#Been using statues for reference to practice

[vamps-hmu]

you ever love someone so much you want to hold them so tightly they bleed?

[yakutarts]

Nightmare and Dream but feral, non-skeletal body!

For the love of god PLEASE click on the image for better quality + close ups and clothed version under the cut!!

Would you kiss them?

Video process:

I made these using a specific context

A while ages ago I drew and posted a drawing of Nightmare and Dream on their light ball form but with some alterations/personal headcanons.

On the post, I expressed my desire to draw the twins in a universe were Nim didn’t need to give them bodies, and just let them grow naturally. And specifically give them an animalistic appearance, instead of a humanoid one like most artist do.

You can see on the process video that it took me 1000 sketches to make something that looked good and I was happy with, the video is obviously sped up, the total time it took me to make this was 28 hours and 15 minutes.

Now explaining some things:

Why are they so big?

I read on a post made by Joku that Nim, before giving them skeleton bodies, tried to make them human ones, but the pure amount of magic and power the twins had made the human bodies explode or some shit. So she picked skeletons since the magic could flow freely through the bones without being confined by muscle and flesh. That made me think if their power had physical forms, it would be gigantic. So I gave them gigantic forms to better represent their status of strength and power, beings made from raw magic to serve as guardians of all emotions throughout the multiverse, of course I needed to make them big and intimidating!

Why the horns?

Artistic design choice, I gave them little horns and a chubby tail in their light ball form to purposefully make them more animalistic, wanted to keep it while making these. Also just giving them a smooth head with nothing much going on looked weird and boring.

Why the draconian look?

Dragons had been created and depicted as symbols of pure power above humanity and worshipped as deities throughout several cultures around the world, different depictions of dragons has been one of the only things present among almost all cultures, like a default folklore creature. While I tried to incorporate other mythical creatures in the design, the draconic body plan felt more right due to the influence of dragons on human beliefs, and their representation as magical and powerful beings beyond human comprehension. Plus I just really love drawing dragons.

Why the clothing choice? Also why is Dream half naked while Nightmare has everything covered?

While designing the clothes for Nightmare, I used as reference clothing that usually royalty would wear, Nightmare has a really big ego and sees himself as a king, so he uses fancy, expensive clothing and jewelry, adapted and designed for his anatomy. Not practical for battle, but his corruption can go through the fabric without damaging it, and most people and monsters just run when they see him, so he doesn’t worry about it getting dirty or tearing, Nightmare just expects every soul to instantly submit when they see him, so he never worries about getting into a battle and getting dirty he has that big of an ego.

Dream is the opposite, his style of clothing much more practical for running, jumping, flying, fighting and general exercise. He has 4 bags in total, 2 on each side, inside them he keeps several items, be it healing food, magical artifacts, first aid kit, gifts he receives, stuff he buys or random things he finds and wants to take home with him. Dream’s crown is now a colar couldn’t figure out how to make it work with the head shape and horns, his cape is from his official design, but changed to white, was planning to make it yellow but when I looked at it my eyes hurt because there was too much yellow everywhere. I made Dream’s clothes with the intent to match his official design, I didn’t to the same for nightmare because a turtle neck with a hoodie on a dragon would make him more huggable than intimidating. Plus I like to think that the leg warmers was a gift from Blue, and the ring on his horn a gift from Ink. Didn’t add more stuff on him because I couldn’t think of something that would look good and match Dream’s vibe, the rest of his clothes on his official design didn’t translate well here. Oh, while I was drawing this, I drew the colar and the leg warmers first, without the cape, Dream looked like a twink with a pet play kink.

Side note; neither Nightmare or Dream see the use of clothes as a necessity or as decency. For them clothes are nothing but pure decoration and to show off status for Nightmare, they can wear full body suits, partial clothing, just jewelry, or nothing at all, which is what they usually go for when at home, wearing or not wearing stuff doesn’t make that much of a difference to them at all.

Do they act as animals or do they have human intelligence?

Despite me using the word “feral” all the time to describe them, they do not actually act as animals. I’m only using “feral” to describe their body/anatomy, Nightmare and Dream are fully sentient and have human level intelligence/awareness. They are capable of speech and have opposable thumbs on their front paws, they can grab, write, hold… do anything a human can do with their hands with dexterity. But they do have to use only hand one at a time, and balance themselves with the other. To use both hands, they have to be sitting, or be supported by something, they can balance themselves on their wings if they have to.

And now contradicting what I just said, they have some animalistic behaviors. The twins can growl, purr and roar. Despite Nightmare being able to use his tentacles and Dream being able to shoot magic arrows out of his wings, they to also scratch and bite while fighting. Since they are big and heavy, they can easily crush bone under their weight and their bite force is strong enough to split someone in half. If you need a reference, just use Smaug from The Hobbit, he has more or less the balance of animal behavior and human intelligence I’m looking for.

Expanding more on this, the twins stretch just like felines, and often sleep in positions usually cats sleep in (they don’t actually need to sleep but do anyway). Dream likes to go fishing, and by fishing I mean jumping in a lake and chasing the fish underwater. He finds it more fun than sitting around and waiting for the fish to come to you instead.

I guess you count their lack of necessity to wear clothes as animal logic too?

_________________

If you have any more questions about them, I will be happy to answer!

And yes, I do plan on making more drawings of Nightmare and Dream on this form!

Dreamtale belongs to @jokublog

Feral concept/design by @yakutarts (me)

[lej222]

Supernatural Involvement and Ominous Signs in ASLFUA

For a while, many readers have theorized that there is some kind of a higher power/higher being in ASLFUA, and looking at the latest episodes it seems to have been confirmed. With this post, I've tried to gather every instance of the higher power's implied presence and all the ominous scenes in the story. I also included foreshadowing scenes that could have made Miae aware of certain things if she had paid attention because coincidences are important in the story, and certain moments that were defining in the plot. The list contains spoilers for the newest KR episodes and it keeps being updated.

Episode 2 :

Miae is reading a book in the library about how the last day of 1999 will be the end of the world: "'1999, a terrifying overlord is coming...the end of the human race.." -> this might be a reference to the famous prophecy of Nostradamus in which in the 7th month of 1999 a great king of terror would descend from the skies (which makes me think...is it July in the story right now?)

The Hwang family's phone stops working

Miae's dresser breaks and therefore she has to take out the trash, where she sees Cheol crying

"This boy is about to be this girl's most special person, someone whom she will never be able to forget."

Episode 3

Miae and her mother visit the Buddha statue and Miae's wish is not to be in the same class with Cheol - it doesn't come true.

Miae, Cheol and Jisu all become classmates in their last year. Miae and Cheol become deskmates by coincidence.

Episode 4

Cheol's furniture becomes Miae's, along with the contents of his dresser, something only he knows about

Episode 5

Yunhui calls Miae on their new cordless phone, the line is interrupted by another conversation, "Did you get the present I sent you?" - it sounds like a message to Miae from the higher power about Cheol

Episode 8

Miae ruins her bangs, her mother says she should do something about her hair - the first time we are told Miae should go to a hairdresser to fix it

Hwanggeum Academy uses corporal punishment - might be relevant later on?

Miae has to go to karaoke so she gives up on going to the hair salon (this foreshadowing is super crazy btw)

Episode 9

Cheol is compared to the protagonist of the comic Miae reads, 'My First Love Next Door Is Number 1' - gets into trouble and transfers, fights the school bully and wins, nicknamed Lucifer, has a facial scar, lives next door

As Miae is thinking about Cheol, her thoughts are interrupted by a cockroach in the classroom

Episode 11

Miae notes how strange it is that she keeps seeing Cheol while they didn't bump into each other the previous year (just like how Jisu later keeps commenting how strange he keeps meeting Miae) - Miae acknowledges the higher power

Yunhui's pager says "between friends goodbye"

Episode 12

Miae has a weird feeling when she's talking to Cheol's shoe as if it understands what she's saying

Episode 15

In her dream, Miae remembers Cheol crying and her making a wish with a stone tower about how she wants to be his friend. The phone suddenly rings, the TV becomes static and there's a storm outside despite the weather forecast not saying anything about it. The other end of the phone is silent and the lights go out.

Episode 17

Cheol's shoe gets smudged with ink so Miae cannot give it back to him. She cannot concentrate on her practice test, foreshadowing her involvement with Cheol's academy.

Episode 21

Miae again remembers some memories about Cheol saying he doesn't want to be her friend while she's sleeping

Side note: while Soonkki is a great writer, there's some inconsistency about Jisu's seating arrangement. I think she always meant him to sit in Block 1, that's why we got limited panels of that area of the classroom, but his position kept changing until his official introduction. Here, he should have been sitting in front of Seonghan, but there's another boy in that seat. In episode 23, we get a panel of Block1 again, and there's a boy who looks like Jisu from behind in that.

She again remembers her time with Cheol while sleeping on the bus

Episode 24

Daebak Academy notebook says "The teacher is spoon-feeding you, so why can't you pass" -> the higher power is giving hints to Miae, why can't she understand them?

Episode 29

Miae thinks about how she doesn't bump into Cheol as much as before, we get a close-up of the shoe and the Daebak Academy notebook

Episode 37

Miae falls on Cheol while playing soccer

Episode 39

Miae and Cheol are arguing but still bump into each other because of their parents

While Miae thinks about how Cheol should smile at people, she almost gets hit by a ball but Cheol saves her.

Episode 40

Cheol goes to Miae's house to do their homework. Miae's mother says she wonders if it will rain before she leaves. Cheol tries to change the lightbulb in Miae's room, but the lights go out because of the storm. Miae thinks "again?" and they fall on each other. She tells Cheol they should be friends.

Episode 41

Cheol agrees to be Miae's friend and we see a flashback of young Miae wishing they would be friends. While they are doing their homework the rain stops. Miae says planes even fly in the rain and Cheol replies that airplanes fly above the clouds.

Episode 42

Miae answers their phone and the line is interrupted again. Someone thanks their boss for the present and says they will do well on their own from now. -> is it a sign Miae should do well on her own after the hints?

Interesting to note that every time Miae might be involved with the higher power, certain objects in her room are highlighted - Cheol's shoe, the lamp, the notebooks. They all give signs to Miae that she keeps ignoring.

Episode 43

Cheol and Yonghui point out that Miae should get a haircut. Miae ends up cutting it herself instead of going to a salon.

Episode 45

Miae wishes upon a star instead of a plane so that the presentation in class will go okay. This actually comes true, as also noted by the narrator in ep 46.

Episode 46

Daebak Academy booklet says "nothing comes easy"

Episode 47

Something I've noticed is that throughout the story Miae keeps thinking she forgot something, and there's usually a situation that seems like the answer to it. Here, it turns out she forgot about Jinseop's homework. And Taekwang's song is about how someone cannot do both things at the same time. It was the same when she forgot about her homework while playing soccer. Forgetting about things is a recurring plot point for Miae, which culminates in the Jisu subplot where we learn Miae completely forgot about his existence even though she didn't have many friends who were boys.

Episode 50

Cheol's father wants to take a picture of Cheol and Miae, but Cheol refuses

Episode 51

Miae again cuts her own hair and wonders if she cut it too straight

Episode 55

Cheol kicks Miae's pencil into Jisu's chair (side note: you can see here again how Jisu's seating arrangement was inconsistent, he should have been closer to the window)

Episode 56

Miae gets sent out to the corridor with Jisu

Miae's friends talk about handsome boys and someone mentions the number1 student (Jisu)

Episode 60

Jisu becomes Miae's folk dance partner - the first time Cheol and Miae are not doing something together

Episode 61

Hwanggeum Academy booklet says "there's nothing you can't do if you put the work in, do not expect a miracle" when Miae is struggling with the dance

Episode 65

Cheol's father takes a picture of Cheol and Miae after the sports festival

Episode 66

In Miae's dream, Cheol's sister says for a while means 5-6 yrs, Miae counts she will be in middle school by then. There's also a memory of Miae running after Cheol, saying "wait for me".

Miae's mother tells her to get a haircut but Miae replies she needs a bigger allowance for it.

The narrator says Miae should watch where she's walking after she bumps into Cheol.

Episode 67

Miae loses her name tag and Jisu finds it

Episode 70

Miae wonders how her wishes never come true, but remembers she also made one with the stone tower as a kid, but cannot recall what it was about.

Episode 71

Miae's mom notes their phone keeps ringing since yesterday. The day before Miae wanted to tease Cheol with how she heard him saying he "loved her" in the shop and she saw him shirtless the same night.

