#Algorithmic Design Ideas

[benozandegilim]

500+ AI Sticker Prompts - Digital Download - Sticker Prompts ai Art Midjourney Prompt, AI Generate

[fiomeras]

People joke that the artists leaving twitter are gonna move on to doing show and tells at the local library instead , but i actually think that sounds really nice, id love to do that

[toothlespoggers]

So I was feeling kinda depressed since my blog kinda dies when I’m focusing on my health and irl life, and character development, writing and art takes a lot of time to create something impressive and coherent.

so since I need notes for my blog to stay alive while I work on stuff i thought I’d make a cool sans au to show everyone on tumblr so I get thousands of notes and really cool fanart and get featured in tiktoks and stuff with my character.

Since this is all it takes to become famous in the undertale fandom I thought I’d just throw away all the research I’m doing and just go with what works yanno?

😳 maybe I’ll draw horny art of him next, that’ll reel in the notes.

[claptraprights]

I feel like this is the only one that kind of achieved something for me but this took ages of fiddling and I'm out of free attempts now so...

[acidcrusade]

Ptolemaea - Ethel Cain

[fae-and-fox-the-second]

damn they must have finally nerfed/taken down the google ai bc despite an hour of trying to get my own batshit results its not even popping up (turned it on manually and everything)

smh missed out on all the fun lol

[jcmarchi]

A community collaboration for progress

New Post has been published on https://thedigitalinsider.com/a-community-collaboration-for-progress/

A community collaboration for progress

While decades of discriminatory policies and practices continue to fuel the affordable housing crisis in the United States, less than three miles from the MIT campus exists a beacon of innovation and community empowerment.

“We are very proud to continue MIT’s long-standing partnership with Camfield Estates,” says Catherine D’Ignazio, associate professor of urban science and planning. “Camfield has long been an incubator of creative ideas focused on uplifting their community.”

D’Ignazio co-leads a research team focused on housing as part of the MIT Initiative for Combatting Systemic Racism (ICSR) led by the Institute for Data, Systems, and Society (IDSS). The group researches the uneven impacts of data, AI, and algorithmic systems on housing in the United States, as well as ways that these same tools could be used to address racial disparities. The Camfield Tenant Association is a research partner providing insight into the issue and relevant data, as well as opportunities for MIT researchers to solve real challenges and make a local impact.

Play video

MIT Initiative on Combatting Systemic Racism – Housing Video: MIT Sociotechnical Systems Research Center

Formerly known as “Camfield Gardens,” the 102-unit housing development in Roxbury, Massachusetts, was among the pioneering sites in the 1990s to engage in the U.S. Department of Housing and Urban Development’s (HUD) program aimed at revitalizing disrepaired public housing across the country. This also served as the catalyst for their collaboration with MIT, which began in the early 2000s.

“The program gave Camfield the money and energy to tear everything on the site down and build it back up anew, in addition to allowing them to buy the property from the city for $1 and take full ownership of the site,” explains Nolen Scruggs, a master’s student in the MIT Department of Urban Studies and Planning (DUSP) who has worked with Camfield over the past few years as part of ICSR’s housing vertical team. “At the time, MIT graduate students helped start a ‘digital divide’ bridge gap program that later evolved into the tech lab that is still there today, continuing to enable residents to learn computer skills and things they might need to get a hand up.”

Because of that early collaboration, Camfield Estates reached out to MIT in 2022 to start a new chapter of collaboration with students. Scruggs spent a few months building a team of students from Harvard University, Wentworth Institute of Technology, and MIT to work on a housing design project meant to help the Camfield Tenants Association prepare for their looming redevelopment needs.

“One of the things that’s been really important to the work of the ICSR housing vertical is historical context,” says Peko Hosoi, a professor of mechanical engineering and mathematics who co-leads the ICSR Housing vertical with D’Ignazio. “We didn’t get to the place we are right now with housing in an instant. There’s a lot of things that have happened in the U.S. like redlining, predatory lending, and different ways of investing in infrastructure that add important contexts.”

“Quantitative methods are a great way to look across macroscale phenomena, but our team recognizes and values qualitative and participatory methods as well, to get a more grounded picture of what community needs really are and what kinds of innovations can bubble up from communities themselves,” D’Ignazio adds. “This is where the partnership with Camfield Estates comes in, which Nolen has been leading.”

Finding creative solutions

Before coming to MIT, Scruggs, a proud New Yorker, worked on housing issues while interning for his local congressperson, House Minority Leader Hakeem Jeffries. He called residents to discuss their housing concerns, learning about the affordability issues that were making it hard for lower- and middle-income families to find places to live.

“Having this behind-the-scenes experience set the stage for my involvement in Camfield,” Scruggs says, recalling his start at Camfield conducting participatory action research, meeting with Camfield seniors to discuss and capture their concerns.

Scruggs says the biggest issue they have been trying to tackle with Camfield is twofold: creating more space for new residents while also helping current residents achieve their end goal of homeownership.

“This speaks to some of the larger issues our group at ICSR is working on in terms of housing affordability,” he says. “With Camfield it is looking at where can people with Section 8 vouchers move, what limits do they have, and what barriers do they face — whether it’s through big tech systems, or individual preferences coming from landlords.”

Scruggs adds, “The discrimination those people face while trying to find a house, lock it down, talk to a bank, etc. — it can be very, very difficult and discouraging.” Scruggs says one attempt to combat this issue would be through hiring a caseworker to assist people through the process — one of many ideas that came from a Camfield collaboration with the FHLBank Affordable Housing Development Competition.

As part of the competition, the goal for Scruggs’s team was to help Camfield tenants understand all of their options and their potential trade-offs, so that in the end they can make informed decisions about what they want to do with their space.

