#should i tag this as meta?

[dafukdidiwatch]

Chapter 1 Page 16

There is no way to take breaks, so I am going to use this as a nice little end card when I decide to stop.

(The plant opens like this when I move my mouse over it I knew I wasn’t crazy. Getting a Audrey II Vibe)

So this comic...I instantly love it. I know that there wasn’t a lot that happened plot wise, but on man those small moments. All of this is just character development and exposition in such a tender way.

The dad is a dork and I love him. 100%. He is like if Present Mic has kids and lived in America. He is so weird, but loving to his kids, such a sweet and weird person.

Not too much time on Zoey, but she is adorable. A little werewolf kid in the package of a little kid.

Then there is Max. The new kid, trying to deal with his Dad and living situation. How he did not freak out more about the ghost dream, I do not know.

But man, the art. The ART! It looked so wholesome as black/white sketches, and it is gorgeous using colors. Even if they weren’t fully colorized, Morrison’s use of single colors to set the mood is amazing.

I cannot wait to see Max’s trip around the neighborhood.

[hopeful-bat]

I love that everyone on tng enterprise are exes on good terms and everyone (like the main ones ya kno) on tos are people who are insane for each other but haven’t fucked yet like. Such different and specific queerplatonic vibes all around ya feel

[hellspawnmotel]

this feels familiar

[swinging-stars-from-satellites]

so here's the thing. Cass's favorite brother is probably Tim. he's her little guy, her sweet cheese, her good time boy. they're both very similar to Bruce in a lot of ways, but more than that, they find it easy to be around each other. Tim is more quiet than the others, which Cass appreciates, but he's also fascinating to watch because there's constantly a thousand things going on beneath the surface of him. Cass and Tim are masters of parallel play, but only and primarily with each other. Tim is quiet when Cass wants to be quiet or talks when she needs to talk, and if she doesn't have the words for something he never so much as bats an eye (even Dick bluescreens sometimes trying to figure her words out), he just helps her find the right ones. Tim can read her almost as well as she can read him, just slower and not trained into him, it's just how he is. he looks at her and tries to figure out how she works, the way he does with everyone, a way most people don't. it makes her feel seen the same way she sees, and that's valuable to her.

another thing is that Tim is also, in all honesty, Jason's favorite brother. like it's almost counterintuitive considering how they first really met, but hey — brothers forged in blood, right? there's some wild poetry to it and they Get each other on a level the others don't really bc they're the middle children, 2nd and 3rd and always afraid of being rejected. but they've got each other. Tim is Jay's favorite because he's so incredibly forgiving (to be welcomed back to the family by the kid he nearly killed? the kid he hated? INSANE.) and because he doesn't judge. (Jay is Tim's favorite bc he's chill when Dick or B can be smothering sometimes. Jason isn't the one who lost a brother and a son, he's the one who was lost, so he's not quite so afraid of losing. yes, he's protective, but not overwhelmingly so.) they have an instinctive kind of brotherhood where they balance each other out, tempering each other's worse tendencies and bolstering the better ones without having to talk about it.

the third thing: Cass really does not like Jason. she has the no-kill rule in her heart even before she had words to explain it, and it's different than with Bruce because she's lived it. she's lived the reason why they have that rule. and Jason has too, but come out on the other side, what Cass considers the wrong side of a worldview completely different than her own. Jason kills, he breaks the law written in her soul and in their adoptive father's, and no one stops him. she can't comprehend it, and she will never accept it. she rarely uses his name, rarely interacts with him at all if she can help it because much as she wants to start a fight, it would hurt Bruce if she did and she doesn't want that. she just calls him Hood, most of the time. if they absolutely have to work together, she does what needs done and leaves.

