#BECAUSE THEY THOUGHT THE ENTIRE EPISODE WAS JUST ABOUT SOCIAL MEDIA

[abraincellandahalf]

Every time I see an Incorrect™ doctor who take on here which barely has notes in double digits, the doctor gains another regeneration in my head

[tetsumie]

𝐈 𝐖𝐀𝐍𝐓 𝐀𝐋𝐋 𝐎𝐅 𝐘𝐎𝐔

pairing: kuroo tetsuro x fem!reader

genre: comfort

content: kuroo hasn't seen you in days and makes his way to your apartment to see what's going on with you

cw: reader has a depressive episode and displays depressive symptoms

a/n: hello! i tried writing something for my pookie wookie kuroo tetsuro also lwk very self indulgent.. love u all and tysm for the endless support and as always likes, reblogs, and comments are always appreciated! i could not be here without you all <333

"hi! this is y/n l/n! sorry i couldn’t answer your phone call. i’m a bit busy right now but leave a message and i’ll call you back the first chance i get than-" kuroo hangs up the phone for nth time today and sighs. 

kuroo hasn't heard from you for the past few days and to be completely honest, it’s like you've completely vanished off the planet. your designated seat next to him in both chemistry and english lectures have remained empty for the past week and he can’t seem to get ahold of you at all. 

at first, he didn’t really worry much about it. he didn’t want to pry on why you weren’t coming to school. he understood everyone needed their space. but when he intercepted your friends one day and asked them how you were doing and they too were unsure as well, he knew there was something severely wrong. 

on the other hand, you’ve been home all week. 

you haven’t been in the best place for the past week. you feel like your body is slowly succumbing to the stress and your body is practically giving out on you, working overtime. motivating yourself to study and to work is already difficult enough as is but doing basic things such as getting out of bed and even taking a shower feels impossible. 

you feel stuck in this never ending loop of time where the same things just keep happening over and over. you wake up at the prime hour of 12 pm and realize you’ve missed all your morning classes but then immediately head back to bed. you fall asleep and then wake up at 2 pm and stare at the ceiling above you with no particular thought in mind. eventually, you find yourself scrolling through social media on your phone but then ditch it after a few minutes because a wave of social anxiety crashes into you. 

it doesn’t help that you’ve also been skipping meals and you’re starting to catch a cold. man, you haven’t even gotten out of bed, let alone left your bedroom. you can’t even get yourself to do the bare minimum right now and making yourself an actual meal is a bit too out of your comfort zone. 

and what makes this entire situation worse is the fact that you’ve been pushing everyone away, from your friends to family to the one and only kuroo tetsuro.

there was no justification behind why you were avoiding them. you just couldn’t allow yourself to let them see you in such a lethargic condition. it hurt your pride and in general, you hated having people worry for you. it made you feel, in a sense, hopeless. 

you just wanted to shut yourself off from the world. 

the week goes by in a flash and friday evening rolls around. your phone lights up again for the nth time. you see it flash white but you roll over away, not having the energy to grab it. doing anything especially talking to other people feels exhausting.

a few minutes later, someone's banging on the door. it sounded like the fbi was at your door with a search warrant as if you were harboring drugs. you don't answer the door, not feeling like leaving the comfort and safe haven of your bed.

but the banging doesn’t seem to stop and you're getting irritated so you’re forced to get out of bed and tell the person at the door to come at another time.

to your surprise, when you open the door, you find your boyfriend, kuroo, staring at you with wide eyes and furrowed eyebrows.

“y/n, where have you been?” he begins the interrogation.

you mumble. “nowhere. been at home.”

he looks you up and down, taking in your disheveled state. your face is pale, the bags under your eyes seep deeply, giving away the countless sleepless nights you've had. your shoulders are slumped and the corners of your mouth turn down slightly, a subtle but constant frown. your hair is unkempt, reflecting the lack of energy to even try to care for yourself. an aura of exhaustion and hopelessness hangs around you, making it clear that you're struggling to find the strength to even function.

“then why haven’t you answered my calls?” he continues.

“i’ve just been preoccupied,” you lie and he catches on immediately.

no words are exchanged between the both of you for a few moments. you take his silence as your cue to end this awkward conversation and to send him on his way.

"i'm sure you have better things to do, just go-"

you're about to close the door on him until he says, "let me in."

you sigh again.

“can you come back later tetsu?” you don’t want to have him deal with you like this. he's seen more than enough of you in this condition.

his piercing gaze locks with your tired eyes and he feels his heart clench. the usual shimmer in your eyes gone and all he can see the numbness in your expression.

"no let me in," he states in a strict tone. "we have to talk."

with no choice, you open up the door entirely and kuroo takes a look at the state of your apartment. he would be lying if he wasn't caught by surprise. clothes are strewn across the couch and bowls of empty ramen are lying on the kitchen counter. your apartment is a mess.

putting his stuff down near the door, he begins to slowly pick up your clothes off the floor and tosses them into the laundry bin. seeing him make an attempt at cleaning your mess made you uncomfortable to the point your skin started to crawl.

"tetsuro, stop."

"no."

"please stop," you plead in desperation.

"y/n, i’m trying to help you!" he replies, his voice growing a little louder with irritation at your refusal.

“what if i don’t want your help?” you shoot back and his mouth closes shut. “i don’t want your help or your pity or condolences or whatever it is! just go home!”

although your mouth said one thing, your mind was trying to telepathically convey another.

please don’t leave me now. please stay.

you don’t say a word as you walk into your bedroom, closing the door behind you, hoping he'll leave on his own. the moment he hears the click of your bedroom door, kuroo begins to try to organize as much as he can in your living room. he takes out your old leftover foods and tidies up the kitchen. he starts working his way through the living room, silently sweeping the dust off the floor and reorganizing your items that were strewn on the floor.

as he’s silently working, he begins to hear sniffles and sobs coming from your room. dropping everything, he finds himself standing in front of your closed door, fist about to knock the door.

“love, can we talk?” he says out loud.

it's silence from the other end.

"y/n... please..." kuroo's voice cracks. "i just want to see you."

"door's open," your voice is muffled slightly through the door.

he opens the door and is greeted by you wrapped around in your comforter, looking away from the door. kuroo takes in the state of your room. the curtains are drawn out and there are tissues littering your night stand along with your computer lying in the corner with a pile of clothes in the corner waiting to be cleaned.

you were always so organized, what started this?

kuroo goes over to the other side of the bed and your face is huddled into your comforter. he crouches down and starts to stroke your hair with his hand.

"baby? talk to me, love. what's going on in that pretty head of yours huh?" he coos in hopes of getting you to open up.

refusing to look him in the eye, you mumble into your comforter loud enough for him to understand. "it's been getting bad again... it’s been bad all week and i'm just tired all the time."

he kisses the top of your head. "and that's okay. not everyday is supposed to be a great day. you're supposed to have good days and bad days."

you finally emerge from your cocoon and the sight he's greeted with break his heart into pieces. your face has a slight red flush tint with the remnants of your tear stains on your face. he sees how you're trying to maintain a steady face, trying your best not to fall apart in front of him.

no questions asked, he brings you into his chest and the tears you worked so hard to keep at bay come apart. you start sobbing into his chest. he strokes your back in a rhythmic up and down motion, adding the occasional kiss on the top of your head. he finds himself crawling into your bed with you on his lap as you continue to sob into his chest.

once your crying subsides a bit and your throat feels a bit sore from the crying, you look up at him and he gives that genuine small smile of his that you've grown to love so much.

"i love you, you know that right?" he reassures as your eyes meet.

your eyes shift from one eye to another and you look at him as if he hung the stars just for you.

"i know and i don't know why you love me. i don't deserve you. you deserve someone who's put together and on top of it and just perfect. hell, you could do so much better than me... i don't even know why you're still with me."

his heart cracks at the heartbreaking words, escaping your mouth. he feels so stupid. have you been feeling like this for all this time and haven't said a word to him? he should've done something.

"when we started dating, from that very moment, i knew i wanted all of you. i want everything. i want your bad days and your good days and your lazy days and your rotting in bed days. i want your good and bad. i want your highs and lows. y/n, i just want you." he kisses your cheek.

he continues to reassure you, "i want all of it. and i want to be there for you the entire time. i don't want you to have to hide yourself from me. i never wanted you to be perfect. i wanted you to be just you. that's who i fell in love with."

"i love you with all your 'imperfections' you know that right?" he does the air quotes around the word "imperfections."

"yeah but it's so hard for me to accept-," you start but he brings his pointer finger to your lips, telling you to stop your train of overthinking.

you both are enveloped in a comfortable silence with kuroo's reassuring words hanging in the air.

"i love you so much, you have no idea," you finally say, cuddled into his chest.

"oh yeah? i couldn't tell," he begins to tease. "tell me more actually."

you let out a chuckle, playfully slapping his arm, and that warm, sweet smile of his forms again on hisi lips.

"there's my gorgeous girl. oh how i've missed you."

"missed you too, tetsu."

© tetsumie 2024 all rights reserved

[paarksunghoon]

hello omg i love love LOVE deep honey, which is rare cus i usually do not touch fluff at all but smth abt the way u wrote got to me. i was wondering that in case u wanted an idea, u could write abt sunghoon rushing over to take care of his sick girlfriend? :3 just a thought or any headcannons u have on that would do fine but if u wanna turn it into a drabble or fic that's good too, especially if it's a continuation of deep honey

anyways, that is all from me, have a good day!!!

thank you so much :’) for all of my nsfw drabbles and content, I really enjoy writing the softer kind of stories. switched up the request just a little. consider this a token of my appreciation for your kindness. xx

ps this is what I’m imaging him wearing

***

If there’s one thing you know, it’s that nothing good could ever happen when you text someone past 2AM.

Both existential and physical dread consume you the second you open your texts and see a plethora of unread messages due to your current state of being. You’ve been bedridden for what feels like years but it’s only been a few of days. It’s technically Sunday morning and technically you should be fast asleep, especially since you’d taken medication to help you rest throughout the night. But seems like your body has other plans for you.

Tossing and turning won’t do either. Your head feels much better than it has for the past two days. You’d taken two days off or classes because of intense migraines paired with what seems like onset sickness due to it being flue season. Guilt over missing classes and groveling to your professors (even if they extended grace and told you to rest up) ate you alive, only ebbing away when you closed your eyes and slept.

Your roommate has been away because of a family event and what was once a promising weekend full of relaxation and the apartment to yourself is now a time for you to wallow in your misery. You’ve gone through countless tissues and have slept more in the past few days than in your entire life. It feels like your head might as well be cut off with how many problems your eyes, nose, and throat are giving you.

To pass the time, social media distracts you for a few minutes and you catch glimpses of what your friends have been up to. Partying. Studying. Eating at the cafeteria. All of these are mundane events you took for granted because you’d love to be anywhere but rotting away in your apartment. You’d rather studying for a midterm over feeling like you can’t move without losing your breath.

You take this time to catch up on texts as well. There are so many what remain unread by you and guilt crawls up your spine as you begin to reply to everything.

hi riki!! sorry I haven’t replied yet. I’ve been sick all weekend :/ I wish I could’ve gone to jake’s game with u bc it looked so fun ☹️

jungwon ur your cat is so cute omg…please send more vids. also sorry for replying late im sick lol

sunoo I swear to god if you watch another episode without me, I’m gonna beat your ass whenever I recover

yes, mom. I’m resting as much as I can! sorry I haven’t responded sooner. I still feel sick

heeseung do u think sunghoon would be weirded out if i text him right now. pls advise 😁

Heeseung immediately reads the message and the text bubble appears straight away. He’s one of your closest friends in university who always happens to be friends with Park Sunghoon, the guy you’ve been talking to for the past month and a half.

heeseung: Nah not weird. He’d probably like hearing from you

heeseung: He was asking about you earlier today and said you haven’t been talking to him as much

you: looking at my phone made me nauseous :/

heeseung: You should probably tell him that bc he’s been staring at his phone all day

you: soooo it wouldn’t be weird if I texted him out of the blue rn?? usually we don’t like…start conversations so late

heeseung: You’re overthinking. Just text him and if he doesn’t reply then he’s asleep and will text you in the morning

you: I’m scared of fucking it up

heeseung: There’s nothing to fuck up. If he gets mad that you took care of yourself (he won’t be) then he’s the one who fucked up

you: ugh when did u become the voice of reason

heeseung: :)

Your thumbs hover over the keyboard after you’ve opened Sunghoon’s text. You can imagine his slight pout when you think about how he’d react when he realizes you haven’t texted him back, which makes you feel even more guilty than you already are.

You’re not really sure how you started talking to him, let alone befriended Heeseung to the point where he started inviting you to hang out with him and his group of friends. Heeseung had originally been a study partner for a shared class back when the two of you were sophomores. It’s been a couple of years since then and now most of your conversations consist of TikTok jokes and Heeseung having to deal with you pining over one of his friends.

