#Basic Corporate Accountant
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ganondoodle · 1 year ago
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said this on tiwtter too but im seriously at my limit, people go and be all like "oh my god young people have no idea of basic internet security omggggg" and the same person will immediately make an account on t/hreads that is stealing so much data from you its basically one step away from straight up kidnapping
i get we are all desperate, i really do, but i WILL judge you if you go and sign up for the literally shittiest app on earth thats really just a flimsy disguise of a bunch of data suckers in a trench coat
use tumblr, cohost, pillowfort, (the latter two also allow nsfw) ANYTHING but that suckerberg leech i am BEGGING you
idk how accurate it is but i saw the numbers of 75 MILLION sign ups for the threads bs, what the hell are you doing, i feel like im in one of those old anti technology comics were young people just walk off a cliff en masse bc they only look at their phone and nothing else while im the old guy in a chair watching them do it
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seilon · 2 years ago
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god I wish I could rip Instagram apart with my teeth I hate it I hate it I hate it
#kibumblabs#whenever I think about it and what it does (in general but mostly to artists) I go into a feral anti-capitalist blind rage#it is legitimately killing art. it is killing what it means to be an artist and replacing it with corporate brainrot#and it’s disgusting to me to think about kids going into art and getting brainwashed into believing you should sacrifice agency over your#time and what you create and etc in order to create a Brand is the most important thing– or rather a DEFINING thing– about being an artist#it’s just. god it makes me mad#I won’t even get into how it also rips your mental health to shreds and strips your ego and ability to enjoy what you do and etc#but you know. there’s that too#I could write a fucking essay on this man and maybe I should at some point honestly#what’s sad though is that the Instagram art account mentality is already so normalized and so in-line with how companies/corporations like#disney or blizzard or basically any animation/game company and whatnot work that it’s easy to have that mindset reinforced by comparison to#those ‘legitimate’ non-freelance jobs#like that’s how they do it at fucking riot games or whatever so it must be the Right Way To Do Art. constantly and painfully by everyone#else’s standards but your own. no! it’s not! stop sucking the industry’s dick and look up for a second#and yes that applies to freelancers because like I said this new freelance art mentality directly corresponds with how corporate art jobs#operate. just. think about it on an existential long-term level. you shouldn’t fucking waste your life for that shit#sorry I’m kinda spiraling cause it’s such a personally relevant topic especially with recently stepping out of art school and debating if#I’ll return or not next semester and all that because yeah my school is a direct pipeline into The Industry and thus it operates like#The Industry. and I thought that was something that’s a pro when I was going into this school but boy. it really hits you when you’re#slogging away worked to the point of carpal tunnel/wrist problems being a normal and accepted thing being expected to sacrifice your#physical and mental health and so on just#oh! this is going to be my life from now on. forever. this isn’t temporary to get a degree this is a model of the industry im being injected#into and if anything it’s just going to get worse staying in this pipeline. Don’t Forget You’re Here Forever#and yeah I just. how do you continue under those conditions and expectations?#I don’t know what I’m gonna do yet man- I’m gonna get a bachelors it just may be at a state college instead– but beyond that idk but it’s#become too taxing on my time and health to just say ‘it is how it is’ and do something that’ll kill me slowly for a company’s profit.#something something marx was right something something
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xx-k1tsun3-k1d-xx · 2 years ago
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big fuck you to the person that stole my airpods case in town today i hope u enjoy the like £20 or whatever you get from selling a old used first gen airpods case im going to enjoy the 300% increase in autistic + anxiety meltdowns esp in the run up to christmas because i cant afford another fucking £20-30 to replace the fucker and i need those so i dont get over stimulated and can acctually function acctually go suck an entire festive dick i hope a reindeer eats you
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taxxbooks · 9 months ago
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Streamline Your Finances with Top UK Bookkeeping Software
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In today's fast-paced business environment, efficient financial management is crucial for success. Whether you're a small business owner, freelancer, or entrepreneur, keeping accurate records of your income and expenses is essential for making informed decisions and staying compliant with tax regulations. Fortunately, with the advancement of technology, managing your finances has become more accessible and streamlined than ever before, thanks to top-notch UK bookkeeping software.
UK bookkeeping software offers a comprehensive solution for managing your finances effectively. From tracking expenses and invoicing clients to generating financial reports and managing payroll, these software solutions are designed to simplify complex financial tasks and save you time and effort. Let's explore how leveraging UK bookkeeping software can benefit your business:
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Time-saving Features: Time is a precious resource for any business owner. With UK bookkeeping software, you can streamline repetitive tasks such as data entry, invoicing, and reconciliation, allowing you to focus on growing your business. Automated reminders for overdue invoices and upcoming expenses help you stay organized and ensure timely payments, improving cash flow management.
Real-time Financial Insights: One of the key advantages of UK bookkeeping software is the ability to access real-time financial data from anywhere, at any time. Cloud-based solutions allow you to monitor your finances on-the-go using your computer, smartphone, or tablet. Instant access to financial reports, dashboards, and analytics empowers you to make data-driven decisions and adapt to changing market conditions swiftly.
Seamless Integration: Most UK bookkeeping software integrates seamlessly with other business tools and applications, such as payment processors, banking institutions, and customer relationship management (CRM) systems. This integration eliminates the need for manual data entry and ensures data consistency across different platforms, improving workflow efficiency and collaboration within your organization.
Compliance and Security: Maintaining compliance with HMRC regulations and ensuring data security are top priorities for businesses operating in the UK. Leading bookkeeping software solutions adhere to strict security protocols and comply with industry standards to protect your sensitive financial information. Additionally, these platforms are regularly updated to reflect changes in tax laws and regulations, keeping you compliant and minimizing the risk of penalties.
In conclusion, UK bookkeeping software offers a myriad of benefits for businesses of all sizes. By automating financial tasks, providing real-time insights, and ensuring compliance with tax regulations, these software solutions empower you to manage your finances more efficiently and effectively. Whether you're a sole proprietor or a growing enterprise, investing in top-notch bookkeeping software is a smart decision that can help you achieve your financial goals and propel your business forward.
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treasure-mimic · 1 year ago
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So, let me try and put everything together here, because I really do think it needs to be talked about.
Today, Unity announced that it intends to apply a fee to use its software. Then it got worse.
For those not in the know, Unity is the most popular free to use video game development tool, offering a basic version for individuals who want to learn how to create games or create independently alongside paid versions for corporations or people who want more features. It's decent enough at this job, has issues but for the price point I can't complain, and is the idea entry point into creating in this medium, it's a very important piece of software.
But speaking of tools, the CEO is a massive one. When he was the COO of EA, he advocated for using, what out and out sounds like emotional manipulation to coerce players into microtransactions.
"A consumer gets engaged in a property, they might spend 10, 20, 30, 50 hours on the game and then when they're deep into the game they're well invested in it. We're not gouging, but we're charging and at that point in time the commitment can be pretty high."
