#BRO IM SCARED
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anotherferalrat · 2 months ago
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Arcane S2 Thought Dump: Intro
Meant to do this first but got excited. Anyways, just thoughts and notes if this is foreshadowing so I can say I called it lol. This is gonna be significantly shorter than the first one bc it's just a few cool details
Still, spoilers below
Ngl I'm surprised they kept the same opening. Like Ik it's not an anime so they don't have to change it but I was just surprised to hear it again
Just think it's interesting that in the 1st vers of the opening, the opening shot i think is the sisters standing back to back as statues but in this one, I think it's interesting that as Vi sinks down, Jinx rises
VI SMEARING HER NAME WHAT DOES IT MEAN
CULT LEADER VIKTOR??? Bro beat death once and decided he's god (me fr, i love that for him)
AMBESSA MY BELOVED-
Bro Cait and Mel fr going through it this intro
...why does Jayce nvr kno what's happening evr
Bro the light cutting over Cait and Vi's hands and then them getting blown apart. Lesbians fr be breaking up without evr having gotten together😔✌️
Ekko my beloved🫶🫶 that's it. Just him
Interesting that the rose Ambessa crushes in her 2nd(?) shot is the one sitting next to Mel in her 3rd(?)
Viktor's glowing -> Jayce is walking towards the light -> all I'm sayinggg is there's nothing gayer than devotion...
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ochiody · 4 months ago
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saw @orpheus-has-lyreizz s post abt gen z telemachus and i havent been able to get him out of my head since. congratulations hes brainrotted now
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polluted-puddle · 2 years ago
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dudes the sibling has infiltrated tumbler
lol
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dykedvonte · 1 month ago
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You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.
-Shrimp Anon
The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.
Get ready cause this is a yap session:
Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.
I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.
The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.
This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.
Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...
These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.
I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.
Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.
It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.
I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.
It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.
There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.
End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.
#i also think it is because mouthwashing is first and foremost a game about rape culture and the patriarchy especially in work spaces#regarding women and centering conversation around Curly a man rubs people wrong because it does overshadow that commentary#but it still mixes other topics into its initial theming and message on how abuse conditions you to accept certain things that are harmful#and how getting used to a culture/enviornment does not mean you are happy healthy or most importantly safe in it. I personally like to#explore those aspects where it mixes all the themes so we can discuss the ways you have to watch out for things because there is a differen#in the idea Curly enabled Jimmy just because they were bros and because he was an example of another man afraid to step out from what#is a still oppressive system that does try to punish those who act against it even if they fall in the category of those who would benefit#from it as Jimmy and PE 100% represent that sort of misogynistic system where men that would be “good” are altered until they follow line#in a way both on the personal and professional level as PE is the corporate lock out and Jimmy represents the social and its just the issue#that the discussion of it sounds like “in defense of men” when I am more so trying to discuss how it is much deeper than men being scared t#upset other men but complacency is rewarded by not becoming another person subjugated hence as all the moments Curly does try to do#something we can tie it back to how Jimmy reacts and a possible penality from PE where we now need to address the ways to combat those#two concepts so we dont get cases like Curly or Daisuke or Swansea where male avoidance of the issue is considered neutral or even good.#i think most of this boils down the perfect victim mentality to where if someone who underwent or is being abused is not a perfect example#or accpetible type than their abuse can not be considered a valid or substantial reason for effects on their behavior compounded with the#fact that Anya's abuse at the hands of Jimmy is a systematic issue that Curly is a part of even if unwillingly and was more physically#violating and topical cause sometimes i have to remind myself that all media is still critiqued through the lens of the culture it came out#in cause i do think about what if this game came out inlike 2014 like the conversations would be sooooooo different could you imagine it?#but back the before statement Curly isn't perfect but I feel like boiling it down if hes a good person or man is not the point of the game#but more so good people can still be part of the problem and the idea of condemning a person for one act creates a false sense of#rightouesness and justice that does not aid the victim and in fact aids the abusers in escaping blame for their mulitple behaviors as we se#how the men on the ship tend to blame Jimmy for just one act against them including himself while there is a plethora of things Anya is#concerned about with Jimmy#and its not that Curly just made one mistake with Jimmy but more so we consider his actions more damning because he didn't stop Jimmy#instead of focusing on the fact Jimmy did what he did regardless of Curly and the consequence because we already know he's bad n maladjuste#which is problem in the conversation where the individuals are blamed but the system and perputrator are overlooked in a sense of acceptiab#complacency as we know how they are and the lack of tangibility to personally affect them on a larger scale like I should just make a post#on like cutting out the face when it comes it confronting systems of oppression rather than tag talking but just ask me to clarify if#you want that like im jus trying to say we avoid talking about Jimmy and PE so much cause it is obvious what they do wrong that we make#the initial and inherent problem out to be one aspect someone in this case Curly does and the the constraints they use to force actions
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morbimoth · 10 months ago
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Stealth killer meetup
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boygirlctommy · 9 months ago
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out of all of the (many, many, many) miscommunications on dsmp, this one still makes me lose it the most. these two were never on the same page even once and this was the culmination of all of it. 2 entirely different conversations going on
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rewritingcanon · 1 year ago
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idk why im in such a bad mood rn but it actually PISSES ME TF OFF how the entire marauders fandom collectively decided to take this bum-ass loser character with one discernable impact on the storyline (regulus. im talking about regulus) and make him a super complex, three-dimensional MAIN character in the era that’s being literally paired with JAMES POTTER(???) when they could’ve taken a character who AREADY has existing complexities and everything they could ever want and develop them. but they won’t because that character is a fucking woman ☠️☠️
the way the black sisters would have the entire fandom in a fucking chokehold if they were boys. do you actually think sirius and regulus would be as cherished as they are now if they were women? hell fucking no, regulus would be hated on so badly. the way we were given narcissa and fucking andromeda too? here’s the entire fandom yapping on and on about how cool regulus is for rebelling against the dark lord when narcissa was doing it and fucking getting away with it too (because she’s better and doesn’t suck ass). here’s andromeda going against her entire bloodline ON HER OWN but yet shes still so overshadowed by sirius (who literally came after her). then you got bellatrix who is canonly one of the most powerful (and cuntiest) witches in the hp-verse and you decide to go and develop BARTY instead. think about it. they’re both crazy except one is more of a loser and is a male so of course the fandom will choose him.
and then. of course. lily evans who is literally the mother of the entire verse itself is still out here fighting for literal recognition and development from the fandom. and those mfs still give it to regulus instead ☠️☠️
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crowlixcx · 6 months ago
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Broadchurch | S2EP3 | Alec Hardy’s Wettest Moments (Part 52)
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ryomaandgundhamkin · 4 months ago
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Servant Sun doodles! Designs by @meagancandraw — it’s official in my eyes because I am absolutely in love with this bro… also this is my first time tryna draw in this art style-
I literally only used warm colors (idk whenever I draw I usually stick to a warm/cold palette). bruh color theory is wild, the book at the top of the stack is orange (what is going on with my eyes, I see green)
I love drawing others designs and ocs because mines suck <3
white background here and also the other updated version- I actually used a font wow- I like monoline tho (for text on procreate) sorry for yapping here’s the extras
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shinyobservationtree · 3 months ago
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androdetective · 28 days ago
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I know the Orpheus whitewashing gets complained a lot but it's still so scary. He looks like he's in a perpetual winter please start getting some sun
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Also were they bringing back his al ghul inspiration with this vaguely SWANA looking pajamas? It's cute but if they were bothering with that then maybe they could've brought back his melanin too
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stevie-petey · 5 months ago
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episode nine: the good
Soon it’s just you and Steve. You work around one another, anticipating each other’s next move, never getting in the way. Soft music plays from the record player that sits in the den. Steve puts on one of his father’s old records, gentle rock and delicate jazz. You hum to yourself, he hums with you, and it’s a peaceful morning. Until Richard and May Harrington walk in. Neither of you notice them at first. Steve is too busy spinning you around, playfully dipping you as the music comes to a grand crescendo. You’re laughing breathlessly, but soon your laughter turns into a yelp when Steve sees his parents standing in the doorway and drops you.
