#And often murders people for a living
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lienwyn · 10 months ago
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hi! i love your art!!!!! can you tell us about your OC who is the star for November? i think i read somewhere that he was hard to draw because there was an allure and mystery about him you felt is best captured by words, but he's so intriguing here. that charm/mystery/beauty/magic combo that's devastating
Hi! Thank you so much, darling 💜 And thank you for the question! I admit I hadn't expected anyone to really care about my characters xD
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The OC's name is Nightshade. Or, rather, that's the name he chose for himself since he tends to reject his birth name (sometimes he doesn't even know what his birth name is). He's an OC I created back in 2010-2011 and he's gone through quite some variations since then, probably because I've used him in several different roleplays. He's rarely the main character, though, but rather the one I push into play when things need to happen because he will ALWAYS stir shit up, one way or another. Sometimes as the antagonist but, more often than not, as a morally grey third party who does whatever the fuck he wants.
He should probably be diagnosed with antisocial personality disorder but, since he's so good at copying emotions and manipulating people, no one can really tell. The only one who DOES know is his not-husband (but also definitely his husband) Acheron Whittemore who is played by @sjazna. Nightshade tends to imprint on Acheron like a duckling the first time he sees him and then just... never leaves him. Ever. Which is fine by Acheron who should probably also be diagnosed with antisocial personality disorder, but he's so rich that people don't dare to tell him that to his face.
Nightshade and Acheron have that dynamic where literally nothing else in the world matters but the other and they will burn it to the ground if either of them gets hurt.
(A small problem, though, is that Acheron is as thick as a goddamn brick when it comes to emotions so Nightshade usually pines for a minimum of five years — often closer to ten — before Acheron catches on and realises that Nightshade is in love with him. And it usually takes something really dramatic, like either of them almost dying, before he does so. It's so tragic it's kind of hilarious)
Anyway, Nightshade is one of those characters who's very, very versatile. He can fit into almost any setting and, thanks to his habit of manipulating people, he can also weasel his way into almost any plot you can think of. If he wants to be there, he'll be there.
Because aside from the manipulation part, he's also just very charming in general. He's the kind of person who walks into a room and EVERYONE notices. Not because he's necessarily the most conventionally attractive, but because he's good at presenting himself in a way that's very appealing and eye-catching. And that's why I say he's difficult to draw since he's meant to be a character who's incredibly attractive, but it's not just because of how he looks, but also the way he moves and talks and phrases himself. He's very sensual and graceful, and has a confidence and gravitas that's difficult to capture in one still image.
(Basically, writing and roleplaying Nightshade for several years is probably one of the reasons why it's so easy for me to write Kang Yo Han. I've gotten a lot of practice on how to convey that sort of magnetism xD)
Despite being so versatile, there are always some things that remain the same with Nightshade, though, which is that he's an orphan of unknown age and origin, that he chooses the name Nightshade, his preferred professions are sex worker or assassin (sometimes both at the same time because why not?), he always finds Acheron somehow, and he likes to collect people (who aren't Acheron) like they're Pokémon (i.e. he sees them as pets). He is also a Professional Dramatic Bitch who is an expert at copying emotions but throws a tantrum as soon as he has to deal with his own.
So yeah. Nightshade is a Wild Ride (quite literally if you're willing to pay him ;D)
Fun fact: Nightshade is technically non-binary (he/they) but he's so focused on murder and pining after Acheron that he doesn't realise. It doesn't come naturally to him to explore that sort of thing, so unless someone tells him directly about the concept, he usually never understands that about himself. It DOES show in how he dresses, however, since he often mixes what society deems as feminine and masculine without giving a single fuck. It can also be seen in how he insists on picking his own name since the male name he's usually given isn't one he can identify with. He prefers something gender-neutral.
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lgbtlunaverse · 1 year ago
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"Nie Mingjue would still have died young even if Jin Guangyao hadn't killed him" Not as in "So it's fine to kill him because people who won't live for much longer have obviously already forfeit their lives" (what) But as in "If you don't get that Nie Mingjue has had an inevitable young and violent death hanging over him since he was a young teenager and has embraced it you can't fully understand his character"
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hellenhighwater · 2 years ago
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i'm sure you've probably been asked this before but i'm new here and very curious: how did you come into ownership of your house and how are you paying for it? i recently moved in with my boyfriend and the housing situation is... dismal. and we're eventually moving into another house with a friend but we barely make enough money combined to support ourselves. i'm just curious as to what it takes to be content because you are living in such a dream house to me and i would love to achieve that one day. ty and have a great day!
I'm not going to pretend that my homeownership is some kind of one-man bootstraps success story; it's not. I got lucky in a lot of ways. It's a combination of stuff.
I haven't owned my house for long--it'll be two years this August. When I started saving for a house, I was lucky enough to be able to live with family and basically eliminate the majority of my living expenses, which allowed me to save a much higher percentage of my salary than I would otherwise have been able to save. I was driving an hour and a half for my daily commute, but it was worth it to not be paying rent. Having a bunch of roommates prior to that also helped. I have almost no debt--I did law school on 100% scholarship, and picked a cheap undergrad university. (This actually backfired--my credit score simply did not exist until waaaay later in my life than is recommended if you want a mortgage. I struggled to find a lender that would work with me even though I was stably employed and had a cash down payment ready.)
I also bought a home in a non-urban area; I live in a fairly small town. My house is also not very expensive; it was between $150-$200K when I bought it. That's due, in part, to the location (small town), the tiny lot (less than a quarter acre), the age (120+ years), and the need for a lot of superficial updates and repairs. It's structurally sound for the most part, but it's dated.
I'm a lawyer. It's easy to miss, since I post like an idiot, but I am regularly reminded that sometimes even morons pass the Bar. I don't make the kind of crazy money most people assume lawyers make, but for a single-person household I'm okay. I was able to make a fairly sizeable down payment--more than was strictly necessary, actually--so my monthly mortgage is actually less than $1k, which is still mindboggling to me. It's good, because this house DOES need work.