so. Cass hates Jason. and Jason hates being hated. as far as the principle goes, he can get why Cass doesn't like him, but she's loath to even be around him and that bothers him. she's just this side of being actively hostile, meanwhile Jason is honestly trying his best not to tick her off but it's really hard when he gets glared at by possibly the most intimidating Bat every time he's at home. the same way there's a difference between Bruce and Batman (they put away masks at home, or at least they try to), there's a difference between Jason and the Red Hood. but Cass, determined, rock-solid Cass, refuses to accept that. it's not a good situation, especially when Tim gets in the middle of it, because both Cass and Jason love Tim but hate each other and Tim is just tired and wants his siblings to get along and see, this is why he prefers one on one time to family gatherings.

because at some point something happens and Tim gets hurt, maybe captured or outnumbered (as capable as he is, even a great strategist and skilled fighter can be overwhelmed at times) while out on patrol, and Oracle, sitting in front of her computer array, sighs and rubs her temples and opens up a communications channel to the only two Bats available to assist — Red Hood and Black Bat. she tells them what's up, gives them Red Robin's location, and then dips back out of the channel because she is not going to spend the rest of the night listening to palpable silence from Cass and increasingly frustrated questioning from Jason. she's not paid enough for that.

so Cass and Jason HAVE to work together. HAVE to team up to save their mutual favorite sibling (who, for what it's worth, has no clue he's ANYONE'S favorite). and neither of them is pleased with this turn of events, on multiple counts — 1, Tim is hurt. 2, Cass hates/at least strongly dislikes Jason. 3, Jason has tried everything to make peace with her and is honestly feeling a little bit desperate about it at this point because he has tried EVERYTHING, so now he's just right back at aggression. it's a situation that really can't have a good outcome for everyone, because Cass and Jason's mutual dislike for each other is at odds with their mutual love for Tim and both of them arrive at the same conclusion: all they can do is work for the best outcome for their little brother.

Tim, who has only been lightly stabbed and could have probably gotten by with just one person for backup instead of two, let alone THESE two, is both exasperated by the turn of events, and just plain glad that someone came for him. he's bleeding and hurting and watching from the alley floor as Cass stares (glares) at Jason, who's trying to figure out how to get a shot in that will give Tim a way out without, yknow, shooting his brother in the process.

and then Cass just swoops down and between her insane skills and the intimidation factor of a bat with a full-face mask the entire situation is diffused before Jason has a chance to shoot anybody, which is a better outcome than Tim expected. Jason grapples down as Cass is finishing up with the last few bad guys and she turns around and starts glaring through the mask again. the problem is, she loves Tim. he's her favorite brother, the one most like her and most like their father. but Jason loves Tim too, and Cass can see it as soon as she looks, really looks to see it. and it's so, so obvious when she sees Jason's bloodstained, scarred hands carefully bandaging Tim's (slight) stab wound and the fact that Jay pulled off his helmet as soon as it was safe to and is talking and grinning and keeping a steady eye on Tim because everyone knows that Tim plays down his injuries often and you have to watch him, because he's smart enough to hide things unless you really know him. and Jason knows him. and Cass can see that. and as much as she doesn't like Jason, as much as she's possessive of Tim, she softens for just a minute.

not that she'd ever tell anyone, and Tim was too distracted and half-foggy from blood loss to see it in her at the moment. Cass still doesn't like Jay. Jay is still utterly frustrated by the fact that she won't give him a chance. Tim is still annoyed by all of this and complains to Babs about it (bc Steph just laughs and says all three of them need to suck it up and move on, which is TRUE, but unhelpful) any chance he gets.

it isn't until an Arkham breakout, not the worst they've seen but obviously not good news, when Jason gets badly hurt and Tim (who was with him at the time) gets Really Scary, like full-on not moving a muscle, staring down the man who did it with such intensity that it feels like he could kill with only his masked eyes, sharp and suddenly absolutely terrifying to anyone who doesn't know him, that something really clicks for Cass. because she slips in as Tim coldly, calculatingly shatters the guy's kneecaps just as thoroughly as Jason's bullets would have done and then his rigid intensity falls away and he's a kid terrified that his brother is hurt.