Sunghoon is every bit of cool you can imagine. He was so quiet when you first met him, residing in his oversized sweater since it was approaching the beginning of autumn. Heeseung invited you to a local bar on a Friday night after midterms and said your first drink would be on him if you made it before last call, knowing very well you were likely getting ready to slip underneath your blankets and call it a night.

He was right as always. You showed up wearing jeans and an old shirt with a jacket that was too big for your body. You’d made somewhat of an effort to look presentable since you’d be hanging out with his friends near campus and would rather not look like you’d gotten rolled over by a locomotive. It was there you met Sunghoon for the first time. He was so quiet that you barely heard him talk until an hour into hanging out with him, but that’s when you learned that he was someone you needed to get to know before he’d show you his loud, boisterous personality.

The more you hung out with him, the more you started to picture yourself with Sunghoon, away from the group you started to call your friends too. You’d only see him when Heeseung invited you out or if you bumped into someone else while Sunghoon was in tow with them. Neither of you seemed to cross paths otherwise and even then, Sunghoon was a bit too timid to approach you first and start a conversation.

Part of you wondered if you were ever too bold when you’d get drunk with him and your friends. You were loud, full of laughter and affection that none of your friends were surprised every time you shouted compliments across the tables and declared your love for the little group you considered to be your family away from home. Heeseung had gotten used to it pretty quickly and so did the others, albeit it took a while for their ears to stop glowing red every time you’d pull them into a drunken hug.

Maybe you sent a little too far with Sunghoon, who immediately tensed when your arms wrapped around his shoulders the first time you let your inhibitions down fully. A few beers and shots in, and Heeseung was anticipating your drunken rant about how much you love the little life the five of you had created and hoped that it would continue even after you all graduate.

Sunghoon always looked a bit intimidating with his dark, thick eyebrows and shielded his wandering eyes. He always looked like he knew what he wanted and his grace always made you think twice about what you’d say to him. Although, you knew this was the beginning of an onset crush that wouldn’t remain hidden for long, let alone when you weren’t sober.

So you’d thrown your arms around Sunghoon’s shoulder and told him how happy you were that Heeseung introduced the two of you. While you try not to think about that moment too much, you recall telling Sunghoon that he was slowly starting to become one of your favorite people because of how funny he is when people least expect it. You liked that he was so kind to his friends and that he was so confident in himself, and that you wished you could be a little more like him.

You also said he was the most beautiful person you’d ever seen. It was a sobering moment because he looked at you like you’d grown two heads and his shoulders felt like they might’ve been pushing you off of his body.

Stumbling with consistent apologies, none of your mutual friends seemed to notice what was happening behind them. You can picture the look on his face when your mind crosses to this moment, how he’d looked at you with bewilderment with his mouth ajar. Sunghoon didn’t say anything and you took that cue to leave him alone and head to the bar, where you hoped distance would make this night seem less tragic than it was.

When morning came around, you were the only person in your shared group chat who declined getting a late morning breakfast due to your embarrassment. Even during the next weekend, when Jake opened up his apartment for a casual hang out, you were the only person who didn’t show up, citing work and study stresses keeping you away from your friends.

Heeseung knew those were merely excuses.

“Cut the shit, Y/N. Are you okay? Did one of the guys do anything to make you uncomfortable?” The worst laced in his tone made you feel guilty for having him think the worse of people he knew before he met you.

“No, nothing like that. I think I’m the one who fucked up and made them uncomfortable.”

“Well clearly not since Jake invited you to his place. What’s going on? Do you want me to come over?”

The last thing you expected from Heeseung was to see him double over in laugher when you explained your predicament, clutching onto your bed like he’d fall to the ground if he didn’t. You’re sure that fit of laugher gave him a new set of abs.

“Sunghoon wasn’t weirded out. He texted me and asked if you were okay.” Heeseung pulled his phone out of his pocket to show you, leaving you in a cloud of confusion. “He probably likes you. Sunghoon’s a natural with girls even if he doesn’t realize they’re flirting with him. I think he likes you too because he’s acting really awkward because he doesn’t know how to deal with it.”

That night left you with more question than answers. You considered texting Sunghoon and asking if the two of you could talk, but you didn’t want to make him even more uncomfortable and tell him what Heeseung told you in fear of putting your friend in an awkward position. So you let the discomfort settle and braved seeing him the next time one of your friends invited you out.

Which, to no one’s surprise, was the weekend after Jake’s get together. Seoul’s autumn carnival was in its third weekend by the time the five of you were able to find adequate time to ride every rollercoaster and eat until your stomachs caved in. You loved the fair and were the first person to buy an admission ticket. Poor Jay, who wasn’t the biggest fan of big rides in the first place, tagged along with Jake every time he insisted on it. You tried your best to keep some distance between yourself and Sunghoon, even if Heeseung said you were being ridiculous. You’d chosen to stick by him until Sunghoon volunteered to help you pick up the food trays when you lost a game of rock-paper-scissors.

“I’m sorry that I acted weird that night,” he said, cutting the silence as the two of you waited for your order. He didn’t have to explain. You knew what he was talking about. “Heeseung said you felt bad for making me feel uncomfortable but I need you to know you didn’t make me feel that way.”

That was the longest sentence he’d ever said to you, let alone it being the first time he initiated a conversation with you. He watched as you stood with your eyes wide and mouth parted like you wanted to say something but didn’t know how to say it.

“I think you just caught me off guard. I wasn’t expecting you to say nice things about me. I didn’t realize we were that close because you’d been affectionate with everyone but me up until that night.” He rubbed the back of his neck with his hand. “I was, uh, flustered.”

“Oh. I’m sorry.”

“Don’t be.” He averted your gaze and looked at his shoes momentarily before he looked back at you. “I liked what you said. I haven’t stopped thinking about it.”

You laughed at the awkwardness dissipating. “I thought I crossed a line, or something. You just sat there and I thought I fucked up by touching you.”

He shook his head. “You didn’t. I…I liked it a lot.” You tried to hide a grin by keeping your bubbling excitement under wraps failed miserably. Sunghoon smiled too, offering to carry most of the trays back to the table where your friends were too hungry to talk for the next ten minutes.

The memory brings you back to the present where your thumbs hover the keyboard. You start to read back the conversation between the two of you and feel those butterflies erupt in your stomach for the umpteenth time. The two of you have talked about anything and everything. Nothing is off limits. So why is texting him to let him know you’ve been sick for the past few days so difficult for you?

you: hi

you: sorry I haven’t texted a lot in the past few days. I’ve been having migraines and now I’ve caught a cold ):

you: im sorry for texting so late too

He texts immediately.

sunghoon: You don’t have to be sorry. Are you feeling better now?

sunghoon: Actually don’t answer that

Your phone rings.

“Hey,” you say with your phone propped against your ear. “Sorry for bothering you.”

“You’re not bothering me. I’m the only who’s calling you when you’re sick, so I’m technically the one bothering you.” His laugh on the other line makes you smile a little too hard. “I was really worried. None of the guys heard from you so I figured you needed some space.”

“Unfortunately. I had to skip a few classes because it hurt to stand up. I’m pretty sure I’ve slept more this past week than I have in the last month.”

“I’m sorry. That really sucks.”

“I feel bad that I haven’t been able to talk to you.”

As if Sunghoon could sense you pouting, he clicks his tongue and reassures you. “It’s fine, Y/N. I’d probably do the same thing. I can’t imagine how much pain you’ve been in.”

“I would honestly rather study and take a million midterms than go through this again. I feel like someone just took their shoe off of my head.”

“Well, I’m glad to hear you’re doing better. Can I bring you anything? Medicine, maybe?”

You cough a little. “No, but thank you. My friend dropped off a lot of NyQuil and other stuff to help me. It’s working…kind of. Still feel like shit, though.”

“…Can I come over? To help you with your sickness, of course. I can bring you soup.”

“You don’t have to do that.” You frantically rise from your bed amidst his words and realize there are tissues on the ground and dirty clothes strewn everywhere because of your lack of energy. Your living room must be a mess, too, and this would also be the first time Sunghoon would see you without any makeup on.

“I want to. But I mean, only if you’re up for it. I don’t want to stress you out since you’re sick. I just want to help make you feel better. That…and I miss you.”

Sunghoon’s never been so direct before. Even though the two of you have been talking for a while, neither of you have been so forward about it. Conversations are always subtly flirty to the point where the effervescent feeling simmers just underneath the surface. The two of you have hung out without the rest of your friends and have been alone before, but neither one of you has gone so far as you be so bold about the other.

“I miss you too,” you whisper into the phone.

“Give me thirty minutes. I’ll come with soup.”

He hangs up and with a newfound sense of urgency, you make your bed and throw away any stray trash. You put your dirty laundry in the hamper, which is piled high and untouched. It’ll be a problem for when you’re not sick.

The living room isn’t too bad. You straighten furniture and throw away empty takeout containers and wash a few utensils. The tasks don’t feel as draining as they did a few days ago and you’re starting to regain a little bit of your breath.

True to his word, Sunghoon arrives thirty minutes after he said he would. You open the door and look at him. He’s wearing blue hoodie and sweatpants with specs that make him look significantly more attractive than you’re used to.

“Hi,” Sunghoon says with a gentle smile. “I missed you.”

You bite your lip and blurt out your first thought. “You look really good in those glasses.”

Sunghoon chuckles. “Thank you. Can I come in?”

“Right, right.” You step aside and he follows you into your apartment. He takes his shoes off and places them neatly by the shoe rack.

“I might need to reheat this. I got it from that place near my apartment. You know, the one with the yellow banner?”

“I love that place.”

He smiles at you. “I know. Can I heat up some soup for you?”

When you nod, Sunghoon moves to the correct cabinet and pulls out everything he needs. It astounds you because he’s only ever been to your apartment twice before, both times with your other friends in tow. It dawns on you that it’s the first time the two of you are alone in your space. You’re touched that he remembers where your things are.

He beckons you to sit on the counter in front of the steaming bowl and the aroma of spices makes your mouth water. You haven’t been able to eat consistently in the past few days, surviving on bland foods like bread and crackers to sustain your health because anything else made you feel sicker than you were. The steam feels good against your skin and you dig in right away.

Sunghoon pulls your hair back when it gets close to the rim and holds it for you while you lap up the soup. It seems as though you’re hungrier than you thought because you sit there wordlessly, shoveling liquid into your mouth while Sunghoon watches.

“Sorry,” you apologize. “I must look like a zoo animal.”

“You’re sick, Y/N. You have nothing to apologize for. The first meal you can stomach is the best one.” It’s like he gets you. Sunghoon continues to hold your hair back until you’re finished. He washes the bowl and spoon, and puts it back where they belong.

Sunghoon turns around and looks at you under the ambient lighting you and your roommate put up in lieu of the overhead lights. It feels like he’s inspecting you and you try really hard not to think about the fact that you don’t feel presentable in this moment.

“Your apartment feels very you,” Sunghoon says. “I like all of the green furniture and the art on the wall.”

“My roommate picked the decor out but I’m starting to understand why she loves art so much.”

“Beautiful, isn’t it?” he asks, looking at you. “Would you want to go to an art museum with me?”

“I’d really like that.”

Sunghoon pulls you by the hand to your couch and you try your best not to feel flustered with his touch. He sits you down on the cushion and immediately you feel like you need to be hyper vigilant because he’s looking around the apartment and you’re wondering if he can see the messes you see.

“Do you have a blanket? We could watch some TV. Or I could go. I don’t know.”

“Don’t go.” You say it too quickly but Sunghoon’s shoulders relax. “The blankets are beside the couch.”

He drapes it over you, leaving himself to fend for the cold. Although you’re sure he’s pretty warm, you open up the blanket and invite him to share it with you.

This is new territory. You two have just been talking. But Sunghoon isn’t deterred. He slots himself next to you and doesn’t shy away when he feels your arm pressed against him.

“Sorry for the mess. And for, well…” He watches you gesture to your face, which is undoubtedly red with dark circles underneath your eyes.

“You don’t have to apologize for anything. I still like you.”

You aren’t used to him being so upfront like this. He watches you with easy eyes, the kind of feeling that makes you believe what he says. Sunghoon is pretty reserved when it comes to these types of things and you often find yourself being the one to push him towards his bolder side. But even though you feel flustered by his words and underneath his stare, you like this newer side of him.

“I’m such a mess.”

Sunghoon watches you push your forehead into his shoulder in an attempt to hide yourself from him. He smiles at your antics and loves the feeling of your body on his. He’s been hesitant to do things like hold your hand or kiss your cheek in fear or overstepping a boundary. He doesn’t know what came over him when he held your hair back from falling into the hot soup. He knows very well that he could’ve asked where you kept your hair ties, but helping you when he knows you need it felt like the right thing to do.

Now, he wonders if you’re growing bolder with him too. You let your forehead rest against his hoodie as you take deep breaths. He hears you sniffle a few times and nearly coos at the mere thought of you suffering from your sickness. When you pull yourself away from him, the tip of your nose is slightly runny and your eyes look a bit more red than usual.

