#At least we acknowledge the fact that their relationship is Fucked Up

[not-available-for-comment]

THANK YOU SO MUCH. The attempted rehabilitation of Mrs. Bennet by fandom drives me bananas. My own mother occasionally lacked the awareness to make things easy for me socially but she was NOT a horrible selfish grasping shrew. There is a HUGE DIFFERENCE. The text is clearly and explicitly portraying a bad mother, and showing how her own irresponsible choices make everything worse.

My own mother had a different kind of bad mother herself, so it has always bothered me the degree to which people want to make excuses for mothers specifically, as though bad fathers are the only kind of bad parent that exists. Mothers can also be bad parents and it’s ok and in fact important to acknowledge that. Yeah our parents (even at times our fathers!) have pressures on them that aren’t obvious to us as kids, and I’m extremely aware from personal experience of what those pressures can be. But even people who are making bad parenting decisions for understandable reasons are bad parents. In an IRL situation it is ok to say well clearly you were a bad parent during this period but as an adult I’ve decided to forgive you and continue having a relationship with you and that’s ok too! That’s allowed and is a rough approximation of how I’ve chosen to approach my relationship with my own most difficult parent.

But Mrs. Bennet is fictional. You’re not gonna hurt her feelings by failing to show up for Christmas dinner. She is trapped in amber during the period in her daughters’ lives when she was probably least nurturing and most difficult to deal with, and acknowledging that is honest and hurts no one. A lot of defenses of her boil down to “yeah she was awful but you have to understand that she was worried for her daughters’ future”. To which I have 2 things to say:

Clearly not fucking worried enough, since she chose living vicariously through Lydia and indulging her own tastes over her daughters’s material benefit with incredible consistency.

This argument makes my skin crawl due to how often I see it applied to similarly selfish mothers IRL. We have a wider culture of excusing unhealthy maternal behavior because “her heart’s in the right place”. You know what after a certain point the placement of your goddamn heart doesn’t matter anymore. If you’ve gotta fake good behavior then just do that and leave your hazy grasp of anatomy out of it.

I know this is ranty and less articulate than the posts above, but I think you could argue that this conversation highlights a maybe under appreciated way that Austen is still relevant in the modern era. Yeah there are a lot of differences in culture between her time and ours, and the process of looking for a partner is typically pretty different. But this book also asks the questions “what is a ‘good’ marriage, and what are ‘good’ parents in the context of looking for a spouse?” And provides a really interesting gallery of options in response to both questions. Is Darcy a good ‘parent’ to Georgiana? Who is a better parent to Lydia, Darcy or her own parents? Is Charlotte’s financially advantageous marriage a ‘good’ one? Should her parents have allowed it? What about Mr. and Mrs. Bennett’s? And while Charlotte’s choice is I think probably viewed a lot less sympathetically now than it would’ve been at the time, I’d be fascinated to know how this conversation compares to Mrs. Bennett’s reception at the time of publication. A good marriage looks different now, but good parents? Oh now that conversation is as old as the hills…

For the past several years (and perhaps longer) in the P&P fandom I've seen a lot of people who want to rehabilitate Mrs. Bennet: like, sure, she's uncouth and seems greedy, but it's because she cares so much about her daughters' futures; her situation is actually really stressful and uncertain and she's powerless to change it and her husband makes fun of her, and so it's natural that it would cause her to be anxious all the time; maybe she doesn't have the intelligence or social awareness to understand that her behaviour is actually harming her daughters' prospects, but at least her heart is in the right place.

I'm usually not the type of person who argues that fandom is actually being too nice to a female character, but in this case I don't buy the counter-narrative (which I think is popular enough at this point to be fanon / a narrative in itself) about Mrs. Bennet.

For one thing, she was never really powerless in this situation. These people are rich even for gentry. Mr. Bennet's income was always good, at 2,000 pounds per annum (even though I can't believe he isn't neglecting some practices that could raise it higher). Mrs. Bennet had 4,000 pounds from her parents and a further 1,000 from Mr. Bennet. Invested in the 4 per cents (for example), this is 200 pounds per year in pin money that Mrs. Bennet could spend without touching the principle of her dowry, and without affecting Mr. Bennet's income. This is more than some people's entire yearly incomes.

The picture of Mr. and Mrs. Bennet that we get in P&P is not of people who are helpless against their circumstances, but of people who are extraordinarily neglectful. We're told that:

Mr. Bennet had very often wished, before this period of his life, that, instead of spending his whole income, he had laid by an annual sum, for the better provision of his children, and of his wife, if she survived him. [...] When first Mr. Bennet had married, economy was held to be perfectly useless; for, of course, they were to have a son. This son was to join in cutting off the entail, as soon as he should be of age, and the widow and younger children would by that means be provided for. Five daughters successively entered the world, but yet the son was to come; and Mrs. Bennet, for many years after Lydia’s birth, had been certain that he would. This event had at last been despaired of, but it was then too late to be saving. Mrs. Bennet had no turn for economy; and her husband’s love of independence had alone prevented their exceeding their income.

We also know that the "continual presents in money which passed to [Lydia] through her mother’s hands," plus her allowance and food, amount to about 90 pounds per year. Rather than saving up from the beginning in case the entail is not broken, rather than beginning to save once it's clear a son will not arrive, rather than making Jane's dowry the full 5,000 from her mother (which would be something) and saving up for the younger girls' dowries thereafter—which is what would be typical, and that's why Lady Catherine was so shocked that all the girls were out at once—Mrs. Bennet's housekeeping, dress, the girls' allowance, presents of money over and above their allowance, plus whatever Mr. Bennet is spending money on (and other expenses relating to servants, carriages, maintenance &c. which are unavoidable), add up to their entire income. The only reason why Mrs. Bennet doesn't overspend even that is that that's where Mr. Bennet puts his foot down.

Mrs. Bennet is actively harming her daughters' prospects, not even of marriage, but of living respectably if they don't marry, because she doesn't have the temperance not to spend all of the income that is allotted to her. It is the role of the woman in a marriage to take charge of the housekeeping, servants, cooking, furniture, and all expenses relating thereto (plus certain attentions to her tenants and any living in genteel poverty in the area, though presumably this will depend on her income and whether there's a parish church with a parson's wife who's doing some of these things). She's an adult who should be competent to manage these things in a reasoned way without needing to be dictated to.

It is supposed to be the role of the woman in a marriage to take charge of her daughters' education—and yet Mrs. Bennet did not hire a governess, and Elizabeth says that she didn't spend much time teaching her daughters anything (it's not clear to what degree she's educated herself). Granted, the girls did have masters—but, from the sounds of things, that was only if they requested them. No one was required to learn much of anything, which will probably further harm the marriage prospects of the girls who "chose to be idle."

I think the "point" of Mrs. Bennet is that she is one half of one type of bad marriage which the novel illustrates, in contrast with the Gardiners' marriage. These marriages are two possible models for the Bennet daughters to look to. At one point, Elizabeth's prospective marriage is explicitly compared to her parents', with her in the role of her father: Mr. Bennet says "My child, let me not have the grief of seeing you unable to respect your partner in life" (emphasis original).

We might wonder whether Elizabeth saw herself potentially in the role of her father, in a marriage that was very intellectually unequal, when she rejected Mr. Collins; or whether she also saw herself in the role of her mother, married to a man who insults and doesn't respect her, when she rejected Mr. Darcy. Ultimately, she accepts Mr. Darcy after she realises that he is nothing like her father; that he is diligent in attending to his responsibilities, and that he does evidently respect her mind.

This isn't me defending Mr. Bennet, who is also a bad parent and a bad spouse. I do, however, find it a little disturbing when people suggest that Mr. Bennet is at fault for not controlling or curtailing his wife. His wife is a grown woman. Surely we don't actually believe that a situation where a man is legally in complete control over his wife, merely because he is a man and she is a woman, is in any way natural, moral, or just? (This also goes for people who suggest that Mr. Bingley needs to get his sister 'in line' 😬😬😬.)

Mrs. Bennet should be competent to manage her household and her daughters. Given that she's not, yes, Mr. Bennet, according to Georgian and Victorian ideas of the role of a man in a marriage, "should" have stepped in and started dictating to her. But I don't really think that's what Austen is suggesting went wrong here. The models of good marriages we have—the Gardiners, the Bingleys and Darcys after their weddings—are all ones in which the women were basically sensible people to begin with. In the latter two cases, we are told of particular ways in which the men stand to benefit from some mental quality of their future spouse (Elizabeth's good humour and ease in company; Jane's steadiness and determination).

The ideal which some Georgians had of a husband's role being to shape his wife's intellect doesn't seem to be what's being advocated here. If Mr. Bennet made a mistake, it was in marrying a silly, selfish, ill-tempered woman to begin with, not in failing to browbeat her into submission once he found out that she was silly, selfish, and ill-tempered. The idea is that you should choose your spouse carefully. But that message doesn't work if Mrs. Bennet is just a woman in a difficult situation who has her heart in the right place.

[cadaveerie]

cw: child abuse and non-sexual grooming

VEILGUARD SPOILERS (from lucanis' writing, a mission towards the ending and a little general)

About Lucanis and the Antivan Crows...

after finishing datv, I can finally say for sure that despite the fact that i find this game was overall fine, there are several things about it that have disappointed me. one of those things is about lucanis (and it's not even the only thing about lucanis that bothers me, but we'll leave that discussion for another time, because there's a lot to say about the writing).

in this game, Caterina Dellamorte (lucanis and illario's grandmother) is portrayed as a woman that's cold and demanding. not particularly nice, lucanis fully acknowledges that she's not exactly the loving type, and it's easy to assume things about her and about their relationship based on that... but for some reason it's never addressed that she abused lucanis when he was a child, by beating him and starving him. this is something that you can read in lucanis' story in tevinter nights, the wigmaker job, which was lucanis' introduction.

"Memories of sweat-filled days without food or water came unbidden Lucanis’s back tingled from where his grandmother’s cane had bruised his flesh for letting his guard down or fumbling his footwork. For years, he’d hated her. But his time as a Master taught Lucanis that Caterina’s cruelty was her way he was prepared for this life—that he survived."

I was waiting to finish the game before I said it, because I expected him to mention at some point but... no, nothing. I don't know if there's anything in a codex or something specific I missed, but even if that's the case, I expected it to be significant at all. it wasn't.

i'm not even going to get into what lucanis should feel about this. before the game came out i talked about some of my hopes for him based on the info we had about him, and imo there was not even half of that level of depth to his character. but i wouldnt have minded if the game went in another direction, or if lucanis simply just wasnt open to discuss it, or if he came to the conclusion that it was fine. i won't get into how "problematic" thinking that is, because i could understand that he tells himself that, and as a fucking assassin, i understand that he's come to terms with it because otherwise he probably wouldnt have survived in such a dangerous enviroment. i won't get into it bc as i said, i can understand it. my problem is that lucanis never says it. he never tells rook or anyone else that caterina abused him, or that the crows overall are very abusive and that they do this to children and break their minds basically in order to become emotionless living weapons. and if this is said in any banter, then i missed it in my 91h of gameplay, and i had lucanis in my party every single time we went outside. or it might be in a codex entry, idk. the point is that even if that's the case, that's not a great way to tell this info, especially when in the story theres no other way to learn anything like this about the crows. ppl that i talked to that didnt read tevinter nights didnt know this fact abt caterina and lucanis' past, they simply didnt cause how could they. I just wanted to say this because I think it's important to know if you like lucanis, or the antivan crows, and it's never even actually implied.