Miae doesn't realize it was Jisu who called her a pervert

Episode 72

Miae notices someone wearing her name tag (Jisu), but doesn't find the culprit

Episode 75

Cheol wants to ask Miae something, but the homeroom teacher interrupts. Miae and Jisu get called to the teachers' room and have to do cleaning duty together for a week.

Episode 76

We see Miae's mom at a hair salon - could the lady in orange be Jisu's mother? who knows

Episode 77

Cheol stands up for Miae, but when Honggyu asks if they are dating, they both vehemently deny it. It suddenly starts raining.

Episode 78

Miae and cheol promise to be friends for real, forever. The narration comments, "But will they end up regretting their promise?". The rain stops. "1999, the final year of the century is half over" -> Miae's story is half over at this point. I have pointed out this before, but the series seems to be about the transition period between childhood and young adulthood, symbolized by the last year before the new millennium. Hence the title, 'green apple academy'

In her dream, Miae remembers asking Cheol if they are friends. She is awoken by their phone. the Daebak Academy notebook says "you are in danger if you are relaxed" and we see a girl talking to Cheol.

Episode 81

Cheol and Miae fall on each other and almost kiss, but the phone rings. Later, they do end up in the same position with an accidental kiss.

Episode 82

Miae wants to confront Cheol about the kiss and gets embarrassed, but her actions are interrupted when the trash bag she gave Jisu splits open, spilling its contents. Miae runs to him to collect it.

Episode 83

While Miae talks to her friends, she thinks back on her memories with Cheol and the narration says "I always liked.." and Miae looks surprised by it.

Episode 86

Interesting detail that Cheol doesn't know why Miae keeps looking at airplanes. If we assume she has a reason for doing it from the past, it's likely not related to Cheol.

Episode 87

Miae uses the trashbag as an excuse to run away from Cheol, repeating how she has to throw it out. All of a sudden, Jisu appears and takes it out of her hand, giving her a chance to run. It's just my personal theory that the trashbag here symbolizes Miae's vulnerability and reluctance to face her feelings, and Jisu takes it from her hand. It makes sense when we remember how his words made her think about her actions when she wanted to interrupt the confession. It's a great early foreshadowing that Jisu might play an important role in Miae's growth story as her voice of reason.

Episode 89

Cheol and Miae take photos together in a photo booth, first with Jinseop and Song-I, then the two of them alone. We don't know if Miae still has her pictures, but we can assume she somehow lost them during running around from the bullies because we never see them again. Cheol gives her a new name tag in the next episode.

Episode 95

Cheol gifts Miae an airplane model for her birthday. I personally believe this episode marks the end of the first part of the story and it's a turning point, but more about this under ep96.

While Miae leaves for school, their phone suddenly rings and her mom answers it. Miae sees posters about love on her way to school. For the first time, Jisu arives early for cleaning duty.

Episode 96

The series has had 2 symbolic illustrations at the end of 2 episodes. The first one was at the end of ep2, when Cheol and Miae's story started in the present:

Miae is offering a green apple to Cheol - a biblical allusion, here, the green apple probably signifies how Miae helps Cheol in the first part of the story to mature and grow as a person with her own knowledge.

This illustration comes at the end of ep96. Like I mentioned, I believe this marks the start of the second half of the story which focuses on Miae's growth as a person. Space is an important concept in the series, Miae also has planet stickers on the wall of her room,has a charm on her bag, etc.

"16 years old. An age much like the universe." "16 years old. An age where it's like you're thrown into space." - highlights the narration.

But why is it compared to space? We have the illustration right after Jisu splashes water on Miae's face and Cheol wakes up from his dream. In my opinion, it's because this is where these kids' limited worlds start to expand. In part 1, Cheol and Miae were mainly together, but as you grow up you start to feel like you're just one insignificant part of a greater whole. You might feel like you're the center of the universe when you're a teenager, and that the world is ending when you experience negative emotions, but as the illustration shows us, it's not just Miae and Cheol standing alone in the universe. There are other people, facing different directions, but they are all interconnected by an invisible force. Miae is looking at Cheol, but Jisu is standing in her shadow- because even though she was not aware of him, Jisu had his own life happening parallel to what we saw in part1, and this is where he starts to have an intersection with Miae. If there is a higher power in the story, it is aware of all these connections and talks about youth in a nostalgic way. The sense that these moments are fleeting is always present in the story, however, connections formed between individuals will always have a lasting impact, just like how the universe will continue to exist. Being thrown into space might feel like losing your footing, but here it's the personal relationships that ground these teenagers and make them stay close to Earth.

Episode 98

The teacher tells Miae to cut her hair after Jisu takes the blame for ruining the plant.

Cheol is acting strange because of his dream, and while Jisu looks at Miae the narration box says: "16 years old. An age riddled with the unknown, just like the universe."

Episode 99

Miae's hair gets stuck in the zipper of Cheol's bag and he pulls it out, ruining her bangs in the process. They go to the infirmary after Miae gets scratched by the zipper.

Episode 100

At the countryside, while Miae picked a flower she thought how nice it would be if Cheol came to her school - and it became true. She thinks how it was so strange -> Miae again unknowingly acknowledges the higher power when it comes to Cheol

Episode 101

It's raining and the TV is not working in Cheol's home. He remembers taking a picture with Miae in the countryside. He asks his father about the picture on the sports day -> the data was lost. Miae gets grounded by her mother and she wants her to quit the academy.

Episode 102

I've mentioned symbolic objects in the story, but this one was noted by other readers as well: in ep 101, Miae accidentally drops the chalkboard eraser out of the window and Jisu fails to catch it - but Cheol does. However, in this episode Miae tosses it back to Jisu before saying she hopes they'll never see each other again (it's the first, but not the last time she declares it).

Cheol fails to convince Miae's mom about the academy -> Miae's mom points out Miae's grades have been dropping since last year. She makes her stance clear - she wants Miae to study.

Episode 103

It's raining and Miae cannot open Cheol's drawer in her room.

She tries to cut her hair, but the phone rings. On the other line, Miae hears someone saying "I only did what I did because you wanted it so bad, but you screwed up that chance! You don't deserve that project, I'm going to hand it to someone else." -> the first time the higher power tries to directly say Miae is late

Miae's mom cuts her hair instead of sending her to a salon...

Miae loses the name tag Cheol gave her

Episode 104

Jisu says "see you again" to Miae (and will keep saying for a while lol). Miae points out she never wanted to see him again.

Episode 106

After the teacher discovers their conversations in class, Miae and Cheol get separated and Miae becomes Jisu's deskmate. Miae and Cheol are not allowed to interact until the final exams are over.

Hwanggeum Academy's notebook remarks "Do you regret it now?"

Episode 107

Miae dreams about the flower from the countryside and a voice says she should hurry up and do what she wants about her wish if she remembers. She doesn't remember and the voice gets angry, Cheol appears and crushes the flower, telling her if she doesn't remember she should just forget it. The voice remarks Cheol is angry because Miae is late.

Episode 111

Jisu, who has also become aware of the coincidences, tells Cheol he's not the only one having something special with Miae.

When Miae calls Jisu her friend from the same class and tells him he should learn for himself, Jisu tries to say something, but he is interrupted by Cheol.

Episode 112

Miae thinks about their bet and how she should ask something serious, something more than friends do from Cheol, and we get a bunch of error messages. Cheol's dream is all fuzzy.

Jisu wins the bet, but we never get to know his wish because Miae gets angry at him.

Episode 115

The narration points out Cheol has changed and matured a lot, is it Miae's turn?

Episode 116

We see some posters about a summer festival, the forest in Midsummer Night's Dream and how everything is the product of coincidence.

The forest in Shakespeare's play is dominated by the supernatural - what we have in common with this story is the forest Miae and Cheol played together as kids, and obviously the involvement of a higher power. The coincidences poster is possibly a reference to Carl Jung's Synchronicity, a concept that states that seemingly meaningful coincidences have a deeper meaning, they don't have a rational explanation - almost like destiny, a deeper order in the universe. It's a connection between one's psyche and the material world (so you have to notice and acknowledge the deeper meaning of these coincidences in order to experience synchronicity). Jung used this to argue for the existence of the paranormal. For example, if you cannot decide something, you might come across a book on the topic. What a coincidence, right? In this interpretation, everything is interconnected in the universe, and we are a part of this web of connections. So those coincidences...were actually not coincidences. -> Hmmmmm.....I wonder.....meaningful coincidences, the universe, connections...why do they sound familiar??? BECAUSE OUR STORY IS EXACTLY ABOUT THIS NOTION! Who notices these coincidences? Miae about Cheol, Jisu about Miae....One has to be open to the possibility of the connection between our inner world and the outside world, only then they can start to notice the signs the universe is sending them. Soonkki, you deserve my applause! Because it was exactly what I said about the art at the end of ep 96 and the placement of the characters. Mind? Blown!

Miae thinks that she feels something is wrong

Yunhui's pager says friends goodbye

Jisu gets involved in the Yonghui-Yunhui storyline by coincidence

Episode 117

We see all the coincidences from Jisu's perspective and how he became aware of them. And what does he say about them? That they are fascinating and kind of funny! My boy Jisu got the synchronicity message.

This is the 3rd time Miae and Jisu didn't hold hands. The first time Miae pretended to help him up, only for him to fall back. Then Jisu held out his hand after the exam, but she didn't take it. Here, he again reaches out and Miae doesn't take his hand. Remember this later!

Episode 118

Someone steps on Cheol's bag, and he's worried it might be Taeuk

Jisu wants to join in another bet in exchange for his help

Episode 119

Jisu gets involved in the Shim storyline, and as we know from later he picks up the cigarettes to get revenge on him

Episode 122

Miae learns that Cheol rejected Seonyeong and the lights flicker in her room

She cannot remember her dream. The narration says that she should have realized that something changed.

Episode 123

Miae notes that she experienced the kiss in the comic book with Cheol

Jisu almost catches her, but Cheol pushes him away

Episode 126

The parents are having dinner together at a pig feet restaurant and toast for the future of their children. The TV is not working, and a boy who looks like Jisu tries to fix it.

Miae kisses Cheol

Episode 127

Miae has a dream again in the white dress. As she realizes she might like Cheol, the voice says she's too late and there's no use regretting it.

Episode 129

Miae remembers that they took a picture in the countryside together and wants to take one now. She makes a wish to an airplane about how she just wants one photo, and remarks that the planes never granted her wish before. Spoiler, they won't this time, either.

Miae chooses to take the picture with Cheol. The narration box says "she's always done whatever she sets her mind to. That has always been one of her better attributes. But Mi-ae, it seems as though you keep forgetting something. I told you, you're too late."

The pager's message means idiot, cancelled and it suddenly starts raining. Maie and Cheol cannot take their photo and Cheol cannot give her back the hairpin she dropped a few eps ago.

Episode 132

Graduation photos were postponed until the second semester

In Miae's dream, the voice says she's all over the place and cannot decide what she wants from Cheol. In her memory, Miae wishes at the stone tower that Cheol would like her back. The voice angrily remarks how it must not mean much to her.

Episode 133

While Cheol and Miae are looking at each other, Miae is smacked in the face by a flyer. Later while they are riding the bike, Cheol almost says she looks pretty but he is hit in the face with a flyer that belonged to Jisu.

Episode 134

Miae takes the cigarettes from Jisu and puts them in her backpack

While Jisu and Miae look at each other, the narration box says "Well. this is what we would call fate. What do you think?" Miae can sense the voice and dismisses it.

Jisu again says "see you later" and Miae answers let's not, but Jisu replies they never know and it would be fun.

On the radio in Miae's room there's a voice speaking, asking if it was a success and how there is something you can't stop thinking about. "A friend? The fact that you weren't wrong? Whatever it is, I don't think it's such a bad thing to obsess over it a little bit. I hope you have no regrets about it."

Episode 135

Miae's eyebrow and bangs are so ruined she has to finally go to a hair salon. Yunhui gives her money and says there's a cheap place where she can go. It turns out Jisu's mother is a hairdresser and after realizing she is Jisu's friend, she doesn't ask for money. So if anyone ever wondered why Miae kept ruining her hair in the story, here's the answer....

a little bit of strange wording here:

The narration says "Now that I think about it, this was about the time..wait,no, it was a little bit earlier that things started to go wrong, little by little. You two were completely oblivious, though. Just you two."