He also called game developers who don't discuss monetization early in the planning stages of development, quote, "fucking idiots".
So that sets the stage for what might be one of the most bald-faced greediest moves I've seen from a corporation in a minute. Most at least have the sense of self-preservation to hide it.
A few hours ago, Unity posted this announcement on the official blog.
Effective January 1, 2024, we will introduce a new Unity Runtime Fee that’s based on game installs. We will also add cloud-based asset storage, Unity DevOps tools, and AI at runtime at no extra cost to Unity subscription plans this November. We are introducing a Unity Runtime Fee that is based upon each time a qualifying game is downloaded by an end user. We chose this because each time a game is downloaded, the Unity Runtime is also installed. Also we believe that an initial install-based fee allows creators to keep the ongoing financial gains from player engagement, unlike a revenue share.
Now there are a few red flags to note in this pitch immediately.
Unity is planning on charging a fee on all games which use its engine.
This is a flat fee per number of installs.
They are using an always online runtime function to determine whether a game is downloaded.
There is just so many things wrong with this that it's hard to know where to start, not helped by this FAQ which doubled down on a lot of the major issues people had.
I guess let's start with what people noticed first. Because it's using a system baked into the software itself, Unity would not be differentiating between a "purchase" and a "download". If someone uninstalls and reinstalls a game, that's two downloads. If someone gets a new computer or a new console and downloads a game already purchased from their account, that's two download. If someone pirates the game, the studio will be asked to pay for that download.
Q: How are you going to collect installs? A: We leverage our own proprietary data model. We believe it gives an accurate determination of the number of times the runtime is distributed for a given project. Q: Is software made in unity going to be calling home to unity whenever it's ran, even for enterprice licenses? A: We use a composite model for counting runtime installs that collects data from numerous sources. The Unity Runtime Fee will use data in compliance with GDPR and CCPA. The data being requested is aggregated and is being used for billing purposes. Q: If a user reinstalls/redownloads a game / changes their hardware, will that count as multiple installs? A: Yes. The creator will need to pay for all future installs. The reason is that Unity doesn’t receive end-player information, just aggregate data. Q: What's going to stop us being charged for pirated copies of our games? A: We do already have fraud detection practices in our Ads technology which is solving a similar problem, so we will leverage that know-how as a starting point. We recognize that users will have concerns about this and we will make available a process for them to submit their concerns to our fraud compliance team.
This is potentially related to a new system that will require Unity Personal developers to go online at least once every three days.
Starting in November, Unity Personal users will get a new sign-in and online user experience. Users will need to be signed into the Hub with their Unity ID and connect to the internet to use Unity. If the internet connection is lost, users can continue using Unity for up to 3 days while offline. More details to come, when this change takes effect.
It's unclear whether this requirement will be attached to any and all Unity games, though it would explain how they're theoretically able to track "the number of installs", and why the methodology for tracking these installs is so shit, as we'll discuss later.
Unity claims that it will only leverage this fee to games which surpass a certain threshold of downloads and yearly revenue.
Only games that meet the following thresholds qualify for the Unity Runtime Fee: Unity Personal and Unity Plus: Those that have made $200,000 USD or more in the last 12 months AND have at least 200,000 lifetime game installs. Unity Pro and Unity Enterprise: Those that have made $1,000,000 USD or more in the last 12 months AND have at least 1,000,000 lifetime game installs.
They don't say how they're going to collect information on a game's revenue, likely this is just to say that they're only interested in squeezing larger products (games like Genshin Impact and Honkai: Star Rail, Fate Grand Order, Among Us, and Fall Guys) and not every 2 dollar puzzle platformer that drops on Steam. But also, these larger products have the easiest time porting off of Unity and the most incentives to, meaning realistically those heaviest impacted are going to be the ones who just barely meet this threshold, most of them indie developers.
Aggro Crab Games, one of the first to properly break this story, points out that systems like the Xbox Game Pass, which is already pretty predatory towards smaller developers, will quickly inflate their "lifetime game installs" meaning even skimming the threshold of that 200k revenue, will be asked to pay a fee per install, not a percentage on said revenue.
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[IMAGE DESCRIPTION: Hey Gamers!
Today, Unity (the engine we use to make our games) announced that they'll soon be taking a fee from developers for every copy of the game installed over a certain threshold - regardless of how that copy was obtained.
Guess who has a somewhat highly anticipated game coming to Xbox Game Pass in 2024? That's right, it's us and a lot of other developers.
That means Another Crab's Treasure will be free to install for the 25 million Game Pass subscribers. If a fraction of those users download our game, Unity could take a fee that puts an enormous dent in our income and threatens the sustainability of our business.
And that's before we even think about sales on other platforms, or pirated installs of our game, or even multiple installs by the same user!!!
This decision puts us and countless other studios in a position where we might not be able to justify using Unity for our future titles. If these changes aren't rolled back, we'll be heavily considering abandoning our wealth of Unity expertise we've accumulated over the years and starting from scratch in a new engine. Which is really something we'd rather not do.
On behalf of the dev community, we're calling on Unity to reverse the latest in a string of shortsighted decisions that seem to prioritize shareholders over their product's actual users.
I fucking hate it here.
-Aggro Crab - END DESCRIPTION]
That fee, by the way, is a flat fee. Not a percentage, not a royalty. This means that any games made in Unity expecting any kind of success are heavily incentivized to cost as much as possible.
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[IMAGE DESCRIPTION: A table listing the various fees by number of Installs over the Install Threshold vs. version of Unity used, ranging from $0.01 to $0.20 per install. END DESCRIPTION]
Basic elementary school math tells us that if a game comes out for $1.99, they will be paying, at maximum, 10% of their revenue to Unity, whereas jacking the price up to $59.99 lowers that percentage to something closer to 0.3%. Obviously any company, especially any company in financial desperation, which a sudden anchor on all your revenue is going to create, is going to choose the latter.
Furthermore, and following the trend of "fuck anyone who doesn't ask for money", Unity helpfully defines what an install is on their main site.
While I'm looking at this page as it exists now, it currently says
The installation and initialization of a game or app on an end user’s device as well as distribution via streaming is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.
However, I saw a screenshot saying something different, and utilizing the Wayback Machine we can see that this phrasing was changed at some point in the few hours since this announcement went up. Instead, it reads:
The installation and initialization of a game or app on an end user’s device as well as distribution via streaming or web browser is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.
Screenshot for posterity:
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That would mean web browser games made in Unity would count towards this install threshold. You could legitimately drive the count up simply by continuously refreshing the page. The FAQ, again, doubles down.
Q: Does this affect WebGL and streamed games? A: Games on all platforms are eligible for the fee but will only incur costs if both the install and revenue thresholds are crossed. Installs - which involves initialization of the runtime on a client device - are counted on all platforms the same way (WebGL and streaming included).
And, what I personally consider to be the most suspect claim in this entire debacle, they claim that "lifetime installs" includes installs prior to this change going into effect.