“So often redevelopment schemes don’t ensure people can come back.” Scruggs says. “There are specific design proposals being made to ensure that the structure of people’s lifestyles wouldn’t be disrupted.”

Scruggs says that tentative recommendations discussed with tenant association president Paulette Ford include replacing the community center with a high-rise development that would increase the number of units available.

“I think they are thinking really creatively about their options,” Hosoi says. “Paulette Ford, and her mother before her, have always referred to Camfield as a ‘hand up,’ with the idea that people come to Camfield to live until they can afford a home of their own locally.”

Scruggs’s other partnership with Camfield involves working with MIT undergraduate Amelie Nagle as part of the Undergraduate Research Opportunities Program to create programing that will teach computer design and coding to Camfield community kids — in the very TechLab that goes back to MIT and Camfield’s first collaboration.

“Nolen has a real commitment to community-led knowledge production,” says D’Ignazio. “It has been a pleasure to work with him and see how he takes all his urban planning skills (GIS, mapping, urban design, photography, and more) to work in respectful ways that foreground community innovation.”

She adds: “We are hopeful that the process will yield some high-quality architectural and planning ideas, and help Camfield take the next step towards realizing their innovative vision.”

[astranauticus]

me n my one irl artist friend were discussing the possibility of boothing together at a convention at some point and splitting the cost but one problem is most of my art these days is orv and she's a webtoon only and

[mortalityplays]

You need more free art.

I quit my job yesterday. Well, actually I quit my job eight weeks ago, but they finally released me yesterday for good behaviour. Don't get me wrong, I love what I do - but I do it for the wrong reasons. Working for major charities, you learn very fast that 'I want to make the world a better place' is a phrase you use to ask people for money, not to give them things. I was an ass-backwards fit for that world.

You need more free art. I need more free art. Everyone has felt the shift in our media landscape over the last ten years, away from access and towards nickel-and-diming the human experience. That lack of access is making life and culture worse for all of us, across the board. Paywalled news sites leave us less informed, attacks on the Internet Archive leave us less capable of research. Algorithmic social feeds and streaming walled gardens trap us inside smaller and smaller demographic bubbles, where we are increasingly only likely to encounter ideas that have been curated for us by marketing departments. Hasty efforts to resist AI commodification have only led to more artists locking their work away and calling for even more onerous systems of copyright law. This is not good for us.

We all need more free art.

So what am I going to do about it?

This is a question I have been asking myself for years. It's easy to sit here feeilng frustrated and thinking 'boy I hope SOMEONE does SOMETHING'. It's harder to take action in a world where I still have rent to pay. But hard doesn't mean impossible. Sometimes hard just means time-consuming, frustrating and slow. And sometimes it's worth doing something time-consuming, frustrating and slow because...I want to make the world a better place.

I'm going to do this:

1. From April 1st, I am relaunching as a freelance writer and editor.

This is the one that will (hopefully) help to pay the bills. I am a very good and experienced editor. I've worked on hollywood movies, I'm a member of the Chartered Institute of Editors and Proofreaders, I have clients who have been coming to me exclusively for more than 10 years.

Alongside bigger contract jobs, I am going to refocus on offering my services to small-press creators at a reduced rate. That means you, graphic novelists. That means you, itch and amazon writers. I want to help you develop your work, the same way I help large organisations. You can learn more about what an editor even does and what kind of pricing you can expect here.

2. I'm also going to start giving shit away. Like, constantly.

Next week I'm going to launch a new free shop. If you're unfamiliar, a free shop, giveaway shop, swap shop, etc. is an anarchist tradition of setting up a storefront where anyone can take what they like for no cost. Offline, this often means second-hand clothes, tools, furniture, food etc. Online, I am going to be giving away digital art. Copyright-free, no strings attached. It will (eventually) feature everything from print-res posters to zines, poems, tattoo flash, t-shirt designs and anything else we come up with.

Yes, I said 'we' - while this is a curated collection, it will feature work from a variety of credited and anonymous artists and activists, all of whom have agreed to give their work away to the public domain. Some of it will be practical, some of it will be political, but a lot of it will be decorative or personal. This is, in part, a response to recent difficulty I had finding somewhere that would print a one-off joke poster for a friend that featured the word 'faggot'. Enough. No middlemen - no explaining ourselves. Just print our shit and enjoy it.

I'm very, very excited about this project. I'll have more to say about it closer to the launch, but you can expect it to go live on March 27th.

2.2 I forgot to mention the ACTUAL LAUNCH GIVEAWAY

To celebrate my launch, I am going to be giving away a ton of physical prints. When I went looking for my old stock to see if it was worth setting a new (paid) storefront up, I realised I had way more old work in storage than I thought. This will be announced in its own right on Monday, but this is why I've been hinting you should go follow my Patreon.

On April 1st, I will pick 8 random patrons (from across all tiers including non-paying followers!) and mail them a bundle of assorted prints and postcards. The prize pool includes A3 and A4 posters, packs of A6 postcards, and printed minicomics that I've previously sold for up to £12 each.

You don't have to be a paying subscriber to enter - this is strictly no-purchase necessary. It is purely and entirely a celebration of the concept of GIVING ART AWAY FOR FREE.

3. PORN, YOU PERVERTS

Because I still have to pay to stay alive, I am going to be subsidising all this free art with the introduction of Fuck You Fridays. Starting from March 29th, I will drop a new 18+ short story on the last Friday of every month, over on itch.io (yes I know my page is desolate right now, don't worry I'll get there).

The first edition, Go Fuck Yourself, is about, well - telling your boss where to stick it. Julia has had it with her millionaire man-child manager, and is just about ready to let him know what she really thinks. It's a short and steamy 5k words, with a gorgeous cover illustration by @taylor-titmouse, and you can pick it up for $3 starting from March 29th.