“I feel like I got hit by a truck.”

He bites his lip. “You could look worse.” You try not to let your cheeks rise in heat.

“You’re just being nice.”

Sunghoon laughs and shakes his head. He could never lie about how he feels towards you. “Nope. You still look really cute.” He watches the gears work inside your head and locates the TV remote when you don’t say anything. “What do you want to watch?”

“I dunno.”

“C’mon, you must’ve been watching TV while you were cooped up here.”

You shake your head. “Migraine, remember? Felt like my eyes were gonna burst.”

This time, he coos out loud. Sunghoon puts on a show you’ve mentioned enjoying in the past and hopes he chose correctly. You seem to be mellowing out and paying attention to the screen in front of you until you start breathing heavily. It’s not until he hears you try to silence a small coughing fit that he shoots up from his seat and pours you a glass of water.

“Here.” Sunghoon doesn’t let you hold the glass. Instead, he beckons your mouth open by placing the rim between your lips and lets you swallow the water, tilting it up until you’ve consumed all of it. He wipes the excess water from the corners of your mouth with his thumb and looks down at you with concern. “Do you have any tea? I can make you some. Hopefully that’ll soothe your throat.”

“Stupid medicine isn’t working,” you grumble. “I might as well perish.”

“Tea, baby,” Sunghoon says, the pet name rolling off his tongue with ease. You almost don’t notice it. “Where do you keep your tea and honey?”

“Cabinet beside the fridge.”

Sunghoon comes back a few minutes later with piping hot chamomile tea with honey. You don’t know how he does it, anticipating your every need and putting just enough honey where it doesn’t feel like you’re stuffing your throat with the sweet nectar. You sip on it slowly as he situates himself back underneath the blanket and keeps his eyes on the television while you try to calm your erratic heartbeat.

Eventually, the episode finished and it’s almost four in the morning when you start to get sleepy. Sunghoon hears you yawning beside him and does his best not to grin like a lovesick idiot when you push your body against his in an attempt to get comfortable. You’re holding the empty cup loosely in your hands when your eyes start to droop and as much as Sunghoon would love to stay like this, he knows it’ll be better for you to sleep in your own bed with your back against the mattress.

“Baby,” Sunghoon whispers. He grabs the mug from your hands and sets it on the coffee table. “I think you should sleep in your bed. You’ll feel a lot better when you wake up.”

“But you’re so warm.”

He bites back a smile. “Thank you, but you’re gonna wake up with back pain and I know you’ll be mad that you didn’t sleep with pillows.”

He’s right and you know it but that doesn’t stop you from letting a whine slip past. Sunghoon doesn’t complain when you lean on him for support (or rather, you push your full weight onto him because you cannot be bothered with physical tasks at this late hour). Instead, he holds your waist with his arm and guides you into your bedroom from his memory of coming here a couple times before now.

Despite this, he’s never been inside your room. You’ve always kept the door closed but as he opens it, Sunghoon completely melts at how your bedroom is so utterly you. The dark green comforter hugs your queen-sized bed and a mountain of pillows cover the top near the bed frame. Your desk is an organized mess of notebooks, pens, and highlighters you carry with you during study sessions. Photographs in pretty frames decorate your walls along with posters of your favorite music and films.

He spots a picture of the two of you from that day at the amusement park when Heeseung insisted on taking a photo since the lighting was “perfect.” Sunghoon suspected that wasn’t the case but let him take it anyhow. He always considered that to be his first official memory with you. Knowing you might feel the same makes Sunghoon’s heart flutter.

“Let’s get you into bed, yeah?”

His soft touches make you fall much deeper into your tiredness. The mattress below you feels too good to be true as Sunghoon opens the blankets for you to crawl underneath. He watches you carefully as you scoot to one side and make yourself comfortable, wondering if you’re enjoying the side of him that wants to pamper you.

When you’re all tucked in with the blankets underneath your chin, Sunghoon can’t help but lean down and brush a few stray hair strands from your face. He caresses your cheek and holds himself back despite your lips being right in front of him. Instead, he settles for rubbing your soft cheek with his thumb before leaving.

Except, you reach out and grab onto his wrist. “Where are you going?”

His looks back at you in the dim light. “Home, baby. I’ll let you sleep.”

The pout you’re wearing is tearing him limb from limb. “I don’t want you to go home.”

“No?”

You shake your head. “Please…I haven’t seen you at all this week.” Sunghoon hears the strain in your voice and he isn’t sure if you’re awake enough to know what you’re saying. “I-I just want you here with me.”

How could he say no to that?

Sunghoon sits on the empty side of the bed and lets you guide your hand in his bigger one. He watches as you shake your head and he’s about to ask what you mean when you open the blanket.

He feels momentarily guilty when he pulls his hand away from you because he hears you whine again, but he slips off his hoodie to avoid overheating. He’s left in his sweatpants and a loose shirt when sliding into your bed right next to you.

You waste no time and attach yourself to Sunghoon, pushing your body until you’re resting on his chest. He does his best not to let his heartbeat give him away. This is the most he’s ever touched you. At best, he’d brush his hand against yours and waited for the right time to hold it. Today feels like he’s thrown caution into the wind.

Sunghoon puts his glasses on your night table and pulls you close to him, encircling his arms until he finds a comfortable position. Your warm breaths litter his skin and he feels like he could run laps with how happy he is in this moment. You look so cute with your body limp against his. He loves that you’re not hesitant around him anymore and hopes you know just how much he wants you close to him.

“Can I tell you a secret?” Sunghoon says in the dark, unsure if you’re still awake or not.

“What’s your secret?”

Your eyes remain closed, eyelashes covering your beautiful eyes and your cheeks are squished into a pout against his chest. He looks down at you like you’re precious cargo and a rare gem he never wants to let go of.

“I really want to kiss you.”

You don’t say anything. Instead, Sunghoon feels you move your head until you press a kiss against his chest, allowing your lips to linger for a few seconds before reverting back to your original position.

“Kiss me tomorrow.”

Sunghoon hears you snoring soon after.

“Yeah,” he whispers to himself. “I can do that.”

***

comments and reblogs are appreciated! x

[newtkelly]

Not to word vomit on you but I can't stop thinking about Oliver wanting a love story like Tarlos and how it all accidentally lined up.

Knowing that Carlos and TK were about to move in, and then Carlos made that romantic gesture and TK got scared because it was, "too good to be true."

Carlos is left, confused, puzzled and nursing a broken-heart but still just as in love. What do you mean that TK and Carlos saw a future together, one got scared at that prospect and left before Carlos was the one to leave??

What do you mean that happened after Oliver said he wanted Bucktommy to have a love story like Tarlos; where it was always going to be them?

Then you consider Oliver saying that we might see Tommy and Buck interact during a call and it'll be awkward and who can't help but think of TK and Carlos running into the furniture store and seeing each other for the first time in weeks.

Anyways, sorry to be delusional in your ask box. I'm deep within the Tarlos trenches so this is all starting to look eerily familiar lmao (it could also be Tim is out of ideas, which is most likely the case)

Please feel free to word vomit on me always, I live for it.

Receiving this ask has actually prompted me to share some thoughts that I’ve held back from sharing, just because I wasn’t sure if it was worth it to throw more speculation into the void. But this message is so lovely, and I agree with it so much and so… okay I will share some of my mixed bag of thoughts about this whole situation.

Firstly, I adore Tarlos and LS (even if I don’t post about either much), TK is my baby, and the interesting thing about them for me is that I wound up caring for them more AFTER they broke up and got back together. If Buck and Tommy’s story is formatted as a rom-com, TK and Carlos are a tragicomedy. TK, the heartbroken recovering addict thrust into an entirely new city, a new career, who doesn’t want to let himself get too close to something good because he is misery incarnate. Carlos, the hopeful hopeless romantic who sees TK and doesn’t see something that needs fixing, but someone who his love could help heal. It’s such a gorgeous story, and the symmetry of both characters shockingly losing a parent in a tragic way is painfully beautiful. I LOVE their love story.

That brings me to Oliver and Tim’s comments. Throughout the Buck and Tommy relationship, my belief that this would be Buck’s final relationship only ever wavered twice. The first time was in the immediate aftermath of their first date (I spent the whole episode thinking that Tommy was actually reintroduced to kick off the bi awakening plotline and Buck was not acquiring a boyfriend) and the second time was towards the tail end of the summer hiatus when I legitimately began to doubt Lou would want to come back given everything that transpired. Other than that, I had full faith that this was it, this was Buck getting off the “hamster wheel”—Tim’s words, not mine.

I had confidence for a few reasons. 1 – the story was always handled with care onscreen and gave us no reason to think they weren’t going to work out. 2 – the chemistry was insane, and I knew it couldn’t just be me because an entire fandom was born. Tim and tptb must have seen what we saw. 3 – the supplementary information funneled to us through articles and Tim’s social media, literally up until post-8x06 never seemed to indicate that their relationship was headed in this direction. A big part of that was the comparison to Tarlos.

In order to protect myself (should I name the list of shows, movies, couples that I’ve fixated on that wound up playing out in dissatisfying ways?), I am awfully pessimistic. The post-episode interviews, articles, + hearing a bit from LFJ and OS has me wondering if this was some mass hallucination. Did we truly cling to something good and blow it up, run with it? Was this always the plan? I’ve wondered if because S7 was so short and S8 required that other characters get the spotlight first/other stories needed to be told and wrapped, and if because of production and scheduling and whatever external reasons, did their relationship wind up having a longer life than was ever intended. Were they ever supposed to make it to six months? Were they ever supposed to make it past the fucking wedding? I have been asking myself this stuff a lot. Alternatively, did something happen that made them want to or have to part ways with LFJ? So many questions, and I’m not sure we’ll ever know.

But… then there’s the delusional side of me, and the reason I haven’t totally abandoned hope is because when I was watching 8x06 live, EVERYTHING in me told me that this is a necessary section of the rom-com formula. Even the call-backs throughout the episode made me feel like the writers are so painfully aware, and that the narrative wants these characters to be together (Miceli’s, Abby, basketball, going to the movies, calling an uber, the loft kitchen, “you’re not ready”)—the motifs were absolutely popping off. I did not think it was the end when the episode ended. I wondered when and how they would find their way back to each other to fulfill the rom-com genre, but what I did NOT expect was to open social media and see articles framing this as the end. I wasn’t surprised when I found out who wrote the articles, and listen—if they bait one side of the fandom, can’t they bait the other? I still have some hope, because at the end of the day, anything can happen with network television. Maybe this is all part of the plan, and the interviews should be taken with a grain of salt. I just don’t know.

Interviews with Tim and Oliver from day one positioned the Buck and Tommy relationship as a queer love story devoid of trauma. Okay, well… huh. From where I was sitting, there was A TON of explicitly queer trauma exposed in 8x06. Their “hurdle” is tied utterly and completely to queerness. Tommy runs because he is a gay man who doesn’t trust that his bisexual boyfriend should “settle” for him, and who would rather be alone than heartbroken, and if that truly is the last of Tommy, it has to be one of the coldest and cruelest exits we’ve ever seen on this show. Do they simply not realize how deeply traumatized both characters come off in that episode, or is it all part of the plan? If the interviews positioning this as the permanent end of bucktommy should be taken at face value, shouldn’t the other interviews that position them as a rom-com (with the formulaic third act breakup, boils and all) be taken as the truth as well? If there was some misinterpretation, why hasn’t Tim said anything—he clearly knows a lot of fans were hurt by what they watched. He must have seen the outrage—why radio silence? Did we truly blow this out of proportion? Are the wheels coming off behind the scenes? I need a tell-all at this point lol

Thank you for the lovely ask, I’ve been sitting with these thoughts all week so this was a good excuse to finally articulate them. <3