Will this fee apply to games using Unity Runtime that are already on the market on January 1, 2024? Yes, the fee applies to eligible games currently in market that continue to distribute the runtime. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.
Again, again, doubled down in the FAQ.
Q: Are these fees going to apply to games which have been out for years already? If you met the threshold 2 years ago, you'll start owing for any installs monthly from January, no? (in theory). It says they'll use previous installs to determine threshold eligibility & then you'll start owing them for the new ones. A: Yes, assuming the game is eligible and distributing the Unity Runtime then runtime fees will apply. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.
That would involve billing companies for using their software before telling them of the existence of a bill. Holding their actions to a contract that they performed before the contract existed!
Okay. I think that's everything. So far.
There is one thing that I want to mention before ending this post, unfortunately it's a little conspiratorial, but it's so hard to believe that anyone genuinely thought this was a good idea that it's stuck in my brain as a significant possibility.
A few days ago it was reported that Unity's CEO sold 2,000 shares of his own company.
On September 6, 2023, John Riccitiello, President and CEO of Unity Software Inc (NYSE:U), sold 2,000 shares of the company. This move is part of a larger trend for the insider, who over the past year has sold a total of 50,610 shares and purchased none.
I would not be surprised if this decision gets reversed tomorrow, that it was literally only made for the CEO to short his own goddamn company, because I would sooner believe that this whole thing is some idiotic attempt at committing fraud than a real monetization strategy, even knowing how unfathomably greedy these people can be.
So, with all that said, what do we do now?
Well, in all likelihood you won't need to do anything. As I said, some of the biggest names in the industry would be directly affected by this change, and you can bet your bottom dollar that they're not just going to take it lying down. After all, the only way to stop a greedy CEO is with a greedier CEO, right?
(I fucking hate it here.)
And that's not mentioning the indie devs who are already talking about abandoning the engine.
[Links display tweets from the lead developer of Among Us saying it'd be less costly to hire people to move the game off of Unity and Cult of the Lamb's official twitter saying the game won't be available after January 1st in response to the news.]
That being said, I'm still shaken by all this. The fact that Unity is openly willing to go back and punish its developers for ever having used the engine in the past makes me question my relationship to it.
The news has given rise to the visibility of free, open source alternative Godot, which, if you're interested, is likely a better option than Unity at this point. Mostly, though, I just hope we can get out of this whole, fucking, environment where creatives are treated as an endless mill of free profits that's going to be continuously ratcheted up and up to drive unsustainable infinite corporate growth that our entire economy is based on for some fuckin reason.
Anyways, that's that, I find having these big posts that break everything down to be helpful.
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prokopetz · 1 year ago
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A lot of folks are responding to the whole Reddit situation by calling for the return of decentralised forums, and I think it's important to remember that, contrary to certain popular narratives, the reason early 2000s forum culture has fallen by the wayside is not because people are Just Lazy. Certainly, ease of use is part of it, but a much larger part of it is how vulnerable self-hosted forums are.
Basically, the problem is that even the largest and most carefully managed self-hosted forums can be rendered unusable more or less indefinitely by a single sufficiently determined hostile actor. This can take the form of both attacks on the forum's social infrastructure (i.e., via sock-puppet accounts, botting, organised "raids", etc.) and attacks on its technical infrastructure (i.e., via hacking, DDoS, etc.). In either case, a self-hosted forum has no real defence, and the majority of decentralised forum communities survive only by virtue of their relative obscurity; once a self-hosted forum manages to attract the attention of That One Guy who's willing to devote his life to shitting the place up over some microscopic slight, it's effectively game over.
Right now, there are essentially only two mitigation strategies:
Gathering huge numbers of communities under a single, massively centralised technical infrastructure that's simply too large and robust for any one hostile actor to bring down; and
Hardening the community's social infrastructure either by going private and invite only (i.e., the Discord approach), or by making use of a vast centralised pool of volunteer labour to aggressively enforce community standards (i.e., the Reddit approach).
To be clear, these are not intractable problems; other solutions may well exist. However, any proposed plan for bringing decentralised public forums back needs to address them. If you're going in operating under the assumption that forums have become marginalised simply because corporations are evil and people are lazy, you're setting yourself up to learn the hard way why self-hosted forums no longer seem to be capable of growing beyond a certain point.
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doolallymagpie · 2 years ago
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worldbuilding for my shadowrun-mass effect crossover fic is kinda neat
there’s two major human space-countries: the earth alliance and the systems confederation, and for “dealing with the council” purposes, their respective militaries are in a get-along shirt called the terran coalition
neither party is happy about it, and they’re constantly undermining each other (the ongoing drama between kahoku and mikhailovich is practically a soap opera for some people)
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yourheartinyourmouth · 2 years ago
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my job is so fucking stressful that people here burst into tears regularly and I didn’t even clear 40K in take home last year
but management is completely clueless as to why they can’t get or retain employees………………………..
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robertreich · 3 months ago
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Project 2025: The MAGA Plan to Take Your Freedom 
A second Trump term would be more dangerous than the first — in part because of something called Project 2025, a plan to extend Trump’s grip into every part of your life.
Trump’s gross incompetence in his first term wasn’t all bad. It kept some of his most extreme goals out of reach. That’s why his inner circle, including more than 20 officials from his first term, have written a step-by-step playbook to make a second term brutally efficient.
At nearly a thousand pages, it’s longer than most Stephen King novels, and a lot scarier. The Associated Press wasn’t kidding when they called it “a plan to dismantle the US government and replace it with Trump’s vision,”
Project 2025 is a road map to ban abortion, give greedy corporate oligarchs everything they want, and strip Americans of our most basic freedoms — all without needing any support from Congress.
There’s more to it than I can get into, but here are three things I want you to know.
#1 How would Project 2025 work?
Every nonpartisan government agency would be turned into an arm of the MAGA agenda.
Some of the worst things Trump reportedly tried to do as president — like having the military  shoot protesters or seize voting machines to overturn the election  — were only stopped because sensible leaders in the military or the professional civil service refused to go along with it.
In a second term, there would be no sensible leaders in the military or professional civil service because Trump would fire anyone more loyal to the Constitution than to him.
Trump started the process in October 2020 with an executive order that would have let him fire tens of thousands of civil servants and replace them with MAGA henchmen. I’m talking about traditionally non-political positions, like scientists at scientific agencies and accountants at the IRS.
Trump could not act on the executive order then because he lost the election. If he wins now, he’s pledged to pick up where he left off and go further…
TRUMP: …making every executive branch employee fireable by the President of the United States.
#2 Project 2025 is about controlling Americans’ lives & bodies
Restricting abortion is such a big part of Project 2025 that the word “abortion” appears 198 times in the plan.
Trump largely made good on his campaign promise to ban abortion.
Thanks to Trump’s Supreme Court justices, 1 in 3 American women of childbearing age live in states with abortion bans. Project 2025 would make that even worse, without needing new laws from Congress.