I also have many other issues with his writing, but the antivan crows are unfortunately also whitewashed. at least if you've played dragon age origins you know this, but our first antivan crow companion, zevran, talks about how he was taken as a child by the antivan crows. how he was literally bought by them as an orphan, and forced to become an assassin, and when he tries to flee, they attempt to murder him throughout the game. he even talks about how apparently some crows even made their members go through blood magic rituals to acquire abilities (SOUND FAMILIAR? IT'S LITERALLY WHAT ZARA DOES TO LUCANIS, ISN'T IT. HOW FUCKED UP). i think it's so disrespectful to dragon age's worldbuilding and so appalling that they simply... ignored all of this. I'm very upset that this was completely whitewashed. i wont get into it, but i assume they didn't show the crows being awful because, well... they have to be the good alternative for government in antiva. the bad guys are the antaam, and that's it. but one of the things i always loved about dragon age is how they treat these sort of political things. as i said, in origins the crows were more of an antagonistic figure, but at least it made them feel more real and serious. and people loved the crows like they were, fucked up assassins. in this game... idk, am i supposed to believe the assassin guys are nice? why hide the ugly? of course it's gonna be there, and it's ok. irl it happens a lot that oppressed people have to rely on groups that are less than ideal for their liberation, and a lot of times citizens are kinda ok w it bc no one else will stand up for them, so they have to work w what they have, and they're just relieved theres someone there for them. and it also shows that people are not perfect victims. if you're putting ppl in a corner, at some point ppl are rarely gonna care about being "good", and it's only human. and im not even gonna get into being an antivan crow rook because... sigh, it's more of the same. just disappointing. rook even mentions that theyre an orphan. and im pretty sure in the final mission about treviso, at least if you helped jacobus, he is like "i'll take in orphans and give them a chance". oh man, yeah. cool. please tell me how you'll raise them to be, im so curious to see how you won't groom children and abuse them into becoming mindless cold soldiers. that's fucking insane. this feels like fucking US army levels of propaganda and grooming. i love when we normalize child soldiers that's so fucking awesome i love this "woke" game when it's pro-military and anti-fucking-questioning-anything-a-military-force-does.

i even wondered if all of this has been retconned or simply ignored. i dont have a problem w retconning overall, and it's only natural it would happen in a franchise that's as old as DA, but the thing is... why would you do it. it literally just makes them flatter, it doesn't make any fucking sense.

so yes. im VERY disappointed in this game and the writing. this is one of the many things in the writing that disappointed me. the antivan crows are an organization that bring hope, and im perfectly fine with them being portrayed as "saviors", but im not ok with them conveniently not addressing any of their very bad issues. it's unrealistic. it's disrespectful to our intelligence, to dragon age fans and to dragon age origins. it's disrespectful to characters like zevran, who got into an insane war with them for a fucking reason. it's disrespectful to every antivan crow character to be honest. and im sorry, i dont even think this is insane to ask from them. like.... im literally just asking for consistency. they had it already, i dont understand why they did this. i had faith in them, but perhaps that's on me. im so heartbroken.

and i promise i actually think the game overall is ok. it was fun. definitely one of my least favorite games, if not my least favorite, but still. i appreciate it, and LOVED. LOVEEED some scenes. in fact, it might have at the very least one of my favorite scenes from the whole franchise. i think this game has very low points, and very high points, so it's hard to say what i think about it in few words.... but there are so many things like this in the writing, and it's just SO upsetting and disrespectful. im sorry. im truly sorry, you don't know how much i wanted to love this game and the writing. you have no idea. but i have self respect, and i don't lie to myself when i see something i dont like. it feels like they're whitewashing the crows cause we'd be too stupid to understand complex political issues. i thought this game was mature and could handle mature themes, but it doesnt seem like it's the case anymore. perhaps bioware is dead. i still want to believe they can come back from this but......... the post credit scene doesnt reassure me AT ALL. sigh. im just upset and sad. and as i said, this is only one of my many issues. i'll talk about the rest in the future, but im writing all of it down and i need time for that. i hope you understand that this comes from a place of genuine love. sorry i can't be happy about this game, but some of the stuff i see just ruins the rest for me.

[walkininawincestwonderland]

it’s so funny to me when hellers and Wincest antis say things like “oh god I hope no wincesties have siblings” and then turn right back around and start bullshitting that these brothers cannot be fucking what do you mean they’re just normal brothers why are you making it weird??

Like sorry honey but if you think these are normal brothers wincesties are not the weird ones here

[jikigo]

you ever just see a post and just

. 😭

.⬅️🫀⬅️

[marlshroom]

came to the fucked up realization after finishing gravity falls again last night the parallels of the dream bubble bill made for mabel and the literal state of delusion he keeps himself in.

in the book of bill on the page where bill cipher describes how he figured out a way to manipulate her into giving him the rift, it says:

"Summers ending, my guy. Ending to death, bro. She'd do anything to make it last just a day longer. Probably something RASH and OUT OF CHARACTER, even!"

as we know, mabel cannot handle the fact that she will be growing up. that the relationship with her brother is going to change. she is scared of high school.

bill then says "That was it. She'd never make a deal with me. But she'd make a deal with someone she believed could give her more time. The dream was done. I had her."

bill then creates the dream bubble for mabel, he makes every one of her dreams come true, a place where time is still and she can be a kid forever. a lie so great that she wont have to face the truth.

in journal 3 on one of the pages bill is writing in code, we see this:

[ID: "I ask you, why must[should] time only move forward? Why must cause preceded effect. Who voted on the law of physics."]

my friend helped me break down what bill means by this:

why can we only move forward in the 4th dimension of time. why does something have to make another thing happen, why must cause come before the effect. why cant you move backwards, in the other direction, change the decisions youve made.

how interpret this is bill asking why he is not able to back and stop what he did to his family. he says to ford that he tried and failed to undo the past.** why did him wanting people to acknowledge his advantages instead of suppress him lead to the destruction of his whole dimension?

**(i just want to point out that this is probably the time where bill is the MOST open to anybody, or at least the first. to his henchmaniacs he had been telling them that he liberated his dimension until the oracle discovered the truth. here, to ford, he got so much closer to telling the truth. he SHOWS ford the last atoms of his world. he says that it was destroyed by a monster, not that it was liberated! destroyed)

back to when bill says "I had her" about mabel, he had her cause he knew exactly what needed to happen to trap mabel in a delusion because it is exactly what he is doing to himself. creating a fake narrative of what happened to him, that he was vindicated in killing his whole dimension. only ever doing exactly what he wants because confronting the truth is too scary for him(good fucking lord). the morality page offers good insight into this too.

i am actually just going to quote the whole page and highlight the important part. it speaks for itself really

"THE POINT IS it's[morality] is a very flexible concept! But parents and presidents don't want you to know that, because then you might start asking other questions, like who put them in charge, anyway? So they cram your brain full of guilt and regrets for transgressing the laws that they just made up(the laws that they made to prevent the destruction of their dimension, regardless of if the law + the wrongful medication of a fucking baby triangle did any good to actually prevent it). Wouldn't it be nice if you could put all that baggage down? Quell the shame that follows you everywhere for a lifetime of crimes? MAKE THE SCREAMS FINALLY STOP? The good news is you CAN silence that annoying voice, and here's how!

DENIAL

Works 100% of the time in every situation. What you you mean there are people who disagree? I can confidently say there aren't!

RATIONALIZATION

If you can do it, you can justify it! "Truth" is open-source code and anyone can edit it anytime! Want to be like me? List 3 "evil" things and then 3 "reasons why they're actually good." You'll be rationalizing like Bill in no time!

DETACHMENT

Did you know 100% of your human cells die and are replaced every 7 years? That means that anything you did 7 years ago wasn't even you-it was some dead loser! You can't be held accountable for what a dead person did! What? You think this is just another form of rationalization? I DENY THAT!

THE BILL CIPHER DECISION METHOD!

Working over the eons, the voices in my head teamed up and worked out a foolproof method for making any decision in any situation.

DO WHATEVER I WANT."

ooooooooooooooooooh boy.

he is fully admitting here that he is living in a completely different really in order to justify doing whatever he wants. he gives mabel the tools to deny, to rationalize, to detach herself from the reality of it all. that time has to move forward. and he thinks it will work because it worked on himself.

but it doesn't work on mabel because she understands that she needs other people. shes vunerable, she lets people in, admits when shes wrong. and bill cant do that because it would destroy the fantasy he's created for himself.

[teaboot]

While I'm happy that the word "gaslighting" is more known than it used to be, and that people at large are learning to recognize what it looks like, I feel like we need to be careful not to turn it into something soft and casual we throw around off the cuff without meaning.

Being gaslit is psychological abuse that fucks you up very badly, very slowly, at such a gradual pace that you don't usually know it's happening until it's already re-wired your brain.

If you're unfamiliar with the term, "to gaslight" is to intentionally persuade someone that they cannot trust their own perceptions of reality. It's a destabilizing form of manipulation that leaves you constantly anxious, off-balanced, confused, and dependant on others.

This is done by lying about events that have happened or about things that are happening, invalidating feelings and observations, and either denying, refusing to acknowledge, or deflecting away from hard facts.

As someone who has experienced gaslighting as a form of abuse, this is what I remember from when I didn't know anything was off:

"Oh, I must have forgotten what really happened."

"I'm just not seeing it from their point of view."

"Everyone has their ups and downs. This is normal."

"I guess I wasn't thinking about what I was doing."

"I must have been wrong."

This is what I remember from when I first started realizing something was weird:

"How come every time I'm convinced they did something wrong, they just talk to me a few minutes, and I end up asking for their forgiveness? What has me so convinced I was right in the first moment?"

"I should start writing things down when they happen, so I can go back and check later when I'm confused."

"If every relationship like ours (familial, romantic, platonic) works this way, how come I never hear about it, or read about it, or see it anywhere else?"

Getting out and adjusting to the real world is hard, too, and comes with rapid swings of unfounded guilt, shame, fear, anxiety, and self-deprication that are completely unfounded in reality.

You've been conditioned to believe that you are entirely helpless and unable to think for yourself, possibly "crazy" or otherwise fundamentally impaired, and that there is a singular source of guidance that knows exactly what is right, and all of a sudden that pillar of support has vanished.

The immediate "after" that I recall looks like:

Constant uncertainty. Because nobody is there to tell you what's real and what isn't, you approach every situation thinking at it from all angles. Every question has fifty possible answers and most of them are wrong and you don't know which. If you choose wrong, the world will end.

A sense of helplessness. You feel that nothing you do is correct, and it's easier to make no choices at all- or you make wild, reckless, impulsive choices, because you feel you have nothing to lose.

Memory loss. I don't understand this one, but it's not like memoriescare being erased, but more like... you're so used to treating your memories as dreams or imaginations that you reflexively dismiss anything you recall as fake, and you can't believe anything you recall because you don't think it was real. Your abusers voice is in your head, wiping things away and telling you that you did the wrong thing. And you believe them, because they're the only constant you can rely on.

Missing the abuser, or the abusive dynamic. Because you know now that it wasn't healthy, but at least you knew where you stood. As long as you said the right things and acted the right way, agreed and obeyed and did as they expected, you felt like thevworld made sense. Now you have to figure out which parts of you really are broken, and which parts are working fine in a really weird way, and it's like tuning a piano when you've never played one before.

The long term "after"- for which I can only speak for myself- looks like:

Having to double-check, triple-check, and continue checking hard evidence of an event before responding in an active way.

Consulting with trusted friends to verify that your observations are legitimate and that your perceptions are valid. Following up with them to see if someone is really angry at you, or if you're just projecting anger onto them because it's what makes sense to your old pattern.

Obsessive collection of "evidence"- saving pictures, writing detailed journals, making recordings and video, never deleting emails or old texts, because you still don't quite trust yourself all the way and you're afraid that someone will cause you to doubt yourself again.

Continued self-doubt and being "gullible": I have straight up seen people flip me off to my face in front of witnesses and then immediately tell me, "No, I was just waving", and my first instinct is to believe them. For a few seconds, I *really do* believe them. Your brain is so trained to latch onto what people tell you to believe that its really, really hard to hold onto information that you already have.

Learning to take ownership over your own actions. (I didn't mess up because I'm "crazy", I messed up because I'm a person and people do that.)

Instinctively seeking approval. (Takes a lot of work to remind myself that I don't exit to make people happy, and that some people suck ass, and I can tell them to piss off.)

I don't intend to invalidate anyone currently struggling with this- if you feel that something is wrong, it probably is. That's the thought that got me out. Trust that feeling that something isn't right.

I just want people who don't know what to look for to know what gaslighting *actually* looks and feels like, so they don't just roll their eyes and think, "Oh, that word doesnt apply to me- I'm not some snowflake".