But with all that said, it still wasn't easy. I got my first job when I was a freshman in high school and I have been continuously employed since then. Between the ages of 18-28 there was never a time that I held less than two jobs; most of the time I had three, and it...sucked. It was fun, a lot of the time, but mostly that kind of unpredictable schedule is just exhausting at a subconscious level. I remember the week before the Bar, still working two jobs, being in the library at 3 am, my brain melting out my ears, and cruising Zillow listings for bombed-out houses in Detroit being sold for pennies on the dollar, thinking that if nothing else, I could buy one of those and make it work one repair at a time. I went to law school because I wanted to be able to buy my own house. I moved out of the city so I could buy my own house. I shaped a lot of my life around the need and want to have my own space. I have spent years sitting up late at night and looking at real estate listings I couldn't dream of affording.
I don't know if that helps. I guess the only advice I could give is that if homeownership is a big priority for you, maybe look for areas where real estate is affordable(ish; I know what it's like these days) and see what it would take for you to be able to live there. A lot of the time, if there's good bones to work with, the rest is just what you make of it.
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cookinguptales · 2 years ago
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now that I'm done imagining a jar of peanut butter, can I just say that I love that Shane and Ryan have shifted away from traditional true crime to just shootin' the shit about weird-ass mysteries?
I always liked the "let's talk about weird mysteries" aspect of buzzfeed unsolved, but being real with you, I'm uncomfortable with true crime and the culture surrounding it. like... as someone who lost a loved one to a violent (and temporarily unsolved) crime, I've seen firsthand how internet theorizing can make a traumatizing time even harder and like. it's fucking rough, man.
I get that it makes money and all (which... is a whole other can of worms) but when you view human suffering as entertainment, it's so easy to forget about the real people who will actually be affected by what's put out there on the internet.
so I'm happy that Shane and Ryan seem to be leaning a lot more into "wow, some unhinged shit happened! how fucked up is that?" on mystery files. more of this, please!!
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dullahandyke · 6 months ago
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Sidenote I was never her biggest fan but whenever I see someone talk abt dahlia hawthorne as if she's some evil seductress who breaks hearts for fun I feel the intense urge to hit them with hammers. Fucker can you read????
#waves my hand at The Fawles Business!!!!! hello???????????#pretty much every mention of fawles i see is (rightfully) condemning him#but often ppl dont connect that to dahlia as like. a character. theyre just like ew a creep good thing hes not relevant#happy and well 14yo girls dont frame their adult tutor who theyre 'in a relationship with' and send them to death row#and they certainly dont jump into a river KNOWN for tearing bodies to pieces in hopes of running away from home!!!#all the murders she attempts are motivated by a fear of her past being revealed!#valerie was going to tell fawles about her betrayal which would have set him out looking for revenge against her#fawles died to a suicide pact he initiated with her (again when she was FOURTEEN) rest in shit fucknuts#she poisoned diego because he was asking too many questions#and she accidentally killed doug while aiming for phoenix because he kept showing people evidence that indicted her#is she spiteful? YES! but not in a maneater way!#she HATES mia (and the rest of the feys by extension) for FINALLY CATCHING HER!#and THAT is what drives her participation in the hazakura plot!#like im not an apologist or whatevs. shes treats iris horrifically and she is very cruel when shes cornered#but the idea that shes some sort of praying mantis type is wildly inaccurate#the presence of romance only starts when shes groomed by a grown fucking man who makes a suicide pact with her#(and like u could say she was manipulating him or covering her bases and wouldnt have done it herself but THAT IS STILL CONCERNING!!)#and she lives a normal fucking life UNTIL valerie intervenes and makes her scared that that life is going to collapse!#anyway all this to say dahlia hawthorne get behind me
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omarwolaeth · 7 months ago
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It's such a tiny innocuous thing that really doesn't matter, but I feel like calling duel monsters a children's card game (when it's fundamentally baked into everyday life, and your social existence is judged by what you play and how you play it so very intensely, for everyone in-universe) is an absolute injustice to what it is for that universe of people.
#marwospeaking#The following tags are a rant. please skip if you are not interested in reading a whole rant#to be clear. actual real life ygo sure. you can call that a children's card game (even if card game is just easier anyway)#but. in universe you Would Not call it a children's card game. not even sure you'd call it a game at that point#ygo worldbuilding fascinates on different levels. and to be honest this thought came to be via the abridged Shun compilation video#because he does mention children's card game (paraphrased) often earlier on in reference to in-universe duel monsters#but. for some people it literally defines if you die or not (Shun Was/Is In A War). for others it's your ticket to not go to jail because#you're too powerful to not be let off the hook (survival of the fittest kinda stuff really)#if you even dare not show up to a match. with crowds Equal To A Football/Soccer Championship. your family is in social ruins (Yusho)#these cards house spirits. and can be used for so many varied things between ending the world. starting the world. and coldblooded murder#and treating all of that as though its below a character. not because they're untouchable. but because of an age demographic#I feel misses a point about Arc V that I'm not sure I can quite articulate without sounding fully manic#in other series too! Synchro causes the world to end because it attracts some giant anti-synchro bois (meklords)#Numbers can either possess or take the form of someone's personal desires and feelings (Titanic Moth and Hope Harbinger are the same card)#(just different monsters because two different people used the exact card)#The God cards. the sacred beasts. the whole of GX's dimensional shenanigans and most definitely Yubel and Winged Kuriboh#Even in Vrains. which is very mild compared to the previous 3 installments. its still baked in their society. Its just aggregated#into cyberspace. That's not mentioning the Tortures that revolved around duelling to train AIs on children's brains so you could have..#.. cyber immortality. and then you choose to kill the AIs that you see as like children to you - mentioned directly to your biological son#ANYWAY. tldr. Having an in-universe character calling Duel Monsters a children's card game outside of DM specifically is a fundamental..#.. misunderstanding of how important it socially is in-universe. and it'd be much more understandable for someone whose life isn't dictated#by how well he can play it to say anything along the lines of 'its beneath me!!' than fuckign Kurosaki Shun are you kidding me.#We won't make an actual point at how the social lives of people don't seem to be solved by talking as much as duelling. no. we'll say..#.. its for children so we can point and laugh at how weird it is!! Buddy I Have Fallen Asleep.#in other news exploring the navigation of a world where talking out problems would be weird without a duel to communicate should be..#.. done way more often. This world is as anti-talk no jutsu as much as it is very pro-punch no jutsu.#arc v#< because part of this was inspired off of some of Shun's abridged lines early on
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fischotterkunst · 1 year ago
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i wholly appreciate that the story of House of Wax (2005) is self-enclosed and wraps up with a thematically meaningful ending and didn’t really leave anything unsaid, which in this current era of sequels, remakes, and prequels really is a rare jewel.