Miae's mother goes to the academy. One theory I can give on this is that Miae's family might be moving. She wished for it at the start of the story, mentions it in a later episode as well. Who knows ~

Episode 138

Miae doesn't tell Cheol her feelings because of her pride as she feels like she would lose first

Miae has a feeling as if something is trying to make her look bad in front of Cheol and her gun suddenly starts working

Everybody forgot to buy the picture they took together in ep 139

Episode 140

After conveying their feelings indirectly to each other, Miae tells Cheol they cannot date right now because her mom wouldn't allow it. She plans to go to the same high school, university, everything and thinks there's no one to stop them so nothing can go wrong.

Episode 141

Cheol imagines high school together with Miae and their friends

Every time Cheol is flustered, he accidentally drinks his sister's coffee and he cannot sleep at night..in a story where dreams are relevant I'm sure this is just a coincidence, right???🧐🙃😏

Miae says they should not be obvious before the entrance exam and they start to think of it as a competition

Someone watches them from the street

Episode 144-145

We get everything from Cheol's POV

Cheol got his scar because he wanted to give Miae the romance book she liked before they left and he fell on the stone tower

The picture his dad took of them is about a young Cheol accidentally kneeling with flowers in his hands, the same flowers from Miae's dream, in front of Miae. This picture was in the book Cheol and his family kept.

Cheol realized the book was in his dresser that is now in Miae's room, the one she couldn't open before

Episode 146

Miae sees two flyers in the newspaper, one is about how a student still didn't give it up, the other is about changing one's car

On the street, the same car ads keep flying after her in the wind

Miae goes with Yonghui to wait in a line and the same flyers are all over the place

Episode 147

Miae wants to call Cheol, but Jisu stops her. Miae notices how often they have met during vacation, and Jisu says these coincidences are fun. He remarks it's almost like as if some higher power is involved (!!). Miae is standing on the car ad, they look down on it with Jisu, then she kicks it away. Jisu tells her he has a feeling they will meet again, but Miae hopes they won't.

The academy is also full of the car ads and Miae falls on them

Miae thinks that for a while she's had a feeling as if something wants to get between her and Cheol, but brushes it off

Miae ends up with a bubble gum in her hair and goes to Jisu's house to fix it. Jisu tells her she should stay because he is bored, and there is a car ad on a stool.

Episode 148

We see some of Jisu's childhood memories and he was called a magpie by Miae which was a symbolic choice (I also made a post about it). Jisu in this story is the grateful magpie.

Miae and Jisu "touch hands" for the first time when they high-five (I wrote about how their hand hold never happened before)

After spotting some men smoking, Jisu tells Miae to go inside (one of them might be his father?)

Episode 149

Miae finally remembers Jisu

the narration boxs keeps saying how Jisu is cool and showing heart-thumping sounds and Miae is confused about these strange things

Miae not remembering Jisu was an important plot point considering she recalled everyone else from her past. As I theorized, memories and fate seem to be intertwined, the synchronicity theory also supports this. Synchronicity happens when seemingly unrelated events coincide and they become significant to you. It's easy to see why Jisu was aware of this notion, but Miae was not - because Miae had no idea about those coincidences other than meeting Jisu randomly. Him being her classmate, being the one who found her pencil, who helped her in the crowd, found her name tag, etc. - only Jisu knew about these. But right now, Miae was made aware that they knew each other in the past - a pretty big coincidence.

So now that Miae might have kickstarted her own fate, the question is whether she will be able to fight it or if there are certain things bound to happen no matter what. Is the narrator omnipotent and omniscient? So many questions that will hopefully get answered.

Episode 150

For the first time, Miae says she and Jisu will see each other again sometime. Before this, it was always Jisu who said it and Miae would reply that she didn't want to meet him again.

Miae remembers Jisu transferring, but doesn't know why he singled her out (so she will probably recall more memories later)

As Miae leaves Jisu's house, the car ads are flying in the air around her

Jisu enrolls at the academy and for the first time he says it's not a coincidence

Episode 155

Hwani tells her mother it would be great if they could keep being neighbours with Miae because she's fun. After a pause, Cheol's mother agrees.

Jisu keeps telling Miae she's a "traitor" or "bat" (depending on the translation, meaning she keeps secrets from others like the Yonghui Yunhui situation and the fact that she went to Jisu's house) and she might get into trouble because of that

Episode 156

The narrator directly communicates with Miae again, and informs us about Miae's thoughts. It makes heart-thumping sounds when she's with Jisu just like in previous episodes, but Miae ignores them.

Jisu again says how the coincidences are so fun. He counts to three until the teacher interrupts Miae and Cheol's bickering (similarly to Taekwang in ep 158)

When Jisu tells Miae he'll go out of the room to let her talk with Cheol, Miae thinks she'll talk to him regardless of anyone's interference and we get a close-up of an academy notebook saying 'NO' and a plane flying in the sky.

Episode 158

Flashforward in the episode to a scene with Cheol leaving Miae at the academy while a storm is coming and Miae looks like she's about to cry

An hour earlier in the story the dark clouds are already gathering (I mentioned how rainy weather is always connected to the change in Miae and Cheol's relationship, and how it's usually an ominous sign). After seeing Jisu's flustered face, Cheol tells Miae that he wants to change the lightbulb in her house before she gets hurt. The lights at the academy are highlighted as they keep vibrating. (I also noted how the lights are signs of the supposed higher power, they get their own panels in Miae's room, and they went out 2 times when Miae and Cheol's relationship changed)

After Jisu reveals that Miae was in his house and Cheol gets angry, Miae's pager starts buzzing (again, the pager messages always appear when the higher power wants to communicate with Miae).

Taekwang is an interesting character because the things he says are sometimes connected to the greater theme of the story. Like when he listened to his music and said how Miae cannot choose two things at the same time (come on, it was the foreshadowing for the current conflicts!), he smelled Jisu on Miae (???), Jisu even said he's the one he cannot deal with, and now he was counting the seconds until Miae got another sign. Is he used as a medium? (who knows lol)

Miae wants to check the pager message but the fluorescent lamp(?) breaks. Jisu shields Miae from the shards while they fall on the ground, making it his first successful attempt to save Miae in the story. The pager lands in the corner of the room.

Episode 159

Miae goes to a phone booth to check her messages and it's filled with the car ads so she kicks them away

The first message is a loud noise of a song recording. I personally think if there's a higher power in the story, this message came from it. The other is about Miae's friends telling her they'll visit her at her academy which gives Miae a sense of panic knowing Yonghui and Yunhui might meet.

Miae sees an airplane in the sky and the narration says Miae has a feeling that something is interfering with her and the panels get fuzzy with flashbacks to phone calls earlier in the story (omg this is actually crazy)

It starts raining and we get a glimpse of the last countryside memory we haven't seen yet about Miae running after Cheol at night. In the present, Miae trips just as she did as a kid, but instead of Cheol she meets Tae Uk.

[hannieehaee]

18+ / mdi

content: loser!seungcheol, afab reader, smut, continuation of my previous two loser!cheol fics, mentions of fwb relationship, confession, penetrative sex, etc.

part 1, part 2, part 3

wc: 2017

a/n: im creating the loser cinematic universe

masterlist

"so, are you guys dating now?", jeonghan asked one day as a few of the other frat members hung around the kitchen after a rowdy night partying.

"oh, uh, i'm not sure," was seungcheol's response.

it was the truth.

after only a few weeks of knowing each other, – and you jumping his bones every time you saw him – seungcheol still had no idea what label he was supposed to use when referring to you.

you were quite sweet to him any time the two of you got down to unseemly activities, but you were yet to mention anything about being exclusive, much less about officially being his girlfriend.

still, when jeonghan asked, seungcheol felt slightly embarrassed answering.

he wanted to proudly claim you as his; to have his fellow frat brothers look at him in envy when he brought you around, knowing you had picked him out of everyone else; that despite having the reputation of being a loser and a smartass, he had scored the prettiest and sweetest girl on campus.

sadly, he could only daydream about such a thing. he fid not have the balls to actually ask you out, something that jeonghan apparently caught sight of when seungcheol gave him his answer.

"dude, just ask her out," he practically scolded, "she clearly likes you. just make the first move and tell her you wanna be official."

"it's not that easy," he grumbled.

except it was.

what seungcheol didn't seem to realize was that you and jeonghan weren't just mere acquaintances. you were actually friends, which meant that he was pretty well informed on the current status of your relationship. while seungcheol remained unaware of what you sought out of the relationship, jeonghan had been made privy of that information by you directly.

your current hope was for seungcheol to ask you out himself. you knew he was shy and introverted, – and entirely inexperienced when it came to relationships – but you wanted him to want you so bad that his want for you bypassed all those barriers. being asked to be official by the pretty nerd from your friend's frat house was something you simply felt was a must. refusing to make the first move, you waited for him to grow frustrated enough to snap and beg you to be his.

meanwhile, seungcheol was disheartened at the thought of you being so nonchalant about it all, believing that if you were really interested, you wouldve already asked him to be yours.

"girls like to feel wanted. all you have to do is ask her out to a movie or something. easy," shrugged jeonghan.

"easy for you to say. i've never done it before," complained seungcheol, deflated.

"when's the next time you're seeing each other?"

"she asked to come over tonight, why?"

"great," smirked jeonghan, "i have a plan."

~

even as socially inept and inexperienced as seungcheol was, he knew this was the cheesiest thing he could've possibly done.

however, jeonghan had been right about setting him up with you in the first place, even having orchestrated the perfect plan to do so in such a seamless way that it landed seungcheol the prettiest fuck buddy, so he decided to blindly trust jeonghan's expertise yet again.

and now he stood in his room, staring down at the bed covered in red rose petals as what jeonghan described to be 'baby-making music' played. the lights were dimmed and the entire aura was nothing short of suggestive.

after having confirmed for you to come over, – all while jeonghan dictated the text seungcheol was meant to send you – he prepared his room for 'a night of romance,' as jeonghan had called it. the plan was to welcome you in, somehow work his way into a confession, and then 'make love' to you (jeonghan's words, not seungcheol's). as much as cheol wanted to actually make love to you and make you officially his, his anxiety was through the roof. he had never had a girlfriend before. you were his first everything, and he was terrified of scaring you away by being too forward. maybe all you wanted was something casual – which would break his heart, but he'd respect it.

it was, however, too late to back down, as you were supposed to arrive within minutes. in fact, he could already hear the door being opened, accompanied by muffled speech, coming from the entrance of the frat.

upon hearing a quiet knock on his door, he went to open it, offering you a sheepish smile as you walked in and took in the sight.

you giggled in disbelief, "cheol, what's all this?"

"uh, i, uhm, i wanted to make tonight a little extra special, that's all."

— 'tell her you coward!', he could hear jeonghan's voice playing in the back of his head.

"yeah? that's all?", you asked, nearing him with a purpose.

"well, no, i- i actually wanted to ask you something."

"mhm?," you smiled, placing your hands on his shoulders.

he was visibly sweating by now, gulping after every sentence and his eyes fleeting from your own down to his shoes.

"just, uh, i wanted to, f-fuck- it's kinda difficult when you- when you do that," he stammered when your hands made their way to the back of his neck, playing softly with the hair there, drawing goosebumps in the process.

"it's okay, cheollie, just tell me. i can get a lot more distracting," you practically warned, not halting your soft touches and now invading all his personal space.

without even thinking of it, his hands had wrapped around your waist, a place that was now natural for him to hold, albeit always in a shy manner.

"y-yeah, okay, uh, i just- just wanted to know if you ... if you'd like to- to, uh, maybe go out sometime," he gulped and cringed at how not-smoothly it had gone over. he hadn't even asked you out how he meant to, how he had rehearsed with han.

"go out? but, cheollie, we already hang out so much. what do you mean by 'go out'?", you tilted your head in fake confusion, clearly acting obtuse on purpose to further mess with an already nervous seungcheol.

nevertheless, cheol was not planning on backing down. not even when you leaned in and began pressing hot kisses to the skin of his neck. not even when your tongue came out to lick at the splotches you'd begun leaving behind. and specially not when your teeth went up to softly nibble at his earlobe.

"b-be my girlfriend, fuck, please? i ...", he whined all at once, hands tightening into your hips.

seungcheol could not be blamed for being such a weak man, falling to your seduction so easily. you were always in control whenever it came to the bedroom. this was something seungcheol absolutely adored. maybe it made him feel weak and a little bit pathetic at times, but it sure made his dick insanely hard, just like at this same moment.