('Cause we all saw what happened with "triggered", right?)

[manifestobackshot]

Hoon who's so stressed after a Figure skating comp and just needs to take out all his stress on you <33

Stressed

Poor Hoon who can't even wait to properly be alone with you, his manager turned dirty little secret, to fuck.

    ✰ PAIRING

↳ park sunghoon x fem!reader

    ✰ GENRES & AUS

↳ smut, figure skater!sunghoon au, secret relationship

    ✰ WORD COUNT

↳ 1.3k words

    ✰ WARNINGS/CONTENT

↳ reader is sunghoon's manager, they have sex in secret, car sex, biting, pain kinda, unprotected sex, creampie, rough sex, biting, sunghoon is a little selfish

if you read, please reblog.

—

It was a bad run for Sunghoon, showed up late and lost 15 minutes of preparation, couldn't land his routine as he usually does, didn't place like he usually does. As a perfectionist, this fucked him up more than anything. Even worse, his coach scolds him after, going on about how conditioning obviously wasn't conditioning him enough, how this season seems to be the beginning of his downfall, how so much work goes into molding and shaping Sunghoon into the perfect skater, and yet he still manages to end up like this.

His coach has more words to say, but as you pass by, he stops his scolding and calls you over, "Christ, I can't anymore. Do you have the manager's spare I gave you?"

"Oh, yeah."

"Just take him out to the van first, I don't have the energy right now. Sunghoon, show up at 6 am tomorrow, not 7 am. We clearly have work to do," he finishes, rolling his eyes and storming off.

You two walk out to the parking garage alone, passing by a couple cars exiting. It's quiet on the way there, not a peep from Sunghoon, only the sounds of cars, the rustling of his competition bag, and your footsteps.

You approach and unlock the team van, opening the door and letting Sunghoon in the backseat before climbing in with him. You have some room to sit, talk, and ask what the fuck happened in the comfort of idle time and tinted windows.

Surprisingly, Sunghoon is first to ask something, "Can you do me a favor?"

"Mm," you acknowledge, dropping your professional manager act and inching closer to him, leaning on his shoulder.

"Help me out," he starts, taking your hand into his and guiding it onto his abdomen, trailing it down towards his sweats, "relieve some stress for me?"

You know that the rest of the team, coach included, take forever to deal with things after the competition. Usually, Hoon would be back there mingling and whatnot for at least another half hour. Right now, you have the time.

...And how could you ever say no to him when he's like this? Aching against your hand, cold palms guiding you to where he wants you most, face flushed with frustration and humiliation from the verbal ass-whooping handed to him, instability in his voice from anger... no isn't even on your mind.

You don't even say anything to him as you gently move his hand so you can slightly roll over and quickly undo the button on your black jeans, sliding them and your panties down your thighs and off of you to place them in the front seat for easy access later on.

Sunghoon, though he wants you so bad right now, doesn't say anything as he waits for you to get ready for him to fuck you. He just looks at you, lips parted and brows slightly furrowed, overwhelmed with both frustration and need to release. His sweats and boxer briefs are pulled down just enough to release his cock, swelled with arousal, so he can spit in his hand and swipe it over his pink tip and stroke himself in anticipation.

You know he gets quiet when he's angry, and he loves to fuck when he's angry. It's nothing against you, in fact, he can express himself much better through his action than his words in moments like this.

And express himself he does when you hover over him to lower yourself onto him, sacrificing your comfort and preparation to take care of your dear skater Sunghoon, and he places his hands on your hips, pushing you down onto his length with a searing stretch that feels good only because it's him.

He hisses entering you dry like this, enjoying the warmth of your walls but missing the wetness, though, in this moment, he doesn't care. In time, you'll be exactly what he needs, he knows it.

Words can't express how disappointed he is in himself, how frustrated he is, how mad he is at his coach, or how good you feel around him. All he can do is bury his face in the crook of your neck as he lifts your hips to set the pace he wants you to fuck him at—rough and fast.

You give in, keeping up with the direction his hands are so desperately signaling to you. You look down at him as he's focused on how it feels to fuck it out, thick, dark eyebrows knitted in pleasure and chasing release.

When Sunghoon looks up, you feel the tip of his nose and the plushness of his lips trail upwards before leaving you, replacing the sensation with his teeth grazing—no, biting— your neck.

It's hard to match his desperation and fuck him as hard as he wants you when he's locked onto you like this, thrusting upwards into you. You roll your hips into him, causing the seats of the car to buck and creak with every movement.

Still, it isn't enough for Sunghoon, muffling frustrated whimpers against the skin of your neck—now purple and red—as he tries to bury himself deeper, deeper, and deeper into you. Maybe, if he buries his cock into you deep enough, he'll be numb to the anger.

Truthfully, though, it's clear that he still feels every ounce of anger in his body, and he's making you feel it too. His strokes are vicious and sharp, tip hitting your cervix every time he bottoms out. It hurts, but you let him, cause you know he needs it.

Hoon feels blissfully painful inside of you as he drags his length against your walls, face still buried in your neck, kissing, licking, and biting you. He loves the way you feel wrapped around him, slowly becoming wetter as he fucks you so, so well.

He groans, both out of frustration and how good your cunt feels as he mercilessly uses you to relieve his stress. His hair clings to your skin as sweat sticks you two together with Sunghoon's face buried into your neck and chest, breathing heavily as he chases his orgasm.

The sound of your wet cunt makes his eyelids flutter closed, long eyelashes softly brushing against your skin as he imagines how hot it must look for you, all sloppy and swollen, to take his cock this roughly. He wishes he had to time and space to lay you out and see himself stretch your tight pussy out on his cock, taking every inch of him like he know you can.

He loves having you like this, knowing that you'd do anything for him even though it means you hurt a little more for him. You ache, for his pleasure. You act, for his pleasure.

Sunghoon grips the flesh on your hips harder, so strongly that you know it'll bruise and ache for days after, a reminder of him. He grabs you and slams you into him, bottoming out every time without failure, at an ever-increasing, delicious pace.

His breathing picks up and he slides down the seat just the slightest bit so he can fuck up into you even better. Hoon can't hide anymore, moans escaping his hips as he pushes you down further, and further, until he's moaning in desperation of release.

As he's pounding mercilessly into your sopping wet cunt, with one sharp motion, he fully sheaths himself into you one last time, shooting his hot, anguished cum inside of you, shuddering against your skin as he shallowly fucks the last drops of cum out of himself.

Out of breath, he pulls out of you, letting his load drip out of you onto his sweatpants before you carefully roll over to start cleaning up.

"Sorry," he exhales, "was a little stressed."

[uc1wa]

*heavy sigh* possessive frat boy Dick Grayson getting increasingly more deranged about how he lays his claim on you as the semester wears on, finals week breaking point where he loses it on you like you're a stress ball, etc.

even though he'd never cave and make you his gf, nope no sir

tags: fem reader, toxic relationship, yanderish, misogyny, mentions of rough sex, penetrative sex, choking, manipulation, fucked up frat boy dick

dick fucked a different girl every weekend, y'know, before his drunk self stumbled to your door. but who cares about the smell of perfume that's clung to his half-buttoned top? the top that has buttons in places they aren't supposed to be. who cares? because he's still going to come home to you, and you'll be his last fuck of every weekend.

but you? the first load he spilled on your stomach should've said enough, no? dick doesn't just fuck everybody, at least that's what he thinks. you're his and his only.

the first time he smelt another guy's cologne on you, saw a shirt that was surely not yours, a product of your own one-night stand, dick grayson lost his shit. fucked you like you were a sleeve for his cock rather than a person.

"then... are we dating?" the condescending laugh that left dick's lips was your answer. dating? the word made him gag, why would he lock himself down when he was at his prime? are you stupid? do you know who he is?

no, you weren't dating. you were fucking, but you obviously had a problem understanding your place, didn't you?

it started with hickies. an embarrassing amount that no number of necklaces or turtleneck tops could cover in their entirety. hickies that started at your jaw, dark splotches moving down your body. did you want to wear a crop top? dick's taking note to leave one on either side of your hips. where there's skin, there are remnants of the man to whom you belonged.

it wasn't hard to stake his claim on you, but he also knew you were hot. do you think dick grayson, the commodity that he was, would fuck somebody ugly? he's not that low. he has priorities for himself.

hickies weren't enough, though. did you think you were slick when he saw a video of you at another frat house, one outside of his own, grinding on a man who was plenty of social levels below dick? you thought he wouldn't find out that you're even more of a slut than he thought?

rather than a hand wrapped around your throat, he used manipulation to his advantage. with a sickeningly sweet voice, he bought you a necklace with his initials since you needed a tag like a puppy; now you know not to run away, right?

"marking your territory, huh?" his brother, wally laughs when he sees you sporting the chain with a prideful chest, gold falling between your tits. don't look too hard, that's dick's property now!

"had to," dick replies, unfazed. "nothing too serious, though." he reminds his brother from his seat in their shared house. but it's still not enough.

he wants you all to himself and it eats away at him. hickies continuing, sucking your face in public, it's not enough because you're still giving guys attention. 'just friends' his ass.

that's why, overtop of the gold chain, his hand covers your throat and pushes down hard. between hickey-covered thighs, his cock is stuffing you full with painfully slow movements.

"i gotta remind you?" he asks, long past acknowledging the fact that you can't speak from the force his hand holds around your windpipe. "whose cunt is this?" a strangled whine, and dick squeezes harder, a satisfied smile pulling his lips when he finally feels your pussy squeeze around his length.

he doesn't care about words; he cares about your cunt being carved into the shape of his cock. he cares about sculpting you like clay 'till any guy you wanna talk to can only smell dick on you. can only smell the expensive cologne he wears, can only smell the scent of his musk. 'till you're limping to all your finals, and there's not a second thought from your classmates who put you in that state; the infamous "DG" that's still hanging between your tits, that's who!

[porcelana-r0ta]

JOYRIDE

Fandoms: Batman, Danny Phantom

Relationship: Dan Phantom/Jason Todd

Word Count: 3,823

Ao3 Link: Available only to registered users

Summary:

Dan doesn't want to join his Habitudes group for their dumb community service project, which is why he lets two idiot goons kidnap him off the streets. When said goons turn out to work for The Joker, Dan decides to do something about him, maniac to maniac.

Or: The Joker tries to live stream a ransom, but ends up live streaming his own execution.

xxXxx

When Dan Nightingale is grabbed off the streets of Gotham, he makes a half-hearted struggle, just so he can seem human. The kiddie hero business and the indiscriminate genocidal tendencies no longer call to him like they used to, and while he’s still an impatient person who is intolerant of disruptive bullshit, he needs a little excitement in his life. 

Plus, he wants an excuse to get out of his Habitudes community service project. His pretentious trust fund baby groupmates chose to volunteer at some fucking coffee shop instead of something normal, like a hospital or an animal shelter. (Dan didn’t even know a coffee shop was an option, but anything goes for wealthy elites who want to roleplay as an impoverished barista, apparently.) Well, Jay Peters wasn’t so bad, and he was just as irritated as Dan was about the others’ choice. Plus, the chill that settles into Dan’s unused lungs when the other student is around shows that he’s at least Death-touched like him, even if they’ve never acknowledged that to each other. 

So, yeah. He lets himself be kidnapped by two goons, even if he could easily break free and make their insides their outsides. It could be interesting! Enrichment in his pandimensional parole! Everyone’s got to have fun sometimes! It’s like a little joyride, as a treat! But he isn’t the one committing the crime! How quaint!

Dan is a very polite captive. He lets himself be pulled into a creeper van with minimal resistance. He lets the goons zip tie his hands. He lets them put a black bag over his head, even though it smells of weed. He doesn’t count the number of turns they take, nor does he try to talk them into letting him go. In fact, he doesn’t say anything. When they eventually park, he allows the men to pull him out of the creeper van and into some building—likely a warehouse, judging by the echo of their footsteps on the floor. And finally, he lets the goons cut off the zip ties around his wrists and then tie them to the metal arms of a chair. 

He’s a great captive. And he’s so going to be excused from that stupid Habitudes community service project!