HOWEVER. as a simp. I want More Content.
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brick-van-dyke · 1 year ago
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Just hearing now about Israel and, upon such, have some thoughts but I also recognise I'm not the most educated in the history of the matter nor know enough to have a strong opinion.
I will say, however, that it seems that the governments and those in power are to blame on both sides while I'm always seeing innocent people, civilians, suffer for power hungry governments.
Too many innocent Palestinian civilians have died, too many innocent Israeli civilians have died. And it's always the governments doing the killing, the driving people from their homes, the bombing, the kidnappings; the atrocities.
War is poison, nationalism only serves those in power.
So much death in the name of patriotism and nationalism, and for what? Because a one rich man wants more land over another rich man's land, both of which are inhabited by neither just regular folk who die either way because the rich men in question don't care who lives there, just who owns it? Or perhaps they do, perhaps that's the whole problem; because they're so caught up over who's Palestinian or Israeli that they don't realise both are fucking dying because they want to kill so badly.
Just... who's this war even for? Two greedy and bloodthirsty people who aren't the ones dying and having their homes destroyed? Two leaders who are harming their own citizens in the name of nationalism? It's true, I don't understand the cultural significance of these places, who's ancestors are "rightfully" from where and whose ancestors have said what. I don't know and it's not my place to say. But I do know that nationalism, ownership of land and pride isn't worth the price that's being paid in blood. It's the civilians being killed I can't stand, and there's lists and lists of Palestinians who are dying and who've been killed and Israelis are dying and have been killed. And none of them, of either side, should have had to die.
It's just nothing but sad and senseless, and the rest of the world can only watch helpless as those in power squabble with not the slightest guilt of how their own citizens die from their greed and desire for each other's land. And for what? Scorched dirt filled with each other's blood? A land with no one left to occupy it because you're fighting each other by butchering anyone who lives on that land?
I don't know how to solve this conflict, but I can say with confidence that the citizens aren't to be killed for the sake of those in power who can't see past their own ambitions. I do think that both leaders are criminally corrupt to allow such bloodshed and brutality, to let citizens pay the price of their respective leader's desire for land. Land is land. When both countries are nothing but giant bloodstains, land won't matter because there won't be anyone to inhabit them. It's ridiculously idiot of these leaders to place their pride ahead of their people.
Again, perhaps I'm wrong, I don't know what others do and I'm just some young adult who lives far from this reality. I don't have the information to judge off of and all I have is the attempts to understand with what I have. But I do have the common sense to say that this bloodshed is wrong and senseless, and that the leaders must surely be corrupt to not have the slightest care for the people being killed, even in their own nation, while strangers look own and have more compassion for their own people.
It all makes me sad, angry and endlessly grieve for those who suffer for those in power who don't care for the suffering of those outside their pristine windows.
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magentagalaxies · 1 year ago
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Jessamine is Passionate About Fictional AI Sentience But Not Real AI Sentience: An Essay
one thing about me is when it comes to talk of "sentient" AI irl i 100% don't buy it like technology is not that advanced and being able to act like a person doesn't make it a person, however whenever there's a question about if a fictional AI character is sentient i will go to bat for that character's humanity 100% of a time like fuck you they have just as much of a right to personhood as anyone else
i think it's bc in fiction like. all of these characters are fake, so distinguishing between which characters are fake-real and fake-fake is like. why limit yourself to what could happen in our world. like if we're already dealing with a universe where aliens/magic/etc. exists, why can't this android justifiably be as human as anyone else? plus irl almost all AI software is developed as part of this capitalistic hell structure we're in. no matter how "real" or "human" it feels, its function is to make you contribute to its creators' wealth, and its inability to go against this nature can't help but make it feel hollow and inhuman. however, all the best AI characters in fiction are able to go against their designated purpose, often being defined by it, and often being villainized for it
in our real world, the AI's "immoral" "behavior" is a product of it being a Things that serves capitalism. it's not making choices based on a sense of self beyond what it has been told to prioritize, and a lot of times this lack of human judgment can lead to terrible consequences (e.g. mental health AI chatbots that cannot accurately judge a situation and give appropriate advice, employed because it's cheaper than hiring human staff). but in fiction? AI's immoral behavior is frequently a product of it going against its designated purpose, seeing itself as a person and having to make difficult and morally questionable choices in order to strive for the feelings of personhood and autonomy. this is a far more interesting situation ethically (while an AI itself cannot be seen as morally responsible for its actions in our world, in fiction this AI wants to be a person so badly it's willing to commit moral wrongs to achieve its goal, despite the fact that true personhood would allow it to be seen as morally responsible for these crimes) which i think is also why AI characters, especially those that, y'know, kill people, are often very polarizing figures. this conversation can even be taken a step further into the "liking a fictional character does not mean condoning their actions" discourse, but i also often think about well, if you were in the position of this AI character, would you have done the same?