[buddierecs]

jealous!eddie diaz buddie fics

all mature rating!!! make sure to kudos/comment on these amazing works :)

eddie diaz vs the pta agenda by: mmtion "really, eddie doesn’t care that the pta aren’t his biggest fan. he knows he misses too many meetings, and it’s not like he’s best friends with any of the other parents. it doesn’t affect christopher, so it doesn’t bother him. he’ll pay for the annual fundraising mugs and consider his duty done. but then buck picks christopher up from a class trip and it all goes to hell. like, of course buck is everyone’s dream guy. he’s responsible with kids, and kind, and funny and interesting and hot to touch. that’s obvious. but now eddie’s fighting to keep the pta moms, teachers, and dads, all off an unsuspecting and tempting buck. because eddie is a good friend. right?" word count: 19k important tags: idiots in love, oblivious!eddie diaz ripples all the way down by: iriswests "christopher partakes in some parent trapping" word count: 57k important tags: jealous!evan buckley, slow burn, miscommunication, happy ending a thousand ways to say i hate you by: morganofthefairies "five times eddie buys taylor fuck-you flowers, and one time he doesn't need to" word count: 8k important tags: 5+1 things, petty!eddie diaz, double dates, eddie/ana, buck/taylor, ana flores bashing, pining, ableism let me roll it to you by: woodchoc_magnum "in which eddie starts dating ana and buck starts dating around; eddie does not cope that well with change, buck is oblivious and everyone else thinks they're a pair of idiots." word count: 22k important tags: idiots in love, mutual pining, angst, humor, worried firefam i'm not the guy you're taking home by: woodchoc_magnum "in which buck discovers the wonders of bisexuality and eddie spends the entire fic pining for him in a big bad way." word count: 63k important tags: pining, oblivious!evan buckley, friends with benefits, team as family, coming out, angst, getting together did you know that my dreams, they're all the same by: sourwolfseblaine "tk visits los angeles to forget about his break up with carlos, buck needs to forget about his painful (what he thinks is unrequited) feelings for eddie. buck thought him and tk becoming rebound buddies would solve their problem, at least for one night, but it only makes it more complicated for him." word count: 7k important tags: 911 lone star, rebounds, pining, first kiss, love confessions, getting together, light angst this is josh, what's your emergency? by: eightpackdiaz "josh knew eddie was into buck way before eddie realised it himself" word count: 6.2k important tags: eddie & josh friendship, gay disaster!eddie diaz, getting together, feelings realisation, kissing eddie diaz vs garfield the cat by: sonayesul "buck brings home a cat one day and he and christopher love her. however, eddie doesn't and swears the cat is trying to steal buck from him." word count: 4k important tags: established relationship, crack, fluff, mild hurt/comfort, domestic fluff traded by: princessfbi "eddie wasn't trying to go viral. he just wanted to trade his jersey. but then something called booktok got involved." word count: 23k important tags: hocky au, bartender!eddie diaz, hockey player!evan buckley, social media, protective!eddie diaz, possessive!eddie diaz, mutual pining, getting together in my heart i wanted more by: woodchoc_magnum "set post-season 5, Episode 4 and 5 - in which buck and taylor's relationship is slowly crumbling, eddie has some big realisations about his sexuality, and true feelings are revealed." word count: 47k important tags: faling in love, getting together, team as family, mutual pining, protective!eddie diaz, panic attacks, first kiss let me fix it for you by: smilingbuckley "5 times eddie fixes or builds something for buck + 1 time buck thanks him for it (... sort of)" word count: 10k important tags: 5+1 things, getting together, eventual smut, mutual pining, fluff, idiots in love

[usomads]

Finisher // Roman Reigns x Reader (Pin Me Pt. 2)

Author’s Note -> Hiiii everyone! So many of you requested a part two to Pin Me, which again thank you so much for all the love on the first part. I honestly didn’t think of making it multiple parts when I first wrote this, but here we are and here it is lol! Happy reading!

Plot -> After pinning the Smackdown Women’s Champion in your mixed tag-team match with Roman Reigns, you gained popularity and with that your first singles title opportunity. You’ve never been more nervous for anything in your life, so your Tribal Chief helps ease your nerves before your match…

Pairings -> Roman Reigns x Fem!Reader (Y/N)

Warnings -> Cursing, Oral Sex (Fem!Receiving), Fingering, Gagging, Implied Smut, Not Proofread, MDNI

Word Count -> 3.0k

(time skip to the first Smackdown episode after Saturday Night’s Main Event)

“I’ve been your Smackdown Women’s Champion for nearly five months now, and since becoming your champion I have proved that I am the irresistible force and nobody can take this title from me. Not Bayley, not Naomi, not Tiffany, and esp-” Nia’s promo was cut short by your entrance music hitting, the crowd rising to their feet and popping loudly for your theme. Since pinning Nia at Saturday Night’s Main Event, you had taken the WWE Universe by storm; your social media following went up, more and more people were recognizing you in public, you had gotten exactly the recognition you wanted all along- and it was all thanks to Roman Reigns.

Since last Saturday and your “celebration” post-match, you’ve grown closer to Joe. You were getting to know each other better, spending more time together, and what you initially thought was a one-time thing in the heat of the moment was clearly not. Joe got his hands on you every chance he could, it didn’t matter where or when, if he wanted you he was going to have you. And who were you to turn down your Tribal Chief? 

Now, you two hadn’t defined your “relationship” just yet but you both were perfectly fine with the way things were at the moment- taking things slow and really getting to know each other (among other things) before making anything official. You were doing pretty well for yourself; you were gaining more traction than before and you had a fine ass man to go home to- you had zero complaints with how your life and career were going at the moment.

You emerged from backstage, microphone in hand, as the crowd roared at your entrance. You signaled for production to cut your music, walking confidently to the ring as you spoke. “Now, Nia, I know damn well you didn’t come in the ring to talk all this mess about ‘no one can beat me’ after last week… did you hit your head too hard during our match or something because I,” you paused, signaling to the crowd filling the arena, “as well as the entire WWE universe remember very clearly that I pinned you last week at Main Event.” The crowd cheered in response, boosting your already high confidence as you smirked at Nia. “If you’re soooo confident you can beat me one-on-one, then do it. Put your title on the line next week and let’s see how much of a ‘force’ you really are.”

“Oh, Y/N…” Nia mocked you, “it’s so adorable that you think you’re a threat to me and my title. That win you got last week, pinning me? Was pure luck.” Nia stepped to you, with little distance between you too as she glared down at you, “But unlike you, at least I don’t have to sleep with anyone to get my main event spots, I work hard for what I have. Do that first, then come talk to me.” That wasn’t in the fucking script, is she serious right now? Oh, if she wants to improv, best believe I can too. You swung without thinking twice, using the microphone in your hand to hit her on the side of the head. It was time for a fight. 

You and Nia took turns trying to go at each other, both of you countering the other until she blindsided you out of nowhere with a hit that made you see double for a second. You knew you were done after that, feeling blood trickle from a cut on your head created by her. She continued to attack you while you were down, the crowd booing with every hit she delivered. After your body had slumped in the center of the ring she grabbed you by your hair and pulled you up, showing your beaten and bloody face to the crowd and cameras. “This isn’t fantasy, Y/N, stop playing pretend with Roman and go back to catering where you fucking belong.” She threw your head back onto the mat and exited the ring as security and medical personnel rushed to the ring. You dragged your fatigued body out of the ring and backstage, refusing treatment from medical despite their protests. You walked into the locker room Joe and you now shared, while Joe was screaming at someone on the phone.

“Nick, are you fucking kidding me? There’s gotta be some form of punish- I don’t give a shit what the higher ups thought about it, she could’ve seriously injured Y/N, I-,” Joe paused, turning around and seeing you enter the locker room, “I gotta go. This conversation isn’t over.” Joe hung up on the GM and rushed over to you. “Baby, are you okay? Did she hurt you? Have you gotten looked at by-”

“No, Joe, and I’m not going to. Just please, drop it. I’m over it.”

“Well, I’m not. Why the fuck would she even say something like that? How would she have known about us?”

“I don’t fuckin’ know, Joe! Now leave it alone, seriously, I’m not in the goddamn mood.” You went silent, thinking about what you were going to do about Nia. You needed to do something different, something she would never see coming. Your priorities shifted completely after that segment, you now no longer wanted just the title. Your biggest priority, maybe even more than wanting the belt, was to beat the shit outta Nia Jax, no matter what it took.

“Babe, c’mon, you need to sit down. You’re gonna stress yourself into a heart attack if you don’t quit pacing around the room like that,” Joe was currently attempting to calm you down, you had been completely fine this past week you were training and promoting the match, but now that the show had officially started your overwhelming amount of confidence had completely vanished.

“Easy for you to say, title matches are second nature to you. Muscle memory. I  have never competed for a title before, I have every right to be freaking the fuck out right now, Joe,” you sighed. “It feels like everything just did a 180 degree turn, like I have so many eyes on me now and they all want me to beat Nia’s ass, and I just don’t know if I-”

“Hey, none of that. Y/N, look at me,” you slowly brought your head up to meet his eyes, the same ones that completely captivated your being just a couple weeks ago. “Whatever you’re about to say, don’t. That crowd out there knows exactly what you’re capable of, you know what you’re capable of, and I know what you’re capable of. I believe in you, baby, and if you can’t find it in you to believe in yourself then I’ll believe enough for the both of us. You got this, Y/N, I know you do.” Your heart melted at his words, the soothing and reassuring tone in his voice providing you some much needed comfort. 

“You still nervous, baby?” You nodded your head, looking down at your lap as he scooted closer to you on the couch. “I think I have an idea on how we can fix that. Do you trust me?”

“A-always, Joe.”

“Good girl.” He lifts your chin with his finger and passionately presses his lips to yours, resting his palm on the side of your face as you moan into the kiss. Your stomach flutters at his soft demeanor, feeling some of your nerves dissipate as his lips caress yours. He lays you down on the couch, hovering over you as he deepens the kiss. Breathless, he pulls away, leaning his forehead against yours and looking lovingly into your eyes. “You still feelin’ nervous, baby?”

“Y-yeah,” you breathed out, “a little less, but still pretty nervous.”

“I guess I’ll have to keep going then, don’t I?” His lips find their way back to yours, resting there for a moment before trailing along your jawbone and down your neck, leaving a few wet kisses at the base of your throat before continuing his path downward. Your breathing had picked up, and you were now looking down at him as his lips left a trail down your abdomen.

“A-are you sure we should… now? I mean, I have my match later and I-”

“Shhh, I promise I’ll be quick. Just wanna take care of you, help my baby out,” he muttered against your hip bone as he teased the lining of your ring gear you had been wearing. You sighed contently, leaning your head back against the arm of the couch and allowing yourself to relax into his touch. His fingers interlock in the lining of your bottoms as he looks up for you, asking for permission to remove them. You lift your hips off the couch, allowing him to slowly drag the material down your legs and throw them to the side. He snakes both hands up your legs, kneading the soft flesh of your thighs before splitting them apart and exposing you to him. Your body was so reactive to him- Joe loved how goosebumps would scatter across your skin at the brush of his lips or how your eyes would flutter closed and your eyebrows would scrunch together with just his touch, but most of all, he loved how how wet he made you without doing a thing to you. 

“Fuck, ma, always so ready for me,” you moaned loudly and bucked your hips, desperate for any sort of friction, “you gon’ have to be quiet for me, don’t want nobody to hear us, right baby?” You nodded and bit your lip, trying to hold in your cries and his fingers danced up the smooth skin of your inner thighs and through your folds, leaning down to make his face level with your core and presses a soft kiss on your clit before wrapping his lips around the swollen bud, nipping and sucking while he continues to drag his fingers along your slit before pushing a finger inside. His thrusts are slow, putting his focus on his mouth as he eats you with a burning intensity. His tongue works itself in ways that set your body on fire, the scruff of his beard along with it only adding to the sensation he’s giving you. The lip you’re biting to keep quiet is nearly drawing blood. You want to cry out, you want to moan his praises loud enough for the crowd inside the arena to hear, but you know you can’t so you continue to restrain yourself despite wanting to do the complete opposite.

He replaces his fingers with his tongue now, pumping it inside of you and using one to pin your hips down and the other to draw slow circles into your clit. This time you can’t help yourself; your clit is so sensitive that the second his fingers brushed it, you were done for. He pauses for a moment to remove his t-shirt he was wearing and you whine from the loss of contact, watching as he morphs the cotton material into a ball and hands it over to you, bringing his hand back down to your clit. “Bite down on this, since you can’t keep yourself quiet, I’ll make you.” You hesitate for a moment and look down at him, his features darkening and giving you a sly smirk before nodding his head. You bring the material to your lips before biting down on it, your senses being completely filled by Joe. He goes back to eating you as you moan into the cloth, the material successfully muffling your cries. Joe’s movements become more and more desperate, moving his tongue and fingers faster as he can sense you’re close. You can’t stop your moans now, saliva drooling from the corner of your mouth as you feel yourself getting closer to your release. Your legs begin to shake and Joe, noticing you were close, dives his head deeper into your pussy, trapping you with his mouth. Your eyes squeeze shut as you inhale, breathing in his scent and cologne you were using as a gag, triggering your own orgasm. You came on his tongue hard, shaking and moaning into the fabric of his shirt as he laps up your juices like an animal deprived of water. You even your breathing and throw his shirt back at him, the both of you laughing as he crawls on top of you.

“Oh, you wanna throw things at me do you? I might just have to teach you a le-”

Joe was interrupted by someone knocking on the door to his locker room. “Excuse me, Ms. Y/N? It’s almost time for your match, we need to head to Gorilla to finalize some things real quick.” You both sigh, him getting off of you as you put your bottoms back on in a rush. You make a run for the door to hurry and get to your position, but he grabs your arm to stop you. “You still feeling nervous?” You smiled at him and shook your head, going to thank him but getting cut off. “Good luck out there, baby. I’ll be waiting for you in Gorilla for you to show me that new title,” he kisses your cheek and you blush.

“Thank you, Joe, for everything. I mean it, I wouldn’t be doing this without you.” He gives you a soft smile and ushers you out the door, as you prepare yourself for possibly the biggest match of your entire career.