"yes, cheollie," you sighed with a smile as your lips remained attached to his skin, "i'll be your girlfriend, angel."

"y-you will?", he managed to let out a gasp when your hands joined in on the fun, reaching under his shirt and feeling up his chest and abdomen.

"of course, baby. like you so much ... just wanted you to ask me out first," you revealed between kisses on his neck, reaching to his cheek and then finally landing on his lips.

"mmm," he hummed against your lips, hands tightening around your waist as he instinctively pulled you into himself, "god, wanted to ask you out since the day we met."

"i know, cheollie," you giggled, "you're just a little shy, huh?"

"you just make me so nervous," he groaned, letting himself fall limp to your touches, molding to your body and letting you guide him to bed with zero complaints.

"me? but i like you so much," you stress the words as you undress him, with him numbly following along to all your wordless commands.

"like you more ..." he breathed out once he was completely undressed and your hands reached down to toy with his cock through his boxers, "l-like you so much, you have no idea ..."

"can't believe such a pretty boy likes me so much," you went back to his lips, pulling his head back by his hair in order to force his mouth open for your tongue to make an entrance. you breathed in his gasps, making love to his tongue with your own.

"y-you're pretty. so pretty, you- fuck, can't believe you even looked my way," he kept mirroring your compliments, feeling an innate need to let you know how much more into you he was than you could ever understand.

"yeah? let me show you how much i like you, then?" you smiled against his lips, whining at how he seemed unable to disconnect your lips, chasing after your own with a huff.

nodding feverishly, he helped you out of your clothes, groaning any time your hand would go back down to make contact with his cock, eventually pulling it out of his boxers.

"m gonna fuck you now, okay, baby? gonna fuck you just how you like," you promised once undressed, sitting on his lap as his breath accelerated.

he felt a cold sweat rush through his body at the thought of you sitting on him. he'd gotten the privilege of fucking you many times in the pas, but he was always unprepared for the feeling of your cunt wrapped around him. the sight of your nude body in front of him was already enough to make him lose the ability to think coherently.

"f-fuck, oh, fuck, thank you," he groaned when you finally sat down on him, eyes rolling back and fingers digging into your hips.

"cheollie ... fuck, always feel so good for me," you breathed, arching your back and wrapping your arms around his shoulders for support, "such a good boy ..."

the praise made his hips cant upwards, beginning to fuck into you with a complete lack of rhythm, yet still making you let out those high-pitched moans that always made him lose his mind.

"it's so fucking tight ... fuck, love it so much. l-like you so fucking much. so perfect for me ..."

"can't believe you're mine ... please tell me you're mine. please ..."

"need you every day. can't live without your cunt. fuck, you ruined me ..."

uncharacteristically, his words were endless, wanting to let you know how much he liked you and how badly he needed to have you day after day. he needed to make you feel as wanted as you always did him. after every single one of his confessions, you'd respond with a reciprocation, making him even more desperate for you.

"'m gonna cum for you, cheollie," you eventually whined, "cum with me , angel. please? show me how m-much you like me?"

how could he deny you when you played that card? when all he wanted was to give you anything your heart desired? he had no ability to resist you, always following your every request without question.

there was no need for him to hold back his orgasm, as he could practically cum on command if you so much as looked at him a certain way. he just liked you so fucking much, having no control of himself any time you touched him.

his hips accelerated when your orgasm hit you, pistoning into you at punishing speed due to the way your cunt wrapped around him all of the sudden. despite already being used to your cunt, he could not resist its warm embrace any time your orgasm would rob you of your senses. predictably, his own orgasm followed yours almost immediately.

"t-thank you. fuck, thank you. like you so much, fuck. baby, l-like you so fucking much," there was a mantra of thank you's and confessions through the entirety of his orgasm, sounding entirely too pathetic but not caring for it as he expressed his truth for you.

"such a good boy, cheollie," you whispered into his ear once both your orgasms subsided. your hands played softly with his hair, pressing him against your skin in a comforting manner.

seungcheol could die happily in this moment. how could things be better than now? he had the prettiest girl holding him in her arms after the best orgasm of his life, having found out that his feelings were mutual. no more words were needed as the two of you softly loved on one another, eventually laying in bed and napping together, only to wake back up again and express the same sentiments over and over again.

[imbecominggayer]

Writing Advice: Writing Authentic Dialogue

For @radiantmocha TL;DR: advice for writing combat and improving dialogue authenticity?

I'm sorry that this post is going to be so short but it's a really simple topic for me :D

A) Authenticity: Actually Talk To These People Or Read Their Books

When it comes to looking for authentic dialogue, especially in relation to combat, just trying to start up a connection with a professional can be the gateway into actual realism.

If you can, try talking to a veteran or someone actively serving in the military!

If you are interested in a specific time in history that no one is currently alive from, try talking to either a historian or a history buff.

If neither of those options work for you, try reading books and other stories that were written by veterans. My favorite book of this genre is "All Quiet On The Western Front" which is a semi-autobiographical book exploring what life was like for german soldiers in WW1 which was written by Erich Maria Remarque, a German veteran of WW1.

I emplore you to explore stories, even fictional stories, that were written by soldiers!

B) Authenticity: Accounting For The Environment

What's the time period that the story is set?

Where is the story set?

What is the socio-economic status of the protagonist?

What is the personality of the protagonist?

Answer these questions (and more) to understand what a character will and wont say. Characters fighting in WW1 won't reference tanks pre-Battle of Somme.

This advice is true for everything. An innocent, rich kid will certainly speak differently, using different verbage, in comparison to a kid living in the slums. They will also prioritize different things.

What I hate most in stories is when characters, poor for their entire life, poverty-striken, starts wildly proclaiming ideas of justice, fairness, and equality while fighting bullies left and right. Most people in that situation need to keep their head down. They can't afford to go to the police station for "contributing to the a fight" Independent women can't get into the middle of a fight! Do you know how much medical bills cost? If they manage to survive, it's not going to be pretty. No matter how much self-defense classes like to tell women, most women understand that they can't overpower a determined man.

That isn't evil, that's survival, that's practicality! Ideals have always been prioritized by people privileged enough to have the time to think while the poor and always working need to be always working!

Sorry, that was a rant

In Conclusion:

Read stories that real people have written that are either semi-autobiographical or autobiographical! Keep in mind the time and place!

And so sorry for that rant!

[yuurei20]

I just finished the new chapter drop on EN and may I ask why Idia freaks out about Ortho (robot) calling him by name?

Doesn't everybody except Malleus call him Idia? When Ortho (robot) shows up in the dream world he even has this line "And why are you calling me Idia...?"

He doesn't know who Ortho (robot) is, right? So why WOULDN'T he be called Idia? Or am I missing something?

Hello hello! Thank you for this question! 💀🤖

This is just a theory, but I think maybe what has happened is this! ↓

We know from Yana's interview that the story is complete and that she is not the only one who knows what is going on:

"The full main plot that I was to share with Disney seemed linear and uninteresting, so I submitted character details and sub-plots at the same time." - Toboso Yana (2023 Apple Store Interview)

But it is possible that Aniplex USA are not in the know 👀

The English-language translators can only work with what they have, and it's possible they haven't been told what points are going to be recurring, etc., so changes that they make to the localization that would be innocuous in any other situation are turning out to be important later on--and we have seen this before, also with Idia!

Idia has a line of "Leave it to your big bro (nii-chan)," which is extremely important.

We see that he used to say it to human-Ortho when they were children, and it uses the nii-chan variation of "big brother," not robot-Ortho's "nii-san"!

Every time Idia says it, he is invoking human-ortho.

But it seems Aniplex USA might not have known this about the character until the same time as the rest of us: when they got to Book 6.

As a result there are earlier instances (Book 5 and Ortho's ceremonial robes vignette) where Idia says his oft-repeated line and it was either rewritten or just removed entirely from EN.

And this is possibly what has happened with Ortho's "nii-san"!

While robot-Ortho has been programmed to refer to Idia as "nii-san" (and chooses to continue doing so for himself after Book 6), human-Ortho would use "nii-chan," in what seems like a throwaway character detail that is actually so important it was practically a plot point in Book 6.

More here:

That is what confuses Idia in Book 7! A humanoid he doesn't know has appeared calling him "nii-san," which no one has ever called him before.

But Aniplex USA possibly didn't know how important this was going to be! Ortho was localized to say "Idia" every time he says "nii-san," so that is what this scene became: Idia wondering why someone is doing what everyone does (call him "Idia"), possibly making it seem odd that it bothers him.

And unfortunately for the poor translators this just kept repeating in this chapter!

Originally Idia is confused by the three different entities all calling him "brother," but on EN he is just wondering why he is being called his name (which EN itself established as the status quo).

And that is why it seems that Idia is confused by someone referring to him in the same way that most all the characters do ^^

This also seems to have happened with the "boom bada-boom boom boom--hah!" line on EN!

It is a direct homage to the original animated Hercules movie, but while it was recreated faithfully on EN for Book 7 it was changed to Book 6 into "AW YEAH! BOOYAH!"

Did Aniplex USA not realize that it was an homage to that specific line until they reached Book 7?

It is possible that the translators don't know where the story is going and are just doing the best with what they have, ending up in curious situations like this as new content is released that compromises changes they have made, catching them by surprise!

And we have seen this happen before, with the word "imagination:"

"Imagination" was removed from EN until Book 6, which is possibly when the translators realized that it was supposed to be important.

And it seems to be very, very important, to the point that it is possibly being set up as the key to defeating Malleus.

In a line that was retained on EN Ortho explains to Malleus himself, "Magic is powered by imagination, so you can't manifest or defend against what you don't know."

Silver suggests this about Malleus as well when wondering why it is that Malleus cannot interfere in Lilia's dream, and connecting it to how Lilia's dream is from before Malleus was born: "The source of magic is imagination. What if Malleus has trouble controlling things he doesn't know about and can't imagine...?"

And in the original game it is a concept that was established as early as Book 1!

(I also wonder if that is what has happened with Ace and Epel having their dialogue changed from “Housewarden” to “Headmage.” Did Aniplex USA not know the significance of these two characters having issues with their housewardens, and decide on their own that Crowley made more sense?)

And this has just happened again with the newest chapter release on JP.

In Trey’s dorm vignette he originally explains that when Riddle’s mother discovered him at her house, she lectured Trey’s entire family for five hours, in a scene that was faithfully recreated in the Heartslabyul manga. This history with Riddle was changed on EN to Trey getting lectured by his own family, instead.

Unfortunately for EN, this experience between Trey, his family and Riddle’s mother was just confirmed in the main story.

He explains it happened when he and Chenya were 9 or 10 years old, with Cater providing the details that his mother scolded Trey’s family for five hours, as Cater was the person Trey was talking to in his vignette and he has already heard the story.

It will be interesting to see if EN attempts to change the characters’ backgrounds again to match the changes made to Trey’s vignette, or if they will be glossing over their own changes to stay accurate to the actual story.

[artifacts-and-arthropods]

2,000-Year-Old Fayum Portraits from Roman Egypt: also known as "mummy portraits," these funerary paintings were often fastened to the coffins of the people they depicted

Above: Fayum portrait of a woman from Roman-occupied Egypt, c.100-110 CE

Fayum portraiture was a popular funerary practice among the upper-class families of Roman Egypt from about 50 CE to 250 CE. Given the high mortality rates for children during this period, many of these portraits depict children and youths, but adults were often featured, too.

Above: portrait of a youth wearing a golden wreath, c.130-150 CE; the wreath and the background of the portrait are both gilded

The population of the Faiyum Delta, where most of these portraits were found, largely contained individuals with both native Egyptian/North African and Greek heritage. The Greek lineages can be traced back to the Ptolemaic period, when the Greeks gained control of Egypt and began to establish settlements throughout the region, gradually leading to a cultural diffusion between the Greek and Egyptian populations. The Romans eventually took control of Egypt in 31 CE, absorbing it into the Roman Empire and colonizing much of North Africa, but the demographics of the Faiyum Delta remained largely unchanged.

Above: portrait of a man with a mole on his nose, c.130-150 CE

Many of these Fayum portraits reflect the same blend of ethnic and cultural roots, depicting individuals with both Greek and native Egyptian heritage (a claim that is supported by both archaeological and genetic evidence). Some portraits may also depict native Egyptians who did not have any European ancestry, but had been integrated into Greco-Roman society.