He’s content to sit and wait. The Bats of Gotham City usually have a good response time for villain bullshit, and if they don’t, then it’s not like any Fear gas or sex pollen will affect him. Dan’s not really human anymore, even if he is capable of looking so. 

Dan does not have to wait long. The footsteps increase and then stop altogether, and then a cackle fills the air. “Camera man ready? Mics? Charges?” The voice is familiar, yet grating. Where has he heard it before? In his past future, maybe?

“Yes, sir,” comes the reply from several different people. 

A pleased cackle, “Then let’s get started!”

“We are live in three… two…” 

At the silent one, the cackle echoes through the room once again. “Hello, ladies and gentlemen of Gotham City and beyond! I’m your favorite Joker, LIVE! With one of your favorite Wayne children!” 

Dan, who has been relatively chill this whole time, tenses. The Joker. That’s why he recognizes that cackle and voice. He had killed the clown before in his original timeline. Ugh, clowns. He fucking hates clowns. Hates their stupid pale makeup and their stupid dumb wigs and their exaggerated eyes and he fucking hates how they make him feel like he’s not in control. 

And what was that about a Wayne? 

Dan doesn’t think killing someone like The Joker in his original timeline should be held against him. Honestly, the guy is a megalomaniacal terrorist who abuses the guise of mental illness to get away with crimes against humanity. Dan had at least owned up to his own sanity, and never tried to hide from the law or anything like that. He just kind of… killed the law. 

….ACAB? 

A hand suddenly grips at the bag on his head, grabbing hair with fabric. “That’s right, folks! Here’s Gotham’s beloved Dick Grayson!” The bag is yanked off his head, revealing Dan in all his scowling glory. And Dan is a lot of things, but an exact Dick Grayson copy he is not, so while the goons may have mistaken him as Grayson, The Joker does not. 

He pauses, studying Dan’s face. Dan raises a mocking eyebrow, then looks around the warehouse. 

It’s empty and dimly lit, but it’s not a problem for his superior vision. The metal walls are an ugly beige and the floor is a gray cement, its color only broken by mysterious brown stains, and now the discarded black bag. Dan is up against a wall, surrounded by filming equipment. The camera in question is just a fucking iPhone 12 attached to a ring light. There’s one goon behind the camera, moderating the live stream. There is another goon holding a boom mic above Dan and The Joker, and there are four others behind the camera. All of the goons who are not handling equipment are holding toy musket guns. It is probably safe to assume that there are similarly armed goons guarding the doors that Dan cannot see from his position tied to a chair. Likely two goons per exit. In a warehouse of this size, there have to be at least six more goons that Dan isn’t seeing. 

The Joker grits his teeth. “Who brought the Grayson kid here.” It’s not a question so much as it is a demand. 

“We did, boss,” two goons pipe up proudly from behind the camera. 

“Why don’t you two come up on camera so I can congratulate you for good work?” The Joker grins beseechingly. 

One of the two goons, the blond, shuffles nervously at this, whereas the other puffs out his chest. So only one has any brain cells. 

The prideful one grabs his comrade by the arm and drags him up to the camera with Dan and The Joker. They stand in front of Dan, blocking him from the camera’s view.

“I always reward good work, you see,” he says to his henchmen. “Now, you think this is good work?” 

“Yes, sir,” says Pride, while Blond frowns. 

“Take a good look at his face.” The villain gestures angrily to Dan’s unimpressed face. “What do you see?” 

“Dick Grayson, sir,” 

Blond shuffles, “He looks like he isn’t scared.” 

“No! Wrong! This isn’t Dick Grayson! This– This is some—” The Joker takes another glance at Dan, noting the black Gotham U hoodie that hides his muscles. “This is some fucking college twink!”

“Twink?” Dan mutters to himself, disgruntled. Sure, the hoodie is baggy and he’s seated instead of standing, but do those two things add up to him looking like a twink? 

The color has drained out of even Pride’s face at The Joker’s words. “Sir, please—”

But The Joker is already pulling out a comically large toy gun that probably has real bullets, and Dan sighs. It would probably be bad for his parole if he let a bunch of humans die in front of him. 

He phases out of the ropes binding him, safe from view with the two idiots in front of him. Then, he kicks The Joker down to the floor, sending the toy gun scattering across the cement floor of the warehouse. He stands and knocks Pride and Blond’s heads together, knocking them out as The Joker screeches with rage. 

The goons behind the camera aim their guns, but Dan is already moving behind the camera. He snags the guns out of their hands, snapping them in half with strength he doesn’t even have to think about. He moves so fast that at first they don’t even realize what’s happened. By the time they connect their missing firearms to the broken bits of metal on the floor, Dan has already clobbered them over the head, knocking them unconscious. 

He takes out the cameraman, too, and the goon holding the boom mic. Then, in mere seconds, he takes out all the goons at each exit, and he’s back at the filming station by the time The Joker has staggered to his feet. His original estimate had been off by two—there were eight other goons in total. 

Dan checks the iPhone—still live streaming. On TikTok, of all the goddamn apps. The comments are going wild on what’s going on: where’s the college student, how did he kick The Joker like that, do you guys think that those two goons have brain damage now, what was that metal scraping sound, where is The Joker? 

“Hey, brat!” snarls The Joker, clutching at his ribs. “That was not part of the script.”

Dan hates clowns, and he especially hates The Joker. Sure, Dan wiped out nearly all of humanity. Who doesn’t have a bad decade of villainous activity? But he did it quickly, and he didn’t do it under the guise of insanity. He owned up to it. And if Dan’s being honest, he’s… disgusted by it all now, even if it hurts himself to admit. 

If Dan isn’t human, then neither is The Joker. 

Still off camera, Dan moves so fast he basically teleports in front of The Joker. The other man stumbles back, but Dan reaches out and grabs him by the throat. He chokes and claws at Dan, but Dan isn’t human anymore, and so his nails catch on nothing but the cloth of his hoodie. He doesn’t even feel it.

He drags The Joker to the chair in front of the still live camera and shoves him into it. While he recovers from being choked, gasping and shuddering and so fucking human , Dan forces his hands behind him and uses the ropes he’d phased out of to tie The Joker up. When he ties the last knot, Dan stands tall, staring into the camera. 

“Hello, friends and family,” he greets the audience. He gives a small smile, and he makes sure that he is perfectly, utterly human with normal blue eyes and normal black hair and normal human skin. “As you can see, things have turned around for The Joker here. Now, I’m sure his original intent was to ransom out the Wayne kid, and it would be a shame to see that hard work and planning go to waste on a mistake, wouldn’t it? So why don’t we hold a… reverse ransom? Only, I don’t need funds. I’ll accept donations. My venmo is vladsucks03. My cashapp is dannight07.”

Dan’s smile grows into a wide grin. “Feel free to donate if you like. But even not a single person donates, The Joker dies today.” 

The Joker spits out a gasping laugh, “Ha! You think you can kill me? I gotta admit, that’s a good joke. But Batman—”

“Batman what?” Dan asks, stepping off camera to grab the black bag on the floor. He shoves it halfway into his pocket. He walks to The Joker’s toy gun, the only one he hadn’t broken, and he picks it up. 

“Batman is already on his way here,” The Joker says. “He always is by this point.”

“And Batman will save you?” Dan snorts. He moves to check the live stream, comments coming in so fast that the only reason he can read them is because he’s not human anymore. 

Is this for real

fuck yeah kill that guy

💥🔫🙏🙏🙏🙏🙏

extremely common gotham uni W

im donating 50$ rn

Can we vote on how joker dies

Lol does he fr think that batman would help him

❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

Does anyone else find this incredibly attractive or is it just me 😳

guys my joker/batman fic update is gonna slap after this

Joker’s cooked

bro is about to have ao3 level donations

Hey what’s his cashapp again

Omg i think that guy is in my bio class

I’ll donate when hes acc dead

doin god's work 🥹👍

If bro doesnt do it he’s cooked

This guy is gonna have infinite rizz if he pulls this off

The Joker scoffs, “Of course he will. He’s done it before.”

Dan yanks his gaze from the comments to The Joker’s face, “What?”

The Joker nods his head up arrogantly. “Batsy can’t live without me. He saved me after fickle-ickle Nightwing killed me.” 

“Huh.” Dan blinks consideringly, switching his gaze back to the comments. They’re all freaking out about this new information. He steps back into the camera frame, pulling the hammer back on the toy gun. “Then I’ll just have to make sure it sticks.” 

He points the gun at The Joker’s face and fires. As expected, rainbow confetti is the only thing that flies out, dusting over The Joker in celebration of what is to come. 

The Joker laughs. 

“Cute,” says Dan. He walks around The Joker to stand behind him, directly in front of the camera. He removes the black bag from his pocket and puts it over The Joker’s face. 

He shoves the muzzle of the gun into the back of The Joker’s skull. Pulling back the hammer, he asks, “Any last words?” 

He pulls the trigger before The Joker can say anything. It’s funny. As expected, the second gunshot is a real bullet. The Joker’s head and body jerks forward. Blood splatters on Dan’s face, but it’s mostly on the floor and the unconscious Blond and Pride and on The Joker himself. 

For a moment, Dan can only stare. The Joker’s body is crumbled in on itself, held up only by the bindings on his arms to a chair nailed to the ground. 

He feels big. He feels good. 

He feels… dirty.

He clears his throat. He drops the gun. He lifts up the soaking black bag up just enough to check for a pulse. After thirty seconds of nothing, he says, “Well, that’s the end of The Joker.” 

He looks up, staring into the camera lens, and he chuckles. “I missed my community service project because of this bozo. You guys think my professor will accept this as community service?”

You guys think this will affect my ghost parole? he doesn’t ask. 

He bends down to check the pockets of Blond. He finds his phone and uses Blond’s thumbprint to bypass the password. His stomach curdles at the home screen—a picture of Blond and a little girl with his eyes and his nose. His eyes burn and he calls 911, trying not to blink.

“911 dispatch. What is your emergency?”

“Yeah, uh, I killed The Joker. But he kidnapped me first, so. Turnabout.” 

“You— sorry, you what?”

“I killed The Joker. He’s dead. I checked his pulse and everything.”

“O-oh.” The woman on dispatch sounds strangled. There are muffled sounds, frantic, that the receiver only barely picks up. Dan wonders what she’s doing, Asking for verification? Trying to triangulate his location? Celebrating the fucking good news? “Do you know where you are, sir?”

“Some warehouse, I guess. Probably at the docks. Do you want me to check?”

“No, sir, please stay where you are if there are no immediate threats.”

“Got it.” He clicks his tongue. 

“Can you tell me your name, sir? Are you injured somewhere?”

“I’m Dan. Uh, Dan Nightingale. I guess he thought I was the Grayson kid. Um. Dick Grayson, I mean. And no, I’m fine. His henchmen are injured and unconscious, though.” 

“Right. Okay. Hi, Dan. I’m Claire. First responders and patrol units are on their way to your location now.”

“Well, that’s good, I guess.” He almost wants to ask if she thinks that he’ll end up in Arkham for this, but he’s pretty sure that there’s no jury on Earth that would convict him. Well, maybe not. He did ask for donations for murdering The Joker, after all. That might put a damper on his defense. 

“Dan?” asks Claire. 

“Yeah?”

“Is– is he really dead?”

Dan looks at the body and kicks a limp leg, avoiding looking at the gory black bag. Nothing. “Yep. As a doornail.” And he knows death intimately. 

She breathes a shaky, staticky sigh into the receiver. “Thank you, Dan.”  

He blinks, “Can you get fired for saying that?”

She laughs, “Honey, everyone not on break right now is listening to this. My boss just broke a bottle of tequila out from his desk.” 

He barks out his own laugh. “Oh?”

“You’re about to be very popular, Dan.”

“Well, I—” 

And seventeen minutes late to the party, the windows at the top of the warehouse shatter open. In cascades of broken glass and grappling cables, the Bats drop down to the floor. 

“Away from the body,” commands Batman as soon as his feet hit the ground. His little birdies, Nightwing, Red Hood, Red Robin, and the newest Robin fall in line with him. Robin makes quick work of rounding up the unconscious goons and binding them. 