Summary: the party battles the horrors of high school and leave you stranded, tw: applying for college is harder than fighting literal demons (you would know, youve done it), jonathan joins your nightmare blunt rotation, max worries you, and steve solidifies his position of Best Boyfriend in the World as you slowly fall apart (though is anyone really surprised ??).
Rating: general, some swearing
Warnings: cursing, allusions to previous character death
Words: 11.2k idk how or why i needed to say so much
Before you swing in: we're here !!! FINALLY at the end of season 3 <3333 im so so so excited to present to you the groundwork for what i have planned for season 4 ;) it will be ... a lot. the season is huge, its difficult and scary, and i did my best to try and capture its dread and ominous sense of doom in this chapter. please enjoy and bear with me as i prepare for season 4. unsure when i will be done planning her, but i PROMISE itll be worth it !!
-
“Are you sure Ms. Bote is nice?”
“Yes.”
“And that Mr. Cune won’t question the hat?”
“Yes, Dustin.”
“And you’re absolutely sure we have lunch together?”
“Yes.” You tighten the straps on your mary janes and give your brother an exasperated look. All morning he’s been freaking out about his first day of high school. You understand his fear, it’s scary starting at a new school, but you’ve answered all his questions a million times by now and Steve is supposed to be here any second. “We need to go, buddy.”
Dustin shoves a pancake into his mouth, wiping his face with the back of his hand in a disgusting manner. “Wait, but what about my backpack–”
“I have it, Dusty!” Your mother walks into the kitchen and hands it to him. She kisses his mess of curls and strokes your cheek. “Are my darlings ready for their first day of school?”
“No.” You and Dustin say at the same time, which your mother frowns at. 
Dustin adjusts his backpack and gives you an odd look. “Why are you nervous? It’s not like you’re being blindly thrown into a den of hormonal creatures out for blood. You’re old now, they’ll leave you alone!” 
“Trust me, the college admissions process is a worse monster than school bullies.” You grab your own backpack and start heading towards the front door. “I have to start planning what to write, I–I need more clubs, and projects, and–”
The anxiety overwhelms you. It always starts like this: talk about college, you fall down a hole of uncertainty and dread and fear. It’s been like this ever since Jonathan moved away. The minute the Byers moved, you threw yourself into preparing for college. Rationally, you know it’s your poor way of coping with all the sudden change in your life. You don’t need a psychological research journal to tell you that. In a futile attempt to control your future, you’ve become obsessed with college. 
New York University, specifically. 
Jonathan has always dreamed of attending, and when you met him, it became your dream, too. 
“Okay, dear. Settle down, now.” Your mother places a hand on your shoulder and laughs nervously. She has about five seconds before you collapse into a mess of college admissions rambling and despair. “Let’s go outside and find that wonderful Stevie!”
Your body is shoved out the front door alongside Dustin’s. Steve’s car is parked, he stands outside it, arms crossed and a grin on his face. Your body relaxes when you see him, the buzz of anxiety dims. He’s wearing his Family Video vest, the green makes his tanned skin glow.
“She’s doing it again.” Dustin tells him, tossing his backpack into the backseat.
Steve winces. He knows exactly what your brother is referring to. He’s been at the other end of far too many anxious phone calls at three in the morning. “College?”
“Yeah, she almost had a meltdown in the kitchen.”
“I can hear you both, you know.” Though you try to seem fine, keep up the annoyance, you stand next to Steve and rest your head on his shoulder anyways. He wraps an arm around you and kisses your forehead. 
Steve rubs your arm and makes a sympathetic noise. Your mother, seeing how he holds you, squeals. “Oh, stay just like that, hold on!”
“Mom, what–” But your mother ignores you and runs back inside the house. You look at Dustin, terrified. “She’s not…”
He shakes his head at you. He leans against the car next to you and crosses his arms, mimicking Steve’s earlier stance.  “She’s mom. Of course she is.”
“What are you guys talking about–” A flash of light momentarily blinds Steve, and he flinches. “Woah, alright.”
“Smile, kids!” Another camera flash, and your mother coos as you, Steve, and Dustin awkwardly shuffle into frame. It’s not that the three of you dislike being near the other, it’s the fact that it’s seven in the morning and neither you nor Dustin are ready for the day ahead. Steve smiles, though. “That’s it! Everyone say, ‘happy first day of school’!”
A mess of incoherent mumbling follows your mothers command, but she doesn’t let it bother her. She takes a million pictures, preens when she sees Steve smile even wider, and she has to hold back tears. Her babies are all grown up. Dustin is a freshman now, and you’re a senior.
“Alright, Mrs. Henderson,” Steve has to quickly blink, trying to regain his eyesight. He adores the woman, he knows he’s become her favorite, but he really needs to get you to school before his shift at Family Video starts. “I have no doubt you’ve already taken the best picture ever.”
“Aw, just one more–”
“Mom.” Dustin clears his throat, urging her to stop, and she sighs. 
Your mother kisses Dustin’s head, then yours, and wishes you a good first day before getting into her own car to drive to work. “Bye, kids!”
You all wave at her, and Steve opens the car door for you. Once you’re seated, he goes to the driver’s side and tells Dustin to get in the back. The engine starts, soft music plays from Steve’s radio, and soon the three of you are driving towards Hawkins high. 
“No Robin?” You ask Steve after a few minutes of silence. He’s grown rather close to the girl, working together all summer, so you had expected her to drive with you guys to school. When you and him officially got together, Robin made the two of you promise that you wouldn’t abandon her. It was an irrational fear, you love Robin dearly, but you made sure to spend time with her and Steve equally anyways. 
“She has band practice this morning,” Steve responds. “So it’s just me and the Hendersons today.”
Dustin shoves his head in between the two of you. His seatbelt strains against his chest, but he doesn’t care. He’s on a mission to get as much information as he possibly can. He refuses to go into high school blind and pathetic. “Steve, you were once popular.”
“Why the past tense? I mean, I’d consider myself still pretty well liked–”
“I need you to tell me what you did that led to your demise so I can avoid doing the same.”
You snort and Steve sighs. The kid really keeps him humble. He stops at a light, looks at Dustin through the rearview mirror, and shakes his head. “What makes you think it was anything I did?”
“Kid’s got a point,” you say from the passenger seat. Steve gives you an offended look and you raise your hands in surrender. “Hey, all I’m saying is that I also don’t really know what happened. You’ve got a track record of pissing off the wrong people. One minute you were King Steve, the next you were shunned.”
Steve groans. “You people have no faith in me.” He can feel you and Dustin staring at him, unbelieving. He hates when the two of you team up against him; it makes it harder for him to lie. Truthfully, he doesn’t want to tell you what happened. Not because he’s embarrassed, or ashamed, even. 
He knows it will only upset you. Reopen wounds. 
But you and Dustin keep staring at Steve and there’s still at least ten minutes left of the drive. Weighing his options, Steve figures it’s best if he just tells the truth. Like ripping off a bandaid, knowing the pain will be there regardless of how long you stall. “Okay, fine.” He scratches his nose, clears his throat. “It was, uh. Because of Billy.”
The temperature in the car drops. It’s suddenly ice cold. 
Dustin slowly leans back against his seat. Steve faces ahead, eyes on the road, but he watches you from his periphery. No one has mentioned Billy since his death, at least not in front of you or Max. 
Especially Max. 
They wait for you to react. To tense up, ball your hands into fists and wipe away tears. They expect the guilt you’ve barely kept hidden to resurface, but you don’t do any of that. Instead, you surprise them. “Can’t believe you let a mullet defeat you.”
Steve isn’t sure if he’s allowed to laugh at first, worried it’s some bizarre test of yours. But he sees the smile on your face, albeit forced and terse, but he knows you’re trying. So he plays along, relieved that you’re doing what you can. “I don’t know, I thought the mullet looked pretty good.”
“Get a mullet and see how fast I leave you.”