Above: portrait of a bearded man, c.170-180 CE

These representations of native Egyptians provide us with unique insights into the actual demographics of Roman-occupied Egypt (and the ancient world at large). Non-European peoples are rarely included in depictions of the classical world; it's also interesting to see the blend of cultural elements that these portraits represent.

Above: portrait of a priest of Serapis, c.140-160 CE; the man in this portrait is shown wearing a fillet/crown that bears the seven-pointed star of the Greco-Egyptian god, Serapis

As this article explains:

In the 1800s and early 1900s, Western art historians didn’t know what to make of these portraits. Scholars of Roman history labeled them Egyptian. Scholars of Egyptian history labeled them Greco-Roman. These binary academic classifications failed to capture the true complexity of the ancient (or, indeed, modern) Mediterranean. In reality, Fayum portraits are a syncretic form, merging Egyptian and Greco-Roman art and funerary practices. They reflect the cosmopolitanism of both Roman and Egyptian history.

Above: portrait of a man, c.80-100 CE (left); portrait of a bearded officer, sometimes referred to as "Perseus," c.130-175 CE (right)

Above: portrait of a young woman in red, c.90-120 CE

Nearly 1,000 of these portraits are currently known to exist.

Above: portrait of a man wearing a gilded ivy wreath, c.100-150 CE

Above: portrait of a bearded man, c.150-170 CE

Sources & More Info:

Curationist: Fayum Portraits

Harvard Art Museums: Giving the Dead their Due: an Exhibition Re-Examines Funerary Portraits from Roman Egypt

Getty Museum: APPEAR Project

Getty Museum: Faces of Roman Egypt

National Geographic: Ancient Egypt's Stunning, Lifelike Mummy Portraits

The Athens Centre: The Myth of Whiteness in Classical Sculpture

Forbes: Whitewashing Ancient Statues: Whiteness, Racism and Color in the Ancient World

[enarei]

i was banned late in 2022 for what the moderators told me was "hate speech". in my last post before the ban took place i'd called myself a tranny (i had been doing for months admittedly). i guess self-referential use of a slur could be framed as "hate speech" if you really wanted to police a group's speech. besides that i'd very recently expressed my dislike of all the associations centered around venerating american veterans and the conspirational origins of the "MIA" flag. "veteran status" is a protected identity under tumblr's community guidelines, which i think is as patently ridiculous as it sounds to anyone who is not from the US.

but those are just guesses. for all i know it could've been something else. i can't know for certain because i didn't receive any warnings or strikes prior to the ban. they refused to cite the offending post when i pressed them on it, and they didn't follow-up on my emails when i asked them again. they just said my whole blog violated the community guidelines. how? that's the kinda absurd part about using this website for an extended period of time (i had had that account for almost 5 years). any trans woman who is mildly public or vocal about their opinions when those opinions relate to her personhood is subjected to a torrent of hate speech. radfems were much more prominent back then, which gave the impression that this site's moderation was very lax. but when i was banned my account was deleted in one swift stroke, with no reference to what the offending content was, no previous warnings, and thus no means to reasonably try to contest it. i still don't know if I actually violated the community guidelines or not. no other social media does this. and one can argue tumblr is *relatively* more stringent about hate speech which impacts trans people than it was in 2022, but it's still a terrible practice. because people who might've been falsely banned due to an antagonistic moderator targeting a popular blog for personal reasons, something we know to have occurred with transmisoginistic actors in the past, that staff themselves have admitted happened, however briefly, have no means to prove it happened to them and end up just sounding like conspiracy theorists.

even if they claim they've rooted out the problem and their moderation team is "better" the complete lack of transparency makes it impossible to prove trans women aren't being targeted

[gold-onthe-inside]

Christmas Request: Spencer catches wind that one of JJ’s kids (or his own kid) doesn’t believe in Santa, so he commits to growing out his beard, dying it white and dressing up as Santa to bring a lil holiday cheer to the kiddos - can be xOC

santa's little helper 🍬🎅

who? spencer reid (post prison) x bau!reader

summary: after finding out henry no longer believes in santa after he missed last christmas, spencer dedicates this year to bringing the magic of christmas back to his godson's life... with a little help from you, of course.

content warnings: fleeting reference to cat adams, a little kissing, spencer with a beard, ambiguous status of reader's relationship to spencer (could be a wife, fiance, girlfriend, up to you),

In the 12 years you've known Spencer, he's never been keen on growing facial hair, and it had never been something you'd thought twice about. And then Cat Adams had come into your lives and had been determined to ruin the happily ever after the two of had fought so hard to make. Spencer's prison sentence had rivalled only Emily's faked death in the pain it had caused you two, the only difference being that at least Spencer wasn't actually dead. The two of you were a month and a half away from the anniversary of his release, and he'd completely stopped shaving for that year, growing out his facial hair.

You hoped that if it was something serious, he'd have told you, or if not you, his mandated therapist. Besides, other than that, he was taking care of himself, eating well, had finally started sleeping better, you had nothing else to complain about. You'd brought the beard up a couple months ago, but his brow had furrowed in concern and his brown puppy dog eyes baring his heart to you when he asked if you didn't like it. "No, I do like it," you had insisted, which was true. You'd learned early on that Spencer could play around with his hairstyles and you found him no less attractive (just never ever grow out a mullet again, for the love of God).

You'd grown used to it, too, his scruff tickling you when he'd kiss you, which was practically every time he got the chance these days. It's your turn to host the Christmas Eve party and the two of you are going over the house with a fine tooth comb, armed to the teeth with cleaning supplies, and that's when you find the white hairspray, mid-way through your bathroom cleanse. Which would go well with the Santa suit tucked away in the back of his wardrobe. You knew Spencer had his silly moments - with his mismatched socks and magic tricks, and with the amount of times he's pulled stuff out of your ear just to make you smile couldn't be counted. But it felt out of character for him to spend the whole night you had planned (Secret Santa, dinner, and Christmas movies) with white hair and a beard.

He's using all the body strength he has in rigorously cleaning the kitchen floor, intent on making it so clean you could eat off of it, when you trudge downstairs, hairspray in hand. "Spence, is this yours?" you asked, skipping the last step, to the kitchen and he looked up, then froze at the sight of the hairspray.

"It's not what it looks like," he tried, sitting on his knees and you narrowed your eyes.

"It looks like you're planning to dress as Santa at some point," you said, leaning against the doorway, and you watched him stand up and pull off his gloves.

"Okay, yeah, maybe it is what it looks like," he said with a sigh, taking a seat on a bar stool. "Henry, uh, doesn't believe in Santa anymore, so JJ and I were planning to let him stay up tomorrow night and catch Santa in the act."

"Oh," you said, nodding at first, but then frowning a little. "I mean, what's wrong with Henry not believing in Santa? He's like, 9 years old. That happens."

"I know it's developmentally appropriate for him to be questioning these things," Spencer said, letting out another little sigh. "But that's not why he doesn't believe in Santa anymore."

Your frown deepened. "What do you mean?"

He wet his lips, not quite meeting your gaze. "Last Christmas… he asked Santa for me to come home," he said quietly, almost ashamed. "And then when I wasn't there…"

"He stopped believing in Santa," you filled in the rest and he looked so sad. "Spence," you said softly, crossing over to hug him, setting the spray on the kitchen island. "It's not your fault."

"It is," he said, choking a little on his voice as he tucked himself into your arms.

"Honey, you were framed, it's not your fault," you insisted, rubbing his back.

"I just… I can't be the reason he doesn't believe in these things anymore," he mumbled into your shoulder.

"Okay, okay," you said, pulling away to look at him, your hands cupping his neck, thumbs stroking his bearded jaw. "Can I help?" His lips twitched into a smile at you.

"Well, um… Honestly, I think I'm gonna make a mess of the hairspray, and you did such a good job at Halloween with Jack's Cyberman costume--"

"I can do that," you murmured, kissing him gently, and his hands loosened to grasp your waist.

Now, here he sat in front of the mirror in the bathroom, watching you meticulously section and spray his hair, which was already damp from the shower.

"Did you know," he started, and you hummed in recognition that you were listening. "That Saint Nicholas was a real guy? He was Greek."

"The Greeks had saints?" you asked.

"Not really," he said, shaking his head as you sectioned out another piece of hair, coating it gently in white hairspray. "Not the kind you're thinking of, but Nicholas of Myra was real. Born in the third century. He apparently had a reputation for secret gift giving, like… leaving coins in people's shoes."

"Keep your head still," you chastised through a giggle.

"Sorry," he mumbled, tilting his chin up to keep still. "He died from natural causes in like, 340, which, for the time, was a good run. It was like… a hundred years later that he became a saint, but by then of course, all of the people who knew him personally were long gone."

"I hate when that happens," you murmured, shifting his chin so you could colour his beard next. "Appreciating people for what they've done after they've died."

"Well, he was very well respected during his life. The story goes that three separate couples were having financial trouble, and in those days, a daughter without a dowry would either never get married or would become a prostitute. So, according to the story, Saint Nick came in the middle of the night and climbed onto their roofs, and dropped three small pouches of gold down their chimneys."

"Honey, I'm gonna need you to be quiet or you're gonna taste hairspray," you said, colouring his jaw, just the hair around his lips left.

"Sorry," he said, his words muffled slightly, and you could see that he was trying desperately not to smile, his shoulders shaking. "I'm done," he said, and you were fairly sure the shake in his voice was from suppressed laughter.

You chuckle quietly, colouring the last of his beard. "All done, Mr Claus."

"How do I look?" he asked, getting out of the chair and taking a look in the mirror, his eyes going wide. "This looks incredible!"

"Yeah?" you asked, stepping away. Spencer had a habit of exaggerating your accomplishments, but you had done a pretty good job with his hair.

"You're a miracle worker," he said, turning to face you, and you could see his excitement. "Now, Santa needs to go get dressed." You chuckled, stepping out of the bathroom so he could get dressed, and sat by the foot of the bed, waiting.

When he reappeared ten minutes later wearing the Santa suit, the white hair and white beard you'd given him made him look like an old man, but there was a brightness in his eyes as he did a little twirl. "How do I look?" he asked, and in spite of how silly he looked, you couldn't help but find him handsome.

You laughed to yourself. "Perfectly in character. Though you could use a little belly."

"Are you saying I'm too thin?" he said, faking offence. He knew he was skinny but sometimes a little gentle ribbing was warranted.

"I'm just saying, Santa's supposed to be fat."

"I take good care of my cardiovascular health, thank you very much," he said, and he looked so ridiculous in the suit, with the white hair and beard, that you were unable to take the conversation seriously. "You know, the modern version of what Santa's supposed to look like was invented in the nineteenth century," he said, his hands on his hips, still very much in character. "Before then, Saint Nick was usually described as an older, slender man, and before that, he was more of a demonic black man. It's only in the fifties that the modern image of Santa was created."

"Okay, okay," you said, holding your hands up. "Skinny Santa it is." You checked your watch. "We should go before Henry actually falls asleep."

Spencer's expression went from Santa to slightly terrified very quickly. "Crap, is it time already?"

"Relax," you assured him, kissing his cheek before leading the way out. "It's just a little breaking and entering. You leave the gifts, you slip right back out."

"Just a little breaking and entering," he repeated dryly. "Why doesn't that make me feel better?"

You snickered quietly, grabbing your coat and car keys. "For someone who's supposed to be a hardened felon, you're so innocent."

He took offence to that. "Hey," he said, as you both started out of the house. "I was incarcerated for three months. I am very much street wise now."

You opened the passenger side door for him. "Streetwise? Really?"

He climbed into the passenger seat, sticking out his tongue at you as you shut the door.

"I know all about the street life," he said, as you got into the driver's side. "I know how they talk, I know what they do, I know..." His voice trailed off as you shot him a look. "Okay, so maybe everything I know about the street life comes from television."

You couldn't help another laugh as you started the car.

His lips curled into a smile when he saw your reaction, and he leaned across the middle of the car to kiss your cheek. He sat back in his seat and you began the short trip to JJ's house. "Alright, JJ said she's gonna leave the back door open," you said, going over the plan with the same gravity you used for unsub takedowns. "There's cookies and milk left on the kitchen counter. The tree's in the living room."

"Got it," Spencer said decidedly, nodding. "Cookies, milk, tree, simple."