“Ughhh,” you groaned as Nia dragged you from the center of the ring to the corner, preparing to give you an Annihilator and win this match. From the jump Nia had punished you, much to the crowd’s distaste. It seemed like everybody in the arena had been behind you and you felt it, right up until the bell rang and she started throwing heavy combinations your way. You managed to sneak in a couple pieces of offense but none were convincing enough to give you any sort of edge. Nia got on the ropes, and performed the move. She remained seated on you, trying to get the pin. 1… 2… kick out. You pushed her off of you and sat on your heels, gripping your side. Jesus, my fuckin’ ribs. 

Finally to your feet, you unload on Nia as she laid on the ground. Kicks, punches, springboard moves, you threw the whole arsenal but each pin attempt gave a 1 or 2 count, and never close calls. You knew deep down you were going to have to do something completely insane to get this win, so you start stringing things together to get it done. You start by giving her a drop kick to send her to the outside, following her out, then throwing her into the steel steps. You dragged her by the hair to the announce table, laying her on it as you ran to the ring and climbed to the top rope. You made sure everyone near the table had cleared before crossing your heart and doing a senton, landing on Nia as the table and collapsing along with it. You could tell that Nia was nearly to the breaking point, so you mustered all the energy and strength you could to drag her back into the ring and climbed to the top rope once more. You hit your finisher, but wasn’t satisfied. You wanted no doubts, so you climbed up and hit it again, straddling her shoulders and hooking your arms around her legs. The arena was so loud you could barely hear the ref’s count. 1… 2… 3… ‘Here is your winner, and the NEW… WWE Women’s Champion… Y/N!’

You couldn’t even process what had just happened, all you wanted to do was get the hell out of that ring so you snatched the title from the ref and escaped. You slowed down when you made it to the stage, clutching the title in your arms and looking down at it with tears brimming your eyes. Your knees felt weak, and your heart was beating out of your chest. You did it. You triumphantly raised the title in the air, tears starting to fall as you smiled and took the moment in. After the cameras had cut and you had taken a few pictures with fans, you walked backstage only to be greeted with cheers. You made your way to everyone, getting pictures, hugs, and everything else in between before locking eyes with the man you wanted to see ever since your hand was raised. Joe. You practically ran to him, jumping into his arms and wrapping yours around his neck, hugging him tightly. He spun you around and smiled from ear to ear. 

“I’m so fuckin’ proud of you, baby. You had a helluva match out there, I knew you had it in you,” he kissed you sweetly right there, not caring who was watching as you grinned widely. “Now, let’s get you home,” he winked at you, setting you down before whispering low in your ear.

“We’ve got some more celebrating to do tonight.”

[crooked-wasteland]

It's been so odd seeing Ghostf*ckers currently sitting at 7.9m views two weeks later despite the boost of Hazbin's launch and the other episodes not doing anywhere near as bad; anything you feel might've factored into it?

I've mentioned it before, but I am happy to explain my perspective again. I obviously don't have the complete picture in front of me, so it's really only a grain of salt. More of a thought experiment than anything else.

For starters, the spike in views following Hazbin was a predictable boom and bust situation. There is a give and take with different styles of streaming, specifically around the trickle or binge models. More people will watch a series that is available to be binged vs one that is still in progress. Like some people who wait for the entire season to drop before picking up a new show. These sorts of drops see huge initial views, but people stop talking about the shows much faster.

The overlap of cultural impact as well as financial success makes Binging content appealing to the finance people, but the real money comes from maintaining cultural relevance. Which is why binge releases are generally criticized, especially by artistic people.

On the flip side, episode by episode releases, especially those like webcomics and web series need to maintain a sense of consistency to retain an audience. There must be deadlines that are achieved relatively consistently. It's even more important for content that is hosted on algorithm-heavy platforms like YouTube. It's why most content creators have an upload schedule to maintain their algorithms and promote their channel being recommended.

This is especially important on social media platforms because, generally speaking, only 10% of your audience are actually subscribed. While YouTubers don't get paid based on their subscriber count, it's used similarly to viewership. A channel like Mr. Beast has deals with mainstream studios like Amazon because of his subscriber count, in junction with the number of views he accrues.

The 10% active subscriber count is actually seen as a general positive so long as your views stay around that number, because it means others are being recommended your channel outside of your base. Once you get stuck in your "base" you're waiting for that thing ice to finally break. It means no one is discovering you and your legitimately risk losing everything. Most often from stale content, people becoming bored or disillusioned with what a creator is creating. And having no fresh eyes on your content, you will disappear in the algorithm eventually. For some people it means they can still survive just fine doing the same old things, for others (usually those who see the money before the art) it means the loss of everything.

The issue with inconsistent uploads is a major one that Medrano actually beat in the first season. The Vivziepop channel was so infrequently uploaded on, episodes being posted essentially the moment they were done, and yet Medrano maintained 35 M - 50 M views an episode (until Ozzie's which topped out at 28M before Hazbin Hotel, Medrano's first attempt at writing for the series).

So what I mean to say with that information is Medrano actually succeeded against the odds for the first season. She should have faded into obscurity, but the support for her show was legitimate and beat the odds of an inconsistent uploads schedule. I was never subscribed to her channel and didn't have Twitter until this year, but I would search Vivziepop every 3-5 months and usually saw a new episode had been uploaded in the last week to a few hours prior.

So while this is anecdotal, I'd argue that it was the general norm at the time. Reaching 35M when you only have 8.6M subscribers necessitates genuine effort of the part of the watchers to seek out the content themselves. And that's a good thing. You want people to be motivated to seek out your content on their own volition.

With that said, it explains all the possible, and probably, issues being had.

1) Upload Fatigue

Since viewership has fallen, Medrano has been posting more frequently to her channel. Mostly low-effort Vlog content that her main base is legitimately not invested in. People who love musicals and Broadway would recognize the low quality musical fodder Medrano creates. Animation fans, meanwhile, are not interested in celebrity actors being friends with Medrano.

That sort of content is what you see on Adin Ross' channel. If you don't know who that is, think Andrew Tate, but somehow more pathetic. The TL;DR is that his claim to fame was playing a video game with LeBron James' son. That's not what most people are really interested in, unless they carry the same fundamental psychology of the 'Man-osphere" or conservative grifters.

Additionally, these videos don't hit that 10% subscriber base. With 10.4 million subs, her lowest performing videos should still hit at least 1.4million views. Her major sale videos (Halloween and Valentine's mainly) still see this proper 10%

But the Vlog videos...

It isn't surprising that the video focusing on the fans being seen with Medrano and her friends would be the most watched, because of this mindset of piggy-backing self-worth off of someone else's name.

So for the fans that actually like the show, or at least want to support the series, are now being hit with a ton of videos they don't care about. Which can and usually does result in a loss of subscribers or your subscribers turning off their notifications for your channel.

2) The Show Left it's Base

Hazbin being aired on Amazon introduced many people to Vivziepop. There is a sense of quality that one expects from a big name like Amazon, regardless of how most of their shows they directly fund are not that great. But with the series leaving it's base, it offers new fans while threatening, and definitely delivering, a complimentary spike in criticism. Many people who would have accepted a subpar web series are going to be far more harsh of a show with a studio behind it.

With more voices discussing the issues of the series, it teaches people how to identify sub-par content and a lot of those people will lose interest in it once they realize the show isn't actually quality.

There are far more videos discussing the issues with Hazbin than there are of Helluva Boss for this reason, but once the luster is removed from one, inevitably it will impact the other.

3) The Story Sucks

This is obvious as we see more fans becoming less enthusiastic about the story. A badly written show can and will still be loved by those who love it. But it has become more obvious that the writing isn't subversive, just negligent. The characters aren't complicated, they are puppets. The creators aren't creative, they are regurgitating tropes without substance. The emotions are hollow.

But worse than any of that is that the show is contradictory to itself. Which makes the show feel unreliable, but that leads to the last point:

4) Medrano Exposed Herself as an Unlikeable Person

Medrano's description for Apology Tour exposed her to her YouTube base. YouTube is a place that craves authenticity, to the point they have manufactured it. There is a right and wrong way to be on YouTube, and the right way requires a ton of accountability, even when you probably don't owe anyone it. But accountability is something you must have on the platform, and Medrano was a bit too personal in how she made excuses for Stolas while not playing an even hand towards her main character.

That sort of attitude, fictional or not, will result in people turning their back on you. People have lost their whole channels over the same attitude. And the way Medrano handled it was responding to her twitter fandom criticizing the show, letting everyone know she doesn't see anything wrong with the behavior being expressed.

And that doesn't really sit well on YouTube. Not in the communities she's trying to cater to.

And like I said, this is all with a grain of salt as I can't say for certain. To be safe I believe a little of all of these play a role in Medrano's decline, but all of it is just my opinion.

With that said, to see such a steep decline of almost 50% of your audience, while knowing that many of those who are still fans are viewing each episode about 1-2 times a day for about a week, that means 2 in every 5-7 views are the same person. So 8M, while respectable for the platform, is a huge blow.

[mistyheartrbs]

something else i thought was really interesting about i saw the tv glow was the way that there's never really talk about like...the pink opaque as fiction/the pink opaque as a creative work - which makes perfect sense since within the movie as a fable, the pink opaque is a metaphor and is moreover more real than "reality," but on the fandom-engagement level it stood out to me!

i'm again speaking from experiences about a generation removed from the 90s/early aughts era and i think there's very much something to be said of modern fandom and the way it's moved into this weird space of desiring validation/"canonicity" from showrunners, much to do with the ease of accessibility to those people. two kids in the jersey suburbs in the 1990s wouldn't be able to just reach out to the pink opaque writers the way that a contemporary audience can dm/reply to/etc. showrunners on social media etc now. but even so, it's a glaring sort of absence - when we see the pink opaque opening theme, the character names show up where you'd expect actor names (and where actor names do show up in the buffy theme, which was a major inspiration). we don't know how long it's been on the air or who created it or where "the county" even is (because it doesn't matter, because the suburbs are the same everywhere forever)

we know it's at least a pseudo-popular series - it runs for five seasons, and merch exists (the episode guide maddy has in the beginning) - but because the film is essentially a two-hander we don't see a wider world engaging with it. because isn't that how it always is? the story is what you make it.

and the streaming version in the third act pushes this even further - it's a different show entirely, again because isttvg is a fable, it's not a literal movie, and it pushes you against a literalist reading. it's different because owen/isabel is miserable and can't even take solace in this thing she loved anymore. it's different because if you watch something alone it's a world away from watching it with your friend. it's different because somebody ripped out its heart.

[taekooktimeline]

Hello 👋🏽

I’ve completed uploading episodes 1-4 of “are you sure” 🥳It goes without saying, but this is a Taekook focused blog so all of these posts, just like all my other posts, highlight Taekook and their bond (or in some instances, my posts archive important pieces of information so others can’t distort facts).

I wanted to upload episode 3 as one post, and episode 4 as one post, but Tumblr wouldn’t let that happen due to their sizes. When I shrank photos to make each episode one post, text and images became blurred and my OCD couldn’t stand it. I hate that they each have 2 posts, but I preferred it to the alternative of unreadable pieces.

I’m not sure if I’ve ever gone in depth about the uploading process? It’s quite an undertaking for long pieces. I first draft the posts in Google docs. This can take days as I rewatch things, chat with friends and gather what people have noticed from my timeline. One episode can take 3-4 hours to watch, as I draft as I go and then go back through and fill in further, then tighten it all up.

After this, I upload the draft into Word Press. It’s not straightforward anymore. When I copy and paste the draft into WP, only the text follows. I have to then go back to Google docs and copy / paste the pictures one by one, and then add the timestamps and hyperlinks under these pictures.

Once that’s done, I convert the post into HTML code. I can’t simply hit “select all.” I have to drag my finger down the entire post and carefully hit copy, or else I erase the whole post (which has happened). I then copy / paste the HTML code into my email and email it to myself.

From there, I copy / paste the code and upload it into Tumblr. Tumblr won’t let me post more than 30 photos a post now, sadly, which means splitting posts up. I have to read the HTML code and decide where to break things up.

I upload the post, then reblog it to its respective year, so you can read the post in the “main” timeline, but also in chronological order in the year it happened. When it’s reblogged to its year of occurrence, I have to scroll to events that happened around that date to determine what backdate to make that piece, so it lands in the correct spot of the timeline.

Uploading these posts took me all morning. Factoring in drafting, I spent at least 2-2.5 days on these episodes.

I’m not sure why I felt like sharing that today, except that I wanted to really take a moment and sincerely thank anyone who stops by to read my blog and let you know it’s so appreciated. Even if no one read this blog, I archive Taekook’s moments as one way of supporting them. I really enjoy preserving their moments - we have so many! - and looking back fondly.

So I’d do it no matter if no one read this, but knowing people do read this blog and treasure it as much as I do means so much to me. I’m thankful for the friendships formed, the people I’ve been able to talk to and some I’ve been fortunate to meet in real life, and it’s all thanks to this blog.