Cass sees the way Jason is with Tim and she can't quite reconcile that caring with all his killing but she knows, because she can SEE it, that Jay cares about Tim much the same way she does. and then she sees how Tim acts when Jason is hurt, the scary sharp side of her little brother that only comes out when he's very, very afraid and very, very determined, and she sees the way he loves his older brother and... she can't deny that either.

and maybe Cass will never LIKE Jason, maybe there will always be some tension between them, but. she doesn't call him only "Hood" all the time, anymore, and Jason is capable of recognizing that tiny detail as her version of a peace offering. Tim is just glad they're not yelling at each other (or Cass's silent staring version of yelling) all the time. maybe it's a whole mess, but hey, they're working on it. as long as there's love, somewhere, there's something. (there's family)

[phoenixfeathersinfall]

I always remember that interview where Whoopi Goldberg described seeing Nichelle Nichols as Uhura for the first time as a child. She was absolutely stunned, yelling for her whole family to come and see this new show that was on because “There’s a Black woman on TV and she’s not a maid!” Perhaps not-so-coincidentally, Goldberg later went on to play Guinan. Nichols’ work as Uhura was instrumental in opening the way for Avery Brooks and Sonequa Martin Green as the first Black Captains in the franchise, and many of the Black characters who have been part of the series’ supporting casts. The legacy of the character of Uhura continues today in her 21st century portrayals by Zoe Saldana and Celia Rose Gooding.

Nichols’ invaluable portrayal had tangible impacts outside the acting world as well. Her performance was recognized by leaders of the Civil Rights Movement such as Martin Luther King Jr. He considered her work instrumental in helping audiences imagine a future with equality and integration as facts of life for all people, especially Black people. Nichols also used her role to encourage Black people to pursue careers in space, with several astronauts from NASA citing her as an inspiration for their careers. Among them is Mae Jemison, the first Black woman in space.

Sure, Nyota Uhura is fictional. She’s “just” a character on TV. But Nichelle Nichols and her groundbreaking career are real. Her impact is real. When she acted on set each day, she took part in imagining a better future. Uhura as a character helped people to understand and revise the kinds of things that could be possible for them.

[humming-fly]

the new chapter of @post-it-notes7‘s In Your Dreams be like 

[canyoureallycallthisablog]

Would you all still love me if I posted kirby content be honest with me I can take it

[intermundia]

Jedi are forbidden from sex because when two jedi fuck their force signatures spread through the temple and yoda gets a headache knowing when two jedi are going at it lol

the way yoda avoids this is to heavily imply that he enjoys it when they do go at it, which i would say would be effective mood killer

[miniiinebulaee]

steps steps

[chuckwon]

If you felt dissatisfied with or confused by the ending of Supernatural, may I introduce you to a concept:

Chuck won.

I spent a year and a half writing out what this concept means, in story and out of story–and why it matters.

Here's the thesis: 

The ending feels tragic because it IS. The villain wins in the story. And the writers wrote it as purposeful commentary on a situation of real-world censorship that couldn’t allow the ending the characters deserved.

Don’t take my word for it; the show told us everything we need to know.

You do not need ANY prior knowledge of “Chuck won” as an angle of analysis–or prior familiarity with Supernatural meta–to read this. My goal was to make understanding the totality of this concept as accessible as possible :)

Read On AO3

---

EDIT: This piece also now has a cover graphic!

[sparring-spirals]

The Legend of Vox Machina being The Legend of Vox Machina is like.... very poetically satisfying to me. Because legends are often not 1-1 recreations of history! They have a tendency to carve out the less glamorous aspects, more dragging sections, to get to the The Exciting Portions of a tale in a timely manner. Bits and pieces of information shuffled and transformed in the retelling- a different person rescued, a meeting at a different time. It’s like, you know. Carving down tens of hours of organic interaction and conversation and combat into 25 minute chunks of digestible, action packed, story, with symbolism and foreshadowing and Clear Throughlines, but making sure the atmosphere, the feelings, the personalities, the core, the story remains intact.