You turned off the headlights as you approached the house, killing the engine across the street. Spencer got out of the car and jogged across the street, ducking around the side of the house. He found the back door like you'd said, and went inside, very much in undercover Santa mode. He went into the kitchen, making for the counter where the cookies and milk were, and that's when he heard it. Quiet footsteps coming down the stairs. Spencer panicked, trying to find a place to hide, but there really wasn't one. The cookies and milk were left in the middle of the counter, there weren't any cupboards or anything of the sort. He was stuck, with only the Christmas tree as a possible cover. There was nothing he could do but hope that whoever was coming downstairs didn't flip on the light as he dove behind the tree.

The footsteps stopped, and Spencer held his breath, his heart thudding in his chest as the Christmas tree needles dug into his skin. He could see a pair of little feet in front of him. They weren't JJ, which could only mean- "Mr Claus?" the little voice said, and he shut his eyes, praying to something, anything that he hadn't been caught by Henry.

After a long moment, he peeked out from behind the tree, only to find Henry staring right at him. "H-hi," Spencer stuttered. "I-I didn't realise you'd be awake."

Henry's eyes went wide. "I-It's really you." He had that childlike glee that came with finding out about the magic of Christmas, and while Spencer would usually give anything to have that look come back on Henry's face, this was a little inconvenient.

"Ah, I-I mean," Spencer fumbled over his words, trying to come up with a valid reason he would be in JJ's house at this moment, wearing a Santa suit and munching on cookies. "Um..."

"Where's your reindeer?" Henry asked, completely enthralled by Spencer, and he realised that he actually hadn't thought of a cover story to accompany the Santa suit.

"Oh, they're in the- they're in the sleigh," he said, and even he thought it sounded stupid when he said it out loud. "They're getting a rest while they can."

"The ride must be hard," Henry said, and Spencer was quietly impressed by that. He was just as smart as his parents, and he probably would have called him out on his lie if he'd given an excuse about a magic sleigh.

"It sure is," Spencer said, trying to keep his voice calm, and he hoped that the rest of the night wasn't going to be as awkward as this interaction had been so far. "Do you mind if I finish eating these? I only get so many breaks tonight." It was the sort of thing he could imagine a real Santa saying and Henry's eyes widened at that.

"Oh, of course," he said, stepping back. "I, uh, need to go to the bathroom." And then Henry was running upstairs. Once he was sure the kid had walked away, Spencer leaned against the wall, letting out a sigh and he silently hoped that you weren't watching him struggle. He finished off the last of the milk and the cookies, and, once he'd composed himself, he made his way to the living room and over to the Christmas tree. He dropped the bag of gifts under the tree, just as he was supposed to.

Meanwhile, Henry was upstairs, trying to get JJ to wake up. "Mom, Mom," he said, shaking his mother gently. "Wake up, Mom, you gotta see this."

JJ grumbled as she got up, Will shifting beside her, but still deep asleep. "What is it, Henry?"

"Santa is downstairs," he said in an excited whisper.

"He is?" JJ asked, rubbing her eyes and yawning a little, Henry pulling her out of bed with all his might.

"Yep. He's downstairs in the living room," he said, dragging her out of bed, and he wasn't kidding because his strength was remarkable. JJ let her son pull her down the stairs, neither of them seeing Santa sneak out the back door. He jogged across the street to the car, getting inside. You watched him in mild amusement as he shut the door, and he was slightly out of breath, which was a comical combination with the Santa suit.

"Mission accomplished?" you asked, a smile on your lips.

"I got caught," he breathed, his voice sounding slightly panicked, and your smile faded into concern as you realised he was serious. "But I think I covered it."

"Did he realise you weren't Santa?" you asked.

"I don't think so," he said, and he did seem a little unsure. "He didn't mention anything about it, and he seemed excited by me being there, but I honestly don't know. It's probably a fifty-fifty chance that he realized it was me."

Meanwhile, Henry had dragged his mom downstairs to an empty living room. "I swear he was here," Henry protested, and JJ was still half-asleep and only slightly confused. "I-I saw him."

"M sure you did, baby," JJ murmured. "Come on, let's get you to bed."

"No, I did see him!" Henry said, looking around the living room. He ran into the kitchen. "And he was eating the cookies and the milk!"

"Well, he probably left, Henry," JJ reasoned, following him. "He's got a lot of kids to deliver to."

The wonder on Henry's face was replaced with disappointment, and JJ pulled the nine year-old into a hug. "I know it sucks, baby," she said. "But I'm sure Santa will have left you lots of gifts." Henry huffed, pouting, and JJ smiled down at his adorable expression. "Come on," she said, starting up the stairs. "Back to bed, kiddo."

Once they reached upstairs, Henry climbed into bed, and JJ tucked him in. He looked slightly upset, but JJ planted a kiss on his forehead. Even at nine-years-old, he still wanted to believe in Santa. "So, you believe in Santa again?" JJ asked.

"I told you," Henry said, his voice indignant, sounding very much like his father. "I saw him."

JJ couldn't help a smile, ruffling his hair. "I know."

He gave her a sleepy smile, and then yawned, snuggling down into bed. “Goodnight, mom,” he mumbled.

"Goodnight, baby," JJ murmured. She watched him for a moment, waiting for that slow rise and fall of his chest that meant he was breathing like only the asleep could, and once she was sure he was asleep, she tiptoed out of his room, shutting the door quietly behind her, thanking Spencer in her head.

[blueiscoool]

2,000 Bronze Statue Fragments Found in Turkey Ancient Scrap Yard

Archaeologists in Izmir, Turkey have made an extraordinary discovery in the ancient city of Metropolis: Approximately 2,000 bronze statue fragments have been found in a section believed to have served as an “ancient scrap yard”.

The excavations are being carried out within the scope of the ‘Heritage to the Future Project’ of the Ministry of Culture and Tourism, under the direction of Prof. Serdar Aybek, Professor of Archaeology at Dokuz Eylül University, and in cooperation with the Sabancı Foundation.

Archaeologists have discovered evidence of many civilizations, from the earliest settlements in the Late Neolithic Age to the Classical Age, from the Hellenistic Age to the Roman, Byzantine, and Ottoman periods, in the ancient city of Metropolis, also called the “City of Mother Goddess,” where excavations have been going on since 1990.

In the ancient city, where many monumental structures were unearthed, these fragments, uncovered in an area believed to have served as an “ancient scrap yard,” offer a unique glimpse into the cultural and religious shifts of the region during the Late Antiquity period.

Professor Serdar Aybek stated that the bronze statue fragments were found in a corner of a space referred to as an “ancient scrap yard,” where they had been broken apart for melting and stored in bulk.

Aybek explained that the findings include statue pieces from the Hellenistic period and figures from the Roman era, describing them as “extraordinary discoveries, even for our field of work. We have uncovered approximately 2,000 bronze statue fragments,” he said.

He highlighted the significance of the bronze statues being broken into pieces, noting, “The collection and recycling of statues in the Late Antiquity provide concrete evidence in Metropolis. Among the findings are parts such as heads, eyes, fingers, and sandals.”

Drawing attention to the dismantling of these statues, Aybek said, “In the Late Antiquity, as mythological beliefs were abandoned in favor of monotheistic religions and Christianity became dominant in the region, bronze statues from mythological and earlier eras were dismantled. Although we do not yet have archaeological evidence to confirm this claim, we can suggest that a significant portion of them was repurposed for minting coins. During that period, rather than producing new materials, bronze groups, mainly consisting of outdated or damaged statues, were broken apart by the ancient scrap yard worker and prepared for melting.”

The fragments might be from the statues built to honor the benefactors listed in the “Metropolitan Apollonios” inscription, according to Aybek, who also underlined the historical significance of bronze statues in antiquity.

What makes this discovery even more remarkable is the evidence of recycling practices that date back over a millennium.

In addition to the fragmented statues, archaeologists discovered square and rectangular bronze plates that were probably used for statue casting and repair. This implies that, at its height, Metropolis might have served as a center for the creation or repair of bronze statues.

By Leman Altuntaş.

[anancientlegacy]

you'll never guess -- s. sallow

Pairing: sebastian sallow x reader

Genre: fluff, some angst with reader's father, but that's all

Note: I use “MC” to refer to the reader, but I also explain why in the fic itself! This is still in fifth year even before the player meets Anne, so they don’t do anything crazy. Merely mentions of kissing. Sassy Sebastian and sassier Imelda.

Trope: Instead of fake dating, everyone is convinced that you aren’t actually dating.

Word count: 2.2k

Crossposted to ao3!

“Hey, Garreth, Ominis, the lot of you that have only grown up in the wizarding world, I’ve got a question.” 

It’s the first words you’ve spoken to everyone around you, your entire friend group sprawled or stretched out on one side of the summoner’s court. All of you have been watching Samantha and Leander make a go of it, over and over and over again — you don’t always have positive things to say about Prewett, but you can’t help but acknowledge his tenacity. Samantha’s final Accio resounds all around you, cutting through the air as she pulls her ball in for another 50 points, blowing her opponent out of the water despite having won the game by her second ball.

“You can say purebloods, MC, it won’t hurt any feelings.” You know Leander doesn’t mean anything by this — you’ve heard Zenobia call him a “no-talent moonmind” in passing — but you can feel Ominis bristle beside you at the mere implication of an impending blood status discussion. You’re quick to shake your head, muttering a ‘no, not exactly what I meant’ while rummaging through your newly-sewn bag (one made up entirely of garments you’d found no use for, because really, what use is a fedora to anyone) for something. Professor Weasley had helpfully enchanted it to be almost endlessly deep, but you find yourself cursing this now. The fact that everyone pauses to watch you is not lost on you at all, and you can’t help but feel some sort of embarrassment.

“All I was asking, well, really, all I’m curious about, is what wizarding world courtship is like. Do you have calling hours, or daily tea, or anything of the sort? Ah, here it is.” You brandish a marriage manual with much gusto, having received it in the mail from your otherwise heavily detached father a few days ago. You’d offhandedly mentioned accompanying Sebastian to the Three Broomsticks to him in a letter, mostly assuming he wouldn’t read it — too busy with overseeing shoddy police work in Whitechapel, and ignoring the realities of magic and whatnot — but he had, to your surprise, replied. The first response all term.

My daughter,

Do not allow yourself to be charmed by young men with no prospects. Surely I raised you better than this. I have given this infernal creature a young ladies’ guide for you to peruse. Certainly letter vi. There are girls dropping like flies here, and I would greatly dislike to find you in a similar situation. 

Read it and report back. If you can send regular post rather than an owl I’d rather you that. Can’t have the neighbours asking too many questions. 

You’d left the letter upstairs under your bed to gather dust, not even bothering to take it with you to the room of requirement. The idea of Sebastian having no prospects is practically laughable to you, considering he’s one of the brightest wizards in your year… even if he is, simultaneously, one of the most troublesome. Your father has been pretending as if magic is pointless at best and a silly trick at worst ever since your magical mother left him with a toddler. 

You dislike him, but you suppose you’d despise her if you knew her. 

Summoner’s court is all but entirely forgotten as even Samantha steps down to join the other fifth years as they fully form a gaggle around you. Amit, to everyone’s surprise, grabs the manual right out of your hands, his nosiness — which he would and does tell you is simply Ravenclaw curiosity, despite you being in the same house — overcoming all societal norms. Poppy, ever one for any sort of gossip, reads the title aloud: “Letters to Young Ladies on their Entrance into the World, to which are added sketches from real life… quite a mouthful, isn’t it?”

“Are you asking if we have these preposterous things?” For once, you can agree with Prewett’s assessment of something. Judging by the slow, rising murmur of consensus around you, everyone else is surprised by themselves for the very same reason. 

“I’ve never seen something like that in my life.” Garreth tacks on to his housemate, and Ominis, never one to miss a prompting, says a swift “me neither” that brings forth a laugh from you and uneasy chuckles from those that don’t know him as well. 

“My father told me to read the sixth letter about unequal marriages because I went on a date, something that seemed to single handedly convince him that my destiny is to become another Whitechapel murder victim, as if those poor girls were the reasons for their untimely demises.” You’re prattling on, you know this, but the insult of receiving the book in the first place still smarts. Natty places a hand on your shoulder, one of the few to know the true extent of your parental issues.

“That’s sort of hilarious, isn’t it?” Imelda pops up out of nowhere, sly as always, and you surmise her arduous, somewhat pointless three-hour self-inflicted flying practice must be over for the day. There really is quite a crowd gathering around you — in fact, there’s basically only one person missing.