4. ANOTHER BIG SURPRISE

I'm keeping this one under wraps for now, but April 1st will also play host to one more (FREE) launch. If you've been following me for a long time, you might remember the other significance of this date (no not April Fool's day, though that is certainly thematically relevant to this entire effort). That's all I'll say right now. Watch this space.

tl;dr: I'm sick of paywalls and career ladders. I'm literally putting my money where my mouth is. More free art for everyone and I'm not kidding around!!!

[xxrougefangxx]

Jason Todd x Reader fic recs

This is originally made for @marinas-trench , but anybody can use this. Will update as I find more

Added little notes in pink to specify some stuff

Anybody who does use these recs please try to reblog works- that's the Tumblr algorithm likes don't do anything- to help the authors out <3 (no pressure tho)

-----

Authors because I can't pick a favorite work:

DC Masterlist by @sanguineterrain - The works speak for themselves.

@jasmines-library - Includes lots of platonic batfamily x reader and the hurt/comfort is just *chefs kiss*

@morverenmaybewrites Ao3 link- Her works are just godsend. She portrays Jason in such a beautiful way and acknowledges his trauma as well.

@minnieearsposts Ao3 Link - Jason works are 10/10, but she also has many other fics that connect with each other. Definitely recommend

@xxgoblin-dumplingxx - All of the au's are just magnificent! There's no master list but you can check the works out using tags.

Batfam masterlist by @book-place - All works are platonic

@writersfailure - Honestly a gold mine, check out their dc master list and other fics as well!

@wh1sp3rr - The jackpot at the end of the rainbow. That's all I'm going to say

Series :

love is not designed for the cynical by @thenyoumightaswellwrestleangels - The thoughts and emotions are portrayed SO BEAUTIFULLY!!! And while Jason is just spectacular, I also recommend the other series as well.

What we want by @sophiethewitch1 - It's with all the batboys

Crimson Red by @ravenna-reid - Has multiple parts all located on the master list.

Guard Dog by @mostly-imagines

Headcannons/Drabbles:

Girl!DadJason by @in-som-niyah

Reaction to you letting go of their hand by @gay-dorito-dust - Its paired up with both Dick and Damian

Existentional Crisis by @millyhelp

College student!Jason by @orchidsangel

BabyDaddy! Jason fic idea by @kuromitos

Unnamed by @aldryrththerainbowheart

Fics:

JasonTodd x Fem!Reader by @spidernuggets - reader gets stuck in a time loop to save Jason

sickly sweet romance of u & jay by @wh1sp3rr

Unnamed by @millyhelp

tired and touchstarved!Jason by @indulgentdaydream

A Spoonful of Honey by @stararch4ngelqueen

Golden by @orionremastered

Reader who likes Superman more than Batman by @spidernuggets

Reader who prefers Superman more than batman (different fic than above) by @gay-dorito-dust

Rescuer by @kimberly-spirits13

graceless by @udiudijaye - platonic batfam x batsis but love the fic and had to recommend

Take care by @batsycline69

Forensic Psychologist Reader by @ravenna-reid

What are you doing here? by @a-reader-and-a-writer-for-all

What a night by @batboysandgirls

call me your fool by @jasonsmirrorball

18+ Works MDNI

Til Death Do We Part Brings Us Together by @luvf4ngz - I love the au idea!

Jason distracting you from studying by @millyhelp

Slumber Party by @dollwritesarchive - Includes Dick

Thoughts on Jason being rough by @midnightorchids

jason 'don't run from this dick' todd by @killakalx

BabyDaddy!Jason by @hanasnx

Say Sorry by @dancewithdeath11

Jason fucking reader in the Batmobile by @martiniluvr

Series 18+

guns and roses masterlist by @jayswhorex

[reasonsforhope]

"Is social media designed to reward people for acting badly?

The answer is clearly yes, given that the reward structure on social media platforms relies on popularity, as indicated by the number of responses – likes and comments – a post receives from other users. Black-box algorithms then further amplify the spread of posts that have attracted attention.

Sharing widely read content, by itself, isn’t a problem. But it becomes a problem when attention-getting, controversial content is prioritized by design. Given the design of social media sites, users form habits to automatically share the most engaging information regardless of its accuracy and potential harm. Offensive statements, attacks on out groups and false news are amplified, and misinformation often spreads further and faster than the truth.

We are two social psychologists and a marketing scholar. Our research, presented at the 2023 Nobel Prize Summit, shows that social media actually has the ability to create user habits to share high-quality content. After a few tweaks to the reward structure of social media platforms, users begin to share information that is accurate and fact-based...

Re-targeting rewards

To investigate the effect of a new reward structure, we gave financial rewards to some users for sharing accurate content and not sharing misinformation. These financial rewards simulated the positive social feedback, such as likes, that users typically receive when they share content on platforms. In essence, we created a new reward structure based on accuracy instead of attention.

As on popular social media platforms, participants in our research learned what got rewarded by sharing information and observing the outcome, without being explicitly informed of the rewards beforehand. This means that the intervention did not change the users’ goals, just their online experiences. After the change in reward structure, participants shared significantly more content that was accurate. More remarkably, users continued to share accurate content even after we removed rewards for accuracy in a subsequent round of testing. These results show that users can be given incentives to share accurate information as a matter of habit.

A different group of users received rewards for sharing misinformation and for not sharing accurate content. Surprisingly, their sharing most resembled that of users who shared news as they normally would, without any financial reward. The striking similarity between these groups reveals that social media platforms encourage users to share attention-getting content that engages others at the expense of accuracy and safety...

Doing right and doing well

Our approach, using the existing rewards on social media to create incentives for accuracy, tackles misinformation spread without significantly disrupting the sites’ business model. This has the additional advantage of altering rewards instead of introducing content restrictions, which are often controversial and costly in financial and human terms.