And it’s not that it’s wrong, or unfaithful, even. (Although they often can be.) Legends are often their own stories entirely, in a way. A transformation of the original, an adaptation, reinterpretation, and it shouldn’t be expected to perfectly recreate the truth. That’s not what people expect, or even want, when they’re told the Legend of Something Or Other. 

Matt clarified that they’re both their own forms of canon, although stream remains the original canon. They called it The Legend of Vox Machina, and I’m just kind of looking at it and beaming cause like. Yeah! Yeah it sure is.

[yokyoaaa]

Meta Knight would definitely sulk

Btw don’t ask me how he got his hands on halbert 😭😭 I just needed some plot

[note-boom]

You know a silly thing I want?

I think that Naomi and Gin should team up and be a non-superpowered version of Soukoku. They're already enemies via being on different sides but more than that....Naomi's intelligence and quick thinking + Gin's almost supernatural skill with knives? That's more soukoku-y than the more fighting-based partnership Akutagawa and Atsushi have.

But even more than that...they are both sisters to powerful members of their organisations, they are both the only significant character-based rather than author-based characters, and they both have that whole illusion/more than they seem thing going on. Also, IRL Akutagawa and IRL Tanizaki bickered or something about literature, didn't they?

Anyway, yeah...it would be cool to me to see them team up....

[thefreshprinceofjunes]

‼️ CONTAINS KH3 SPOILERS ‼️

a compilation of kh3s english translation pushing the heterosexual agenda 

finished this a while back and soriku week 2022s day 6 prompt no surrender! (fix-it) has motivated me to finally post it (even tho it might not technically fit the prompt lol)

♡ all footage taken from kh-vids ♡ source for soras convo with anna/rikus sacrifice/nameless star conversation (the sleeping realm theory) ♡ source for the toy box scene (written by scherzo)

the rest of the translations were found in various places across the internet, and i have to give MASSIVE thanks to my friend delikit (@disco-agidyne) for retranslationing/double-checking them for me to make sure theyre as accurate as possible

btw SENA stands for square enix north america in case u didnt know

(view this video on youtube)

[divinesouldariax]

Ashton Greymoore: Chronic Pain, Physical Touch, and the Juxtaposition of Toughness and Vulnerability

(Spoilers up to episode 38 of campaign 3 of Critical Role)

I’ve been doing a lot of thinking about Ashton in the context of the recent confirmation in canon that they experience chronic pain, and I’ve just finally managed to put all (or at least, most) of my thoughts about it in the same place.

We got this exchange in the most recent episode of 4-Sided Dive, during a segment where Taliesin was talking about how Ashton is changing the way they think about his past and what it might mean, after saying that he’s starting to trust the group more:

(Four-Sided Dive episode 8: Why are you like this?!):

Tal: Just…like, to throw out–Ashton only, like, really touched another member of the group very recently. There hadn’t been a lot of close physical contact until like, the last game (Sam: Whoa). That was the first, like…yeah.

Sam: Is that a thing?

Tal (matter-of-factly): Uh, yeah!

Sam: Not a toucher?

Tal: Everything hurts.

Sam (incredulously, still trying to wrap his mind around it): Everything hurts?

Tal: Everything hurts.

Matt: Yeah.

Sam: Always?

Tal: Yeah. Uhh–

Matt: Chronic pain, man.

Tal: Beating the living fuck out of things helps you ignore it, and yeah, once this (gestures at head, indicates Ashton’s rage) starts going, it kind of lessens, but yeah. It’s just, everything’s always low-key bad. Not even that low-key. (Sam: Wow.) Yeah. It’s why they’re a dick. (laughs)…But yeah, there was an actual like, “oh god, okay, physical contact, this is happening. Alright. Okay.

The moment it seems like Taliesin is referring to where Ashton allowed physical contact was this sequence with Orym:

(Campaign 3 episode 38: A Dark Balance)

Marisha (as Laudna): We’re like a…a real family.

Liam (as Orym): Yeah. Yeah, I think so.

Tal (as Ashton): Could be.

