny met her during his trip to Outworld and he was quite smitten with her

Her status did not intimidate the overzealous actor in the slightest. In fact he would jest that he was practically royalty where he came from

She would find this amusing along with nearly everything else about this eccentric Earthrealmer

Though this interest is not appreciated by her parents or the royal court and they are quite displeased with Johnny's behaviors

It matters little though as the princess always seems to be in conversation with the actor; he often sought her out

He makes her laugh, bubbly and joyous with his flirting and jokes that she cannot understand

She often asks him about his movies and all the weird references he brings up

Johnny will explain them and she mostly stares at him confused and dazed but she does in fact enjoy these talks

Very sly and slick Johnny acts the princess on a date with a wink and smirk. He looks positively suave and ridiculous. She of course agrees

Her family do not, however, and they are keen on keeping this rowdy Earthrealmer away from their precious princess

It hardly works out. Even though, Johnny is dragged out of the palace and thrown to the street that doesn't stop him

He scales the wall to get to her bedroom, panting and out of breath as he strains to pull himself up through the window

Johnny places it off well, hands on his hips and pretending that he isn't completely winded

The pair sneak away into the night, exploring its life and wonders. Johnny is enthusiastic in partying and making sure this usually tamed princess as a great time too

He and the princess end up sharing a kiss and Johnny graciously guides her though it

Their night ends and Johnny sneaks her back to the palace where he acts cool and steady or at least he tries to give that off

Soon he is melting when the princess gives him a rather chaste kiss on the cheek before leaving

He grins like a boy again, hand rubbing where her lips had been before dreamily sauntering away

It is not all paradise, however, soon the princess is assigned someone to marry and their romance is threatened with destruction

Worst yet, Johnny has no way of getting to the princess he has come to care for because her guards have thrown him into cells

She knows nothing of this and thinks Johnny has merely left her and their relationship behind. That is what her family is telling her anyway

But Johnny isn't the type to just accept his fate and tries to form a plan of escape

A plan he has but nothing ever really goes expected and it's a bit of wild chase until he bursts into the wedding, glasses broken and shirt torn

He would say something cheeky about objecting to this marriage before punching the fiancé away from her, leaving the princess stunned

Johnny ends up making a daring escape with his princess and by daring, it is the two of them running like hell out of there

She is disgraced from her family and Outworld but there is no need to fret. Johnny takes her back to Earthrealm with him

It is definitely a culture shock but she is amazed by this new place and is quick to crave its knowledge

While Johnny makes movies about the combat between the realms, she is right there with him and when she isn't she is watching all of Johnny's movies and laughing at how zany they are

It is a simple existence but Johnny and her are very happy that they can finally be together and together they will stay