Implementing our proposed reward system for news sharing carries minimal costs and can be easily integrated into existing platforms. The key idea is to provide users with rewards in the form of social recognition when they share accurate news content. This can be achieved by introducing response buttons to indicate trust and accuracy. By incorporating social recognition for accurate content, algorithms that amplify popular content can leverage crowdsourcing to identify and amplify truthful information.

Both sides of the political aisle now agree that social media has challenges, and our data pinpoints the root of the problem: the design of social media platforms."

And here's the video of one of the scientsts presenting this research at the Nobel Prize Summit!

-Article via The Conversation, August 1, 2023. Video via the Nobel Prize's official Youtube channel, Nobel Prize, posted May 31, 2023.

[probablybadrpgideas]

Bad Video Game RPG Ideas

Save files need to eat and are only fed when you play them. if you don't play once a day it starves to death and is deleted

Your inventory starts off sorted by Bogosort. It's at least three level ups to unlock a new algorithm.

Gain XP by dancing in front of the webcam. How much XP you get is based on how good the poor intern they force to watch everyone thinks it is. He's not any happier about this then you are.

Fast travel but it happens completely at random

Unskippable cutscenes, easily skippable gameplay

The game promises to "change according to your choices" and what this means is that if you don't pick the choices the designer wants the game leaks your private data on the dark web

Those fucking monotonous bosses where the only way to beat them is to "defect the attack back at them" or "attack them after they get stuck charging" or something but each time only damages 1/1000th of their fucking endless health so you're there for half a fucking hour doing the same 20 seconds of gameplay over and over waiting for them to do the one thing that lets you progress the game and either you slip up because you've doing it for so fucking long or they just do the unavoidable attacks while indestructible so you die over and over and then you get the same unskippable 30 second cutscene you can repeat from memory now and then boom its back to "run around, turns red, hit, run around, turns red, hit" with no variation or strategy I swear to god is it so hard to make a boss with actual interesting attack patterns even just two modes would be...

All NPCs are clearly using the same voice actor putting on different accents. The credits are "accidentally deleted"

[ohnoitstbskyen]

The overwhelming misery of going viral on YouTube

In April of 2021, I posted a short to YouTube - a 60 second video in the format of their TikTok competitor. In the nature of shorts, it was a one-minute, necessarily un-nuanced hot take about a subject I like to talk about: character design. Specifically I made the mistake of lamenting that the character design of female heroes in major games tend to prioritize attractiveness rather than using their body shape to do storytelling about their lives or capabilities.

It did okay, garnering about 38k views in its first month. Didn't set the world on fire, but I got my point out there, and while there were some crappy comments, for the most part people seemed to understand what I was driving at.

The short had eventually climbed to about 100.000 views after a full year of being online, which is respectable, but in the world of YouTube Shorts a fairly middle-of-the-road level of success (these are extremely short videos being served extremely quickly to a huge base of users). Fast forward to November 8th of this year, and... something happens. More than a year after it was originally published, it starts gaining traction.

Slowly at first, a few thousand views, but by the 14th it's gained 80.000 views in a day. On the 16th, 400.000, on the 17th, 680.000. I have no idea why this is happening, there's no influx of viewers from any outside source, there's no topical news event that would make the video suddenly relevant.

I tweet about it, bemused by the sudden jump, but also hinting a bit at the other side of this story.

"There Is No Such Thing As Negative Press"

On YouTube, there is on the systemic level very little difference between positive attention and negative attention. If you create excellent work that brings joy into people's lives, they engage with your video and the algorithm reads that as success. And if you create miserable, hateful content that makes people angry and stokes them to responses of outrage, disgust or jeering, the algorithm reads that as a kind of success, too.

Hate-bait and rage-bait YouTubers operate in that latter space, churning out inflammatory or distressing content, hoping to elicit either reactions of horror, or gleeful cheering from people who like it when their favourite online personality trolls the Other.

But there's another way to garner negative attention, and that is to create content which is not at all designed to bait or elicit a negative response, but whose subject matter nonetheless produces a negative response from a certain kind of person.

That is the unfortunate slip-and-slide I have found myself on.

At the time of writing, the short sits at 6.8 million views, has been gaining on average 2 million views per day, and it still seems to be accelerating. Despite those skyrocketing numbers, however, it only ("only") has around 1300 published comments underneath it.

That is because, after the first couple of million views, I told YouTube to automatically hold all comments for review. That is, YouTube allows users to comment on the video, but those comments are not published until I manually approve them.

The reason I did this is... well, it's easier to show you with some pictures. Content warning, these are unfiltered YouTube comments, so expect casual bigotries.

These are screenshots from the "held for review" tab of my YouTube Studio backend. YouTube in recent years has gotten good at filtering out content like overt racial slurs and the worst of the worst insults, which is nice, but the filtered comments tab is still not a particularly pleasant place to read through right now.

Most of the comments are like what you see above: casually rude, fatphobic, homophobic, transphobic or otherwise unpleasant. Some of the comments are more intense, threatening me with violence, insulting me personally, "I hope your mom gets raped by a [racial slur]," and worse. The worst comments are a small percentage, but as you can imagine, they do stand out in the mind, and a small percentage of a huge number can still be a lot of comments.

And that's the thing. There are hundreds, and hundreds, and hundreds, and hundreds of comments. I scrolled for fifteen minutes and did not see the end of it. YouTube doesn't keep a visible count on how many comments are held for review, but I'd not be surprised if the 1300 comments count would have been doubled if I hadn't stopped it when I did. And since the video is still accelerating, that number is likely to skyrocket as well.