Liam (as Orym): Get down here. (puts arm around Ashton’s shoulders and tugs them down towards the tree)

Tal (as Ashton): No, I–careful, I–yep, yep, okay, this is weird.

Liam: I start to give him a noogie, but it hurts.

Everyone else: (laughing and agreeing)

Tal (as Ashton): Yeah, this is weird. Ah, this is weird…okay. No, I’m okay. I’m okay. (continues mumbling in what seems like a forced-calm voice and looking unsure)

Ashton’s obvious uncertainty about this contact (especially when he said “careful”, which I missed on my first watch because there was cross-talk happening) rang so, so true as a “I don’t actually mind you touching me, but I am very nervous that you’re accidentally going to hurt me” thought process. This is a process I’m personally very familiar with as someone who experiences chronic pain (I had to tell a preschooler multiple times today that she needed to hold onto more of my hand than just my pinky while she was balancing on the bench or she might hurt me because I was genuinely quite worried that she was going to dislocate my finger if she fell, lmao). 

Like a lot of things that Ashton does, it seemed to have registered with the other players and with the audience as an “I’m edgy, I don’t have friends, and I certainly don’t let people hug me” schtick. Which is, of course, the point.

Ashton swears and presents punk and pushes people away and is (as Tal said) just generally a dick to distract people from their chronic pain and his loneliness. 

And it works! It’s extremely effective! Absolutely none of what I’m saying is intended as negative criticism of any of the people involved (because I think this is going to be resolved in-game, and I also wouldn’t be surprised if it’s a conversation happening behind the scenes as well, even though Sam still seems completely bewildered by the concept of chronic pain lmao), but the edgy charade works so well that even characters who are usually thoughtful and careful tend to overstep boundaries and assume that Ashton is always fine with their body being used as a resource and can take extra pain. And Ashton doesn’t give them any obvious reason not to keep doing so! 

Some examples:

(Campaign 3 episode 24: The Hellcatch Valley)

Tal (rolls a nat 1 dex save, Ashton ends up with a harpoon bolt through his side and 24 points of piercing damage. As Ashton, sarcastically, after it takes everyone a minute to notice): I'm sorry. You were all busy. I didn't want to interrupt anything!

(Some scrambling to help, they end up pulling the harpoon out)

Sam: I’ll cast Cure Wounds…just a level one. You heal 10 points.

Tal (as Ashton): That is good. Ow! Ow. Well, it's been a great day. I'm going back to sleep. Goodbye. (laughter from the group, continues OOC and quietly, unacknowledged by the rest of the players) I don't make it to the bed. I just fall over.

(The party returns to their previous conversation)

And:

(Campaign 3 episode 28: The Deathwish Run)

Liam: Orym springs up and lands and sits on Ash's shoulder– (needing a higher vantage to keep an eye out over a crowd)

Tal (as Ashton): “Ah–” (startled, possible pain, but accepts it and helps steady Orym)

Liam: –but I want to look for anyone that we recognize.

This one in particular stands out to me because Orym very clearly does not ask if it’s okay to use them as a perch, or give Ashton much of a chance to respond. There’s too much going on at the time to Taliesin to respond, either, since Otohon Thull and Ratanish walk over to them immediately, but based on what Tal said in the most recent 4-Sided Dive, it’s very possible that Ashton would have rejected that contact given the moment to do so. Tal may have even dismissed it as something Ashton wouldn’t have let happen but there wasn’t a good time to retcon it, which is why he phrased the statement about the contact in episode 38 being the first time he’s allowed it.