“Hold on.” It’s Leander this time, eyes squinting as if he’s having a difficult time puzzling something out. “A date? Who’d you go on a date with?” 

“She was never going to say yes to you, mate, give it up.” Imelda is quick to start fires that she knows she won’t put out herself, and the case of Prewett pursuing you, something both you and him like to pretend doesn’t exist for very different reasons, is one such thing. 

“Come off it, screw off.” He fires back, the best he can come up with as everyone watches, and you so badly want to laugh but settle for turning away and taking the manual back from Amit and Poppy. As long as they’re occupied, nobody will think to follow up —

“Honestly, MC, I want to know too.” Natty breaks your overly-optimistic train of thought, and the glance you send her way is withering. You and Sebastian are still feeling things out, after all: Not too casual, not too serious. Perhaps this is the best time to let everyone know. 

“Well…” You draw the word out, pulling it out into several syllables. “I don’t know. I wouldn’t want to tell you all without him being here. He should get a say in the reveal, too.” 

The resulting group groan is pure cacophony. Poppy dreamily wonders aloud if it’s an older man, while Imelda scrunches up her face as she relays the idea of it being someone younger. Amit whines about never being in on the secret, and you suspect Natty is gearing up to silently jinx you. Even Ominis breaks his kind aloofness by shoving your shoulder in a way that makes you wonder if he really can’t see anything at all, and Garreth furrows his brows, surely wondering if he can slip veritaserum into your drink at supper. Samantha, one of your roommates, murmurs something about putting a hex on your pillow tonight.

“I see.” Leander says, too smug for your liking. “MC won’t tell us who because she isn’t actually dating anyone.”

“That’s worse for you, you git,” Imelda snaps. “Means she dislikes you so much she’ll lie about a boyfriend.”

“Goodness!” You speak again, finally incensed by everything that’s happening. Prewett never fails to put you in some sort of mood. You don’t really have room for one more secret as it is, what with everything Professor Fig and the Keepers have entrust to you, and Ranrok’s brewing rebellion. “If you really must know, really and truly, it’s Sebastian. Happy?”

Silence. Sudden and significant silence. 

“Sallow?!” For once, Leander and Imelda are on the same page, their voices surprisingly harmonious together as they break the sound barrier. Garreth and Ominis both look unsurprised, though they may just be stoicists at this point. Even Poppy, who’s literally seen the two of you out at Hogsmeade together, seems taken aback. 

“What have I done now?” 

Speak of the devil, and he shall appear. 

“My dad sent me a ladies’ manual about propriety and sorts because I told him I’d gone on a date, and this lot couldn’t handle me not saying who with.” Your shoulders untense themselves naturally,as he walks up beside you, and you swipe a spot of grease off of his nose with an index finger before wiping it back on his own robe. 

“How was detention? Midday is a terrible time to serve one.”

“Sharp just had me manually cleaning cauldrons, it wasn’t the absolute worst. Incorrectly prepared Ashwinder eggs smell positively noxious, though.”

“Serves you right, frankly –”

“You’ve got to be fooling us.” It’s Amit this time, eyes wide as saucers as he interrupts you. “The two of you bicker constantly.” 

“More than.” Ominis supplies, and you stick your tongue out at him, eliciting an “I felt that!” from your decreasingly dear friend. 

“They fight like brother and sister.” Leander seems to be holding on to his belief in the idea that your budding relationship is merely a ruse. “Worse — they’re completely opposite each other. MC is witty and charming, and Sallow is, well… Sallow.”

“I think they’re good for each other.” Garreth shrugs. “She’s a bit of a kleptomaniac and he’s somewhat addicted to getting caught doing stupid things.”

“MC is -” Leander tries one more time at pulling something over Sebastian, or you, or both of you, but your sort-of-boyfriend decides he’s had enough and doesn’t let him finish.

“The whole lot of you only call her MC because of me, you know. I doubt you even know that it starts for ‘my charge,’ because I was put in charge of her when she first went to Hogsmeade. 

“Where a troll attacked her?” 

“Opposites can attract!” Poppy, ever the believer in love, chimes in before you can defend Sebastian from Leander’s latest barb. “And friends fall in love all the time. They’re both quite lovely to us and to each other when you aren’t around.” Her sweet tone is even more devastating as she aims her cutting words at Prewett.

“It’s just been a few dates.” You interject, reeling from how quickly everyone is quipping at each other, cheeks heating up at the idea of love. The school year has really only just begun — you and Sebastian just happen to get along.

“Well, a few official dates.” Sebastian knocks your shoulder with his bicep, and you look up at his teasing smile knowing full and well that it’ll just warm your face further. “Ask me why I had detention.” Your cheeks cannot physically get any hotter, and you stop yourself from self-incriminatingly scowling at Sebastian. The story is embarrassing for him but you know he doesn’t care because it’s sure to embarrass you, too. His words are aimed at Prewett because he really wants to twist the knife, but he has everyone else’s rapt attention too. The two boys engage in a bit of a staring match, reminiscent of your very first Defense Against the Dark Arts class when you’d walked in on them, both aggravated, dueling each other. 

“Why?” Leander spits out, curiosity finally getting the best of him.

“Sharp heard some, er, snogging noises in his private potions store at night. We’d gone in to nab some fluxweed but realized that we rarely get time to just be alone together. This one was smart enough to disillusion herself the moment we heard the door unlock, but I was so taken aback that I couldn’t do the same in time. He walked in and I, unable to think of anything else, told him that I’d found myself increasingly attracted to leaping toadstools. Of course, he assumed I was fulfilling some sort of bet, but I ended up with detention and she got off scot free.” 

“Go on, tell them the details of my astrological chart too, won’t you.” You hiss, but Sebastian only laughs, reaching an arm out to toss over your shoulder and pull you in. “And it wasn’t snogging exactly. We were just… lightly kissing. Very chastely, I might add.” You know nobody believes you even as you’re telling the truth — Sebastian is more respectful than he lets on. 

“Chaste kissing?” Garreth whistles as Ominis says this, and you prepare yourself for sarcasm from the latter. “Maybe your father was right to send you a marriage manual.” 

Now it’s Sebastian’s turn to become beet red. 

“M-marriage manual? I thought it was just a thing for young ladies to read. Your father sent you a what?” 

Before you can say anything in response, Imelda breaks her uncharacteristic silence to begin humming a tune popularly played at wedding ceremonies, and you forget everything in the moment as you lunge at her. She calls her broom to her with ease before jumping on and, before you can think, you do the same, leaving your bag and the manual on the grass to chase after your friend. 

All Sebastian can do is gaze up at you hopelessly and totally smitten as he, still red-faced, gathers your things up and closes your bag. Perhaps it’s time for another Three Broomsticks date. By the looks of it, you and Imelda are on your way there via air travel anyways.

[nichelink]

nichelink: a newly coined niche relationship/relationship dynamic that differs from social norms, but is consensual and aware of potential risks.

differ from the norm: this is flexible and vague on purpose. see the ‘examples’ section.

probably niche: niche, probably not many people will identify as this, it’s just now been invented and posted on tumblr dot com, but it’s still a valid want and identity label.

aware of potential risks: this is inspired by the kink phrase Risk-aware consensual kink or risk-accepted consensual kink (RACK), and it means that everyone in the relationship is silently nodding and acknowledging there might be risks. you don’t have to prove yourself to others on this, don’t feel expected to tell everyone your personal business on how you’re managing this risk, because it’s not their relationship…

consensual: this is inspired by the kink phrase Consensual non-consent. basically it means that everyone in the relationship agreed to have the relationship play out a certain way, and the relationship may play out (maybe in a sort of roleplay-like fashion) like it’s non consensual, but everyone in the relationship is both expecting this to happen and still has the ultimate say on if things need to 100% stop or if it’s time for them to leave the relationship.

newly coined: i want to make it clear that existing relationship dynamics shouldn’t be shoved into this label because that feels disrespectful to those existing words, so essentially this means that existing words for it didn’t 100% describe this dynamic, so you can’t just say xyz thing is actually this term. (however, if you find one of these describes something you've already been doing for years, it's perfectly fine to start identifying with this of course.)

examples:

relationship where one person is treated as if they are an object owned by the other/s in the relationship

relationship where one person is treated as if they are a deity, and the other/s in the relationship are their followers

relationship where one person is treated as if they are a pet owned by the other/s in the relationship

relationship where one person is treated as if they are a child adopted by the other/s in the relationship

relationship where one person is transforming the other/s in the relationship into something

labels under this umbrella have a Ratings System.

All-Ages: a label that is suitable for all ages.

16+: a label that would be best if it was only used by people 16 years or older (bodily). this doesn’t mean that it’s NSFW or something, but should be used when the term has something pretty intense or serious about it which probably shouldn’t be practiced with younger people. all terms under this umbrella that involve identity modification or training are inherently 16+.

18+: a label that is inherently not suitable for people under 18 years (bodily).

grammar:

nichelinking: the state of being in this kind of relationship with someone else. “we’re nichelinking,” “we might start nichelinking”

nichelink: 1) the specific terms themself. “i coined a nichelink,” “definition: an all-ages nichelink where you…” 2) the relationship itself. “our nichelink,” “his last nichelink”

nichelinker: someone who participates in nichelinking.

there is currently no word for having a nichelink-related crush on someone, suggestions welcome.

inspirations

neurowiry

relationship anarchy

roleplay

found family tropes

desirdae

dissomei

my own personal experience of becoming someone’s “dad” - i made a friend in high school who i came out as transgender too, and then as a joke based on how people in the undertale fandom called toriel “mom,” we began referring to me as my friend’s “dad.” this joke stuck and then started genuinely being a serious part of our friendship. reflecting on this made me realize that there’s actually lots of relationships in life that’re similar, where you refer to each other as something unusual and it feels like it changes the entire status of your friendship. i liked the idea of making a word someone can use for this kind of friendship/relationship if they wanted.

i did a lot of writing about what this term means and can be used for and it ended up being long so you can read it on this page. (updated 1/10) here are some of the faq questions (but not all, so please read that page):

is this a k*nk thing?

no, it’s not intended to be. there are plenty of nichelink terms usable by anyone at any age. however if you’re an adult and you find a term appealing and start to use it because of k*nk things, more power to you, go right ahead.

is this anti r*dqueer?

i don’t find it makes sense to say that something that isn’t a stance term/blankqueer term is anti this or pro that. but this term was inspired by r*dqueer “consensual abuse” relationships, and i did start working on this because i saw that there were a lot of people who craved a specific relationship dynamic or way of being treated who felt like they couldn’t get that outside of the r*dqueer community, so i wanted to make a risk-aware and safer alternative that is not attached to a harmful community known for abuse, transphobia, racism, etc.

if you crave being treated a certain way, yes even in a “harmed” way, this term is welcome to you.

can i coin my own?

not yet. i’m still working out the kinks (🥁✨) on definitions and guidelines. i also have a big list of terms i’d like to coin for it. you can send me a request at least.

can i post this term on…

wiki/term definition sites: yes, and you don't have to ask, but i would like to be informed.

pinterest/other social medias: no, never, i'm not comfortable with someone else posting my term for me.

tags: @antiradqueerguy | @radiomogai | @the-silent-fellowship | @harmlesspersonalidentityarchive | @beyond-mogai-pride-flags | @desirdae-archive | @dissodic-archive | @kiruliom | @anti-rq-gumi | @antiradqueerguy | @neopronouns // ask to be untagged

general flag for all All-Ages nichelinks:

general flag for all 16+ rated nichelinks:

[niteshade925]

April 13, Xi'an, China, Shaanxi Archaeology Museum/陕西考古博物馆 (Part 3 - Qin dynasty to Sui dynasty):

First up is one of many bronze edict tablets of the 2nd emperor of Qin dynasty, made in 209 BC. Inscribed upon it in Seal script is one of two edicts, specifically the one from the 2nd emperor of Qin dynasty (秦二世), which basically is a continuation of Qin Shi Huang's edict on standardizing all weights and measurements. Here Qin Shi Huang/秦始皇 is referred to as Shi Huangdi/始皇帝, where shi/始 means "origin", and huangdi/皇帝 means "emperor".