This provides me with the best theory I have as to why the video took off: the YouTube algorithm started showing it not to people who it thought would like it, but to people it thought would dislike it enough to react, to comment. And the more people did comment, the more the algorithm showed it to other people just like those who commented, who were also likely to dislike it.

This causes a feedback loop of negative attention, which the YouTube algorithm (horrifyingly) interprets as a success and an incentive to keep pushing the video.

Moderating this comments section is now physically impossible - I would need a staff of a dozen to handle it, which I can't afford and who I wouldn't want to expose to it, and while this deluge is going on, moderating the comments of other videos becomes next to impossible as well, since the "held for review" tab is utterly monopolized.

One fix for this problem, of course, is to simply disable the comments. But in my experience, doing that only encourages the worst of the commenters to seek out your other content and leave even worse comments there instead. In fact, a couple of dozen particularly irate people have already sought out my other channels to post insults there, adding to the stress and workload of dealing with all this viral "success."

How YouTube Makes YouTubers Worse

This situation is stressful, because humans are monkey creatures with monkey brains that do not like being exposed to a constant stream of rudeness, cruelty and casual bigotry. However rational you try to be about it, however detached and cold, it wears on you. It chips away at your mental defenses and becomes a constant source of low-level stress and misery.

But as far as YouTube is concerned, it's a huge success.

YouTube's systems are all set up this way. They celebrate increases in numbers with cheerful messages and positive green arrows and "helpful" statistics showing just how much things are growing - meanwhile, if you post otherwise positively received work that doesn't attract as much attention, it will give you dour "your content received fewer views due to lower interest this month" messages and greyed-out downward arrows. If you have a video that does really well on the numbers, YouTube will even play a little fireworks animation on its statistics to celebrate.

It's a form of not-so-subtle psychological manipulation. As a YouTuber you are dependent on your statistics to inform your work - if your rent depends on making those numbers go up, you essentially have no choice but to pay attention to them and let them guide your decision making. And so YouTube designs its systems to push its creators towards the behaviour that the platform finds most beneficial: numbers optimizing.

And the thing is, if I went only by the numbers, I would look at the success of this short and go "oh, there's a viable content strategy here!"

I could try and replicate its "success" by creating more content around the same topic, by targeting the same kind of outrage-baiting, by identifying the contentious subjects and trigger points brought up by the angry people in the comments and hitting them repeatedly, hoping to make engagement fall out.

YouTube would reward me for that, quite handsomely, in fact, even as mental health and professional happiness would absolutely crater. I don't have the personality for that kind of content creation, it's not what I want to do with my work, it's not the kind of person I want to be.

But I am not immune to propaganda. I have already changed as a person from doing this job, I know this for a fact. My priorities have shifted, my wants and needs have changed. Not for the worse, I believe, not yet, but the platform is constantly, constantly pushing on me.

It's unpleasant and it's stressful. It's hostile design, coupled with primitive and insufficient moderation tools, coupled with an aggressive algorithm which will go out of its way to ensure your relationship with your audience is toxic, if that toxicity produces better numbers for the platform.

Viral success is often thought of as a desirable thing, something which can launch a career or skyrocket an unknown to success. The reality is, it is mostly just overwhelming. I'm a grown man and I have done online content creation for a long time, and I have learned strategies to manage toxic comments sections over years of experience.

But imagine if something like this happened to a sixteen year old. Imagine if it happened to a teenage girl just starting out making videos. Or a trans person. Or, hell, any person from a marginalized community. I am sheltered by my privileges, but I have seen how dark it gets and how fast it gets dark for people who don't have those extra protections.

Well, it does happen to them, and no matter how rancid, bigoted and horrible the abuse they receive, they will log in to YouTube Studio to see happy fireworks and "Nice! Your video got 20 million views!" with a little green upwards pointing arrow right next to it.

You might have seen articles and thinkpieces around "creator burnout," and I want you to know that a huge part of what burns creators out is the primitive, profit-optimizing, hostile systems that power these platforms and monetize our worst experiences on them as "engagement."

In case you're wondering how much money I've earned from those 6.8 million views, by the way, it's about $20.

YouTube says they're rolling out full Shorts monetization next year, so I guess I just picked the wrong month to go viral.

---

If this story resonated with you at all, do me a favor and leave a nice comment under the work of an online creator you enjoy. It helps more than you might think.

You can tip me on Patreon or Ko-fi if you want to.

[ralfmaximus]

A month later, the business introduced an automated system. Miller's manager would plug a headline for an article into an online form, an AI model would generate an outline based on that title, and Miller would get an alert on his computer. Instead of coming up with their own ideas, his writers would create articles around those outlines, and Miller would do a final edit before the stories were published. Miller only had a few months to adapt before he got news of a second layer of automation. Going forward, ChatGPT would write the articles in their entirety, and most of his team was fired. The few people remaining were left with an even less creative task: editing ChatGPT's subpar text to make it sound more human. By 2024, the company laid off the rest of Miller's team, and he was alone.

Hell world.

The article flips back and forth between Welcome To The Torment Nexus / Isn't This Technology Neat?! modes which is infuriating. The BBC is obviously wary of pissing off its ChatGPT friendly advertisers but c'mon dudes, pick a side.

There's also a section dripping with irony describing how this AI-generated copywriter output trips the company's own AI-detection algorithms, triggering rewrites to make it "less AI". Which while (oh my aching sides) is fuckin hilarious also underlines the core problem with the whole approach: the actual text output is garbage.

Humans do not like reading garbage.

Eventually the only ones reading this shit will be AI systems designed to summarize badly written copywritten text.