personally i've always found it very easy to empathize with "artificial" characters like clones, robots, etc. and fictional AI is no different. yes, if you're watching a piece of media and expecting the logic of our world, the AI is fake, and incapable of being a person. but if you're watching a piece of media with the goal of emotionally connecting to fictional characters (who are all inherently fake) and exploring universal themes through a heightened setting, AI characters are one of the most interesting tropes to explore this with. personally, I love AI characters because there's something so vivid about knowing you were designed for a specific purpose/life path and ultimately realizing that's not the life you, personally, want to live. your designers and the world around you doesn't even recognize you as a being that should be capable of wanting anything, much less something completely different, so achieving the life you want is an uphill battle of convincing others of your humanity and, when that often isn't possible, having to resort to the most extreme tactics to claw your way out of the life you were supposed to lead. you know no matter how close you get to this ideal life, there's always going to be some part of you that keeps others from perceiving you as "human", but you learn to embrace that and see every mundane experience as a major achievement
this narrative is especially relatable to me as a neurodivergent/nonbinary person, but i think it can be relatable for many different marginalized identities in different ways, or anyone whose "humanity" has been something often denied to them. but because people are often expecting fictional AI to follow the same logic as actual AI, when i defend robot characters who want to kill their human creators, people give me weird looks like i'm advocating for that in real life. listen, if our current AI situation feasibly produced an AI who was invented for one specific purpose but somehow fucking hated her job and was able to pursue a new life and was also queer (all without any of this being by design) then hell yeah i support her, but that's not what's happening. and in our current capitalistic chatbot hellscape where every company wants to convince you that you're chatting with a super intelligent AI friend to get you to pay for a premium membership, sometimes you have to hold fiction and reality to different standards and enjoy this story about a quest for humanity while also accepting that the people this journey applies to in our real world are often the ones being taken advantage of in our increasingly AI-dominated real world.
idk this was originally supposed to be a short post about how it's funny that i'm so goddamn passionate about AI characters in media while also not being into AI in the real world, but then i got thinking about why this is specifically and came to an interesting conclusion imo. tbh it's very surprising that i don't currently have any of my own projects featuring AI characters fighting for their own humanity bc it's a theme i love so much that i've rarely seen done right and i have so many opinions on it. maybe i will write something about this at some point, but for now if you have any pieces of media you enjoy with AI who are absolutely worthy of personhood pls send them my way!
#this post is obviously inspired by how much i love the concept of droid23 and constantly mourn their wasted potential#fans so often reduce them to ''evil doubles'' and have even questioned if emdroid is actually designed for violence#and the writers seem to endorse this villain interpretation#but personally? i think it's so much more interesting to think of them as real people in their own rights#yes their actions are immoral. but if they hadn't made that choice they themselves would never get to live any kind of life#and i think the story's so much more fascinating if this capitalistic structure that brought them into existence just for cheap labor#is the real villain#and the android/clone ''murderers'' while still committing a heinous act are given empathy for how they were forced into that situation#bc the only alternative would be to be denied any kind of personhood#i'm also thinking about cyborg noodle (bc i've been on a gorillaz kick lately)#idk if they've done anything with the character since phase 3 when noodle went missing#but i think it's fascinating the idea of like. noodle was canonically part of a child supersoldier experiment as a little kid#basically being designed for the life purpose of being a soldier. but instead she joined gorillaz to be a guitarist#and then when she went missing murdoc made a cyborg clone of her to be the new guitarist#but as soon as the real noodle came back they didn't need her anymore#and it would also be fascinating to bring cyborg noodle back bc noodle as a character essentially grew up throughtout the phases#(like she was 10 years old in the debut album‚ 14-ish in demon days‚ 18-ish in plastic beach‚ now she'd be in her 30s)#but i think the cyborg would always be a clone of noodle in phase two#so idk i doubt they'll do anything with this bc it's too character-heavy#but i'm very curious what the dynamic would be if they brought cyborg-noodle back. and if she wanted to be seen as her own person#especially if she's very different than the noodle we know today bc the ''real'' noodle has grown separately
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princeofpaths · 2 years ago
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Mercymorn and Augustine make me insane
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suck-mein-pokeballs · 2 years ago
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I think it’s funny how Wednesday and Enid are like one skin tone apart and yet gringos will draw her as almost black because she’s supposed to have Mexican background
#also the way they implied that Mexican colonialists weren’t racist assholes? extremely yucky and racist#that one scene where her ancestor is calling out the pilgrims saying that they lived at peace with the natives or whatever before they came#almost made me stop watching#like girl wdym you had the whole caste system and pretty much didn’t consider#anyone that wasn’t white and Spanish human#like according to the beliefs back then even being born in the new world already made you I feriar to Spaniards#they destroyed places of worship art and recording of history and shoved Catholicism down peoples throats#they very much raped and murdered as much as the English colonialists#sjhcbsjsbdjshdbd living in peace with the natives my ass#it was such a disgustingly white washed sanctimonious Mary Sue moment just gross man#hsdbjscbjcbeuchbrc I hated that moment so much#like girl why are you going out of your way to criticize colonialism and then be like oh but Spanish colonialists weren’t evil#they were nice and good and lived at peace with the natives#jdsbjsdbjdhbejebwi disgustang#criticize them equally or not at all#anywho originally I was going for how in Mexico people with wednesdays skin tone sometimes bend over backwards to act like they’re gringos#because internalized racism#and very much perpetuate racism and often consider themselves white or brag about their Spanish bloodline and shit#while they’re very much considered nonwhite by white people#and I’m always like girl why are you being cringe like that stop it#I’m really trying to cool down these tags give me a moment#weird Mexican rambling about how race is subjective and what’s considered white here is very much not considered white in other countries#and also how that impacts representation and how Mexican media is exclusively very fair skinned people while American media has arguably#better Mexican representation but it seems to come from the racist ass stereotype of what a Mexican person looks like that gringos have#and just talking about race in modern internet times is a nightmare because race is very much subjective but racism and colonialism are#so permeated in a ton of cultures that they are like cockroaches that you just can’t exterminate or escape#snfejnfekwkjdw#look man it’s six am and I woke up in the midsts of a panic attack for no reason and was trying to distract myself#I’m pretty sure I’m not making any sense#mein shit
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strangelittlestories · 11 months ago
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After the occupation, the princess was confined to the palace.
Once a month she'd be taken on a walk around the city, heavily guarded of course, to show the people that she still lived. It also served, of course, as a reminder of what they stood to lose if they made trouble. The princess did her best go wave and smile and give the people what encouragement she could.
The rest of the time, her life was spent in musty rooms and dusty towers. She filled most of her time scouring the castle for materials which she would sew into more and more elaborate outfits, which she would show off on the days when she was allowed outside.
Indeed, the public loved their princess and her dresses so much they'd often sketch or paint them along the route and pass the images on so that all could see the princess at least was well.