Not only that, my anxiety gets the best of me. I greatly admire those who tweet on Twitter, or post on Instagram, without giving much thought. I can’t do it. I wish I could. I will sit on posts, get anxious, bail out of posting, or post then mute because I’m so tense. I’m not sure why that is. Sometimes I wish my accounts were smaller so I could maybe feel more comfortable freely speaking my mind. But I also think I’d be anxious no matter what because social media is so toxic and dark and my energy can’t stand it. It doesn’t help I’m still trying to figure out my medical mysteries, and that’s been such a drain on my energy. I can’t find it in me to do much more than lurk on Twitter and IG right now.

Here on tumblr, I feel like I’m in my little safe space. It’s quiet here, I post my pieces and show my support, and my support is measured in a more meaningful way for who I am as a person (in addition to streaming, buying their merch etc). I really am so grateful for this space. We all support in our ways and though I wish I was bolder on TW and IG, I appreciate those who are and I also appreciate that we are all here to equally love and support Tae and Jk. That’s what matters.

So if you’re reading this, I want to thank you from the bottom of my heart for being here and reading this blog💜💚

[dubiousculturalartifact]

Obviously I’ve been queerbaited before, like, a genuinely incalculable number of times, and maybe thinking Buddie might actually go canon is a ‘fool me sixteen times, shame on me’ scenario, but I think one big thing that’s keeping my hope alive is this thought: If you genuinely believe that Buddie isn’t going to go canon, 100% zero possibility and absolutely no intention of trying... Then you also have to believe the people who create the show we’re all fans of are purposefully cruel dicks. 

Because we have SEEN what it looks like when the showrunner of 911 knows there is no possibility of it happening, has no plans of it, and is generally trying to avoid accusations of queerbaiting.

It looks like S5 & S6. Little bits here and there, the odd important scene to throw breadcrumbs… but a lot of keeping the two characters apart, being circumspect in interviews, PR shut downs on the actors, etc. The show has proven they are capable and willing to exactly that!

So indulge me, and imagine for a second. They had the conversation with the new network, and the execs told them they wanted to continue with the status quo, to write as if Buddie is never going to go canon, BUT were willing to bend so far as to make one of them queer, to keep the fans happy.

What would that look like?

I don't know, call me foolish.... But I think it would look like keeping the same dynamic from The Drought Seasons. Having them be friends and important to each other but still fairly disconnected, not having as much screen-time, etc, It would look like having Buck’s coming out arc be a SEPARATE, individual narrative. If they just wanted to write Tommy and Buck, and that's it, they could have done things differently.

There are just so many conceivable ways they could have written Buck’s coming out arc, to almost completely separate it from Eddie and have it be made clear, in no uncertain terms, that Buck is bi but that doesn’t mean he cares about Eddie like that, that Eddie is a hetero McHetero.

Buck’s coming out arc could have included him being jealous because he’s suddenly faced with Tommy in the flesh and is insecure about how he was technically ‘Tommy’s replacement’ at the 911, with Eddie not relevant to it at all, or have Maddie and Chimney be the ones to interrupt The Date, or literally any other scenario that didn’t make it all about Eddie. 

They could have had one short scene where Eddie and Buck talk about it, and then the rest would be like, Buck talking to Hen about being queer, Buck interacting just with Tommy and getting to know him, Buck doing a research binge about bisexuality and info-dumping at an inappropriate time during a call, etc etc etc.

That’s how you tell that story and only be writing it for the proverbial ‘general audience’.

But they didn't. They purposefully reversed direction. They chose for Buck’s coming out arc to... highlight his nigh-feral jealousy over Eddie forming a homosocial bond with another guy, having said guy repeat with genuine surprise and shock that it was him and not Eddie that Buck was interested in, have Eddie interrupt their date, have Buck be more worried about lying to Eddie than the fact that he’s queer at all, have Maddie say what she did to Buck about telling Eddie in specifically ambiguous terms…

In a season that also included the Fire Extinguisher Incident, and Buck saying he ‘wishes he could help’ with Eddie’s sexual frustration, and a big increase in social media engagement, and having Buck being Eddie’s rock in the last few episodes while he had a bizarrely platonic affair with his dead wife's doppleganger…

If they did that while KNOWING the plan was actually for Buck/Tommy endgame and Eddie riding off in the sunset with a hot female firefighter who has a cool motorcycle or whatever the fuck, or them both dying in a freak car-washing accident, or….

If they GENUINELY planned that? If the entire Buck jealousy plotline was intended to be nothing more than a deliberate queerbait-and-switch? Then they’re fucking assholes, sorry. They would have to know full well exactly what they were doing, how many people’s hopes and emotional investment they were toying with... If they were actually planning to keep dragging it along for seasons more of baiting and dangling things in front of us, while knowing categorically that they had no plans to deliver? That would be genuinely GOD TIER levels of specific, intentional queerbaiting.

Which could be the case! I won't deny that. Shows have done it before, plenty of times. Tim et al could be callous bastards deliberately instructing the actors to wink it up in interviews and share suggestive Tiktoks, and writing Buck’s coming out arc as being entirely focused around Eddie and throwing out hints... All while laughing behind Buddie fans' backs about our gullibility, how we’re keeping the show trending on the force of our delusions, etc. Maybe that's it! Maybe they just genuinely enjoying fucking with people. Or maybe they were just shitty enough writers that they didn't know what they were doing, and it was all a total accident, somehow, the proverbial monkeys pounding at keyboards and accidentally spelling out B U D D I...

But you know what? Call it naive, but I prefer to think they’re not huge assholes, or hugely incompetent.

That there might actually be a point to all this, somewhere down the line.

I guess we'll find out.

[utilitycaster]

How can Molly's death be considered a major mistake? It's the crux of the entire campaign.

so I think about this a lot, because you're right, and it really comes down to like...a lot of factors in how people interact with fiction, and some stuff I feel about fandom.

The short answer is that Molly is some people's favorite character, and they really wanted to watch him for 141 episodes and not just 26, and they didn't get to, and so it's valid to feel sad about that. But I think what personally grinds my gears is the idea that it's a mistake and because this is a Fan Favorite character he SHOULD have come back. Setting aside the fact that he had both his fans and his detractors from the start and a lot of people (myself included) who found him irritating didn't say much for a good chunk of C2 because, well, he was dead, this isn't a fucking competitive reality show. You don't get to vote on your phones to decide who wins a resurrection.

I think the longer answer is that there is a certain type of person in fandom, born of a certain type of person in social media communities, who just...is not willing or interested in considering not just that their experiences, preferences, and philosophy are not universal, but also that they are not objectively best and correct and that everyone who disagrees is wrong. It's often really common in, though not exclusive to, people who have particularly limited experiences - young (like, teenager/early 20s), people who haven't lived in a diverse area or in multiple different areas, people who for whatever reason do not get out much - which both makes sense (haven't been exposed to a ton of different perspectives irl) but also means that you get people who, for all they may talk about global politics, kind of unconsciously seem to act as though everyone they interact with online is a variant of someone from the same 3000 person town in the United States in which they've spent all 21 years of their life. ANYWAY getting back to the main point I feel like Molly attracted a lot of that kind of person, who just...doesn't get that while Molly is, to them, a deeply validating expression of gender identity, for many people he is "guy you meet at your friend's birthday party in a two-bedroom 6 floor walk up and within 5 seconds he has pissed you off so profoundly with his overfamiliarity that you go into the kitchen and mainline as much vanilla vodka as possible to not stab this guy with a secondhand knife that says "CHEESE!" on it even though you hate vanilla vodka and it's summer in NYC and you're on the 6th floor in a small apartment with too many people so it's approximately 117 degrees Fahrenheit in this kitchen and the vodka isn't much cooler, and you succeed in this goal, and then after sending your friend who couldn't make it because they were at a family thing that weekend a picture of a rat on the tracks of the 3 train with a caption "this u?" at 1:54 in the morning you're like "so this guy Molly was there" and they're like "oh my god I met him at Cameron's last party, he SUCKS" and you're like "I KNOW". Like a lot of people just do not get that Molly was very popular with their circle, and also a lot of people either were neutral-to-not-feeling-it. This is before we get into the post-death idealization of who he was that takes him from "irritating but I think he'd have grown on me in some ways eventually had he lived" to "horrible and insufferable fake-ass bitch."

And then we get to the true impasse: the idea that something that does not fulfill every single one of your personal wishes might still be a great story.

I'm certainly not perfect, and there's things I thought I wanted for the end of C2 that I didn't get, and there's some things I do wish we'd have gotten to see (or that we'd have done in C3), but I like to think that I try to remain at least partially open to the possibilities. I like to think that my enjoyment of a story isn't contingent on whether one single character survives, even if they are my favorite (and I say this as someone whose favorite ASOIAF character was immediately Ned Stark, a statement that should surprise no one who follows me) nor that the story precisely reaffirms my existing worldview. I want stories to tell me something new and interesting that wouldn't come from my own head, and I want them to sell me on it. I think that a lot of people lost the thread of the importance of representation, namely, they forgot that while it's great to see people like you in a story, you should also be trying to see people not like you and perspectives that aren't yours. I am extremely defensive of my and other people's right to say "I didn't like this story and here is why" without someone being like "Give it a chance! Here's why I think it's good" but at the same time, there is a difference between "I really wish Molly had stayed alive and I don't like that he died," and "everything that happened after he died was A Mistake because it wasn't what I Wanted, and someone should fix this." Like that's what toddlers do. That's not an adult way of interacting with narrative.

So those people don't even get to the point of "the entire campaign is deeply influenced by the loss of Molly; that is what binds the rest of the Nein together and makes them what they are; the fact that Lucien wears the face of a departed friend is crucial to the entire final arc comprising about 20% of the campaign; and the fact that he does not come back, but someone new, with new chances and new choices to make does is emblematic of a campaign about people who find that they cannot undo their pasts, but neither are they trapped or damned by them." They're stuck at "guy I liked died and I'm throwing a tantrum 6 years later."

[let-roman-bite-someone]

so remember that gaslight, gatekeep, girlboss post i made about the dark sides? a lot of people said i should swap Janus and Remus because Janus fit the gaslighting part a lot more. and you know me, i love to overanalyze things so let me just talk about this.

yes, Janus is the liar. he is the embodiment of deceit. and with the usage of “gaslight” spreading on the internet, a lot of people don’t seem to know its exact meaning and they just misuse it. nowadays, the general consensus is that any type of lying is automatically gaslighting. your friend told you that she was at home when really she was out all night partying? gaslighting. the cashier at your local coffee shop told you that they don’t accept cash? gaslighting. some guy in the street looked at you? GASLIGHTING.

as a psych student, this trend is driving me crazy. gaslighting isn’t just lying. it’s the act of intentionally making another person question their reality or sanity.

gaslighting: psychological manipulation of a person usually over an extended period of time that causes the victim to question the validity of their own thoughts, perception of reality, or memories and typically leads to confusion, loss of confidence and self-esteem, and uncertainty of one's emotional or mental stability.

it is a form of manipulation that doesn’t necessarily involve lying. yes, in most cases, gaslighting involves lying or greatly exaggerating the truth. but even though lying is associated with gaslighting, they are not the same thing.

and in Thomas’ case specifically, Janus never makes Thomas question his own sanity. he makes Thomas question the morals he believes in and his idea of selflessness, and that was a good thing.

REMUS however. HOO BOY.

in just ONE episode, Remus manages to make Thomas think that he is mentally unstable and capable of being a serial criminal. Virgil quite literally decides that Thomas is in complete control of his thoughts and is therefore mentally deranged and dangerous.

this was quite literally the entire plot of DWIT, the fact that Thomas begins questioning his sanity because of the intrusive thoughts that Remus put into his head. Remus keeps telling Thomas that his intrusive thoughts were an indicator of his morals and his sanity. i think it’s safe to say that Remus is indeed the gaslighter among all the sides.

of course, that’s only if you view the sides as individual characters and not parts of Thomas himself. practically speaking, you cannot gaslight yourself, even if social media says that you can. and at the end of the day, Remus does have a purpose as one of Thomas’ sides and i’m not making a statement on whether he’s good or evil.

i guess you could put it this way: Remus is the product of gaslighting.

in a way, at least. Thomas’ religious views fed him lies about actions being a precursor to thought, and that is what brought about this whole conflict.

so yeah, Remus is a better candidate for gaslighting than Janus is. i rest my case.

[mamisfavmosher]

Rhea x reader where he forgets Readers birthday because of how busy she's been and reader is upset she forgot, but Rhea makes it up to them in the end?

okay this wasn't specified smut so i just didn't write any.....

melting birthday candles // rhea ripley x fem!reader

warnings: language, suggestive language, slight angst

Readers POV

Rhea would be home any minute now and I was so excited. Today is my birthday and she promised that she would be home from work early to celebrate the night with me. I had everything set up, too.