Dan obligingly puts the hand that isn’t holding the phone up in the air, but before moving away from the camera’s view, he says, “Just a reminder guys, my venmo is vladsucks03 and my cashapp is dannight07. Please remember that I might need a lawyer soon.”

“Okay, funny guy,” Nightwing says, entering into frame and pulling Dan away by the shoulder while Red Robin shuts down the live stream.

“It was self-defense and defense of another. A whole population, if you will,” Dan says. 

Red Hood snickers, “Only crime here was the kidnapping.” 

“Dan, are you okay?”

“Bats are here, Claire,” Dan tells her. He watches Batman lift the black bag off The Joker’s face, revealing the viscera and gray matter beneath. He’s not smiling anymore. Dan hasn’t seen that kind of gore in years. He’s the cause of it once more and he doesn’t regret that. It feels invigorating. It feels devastating. “I guess I’ll hang up now. If The Joker is mysteriously alive after this, it’s because Batman couldn’t handle not being the hero.” 

“Dan—” He hangs up as Batman’s shoulders go minutely tense at his words. The man stands fully, turning his head slightly to narrow his cowled eyes at Dan. 

“Problem, sir?” 

“You killed The Joker.” 

“I saved myself and his two idiots.” He shrugs. 

“You had him restrained.” 

He rests an offended hand against his chest. “I was frightened that he would escape, sir, just as he escapes from the very place you put him every eight to ten months.” The Bat doesn’t want to be judge, jury, and executioner. Fine. Whatever, he gets it. Dan hadn’t wanted to be that, neither as hero nor villain. He’d wanted to save, he wanted to be saved, and then he wanted everyone to feel like he did. But he’s not so prideful now to know that he wouldn’t have stopped then, not unless someone handled the job permanently. 

The Joker needed permanence. 

The Bat can play fucking judge all he wants. But he’d be just as villainous if he tried enforcing his own moral code on other people.

“You asked for donations,” Red Robin says dryly. “You were basically putting a hit out on him.”

“My art in life textbook is $300. How much do you think a lawyer is going to cost?”

“Hn.” 

“Stop giving the man a hard time for doing a public service, Batman.” Red Hood shoulder checked Nightwing away and held out a gloved hand for Dan to shake. He takes the other’s hand and firmly shakes it. The contact, while not to skin, gives Dan goosebumps and chills his lungs. 

Jay?

“Let’s hope my Habitudes professor agrees with you.”

“She will. Everyone with three brain cells to rub together will.” The man cuts a glare at Batman. 

Dan didn't say what pronouns his professor uses. 

The rumble in Red Hood’s voice is enticing. He looks at the other man, really looks, and notices his broad shoulders, how tall he is (though Dan towers over him even  disguised as a human), and his muscled arms. Arms that Dan’s pretty sure are normally hidden beneath a Gotham U hoodie, just like his own. 

He smirks as sirens sound in the distance. “Let’s hope the cops agree with you.”

“They will,” Hood says. It sounds like a promise for something entirely different. 

“Gag me,” Red Robin mutters.

Robin says, “For once I agree with you.”

Without looking away from Dan, Red Hood flips the two off, and yeah, maybe redemption can be more promising than he initially thought. 

xxXxx

A week later, Dan finally goes back to his regular schedule. His ghost parole is intact—he’d even been thanked by some Gothamite ghosts, and Danny begrudgingly told him that there were ghosts who said they’d riot if Dan was given any punishment. As for the mortal side of things, Vlad Masters had graciously sent his team of attorneys to Dan’s aid. While Dan still hates him, he has no issue about using a free team of lawyers to defend him. He’s guaranteed to walk.

Jazz had called him. It made his core unsettled and stony. She wasn’t disappointed, and he doesn’t know how that makes him feel. He doesn’t regret it—The Joker would never change. But what does that say about him and his progress? 

Jazz in general makes him uneasy now. She used to be his big sister, and now she’s younger than him, and he tried to kill her, and— she’s different from his Jazz, is all. But if she’d always known like she said, then his Jazz did, too, right? Could she still be his Jazz, a Jazz who got to grow up? Still be his sister? It would be stupid to hope so, right?

He feels bitter.

She said she’s considering Gotham University as her college of choice as she nears high school graduation. Apparently, their psych department is amazing. 

So maybe hope isn’t so bad. 

Dan sits down at his 10:00 am Habitudes class. Everyone already in the room stares at him. Before they can offer any congrats or thanks or swarm him, Jay sits down next to him. 

Dan looks at Jay’s mostly black hair and his tuft of white at his front bangs. He’s wearing his usual Gotham U hoodie, a hoodie that likely hides muscled arms. A chill builds in his lungs like it did when speaking with Red Hood, like it has every other time he’s talked with Jay Peters. 

…Hm. A hoodie that definitely hides muscled arms. 

“Hey,” says Jay with a grin. “Crazy week, I hear?”

“You’re a Gothamite. I’m sure you’re aware of exactly how crazy it’s been.” 

“You should tell me about it sometime.”

“Sure. After class? We can grab an early lunch. Make it a date, maybe.”

Jay smiles, cute and small. His eyes flash green—a baby Death-touched soul, still can’t control his spooky abilities, how adorable—and he says, “That sounds perfect.”

[lurkingshan]

I absolutely loved the first two episodes of Love in the Big City, and I thought all of the adaptation choices were brilliant, but the part that hit me most as I was watching and that my mind keeps circling back to relates to this question from @bengiyo:

In the novel, we see everything through Young's rather biting and cynical internal monologue, while in the drama we see other characters through a broader lens. With this different perspective, how does Mi Ae's outing of Go Yeong and the fallout change compared to the novel?

I think for me, this shift that allowed us to see Mi Ae outside of Yeong's perspective enhanced my empathy for her and for the choices she made. Because it all comes back to this quote, originally from the novel and used verbatim in the show:

"Through me, she learned that being a gay man sucks, and through her, I learned that being a woman equally sucks."

Yeong and Mi Ae connected with each other because they were both living outside the accepted norms and were isolated and lonely as a result. The forms of oppression they experienced were not the same, but it was a point of connection and the foundation of their deep bond. They fell in love with each other because of their shared choice to be themselves loudly, and fuck the social consequences. They were each other's most important person, regardless of who they were dating. And so when Mi Ae, shaken up after her abortion and exhausted by trying to fight the social tide, made the choice to stop being true to herself and conform, of course Yeong felt abandoned. And then when she outed him to protect her conformity, betrayed.

In the novel, we learn about Mi Ae (Jaehee) outing Yeong (Young) from him, and it's presented to us as a callous betrayal, because that's how it felt to him. But in the show, we get to see Mi Ae make that decision. We see how cornered she felt when her boyfriend confronted her about the lies she'd been telling, we see his genuine (justified) upset at learning she'd been living with a man he doesn't know, we see her panicking and reaching for something to smooth it over, and we can see that in the moment, it feels reasonable to her to tell her partner the truth. We can see that it wasn't malicious, and she did not intend to hurt Yeong.

But it still hurts, because in making that decision, she implicitly acknowledged that Yeong is no longer her most important person. Someone else, or at least the idea of what he represents, became her top priority, and she protected her romantic relationship rather than protecting Yeong. She still loved Yeong, but she wouldn't put him first any longer, and when she made that choice their relationship as they knew it was over. Mi Ae was ultimately captivated by the allure of social acceptance, and she chose a path of conformity that was not open to Yeong--she is, after all, a cishet woman and able to revert to societal expectations much more easily than Yeong ever could as a gay man who would struggle to pass even if he wanted to. Her choice was confirmation that, in fact, their situations do not equally suck, and she retreated to her privileged identity, leaving him behind.

And so we come to the scene that punched me in the heart more than any other in this first section: the two of them singing together at her wedding, taking one last glorious moment to be themselves again in front of people who would never understand them. In that moment I felt so sad for Yeong, that this relationship that meant so much to him was irrevocably changed, and for Mi Ae, that she abandoned these aspects of herself out of fear and committed herself to a man who looked stunned to see a glimpse of the real her. And more than anything, I felt sad about how isolating and alienating it feels to simply exist in the margins of what is socially acceptable, that conforming is always the easier choice for those who can hide, and that Yeong was once again left to struggle alone.

[junedenim]

at the heart of what the business is

part two

if you work with him every day, you might as well fuck him

warnings: smut, eating, blowing, fingering, fucking, etc.

word count: 4.7k

He looks like he has had one too many drinks and you're almost certain he hasn't been without a cigarette in his hand all night. His hair makes him look scruffy like a stray dog. You're filled with a desire to kick him, not out of cruelty, but to see if he'd react. He's got a shadow of stubble that looks like sandpaper. You think if you run your hand down his cheek, scratches would cover the palm of your hand. He's disgusting. Before walking down into the restaurant, he spat on the stairs, leaving a blob of salvia just begging to be slipped in. (You're disgusting; covered in a want for you to be that cement stair).

You two haven't taken to one another exactly. He hasn't acknowledged your presence and you scoff whenever he speaks. There's an obligation to work together but you don't have to interact with him outside of it. You don't hate him, you find him strange in a fascinating kind of way. He definitely hates you, at least you think.

He's across from you at the table though neither of you has made eye contact. He's talking with Ben and you're talking with Elizabeth. Except you and Elizabeth are watching him out of the corners of your eyes and talking about him. 

"Is he looking at me?" She whispers harshly.

You glance over. "No, he's still talking to Ben."

"What about now?"

"Still talking to Ben."

She groaned. "Whatever. I give up. He'll just be the one that got away." She sighed heavily and sank into her hand.

You laugh. "I don't think you're missing out on much."

She gasps. "He's so dreamy. What are you talking about?

You shrug and sip your wine. "He's always seemed a bit arrogant to me."

Elizabeth sneers, "You've never even talked to him."

You object to this. "I talked to him at work today and he was a prick." He ignored you and instead talked to your project partner, Jeff. You took the slight as misogynistic. A fact Elizabeth vehemently denied when it came to Alex. To Elizabeth, Alex was a god. He could have no faults. 

The wait staff came out with everyone's orders and the conversation dissolved into a more central conversation as Ed, everyone's boss, asked after his crew. He seemed to know every detail about everyone. "And Alex, how's that lady you're seeing?" Ed exclusively called people "lady" or "fellow." It amused you every time. You giggle into your napkin.

"Uh, um." He awkwardly moves in his chair. "We aren't seeing each other anymore." Elizabeth practically shakes the table in excitement, which causes you to laugh louder. Alex's eyes land on you and you turn red at the embarrassing idea he thinks you're laughing at the demise of his relationship. You cover it with a cough into your napkin, but it sounds and looks fake.

Ed looks solemnly toward Alex and says, "I'm sorry to hear that, Al." Ed and Alex have about 30 years between them but got along like they had gone to university with one another—a fraternity of brothers. You often felt work was a good ol' boys' club, even if Ed was a great boss and the company was diverse, the upper management mainly consisted of men. 

"Her loss," Elizabeth remarks.

The comment makes you burst into laughter again. You're flushed with red before you have time even to catch yourself. All eyes were at the table directly at you from the sudden outburst. You cover your mouth with your napkin again. "I'm sorry. I'm so sorry."

"You alright, little lady?" Ed asks.

You clear your throat one too many times for anyone to believe the act. "Yeah, yeah. Yes. I'm sorry. Ignore me."

"Nonsense," Ed dismisses. "Your father doing okay?" That's the kind of boss Ed was. Your father had several bouts with his health that caused him to be hospitalized a few times this past year. Ed was always forgiving with your work attendance.

You dip a hand in your glass of cold ice water and tap your wet fingers on your hot cheeks. "Yes, yes. He's been feeling much better this past month."

Ed cheers, "Excellent. Please give him my best." He lifts his wine glass up in acknowledgment.

"Yes, mine too." Your eyes dart across the table. Alex is leaning back in his chair, that burning cigarette in the ashtray the restaurant provided—you wonder how much he paid them to allow him to smoke in here—and his glass up in the air.

You nod silently and dive back into your dish. Your cheeks are still flushed with mild humiliation but also smiling at the hilarity of it all.

Elizabeth sighs beside you and whispers, "Well, he's looking at you now."