Dustin nods in agreement, Steve shakes his head with a laugh, and the temperature in the car returns. There’s still a slight chill in the air, there will always be a slight chill, but you pull your jacket tighter around you and ignore it. 
When you get to the school, Dustin stares at the hounds of teens all walking through the parking lot. He gulps, tightens his hands around his backpack, and you try to ease his apprehension. 
“Hey, look at me.” He does, and you extend your arm, offering a handshake. Dustin eyes you wearily, but reluctantly he shakes your hand. You nod at him, hand firm around his. “It’s just you and me. And Lucas. Max, too. Unfortunately, possibly Mike. Copy?”
“Copy.” Dustin releases your hand and salutes you. He pushes his hat down, takes a deep breath, and unbuckles his seatbelt. “Let’s go.”
“Good luck, little Henderson.” Steve salutes him as well before turning to you. He presses his lips to yours, hums, a soft smile on his face. “And good luck, angel.”
Ignoring Dustin’s dramatic gagging in the back, you squeeze Steve’s hand and smile back at him. “Thanks, honey. Have a good day at work.”
Dustin nearly falls out of the car with how fast he scrambles out of it. He’s about to ban all forms of physical affection between you and Steve. It’s disgusting. No one wants to see any of that. You follow after your brother and exit the car.
You only make it a few feet before Steve rolls down the car window and shouts, “I love you!”
A few students in the parking lot turn, and their faces contort into shock when they see none other than Steve Harrington. He waves at them, cocky as always, and you’re both mortified and so in love. He may have lost his crown, but he will always be the king. While Dustin ducks his head down in embarrassment, you wink at Steve. “I love you, too!”
“You’re going to be the reason I end up getting thrown into a dumpster on my first day.”
“Aw, is Dusty-bun jealous?”
“Go die.”
The entire day it feels like you’re missing something. 
When you get to homeroom, there isn’t a seat saved for you at the front. When the physics teacher drops his chalk five times within the first five minutes, there isn’t anyone to tease you for your poorly contained snicker. In the library, you’re forced to sit in a corner because there’s no one to share the plush sofa with. 
There’s no one who whispers answers to you during calculus. No one who hooks their foot around your desk’s leg. No one who doodles in your notebook just to get you to laugh. 
Jonathan’s absence is palpable. 
You knew it would feel weird, starting senior year without him, but you didn’t think it’d feel so lonely, either. Empty. Unfinished. 
By the time lunch comes, you’re slowly losing your mind. You need someone to talk to. Robin and Nancy don’t share any classes with you, Jonathan had been your only real friend at Hawkins, and now you’re paying the price. 
You’re the first one at the lunch table, which you figure is a good thing. Earlier in the week you and the party had all agreed to sit together at lunch, you’d been excited to finally share the same school building as them. However, you hadn’t wanted to hover over them. You wanted them to branch out, meet new people, so lunch was your agreed upon time with them. 
The lunch room fills with students and you wait anxiously for the rest of the party. You’re excited to see them, ask how their days are going, maybe even gossip about the freshmen, but when they arrive it’s almost as if a tornado rips right through you. 
“There you are!” Dustin finds you first and slides into the seat next to you, nearly causing you to face plant into the ground. “Look, we gotta talk.”
You frown. “Okay, is everything–”
“We can’t stay and eat.” Mike cuts to the chase, not even bothering to sit down. Lucas stands behind him, quiet and nervous.
“What, why?”
“Eddie Munson wants to meet us.” Dustin says the boy’s name as if you should know him. But you don’t, and now you’re really confused. What does he have to do with any of this?
“Eddie…?”
Mike rolls his eyes at you. “Eddie Munson, Hellfire club, DnD?” When he sees that nothing he’s saying makes any sense to you, he huffs. “Seriously, do you not know anything?”
You throw a chip at him, hurt. “I was in choir, not some stupid DnD club.”
“Hellfire club isn’t stupid–”
“Anyways!” Dustin cuts the fight short. There isn’t time for you and Mike to argue right now. “Eddie is the dungeon master, and he’s recruiting us to join his party! We–we gotta go and meet him, Y/N. He doesn’t just let plebe freshmen like us join.”
“He’s legendary.” Mike says, and sadly you know he means it. It’s not often someone has the boy’s full admiration. Mike is hard to impress, and this Eddie guy seems to have him wrapped around his finger already.
Dustin stares up at you, eyes pleading to understand, and you know you can’t ruin this for him. Only hours ago he had been terrified of his first day, and now he’s almost vibrating with excitement over the possibility of joining some club. There will be people there like him, others interested in what he loves, and you can’t let your own loneliness ruin that. 
“Well,” you clear your throat, try to appear excited for the boys. “Go see Eddie, then.”
“You sure?” Dustin doesn’t want to just leave, he knows you were looking forward to lunch today. He’ll stay if you need him to, he’s sure Mike can talk his way in with Eddie. 
You smile at him, force your voice to be light. They’re growing up. You all are. “I’m sure, it’s your first day. You’re supposed to be joining a bunch of clubs, it’s a good way to make friends. I’m proud of you. Seriously.”
Dustin isn’t entirely convinced, but Mike has already grabbed his arm to go and find Eddie. He turns to Lucas, beckons him to follow. “C’mon, dude.”
“I’ll-uh. Follow in a sec.” Mike gives him an odd look, but Lucas is already sitting down next to you. Seeing this, Mike gives up and leaves with Dustin. As soon as they’re gone, Lucas lowers his voice and leans in close to you. “Hey, do you, uh. Know Jason Carver?”
The scent of chocolate ice cream infiltrates your nose, the sound of it colliding into the teen’s pants rings in your ears. The memory of it is tangible, and you have to hold back a laugh. Yeah, you know Jason Carver. “I mean, we aren’t friends, but we know each other. Why?”
“Do you…” Lucas looks around, making sure Mike and Dustin really are gone, before he continues. “Do you think he’d let me join the basketball team?”
You’re surprised. Sure, Lucas has always shown an interest in the sport. He plays with Steve sometimes, they trade cards, but you didn’t think he’d be interested in the school’s team. “Oh.” Then, you realize why he’s stayed behind. “You don’t want to join Hellfire, do you?”
“I know I’m just a freshman, and–and Mike would probably call me dumb for wanting to even try out, but. I don’t know. I think… I think I could be really good on the team. Might make high school easier.”
“Then you should go for it,” you reassure Lucas. He’s always been so careful to not upset others. He’s loyal, down to his very core, you understand the fear that doing something for yourself brings. “Jason isn’t so bad. A bit much, but kind. He’s a team player, and I think they'd be lucky to have someone like you.”
Lucas smiles shyly at you. “Really?”
“Really. Now, go and find the guy. Ask him when try-outs are, and I’ll talk to Steve about practicing more with you. How’s that sound?”
“You’re the best!” Lucas gives you a quick hug, already getting out of his seat, and runs right into Max. They collide, he manages to save her from falling, and he laughs sheepishly. “Sorry, you okay?”
Max nods, silent, and immediately you and Lucas know that today is one of her bad days. Her eyes are sunken in, it doesn’t look like she got any sleep last night. She sits down next to you, and you nod at Lucas, signaling to him that it’s okay if he leaves. You’ll take care of her. 
Lucas hesitates, unsure, but reluctantly leaves when you nod at him once more, urging. If it was anyone else, he would stay, but it’s you. Besides Lucas, you’re the only other person Max talks to. You’ll stay with her, Lucas deserves to go and branch out like Mike and Dustin are.
“So, did you know about Lucas wanting to join the basketball team?” You turn to Max once the boy has left. She shrugs, picks at the food in front of her. It’s the most response you’ll get from her, and you sigh. “You don’t want to be here either, do you?”
She looks up at you, alarmed that you caught on so fast, and you just shake your head at her. You dig into your backpack, take out some cookies you baked the night before. They were supposed to be for all the kids today, but they’ve all left and Max needs them more right now. “Here, take these. Go to the left stairwell, next to the choir room. No one goes there during lunch, it’s quiet.”