Other examples that I didn’t want to search through transcripts for, in the category of “Ashton does a Thing even though he knows it will Hurt without telling anybody that it hurts, whether that’s because somebody asks/demands it of them or of their own volition”:

Ashton carrying the statue out of Jiana Hexum’s house for Fearne

Carrying Orym inside after he fell off the skyship

Carrying FCG up and down ladders in the Fownsee Hollow

Carrying Laudna’s body for miles

And then there’s every time Ashton is very vocally expressing that he’s in pain (they’re not subtle about it lmao) and doesn’t get checked in with afterwards. Some examples of this are:

During the carnivorous plant fight in the jungle

The aforementioned harpoon incident

Later that day when he rolls a nat 1 to swing the hammer and ends up dropping it in obvious pain (“Ow! OW. Ohh, yep, can’t do that. I–ahh, yep, gonna go pick that up.” in exactly the same tone and cadence that I hear from myself when I’ve just done something that I should have known was going to fuck up a joint, especially when I’ve got another injury compounding the baseline pain)

Sometimes they do get checked in with, at least briefly, but usually not past the initial “cast a healing spell and move on because there’s too much happening to really take the time to make sure they’re okay” stage:

The Ratanish fight at the ball when Dorian secretly casts Cure Wounds

The time Ashton gets Phantasmal Killer cast on them during the fight where they meet Dusk/Yu and Orym takes his hand to lead them back over to the group, and Fearne casts a Cure Wounds afterwards

Still, as Taliesin said, Ashton only very recently started feeling more comfortable being vulnerable with the party. It’s why they asked Imogen and FCG to check their memories, why he allowed himself the “Ashton, are you going soft on us?” “No! Yes. Fuck. I need a drink.” confession after the “You make me happy” speech, why they didn’t pull away when Orym put an arm around him. Previous attempts to ask them about their pain probably wouldn’t have resulted in them opening up. But now? They’re changing.

We really are seeing an Ashton who’s going soft. Again. “I was soft, once”, and he’s returning to that state: not physically reverting back to a non-genasi body, of course, but just letting down the emotional rock walls that have been protecting an affectionate, caring, genuine interior, of a person who desperately wants to be vulnerable, and just needs a little convincing (as he admits to Fearne, “I'm having this moment where I'm realizing that perhaps one of the reasons why I allow myself to get the shit kicked out of me is in the hope that people are actually fucking watching.”). He needs these people to prove that they’re not about to leave him, not about to realize his weaknesses (even though he wears most of them on their skin like a signpost–if they just keep acting tough, if there’s no cracks in his facade like there are in his body, then nobody will notice) and abandon him like their last family did, before they’ll let themself be truly vulnerable.

And it’s why, I hope, something will shift in the way that Ashton and the party respond to his pain. I would love an acknowledgement that chronic pain brings limitations, that they let the disabled character be disabled (preferably mechanically, because I know they can incorporate that kind of mechanic–they’ve done it before with mental illness, with Caleb, with Imogen, with FCG, and it would mean so much to me if the same sort of consideration could go into a physically disabled character’s mechanics. But I would accept pure story/flavor acknowledgement as well). 

I also hope there’s going to be an in-game conversation about how Ashton feels about being touched, letting him set boundaries and tell the party specifically what hurts too much, when to ask permission, when not to touch at all, and when and where it would be welcome.

It’s obviously something Taliesin is thinking about, and I think it deserves to be discussed in-character. This period of time where they’re stuck on a skyship with nothing plot-urgent happening seems like a perfect time to have those conversations…(holding out hope for that next episode lol). 

This all ties in with my last post about the topic (it doesn’t have to hurt more to be love!), and it’s something I obviously feel very passionately about lmao. I want to see a disabled person with chronic pain that does limit them, that inconveniences their friends sometimes, and I want to see them get loved and cared for and accommodated because their pain is a part of them, and it’s not something that can or should be ignored.

In other words, as Matt said, “To clarify, there is strength, and there is pain. There is pain, and there is strength.” Pain and strength, strength and pain, equally present, equally important to his life and to their character. We’ve seen so much of Ashton’s strength. It’s time to let them show their pain.

[fi3stazo]

Hi I made some Canterlot Wedding redraws

I’m prolly just gonna draw the most interesting scenes to me and then chronologically post them in bits

Hopefully I’ll have enough motivation to get through all of it sbjsbsjsbj but hmmmmmmmm suspicious Meta Knight

—————

Do NOT repost, edit, trace, or use my art in any way. Thanks.