You lift your head, your eyes meeting his, locked in a stare. You swallow your food and lean yourself forward on your elbows on the table. "I'm sorry. I'm not laughing at you," you try to assure Alex. "Just something Elizabeth said."

He waves away your apology. A smile cracks upon his lips. "That's alright. You can laugh at my misfortune if you want to."

You shake your head. "I wouldn't do that. At least I don't think I would."

His smile grows wider. The heat on your cheeks forces you to disappear into your glass of wine. He lifts his cigarette to his lips. You feel entranced by the smoke as you watch him exhale through the blur of wine. He's chatting away with Ben again, making him laugh at some joke you didn't hear. You've never not been intrigued by him. You just didn't think he was ever intrigued by you.

You filter through conversations with Elizabeth and listen to Ed's ramblings but your eyes always return to the man across the table. You swear he must have unbuttoned his shirt a button or two. His chest is exposed deeper. The chain around his neck is more visible and the pale skin of his chest unclothed. It was all a hypnosis wheel. 

Ed orders dessert for the table. Tiramisu. You feast away on your small cut. You lick your spoon eagerly tasting the mascarpone mixture. You feel his eyes on you and it ignites a lust in you that's undeniable. You're reminded that hate sex is the greatest form of passion. Well, you don't really hate him but you can fake it if it makes the sex that much better.

"Did you know tiramisu means 'pick me up'?" The question isn't necessarily directed at anyone, but your eyes are on him.

He has a trace of cocoa powder in the corner of his lips. It makes you giggle. You're becoming more and more endeared by it. You're convinced it's due to your newfound desire to bed him tonight. "No. I didn't know that one," he answered.

"It was created for pleasure-seekers." You try your best to pierce him with your gaze. "Ladyfingers is such an interesting name for a dessert. Who'd want to imagine eating fingers with cream?"

He chuckles at the remark before sinking back into his dessert. He glances up with a smirk and you return with a tight-lipped smile.

*

Ed leaves after dessert, paying for the tab causing his employees to cheer for him as he exits. Various people scatter. Some for the bar. Some head home. Some, like you, lean back in their chairs. You copy Alex's carefree mannerisms. Your hand fiddles with the stem of your wine glass. If you focus for long enough you think you could bore holes through his clothes.

Suddenly, Alex stands up and rounds the table. He stands before you. His hand grazes the empty chair Jeff left. "May I?"

"I don't owe the chair. By all means," you invite.

He places his glass down first, instantly forming a watermark on the cloth tablecloth. He pulls the chair out far enough for it to be turned to face you. He sits in it silently and takes a sip from his glass. 

"I liked that project of yours," he complimented with another swig of alcohol.

You can't help the smile forced upon your cheeks but you narrow your eyes. "My part or Jeff's part?"

Alex scoffed, "Jeff's a dickhead." You split into a peal of laughter, forcing you to cover your mouth once again. It incites a laugh from Alex too. "You've got a nice laugh."

You sip your wine to diminish the last ripples of giggles. "Oh, stop it. I've got a witch cackle going on."

He shakes his head. His hair is less styled than it was at work, growing unkempt as the evening has dragged on. It bounces with his movements. "No, no. It adds character. It's contagious."

You shrug. "Well, okay."

For the first time, you notice he has these beautiful eyes: downturned and brown. It's hard not to—the man gives good eye contact. "You're a good talker."

You snigger. "I'm pretty sure Jeff did all the talking."

Alex points a finger out from his hand wrapped around his glass. "Exactly."

His knee brushes up against yours. He doesn't seem to notice, but you sure do. The fabric of his suit feels luxurious against your bare skin. You're not sure what overtakes you. His eyes. His words. His hair. His hands. His knee. You reach down and place your delicate hand on his knee. A smirk covers his face and his eyes gaze longingly at you but he doesn't say anything. "Thank you, I suppose," you tell him.

Alex leans forward. His body practically huddles around you. If you wanted, you could nest in him. Take harbor in his suit jacket and stay there hibernating through winter. "Not sure if I'm allowed to say this," he whispers in your ear.

You turn your head and if you were an inch closer your lips would graze his. It might not be the most proper thing for him to hit on his subordinate. It wouldn't be right for him to leave you hungry either. "Go ahead."

He places his hand on your bare inner thigh, just above your knee. It's cold, still chilling from the glass. It's orgasmic, its effects. "Do you know how fucking hot you look?" His earnest tone makes you emit a horny giggle. "Seriously, pretty sure you're a pick-me-up."

"I could probably sue you for that," you joke.

His hand travels further. "Yeah, you probably should. I'm a piece of shit."

"We'll probably get fired if we move any closer to one another."

He pulls back slightly. "You mean, you don't want me to fuck you in front of HR?"

*

In the haze between the restaurant and his bed, you lost your dress and he lost his pants. He grabs your ass picking you up for long enough for you to land your back against his soft duvet. He tries to blanket you with his body but you stick your leg up, pressing your foot into his chest. "Lose the jacket," you command.

Alex is quick to shed. He wraps his hand around your ankle and lifts the foot to his lips, kissing the heel, then the ankle, slowly puckering his way to your center as he kisses your shin. He drops the leg and undoes the rest of his shirt, leaving him in just his underwear. You watch, propped up on your elbows in your lacy bra and panties. 

He covers you like a dark cloud about to rain down on you. His lips are softer than you imagined and his hands that caress their way up you are as rough as you imagined. His kiss is dominating and his figure is pining you down like you're on a bulletin board. His hand grazes over your clothed cunt. You moan into his mouth.

He pulls back and stands up completely. "Take it off." He gestures to your chest and his pussy.

You reach around and undo the hook. You slip your bra off and toss it off the bed. You reach down to the hem of your underwear but stop before pulling it off. "You too."

Alex listens, discarding his underwear on the wood floor. "You're a bossy bitch," he says. You let out a delighted giggle. "I fucking love it."

"I want to suck your cock," you announce. You sit up on your knees but wait for him to move toward you.

He puts his hands on his hips. "Okay, fuck." He comes closer and you crawl toward him. You wrap your hands around his shaft.

You look at him, eagerly. "Spit in my mouth," you say, leaning your head back and widening your mouth.

He looks slightly stunned but a smirk takes over his face. He wraps his hand around your neck and leans down, spitting directly onto your tongue. "You're a little slut, huh?" He asks it like a serious question as if you're sitting down for a job interview.

You shrug and take him into your mouth. He sighs as if letting out a breath that he's been forced to hold all night. You pop him off your lips and say, "You can decide at the end of the night."

He's large in your mouth. Your tongue moves around him in your mouth as you move up and back. His face is controted in pleasure and you're determined to continue it for as long as possible. You want to suck him dry. To take everything in him for yourself.

He has other thoughts. Roughly, he yanks you off of him by your hair. You land on your back, staring up at him like a beetle on its back unable to turn over. "I don't like you very much, you know," you tell him.

Alex snickers. "I know." It's a word battle of who can turn the other one on more with their insults. His hands move their way down your thighs and soon, his mouth follows. Alex buries his head between your legs. He starts off slow, lazily flicking his tongue around your heat, as if to test it. You shake at his touch, moaning and grinding your hips towards him, begging him to keep going. 

He scoffs, "You're so desperate." He trails his fingertips up your body, barely touching anything, soft strokes causing heat to gather. His tongue dances around your clit, teasing you, before finally giving in and allowing it his full attention. You tremble and he adjusts to a faster rhythm, a stronger pressure, finding just the right angle to make you quiver so hard he needs to hold your legs in place.

You're on the edge, arching your back, ready to fall over, when he suddenly lifts himself from your center and backs away to the foot of the bed. You groan and flatten out. "You're a fucking jerk, Turner."

He chuckles evilly. "Calm down, love." It brings a rare affection to the whole exchange. Of course, two seconds later he pulls you closer to the edge by your legs and flips you over, slipping a few fingers in you just for good measure. The thought of Alex fucking you right now is almost more than you can bare; the satisfied laugh he lets out only adds fuel to the fire.

He bends himself over to grab your breasts. You can feel his cock grinding against your ass, the pressure in your cunt growing with each passing second. You push back against him and he tightens his grip on your waist. Finally, he enters your dripping, throbbing cunt. Then, he slaps your ass. It's light. Probably won't even make the skin red but it makes you gasp, which encourages him more. 

He's bucking into you in such a provoking fashion it makes you loudly moan. He's stretching you out in a glorious way that adds such fervency to the pattern in which you're fucking one another. You're reassured that you feel as good for him as he does for you when he lets out a noisy, "Fuck."

Alex is holding onto your shoulders as he pounds into you from behind, each thrust making it even more intoxicated. He thrusts slowly, hitting the spot, his fingers digging into your hips. His cock slicked wet, covered in you. He grunts, pounding with more force.

He pulls out, flipping you over again. You wrap your legs around his back when he enters you again, groaning at the feeling of his hard cock once again meeting your warm pussy. He moves deeper, pushing himself all the way in. He leers over you and says, "I want to come in your mouth. Can I do that?"

You nod, trying to catch your breath. "Yeah, but can you make me come first?"

"Fuck yes." His pace is brutal but charged. You're clawing and desperate. You don't think you've ever been this desperate before. He's caused something in you that you can't label. He's shaking, trembling, and losing his rhythm. He's sucked you in and you're panting before he hits that back pocket and has you collapsing. 

He lets you ride out your high with your hips shaking around and your back arching before he pulls out of you. "Come here." He points to the floor below his cock that he is palming. You drop off the bed to your knees and hold your hands on his hips as he pumps himself. He shoots spurts out of himself landing on your tongue. As he comes, you pull yourself forward, shoving him down your throat as he finishes. His fingers claw in your hair and he's moaning and grunting curses out. 

His grip softens and you fall back onto your butt with a sigh. "Holy shit."

Alex chuckles and reaches down to help you stand up. "Good?"

The room is filled with panting and you decide to shrug your shoulders instead of verbally responding. He chuckles and slips off into the bathroom.

You stand in his room, naked and unsure of what to do. Your skin feels cold now that it's lacking his touch. You're unsure what to do. Whether to slip around the covers or slip out. You have plans tomorrow so it seems logical to go home.

You dress yourself and meet him at the door of his bathroom. "Oh," he utters.

"I'm gonna head home."

He nods. He has slipped boxers on and looks so meek. The power that he possessed in his suit is lost. He just looks small and soft. "Okay. You're welcome to stay."

You shake your head. "I should get home. I have some things I have to do early tomorrow."

"Okay."

"I'll see you at work on Monday."

"Yeah, yeah. Have a good weekend."

"Yeah. You too."

*

You want to be a siren. You won't lie that your attire on Monday wasn't intentional, wearing the shortest skirt you can get away with to the office. It covers you enough for when you bend over but it doesn't leave much to the imagination. Besides, it's Monday, a day you spend mostly in your cubicle so there's little need to dress a certain way. You've come in hungover and in your pajamas on Mondays before so a short skirt and a tight white shirt will make little difference.

You find him in the copy room. You're collecting your printed work and he is standing with a mug of coffee, leaning over one of the copiers. You watch his back. His shoulders are high and his finger firmly jabs the digital screen on the copier repeatably. 

"Do you need help?" You're not sure why you ask it. You had intended to stay silent and collect your work but he's muttering to himself and you take pity on the poor guy.

Alex turns quickly to look at you. He blinks a few times and takes a deep breath. "Uh, no. I think I got it."

You giggle at his flustered behavior. "Okay."

It seems to soften things and put a smile on your face as you walk to the printer to collect your items. You look over and his finger continues to hit the screen. His face is contoured with frustration. "You sure you don't need any help?"

"No, I just..." he sighs and steps back. "I just can't get the thing to copy."

You place your stack of papers down and look over. The screen is on the copy page and you press okay. The machine buzzes and begins to scan his paper. You look back and he's looking at you all sheepishly. "You've worked here how long and you don't know how to work the copier?" 

A smile seems to come to his face as you laugh at him. "I usually have Jess do it." Right, his assisstant. "She's out sick today."

"Do you need any more help?" You offer.

He shakes his head slowly. "No, no. I'm good. Thanks. Thank you."