Page 458 of the playbook calls for a MAGA-controlled FDA to reject medical science and reverse approval of the medications used in 63% of all abortions, effectively banning them.
Page 455 plans “abortion surveillance” and the creation of a registry that could put people who cross state lines to get an abortion at risk of prosecution.
Another way around Congress is to enforce arcane laws that are still technically on the books. Page 562 plans for a MAGA-controlled Justice Department to enforce the Comstock Act of 1873, which bans the mailing of “anything designed, adapted, or intended for producing abortion.” This could be used to block the shipment of any medications or medical instruments needed for abortions.
But Project 2025’s control of American families goes even further. It plans for government agencies to define life as beginning at conception — a position at odds with the process used for in vitro fertilization.
Page 451 declares that “Families comprised of a married mother, father, and their children are the foundation of a well-ordered nation and healthy society,” thereby stigmatizing single parents, same-sex couples, unmarried coparents, and childless couples.
Project 2025 even takes a stand against adoption, declaring on p. 489 that “all children have a right to be raised by the men and women who conceived them.”
#3 Project 2025 would turn America into a police state.
Maybe you live in a blue city or state, where you think plans like arresting teachers and librarians over banned books (which is on p. 5) could never happen. Well, guess again.
Trump has said one of the big things he’d do differently in a second term is override mayors and governors to take over local law enforcement.
Page 553 lays out how to do this, and even plans for Trump’s Justice Department to prosecute district attorneys he disagrees with.
Immigration enforcement is to be conducted like a war, with the military deployed within the U.S., and millions of undocumented immigrants rounded up and placed into newly constructed holding camps. This is outlined starting on p. 139.
Members of the Project 2025 team also reportedly told the Washington Post about plans to invoke the Insurrection Act to deploy the military against anti-Trump protests.
There is much more to Project 2025. There are more than a hundred pages of anti-environmental policies that would help Trump make good on what he reportedly promised to do for oil executives if they contribute a billion dollars to his reelection. It would make drilling and mining a top national priority while killing clean energy projects, barring the EPA from regulating carbon emissions, and replacing all government climate scientists with climate deniers.
There are even cartoonishly cruel plans like slaughtering wild horses. Yes, that’s really in there on p. 528.
I thought I understood the stakes of this election, but reading this plan… Well, it gave me chills. If Trump gets the chance to put this plan into place, he will. The country it would turn America into would be hard for any of us to recognize.
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paper-mario-wiki · 2 months ago
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wait so how did you get a "boring" office job? did you have to go to college or did you just apply for basic stuff and work your way up from there?
it was 100% through connections.
i mean, i actually GOT the job and have been able to KEEP the job because i'm smart and capable and good at doing things and have made the company a lot of money, but if i didn't know the right people i would not have even had a chance at it, and it would be disingenuous of me to pretend otherwise.
most of the moment-to-moment skills i use for clerical work (the majority of my job) i gained in highschool through my fascination with computers + all of the programming and software classes i took.
the business and accounting classes i took in university primed me for a basic understanding of how to run a company (or at least how to manage one, as my exact title is "Business Manager"), and all of my anthropology and sociology studies have given me a pretty keen insight for communication, which comes in major handy in a corporate setting. i was able to latch onto Corpo Speak pretty quickly, which has proven to be an indispensable skill (if a bit soul-sucking to utilize).
i got this job after receiving 0 work or callbacks from Indeed after applying to dozens of jobs over several months, which is a very difficult idea to reconcile with for me. i feel like im pretty capable, but apparently people whose job it is to give other people jobs don't agree. in spite of this, in 2 years ive generated hundreds of thousands of dollars of revenue for the company that decided to hire me because the owner saw me down on my luck and wanted to give me a break.
so i have to wonder, are we stupid, or are the companies stupid?
it's the companies. ive seen it firsthand. with this job, i go to business events and meet some of the most gullible people ive ever come across, and they're all CEOs.
they're so ravenously shortsighted with regards to their quarterly profit margins that they'd chase a 5 dollar bill the wind blew off a cliff for their shareholders. or more accurately, they'd push one of their minimum wage workers off the cliff to grab it.
because of that shortsightedness, conditions are getting worse, employment terms are becoming shorter, companies are shuttering left and right, pays are stagnant or lowering, and the growing number of people this inhuman greed affects are becoming more and more restless.
if you can't get a job in 2024, there's a very good chance it's not your fault. you shouldn't give up (unfortunately for now we still need to earn money to live in society), but try not to forget that.
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fratboykate · 2 years ago
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I'm totally in support of the writers in theory but I'm trying to understand more of what you're fighting for because I've seen some people on twitter claim writers make more money a week than most of us make in a month so I'm trying to understand what the issue is. Also if that info is accurate. This is a genuine question. Not trying to have a "gotcha moment". I really want to hear from a writer.
people have always had wild misconceptions about how much a writer earns because of their lack of understanding of how the industry actually works. there's so many posts about how "you guys make 5k a week. what more do you want?!" yeah...let's do some math on that.
5k a week for 14 weeks (and that's a long room. a lot of rooms these days are 8-10 weeks. those are the dreaded mini-rooms we're trying to kill) is $70,000. for roughly three months of work. you'd think we're cooking with gas...BUT HOLD UP. that's gross! let's see everything that has to come out of that check:
10% to our agent
10% to our manager
5% to our entertainment attorney
5% to our business manager (not everyone has one but a lot of us do. i do, so that's literally 30% immediately off the top of every check)
most of these breakdowns ive seen downplay taxes severely. someone made one that says writers pay 5% in taxes and i would like to ask them "in what universe?". that doesn't even cover state taxes. the way taxes work in the industry is really complicated, but the short of it is most of us have companies for tax reasons so we aren't taxed like people on w2s/1099. if we did we'd be even more fucked. basically every production hires a writer's company instead of the writer as an individual. so they engage our companies for our services and then at the end of the year we (the company) pay taxes as corporations or llcs (depending on what the writer chose to go with). my company is registered as a "corporation" so let's go with those rates. california's corporate rate is 9% and the federal corporate tax rate is 21%. there's other expenses with running a business like fees and other shit so my business managers/accountants/bookkeepers have recommended i save between 35-40% of everything i make for when tax season comes.
you see where the math is at already??? 25-30% in commissions and then 35-40% in taxes. on the lower end you're at THE VERY LEAST looking at 60% of that check gone. 70% worst case scenario. suddenly those $70,000 people claim we make are actually down to $28,000 as the take home pay. and that's if you're only losing 60%. it goes down to $21,000 if it's 70%.
lets pretend you worked a long 14 week room (that's the longest room ive ever worked btw) and let's also be generous and say you only have 60% in expenses so the take home is $28,000. average rent in los angeles is around $2,800-$3,000. if you're paying $2,800 in rent that means you need AT LEAST $4,000 a month to have a semi decent life since you need to also cover groceries, gas, medical expenses, toiletries, phone, internet, utilities, rental and car insurances, car payments, student loan payments, etc etc etc. and again, this is los angeles. everything is more expensive so you're living BARE BONES on 4k. and these are numbers as a single person. im not even taking having children into account. so those $28,000 you take home might cover your life for 6-7 months. 3 of which you're in the room working. the reality is that once that room ends, you might not work in a room again for 6-9-12 months (i have friends whose last jobs were over 18 months ago) and you now only have about 3 months left of savings to hold you over. we have to make that money stretch while we do all the endless free development we do for studios and until we get our next paying job. so...3 months left of enough money to cover your expenses -> possible 9 months of not having a job. this is how writers end up on food stamps or applying to work at target.
this is why we're fighting for better rates and better residuals. residuals were a thing writers used to rely on to get them through the unemployment periods. residual checks have gone down from 20k to $0.03 cents. im not joking.