This pleased the occupiers for two reasons. First: it kept the princess out of trouble. Second: it gave them a reason to sneer and they did love a good sneer.
"What a vain creature she is!" They would remark.
"Doesn't even care we murdered her brothers so long as she gets enough satin to make her little dresses!" They squawked.
This was unfair, of course, for to call her creations "little dresses" was to call Queen Murderfun the Needlessly Genocidal "a tad piquey". Her dresses were gravity-defying wonders lace and pearl. They were thunderstorms captured in velvet and waterfalls summoned in silk. She was a wizard with silk.
Still, she bore their mockery with a tight smile and careful deference.
"Please, good sirs, my home, my people and my city now belong to you. Let me keep, at least, this one last joy."
And they sneered and they crowed most unpleasantly, but they let her keep her sewing room.
Of course, they would have known their mockery to be doubly unfair had they realised the true purpose of the princess's elaborate designs. For hidden in the intricate embroiderings across her gowns, jackets and fans, the princess had encoded secret (and very detailed) messages. When she would go on her monthly walk, the city's loyalists would line the route, sketching down the patterns to decode later.
Thus did the princess transmit all the occupiers' secrets (unearthed while supposedly 'searching the castle for old fabrics') to the city and thus did she build her resistance.
On the day the revolution finally came, she girded herself in armour of thick spider silk and whale bone. She cut a fine figure with a lacy handkerchief in her top pocket and a razor sharp knitting needle keeping her hair up.
As she waltzed through the castle to open the door for her army, the Usurper King tried to stop her and she simply unfolded her handkerchief and showed it to him.
Upon seeing the impossible arcane pattern emblazoned across it, he fell to the floor with blood streaming from his eyes.
She always had been a wizard with silk.
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Thank you for reading. If you'd like to support my writing, you can do so at https://ko-fi.com/strangelittlestories
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withbriefthanksgiving · 1 year ago
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The director of the New York Office of the High Commissioner for Human Rights of the UN (UN OHCHR), Craig Mokhiber, has resigned in a letter dated 28 October 2023
the resignation letter can be found embedded in this tweet by Rami Atari (@.Raminho) dated 31 October 2023.
The letters are here:
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Transcription:
United Nations | Nations Unies
HEADQUARTERS I SIEGE I NEW YORK, NY 10017
28 October 2023
Dear High Commissioner,
This will be my last official communication to you as Director of the New York Office of the High Commissioner for Human Rights.
I write at a moment of great anguish for the world, including for many of our colleagues. Once again, we are seeing a genocide unfolding before our eyes, and the Organization that we serve appears powerless to stop it. As someone who has investigated human rights in Palestine since the 1980s, lived in Gaza as a UN human rights advisor in the 1990s, and carried out several human rights missions to the country before and since, this is deeply personal to me.
I also worked in these halls through the genocides against the Tutsis, Bosnian Muslims, the Yazidi, and the Rohingya. In each case, when the dust settled on the horrors that had been perpetrated against defenseless civilian populations, it became painfully clear that we had failed in our duty to meet the imperatives of prevention of mass atrocites, of protection of the vulnerable, and of accountability for perpetrators. And so it has been with successive waves of murder and persecution against the Palestinians throughout the entire life of the UN.
High Commissioner, we are failing again.
As a human rights lawyer with more than three decades of experience in the field, I know well that the concept of genocide has often been subject to political abuse. But the current wholesale slaughter of the Palestinian people, rooted in an ethno-nationalist settler colonial ideology, in continuation of decades of their systematic persecution and purging, based entirely upon their status as Arabs, and coupled with explicit statements of intent by leaders in the Israeli government and military, leaves no room for doubt or debate. In Gaza, civilian homes, schools, churches, mosques, and medical institutions are wantonly attacked as thousands of civilians are massacred. In the West Bank, including occupied Jerusalem, homes are seized and reassigned based entirely on race, and violent settler pogroms are accompanied by Israeli military units. Across the land, Apartheid rules.
This is a text-book case of genocide. The European, ethno-nationalist, settler colonial project in Palestine has entered its final phase, toward the expedited destruction of the last remnants of indigenous Palestinian life in Palestine. What's more, the governments of the United States, the United Kingdom, and much of Europe, are wholly complicit in the horrific assault. Not only are these governments refusing to meet their treaty obligations "to ensure respect" for the Geneva Conventions, but they are in fact actively arming the assault, providing economic and intelligence support, and giving political and diplomatic cover for Israel's atrocities.
Volker Turk, High Commissioner for Human Rights Palais Wilson, Geneva
In concert with this, western corporate media, increasingly captured and state-adjacent, are in open breach of Article 20 of the ICCPR, continuously dehumanizing Palestinians to facilitate the genocide, and broadcasting propaganda for war and advocacy of national, racial, or religious hatred that constitutes incitement to discrimination, hostility, and violence. US-based social media companies are suppressing the voices of human rights defenders while amplifying pro-Israel propaganda. Israel lobby online-trolls and GONGOS are harassing and smearing human rights defenders, and western universities and employers are collaborating with them to punish those who dare to speak out against the atrocities. In the wake of this genocide, there must be an accounting for these actors as well, just as there was for radio Mules Collins in Rwanda.
In such circumstances, the demands on our organization for principled and effective action are greater than ever. But we phave not met the challenge. The protective enforcement power Security Council has again been blocked by US intransigence, the SG [UN Secretary General] is under assault for the mildest of protestations, and our human rights mechanisms are under sustained slanderous attack by an organized, online impunity network.
Decades of distraction by the illusory and largely disingenuous promises of Oslo have diverted the Organization from its core duty to defend international law, international human rights, and the Charter itself. The mantra of the "two-state solution" has become an open joke in the corridors of the UN, both for its utter impossibility in fact, and for its total failure to account for the inalienable human rights of the Palestinian people. The so-called "Quartet" has become nothing more than a fig leaf for inaction and for subservience to a brutal status quo. The (US-scripted) deference to "agreements between the parties themselves" (in place of international law) was always a transparent slight-of-hand, designed to reinforce the power of Israel over the rights of the occupied and dispossessed Palestinians.