^The edict inscribed is as follows (this is my VERY rough translation, please take this with a grain of salt, I'm not great at reading Old Chinese; original text is on bottom right of picture):

“First year (209 BC; first year of 2nd Emperor of Qin's reign), [We] issued an edict to chancellors Li Si and Feng Quji: Shi Huangdi pioneered this effort to standardize all weights and measurements, since then all such edicts have been inscribed on bronze. Now that [We have] inherited this Huangdi title, [We] shall not refer to Ourselves as Shi Huangdi here. Likewise, should Our descendants continue to produce tablets of Shi Huangdi's edict, they shall not take credit for Shi Huangdi's achievements. [We] hereby inscribe this edict on the left, so that all may be clear."

Ever since Qin Shi Huang tried to standardize systems of measurements for the entire country, every dynasty since Qin dynasty has also done the same. These are the standardized weights and volume measurements (all made with bronze) from Western Han dynasty (202 - 8 BC). Those volume measurement tools are very much like oversized measurement spoons, since they are mostly used to measure liquids and grains (in ancient China grains can be measured by volume).

Looks like I forgot about this one in part 2, this is a bronze sword from Warring States period (475 - 221 BC), I believe. It's decorated with carved pieces of jade (some are on the scabbard, but the scabbard has presumably decomposed over time):

The painted and carved stone doorway to a Eastern Han dynasty (25 - 220 AD) tomb. The actual (double) doors are in the middle, and the pieces around them are the side jambs and the lintel. Note the animals, mythical creatures, and humans depicted. On the double doors, in order from top to bottom, there's a pair of Zhuque/朱雀/Vermilion Bird, a pair of symbolic door knockers shaped like a beast carrying a ring in its mouth, and a pair of oxen. On the top right and top left of the lintel piece, you can also clearly see the sun crow and the moon toad, respectively.

The layout of some Western Han dynasty (202 - 8 BC) mausoleums. Note that the "pyramids" on the model aren't stone pyramids like the Great Pyramid of Giza, they are actually fengtu/封土, or artificial mounds of earth on top of the actual tomb to symbolically seal the tomb (feng/封 means "seal" or "to seal"), and can serve as tomb markers. Fengtu can differ vastly in size according to the social status of the deceased, so the fengtu of imperial tombs are usually huge, some so big that they are like small hills. However, while Western Han dynasty imperial tombs have these square-ish fengtu mounds, in Eastern Han dynasty (25 - 220 AD) the fengtu mounds became circular, and imperial tomb fengtu have been circular pretty much ever since. But fengtu wasn't just reserved for the elites, common folk also built small circular fengtu mounds on top of graves (these graves are called fen/坟; graves without fengtu are called mu/墓), and this is still practiced today, albeit much more common in rural areas since there are less people and more land. When people tend to the graves of their family members and ancestors on Qingming Festival, if the grave is a fen grave, people would pile more earth on the fengtu to make it rounder as part of the upkeep process.

A set of pottery figurines of entertainers from a Western Han era tomb. I love how they set the display up here, you can practically imagine the music and the dancing

More pottery figurines from Western Han era tombs

Western Han era hollow clay bricks depicting the Four Symbols/四象 of the cardinal directions: Qinglong/青龙/Azure Dragon of the East, Zhuque/朱雀/Vermilion Bird of the South, Xuanwu/玄武/Black Tortoise of the North, and Baihu/白虎/White Tiger of the West.

Left: a piece of intricately painted lacquered wood, I forgot where it's from but it was probably a piece of decoration on a larger artifact. Right: a piece of gold decoration inlaid with turquoise from Western Han era

The biggest decorated yubi/玉璧 (jade disc with hole in the middle) found so far, from an early Western Han dynasty tomb. Its diameter is 43.2 cm (~17 inches). If you zoom in, the inner band is decorated with these almost tadpole-like little swirls, and these are called gu pattern/谷纹, since they might represent sprouting rice kernels. The outer band is decorated with 4 sets of kuilong patterns/夔龙纹 and 4 sets of dragon-phoenix patterns/龙凤纹. It's speculated that the patterns here together depict the universe, and the hole in the middle is where the spirit of the deceased will travel through. This particular yubi also has 六百六十一 ("six hundred and sixty-one") carved discreetly on the side, presumably a "serial number" left by the artisan who crafted this piece.

Decorated backs of bronze mirrors. I didn't take a picture of the plaque so I'm unclear on what time period these are from (may or may not be from the time period indicated at the beginning of the post):

Left: a hand-held incense burner. Right: a particular type of incense burner called a boshanlu/博山炉, so named because the lid was made to look like a mini mountain

Various Northern Zhou dynasty (557 - 581 AD) painted pottery figurines. Below middle arranged in a circle is the metal pieces on a belt.

Sixteen Kingoms era pottery entertainer figurines:

[pinkeoni]

Why I Think Will is the "Sorcerer"

When I first saw the episode titled "Sorcerer" way back when the episode titles first leaked, I immediately associated it with Will. But of course I did, considering he is my favorite character after all. But I do have more evidence to back this up other than favorite character bias.

Wizard as Sorcerer

For some of the international episode titles in other languages, the title for "Sorcerer" is occasionally translated to "Wizard." (sometimes it is translated as "Magician" but the general idea of a magic wielder is still there) It has also been noted that in some gendered languages, such as German and Italian, that the word takes on its masculine form. Thank you to @bylrndgm for your help with this! (Edit: adding this post)

It is true that Wizard and Sorcerer are two separate DnD classes, but I think it important to also consider the broader definition and understanding of "sorcerer" outside of just it's DnD definition.

There are multiple definitions that can be found online that refer to a sorcerer as a wizard.

"a person who practices sorcery: wizard" - Merriam-Webster

"Magical, mysterious, and quite possibly mythical, a sorcerer is a name for a spell-casting wizard." - Vocabulary.com

"a person who practices sorcery; black magician; wizard." -Dictionary.com

"a person who practices sorcery : a wizard or warlock" - The Britannica Dictionary

"One who practices sorcery; a wizard." - The Free Dictionary

So I think it is reasonable to see why so many, including myself, immediately associated Will with the sorcerer title— Sorcerers and wizards are heavily associated with each other and are oftentimes used interchangeably.

Since episode 1, Will has been closely tied with wizards. From his DnD character Will the Wise, to the password of Castle Byers referring to a fictional wizard, to dressing up as a wizard, to Will's depiction as a wizard making it into his painting of foreshadowing, the wizard status has followed Will throughout the seasons.

But wait, isn't Will a cleric and not a wizard?

Well yes... and no.

The one reference to Will being a cleric in the show is the one scene where Mike tells Max all of the party members' roles in the group. Here, I do not think he is referring to their DnD roles (even though some of them do share these titles with their characters) but rather, he is referring to their role in the real world using DnD classes. El is assigned as a mage, despite not having a DnD character of her own. The mage title refers to El's real position as a user of magical powers, and Will's cleric title refers to his connection to an otherworldly plane. "Clerics are intermediaries between the mortal world and the distant plane of the gods." from Dnd Beyond. Despite Will's label as a cleric, he is still heavily associated with wizards as well, and thus sorcerers.

The DnD descricption for sorcerers does seem to match Will as well, however. One defining element of a sorcerer, as described by DnD Beyond, is how they acquired their powers, which is either through "an exotic bloodline" or "exposure to unknown cosmic forces." "Is it a family curse, passed down to you from some distant ancestors? Or did some extraordinary event leave you blessed with inherent magic but perhaps scarred as well?"

I believe that Will has some sort of untapped powers that originate from his trip to the Upside Down in season one, which is why we are getting flashbacks to his time there, as has been indicated in behind the scenes material. I also have a more detailed post on why I believe that Will has powers here.

I don't think El is the "Sorcerer," but I do think it could also refer to Vecna

There are a couple of reasons why I do not believe that the title of sorcerer refers to El. The first being the use of masculine articles which I described above, and the second is that high fantasy imagery does not typically follow El the way it does Will. El is usually encased in science fiction tropes and imagery, and gets the title "Superhero" in relation to her powers rather than "Sorcerer" or "Wizard" or "Magician."

I do, however, acknowledge that Vecna has been referred to as a "dark wizard" by Dustin within the show, and has acquired his powers in a similar way that Will has re: the stage play. I think it is possible that the moniker "Sorcerer" could refer to both Vecna and Will, considering how closely they are connected and how they seem to be intentional foils of each other.

[literaryvein-reblogs]

Writing Worksheets: Magic & Rituals

MAGIC

The People

What are people called who practice it?

Is everyone born with it?

Through ritual or training?

Is it considered "normal"?

Is everyone born with an equal share of it?

How long does it take to acquire?

Is there a magical elite?

Does it manifest from birth?

Why do people wish to acquire it?

Does it change in any way depending on…

Age?

Race?

Or gender?

Mechanics

How is it summoned?

Does it require additional resources?

Are there limits to its use?

Why is it necessary to the world?

What is its source?

What are the consequences of using it?

Is there a limited amount of it in the world?

Are there dangers to using it?

Does it change according to location?

What is it called?

What does it make easier?

What does it make more difficult?

The World

Has it always been in the world?

What events led to its discovery?

What lore has grown up around its use?

Why is it considered magical?

Is it "good" or "evil" or both?

Are there institutions that regulate its use?

What objects or symbols are associated with it?

Does it have a spiritual aspect?

How does it shift the balance of power?

How does it influence politics?

How does it influence human relationships?

How does it influence the environment?

RITES & RITUALS

Rite—a ceremonial act or action Ritual—the established form for a ceremony

Name of rite or ritual:

What transition does this rite or ritual mark?

Is it difficult or painful?

Who undergoes the transformation?

Is the rite or ritual mandatory?

What is the nature of this rite or ritual?

Is it public or private?

Is it dangerous?

Does it involve a sacrifice?

Is there a prize?

What happens if it succeeds?

What happens if it fails?

Who officiates?

Where does it take place?

How long does it last?

Is there a formal ceremony?

Does it change the individual's status in society?

Is it possible to distinguish those who have passed?

Source ⚜ More: On Fantasy Writing References: Plot ⚜ Character ⚜ Worldbuilding

[olis-inkwell-symposium]

How do you make your fantasy world feel lived-in?

Making a world feel lived-in requires more than just describing the landscape or architecture—it’s about creating the sense that the world has a history, a heartbeat, and its own rhythms of life. Here’s how I approach it:

Layered History: Every city, village, and ruin in my world has a past. I try to tie in subtle references to historical events, old conflicts, and forgotten legends that shape how people live today. By letting the remnants of the past—such as crumbling statues, faded murals, or cultural taboos—linger in the background, I create the impression that the world has been evolving long before the story begins.

Daily Life and Rituals: I focus on the small details of everyday life—what people eat, the music they listen to, how they celebrate and mourn. By showing the rhythm of daily activities, from bustling marketplaces to quiet moments in a temple, I give readers a glimpse into the culture and traditions of the world. These details make it feel like people are living their everyday lives outside the main plot, even if the protagonist isn’t there to see it.

Architecture and Geography: The physical layout of the world matters—how cities are built around rivers, mountains, or deserts, and how architecture reflects the culture and resources available. I like to create buildings and cities that tell stories themselves, with intricate designs, magical defenses, or decaying remnants of a once-glorious era. The way people interact with their environment adds depth to the world.

Senses: I try to engage all the senses when describing a setting—the smell of the sea, the taste of the air before a storm, the grit underfoot on a well-worn path. These sensory details make the world tangible, giving readers something they can feel, not just visualize.

The Mundane and the Magical: In a fantasy world, magic and the supernatural are often present, but I balance that by showing how the mundane aspects of life coexist with the extraordinary. Maybe magic is used casually, like enchanted brooms sweeping the streets, or it’s feared and tightly controlled. Either way, showing how the mystical fits into the everyday helps make the world feel more real.

Economy and Trade: Who trades with whom? What resources are valuable, and how do people get by in different regions? By grounding the world in economics—whether through thriving markets or resource scarcity—I give the setting a practical edge. These systems help define the way people interact, where power resides, and what drives the tensions in the world.

Flawed Systems: No world is perfect, and by including corrupt governments, failing infrastructures, or struggling populations, I show that this world isn’t static—it’s evolving, sometimes deteriorating. Conflict isn’t always about the grand battles; it’s also about the slow decay of a once-great city or the quiet resistance of a village against an oppressive regime.

By combining these elements, I make my worlds feel like places that exist beyond the plot—places with their own stories, lives, and rhythms that readers can immerse themselves in fully.