“Thank you,” Max exhales with relief, taking the baked goods from you. Tears lump in her throat, she doesn’t know how you always manage to do this. To see through her, always say the right thing. 
“Of course, my dear.” You risk touching her face, she’s cold, but she closes her eyes and breathes in at the comfort. “I expect to see you at Bookstrordinary after school today, though.”
Somehow Max laughs, and the action hurts her to do so. It’s becoming harder and harder to bear the sound of her own happiness. But she nods at you, understanding that it’s an order she can’t disobey, and leaves. 
Then it’s just you at the lunch table. Alone. 
Nancy is at yearbook, she’s told you all about her grand plan of reforming the club into something more than just homecoming polls and gossip panels. Robin is at yet another band practice, preparing for the annual back to school pep rally later this week. Steve is at Family Video, bored out of his mind, both of you wishing he were here instead. 
And Jonathan is across the country, at an entirely different school, aching to be near you again. 
The thought of him in California only intensifies the loneliness that you feel. The feeling overwhelms you, and before it can swallow you whole, you dig through your backpack once more. Your fingers shake as you rustle through the notebooks and textbooks, and they clutch desperately at your walkman when you finally find it. The mixtape Jonathan made for you before he left sits within it. 
You quickly place the headphones over your head, muffling the sounds of the cafeteria around you. Your fingers find the play button with practiced ease, and soon the beginning notes of the Beatles play through the wire and into your headphones.
The song soothes you, it quiets what you don’t want to hear; it makes you smile. The mixtape is all you’ve been listening to ever since Jonathan left. Though it can never replace his presence, it’s enough for now. 
You stare at the empty seats around you. John Lennon’s voice floats through your ears. 
Welcome to senior year.
– 
Miraculously, it’s Nancy you lean on the most as the autumn leaves turn orange and the summer’s heat dies down. She finds you later during your first week, grabbing lunch from your locker, and she stops you. 
“Don’t tell me you’re going to spend another lunch alone.” Nancy has never been one to greet someone. She always gets straight to the point, a quality that you normally admire.
However, you feel embarrassment rise within you, slightly off put by the cruel words. Sure, you’re not necessarily thrilled that you’ve spent your first few days of senior year alone, but you didn’t need Nancy reminding you of that. “Hello to you too, Nance.”
“Shit, I didn’t mean to offend you.” She holds her notebook close to her chest and looks down in shame. It’s weird, there’s a distance between you that has only seemed to widen despite how hard the two of you try to bridge it. For a while things were good, great, even. She was genuinely your friend, but sometimes insecurities can hurt the ones people love the most. 
“Not really sure how I was meant to take that.” You close your locker and try to excuse yourself. You’re exhausted, you hardly slept the night before. “Look, I should go. I stayed up all night working on stupid college applications and I just… I’m tired.”
Nancy’s posture straightens, eager to grab onto any opportunity to amend things with you. “I can read over whatever you have.” When you raise your eyebrows at her, she quickly backtracks, worried she’s overstepped. “I–I mean, that is, if you want. Not that you need the help! It’s just–”
She forces herself to stop. She’s rushing her words, messing it all up. Her shoulders drop, Nancy takes a deep breath and looks you in the eye. She never apologized for her words earlier this summer. The way she sneered venom at you, but she’s carried the guilt of it ever since. “I’m… trying. I promise I am.”
Nancy Wheeler and Jonathan Byers have never handled vulnerability well. It’s what made you stand out against them, set you apart, and you can’t help but find this quality in them endearing. You know that Nancy is trying to go back to how things were, before one phone call between the two of you revealed the unspoken resentment she held. 
You never blamed her for any of it. But you know she blames herself, and Jonathan’s absence doesn’t help; both of you miss him, neither of you can afford to lose anyone else. 
So you try as well.
“I’ll let you read over what I have only if you let me read what you’ve written as well.” You nudge her shoulder with yours, getting her to finally smile. “I’m curious to see what that brain of yours has thought of already.”
Nancy laughs, relieved. “Definitely nothing as creative as whatever you’ve written.”
“We’ll see about that, Wheeler.”
Soon you find yourself in the yearbook room. Nancy introduces you to some kid named Fred, who moons over her the entire time you’re there, though she doesn’t seem to notice. She’s too busy reading through your ideas, and you find yourself admiring her side profile. The way her eyelashes kiss her brows, the soft cherry on her lips.
Nancy is beautiful. You understand how Jonathan and Fred and Steve and countless other guys in Hawkins have lost their minds over her. 
You read through portions of Nancy’s writing, and the two of you sit quietly side by side editing the essays. She marks some things down, crosses out some lines, and you do the same. It’s lovely, being by her side again. You hadn’t realized just how much you missed her following the events of this summer. 
“So, New York University, huh?” Nancy eventually breaks the silence.
You nod, humming as you skim over a line that you particularly like. Circling it, you respond. “Yeah, it’s been my dream school ever since I was young.”
Though you’re applying to other schools as well. A few state schools, some in Virginia, close to your father. But New York is truly where you hope you’ll be next fall.
“Jonathan mentioned that you like psychology, right?”
“Yup,” you cross out an extra word. “Particularly child psychology. Figured that after everything we’ve been through, especially the kids, it’d be useful if at least one of us has any idea what’s going on inside our minds.”
Nancy chuckles. “Fair.”
It falls quiet again, but you don’t want the peace to end. “I heard from Jonathan that you’re looking into Emerson.”
“He tells you everything, doesn’t he?” Though this time Nancy’s question is asked with fondness, slight exasperation and humor mixed in.
“Mhm, we’re a package deal. You tell one of us something, then the other is bound to know eventually.” You look up at Nancy and lightly touch her arm. “Though he still keeps some things from me when it comes to you, don’t worry.”
She laughs again, and finally you allow the silence to settle upon you. It’s a comfortable one. There isn’t a tension underlying it. For the first time in a long time, you’re able to simply sit next to Nancy and feel that she wants you there with her. 
After that day, you and Nancy spend almost every lunch period helping each other with your applications. 
Steve helps you, too. In his own ways. 
While he can’t help you write the essays, he lets you call him at two in the morning to rattle off application ideas so you won’t forget them. He doesn’t complain when you wake him up and he has an early shift the next day. Instead, he listens. Steve offers you his own tired input and indulges in whatever you need to feel that you’ll succeed; he’s the most doting, patient boyfriend you could ever ask for. 
And, secretly, Steve adores it. Especially when you call him some nights just to have him come over and hold you. 
Those are his favorite nights. Tonight is one of them.
“Why does college exist?” Your cheek is pressed against Steve’s chest as you lay in your bed together. The steady rise and fall of his breathing is melodic. 
He plays with a strand of your hair, you feel him shrug. “‘Dunno, but you’re almost done.”
“Yeah, just have one more application to send before I get to spend four agonizing months waiting to find out if I even get in. How fun.” Sarcasm drips from your lips. You’ve spent the last two months obsessing over it all, which words to write in your essays, which clubs to join, which teachers to beg for recommendation letters. 
And now you have one application left. Then you’ll be forced to wait, without any control of the inevitable outcome. 
You’ve never been someone comfortable with letting go of control. 
“Everything will be fine, angel. NYU would be stupid not to let you in.” Steve reassures you with a kiss to your temple, then to your cheek, the tip of your nose, the dip of your brows. As he kisses you, he envisions doing this a year from now, in a small, rundown apartment with sirens wailing outside and a fire escape that creaks in the wind. The song of New York City. 
Eventually Steve’s lips will find yours, and the conversation will be long forgotten. It’s how most of your nights end now, lost in the kisses as his breath mixes with yours. Hands will wander. Sighs will leave parted mouths. Quiet, soft, aware of the precariously thin walls. 
You haven't slept with Steve, at least not yet. Though you’ve been together a few months now, it still feels too soon. He’s your first boyfriend, your first kiss, your first real love, and Steve doesn’t want to rush you. If all you ever do together is lazily kiss and breathe each other in, then Steve will happily part your lips with his and draw soft sighs out from you.