[scoonsalicious]

Unwanted: Chapter 16, Unaccompanied - Pt. 4

Pairing: Bucky Barnes x Avenger!Fem!Reader

Summary: When your FWB relationship with your best friend Bucky Barnes turns into something more, you couldn’t be happier. That is, however, until a new Avenger sets her sights on your super soldier and he inadvertently breaks your heart. You take on a mission you might not be prepared for to put some distance between the two of you and open yourself up to past traumas. Too bad the only one who can help you heal is the one person you can no longer trust.

Warnings: (For this part only; see Story Masterlist for general Warnings) Language, allusions to sexy stuff, a long overdue conversation with Steve.

Word Count: 2.4k

Previously On...: You went to Tony for answers about how Carthage ended up on the Quinjet; he asks you to attend his annual shareholder gala on Saturday. You, vomiting, + a bunch of stuffy rich people. What could go wrong?

A/N: Quick note about how text messages are written herein: Outgoing messages (in this instance, from Pocket to Bucky) will be indicated by ">>" in front of them. Incoming messages are labeled with the contact name the phone owner has for that person in their phone. In this instance, Pocket has Bucky saved in her phone as "Magic Dick🍆🦾" lol

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The gala had barely begun and you were already exhausted. Your stomach bug hadn’t let up, and you’d been vomiting for the last two days. Fortunately, you were able to get an injection of an anti-nausea medication from one of the interns down in the med bay, so even though you didn’t currently have to worry about puking your guts out on some obscenely wealthy financier, you just had to deal with the constant exhaustion you’d been feeling from your illness. 

Just a few more hours, you told yourself as you brushed off the advances of yet another man old enough to be your father. Not once had anyone actually wanted to discuss the Crisis Prediction Algorithm System. It seemed you were being viewed more as potential arm candy than Stark Industries’ CTO. That alone was enough to leave you longing for an early night in your bed. 

You did look amazing, though, you had to admit, even if you’d had to go a little heavy on the makeup to mask your pallor. When you asked Tony for a new dress, you’d anticipated taking the girls on a shopping trip. Tony, however, had other ideas and had sent a designer from one of the city’s top fashion houses to the Tower to collect your measurements, and then, the following day, a garment bag appeared in your room containing a striking dress in shimmering Iron Man-red. The bodice was form fitting and strapless, with an asymmetric neckline, and the skirt was full and came down to just below your ankles. 

It was gorgeous, and when your hair and makeup had been completed, you looked like a princess straight out of a fairy tale. You’d sent a picture to Bucky and he’d immediately sent you back a series of panting emojis that had you laughing. The following string of text that described exactly what he wanted to do to you in the dress then had you panting, yourself. Fuck your parameters, apparently.

But now, you couldn’t wait to get out of it for an entirely different reason. The call of your pajamas was so alluring. Not only were you physically tired, but you were bored out of your mind. As this was a Stark Industries party, and not an official Avengers gathering, most of your friends had opted not to come. Rhodey was here, now almost fully recovered from his gunshot wounds, but Tony wouldn’t leave his side, so he was constantly being surrounded by people and you couldn’t really find an opening to go talk to him.

When you’d asked Nat and Wanda if they wanted to come with you, Wanda had politely declined, letting you know that she and Vision already had plans to go out of town for the weekend, while Nat just scoffed at you. “I would literally rather swallow broken glass, Pocket,” she’d said. “Those things are boring as fuck and there is not enough money you could possibly pay me to go to one, sorry.” She’d ended up going bar hopping with Clint and Sam, instead.

So, there you were, all by yourself, not even able to distract yourself with the elaborate spread of food that Tony had provided, as the thought of eating still turned your stomach, when you felt a hand at your elbow.

“Hey,” Steve said softly. His presence took you by surprise– you couldn’t even remember the last time you’d truly spoken to one another, aside from clipped conversations about work and missions. “That’s a lovely dress.” A slight blush tinted his cheeks. “How are you feeling, by the way?”

“Steve, hi. Um, I’m good, thank you. Just really tired. Not quite in the right headspace to schmooze, you know?” you asked him, trying to fight off the awkwardness you were feeling at speaking to him again after so long. “You look very dashing tonight.” And he did, with his dark navy suit and cream button-up. 

He smiled, then held out a hand. “Would you care to dance?” he asked. You thought about it for a second. You didn’t want to lead him on, let him think you had any interest beyond the platonic relationship you’d always shared, but you were so fucking bored. One dance couldn’t hurt.

“I’d love to,” you said, taking his hand and letting him lead you to the dance floor.

He was surprisingly light on his feet, given his hulking frame, and he led you through the steps with ease. You somehow managed to only step on his toes twice, which gave you both a good laugh.

“I must have forgotten all my finishing school lessons,” you teased.

“Nah, you’re doing great.” Steve sent you out for a spin, but as he twirled you back into his arms, you were overcome with a wave of dizziness and stumbled. You felt your knees give out and your body begin to collapse in its exhaustion.

“Whoa,” said Steve, using his super soldier reflexes to grab you before you could fall and hold you steady. “I got you. You wanna sit down? Rest a bit?”

You nodded and he led you over to a quiet corner where some couches had been arranged for that very purpose. He guided you down to sit, then placed himself next to you, concern clouding his features.

“Are you alright?” he asked.

“Yeah,” you said. “Just, you know, between the nausea and the vomiting, I haven’t really been able to keep a lot of food down over the last two days. It’s got me so tired. I think I overdid it with a dance number.”

Steve chuckled, then stood up. “Let me go get you something to drink,” he said. “It’s important that you stay hydrated.” You nodded, and he was off.

With a sigh, you reached into your clutch and pulled out your phone, sending a quick text to Bucky, but knowing that, due to the time difference, he was probably sleeping.

>> I miss you.

You were quite surprised, then, when you saw the three dots appear almost immediately.

Magic Dick🍆🦾: Not that I don’t miss you too, because I desperately do.