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they've decimated our regular pay and then destroyed residuals. we have nothing left. so don't believe it when they tell you writers are being greedy. writers are simply fighting to be able to make a middle class living. we're not asking them to become poor for our sake. we're asking for raises that amount to 2% of their profit. TWO PERCENT. this is a fight for writing even being a career in five years instead of something you do on the side while you work retail to pay your bills. if you think shows are bad now imagine when your writer has to do it as a hobby because they need a real job to pay their bills and support a family. (which none of us can currently afford to have btw)
support writers. stop being bootlickers for billion dollar corporations. stop caring about fictional people more than you care about the real people that write them. if we don't win this fight it truly is game over. the industry as you know it is gone.
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lady-raziel · 29 days ago
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It's time...we're edging the sleep
Link to the full pdf document HERE (includes links)
What This Is:
A collaborative, grassroots initiative for fans of Markiplier and The Edge of Sleep to promote the newly released TV show on Amazon Prime Video to raise awareness and generate attention that will drive supporters and casual viewers alike to watch the show.
Why This Exists:
Fans of the hit podcast and followers of Markiplier (Mark Fischbach) have been anticipating the TV adaptation for years since it was announced in 2021 and have been waiting to watch the show since then. However, after radio silence since nearly after filming completed, the long-awaited show is now being dropped on Amazon Prime early—before any official promotion starts.
Many fans disagree with the confusing treatment of an adaptation they have been wanting to watch for years, the haphazard amount of pre-release promotion for the show, and the increasingly high benchmarks of instant success placed on creative material, regardless of origin, that challenges the ability of new ideas and stories to thrive and grow.
This collection of suggested guiding materials is intended to serve as a starting point for fans and advocates in taking matters into our own hands and promoting the show we want to succeed, to open doors for future creative projects for all sorts of innovators, and to bring attention to the current challenging creative environment that stifles new projects before they have a chance to shine.
CRITICAL TAKEAWAY (if you read nothing else):
Stream The Edge of Sleep on Amazon Prime Video if you can and TALK ABOUT THE SHOW. Talk about it and anything else covered in this guide as much as you can, because every bit of chatter matters in allowing this project to succeed.
(More info on steps you can take to help under the page break, or check out the full doc linked above for everything!)
Most Important Steps To Take:
Stream The Edge of Sleep on Amazon Prime Video, as well as add it to your watchlist and like the show on the platform to enhance performance metrics.
The full pdf document has information later on detailing how to access Amazon Prime Video as well as information on low-cost pricing and deals for gaining access to Prime Video, and how to use “Watch Party” mode to stream with others.
You can “like” the show even if you don’t have Prime Video and just have a basic Amazon account! Even small metrics like this impact both the front and backend impressions viewed by corporate employees.
Use the hashtags #TheEdgeofSleep and #TheEdgeofSleeponPrime on social media sites where hashtags are applicable in sharing material about the show. Share or make anything you can—memes, art, discussions of the story, pictures, edits, or even just posts saying you’re watching the show. Truly, it all matters and helps!
It’s important to use both tags or at the very least, the second one indicating the streaming platform. It identifies WHAT the show is and WHERE to find it, which is helpful information for those stumbling across The Edge of Sleep for the first time. Additionally, using the name of the platform frequently attracts attention for Prime Video, which can reflect back positively on the show in the eyes of the company if The Edge of Sleep is the source of the discussion.
Although it can be laborious to type out “The Edge of Sleep” every time and thus impulse says to abbreviate in both discussion and hashtags to “TEOS/teos,” this can hinder effectiveness as it is not a recognizable acronym to non-fans and might impact the potential of the full “The Edge of Sleep” title to trend on any social platform.
Share the show with anyone and everyone you think would like it, offline and in person. A personal recommendation will always be more impactful than any ad—everyone is an “influencer” to someone! Also, be sure to rate the show or add it to your watchlist anywhere you can—including on Amazon Prime Video itself through the like function on the show page, as well as on third-party sites like IMDB or TV Guide.
Not sure how to recommend the show to someone? The brief synopsis, “fast facts,” and “pitch” suggestions in the HELPFUL REFERENCE section of the full pdf document might help, along with thoughts of enthusiasm for the show, original podcast, or any of Mark’s other projects mixed in!
Sites like IMDB allow you to rate shows and films for free, even if you haven’t gotten the chance to watch them yet.
Most Important Thing To Remember:
JUST HAVE FUN!!! This is about promoting the show we’ve waited for and want to succeed, opening the door for more projects we want to see, but also just about getting together as a community and making cool stuff!
Again, you can find all this info and more resources in the full Strategy doc linked here. Go forth and sleedge △
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universalitgirlsblog2 · 7 months ago
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🎀🍓⚞🎀・◦・⚟ YOU ARE NOT A VICTIM.🎀🍓⚞🎀・◦・⚟
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🍓REALISE THAT LIFE IS A IMAGINATION.
You going to your job. Your job is your bosses imagination. He imagined a company that he wanted to create and then he put it into physical realm. So you are basically working towards your bosses imagination.
Countries are not real. We all collectively imagine a border but it's not real. It's all earth. Everything is earth but we imagine that those countries are separated.
Money is also imagination. It's just a piece of paper. We imagine that the amount of money in our bank is worth that much but it isn't. If tomorrow a big corporation says that the money in your account isn't worth that much or the money isn't in use anymore . It's not.
All this means that we all are living in a imagination. A dream . A game . Matrix. Whatver you want to call it.
We imagine everything we do. We imagine our future and dwell in our past which also doesn't exist. Future and past doesn't exist. Only this moment exists.
🎀REALISE THAT YOU ARE THE CREATOR OF YOUR IMAGINATION.
We can create this imagination or dream however we want it to be.
🍓QUESTIONS TO ASK YOURSELF
How do I want to create my game , my dream ?
How do I want my imagination to look like ?
Who do I allow into my imaginations ?
How do I behave ? Who am I? What does my character look like ?