In the morning you’ll awake with Steve’s lips on your neck, his eyes shining up at you, and in the morning sunlight, before you’ve fully woken up, the air between you is sacred. 
“I sent in my final application,” you’re whispering, not wanting to wake up your mom who has fallen asleep on the couch. It’s nearly midnight in Indiana, but in California it’s only nine and Jonathan has just finished his school work for the night. “NYU, it’s done.”
On the other end you hear shuffling as Jonathan leans against his kitchen wall. Will sits at the table with El, he sketches the early stages of a painting and she studies grammar. Jonathan watches them, his mom is in bed, and he forgets for a moment that he’s on the phone with you.
“Bee?” You say the childhood name so softly, so tenderly with concern, and it brings Jonathan back to himself. 
“I’m here, sorry.” He clears his throat, his head is still slightly muffled. Jonathan met a guy in woodshop this week, his name is Argyle, and somehow during lunch he found himself in the back of the guy’s van with a blunt hanging loosely from his lips. The smoke dulled the ache of missing Nancy, of missing you. Jonathan can’t tell you this, though. You’d kill him, and he hates disappointing you. “What were you saying?”
You frown slightly, he sounds different. There’s something in his voice, it’s raspy and he sounds distant. The sound is lonely, he sounds lonely. Jonathan isn’t really here, despite the fact that he’s talking to you. The last few phone calls have been like this. You don’t know what to do.  
When Jonathan left, the two of you promised to call each other every Friday, a compromise. A way to create distance, yet tether you to each other. Jonathan calls you every Friday, Nancy gets him every day the rest of the week, and it works. This is how it’s always been ever since early September.
At first you guys would talk about how your weeks had gone. Jonathan would complain about the California heat and you would tell him about how Mike and Lucas had crashed your date with Steve one night. Laughter would float over the telephone lines. Teasing, whispered “I miss you’s” and spoken goodbyes with the promise of talking again next week. 
But last week when you called, the teasing was gone. The laughter was minimal. You had complained about an exam that day and Jonathan had given one word responses that had worried you. It had been odd, but you thought that maybe he’d been tired that day. Everyone has a bad day, you know this.
Yet it’s Friday again and Jonathan couldn’t feel farther away from you.
“I mailed my NYU application in, bee. You send in yours yet?” Voice light, cheery. You do what you can to try and keep him afloat. You try to grasp at the good that’s left between you. Remind Jonathan that you’re right here, still with him, without scaring him away. “You remember our plan, right? Me and you in New York, together.”
Since you were kids the plan has always been to go to college together. Back then, neither of you could fathom a reason to ever be apart. You were invincible, the same way all kids think they are before the world tells them otherwise. 
But you and Jonathan aren’t invincible, you never were. 
You can hear the way your question suffocates him. The breath that he holds, stilted and torn, suffocates you as well. 
Nausea punches Jonathan, the smoke from earlier suddenly fogs his throat. He doesn’t know what to do. Nancy wants him to go to Emerson with her, he promised you NYU when he was twelve, and California has his mother and Will.
“Yeah, yeah. I–I mean, I sent mine in. Last week.”
Jonathan is lying. You’ve known him for almost six years; he always stumbles over his words when he lies.  
Part of you wants to ask him why he’s doing this, lying to you and pulling away. Another part of you, the larger, more naive part, doesn’t want to believe it. You clear your throat, swallow down the hurt, and choose naivety. “Oh,” your tone is too pinched, too put together. You clear your throat again. “That’s–that’s great! I, um. Surprised you didn’t read the essays to me. Have me edit them, like we’ve always done.”
Jonathan leans his head against the wall and squeezes his eyes shut. He’s never been able to lie to you, he knows you’re desperately trying to overcompensate, as you always do. He hates it. He hates himself. “Yeah, well. Got excited, I guess.”
You hum, words failing you, and the line goes silent.
Dread replaces the laughter that night.
– 
Before you know it, it’s Halloween and the party has infiltrated Steve’s house. 
The holiday falls on a Saturday, and the party deems itself too old to trick or treat. When they find out that Steve’s parents won’t be home that weekend, they demand to spend the night at his house and watch horror movies.
Steve fights back, complains that he doesn’t want them taking over his living room, but his complaints fall on deaf ears. That, and Dustin ropes Robin into their plans. 
“Oh, God. Don’t open the door!” Dustin shrieks, throwing popcorn at Steve’s TV as he covers his eyes with a blanket. He cowers against Lucas, who shoves him off, and Mike snickers. Max sits on the couch, outside of their fort, and watches the boys. None of them try to get her to sit with them. They know they’re lucky that she even showed in the first place. 
“I can’t look.” Robin’s voice carries over, you can almost picture her cringing as she holds a pillow to her chest. Mike chose a particularly gory movie, and the kid’s mind frightens her.
A loud crash sounds, then a woman screams. You figure the protagonist did open the door and has now died, though you can’t be sure. You’re in the kitchen with Steve, taking out the final batch of oatmeal raisin cookies from the oven. The smell wafts through the home, bringing warmth to a house that Steve has always found cold, and he places his hands on your hips. 
“You spoil the kids too much,” he presses his nose against your cheek and kisses you. “They invade my home and you bake them delicious goods.”
You set the tray of cookies down onto the counter. “As if the cookies aren’t for you, too.”
“That isn’t important. We’re focusing on my hostage house, Y/N.”
“‘Hostage house’, quite the alliteration there.”
Steve now kisses your neck, distracting you as you plate the cookies. “I love it when you talk dirty to me.” 
“Don’t make me come in there!” Dustin screams, and Robin echoes him with her own disgusted yelling. 
You laugh at their theatrics while Steve rolls his eyes. He really hates that his house has become the party’s source of entertainment. He just wants to compliment his beautiful girlfriend in peace. Who would punish a guy for that?
In his moping Steve almost misses you walking back into the living room. He follows, stumbles over his feet, never wanting to be more than a few inches away from you. You’re magnetic, always pulling him in. 
Mike is the first to grab a handful of cookies. Lucas and Dustin follow quickly after. They shove the food into their mouths and you scoff at their lack of manners. They’re such boys, growing taller every day, and they’re just as disgusting as they were when they were kids. 
“Want one, Max?” You hold the plate up to her, noticing that she hasn’t moved from her seat. She shakes her head at you, eyes never leaving the screen. Lucas and you share a look, the same concerned expression on your faces. 
The moment is broken by Robin, who grabs a cookie and practically melts. “Holy shit, Y/N. You bake these regularly?”
“Usually once a week,” you shrug at her. “Though I once baked six batches during finals week.”
“God, that was a good week.” Dustin hums, lost in the blissful memory.
Robin grabs your arm, eyes wide with enthusiasm. “I will give you my firstborn child in exchange for my own batch of cookies.”
Steve pokes her shoulder. “You already promised your firstborn to me after I agreed to cover your weekend shift.”
“I can have twins.”
You laugh at her. “That’s a terrifying thought.”
Robin sticks her tongue out at you, causing you to laugh even more, and Mike puts the next movie on. Everyone settles back down, you lay with Steve in the lovechair with Robin in front of you. Max has the couch to herself, the boys are sprawled on the floor in a mess of pillows and blankets, and for the first time in months you feel a certain warmth having your family together. 
Sometime during the night the clock strikes twelve. 
It’s November 1st, 1985. 
Steve’s nineteenth birthday. 
Robin snores softly on the ground, arm underneath her head as a makeshift pillow. Mike, Dustin, and Lucas are all curled up against one another, their faces young again. Max sleeps softly on the couch, her hand dangles over the edge, grazing Lucas’ outstretched arm and open palm. 
Steve lays beneath you, he isn’t quite asleep yet. You’ve come to learn the rhythm of his breaths as he sleeps. The way they slow, the pattern steady. You lift your head up, wanting to admire him, and find that he’s already looking at you. 
“Hi, angel.” He whispers, smiling sweetly. 
You smile back, you always smile back at him. “Hi, honey.” Doing your best to remain quiet, you crawl up the length of Steve and nuzzle your way into his neck. You kiss the dip just above his collarbone, causing him to shiver. “Happy birthday.”