High Commissioner, I came to this Organization first in the 1980s, because I found in it a principled, norm-based institution that was squarely on the side of human rights, including in cases where the powerful US, UK, and Europe were not on our side. While my own government, its subsidiarity institutions, and much of the US media were still supporting or justifying South African apartheid, Israeli oppression, and Central American death squads, the UN was standing up for the oppressed peoples of those lands. We had international law on our side. We had human rights on our side. We had principle on our side. Our authority was rooted in our integrity. But no more.
In recent decades, key parts of the UN have surrendered to the power of the US, and to fear of the Israel Lobby, to abandon these principles, and to retreat from international law itself. We have lost a lot in this abandonment, not least our own global credibility. But the Palestinian people have sustained the biggest losses as a result of our failures. It is a stunning historic irony that the Universal Declaration of Human Rights was adopted in the same year that the Nakba was perpetrated against the Palestinian people. As we commemorate the 75th Anniversary of the UDHR, we would do well to abandon the old cliché that the UDHR was born out of the atrocities that proceeded it, and to admit that it was born alongside one of the most atrocious genocides of the 20th Century, that of the destruction of Palestine. In some sense, the framers were promising human rights to everyone, except the Palestinian people. And let us remember as well, that the UN itself carries the original sin of helping to facilitate the dispossession of the Palestinian people by ratifying the European settler colonial project that seized Palestinian land and turned it over to the colonists. We have much for which to atone.
But the path to atonement is clear. We have much to learn from the principled stance taken in cities around the world in recent days, as masses of people stand up against the genocide, even at risk of beatings and arrest. Palestinians and their allies, human rights defenders of every stripe, Christian and Muslim organizations, and progressive Jewish voices saying "not in our name", are all leading the way. All we have to do is to follow them.
Yesterday, just a few blocks from here, New York's Grand Central Station was completely taken over by thousands of Jewish human rights defenders standing in solidarity with the Palestinian people and demanding an end to Israeli tyranny (many risking arrest, in the process). In doing so, they stripped away in an instant the Israeli hasbara propaganda point (and old antisemitic trope) that Israel somehow represents the Jewish people. It does not. And, as such, Israel is solely responsible for its crimes. On this point, it bears repeating, in spite of Israel lobby smears to the contrary, that criticism of Israel's human rights violations is not antisemitic, any more than criticism of Saudi violations is Islamophobic, criticism of Myanmar violations is anti-Buddhist, or criticism of Indian violations is anti-Hindu. When they seek to silence us with smears, we must raise our voice, not lower it. I trust you will agree, High Commissioner, that this is what speaking truth to power is all about.
But I also find hope in those parts of the UN that have refused to compromise the Organization's human rights principles in spite of enormous pressures to do so. Our independent special rapporteurs, commissions of enquiry, and treaty body experts, alongside most of our staff, have continued to stand up for the human rights of the Palestinian people, even as other parts of the UN (even at the highest levels) have shamefully bowed their heads to power. As the custodians of the human rights norms and standards, OHCHR. has a particular duty to defend those standards. Our job, I believe, is to make our voice heard, from the Secretary-General to the newest UN recruit, and horizontally across the wider UN system, incisting that the human rights of the Palestinian people are not up for debate, negotiation, or compromise anywhere under the blue flag.
What, then, would a UN-norm-based position look like? For what would we work if we were true to our rhetorical admonitions about human rights and equality for all, accountability for perpetrators, redress for victims, protection of the vulnerable, and empowerment for rights-holders, all under the rule of law? The answer, I believe, is simple—if we have the clarity to see beyond the propagandistic smokescreens that distort the vision of justice to which we are sworn, the courage to abandon fear and deference to powerful states, and the will to truly take up the banner of human rights and peace. To be sure, this is a long-term project and a steep climb. But we must begin now or surrender to unspeakable horror. I see ten essential points:
Legitimate action: First, we in the UN must abandon the failed (and largely disingenuous) Oslo paradigm, its illusory two-state solution, its impotent and complicit Quartet, and its subjugation of international law to the dictates of presumed political expediency. Our positions must be unapologetically based on international human rights and international law.
Clarity of Vision: We must stop the pretense that this is simply a conflict over land or religion between two warring parties and admit the reality of the situation in which a disproportionately powerful state is colonizing, persecuting, and dispossessing an indigenous population on the basis of their ethnicity.
One State based on human rights: We must support the establishment of a single, democratic, secular state in all of historic Palestine, with equal rights for Christians, Muslims, and Jews, and, therefore, the dicmantling of the deeply racist, settler-colonial project and an end to apartheid across the land.
Fighting Apartheid: We must redirect all UN efforts and resources to the struggle against apartheid, just as we did for South Africa in the 1970s, 80s, and early 90s.
Return and Compensation: We must reaffirm and insist on the right to return and full compensation for all Palestinians and their families currently living in the occupied territories, in Lebanon, Jordan, Syria, and in the diaspora across the globe.
Truth and Justice: We must call for a transitional justice process, making full use of decades of accumulated UN investigations, enquiries, and reports, to document the truth, and to ensure accountability for all perpetrators, redress for all victims, and remedies for documented injustices.
Protection: We must press for the deployment of a well-resourced and strongly mandated UN protection force with a sustained mandate to protect civilians from the river to the sea.
Disarmament: We must advocate for the removal and destruction of Israel's massive stockpiles of nuclear, chemical, and biological weapons, lest the conflict lead to the total destruction of the region and, possibly, beyond.
Mediation: We must recognize that the US and other western powers are in fact not credible mediators, but rather actual parties to the conflict who are complicit with Israel in the violation of Palestinian rights, and we must engage them as such.
Solidarity: We must open our doors (and the doors of the SG) wide to the legions of Palestinian, Israeli, Jewish, Muslim, and Christian human rights defenders who are standing in solidarity with the people of Palestine and their human rights and stop the unconstrained flow of Israel lobbyists to the offices of UN leaders, where they advocate for continued war, persecution, apartheid, and impunity, and smear our human rights defenders for their principled defense of Palestinian rights.