Magic Dick🍆🦾: But aren’t you supposed to be livin' it up like Cinderella at the ball?

You chuckled at that before responding.

>> This Cinderella is tired and bored and would much rather be snuggled up in bed with her metal-armed Prince Charming watching a movie or literally any other activity aside from being at this ball unaccompanied. 

Magic Dick🍆🦾: You better be talking ‘bout me, doll. 

>> How many other metal-armed men do I have in my life, dipshit? 

>> Why are you even awake, anyway?

Magic Dick🍆🦾: I’m just teasin’ you, smart ass ;) 

Magic Dick🍆🦾: I’d much rather be curled up in bed with you doin any variety of bedly activities, too >:) 

Magic Dick🍆🦾: And I’m up because we’re getting ready to act on our intel and raid the communications office we were sent to find. 

Magic Dick🍆🦾: Hit 'em at dawn when they’re least suspectin’ it, ya know?

>> Jesus Christ, baby! Be careful! 

Maybe it wasn’t a good thing you hadn’t gone on the mission– you didn’t even have the energy to imagine yourself having the energy to conduct a raid in your current state.

Magic Dick🍆🦾: Always, doll. Gotta get back to my best girl, don’t I?

>> You absolutely do. Cause if I found out you died, I will kill you.

Magic Dick🍆🦾: I have no doubt that if someone were to find a way to murder me from beyond my grave, it would be you.

Magic Dick🍆🦾: Shit. Sorry sweets, I gotta go.

Magic Dick🍆🦾: Try to have fun. I love you.

>> I love you too, Buckaroo.

You stared at the screen for a moment longer, but there was no further reply. Wonderful. Now you would be spending what little energy you absolutely did not have to spare worrying about Bucky’s safety.

Steve returned then, handing you a cold glass dripping with condensation. “It’s lemonade,” he said as you took a sip. “I know how much you like lemons.”

You smiled in thanks, but it came out more like a grimace. Steve noticed immediately.

“Are you alright? Does it not taste good? I could go get you something else…”

You put a reassuring hand on his arm. “No, Steve, the lemonade’s fine. Thank you for getting it for me; that was very thoughtful. It’s just,” you sighed, “I was texting Bucky. He and Carthage are running a raid on a communications office as we speak, and now I’m just nervous and worried about him.”

Steve’s brow creased. “Oh,” he said, though you could tell there was more behind the word than the single syllable would imply. “I didn’t realize the two of you had gotten back together.”

Fuck. You were by far too tired to be having this conversation. Squeezing your eyes shut for a moment, you decided it was time to confront the giant elephant that had been sitting between you and the Captain for far too long. “We haven’t, not officially, anyway, but that doesn’t mean that we don’t still love each other, in spite of everything that’s happened. We’re just working on building trust. Or rather, he’s working on building trust, and I’m working on determining if I can trust him again. It’s a process.”

Steve’s shoulders sagged, the movement so minute you would have missed it if you hadn’t been watching him so closely in the moment. You took a deep breath before you continued.

“Look, Steve,” you began, “I know about your feelings for me.” His eyes shot up to meet yours, and he opened his mouth to protest, but you gently held a hand up to stop him from speaking. You needed to get everything you had to say out while you still had the energy to do so. “I’ve known for a bit, and while I’m truly flattered, and honored, that you care for me, I’m also so sorry that I don’t feel the same way about you. You’re a good man. A wonderful man, and I know most people would tell me I’m an idiot for not reciprocating, but I just don’t share those feelings.”

“It’s because of Berlin, isn’t it?” he asked softly, not meeting your gaze, and for a moment, you could see the small, shy boy Bucky had told you about from his youth.

“Berlin altered our relationship, it’s true,” you told him, “but the nature of my feelings for you were cemented long before that. You’re my family, and do I love you, but I love you as a member of that family. The way I love Tony, and Nat, and Thor, but maybe a little better than I love Clint.” Steve chuckled softly at that, and you smiled, glad you could make him laugh even a little. “I’m sorry this isn’t the answer you want to hear, and I’m sorry that you’ve had to watch me be with your best friend. None of it was ever done with the intention of deliberately causing you pain, but at the same time, I need to do what’s going to make me happy, and I hope you can accept that, as my friend and a member of my family.”

Steve looked like he was going to argue with you for a moment, but he kept his mouth shut and just nodded. “Yeah,” he said eventually. “I can accept that. It hurts,” he chuckled humorously, “but I want both you and Bucky to be happy.”

“Thanks, Stevie,” you said, suppressing a yawn. “Holy shit, I’m tired. I think I’m going to call it a night. I put in enough time to fulfill my obligation to Tony.” You stood, but immediately stumbled, the motion of standing enough to make you dizzy.

Steve was instantly on his feet, an arm out to steady you. “I got you,” he said. He put a hand to your forehead, checking your temperature. “You don’t seem to have a fever, but I’m getting worried about you, Pocket. I should escort you down to med bay.”

You waved the suggestion off. “No, it’s fine. The last thing I want is a bunch of doctors poking and prodding at me all night. I’ll be fine, I just need to sleep.”

“You can barely even stand up on your own,” Steve protested. “Let me at least walk you back to your room. Make sure you get there without falling over.” You were going to tell him you’d be fine on your own when a wave of nausea overtook you.

“Yeah, okay,” you said, clutching tightly to his arm for support. You had planned on going over to Tony and Pepper to say a proper goodbye, but given the way you were currently feeling, an Irish one was going to have to do, instead. 

Steve put a hand to your back and led you out of the banquet hall. You had to stop more than once to steady yourself, and you were grateful for Steve’s assistance. By the time he’d walked you to your door, you were running on fumes.

“Do you need help getting inside?” he asked, looking worried.