"No problem," you tell him, picking up your stack of papers.

You head for the door when he says, "You look nice today." You turn around and his back is to you again. His shoulders are down. The tense that was once there has dissolved away. He's cocky again.

"Thank you."

He turns around slowly to full face you. He leans his back against the copier. "What about me?"

You ask dryly, "What about you?"

"Aw, come on," Alex says. "I can't be so bad. I wore my nice shirt today for you." He's got a white button-down on. It looks exactly like the one he wore on Friday and you can't tell if he's mocking you or being truthful.

You bite your lip. "You look handsome."

"Well," he looks down at his shoes, "I like that skirt of yours that you're wearing." Alex feigns this shyness like he can't look you in the eyes. Then, he'll stare you down and tell you he wants to fuck you. It's very contrasting.

"Uh-huh," you sound. "You're very assertive."

He lets out a chuckle. "Is that what we're calling it now?"

You narrow your eyes. "You are the one hitting on me in the copier room."

Alex hums. "Yeah." He grabs his copies and walks over to you. "That's interesting." He grazes by you, passing you, and opening the door.

"What are you getting at?" You ask.

He turns back. The door is only open a crack but his head peeks through just right in the open slot. His smirk grows and that glint in his eyes only grows brighter. "I like your skirt." He ducks out.

You're forced to stand still, taking a moment to digest what has occurred (and drench the thirst he's left). You shake him off your mind and head back to your cubicle. 

*

An hour later, a knock sounds on your cubicle's wall. You turn and there's Alex.

He invites himself in, not that there is much room to be "invited in." He leans against the edge of your desk. "I'd really like to touch base with you," he says.

"I'd really like that, too," you say, tempted to tell him to move his ass, and continue, "But I'm just swamped with this right now."

He glances at the Amazon website open on your computer and you nearly bury your face in your hands—rookie mistake. 

He looks amused by the display. You feel like a child making up excuses to not do their homework, but you can't avoid him forever, that much you know. 

"Ten minutes, I swear," he says.

You cock your head back. "Oh, I think you finish a lot quicker than that."

Relief washes over that he laughs at that. You're desperate for things to not grow more awkward. "I remember things differently. But seriously."

You sigh, "Alright, lead the way."

His office smells like him. Cologne, coffee, and cigarettes. There are unfinished mugs of coffee scattered around the room. He has no pictures on his desk, the height of mystery, but has several posters on the wall of projects he has worked on. He sits down in his desk chair and gestures for you to stand beside him so he can show you something on his computer.

You follow his hands, his pointed finger, as he explains his idea to you. Your head is filled with much different thoughts that don't concern the project or work. He's asked you a question, he's looking up at you waiting for an answer, he's calling your name, and all you can think about are his lips.

You lean down and kiss him, trying to fuse some idea in him through the transmission of lips. He wraps his arms around your waist and to fix the height difference with him sitting down and you bent over he pulls you into his lap. You swing your legs over to straddle him and he whispers into you, "We really shouldn't be doing this at work."

"I know," you whisper back. "But I've only ever had a cubicle before and I'm taking advantage of a closed door."

He's kissing down your neck and any concern about what you're doing or about to do at work seems to fade into the background. "Well, what do you want me to do? Do you want me to fuck you on my desk? I don't think we'd get away with that."

"You want to finger me under my skirt?" You offer.

He kisses up to your ear, his teeth fiddling with your earlobe. "What about what I want?"

"Oh," you sigh, "I think this is what you want."

And then, Alex's fingers slip under your skirt, under your silk panties, finding your slit with ease. He breathes a silent groan against your neck as he slips a finger inside your pussy. He comments on the wetness. "Anticipating this, huh?" Sliding in and out, in and out with ease. He slowly draws his hand back up, rubbing soft circles around your clit. You tremble, swirling her hips against him in a matching rhythm.

If it hadn't before, all thought goes out the window. 

Alex pushes your skirt up around your waist. He lifts you both up, propping you on his desk. You gasp when he guides you to spread your legs further apart, pushing in two fingers and then three. You're arching back and shaking with pleasure, so he goes in deeper and harder. He curls his fingers inside, which causes you to grab a tight hold of his neck, moaning in his ear.

You can feel his boner rub up against you and you're certain you've knocked over his cup full of pens. He slides his hand up your dripping core, slowly moving his fingers up and down your clit. You jerk forward, and he holds you steady, quickening the pace. He hits the spot just right and he keeps hitting it and hitting it. "Don't stop," you beg and he doesn't.

Your whole body jerks forward as the orgasm rips through you. You hold yourself up against his shoulders as you try to catch her breath. "Fuck," you exhale. You relinquish your hold on him and let go. "I've never done anything like that before."

"What? Orgasm?"

You laugh and push him back. You notice the protruding boner in his pants. "No, have sex in a place that could get me fired."

"Oh," he laughs.

Your eyes widen at his reaction. "You've had sex at the office before. Ew. I think I should report this to HR."

"Hush now. Let's just say a lot happened before you worked here."

"Yuck," you let out again.

Alex sits back in his chair with a dramatic sigh. "I've never gotten a blowjob here before."

You snort. "Subtle."

Alex moves his hands down and undoes his belt. He pulls his zipper down and looks up at you like a cocky little bastard. 

You nod. "Real subtle. Shall I grab Ben to take care of that for you?"

"Come on. A bit quid pro quo." He exposes his dick, laying hard on top of his zipper.

"That is definitely sexual harassment," you say as you get on your knees.

You take him in your mouth and it feels just as good as it did on Friday, except it's different. It's softer and he isn't forcing your head down on him, instead rubbing the back of it, fidgeting with the tips of your hair. He moans and you're more determined than ever to taste him again.

"You feel so fucking good," he tells you. 

You dive into him, taking him to the back of your throat. Your nose brushes his pubic hair, something that tends to be unappealing, except he smells nice. Something you find even weirder. You suck on him like he's a bottomless mimosa brunch. You lick him like a melting popsicle on the hottest day of the year. You want to consume all of him, but you'll take just this part.

He's close, grunting and pulsing in your mouth. There's agony and pleasure written across his face. His cum washes down your throat. This time you taste it on your tongue. It lingers as you swallow it down. He is slumped against his chair. His head is thrown back and he looks blissed out. You stand and tuck him back in his pants for him. He kisses your elbow as a thank you. "That'll get me through my meeting with Jeff." 

"You better not be doing that with Jeff."

*

a/n: i don't mean for all my fics to have semi-public sex or whatever, they just do.

[formyloveoflove]

The Bear S3 and the Choices We Make

Ok. After a second watch of S3, I'm feeling a little bit more optimistic about the future. Trust - it's a sad ending. It's my worst nightmare for Sydney. But there's still hope, and that all lies in what Carmen and Syd decide to do next. Season 3 Spoilers - read at your own risk :)

In S3 E10 Forever, we see our two mains go through a breakthrough. Starting with Carmen, he finally confronts his former boss (who has a name, i think, but fuck him, I ain't using it). It's the first (and only time) that we see Carmen proactively voice his resentment. He avoids his mom (rightfully so imo). He never got the chance with Mikey. But he approaches him, expects the man to have repent (maybe), or at the very least, have a little remorse.

He doesn't. He regrets nothing. In fact, he takes credit for Carmen's success: his hard work, his skills, and his talent. He tells Carmen that he should be thanking him, and that's not even the worst of it. No, for me, it is when he says

Carmen: My life stopped. Chef: That's the point, right? [...] You wanted to be great. You wanted to be excellent. So you got rid of all the bullshit, and you concentrated, and you got focused, and you got great. You got excellent. It worked. You're here. Look at all this

Sound familiar? It should. It's the same sentiment that Carmen said in the Season 2 finale. Remember, he said,

I wasn't here. Right? What the fuck was I thinking? Like I was going to be in a relationship? I'm a fuckin' pyscho. That's why I'm good at what I do. That's how I operate. I am the best because I didn't have any of this fuckin' bullshit, right? I could focus, and I could concentrate.

Carmen's thoughts about himself aren't even his own. They were drilled into him by a man who wouldn't piss on him if he was on fire. He was emulating the abusive behaviors and patterns that crushed him, that gave him "uclers, panic attacks, and nightmares" on the people that he cares about. On his sister, on Richie, on Tina and Marcus. and especially on Sydney, who is the only one who knows exactly how bad it can get. He's hurt those closest to him. He hurts them daily. And for what? And for why? For his own ego.

And this realization leads us to Carmen's first cry.

For three whole seasons, we see this man lose his idolized brother to suicide, witness his alcoholic mother physically, emotionally, and mentally abuse him, and experience mental degradation to the point where it affects his physical health. Not once did he shed a tear. This is the first time Carmen Berzatto lets himself cry. And I think this is the best thing for him. If he chooses to acknowledge the err of his ways, turn back course, and begin again, I think The Bear could be what he wanted it to be. He needs to decide to stop running, stop fighting himself and everybody around him. He needs to let go. Let it rip, right?

However, if this is what he decides to do, the cards ultimately fall into Sydney's hands.

If anybody's been through hell and back, it's Ms. Sydney Adamu. All season she's been forced to work in a volatile environment, putting herself between Carmen and whoever's the victim of his anger. She has her ideas shut down, her skills demeaned, and her credit is outright non-existent. Staff keeps quitting; they're not making any money; and Cicero and Co. is doing some shady background shit.

She's trapped, but not really. Not until she signs that Partnership Agreement. But like she told her dad in S2 E9 Omelette, she doesn't think she has another one in her. She can't have The Bear fail like Sheridan Road. She doesn't want to make the same mistakes she did last time. She wants to grow and learn and make her mark on the industry - prove she's not a failure.

She's waiting for Carmen to make good on his promises from The Table Scene, but he's not.

"You deserve my full focus." But his focus is not on her. Remember the Carmen that noticed when something was off with her? Remember the "say more?" or the "what's up with you?" Remember when they worked together, when the menu was truly theirs? Where was Sydney's "margin" moment? What did Carmen do this scene that signaled to Sydney that he was there and present.

"I couldn't do this without you." He does everything without her. Don't even get me started. From the menu to the list of nonnegotiables. Syd gets to make no decisions after being forced to make ALL the decisions. What is she there for? To be Carm's wrangler, his doormat? What has he does to convince her that she is invaluable?

He's egotistical. He's verbally abusive. He's the exact person that she warned him not to be. That he assured her that he wouldn't be in S1 E3 Brigade. She said,

You know I think this place could be so different from all the other places we've been at. But, in order for that to be true, we need to run things different. [...] But you just didn't really listen, and if this is going to work the way I think we both want it to work, I think we should probably try to listen to each other. The reason why I'm here, and not somewhere else or for someone else, is because I think I can stand out here. I can make a difference here. We could share ideas. I could implement things that make this place better. And I don’t wanna be wasting my time, working on another line or tweezing herbs on a dish that I don’t care about.

He didn't follow through the first time, so she left. But now, it's different. She's put her blood, sweat, and tears into this place. She's made a place (a home even) at The Bear. Leaving is not as simple anymore.

S1 Syd would've taken that CDC offer in a heartbeat. But building something and it failing (like The Bear. like Sheridan Road.) is terrifying. Slowly but surely, Carmen has been chipping away at her confidence and her fire. So much so that good things, like The Offer or the review of her risotto from The Beef, don't feel like good things.

Sydney's Panic Attack is HUGE for her character. We see Sydney at her lowest: her most frightening and vulnerable. She's uncertain. She's in a constant state of panic. And the person that she trusted with her fears and insecurities facilitated this, drove her to this point. It's heartbreaking. I cried when I saw it. No one would blame her for jumping ship. At this point, I encourage it (but she has to talk about it, acknowledge it. no running).

Now, if Carmen decides to change his ways, he'd have apologized to Sydney twice without changed actions. She'd have to believe him after many, many broken promises. At this time, she doesn't trust him, can't rely on him. But when having to decide between staying or going, will she try to trust him again?

Will she? Should she?

That's where I'm at so far. I have more thoughts, but I'll write those out when I get back from my weekend trip.

[theloganator101]

The Great BNHA Review: Katuski Bakugou, the Character That Ruined Everything

Yeah, that's right, this guy gets his own section in this!

Because he's literally the catalyst that ruined what could've been a good series if he was just left behind after the battle trials.

So by now I’m sure we ALL know who this douche is, he’s part of the main cast who used to bully Izuku and was also the one who gave him that degrading nickname Deku. And from there has become a sort of rival to Izuku to butt heads with... but here's where things kind of start to go wrong.

Hori found himself liking him out of everyone and decided to make BNHA his wattpad fanfiction where everyone loves Bakugou and blows sunshine up his ass whenever he becomes a topic of discussion.

And that isn't even the worst part, no no no, the worst part is that Bakugou himself is a flaming dumpster fire of a character!

He's always yelling everything he says so it makes it hard to listen to him, he's obnoxious and rude to everyone around him, is pretty much talented at everything he does so he comes across as more of a Gary Stu than anything... And he's never. Punished. Once.

At least in a way that's satisfying.

Sure he got put under House Arrest for being out after curfew, but the reason why this doesn't work is because Izuku ALSO gets punished alongside him! When he was only defending himself and couldn't run away! And the fact that Izuku got more flock for it AND was the one to apologize to it... I'm sorry but that's literally fucked up!

And I know there's gonna be some people that'll say:

"Well that's how it is in the real world, it's being realistic of how bullying situations usually goes."

I'm sorry, I don't go to fiction to be reminded of how much the world sucks. I go to fiction to experience a good story and watch characters grow and become better versions of themselves!

But Katsuki Bakugou, never goes through any of this!

He never grows or learns from his past mistakes, he never learns that his behavior is toxic and how it effects the people around him, and he never becomes a better version of himself... In fact he only got worse if the ending is anything to go by!

He just stays the same because that's how the fandom adores him as! A potty mouth arrogant asshole character who happens to be hot in their eyes!

To put it simply, he's a leech to the BNHA story. He sucks away screentime and attention that could've gone to the other characters that needed it to make their stories hit harder. He sucks away the nuance and themes the story was supposed to have in order to keep him in a good light without acknowledging his bad actions. And to hammer in the worst part about Bakugou.

... He prevents Izuku from growing and becoming the main character he was supposed to be. In fact I would even go as far to say Hori probably wished Bakugou was the main character instead, if he loves asshole characters so much, then he might as well make one the main character in his next work.

Edit: This part is an add on as I completely forgot about it and couldn't do it earlier today as I was at work, but now I'm here to fix it.

Bakudeku... this ship is a stain on all shipping. It's literally Abuser x Victim and it's disgusting how people romanticize this so much. And I believe it's this ship that twists their views on relationships and it'll cause them to get into abusive relationships since it's so normalized in this fanon ship that shouldn't even be seen in the positive light that it is.

So to end this part off before we get to closing thoughts, Katsuki Bakugou is without a doubt the worst anime character I have the misfortune of seeing. He's the shining example of what happens when you play favorites and trying to show everyone how great they are.

Fuck you Katuski Bakugou. You ruined BNHA.

[echo-and-dust]

now that my brain has somewhat unscrambled itself i have gotten most of my thoughts in order about season 3.

and the first thing i will say is: i loved it.

while it was gutwrenching and polarizing in some ways and i feel that i am entitled to financial compensation for what its done to my mental health, i loved this season for pretty much almost everything it did.

i cannot fault people for having issues with much of the characterization and plot choices made—that’s been the trend during the entire run of the show after all, and imo it’s a testament to the phenomenal way it generates nuance—but i wanted to share my feelings on the recurring opinions i’ve seen about some of these things.

first, i do not blame simon at all for the things he said in the final scene. he’s a child who has been receiving endless verbal and physical harassment on top of all the trauma he is still trying to heal from. he just watched his boyfriend lash out in anger and hurt—while not at him, but it must’ve been a close resemblance of how he might’ve seen micke act. at least, that's what i thought, though i've seen others say otherwise.

and yes, wille is not micke, but just because wille’s source of outbursts is different from micke’s doesn’t mean simon is wrong in drawing similarities. at least he's finally getting a true glimpse into what wille has had to deal with. i've honestly grown to like that they didn't have simon immediately comfort him though; wille's mental illness is not his fault, but it is his responsibility, and instead of pushing a message of unhealthy co-dependence, the show has simon be honest: "but i see that everything hurts you and that hurts me too." and to me, that's so important.

plus, it doesn't make their love any less genuine. wille is a victim of the circumstances; he is not evil, and he is not undeserving of simon. he just has a lot of growing and healing to do, a lot of unlearning and exposure therapy because he's still blinded by privilege even when he tries not to be.

speaking of, i have so many thoughts about wille that i feel like i need to save for its own separate post, but to sum them up: i'll still defend him with my life, and he needs to get the fuck away from that institution.

also, the fact that the responsibility of controlling simon's media decisions was placed solely on wille confused me at first like—why wouldn't they get a professional to give him proper media training?

then i realized, this could be the royal court's way of sabotaging their relationship. they knew that making wille the one to tell simon what he can and cannot say or post would create distance and animosity between them. despite the ramifications of simon's behavior on social media, it seems they still thought it best to have his boyfriend be the one to try to mold him into the system. because they knew that's how they could get rid of him. in conclusion, fuck the royal court (we been knew but still).

one of the standouts this season was their transparency regarding the show's politics. it not only works well with the show's arc (wilmon is public, everything's out in the open now and there's nothing to hide), but also it felt necessary at a time where censorship has been rapidly gaining momentum. it felt so refreshing for these characters to talk so openly about racial discrimination and queerphobia and class disparities, forcing both character and viewer to acknowledge that they exist and you should feel uncomfortable about it.

i don't think i can add much more to what was already said about it—most of the fandom is more eloquent and observant than i am anyway—i just wanted to reinforce how important this season is to myself and the story even with how controversial it is to fans right now. a lot of people may disagree with me and that's fine.

[grenade-maid]

there's a lot of reasons more people aren't into yuri that are troubling to consider, but equally, I genuinely think it cannot be understated how much of it comes down to most yuri being boring as hell. Like truly. I've been reading the front page of Dynasty Scans like it was the newspaper for 15 years I am not exaggerating I can show you the download file data 15 years.

You know what the complaint about yuri by yuri readers was back in 2009?

"wow that really was just 5 volumes of them blushing at each other and then they don't even kiss"

You know what the complaint about yuri by yuri readers is today in 2023?

"wow that really was just 5 volumes of them blushing at each other and then they don't even kiss"

Don't get me wrong, Yuri has grown a LOT in that time, to the point that most people today wouldn't even understand a Maria-sama reference if it were dropped in front of them (thank God). It's expanded and evolved to encompass more stories about adult women, wider varieties of scenarios, a greater acknowledgement of real life lesbianism, and is more comfortable showing girls kissing with tongue and having sex.

Yuri Manga is maybe the best is it's ever been, and it's also getting the widest readership it's ever had in the English speaking world. The titles we carry at work are always on back order with long queues, and, when I've asked them, most weebs of all gender or sexualities report keeping up with at least a few Yuri series.

At large though? Most of it is still really boring. That's not a bad thing necessarily. I like it because it goes down easy. For the most part any series you pick is gonna be pretty chill. Even shit from Sal Jiang which is PRETTY EDGY for yuri is a pretty breezy read. More serious ones like How Do We Relationship? cover some pretty real subjects about how intimacy is actually quite difficult even when both of you love each other, but it's not like... Exciting. Yuri isn't where you go to pump your fist or get perched on the edge of your seat.

So when the comparison is made to yaoi, well, I mean, have you READ any yaoi? Even in some of the more restrained titles those boys are likely to be sucking and fucking balls and all within the first volume or two. There's gonna be drama, intrigue, shit is gonna get messy, passions are gonna get heated, clothes are gonna be ripped off, people are gonna get sold to One Direction, it's stuff you can sit down with a bowl of popcorn with you know? Stuff you can message your friend and gush Hey Can You BELIEVE? A lot of it is pretty trashy, but that's the appeal. The generic state of yaoi is torrid and exciting and sexy. Ultimately, as a species many of us like to see pretty people fuck. In yaoi you'll get that. In yuri you won't. Nothing wrong with that, but it is gonna be a major contributing factor to their relative popularity.

It's also worth making the comparison to hetero romance manga, which has undergone a renaissance of it's own in recent years. There's now a whole meta around crafting a handful of mean shitty grouchy dysfunctional bully women and flinging them at the protagonist of the day who, unlike in years past, may actually have a face and personality. Most of these are also very trashy and truly scrape the bottom of the bucket in terms of writing.

AND YET?

I would bet money on the fact that you'll have heard of these women and probably even have a good idea what they're like without ever having touched a page of their manga.

I'm sorry but the straights are whipping donuts around the yuri girls in terms of delivering a wide variety of weird compelling fucked up women. How many yuri leading ladies by comparison can you point to as standout recognizable characters even divorced from their story? There's definitely a few, but not many. I'm not talking quality or depth of writing, I'm talking straight up pure recognizability. There are many beautifully written women in yuri, now more than ever. I can't think of many who'd like, get a figure made or have their face splashed on merch, though.

I don't really have a conclusion here. I love Yuri a lot, but at the end of the day this is just kinda the state of things right now.

[sillysiluriforme]

So glad you liked the other Chloe submission, thanks for the informative and entertaining response and the kind words from the comrades!

As before no worries if not interested but I did have a couple more thoughts, though be it these one's likely relate very specifically to teen Chloe so may not be useful/interesting but still.

Oh quick aside:

Not sure how prevalent Sabrina is, but the fact we see her dad encourage her master servant dynamic with Chloe, because it fits his definition of being "Useful" to society and how... Low key unhinged Sabrina can get about her usefulness not being utilized or acknowledge (Like with Marinette) is very interesting. Her & Chloe finding each other in canon is just like two people with hilariously complimentary but deeply unhealthy ideas forming a circular relationship of mutual self destruction.

Anyway, an interesting thing to me is how while Chloe does replicate the abusive behaviors taught (Andre) or demonstrated (Audrey,, Gabriel & Emilie) to her, she had already softened them without any real moral or empathic guidance.

Andre: He explicitly taught her cheating, extortion & threats are moral goods, and she does use them to try and win at things. But she doesn't actually utilize them that often or with as much intensity.

& like her father she uses money/gifts to compensate for shitty behavior but unlike him does, ya know, do things with Sabrina & is invested in their relationship outside of Sabrina's use as a tool.

& while she did use Sabrina as a shield in Zombisu, she also protected her in Ladybug, so its at least mote mutual as I cannot envision Andre doing anything for Chloe that really risks him.

Audrey: She's been impersonating her mother for years in a bid to earn her love but it didn't work until someone else made Audrey decide it was worthwhile & even then didn't seem to amount to much.

So while like Audrey she is antagonistic, haughty and rude, Chloe did actually demonstrate the ability to feel guilt (Zombisu but others too) & when Akumatized in the early series was not terribly murderous.

Compare that to Audrey who happily mulches her husband and daughter despite AKuma usually avoiding hurting their loved one's outside of indirect harm done by their warped attempts to protect.

Gabriel & Emilie: She clearly fucking hates that Adrien is making friends with people she hates and who hate her and is possessive of the relationship.

Yet until everything goes to hell, she doesn't really do much to try and stop him or undermine said relationships either. That is to say, she's already far less possessive & controlling than Emilie of Gabriel are.

Conclusion: So yeah while definitely not good, she had seemingly without much if any guidance, already made the abusive traits she picked up less toxic than those demonstrated by the adults around her.

Note: Also I always feel compelled to note this, but it is low key creepy Andre has been rewarding Chloe for impersonating his wife.

Like even if he's just instinctively recreating the dynamic he had with Audrey; not sure on that as they do seem to argue a lot.

Or is just using Chloe as an emotional crutch/ego-soothing proxy for Audrey's approval... Its still deeply messed up & unhealthy.

you're so smart @clemnoir was right you deserve sloppy head

I love thinking about child development when it comes to fictional characters, it's so fun...Also i don't care how much the show tries i will never have empathy for andre i hope he explodes into a fine mist