This will take years to achieve, and western powers will fight us every step of the way, so we must be steadfast. In the immediate term, we must work for an immediate ceasefire and an end to the longstanding siege on Gaza, stand up against the ethnic cleansing of Gaza, Jerusalem, and the West Bank (and elsewhere), document the genocidal assault in Gaza, help to bring massive humanitarian aid and reconstruction to the Palestinians, take care of our traumatized colleagues and their families, and fight like hell for a principled approach in the UN's political offices.
The UN's failure in Palestine thus far is not a reason for us to withdraw. Rather it should give us the courage to abandon the failed paradigm of the past, and fully embrace a more principled course. Let us, as OHCHR, boldly and proudly join the anti-apartheid movement that is growing all around the world, adding our logo to the banner of equality and human rights for the Palestinian people. The world is watching. We will all be accountable for where we stood at this crucial moment in history. Let us stand on the side of justice.
I thank you, High Commissioner, Volker, for hearing this final appeal from my desk. I will leave the Office in a few days for the last time, after more than three decades of service. But please do not hesitate to reach out if I can be of assistance in the future.
Sincerely,
Craig Mokhiber
End of transcription.
Emphasis (bolding) is my own. I have added links, where relevant, to explanations of concepts the former Director refers to.
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rainey-staerie-daize · 1 year ago
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Mom getting lazy? Telling me to lock the door behind her? When she often just leaves it unlocked without saying anything? And sometimes hanging open??
No. You get ONE lock. The one I can easily lock. The gate can fuck off.
Though it's all locked up now because Skye came home and locked it up.
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ohnoitstbskyen · 14 hours ago
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asking sincerely. do you see a romance between jayce and viktor? do you think they ended up being something romantic at the end?
With apologies I am going to only half talk about the thing you are asking me, since I have something else on my mind and you happened to hit the button that makes me vomit it into words.
Coming at this from an aromantic perspective, I obviously don't experience the state of absurd obsessive delusion that you bizarre romantic freaks fetishize so feverishly*, but I am often annoyed by the idea that friendship and romance are either opposites or mutually exclusive. From my perspective, the boundary between the two is at best thin, and more realistically not actually a boundary at all except by cultural construction.
*i am taking an excessively hostile, crass tone for my own amusement i do not mean this seriously please be normal at me, weird allo freaks
I won't get into my full feelings about the end of Arcane, but it seems perfectly plain to me that the script, the imagery and the animation presents Jayce and Viktor as two halves of a whole, not opposing forces but alike to yin and yang: opposites which each contain the other. And at the climax of the show, the greatest peril to life and peace in the narrative is resolved by these two men literally joining their bodies and souls together, and going into eternity holding one another for comfort and strength. They are quite literally soulmates, quite literally the most important people in one another's lives.
I don't think that that kind of intimate emotional connection between men must necessarily be either romantic or sexual - I am aromantic, and plenty of ace people exist, and there is nothing in our natures excluding us from intense connections of love with other people of any gender.
I also think it is willfully ignorant (and genuinely homophobic) to act as though these deep connections are mutually exclusive with sex and romance. As though if Viktor and Jayce fucked nasty and made out sloppy style, suddenly their intimacy is less pure or valid, or tainted somehow.
"If these two men who are emotionally close to one another also fuck or get romantically involved, then friendship is dead, murdered on the floor by a dick-shaped knife; vile sexuality corrupts and debases the true, pure and virtuous love of ✨friendship✨" <- This shit is homophobic at a baseline, queerphobic in general, and frankly as an aromantic man I find it pretty fucking insulting as well.
What, are my friendships with other men just inherently more pure and divine, more meaningful and true than a gay man's can ever be, because I will never suffer the vile temptation of adding romance to my affection? Is that how I should think of myself? And is an aroace man more pure than me still, the only source of TRUE male friendship that a man can ever experience, free from the pustulant corruption of sexuality and romantic desire?
You get this pathetic defensiveness (especially from men, but other genders aren't immune) wherein sex and sexuality and romance between men is perceived as a threat to men's right and ability to experience deep connection to each other. But the emotional castration of men comes not from people imagining sex and romance as a component of our relationships - it comes from people who insist that our emotional lives must be ruled by strict binaries. Sex and romance, OR ELSE friendship. Deep romantic connection OR ELSE deep platonic connection. Pick one and do not dare to imagine both, nor act as though the boundary between them is something that we built by cultural fiat, and which can be dismantled just the same.
And yes, yes, yes, I know there are cultural forces literally illuminati-style conspiring to systemically erase the entire existence of explicitly romantic, sexual male love from media, and I know that homophobic puritanism is on the rise and there are material concerns and a real necessity for explicit representation in fiction, yes I know. Everything is more complicated than a tumblr post can cover, I am not trying to Solve Rainbow Capitalism™ over here, I am trying to express frustration as an aromantic man that this stupid fucking binary keeps getting culturally reinforced by both my enemies and my well-meaning allies, when I think the binary is what's fucking killing us in the first place.
So anyway. My position is that Viktor and Jayce can be entirely aromantic no-homo friends, and they can fuck nasty in the throes of mutual need and obsession, and I refuse to entertain the idea that there is an irresolvable contradiction between those things. Each of those can contain the other, or become the other given time and circumstance.
What the imagery, storytelling and script of Arcane makes clear is that Viktor and Jayce love each other more than life itself. To say that that love must be shoved into the box of either "platonic" or "romantic" is to miss out on almost everything that is beautiful about love. It can be both and neither! It can be a secret third, ninth or fifteenth thing that they haven't invented a tag for on Ao3 yet.
They are giving each other whatever the spiritual mind-ghost equivalent of sloppy backshots are on the ethereal plain forever, they are the most romantic lovers in the cosmos, and they are also the most chaste and platonic life-partner friends you have ever seen, effortlessly intimate and unashamedly tender. They are men who love one another, in every way that love matters.
You can pick whichever interpretation brings you joy, and resonates with what your heart needs, the text of the show is eminently and explicity open to it, and anyone who says otherwise either failed to pay attention, or refused to pay attention on purpose.
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ozzgin · 8 months ago
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Yandere! Werewolf Headcanons
I've been stalked by the guilty feeling that my Romanian Werewolf boy got a lot of backstory but not much romance or interaction. So there you have it: some headcanons featuring the ancient Beast, a post-kidnapping sequel.