🎀BEING A VICTIM MAKES YOU FEEL SAFE
Being a victim is the most comfortable thing because you don't have to do much. Your life is a circle. Everything just keeps moving in the same way , in the same circle. But this is comfortable for you. Why ? Because you know what is going in happen in the circle. You don't have to take risks. You don't have to deal with different people.
🍓CHANGING YOUR LIFE AND STOP BLAMING OTHERS
To take a leap of faith , you need to be brave. It takes guts. Everyone wants to blame everyone . At the end you will be left no one to blame but yourself. Your life is shit because of you. People don't care about your victim mentality. You know when they care ? When you get out of it. When your life becomes a success story. David Goggins is not David Goggins without his success. No one would care if he was the same guy before.
🎀YOUR LIFE WILL ONLY CHANGE IF YOU CHANGE
Everyone moves on and you will be left behind. NO ONE IS GOING TO SAVE YOU. WHY ? BECAUSE NO ONE CAN SAVE YOU. The only person that can save you is you. No one is going to make you change.
🍓GROWTH IS : 2 STEPS FORWARD AND 1 STEP BACK.
Everytime you learn something,it's one step forward because you have more knowledge but if you put it into practice, you will be 1 step back because you are not used to it. You still have to continue. If you feel uncomfortable and give up, you will be right back where you started. Stop abusing yourself by being in the same circle that you don't like. Stop abusing yourself by being the same person that you don't like. Look in the mirror , we don't have anyone to blame. As a victim it's easy to run away and be like " I tried I tried", You didn't try and you didn't try hard enough . Try again . Try again until you get there.
🎀REALISE THAT YOU ARE ADDICTED TO DRAMA.
Alot of people when they come out of abusive household , later they will think that it's too peaceful . They will start to attract people that will give them that toxicity again because this is the only thing they knew. Realize that you are the creator of that drama though. You can choose to have a peaceful life. You can choose to have peaceful people around . If you can't find peaceful people , just be peaceful on your own for a while until you find someone that makes you feel peaceful.
Stop creating drama when it was never meant for you. Stop involving yourself in things that were never meant for you. Stop watching things that are so dramatic.
🍓REALISE THAT YOU HAVE CONTROL.
You have control who comes into your life , you have control about who you date . You have control about what you watch , listen to , what you read. You have control over what you put in your mind. Your mind isn't a dustbin.
If you decide to open the news and it's all negative and now your day is bad. Don't blame the news. Blame your eyes and blame your hands for putting that on.
🎀ASK YOURSELF : WHY DO I ALLOW THESE PEOPLE IN ?
"My friend , partner is toxic". Why don't you start looking at why you allow them in ? Don't you have control over who I allow into my life? Why don't you ask yourself ? What is it in you that you don't feel worthy enough of having people that actually respect you ?
🍓WHAT ARE YOU DOING TO FIX YOUR LIFE ?
What part are you playing in life ? You can cry all day about being overweight or underweight . Are you doing something to fix that or are you just crying all day ? What are you doing to fix your life?
🎀WHEN YOU WANT SOMETHING BADLY YOU WILL FIND A WAY
When something wants something badly , they will get it done anyway.
🍓GO FROM COMPLAINING TO GRATITUDE
Turn your mindset around. Set your mind on a plan and focus on it . The more you start going from complaining to gratitude, the more your life will change. If you constantly focus on what isn't there instead of what it is , you create more of that.
🎀REALISE HOW PRIVILEGED YOU ARE
You are privileged and you want to talk about people in North Korea. They won't be able to see liz video or read this post since they don't have access to internet but you do.
🍓WE NEED THE GOOD AND BAD TO KEEP THE WORLD IN BALANCE.
This is how the world works.
🎀PAST AND FUTURE DONT EXIST
Accept your past and start working on yourself. It doesn't exist. You only have now. Don't dwell on the future. What are you doing now ? How you are now will determine your future and not the other way around.
🍓RECOGNISE THE WAYS YOU SABOTAGE YOURSELF.
Everytime something good comes into your life. Do you ruin it ? What in life are you doing that sabotages you ? You have to ask yourself these things.
🎀START TAKING RESPONSIBILITY FOR YOUR BEHAVIOUR
It's not fair what happened to you but whatver I do with it next , it's on you.
🍓TAKING CARE OF YOURSELF FIRST IS THE MOST SELFLESS ACT
If you don't take care of yourself , you can't show up as the best mother , daughter, employee or boss. You don't feel good . You are depleted and depressed. If you want to perform the best you want to be for others , then you should think about you first and nurturing you first so you are happy. If you don't feel good in your life , it's okay to take a step back from everyone and focus on nurturing you . Put yourself first . No is coming to take care of you.
🎀YOU DESERVE EVERYTHING YOU DESIRE
You deserve everything you want and you can get once you set your mind to it. Stop taking advice from people that you don't want to share lives with ,these people are miserable themselves.
🍓🎀 ⚞🎀・◦・⚟I LOVE LIZ SO MUCH. 🍓🎀 ⚞🎀・◦・⚟
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wandascosmic · 3 months ago
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your boyfriend, he's upset (4)
wanda maximoff x fem!reader
part four of 'you belong with me' series
summary: basically a wanda series inspired by jim and pam from the office
word count: 2596
tags: slight homophobia, best friends to lovers, reader's so in love, wanda's as oblivious as it gets, to reader's feelings and her own, reader messing with sam even more, wanda joins in on the pranks, we hate vision in this one
part 1 part 2 part 3 part 4 part 5 part 6 part 7
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“Hey,” Sam whispers to you as you’re reading over your files by the copy machine. “So, listen, I was thinking that it might be a good idea if you and I formed an alliance, you know, ‘cause of the downsizing.” 
You nod slightly, still keeping your eyes on your papers but acknowledging the fact that you’re listening to him. There was a rumor going around that Tony was possibly being forced by corporate to remove a couple of his staff, and because Sam was Tony’s biggest suckup, naturally he was worried about being laid off. You and Wanda had talked about it earlier, and you both weren’t too worried, since you knew you would remain friends. Plus, the only good part about your job in your opinion was seeing Wanda every day, so that would probably be the driving force that would make you miss this place at all.  
“Would you like to form an alliance with me?” he asks lowly, like the two of you were on some sort of top-secret mission. 
You meet his gaze, narrowing your eyes and looking over your shoulder as if to ensure no one was eavesdropping on your conversation. “Absolutely, I do,” you respond under your breath, imitating his spy-like tone of voice. 
“Good, good,” Sam answers, crossing his arms and scowling around at the members of the office. “Okay, now we need to figure out who’s vulnerable, and who’s protected,” he points a finger to emphasize his point. 
Sam continues to speak about his plan for the two of you, but you don’t hear him over the excitement bubbling up in your chest as he presents to you a way you can finally get back at him for all the times he’s annoyed you. Your mind runs through a million different ideas of how to prank him, and you try not to smile to give it away, doing your best to maintain a serious expression.  
“Just one other thing, and this is important,” Sam states, and you snap out of your thoughts to play your role once more. 
You lean closer to hear him clearly. 
“This alliance is completely secret, ok? You cannot tell anyone about this.” 
You nod, holding out your hand for him to shake. He takes it with a firm grip. 
*** “An alliance?” Wanda asks with a laugh.  
“Oh, yeah,” you shrug, leaning over her desk, acting nonchalant but giving her a look to indicate that it’s a joke to you too. 
“What does that even mean?”
You break out into a smile. “I don’t know, I think it has something to do with ‘Survivor’, but I’m honestly not sure,” you joke. 
Wanda chuckles at your jest. 
“It’ll definitely involve spying on people, and we may build a fort in accounting,” you finish amusingly as she grins. 
“Y/N!” Sam interrupts from across the room, your head snapping up to turn towards him by the fake tree in the middle of the office. 
He narrows his gaze at you and Wanda suspiciously. “Can I talk to you for a second about…the paper products?” he lies, beckoning you over with a gesture of his hand. 
“Good luck,” Wanda whispers to you. 
You wink at her before walking over to meet Sam in the kitchen. 
Wanda watches your retreating from with a smile and an amused shake of her head. 
***
Slamming the door closed, Sam wastes no time in confronting you. “Did you tell Wanda about the alliance?” he accuses, pointing a finger at your chest. 
“What? No-” you respond as if his accusation is completely ludicrous.
“Just now!” Sam shouts at you. 
“Oh,” your eyes widen in fake realization. “Oh, no, no, no, Sam, no. I’m using her,” you clarify. “For the alliance.” 
Sam looks at you skeptically. 
“Who knows the most information about this office? Wanda!” you explain. 
“Right, that’s good, keep doing it,” Sam says, watching Wanda work at her desk in suspicion through the kitchen window. 
“Well, I’m trying to,” you answer. “Do you see what I’m doing?” 
“Mhm,” Sam continues to analyze all of Wanda’s actions. 
“But listen,” you get his attention, turning him back around to face you. “I’m gonna have to talk to her a lot, all right?” Sam nods. “And there may be chatting, and giggling, alright? And you gotta just pretend to ignore it, got that? Wipe it away.” 
“Done,” Sam says. 
“All right,” you acknowledge, patting him on the back and leaving the kitchen to head to your desk. 
***
“You’re not gonna believe this,” you tell Sam in the parking lot between the cars, pacing back and forth with your arms crossed and a scowl on your face.  
“What?” he asks with worry. 
“Bruce and Nat,” you pause, stepping closer to him. “They’re forming an alliance,” you admit. 
“What? How do you know?” he asks disbelievingly. 
“I saw them talking at lunch,” you lie. In reality, they were talking about their favorite sandwich shop in New York and they let you join in on the fun. You actually managed to learn a lot more about the history of ham and cheese. “And if Bruce is in HR, and Nat is in accounting, think about it.” 
“Oh, they are forming an alliance!” he grunts angrily, kicking the tires of a red car in front of the two of you. 
“Okay, listen,” you tell him. “We need to assume that everyone in this office is forming an alliance, and is therefore trying to get us kicked off.” 
“God, damn it! Why us?” he asks up at the sky. 
You hold his shoulder as he makes eye contact with you. “Because we’re strong, Sam. Because we’re strong.”  
***
“Hey, Y/N? Can I talk to you for a second?” Wanda asks, her arms crossed as she comes up to your desk, seeming as if something was weighing her down. 
“Sure, what’s up?” you ask, swiveling around in your chair to face her. 
“Um, I don’t know, I’m just going a little crazy,” she explains. “‘Cause I keep overhearing all of these conversations between Tony and corporate.” 
Sam’s ears perk up as he hears Wanda’s confession from his desk next to yours. 
“And they’re all about like, staff issues,” she continues.
You smirk as you see Sam’s brows furrow out of the corner of your eye as he pretends to keep reading his magazine.  
“Oh, no,” you respond, leaning your elbow on your chair’s armrest and putting your chin in your hand. 
“Yeah,” she agrees. “And he’s making me take notes on all these meetings, and I’m like, “These people are my friends,”” she says with worry. 
“Right,” you acknowledge. 
“But he’s all like, “This is confidential, you can’t tell anybody,”” she imitates. “But I don’t know, I just feel like I need to tell somebody, you know?”
“Yeah, of course,” you assure her. 
“Anyways, just promise me you’re not gonna say anything?” she asks you nervously and pulling her sleeves over the back of her hands. 
“I will not tell anybody,” you promise. “This is between you and me.” 
“Okay,” she says with relief and blows out a puff of air. You get out your chair and follow her back to her desk. 
“I didn’t know you were an actress, Maximoff, that was perfect,” you whisper to her, stopping at reception, and drumming your fingers on the table.
“All in a day’s work, L/N,” she repeats your phrase back to you with a cheeky grin as she sits back down.
You shake your head in amusement. That was all her idea too. Leaning on your elbow and putting your head in your palm, you admire her quietly as she starts typing on her computer, giving you small smiles every now and then. You sigh softly, she’s so amazing.
***
“Okay, here’s the deal,” you let Sam know in the kitchen, locking the door and peeking through the window to make sure no one’s listening. “Wanda says that one of the alliances is meeting in the warehouse during Jennifer’s birthday party later today.” 
“Oh my god, we have to be there!” Sam responds. 
“I know! But it’s gonna be a little tough because there’s no good place to hide down there,” you explain. 
“No, no, yes there is behind the shelves- oh my God,” Sam’s eyes widen. 
“What is it?” you ask with curiosity. 
“I know exactly what to do.” 
***
“This is not what I had in mind, Sam,” you say as he steps into the large cardboard box in the middle of the warehouse. 
“Shut up, this is gonna be perfect, Y/N. It’s got a central location, and it’s the perfect cover. I can see and hear everything,” he answers. 
“Okay, good,” you respond, as he sits down in the box. “Wait, this isn’t gonna work, the lids open,” you let him know. 
“So tape it down,” he answers obviously. 
“I can’t do that,” you squat down at his level. “You won’t be able to breathe.” 
He rolls his eyes. “Look, I can breathe just fine, okay, but if it makes you feel better, I’ll poke holes in the box.” 
“Thank you, okay,” you nod, standing up and closing the lid. 
“God, you’re so needy, Y/N,” he says. 
“Yeah, thank you, Sam,” you say sarcastically. “So, do you want me to stay here, and you know, stand next to the box?” 
“No,” he retorts, opening up the lid from the inside. “You need to go upstairs to the party, so people don’t notice that we’re both gone.”
“Right. That’s good.” 
You poke a couple of holes in the box as well as two peepholes before taping the lid shut.  
Letting Sam know that you’re finished, he tells you to leave to go to the party. “All right, let me know if you hear anything,” you tell him, walking backwards slowly, and trying your best to hold in your laughter. 