There were balloons in my favorite colors floating in the air, all of the best candies in a bowl on the counter that are ready to go for the movie we're watching later on, and I even baked and decorated my own birthday cake.

All I needed now is Rhea.

I checked my phone to see if she had sent any messages on what time she would be arriving, but nothing appeared. Shrugging, I plopped down on the couch and watched some TV while I waited.

Time went by slowly as I watched episode after episode of old reruns. Maybe something happened? I checked my phone time after time and still got nothing. Curiously, I scrolled through social media. Clicking on Dom's story, a video popped up of all of them at a bar, laughing and smiling.

Tears stung my eyes as I accepted the sinking feeling that Rhea forgot my birthday. Sighing, I tidied up the kitchen and placed my cake in the fridge, tears continuously falling down my cheeks. I climbed into bed and fell asleep, hoping to forget all about today.

***

"Sorry, babe. Didn't mean to wake you up." Rhea whispered as she climbed into bed beside me. For a split second, I felt joy as I realized she was home, but quickly remembered the sadness she had caused me earlier. I remained silent and turned to sleep facing away from her. "Babe?"

"What?" My voice was more harsh than intended, but I guess it got the point across.

I felt her go still. "What's wrong? Did I do something?" She gently placed her hand on my arm and I quickly shrugged it off.

"Doesn't matter. Let me go back to sleep." I muttered while attempting to turn my body away from her even more.

Rhea's arm snaked around my waist and pulled me to face her. "Babe, it does matter. Whatever I did, I swear I'll make it up to you. I promise."

"Rhea, do you know why today was so special? Hm?" I sat up and crossed my arms. I watched as she slowly shook her head before talking again. "You should know! You promised to come home early from work to be with me. It's my birthday, Rhea! And you left me here to celebrate by myself!"

Her face immediately dropped. "Shit, baby, I'm sorry. Please, I'm so sorry. I completely forgot." She reached out to grab me, and this time, I cuddled into her embrace. Kissing my head and all parts of my face, she continued apologizing. "Can we re-celebrate tomorrow? I'll take the entire day off and we can do whatever you want?" Her hands held my face to look at her and a small smile crept onto my lips.

"Yeah. I guess we can do that." I giggled as she attacked my face with kisses.

"I really am sorry, babygirl," she sighed into my neck. "Is there anything I can do to make it up to you right now?" She asked with a suggestive tone, her fingers playing with the waistband of my pajama shorts.

I hummed in pretend thought and smiled at her. "You know, there is something you can do."

"Yeah?"

"Yeah." And with that, I pulled Rhea out of bed and down the stairs to try my homemade birthday cake, which she loved.

[moonlit-escape]

. ☠︎︎.˖⚝๋࣭⭑ֶָ֢♱ Gene Mystreet headcanons !!

my third and final favourite mystreet character. he's so silly i need to beat his ass

5'7.4 (171.2cm)

hispanic

bisexual (it runs in the family. their mom is bi too)

the eyebags aren't just bc he's has a god awful sleep schedule, they're actually hereditary (dante covers his with cucumbers and a skincare routine)

only speaks in spanish when he's losing his shit (arguing, panicking, tripped and scraped his knee on the sidewalk)

god can that boy dance

honestly just really loves cats

he went through a rough patch in uni and it sort of gave him a major wake up call as to just how he was doing and what kind of person he was and wanted to be

he, zenix, and sasha went their separate ways during uni, but tried to keep mostly in touch until eventually coming back together as roomies

god he would have just. the Worst depression meals. bro eats macaroni cheese dust in a glass with milk like it's a fucking nesquik packet. takes apart oreos and eats all the cream off, then puts pieces of ham in between them like theyre goddamn lunchable crackers. makes mayonnaise and jello sandwiches. takis and sweet relish. sasha and zenix have to make sure they come home on time and cook something before he puts whatever fucking concoction he makes into his body.

but he's actually a pretty damn good cook (when he's Not in a depressive episode)

learned to read fairly quickly, so he would always read dante to sleep

HARD gifted kid burnout like my man crashed and burned at 16

but now he's just a silly little nerd

favourite ninja turtle is donatello (mainly bc his fav color is purple)

he likes anime a lot, honestly. especially from 1990 to 2000s

plays mihoyo games. his mains are, respectively; cyno (genshin), jing yuan (hsr), and anton (zenless). This is a meta joke.

piercings,,, pirericngs,,,,, yesssss ,.

typa guy to use kaomoji and cat emoticons and send you cat videos off of youtube

the only social media he has is tumblr and reddit his punkass doesnt fw any other

he'd probably get a tattoo. maybe for his sweet girl, Apple, the poor thing

wants another cat, but he wants to give sasha and zenix no other choice but to let him take one in, so he's up Praying a stray will find him and follow him home

*opens his wallet and an entire roll of dante's baby pictures fall out* "UHM- UH- FWUH- I WAS HOLDING THESE FOR MY MOM-" dante, travis, and aph tear up on the spot

carries an epipen on his person at all times in case of emergencies. it was something he did growing up with dante, just in case the kid had something with peanuts, and it just kinda followed him into adulthood

was never that mean to travis, since he was dante's best friend, but he was never careful around him either, so

him and garroth actually end up being great friends who just spend most of their conversations gushing about mutual interests (their baby brothers, cats, video games) or sassing each other off

no wait bc why would his taste in men absolutely be himbos. (or at least just very sweet, kind-hearted people)

he calls people by specific little terms of endearment, depending on the type of response. that doesnt make sense. let me elaborate.

uses "babe" or "honey" when someone is in distress or upset ("oh, honey,,")

uses "bucko" or "buddy" when someone mouths off at him ("oookay there, buddy." "alright then, bucko.")

you get it now

the type of friend that is Always ready to back you up on your bullshit. absolutely no hesitation

he really didn't have a crush on aph, he was just a Grade A Asshole who thought it was fun to fuck with people

because he was viciously jealous of people who were capable of being happy and having good lives

not that he had a particularly awful, hard life. sure, his family had their struggles, but they were getting by. yes, he has felt like there was something deeply wrong with him that has been present within himself since even before he was born that made most people avoid him like he was on a secret list. but it was fine

he just knew that he had a sick feeling in him, and the only way he'd feel anything else was if he was a mean little asshole

some nights, it did scare him. it frightened him how bitter his tongue always tasted

and all of the time, constantly, buried beneath the feelings of hate, he felt guilt. he felt so, so much guilt. but, his only coping mechanism for when he's feeling bad is to do more bad things, and pretend he's always in the right

and, eventually, he broke. he broke down hard. now, since he's seen that his first plan to get rid of this feeling of skin-deep sin has failed, he's decided to try the other way. to atone

[slavghoul]

Interview from Rock Hard [FR] Magazine 5/2023

In which Tobias talks about Spillways, Phantomime, how he chooses what songs to cover, the state of the world, why he loves churches, and some touring technicalities.

--

Rock Hard: Let's go back to the version of "Spillways" that you recorded with Joe Elliott, the singer of Def Leppard. How did this collaboration come about?

Unfortunately, this story is less sexy than it would have been if I could have done exactly what I wanted. Before Impera was released, I regularly mentioned Def Leppard in interviews because some of the experimentation on that album was inspired by that band, their writing style. […] As I often mentioned Def Leppard, people around me eventually told me that Joe Elliott and Phil Collen regularly spoke highly of Ghost in interviews. Since I obviously thought it was cool, someone suggested a collaboration. A good collaboration shouldn't be forced, it should happen naturally. The best ones are often the ones that weren't supposed to happen. Two drunk musicians somewhere accidentally writing a good song... Crosby, Stills & Nash style. People who, by chance, find themselves together in a different context from the one they are used to and do something together, by accident. Something magical! That's how I would ideally have wanted it to happen. So I said I was ready to call Joe Elliott and see if we had a rapport. We started talking on the phone and texting a lot, me living in Sweden and him in Dublin. As we were both on the move almost all the time, and he was on tour, we couldn't meet. Suddenly, out of nowhere, he tells me that he has recorded some vocals for 'Spillways'! Quite frankly, I was surprised because I wasn't expecting it. I was anticipating a possible collaboration, but in a different way. To be honest, I thought we would create something new later on. But when I heard the result, I thought two things. Firstly, I found it very flattering. Secondly, I thought Joe brought something new and cool to "Spillways".

But you would have preferred to have the opportunity to write a new song with him.

Yes, that's the way I saw it, but I'm happy with the way it turned out. And then I said to Joe, "You know how we post those funny little episodes on our social media?" He replied "Yes, I think I saw that!" and kindly agreed to participate in one of them. Nowadays, many artists are over-solicited to record video clips for anything and everything in order to keep their channels updated: "Come and see us in concert in such and such a city!", etc. etc. The aim is obviously to keep the media space occupied.

By creating "content"!

Exactly! And that's exactly what I don't want to do. That's why, instead of all this crap, we started some time ago to create these little humorous episodes. One day, for example, I came up with the idea of an episode set in 1969 featuring a sort of "pre-Ghost" group. To do this, I obviously had to write a new song, which I did with this psychedelic track, 'Kiss The Go-Goat', which I thought was funny. When we recorded it, 'Mary On A Cross', another song of the same type, came along. So we ended up with two sides of a single that became 'Seven Inches Of Satanic Panic.’ Instead of just announcing the release on our networks, we chose to shoot a new video in which we featured Papa Nihil and explained the origins of this so-called 'pre-Ghost' band. I thought it was a much more clever and fun way of presenting the single. We do the same when it comes to announcing an album release or a future tour. Joe Elliott has a great sense of humour and is capable of self-mockery, so he kindly agreed to play this little game.

Ghost have made a habit of releasing an EP between their albums, mostly, if not entirely, made up of covers: If You Have Ghost (2013), Popestar (2016) and now Phantomime. How is it not just about “creating content”?

For me, it's a kind of exercise. I like analogies. Let's imagine that the place we are in is a theatre, and that this theatre, in order to be viable, has to host performances all year round. At least fifty weeks a year. Daytime rehearsals, evening performances... You are the director of the place and you know that the play that is currently being performed there will end at the end of the month. So you look for something else to program in order to make the most of the place and keep your staff busy. Maybe an old classic like Doctor Glass (Hjalmar Söderberg, 1905), an adaptation of John Steinbeck, or a rereading of Shakespeare's Hamlet that you could revisit by inviting this actor or that director, renting out your theatre for three extra months for the occasion. Working on this old material, even if it means not releasing it if it doesn't work. We do that to keep the team active, enthusiastic, focused. That's my way of working. I worked simultaneously on the Impera album and the demos of the covers that are on Phantomime. One day I could record 'Spillways' and two hours before leaving the studio to go home, I could look at any of the covers and decide which ones to keep. So, as soon as Impera was finished, I was able to concentrate on those covers that the album's producer wasn't interested in putting on the record. Which was fine with me. I spent some time sorting out the covers I had recorded as demos. There were ten in total, but I only kept five. Because with those five tracks I thought I could come up with a really strong rock EP. In my albums, there are highs, lows, really metal tracks, ballads, instrumentals, etc. So I thought it was a good idea to make a really strong rock EP. I felt it would be cool if this new EP was viscerally rock’n’roll. The opening track, "See No Evil" by Television, sounds like the Rolling Stones on methamphetamine! (laughs)

You like the songs you cover, that's a prerequisite. But their lyrics also play a very important role in your choice.

Yes, that's what makes me choose a song or not.

Is that the number one criterion?

Erm... (he thinks for a long time) If I hesitate between two songs, yes, absolutely! Let's go back to Leonard Cohen, for example. For the bonus tracks of Prequelle, I chose "Avalanche" because it seemed to me to have a biblical and existential significance. This was not the case with 'Take This Waltz', another Cohen song that I liked as much, if not more. The latter, with its Viennese waltz feel, would have metaphorically taken us to Austria, which would not have been very coherent, unfortunately.

Should these covers speak about God, the Devil, ask questions about religion?

They must speak about evil, about good. Be existential, biblical, philosophical, but seen from a certain perspective. Or at least tick one of those boxes, like 'Hanging Around' (The Stranglers) which is about Christ. Some of the other covers I've recorded are more specific, such as 'Phantom Of The Opera' (Iron Maiden), which is about horror. I also make my choice according to the humour of the songs I want to cover. It should be close to my own sense of humour.

You mentioned the first Phantomime cover, "See No Evil". It takes on a different resonance today because, on January 28, 2023, we sadly learned of the death of Tom Verlaine, the leader of Television.

When I recorded this cover in 2021, just after completing Impera, it was already a tribute. But obviously, with Tom's death, this song takes on another resonance, that of a final posthumous salute. I've been listening to Television for twenty years, and I love them and have always considered them a great band. In indie clubs they always play the same song, 'Marquee Moon', but Television had many other good songs, especially on their first two albums: Marquee Moon (1977) and Adventure (1978). I like those two best. It's a band that had a huge influence on one of my previous bands, Subvision. So much so that at the time, I thought several times of covering Television songs that I loved: "See No Evil", but also "Elevation" and "Foxhole".