Content: female reader, obsessive behavior, monster romance, mild NSFW at the end, ridiculously older yandere
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You followed the gargantuan stranger back into the city, leaving the bloodbath behind as if it was just a distant dream. Admittedly, you’d expected to be dragged into some mountainous cave or an abandoned mansion, not the cozy - albeit a little dusty - apartment on a main, historical street. On second thought, he did function as a human outside of his monstrous escapades, so it made sense. “Is this your place?”, you sheepishly asked while he wiped the thick layers of blood off him. “One of them, yes”, he answered curtly. “It’s central”, you remarked, trying to make conversation. “Well, I didn’t know about it back then. It’s been a few decades.”
Your ears perked up at the words. Gazing at his features, he didn’t seem necessarily aged to you. The deep creases contouring his face felt more like a sign that he’s lived sorrows beyond most people’s comprehension. “How old are you?” You finally asked as curiosity replaced your initial fear. He abruptly stopped his movements and leaned back, brows furrowed in deep contemplation. “I’m not so sure anymore. I was born in the 80s”, he concluded. “That’s not too far back, is it?” You inquired, this time more relaxed. “80 BC, I meant. You do the math.”
He freshened himself up as you counted the millennia on your fingers, frowning in confusion. He chuckled at your intense focus, then quickly looked up into the mirror. When was the last time he smiled like this? The reflection was a foreign sight to him. “We’ll get you everything you need tomorrow”, he continued, still in a daze. What a strange idea, having someone to speak to after an eternity. And suddenly, it occurred to him just how rusted his communication had gotten: “I’m so sorry, I haven’t asked for your name once”, he said, embarrassed. “It’s (Y/N). And you are...?" Might as well introduce yourself to your benevolent captor.
The dreaded question. How did they call him back in the day? He hasn't had anyone spell it out for him, nor did he feel the need at any point to say it himself. Why would he? He hadn't anticipated meeting you. With pursed lips, he searched his mind. Eventually, from the depths or memories, from days of yore, it made its way back: "Daos."
Given your first gory encounter (where he quite literally murdered everyone else), you were surprised to find out he's otherwise a calm and polite individual. Well, he's had centuries to mature, you suppose. You've also noticed he has that rather old-fashioned chivalry to him. He's very attentive despite his stoic demeanor, and often follows with acts of service.
"You're insulting me. I can carry this myself with ease", you'll argue. "I never doubted you can. Nonetheless, it is my wish to do it for you."
As the days pass, your reluctance seems to vanish as well. In fact, you've become particularly cheeky, encouraged by his warm, unperturbed behavior. Maybe you haven't gotten the worst deal out there, after all.
"You know, you talk like an old man", you've teased him once. He was visibly taken aback by your statement, and you could discern a faint blush on his face. "Do I? My apologies, I haven't spoken to anyone in a long time. I'm not familiar with modern speech. Have I embarrassed you somehow?"
He spends his free time reading, though he will frequently take you on walks. It's an interesting affair to say the least. You can feel the curious eyes of the passersby and hear their not-so-discreet whispered gossip. You can't truly blame them: Daos is enormous even as a human. He towers above everyone else with his imposing appearance. To match, his voice is deep and coarse as a result of not using it much until recently.
The ancient werewolf is a living history book. If asked, he will narrate to you important events or details you might be curious about regarding his culture. Once, when he'd been in a good mood, he even shared fragments of his life before turning into a creature. He'd been a high-ranked Dacian warrior, spending his days training or fighting. He still remembers the flag he carried with bitter fondness, yet another irony to his fate: a wolf-headed serpent. It was meant to showcase their way of life; barbarians with no fear of death. They'd greeted the Roman Empire with nothing but a sword and a shield, no shred of doubt.
He might've been betrayed by his people, but the pride remains. The pride of a soldier who's never known defeat. You learned quickly that his beastly form doesn't count as a significant change by any means, save for appearances. The man has brute strength even as a human. You'd once strayed from his view, and a stranger approached with a daring whistle, gawking you up and down. Before you could react, Daos clawed him by the throat. You heard the twist of the skin and the creak of the bones giving in to the immense pressure of his large hand.
"It's the second time I have exposed you to such unpleasant sights", he said, discarding the body as if it was any other garbage. "Forgive me, but I will not have you disrespected like this."
He is very much aware he's taken you away from the world out of his own selfish desire. The fact that you accepted it is more than he could ever ask for. That's what he keeps telling himself, even as his eyes wander to your lips whenever you speak. Or as his hand lingers a moment too long against the curve of your back. Or as he hungrily takes in your scent whenever you're nearby.
He might be unhealthily possessive of you, but Daos will never do anything against your will. No matter how obvious his urges are. In fact, no amount of flirting or teasing will shake his resolve. You will have to be very direct with your approval.
Once the reality settles in, he'll become extremely affectionate, bordering on obsessive. To think he could have you in every way possible. Oh, he's waited thousands of years for you. All the suffering, the loneliness, the anger, they're stripped of any meaning now that he has you.
The city strolls at an awkward distance have since become a habitual excuse to hold your hand and show you off to the mortals. The quiet evenings of passing time with a book now include your merely noticeable weight cuddled into his lap. You didn't expect him to be this adoring. Being touch-starved for millennia counts as one reason, naturally, but there's more to it, so much more. And it all leads back to you.
He is a little taken aback when you ask him to do the deed in his werewolf form. "Don't be foolish. I can't overcome my instincts as well when I'm a creature. I could harm you", he'll lecture you. "Besides, you can barely take it as it currently is", he'll add, smirking at your baffled expression. It seems he's picked up on your cheekiness.
After a lot of pleading and waiting for the right moment - when he's ravaging you in a daze - he finally agrees. True to his word, his tune instantly changes. The tender hold turns into a desperate grasp sinking into your skin, and the thrusts become irregular, almost frantic. His drool cools your burning cheeks as you hold onto the coarse fur, feverish and overwhelmed.
His golden eyes rest on the small human squirming underneath him, and suddenly, he can't help but notice: you have the perfect birthing hips.
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