Arms encase you, pull you deeper into the body you lay on. Steve’s body heat warms your face, warms your bones, and you wish you could stay like this forever. In Steve’s arms, the scent of him overwhelming your mind, his touch calming you. 
“Thank you,” he kisses the top of your head. He lingers, his lips soft. The two of you stay like this, his head against yours, your chin tucked into the alcove of his neck. Your breathing syncs with his, his fingers trail up and down your spine. Your fingers splay over his chest, warming his ribs. 
In the morning, Max wakes everyone up. 
“My mom will be worried,” she kicks Mike, nudges Lucas’ shoulder. “Wake up, idiots.” 
Steve groans, squinting his eyes against the morning light. He tries to roll over and block it out and nearly shoves you off the seat in the process. “Steve!” He manages to catch you in his sleepy state, but his movements are slow. 
“Sorry!”
You clutch your chest, heart pounding. “You’ve done that way too many times now. I’m starting to think you want to throw me onto the ground.”
“Lucas once promised he could catch me if I jumped into his arms.” Max says, then she points to a scar on her knee. “Turned out he couldn’t.” 
“Hey!” Lucas sits up, rubbing sleep from his eyes. “I really thought I could do it.”
Mike stretches. “Your fault for trusting him, Max.”
Lucas shoves him and the two start to wrestle on the floor. They’re a tangle of lanky limbs, knocking into Dustin who still hasn’t woken up yet. They roll on top of the boy, and he wakes up to Lucas’ knee in his face. “What the hell?”
Dustin joins the fighting now, and Robin throws a pillow at them. “Guys! It’s too early for this!”
They don’t listen. 
It takes a lot of pleading, negotiating, and bribes in order to break the fight up. It takes even longer to wrangle the kids out of Steve’s home, much to his dismay. They leave a mess of strewn popcorn all over the carpet and pillows missing feathers. You stay behind, offering to help clean the mess, and Robin rushes out an apology and happy birthday to Steve as she runs out the door to get to work. 
Soon it’s just you and Steve. You work around one another, anticipating each other’s next move, never getting in the way. Soft music plays from the record player that sits in the den. Steve puts on one of his father’s old records, gentle rock and delicate jazz. You hum to yourself, he hums with you, and it’s a peaceful morning.
Until Richard and May Harrington walk in.
Neither of you notice them at first. Steve is too busy spinning you around, playfully dipping you as the music comes to a grand crescendo. You’re laughing breathlessly, but soon your laughter turns into a yelp when Steve sees his parents standing in the doorway and drops you.
“Dad!” Steve immediately bends down to pick you up, endlessly apologetic. He ducks his head, eyes on you, though his body doesn’t turn from his father. “I’m sorry, angel. You alright?”
You reassure your boyfriend that you’re fine, more worried about the fact that you’re dressed in clothes from yesterday with horrendous bedhead meeting his parents for the first time. Richard eyes you in Steve’s arms. He has a look of disinterest on his face. “Son.”
“What, uh.” Steve clears his throat, curls a protective arm around your waist. He didn’t mean for this to happen. His parents were supposed to be gone until Tuesday. “What are you doing here?”
“I live here.” 
“Right.”
Father and son stand in front of one another. Neither speaks. Steve feels like a little boy again, scrutinized underneath his father’s intense gaze. Never good enough. Never worthy of anything other than berating and lectures. 
You wring your hands nervously, unsure what to do. The air is thick. Steve looks so much like his father, it’s almost uncanny. They have the same build, the same moles that dot along their handsome faces. Only his father is dressed in a suit, the lines in his face are hard, weathered. He’s who you picture Steve would’ve been, in a different universe where you were never his friend. 
May Harrington gave her son all of her delicate features. The soft turn of his nose. The plush, pink lips. His doe eyes, his smile. The only feature that separates her from her son is her honey blonde hair. She’s beautiful, elegant and poised, and when she steps towards you, you can smell lavender perfume. “You must be Y/N. I’ve heard a lot about you.”
“Hi, Mrs. Harrington.” You’re quick to meet her where she stands. You’re nervous, you have to discreetly wipe your hand on your pants before shaking hers. “It’s so wonderful to finally meet you. Your banana bread is lovely.”
The woman smiles, it’s so much like Steve’s that you want to cry. “Thank you, dear.”
“Of course, and I apologize for meeting like this. I didn’t mean to intrude.”
Richard makes a mean, gruff sound. He shakes his head, steps next to his wife. He doesn’t like you, you can feel it by the way he blocks his wife’s view of you. “Oh, no. I’m sure you didn’t.”
“Dad–” Steve steps forward as well, blocking his father’s view of you. He’s angry, his shoulder blades close together. He doesn’t like how the man is treating you; you’re too good for such cruelty.
“What did I tell you about bringing your hookups to the house, son?” Richard sneers, turning his nose up at you. That’s all he sees you as. Just another one of Steve’s flings, one of the girls from his past. 
“Y/N is not just some hookup,” Steve clenches his jaw, tries to steady his breathing. He doesn’t want to fight with his dad in front of you. Not when he was having such a good morning, spending his birthday with your hands wrapped around his neck and your giggles singing in his ears. “She’s my girlfriend, and I love her.”
Richard chuckles, he doesn’t believe his son. “Okay, you love her. I’m sure your mother and I will walk in on you with some new girl next week.”
“Dear,” May places a hand on her husband’s shoulder. She sees the way you shrink into yourself at the man’s words. The insecurity that he brings. She sees how her son’s eyes ignite with fury, she watches as he does whatever he can to put the flame out for her sake and your’s. “It’s Steve’s birthday today.”
“Is that why you insisted on coming home today?” Richard turns to her, she has his full attention now. His eyebrows are drawn together, annoyance paints his body. “You told me you had a board meeting tonight.” 
“Why don’t we talk about this upstairs?” May suggests, relieved that she’s turned her husband’s anger onto herself rather than her son. Richard sighs, but he doesn’t argue as he marches up the stairs without so much as a second glance towards you. When he’s gone, May smiles at you sympathetically. “I apologize for my husband’s behavior. We had a long flight, I’m sure he’s simply jetlagged.” 
“Yeah, that’s why he’s such an asshole.” Steve scoffs, tired of his mother’s excuses for her husband. He can be cruel to Steve, he doesn’t care. He’s been cruel to him his entire life. But if his father so much as breathes near you again, Steve will hurt him. 
Your hand reaches for Steve’s, sensing what he’s thinking. You return May’s smile, you’re not at all angry with her. “It’s okay, really. I was an unexpected guest, and I should go.”
Steve pulls you into his chest. “What, no–”
“You may leave, if you’d like.” His mother gently interrupts him. “Though I must admit, I really do wish to know you better. If you’d allow me to, that is.”
“I’d love that more than anything.”
“Then I will plan a dinner for the next time my husband and I are in town.” May tells you, admiring your honesty. She can see why Steve has become so infatuated with you. There’s nothing hidden within you; you wear your heart on your sleeve, your sincerity a welcomed rarity. She turns to her son, rests her palm delicately against his face. “Happy birthday, my beautiful boy.”
Steve leans into her touch, weak for his mother as any son is. You turn away, it doesn’t feel right to watch this moment between them. 
In the car Steve profusely apologizes for his father’s behavior. Over and over again, he laments how sorry he is and that you’re more than just some fling to him. “You’re everything to me, angel. I love you so, so much.”
“I know, honey.” You grab his hand that rests against the stick shift. His father’s words had hurt, but you knew that they weren’t true. Steve is your’s, he has been for longer than either of you realize. Nothing will ever undo the love he has for you, the foundation of trust it was built upon. “You’re everything to me, too.”