The first single from Phantomime is Genesis' 'Jesus He Knows Me', a scathing critique of televangelist stars like Jimmy Swaggart, Jim Bakker and Robert Tilton. Ugly people who have made their fortune by 'promising salvation’ to naive believers for big bucks. Can we expect to see you wearing a wig in its video, as singer/drummer Phil Collins did in the original video for this song in 1991? 

(Laughs) We've already shot the video for this cover version (editor’s note: the interview was conducted on 11 March 2023) and I'm not in it, but it's a direct nod to the original video. I've always liked this song - except for the reggae part, which I thought was horrible in the Genesis version and which I reworked - and it's funny to see how this 1991 text is still relevant today. Except, of course, for a few "old-time" words, like "phone book". The televangelists are still there on television promising things to people who take their word for it and shower them with money because they are assured of "salvation", they are promised heaven. I also rearranged Iron Maiden's 'Phantom of The Opera' after taking care to contact Steve Harris for his approval.

Indeed, in your retelling of this song, you are the Phantom and not its victim...

Yes, I wanted to be the Phantom. I submitted the idea to Steve, who gave me the green light. I only made some surgical changes. Similarly, I would have liked to have proposed the same thing to Phil Collins so that the text of "Jesus He Knows Me" would have been more in line with the times. Change, for example, "but she don't know about my girlfriend / or the man I met last night" to "or the dude I screwed last night". Alas, lack of time prevented me from doing so. And then, since this was a slippery slope, I thought: - What if Collins refuses? Or what if he gets pissed off? - We could have made these changes without asking anyone's permission - as long as the artists get their royalties, it's not a problem - but there was no way I was going to do it. Neither I nor my label wanted to alienate anyone, obviously.

In 1977, in "Hanging Around" by The Stranglers, which you also cover on Phantomime, the singer Hugh Cornwell sings about several things, but also about Christ "telling his mother not to worry because he's comfortable in the city where he's high above the ground". Is that why you chose it?

Actually, the key thing that made me choose this song from the band over any other is that I grew up listening to the album it's taken from, Rattus Norvegicus (1977), the Stranglers' first release. There are a lot of songs on that album that I would have loved to play because, as a musician, I really like to play those kinds of songs. ‘Hanging Around' was a good fit for us because of the lyrics, but also because it was more in keeping with our style. Ghost are obviously a metal and hard rock band, but also have a strong punk sensibility. Punk, but well played (smiles). For me, The Stranglers have always done "well played punk": this band knows how to play, how to arrange its music, unlike GBH and Discharge, to name but two. Mind you, I also like the latter, but not for the same reasons. A lot of punk bands from the late 70s/early 80s sounded "sloppy". It wasn't for lack of trying to play better. When The Clash and The Jam went into the studio, they tried to do their best and they sounded great! The same goes for The Adverts. Those guys were doing their best. Nowadays, some people think that being a punk is to play badly on purpose, to be messy. No, no, no ! But I digress...

What is the reason for the nod to Metallica's 'Fade To Black' in the solo on 'Hanging Around'?

Just for fun. When I'm working on a guitar solo, I throw things in here and there, like a messy painter. It's like stretching a canvas on a wall and making big brush strokes... But when I start to feel like I've got something cool, I dig in more surgically, a bit like a collage artist would. I interweave little elements, and when it comes time to insert a solo into a piece, I refine things by continuing to add new elements. Generally, a solo gives you a space of freedom in the middle of an otherwise totally structured song. That's when you can come up with different things in terms of melody. So that's the way I do it, even on the demos of the covers. I ask my sound engineer, Martin Eriksson Sandmark, to play me the draft of the solos I've been working on over and over again, and then I try out different things, whatever comes to mind. It's as if I'm drawing a mental map of what the solo will become. Sometimes, if I'm on a part sometimes, if I'm on a bluesy part, I'll let myself play a few notes of Gary Moore’s "Still Got The Blues", or, if I'm tapping, Van Halen's "Eruption". When I was working on the solo for 'Hanging Around', I felt like playing this part of Metallica's 'Fade To Black', just for fun. And it ended up on the demo. I'm a decent guitar player, but I'm not at the level I could have reached if I'd worked harder. I could just record these solos in the studio, where you can always slow things down when you play them and then speed them up and put them on the album, but Fredrik Akesson can play these parts without tricks and with much more finesse than I can. He recorded the solo for "Hanging Around" as I had presented it on the demo, with this nod to Metallica, and we thought it was so cool that we kept it.

Hugh Cornwell, the ex-singer of The Stranglers, said in an interview that, although he was not a believer, he loved visiting churches. Is this also true for you? Are you also attracted to churches?

Yes, passionately! I believe in them like I believe in Star Wars. I've always thought of churches as stage props. Walking into one of them is a bit like walking onto a film set of the original Indiana Jones And The Temple Of Doom. It's awe-inspiring, even though you know it's just cardboard. Churches have magical powers because they are centuries-old buildings and we know that a lot of things have happened within their walls. Not that I'm trying to throw up on these places of worship, but when I go into a church I don't hear God, but the whispers of time. I am not an atheist, although intellectually I can see that there are many reasons why I should be. I believe in a Force, in an Energy. I also believe that we don't know many things, but that there is a balance between these different energies. The white and the black.

Good and Evil...

Absolutely! Right now the world is in crisis, but we're going to get through it. It's a vicious circle. We do ourselves a disservice if we think that if the world were rid of people like Vladimir Putin, Alexander Lukashenko, Jair Bolsonaro and the ayatollahs of Iran and Iraq, we would be out of the woods. I think all this can happen - and I hope it will, in a way - but Good and Evil will always be there. That balance is necessary. But I am an optimist by nature. I believe that there is a future for Volodymyr Zelensky and the Eastern bloc. That there is perhaps a chance to put into practice what was tried there some thirty years ago. And I believe in a free Iran, in a possible return to what this country was in 1978. What a beautiful day that would be! But that doesn't mean there wouldn't be a new war somewhere else in the world. I'm an eternal optimist, but let's face it: history is always starting over. As I said, it's a question of balance, a permanent coming and going. Because I believe in this Force I was talking about earlier, I truly believe that the West can win, that the way we live and the way we have built our society is a step forward that shows progress and can make a large majority of people happy. Not all, but most. But even if we all lived in love and peace for five years, something else would come along to create chaos! An alien or something! (laughs) That's how it works. Our mistake is to believe in the status quo, in nirvana. It's not going to happen. It's always about balance. The Vatican and organised religion... All that crap is just to pick people's pockets, to control them, to take their energy and scare them into plundering them. The same goes for the GOP (editor’s note: the American "Grand Old Party", suspected of having Christian nationalist leanings), which only deceives people in order to take their money! That's all you need to know. It's simple, so simple to understand. All this does not mean that the energy that emanates from churches is not real. When you walk into one of them, you feel - or so I believe - the energy of all those who have gone before you, for decades, for centuries. Their fears, their hopes, etc. So much so, sometimes, that you can feel oppressed, even upset. So I can walk into a church and feel a sense of awe. I love visiting these places, especially from an aesthetic point of view.

On Phantomime, you also cover "We Don't Need Another Hero" by Tina Turner. Don't you think that, given the state of the world today, we do need "another hero"?

I think Zelensky has shown how much we like heroes, how important they are to us. I think back, for example, to how the world went wild when Andrés Iniesta scored the decisive goal in the 116th minute to help Spain win the 2010 World Cup against the Netherlands. I believe in human determination and how it can inspire the world to distinguish between what is important... and what is really important. What is important for our daily lives. Yes, it's cool to have a complete collection of Venom's work, but it doesn't matter if I’m missing the most important thing. In the last ten years especially, the western world has been focusing on tons of unimportant things trying to pit people against each other, cancel culture and all that stuff... It proves that we are spoiled children. Our mentality shows it when it comes to security. Seeing Zelensky defend himself as he does appeals to our most primal instincts: it's beautiful and very inspiring. Nothing else is more important than that. It is the only thing that matters... Otherwise we have to be prepared for a lot of people to live in misery.

Next August, you will tour in the USA with Amon Amarth. I noticed that they will not accompany you on the last date, in Los Angeles, on September 11, 2023. There is no opening act, you ask the audience not to use their phones, etc. That sounds like a live DVD!

Yes, we are indeed planning to film this show, but it won't be the end of the Impera era cycle, even if we will not have so many dates left after this concert. There will still be a few shows in South America and Australia.

Nothing in Japan? A country that one might think Ghost was made for.

At the moment, it's not very clear. We had a lot of discussions with the Japanese promoters, as there was talk of us appearing on the bill of a Japanese festival scheduled for this month. Unfortunately, the festival was postponed... and then rescheduled for March! I think they originally had a big headliner, but the headliner didn't show up. So they cancelled, and then considered a smaller edition with Pantera. With all the back and forth, we ended up dropping out because it was too risky for us to play one date there after six months of inactivity. Our team is currently taking a break, but we preferred to use this time to rehearse for our next shows. The first one will be in Rouen on May 21st. We learned a good lesson the last time we played Hellfest. It was so hot that day, the conditions were so extreme, that we almost had a storm. We really had to fight against the elements and it affected me (Editor's note: the last encore of the show was not played, as Tobias was suffering from vocal problems). It was a very tough show. What really pissed me off was not the fact that I lost my voice, but the fact that the festival-goers who were there were not treated to our entire production. It was indeed difficult to foresee these extreme conditions. This summer we have to play festivals again, so we have reworked our production, which will be better adapted to the complicated weather. On this tour we will play in Spain, Finland, Norway, Greece, all within a few days of each other. So we'll be touring with two identical stages, so we can do all these shows without too much downtime. It's not very ecological, I'm sorry to say, because sometimes we'll have to take a plane to get to these cities in time. Not great, but it's the only way...

Will you play any of the Phantomime covers live?

One thing is for sure: we will play 'Jesus He Knows Me' because it's the first single from the new EP. As for the rest, we'll see during the rehearsals how the set evolves - because it's going to evolve a bit from the 2022 set. We're thinking of playing some songs from Impera that we've left out so far.

[waitmyturtles]

I stopped writing about Kidnap the Series about a quarter into the series because it was clearly designed to deliver the memeable romantic moments that GMMTV prioritizes these days for its number one goal, social media engagement. [And the series did this so well that many Kidnap-related social media accounts on Twitter got either banned or shadowbanned for explicit (??? get outta here, Elon) content, so the series actually did its damn thing.]

There wasn't enough plot material to actually criticize, which is my priority on this blog, so I gave my writing a rest. But: I did give the series a full watch out of deference to my insatiable stanning of the Series Y king, Ohm Pawat, and...

I'm here to say that I am not complaining about that final episode at all. I'm actually, surprisingly, happy with it!

Before I get into this, let me just first say that Kidnap didn't do something that many of the very big GMMTV series have done lately: it did not tread into disingenuous narrative waters. It didn't make thematic contradictions or leave open plot holes (Wandee Goodday), it didn't punish characters for real-life moral or ethical slips (Only Friends), it didn't jump story beats to design questionable moments without prior established emotional context (Last Twilight, 23.5).

Kidnap was sappy, very often repetitive and boring, but it wasn't offensively disingenuous, and it didn't ask its audience to hold back its understanding and expectations of how humanity generally functions. (Expect for the fact that the series had a very loose grip on the exact definition of "kidnapping," BUT ANYWAY.)

But anyway: I didn't expect the final episode to be rooted in Q's and Mhen's recoveries. And I loved that. The show didn't forget the framework in which it set up its main romance. Min is and was always a caretaker. He allowed that caretaking to obstruct his progress forward in life, whether vis à vis Nong Mhen or his Q. Both Mhen and Q asked Min to move forward from them, by the both of them taking accountability for their health, in part to allow Min to loosen his shackles (heh) on his perceived responsibilities to them.

I liked that! That was a responsible move by the show to not tilt the emotional scales in a direction that would have Min continue to take on a burden of taking care of people who, with a little help, could learn to take care of themselves.

And I'm a sucker for a therapeutic process. I'll take a quibble at the suggestion that Q "throw away" memories (since, cough cough, it could be about re-contextualizing the literal time spent and the value that an individual places on certain memories cough cough, but different strokes for different therapists), but honestly, having the entire episode framed on Q's mental health progress warmed my cockles. More mental health discussions in dramas!

I was baseline hoping for a potentially more campy or comedic take on crime and kidnapping when this show started, a kind of ironic approach that I know the acting of Ohm Pawat could take on, but that's asking a lot from a studio that's pumping out quantity over quality at the moment. I'm just very glad this show didn't end with me tilting my head to the side with question marks flying out in a thought cloud. It was, overall, a pleasant and warm watch, something worth fast-forwarding through during the holidays for the smoochy moments after one too many glasses of wine (heh heh).

And it looks like the branded pair of OhmLeng is permanent now, so I hope for a better script for these guys in the near future. Leng needs a LOT more acting classes -- but these two have chemistry in spades, and that chemistry could be used well in a better script.