#BEFORE SAYING HE WANTS TO LEAVE

[moviestarmartini]

c*ballos is more of a culer than laporta and deco are

[claraoswalds]

#mrs flood who are you: time lord edition

[elitisim]

Sheabuttyr - Lamertay Locs V1

All credits goes to @sheabuttyr! Originals here!

Hair for For YA-A Males

Gameplay Friendly: 12.9K

2048x texture

Texture: Plumblobs

Custom thumbnail

includes All Morphs, All LODS and is disabled for random

Larger Pics and color channel breakdown under the cut

Converted by @elitisim

[DOWNLOAD V1]

Sheabuttyr - Lamertay Locs V2

All credits goes to @sheabuttyr! Originals here!

Hair for For Teen-Adult Males

Gameplay Friendly: 12.1K

2048x texture

Texture: Plumblobs

Custom thumbnail

includes All Morphs, All LODS and is disabled for random

Larger Pics and color channel breakdown under the cut

Converted by @elitisim

TAGGING: @pis3update, @sssvitlanz,@kpccfinds @wanderingsimsfinds

[DOWNLOAD V2]

Sheabuttyr - Lamertay Locs V2

Sheabuttyr - Lamertay Locs V1

[constelationprize]

Thinking many many thoughts about how Jean was Riko's partner for a YEAR and was still rooming with Goon #3. Because that was how unwilling Riko was to let go of Kevin. And how that implies that Jean was placed as his partner both because of the practicality of Kevin being gone AND as a punishment for letting him go in the first place. Being partners with Jean could actually slow Riko down depending on how often he's hurt (because I don't think Riko was all that exempt from the rules to the point where his partner's performance would completely not matter) and he was still placed there. Riko was just THAT angry at him over Kevin's escape. And all the while he was keeping Kevin's side of room like an altar, even back when he didn't even think Kevin could PLAY, because of an injury he caused.

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[chimerical-daydreams]

i like how everytime king and loop are close to one another, the king is negatively affected or feeling negative in one way or another

i honestly kinda feel bad

soon enough they'll react to loop's presence similarly to how canon sif would react to the idea of telling others about the loops

It really isn't as bad as it looks, at first glance.

A lot of the more actively antagonistic and downright mean actions from Loop come pretty early on their journey, but they mellow out as time goes on and they have more of their family around (and, slowly, learn to enjoy Sunshine's company, as much as they hate to admit it).

King, too, isn't just passively taking all of this for nothing; I subscribe to the headcanon that, to the people of the Forgotten Island, stars are much like angels: servants of the greater power that come to guide and aid those in need. If all of this had come from anyone else, King would have bailed on the first week. But since it's from a star, well, they have to know what they're doing, right?

Further into their adventure, though, this compliance out of religious respect is replaced by a sort of recognition; this star, divine as they may look, is deeply and undeniably human. They spite and grieve as anyone else, their actions are no more influenced by the Universe than his own. They're just another person, and a very hurt one at that.

And to hopefully make up for all the negative situations I put these two through, here's some post-actually communicating with each other and finally getting along drawings <3

[ratatatastic]

Vanha Kauppahalli date: en full, a 2 minute 50 second masterpiece...

Primetime Panthers | 11.6.24 (x)

[itswhatyougive]

OH NOOOO I JUST REALIZED STEVE DID HIS "HIDING MY TEARS" NOSE GRAB WHEN HE WAS LEAVING DUSTIN AND EDDIE IN 4.09

IT'S A BLINK.AND YOU'LL MISS IT SHOT YOU HAVE TO PAUSE AT JUST THE RIGHT MOMENT BUT AAAAAAGHHHHHHHHH 😭😭

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[neogotchi]

I've seen a lot of people talk about how scary Brennan's description of B² dying was but I don't see it that way at all.

yes, Evan killed her on a snap decision with no hesitation. no he does not regret it, because she deserved it for being a horrible bigot and hurting someone he loves. but he still has a deep respect for human life. he killed her quickly and painlessly, she didn't even have time to realize she was dying. he could have made her suffer but instead he describes her death in a sort of tender way.

"a silent custodian walking the halls, turning the lights off one by one. like someone putting a house to bed" these are gentle things he's describing. a soft goodnight as he leaves

[tenderjock]

the synonym of companion is:

[butchsophiewalten]

There's this interconnected web of Walten Files Information that keeps coming back into my mind which I meant to make a post about a while ago. Which is as follows:

-We know from the Richie audios in Findjackwalten/caretakerlibrary that Rosemary had already been banned from (or at least highly discouraged from entering) Bon's Burgers by the 1st of July, which is quite a ways away from when she disappeared on the 19th. I definitely wouldn't put it past her to sneak into the restaurant during its off-hours, but we know at least that her being there wasn't formally sanctioned.

-From the way he talks to and interacts with Susan in TWF4, it seems that Bon's 'Selection Process' for who he 'beautifies' is not arbitrary, nor is it necessarily opportunistic. Which is to say that he's not picking people at random, and he's not picking people only because they would be an easy target. He watches them, and chooses them based on criteria they exhibit which appeal to him. In essence, he picks people he likes, who he thinks belong in his Wonderland.

-There's a near-undeniable but Implicit fixation that Bon has on Rosemary, which we only learn through many, many small things. The 'shrine' we see him create for her in Souvenir is relatively elaborate, (in that it seems to contain more than one object that is associated with her,) and he put her in Sha, which is the companion animatronic to his Bon. Rose's death scene in TWF2 also makes it seem like he spoke to her, as the Bon animatronic, before killing her. What he says exactly is notable, too. "Rose broken. Will fix you. You will beautiful." It's, one, an explanation of what he's doing. Bon did this for Susan too, but not in the 'physical world,' before he actually hurt her. Also, it's comfort. A soothing reassurance. I'll fix you. You'll be beautiful. Then also, of course, he calls her Rosie. "I know where he is, Rosie," is a line that haunts me forever, thinking of it coming from him.

This all paints a specific sort of picture in my mind. I like to think that Bon likes Rosemary a lot, and that she's a favorite of his, because she designed The Showstoppers. I think he likes Susan quite a lot for a similar reason, she was the woman who gave him his flesh and his bone. Who forged the vessel that he now lives for. But Rosemary is the artist who made it what he loves. She was the visionary who made him Beautiful.

So I think that Bon had his heart set on Rosemary for Wonderland. And it makes me wonder if the contentions between her and Felix that kept him away from her really pissed him off. But the core of my 'theory' here is just that Bon wanted her in the restaurant, that night. That she maybe wouldn't have been there at all, if someone hadn't asked her to be.

[femalefemur]

hi yeah so what the fuck

[dizzybizz]

only took 2 years but he's done now

[mephoj]

taco and mephone have fascinating parallels more people could explore if taco haters weren't biased cowards

[cherrywhite]

I know Faulkner's ever increasing body count is a running joke as if it's something he's purposefully racking up but Rane's murder is such a stark contrast compared to every other one that's come before. And that difference marks such a monumental shift in Faulkner's character.

Like, he runs from the hotelier immediately after sainting him (I know his whole I'm going to make you a saint mirrors what he tells Rane this episode, but he still ultimately runs), he can't bring himself to use the Withermark at Marcel's Crossing, and Mason and Thurrocks' deaths were done in a fit of rage, the horror evident by the time he comes to his senses. Even Daggler's was caused by the Angel Faulkner summoned, not something Faulkner committed to up close. And I imagine however Charlie drowned, well. There's a lot of ambiguity in how it could have gone down, something we'll never really know the scope of, purely because Faulkner is such an unreliable narrator.

Then there's this.

I would argue that Rane's death is much more violent than the ones that came before purely for the fact that Faulkner seems to revel in their suffering as he does it. He needlessly pulls them back up to get a breath of air before plunging them back in the water. He strikes them with his staff so hard that it breaks. And he does this all while laughing and mocking at them. He's needlessly cruel to the point of terrifying. This part was so well done and it really shows just how far Faulkner has gone.

I'm so hesitant to say there's no way back from this simply because of how TSV writes its characters but my knee-jerk reaction as I was listening to this the first time is that there isn't. This was him, fully aware, crossing over the threshold.