When Steve pulls into your driveway, you tell him to park and come inside. His birthday gift is in your room. You had planned to give it to him later tonight, but his parents’ unexpected arrival had soured things. “I know you have to go home, but…”
“I’ll never say no to you.” Steve’s already unbuckling his seatbelt to follow you inside. He greets your mother with a kiss to her cheek, ruffles Dustin’s hair as he sits at the dining table doing homework. His movements are easy, leisurely. You notice now how at home he is in yours, far from the boy who cowered before his father only twenty minutes ago. The realization is bittersweet. He deserves to feel at home in his own house, not just yours. 
Inside your room Steve sits on your bed and holds his hand out, eager. “Okay, wow me, Henderson.”
“You really know how to talk to a woman.” You tease him, rustling through your drawer to find the gift you’ve hidden. Steve is nosy, he’s been trying to find his gift for at least two weeks now. When you’ve found it, you clutch the gift in your hand and hold it behind your back. “Alright, you know the drill by now. Close your eyes.”
Steve complies with a smirk, biting back suggestive comments. He loves this tradition with you, making the other close their eyes before their gift. Something light is placed in Steve’s hand. It’s circular, sturdy. He thinks he can smell leather.
“Okay, open.”
In his hand is a bracelet. It’s a simple strip of leather, nothing embellishes it besides a button to secure it. Though it’s plain, Steve can tell that it’s expensive. The leather is supple, its color is dark and polished. The silver button that clasps the two ends together is heavy.
He loves it, he does, but he can’t help feeling like that there must be something more to it.
As if reading his mind, you gently prompt Steve to turn it over in his hands. “Look what’s on the inside, honey.”
He does, and his heart stops.
The leather has been stamped. The word constants is spelled out across the length of the band. It’s a hidden message, only for Steve to know, and while he’s sure you have your own explanation for why you chose the word constants, he loves it already. “Oh.”
You sit next to him and laugh softly. “You’re my constant, Steve. Everything in my life has changed, or will change, but you… You’ve always been there, I know you’ll always be there. With me. My love, my lucky charm, my constant.”
Tears well in Steve’s eyes. He doesn’t bother wiping them away, too busy admiring the bracelet in his hand. He can’t believe you’re real, that you’ve thought of this for him. That you see a future with him… It’s everything he could’ve asked for. A security he’s always longed to have. His entire life he’s been told he’s too much, too overwhelming, and yet you want him to stay anyways. 
“And you’re my constant?” He asks you, fingers grazing over the letters again.
You nudge his shoulder with yours. “Well, I’d like to think that I am.”
He laughs, wet and full of love, and he can’t take it anymore. Steve throws his arms over you and you collapse into your bed, laughing together as he presses his lips wherever they can reach. 
“You are,” he says in between kisses. Your laughter lights him. “You’re my constant, too.”
The autumn leaves fall and the trees are barren as winter arrives. 
You spend winter break trying to maintain your promise to Joyce. After finishing the hell that was applying to college, you have so much unexpected free time that at first you don't know what to do. But then her words echo in your mind, the promise to live the life that you deserve, so you start doing things for yourself.
Slowly you read through all the books in your room that you hadn't had time for before. You start running again in the mornings, the winter air crisp in your lungs. You and Dustin do homework together at the kitchen table, making sure neither of you get left behind. You try new recipes to bake, delivering the treats to the ones you love. It’s nice, rediscovering the pleasures you once had long before the Upside Down came into your life. 
Christmas comes and you do your annual rounds, delivering everyone’s favorite treats on Christmas Eve. It’s during your run to the Sinclair home that Lucas asks you to come inside to talk. 
“What’s up?” You ask him, unwrapping your scarf and warming your hands in your sleeves. Lucas gestures to his kitchen table, silently asking you to sit. When you do, he takes a deep breath and joins you. 
Something’s bothering him. You can see it in the way he carries a weight on his shoulders. How they droop as he sits, exhausted. You reach across the table and grab his hand, offering whatever comfort you can give him. “Whatever it is, you can talk to me.”
“It’s…” Lucas purses his lips, his breath shakes. “It’s Max. I’m–I’m worried about her.”
He tells you everything. He tells you how distant she’s been, more than she’s ever been before. He tells you how she’s missed dates he’s planned for her, how she refuses to talk to him anymore. She hasn’t been to any of the party’s hangouts, Mike and Dustin haven’t seen her ever since winter break started.
Max has had bad days, weeks, even months since losing Billy. But she’s never had the bad days without at least one good day following. To break the monotonous cycle of self-loathing and grief and guilt. She would always come back, even if for a moment, alive and bright and reminiscent of the girl had been. 
“I can feel her slipping away,” Lucas looks down at the table. He’s afraid that if he looks at you then he’ll start crying. He doesn’t want you to worry, he knows how much you already deal with and do for them, but he’s terrified. “I know… I know that you helped Will, after he was flayed. Do you think you could maybe talk to Max? Just… Remind her that we’re here for her? I can’t–I can’t lose her.”
“Hey, it’s okay,” you squeeze his hand in yours, trying to stem the stream of tears he fought so hard to force down. Lucas loves Max with everything within him. Anyone can see that. You’d do anything to bring the girl back to him, to bring her back to all of you. “I’ll talk to her.”
I’ll keep an eye on her. Watch her when you can’t. 
Lucas hears it. He exhales, nods his head.
You leave. Max was the next one on your list of deliveries anyways. 
It’s nearing dusk by the time you get to the trailer park. You haven’t seen Max’s new home, she’s only recently moved. She had been too embarrassed to tell anyone that her mother lost their old house. The only reason you even know she moved in the first place is because Lucas and Dustin stalked her walking home. 
A dog barks as you bike past. Snow has started to fall, tomorrow will be a white Christmas.
“Oh, hello, Y/N.” Susan Hargrove’s skin is pale, her eyes sunken in when she answers the door. Her voice is thin, her frame is strained. The death has been hard on her, too. Billy’s father leaving only made everything worse. 
“Hi, Mrs. Hargrove.”
The woman winces. “Please, Mayfield will be fine.”
You immediately correct yourself, apologetic and ashamed, when Max’s voice calls from within the home. “Just let Y/N in, mom.”
Susan sighs, and you wish you could do more. Instead, all you can offer her is the container of coconut bites you’ve made for them. Max told you they remind her and her mother of California, and you always make sure to have some ready every week for them. Offer some semblance of joy in the gray of their lives.
Max sits at the kitchen table. Her head is down as she works on something. She has her walkman next to her. Susan leaves the two of you alone, excusing herself to go lay down after a long shift. 
You sit next to the girl and take a deep breath. This won’t be easy. Max is prideful, stubbornly independent, and has never accepted sympathy from anyone. You’ve always admired her fiery personality, but the fire has dimmed and the smoke is beginning to choke her. Talking to her will be like pulling teeth out. 
“Brought you your favorites.” You shake the container in your hands. It serves as a peace offering, almost a bribe to start the conversation. 
“Thanks.” Max doesn’t look up. 
You swallow, tuck your hair behind your ears. “Of course. I was doing my usual delivery rounds. I, uh. Stopped at the Sinclair’s.”
The pencil in Max’s hand freezes. Her knuckles tighten, though the shift is subtle. She’s always been too smart for her own good. “Oh.”
“Yeah. Erica likes my brownies. Mrs. Sinclair, too.”
“And Lucas?” She knows why you’re here.
“I made him chocolate chip cookies. You know how much he loves them.” Max doesn’t respond. Of course she knows how much Lucas enjoys chocolate chip cookies. She knows everything about him, but she doesn’t say anything and goes back to writing. Faintly you hear music coming from the walkman. You point at the device. “New song?”
“Kate Bush.”
“Oh.” This is going worse than you imagined. “Look, Max–”
She doesn’t waste any time. “I know Lucas sent you. I don’t care.”
“He’s just worried about you, we all are–”
“I’m fine.” The tip of the pencil snaps. “Shit.”
“Max.” You’re pleading with her to listen. Her skin is fluorescent now, paler than you’ve ever seen. The bags underneath her eyes are swollen, dark and ghostly. She’s lost weight. You can’t remember the last time you saw her eat. “Please.”
“What do you want me to do?” Though there’s anger in her voice, Max’s eyes plead with you, too. Her mask slips for just a moment, but you see it. Underneath her indifferent exterior, she’s just as terrified as everyone else is. She can feel herself fading, the guilt of Billy’s death slowly eats her alive. She doesn’t know what to do, though. How do you continue to live after death has infiltrated your home?
The chair beneath you scraps against the hardwood floor. You stand up, walk over to Max and kneel in front of her. You keep your movements slow, worried you’ll scare her away if you get too close too suddenly. “I think you should talk to someone, honey.”
Max turns away. She can’t. If she told anyone what goes on inside her head, they would never forgive her. You would never forgive her, and it would break her. 
Your hand falls to Max’s knee. The warmth from your palm combats the ice in her veins. You’re looking at her as if she’s worth something. As if she didn’t wish for her brother’s death. As if she hadn’t sent a grieving father into a spiral, a desperate mother into a trailer park. But Max allows your touch, so you try to get through to her again.
“You know, I was actually talking to Ms. Kelly a few weeks ago. The school’s guidance counselor.” She had met with you to discuss your grades and college options. When she had seen how you picked your nails until they bled, she suggested seeing her every few weeks. Alleviate some of your never ending stress. You had denied, uncomfortable with the idea. But maybe she could help Max. “She seemed nice enough. I’m sure she would be open to talking with you.”
“I don’t want to see some shrink.”
“Hey, I want to work with kids your age someday. Don’t call future me a shrink.” You poke Max’s leg playfully, and the corners of her mouth twitch. She doesn’t want you to see that it’s working. “C’mon. Have at least one meeting with her. When winter break ends, all I ask is that you try. For me and Lucas. We’re your favorites, after all.”
“If I agree, will it get you to shut up?”
You’re fine with this. It isn’t ideal, you aren’t sure Max will even actually try to open up to Ms. Kelly, but it’s a start. For too long now you’ve stayed silent, allowing Max to grieve on her own. Grief is hard, it takes and it takes and it takes. Yet it’s been almost six months and you’re not sure how much left grief can take from Max. “I think I can be okay with that.”
You’ll take whatever you can get. You’re worried. You got too caught up in your own life, you had gotten lost in your own haze of grief and anxiety. Missing Jonathan, grappling with change and growing up as you applied to college. You weren’t there for Max like you should’ve been.
But you’ll fix this. You always fix things. It’s what you do. It’s what you have to do. It’s how you love; you take care of those around you.
And who are you if you can’t?
Jonathan calls you high for the first time in late January. 
Though he doesn’t tell you that he’s high, you know. His words are slurred, slowed, incomprehensible. It’s late in California, even later in Indiana, and the stark feeling of guilt slices into your ribcage the same way the Demodog’s claw did. The feeling cuts deep into your skin, nicks your bone. 
“Jonathan?” You hope your voice brings him back to you. You try to cut through the smoke that fills his mind, that leaves him stumbling over his words. “Bee, can you hear me?”
“‘M here.” Jonathan sniffs, smacks his lips, yawns. “Where’re you? Can’t find you, bug.”
You close your eyes. He’s looking for you, and you aren’t with him. “I’m in Hawkins.”
“Thas’ far.”
“Yeah,” you choke out a laugh. It constricts in your vocal chords, but you can’t let Jonathan know how much it hurts to hear him so disoriented. “I’m sorry.”
“S’okay. California sucks.” He hiccups, you’re surprised he’s managed to call you tonight. Even in his drugged up state, he still somehow remembered to call. “Don’t think Nance will like it.”
He’s referring to the spring break trip. Nancy told you about it earlier today, how she and Mike will spend the week in California to see Jonathan and El. She had been a bit hesitant to tell you, afraid you’d be upset for not being invited, but you reassured her that it was okay. 
You’ve had a road trip planned with Jonathan ever since you were fifteen. The moment the two of you graduate, you’ll drive all across the country for one final adventure before college. 
Nancy can have spring. Summer will be yours. 
“She’ll love California because you’re there.” She talked about the trip nonstop today. Her glow had come back, momentarily, her eyes alight. She truly loves Jonathan, she misses him even more than you do. 
“Only disappoint her.”
“What do you mean?” You’re not sure where this is coming from. You know Jonathan is high, that his thoughts may not be coherent, but he sounds distressed about Nancy. You thought things had been good between them. They were planning a future together. 
“Is’ hard, with her.” Jonathan manages to get out, but his speech is becoming harder and harder to understand.
You frown. “What’s hard, bee?”
The line disconnects. Jonathan doesn’t bring the conversation up again, the next time you call. You don’t ask him what he meant. You don’t think you want to know. There had been something deeper behind his words.
Will calls you a few days later in tears. The kids are meaner in California than they are in Hawkins. They tease El, make her life hell, and he’s upset that he can’t do anything to stop it. He cries to you, his tears soak your face through the landline, and the guilt creeps back in. 
It will never truly leave.
You do your best to console him, offer him advice, but that’s all you can do. All you have are your words. Will and El are hours away, hundreds of miles separate them from you. It's nauseating, feeling so useless. For as long as you’ve known Will, you’ve always been able to protect him. To help him, dry his eyes.
You’ve always been there for your boys, for Jonathan and Will. For El. But you can’t get to them, they’re too far away, and it kills you. You’re sixteen again, trapped in Jonathan’s car and frantically trying to keep yourself together as everything around you falls apart. 
Steve becomes your lifeline. 
He always answers when you call. Every time Jonathan, high and lonely, hangs up your conversations, you call Steve. He answers, he hears the exhaustion in your voice, and he always sneaks in through your window later that night. He knows it’s the only way you’re able to sleep these days.
He sings to you when you wake up from a nightmare. They’ve become about Max, losing her. She’s only met with Ms. Kelly a few times, but you can tell that she already wants to stop. That you’re pushing her too far, pushing her away from you and everyone else. 
Steve takes you for drives when you get blisters from pacing your room, anxiously waiting for your college decision letters to come in. Soon your entire life will be decided for you by one single piece of paper. 
Two weeks before spring break, Jonathan calls you. He’s sober.
You can’t remember the last time you’ve spoken to him sober. The thought alone depresses you, makes you yearn for childhood again.
“I think Nancy wants me to come to Hawkins,” he tells you. “Would you… would you like that?”
More than anything.
You press the phone against your ear and imagine that it’s Jonathan’s hand instead. Your skin hasn’t forgotten how his felt against it. “Of course I want you to come to Hawkins, bee.” But it can’t be that easy, you know nothing ever comes easily. “Can you afford it, though? I–I mean, God. I miss you, you know that, but I know it’s been hard for your family these last few years.”
Jonathan’s head falls back against the wall behind him. You always understand. He hates it, sometimes. “It’s worth looking into if it means I get to see you and Nance.”
There’s an air of authority in Jonathan’s voice, as if he truly believes what he’s saying, and it surprises you. He’s taking initiative after months of floating away. Hope sparks within you, the cold hand of dread lessens its grip around your neck. 
“Well, I can’t argue with that logic.” You say. Jonathan laughs, you’ve missed the sound. It’s been so long since you last heard it. 
Conversation drifts after that. You tell him about the latest Spider-Man arc you’re reading, he inserts his own opinions, and it’s lovely. You haven’t had Jonathan like this in months, all to yourself, his smile aligned with yours. Sober, steady. 
The phone call with Jonathan reminds you of all the good that is still yet to come. 
College decision letters arrive next week. Your best friend might be visiting for spring break. Your boyfriend has planned a picnic for your anniversary tomorrow. You have your first meeting with Ms. Kelly the following day. It was your idea, figuring it was only fair that you see her since Max has agreed to keep going. 
And Joyce made you promise that you’d live your own life. You’re trying to get better, you really are. 
It just takes time. 
-
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voidboxed · 7 months ago
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A small doodle for today’s episode :)
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dailyswatch · 1 year ago
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day 26
😈mwehehe * roblox pizza place voice *
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gunsatthaphan · 4 months ago
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😵‍💫😵‍💫😵‍💫
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Christmas taking me tf out rn ok
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