Once you’re at the bottom of the staircase you turn to rush upstairs to let Wanda know about what your shared scheme has led to. 
***
“He’s in a box?” Wanda asks disbelievingly as she looks up at you from her chair. 
“Wanda, he’s in a box!” you laugh, eating a bite of Jennifer’s birthday cake and leaning further over her desk.  “He’s downstairs, in a box, on the floor near the shelves.” 
Wanda laughs. 
“I’m serious! Go down there, check it out, and work your magic,” you say as you point your fork at her with a mischievous grin. 
Wanda bites her lip in mischief, nudging her head towards the stairs for the two of you to go mess with Sam even more. 
Wanda steps down the stairs loudly to make sure Sam can hear her arrival, while you trudge behind her as quietly as possible ready to watch the scene unfold before you.
Stopping at the last few steps, you point towards the box Sam is in, and Wanda walks towards it, pulling out her phone. 
“Hey, where are you?” she says as if she’s on an important call. “Yeah, we were supposed to meet here.” 
You bite your fist to hold in your laughter. 
“What?” Wanda says with fake shock. “Oh my gosh,” Wanda says as she covers her mouth to hold in her laughter. “That ties in perfectly with something that Tony was telling me earlier!” The two of you look at each other with enormous grins as you both notice Sam trying to tear open the box from the inside with his pocket knife. “Yeah, I just don’t know what people, in like, accounting are gonna do,” she says as if she’s stressed. “It said specifically that-” 
Sam falls over in his box and the two of you nearly burst out in hysterics. 
With Sam letting out a groan of pain, Wanda shuts her phone and runs towards you with a huge smile on her face and grabs your hand absentmindedly, the two of you unable to control your laughter as you both make your way back upstairs. 
***
“Wanda!” you say excitedly as you run around her receptionist's desk to stand behind her chair. “I have something that totally tops the box.” 
“Oh, tell me, tell me,” she says eagerly looking up at you. 
“Okay,” you start with a big smile on your face. “I have just convinced Sam that he needs to go to Stamford, and spy on our other branch.” 
Wanda muffles her laughter with her hand. 
“No, no, no!” you continue. “But before he does so, I told him that he should dye his hair to go undercover.” 
“Oh my god,” Wanda says, putting her head in her hand as she tries to stop her overwhelming urge to fall to the floor in hysterics. 
The two of you break out into a fit of laughter together, and in the heat of the moment, you wrap one of your arms around her shoulder and place your palm there and hold her hand with the other. 
“If we can get him to drive to Connecticut, and put peroxide in his hair,” you continue through your laughter, the two of you unable to stop your giggles. 
“What the hell is this?” 
Your heart drops as you hear the sound of Wanda’s fiance. Stopping your laughter immediately, you take a big step away from Wanda and turn your head, making direct eye contact with Vision. 
“What are you trying to cop a feel or something, L/N?” he asks in anger. 
“No, no, no-” you try to explain. 
Vision’s anger overcomes him further and he starts to stalk towards you in rage. You take a couple steps back in fear away from him. 
“Vis! Hey, hey, stop!” Wanda interrupts, putting herself between the two of you and placing the palm of her hand on Vision’s chest.
Wanda looks at you wide-eyed as Vision continues to glare daggers at you. 
“God, I don’t even know how to explain this,” you say awkwardly, rubbing the back of your neck. Whether that was in fear or nervousness you didn’t know, but this was definitely not an ideal situation. “Um,” you clear your throat. “Sam asked me to be in an alliance,” you state, almost laughing at the ridiculousness of the situation. “And, um, we were, we’ve just been messing with him, you know, because of the whole alliance thing.” 
“Yeah, it’s just office pranks,” Wanda explains to her fiance, rubbing his arm to calm him down. 
“Exactly, it’s just office pranks,” you agree. 
“An alliance, what the hell is he talking about?” Vision asks Sam who stands by the fake tree. 
You look at Sam, silently apologizing and urging to explain the situation. 
 “I have absolutely no idea,” Sam replies, ignoring the situation before him and plopping down at his desk to make his sales calls. 
Your mouth parts slightly in shock. 
Vision looks at you angrily. “C’mon,” he tells Wanda, shoving her in the direction of the door while never breaking eye contact with you. Wanda tries to give you an apologetic look as she walks out but you don’t manage to meet her gaze as her fiance continues to intimidate you. 
Once Wanda’s outside, Vision stalks even closer to you, and at this point you’re nearly completely back to back with the wall. “You know she’s not gay, right?” he tells you venomously. 
Gulping, you nod. 
He narrows his eyes at you in anger, before finally deciding to walk out and follow his fiance. 
Standing awkwardly at Wanda’s empty receptionist’s desk, you walk quietly towards the ledge and lean onto your elbows, and sigh softly into your hands.
part 5
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probablyasocialecologist · 9 days ago
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More than 100 staff members at the BBC have accused the corporation of giving Israel favourable coverage in its reporting on the war on Gaza. A letter sent on Friday to BBC Director-General Tim Davie and Chief Executive Officer Deborah Turness criticised the broadcaster for providing “favourable coverage to Israel” and failing to uphold a “basic journalistic tenet” when holding Israel to account.  The signatories included 230 people, among them 100 anonymous BBC employees, as well as media professionals, journalists, actors and academics.  “The consequences of inadequate coverage are significant. Every television report, article and radio interview that has failed to robustly challenge Israeli claims has systematically dehumanised Palestinians,” the letter, first reported by the Independent, said. The journalists stressed the BBC’s “high level of trust” as a taxpayer-funded public broadcaster, warning that its Gaza war coverage could undermine its "impartiality" and puts its "independence at serious risk". The signatories urged the BBC to implement editorial commitments such as “reiterating that Israel does not give external journalists access to Gaza; making it clear when there is insufficient evidence to back up Israeli claims; making clear where Israel is the perpetrator in article headlines; including regular historical context predating October 2023; and robustly challenging Israeli government and military representatives in all interviews”. Since Israel's war on Gaza began last year, Israeli forces have killed 183 Palestinian journalists among more than 43,300 killed overall.  
3 November 2024
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triviallytrue · 1 year ago
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Article from last year, before the life support got pulled
Someone needs to write a book on what the hell happened here - in the history of corporate America, I don't think we've ever seen a blunder this costly. Facebook spent an obscene amount of money on the Metaverse, changed the name of their company, and then pulled the plug without any return on investment.
Someone can correct me if I'm wrong here, but I think the revenues are so dwarfed by the investment that for practical accounting purposes they are effectively zero. And it's not like this is useful stuff that will be repurposed for some other project down the road - the end product was so bad that it couldn't even be used internally.
And yet.
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Meta is basically fine! Over the past few years they took Ecuador's entire yearly GDP and set it on fire, and they're chugging along smoothly. They laid a bunch of people off (because they were paying them all to work on a useless product) but otherwise have cruised through mostly unaffected.
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