“No,” you assured him. “I’ll be okay. I am literally just going to collapse into my bed. Might not even bother taking the dress off, to be honest.”

Steve blushed, and you regretted putting the idea of you getting out of your clothes into his head. “Well, if you’re sure,” he said, running a hand behind his neck, the movement so similar to Bucky that it threw you for a moment. “If there’s anything you need in the night, anything at all, don’t hesitate to call me, alright?”

“Sure, Steve,” you said as he placed a gentle kiss to the crown of your head. You were grateful for his help, but you knew that, even if you were suddenly dying, you would not, in fact, be calling him. “Thanks for your help.”

You wished each other a goodnight, and soon you were once again within the sanctuary of your room. Managing to summon the will from somewhere, you shimmied out of the dress, draping it over your vanity chair; it was, after all, probably far too expensive to either sleep in or leave in a puddle on the floor overnight. You debated whether or not to take the time to remove your face full of makeup but, God, your bed was just so inviting, you’d deal with the consequences in the morning.

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[genderkoolaid]

sorry if you've talked about it already, but what is it that makes KOSA's idea of online safety wrong? I don't know much about the bill, what does it intend to do?

What do you think is a good way to protect kids from things like online predators or just seeing things that they shouldn't be seeing? (By which I mean sex and graphic violence, things which you'd need to be 16+ to see in a movie theater so I think it makes sense to not want pre-teens to see it)

From stopkosa.com:

Why is KOSA a bad bill? KOSA uses two methods to “protect” kids, and both of them are awful. First, KOSA would incentivize social media platforms to erase content that could be deemed “inappropriate” for minors. The problem is: there is no consensus on what is inappropriate for minors. All across the country we are seeing how lawmakers are attacking young people’s access to gender affirming healthcare, sex education, birth control, and abortion. Online communities and resources that queer and trans youth depend on as lifelines should not be subject to the whims of the most rightwing extremist powers and we shouldn’t give them another tool to harm marginalized communities.  Second, KOSA would ramp up the online surveillance of all internet users by expanding the use of age verification and parental monitoring tools. Not only are these tools needlessly invasive, they’re a massive safety risk for young people who could be trying to escape domestic violence and abuse.

I’ve heard there’s a new version of KOSA. What’s the deal? The new version of KOSA makes some good changes: narrowing the ability of rightwing attorneys general to weaponize KOSA to target content they don’t like and limiting the problematic “duty of care. However, because the bill is still not content neutral, KOSA still invites the harms that civil rights advocates have warned about. As LGBTQ and reproductive rights groups have said for months, the fundamental problem with KOSA is that its “duty of care” covers content specific aspects of content recommendation systems, and the new changes fail to address that. In fact, personalized recommendation systems are explicitly listed under the definition of a design feature covered by the duty of care in the new version. This means that a future Federal Trade Commission (FTC) could still use KOSA to pressure platforms into automated filtering of important, but controversial topics like LGBTQ issues and abortion, by claiming that algorithmically recommending such content “causes” mental health outcomes that are covered by the duty of care like anxiety and depression. Bans on inclusive books, abortion, and gender affirming healthcare have been passed on exactly that kind of rhetoric in many states recently. And we know that already existing content filtering systems impact content from marginalized creators exponentially more, resulting in discrimination and censorship. It’s also important to remember that algorithmic recommendation includes, for example, showing a user a post from a friend that they follow, since most platforms do not show all users all posts, but curate them in some way. As long as KOSA’s duty of care isn’t content neutral, platforms will be likely to react the same way that they did to the broad liability imposed by SESTA/FOSTA: by engaging in aggressive filtering and suppression of important, and in some cases lifesaving, content.

Why it's bad:

The way it's written (even after being changed, which the website also goes over), it is still possible for this law to be used to restrict things like queer content, discussion of reproductive rights and resources, and sexual education.

It will restrict youth's ability to use the Internet independently, essentially cutting off life support to many vulnerable people who rely on the Internet to learn that they are queer, being abused, disabled, etc.

Better alternatives:

Stop relying on ageist ideas of purity and innocence. When we focus on protecting the "purity" of youth, we dehumanize them and it becomes more about soothing adult anxieties than actually improving the lives of children.

Making sure content (sexual, violent, etc.) is marked/tagged and made avoidable for anyone who doesn't want to engage with it.

Teach children why certain things may be upsetting and how best to avoid those things.

Teach children how to recognize grooming and abuse and empower them to stop it themselves.

Teach children how to recognize fear, discomfort, trauma, and how to cope with those experiences.

The Internet makes a great boogeyman. But the idea that it is uniquely corrupting the Pure Innocent Youth relies on the idea that all children are middle-class suburban White kids from otherwise happy homes. What about the children who see police brutality on their front lawns, against their family members? How are we protecting them from being traumatized? Or children who are seeing and experiencing physical and sexual violence in their own homes, by the parents who prevent them from realizing what's happening by restricting their Internet usage? How does strengthening parent's rights stop those kids from being groomed? Or the kids who grow up in evangelical Christian homes and are given graphic descriptions of the horrors of the Apocalypse and told if they ever question their parents, they'll be left behind?

Children live in the same world we do. There are children who are already intimately aware of violence and "adult" topics because of their lived experiences. Actually protecting children means being concerned about THEIR human rights, it means empowering them to save themselves, it means giving them the tools to understand their own feelings and traumas. KOSA is just another in a long line of attempts to "save the children!" by dehumanizing them and giving more power to the people most likely to abuse them. We need to stop trying to protect children's "innocence" and appreciate that children are already growing, changing people, learning to deal with discomfort and pain and the weight of the world the same as everyone else. What people often think keeps kids safe really just keeps them ignorant and quiet.

Another explanation as to why it's bad: