#Acknowledging Trauma

[livingwellnessblog]

What Victim Blaming Looks Like

Understand Victim Blaming: Educate yourself about victim blaming to recognize and avoid engaging in it. Victim blaming occurs when the victim of a crime or any harmful act is held partially or entirely responsible for the incident. Example: In a racist context, if someone suggests that a person of color experienced discrimination because of the way they dress, they are engaging in victim…

[bean-spring]

As somebody who has struggled with mental health all of their life and still does, Jinx's romance with Ekko means the world to me.

I'm sick and tired of people considering mentally ill people just "not interested in love" or, on the other side, "not healthy enough to be loved". Which is utterly stupid. Ekko falling for Powder but clearly showing signs of wanting to learn more about Jinx and on his way to love her too, realizing that her damaged past and issues do change her but she's still his girl. It's brilliant writing.

He can't be a savior to her, because there's nothing to save. There's nothing to fix. The whole message Jayce gives with "there's beauty in imperfections" goes hand in hand with Powder's "sometimes taking a leap forward means leaving a few things behind". Ekko goes from wanting to save her to wanting to see more of her and leaving Powder behind to know about Jinx. With Ekko loving Jinx nevertheless it shows that mentally ill people can be loved. And with Powder reciprocating and Jinx making amends with Ekko (with the romantic context behind already seen) it's breaking the whole stereotype of her being this "insane maniac with no remorse and unable to show love".

So I guess what I want to say is that their relationship would've worked in another universe, but I want to believe it could've worked in this one (with time), too.

[windfalling]

1.02 // 1.06 // 1.08 The Stranger vs. Sol on recognizing and differentiating Osha and Mae

[eternally-tired-muffin]

i think it's funny that this keeps on happening

[hilacopter]

leftists' all lives matter approach whenever antisemitism is brought up is extremely hypocritical and straight up disgusting. it's always "antisemitism is bad BUT ALSO-" no. no "but also". that's the end of the sentence. imagine saying that shit about any other form of bigotry.

[willowser]

thinking about you laying in bed with bakugou and lightly tracing the messy edges of the scar in the middle of his chest, hardly able to comprehend how deep that wound runs. it had already been there for years by the time you'd met him, but sometimes you see it and are unable to swallow the fact that—at one time—you were alive and he wasn't.

very quietly, you say, "it's crazy to think how easily i could have missed you,"

because it's not every day you meet and fall in love with a man that's died and come back. if fate is destined and soulmates are real, you imagine the two separate paths of your lives traveling parallel, in sync—and his breaking away for one horrible moment, torn from you before you even knew it.

bakugou is half-asleep, you know, but he shifts until his chin is lightly nudging your forehead, and speaks into your hair. "nah," he murmurs, voice thick and slow and slurred. "would'a found you eventually."

and somehow, you can't find it in your heart to doubt him.

[oxfordsxbrogues]

“Wait no not like that.”

OR: Results? To MY own self-sabotage? More likely than you’d think!

OR: I don’t CARE that the prophecy was self-fulfilling, I’m still angry about it! 😤

OR: Blitzø sweetie pie please go to therapy I know this great lady with a hotel where you do trust falls and talk about your feelings she’s like a block away from your office just pop in for thirty seconds please I’m begging you 🥺

[mcflymemes]

please don't mistake silence for hatred. please don't mistake unanswered plotting messages as indifference, or a lack of enthusiasm towards you. considering the ages of most roleplayers, many of us have bills to pay, families to take care of, medical conditions to treat, appointments to make, classes to take, homes to clean, and lives to live away from the computer that are far, far more important than writing on tumblr — life has a tendency to get in the way of hobbies and fun things like this. be patient with your fellow writers. if it doesn't work out, it doesn't work out. of course you can set your boundaries, keep your space comfortable, and softblock whoever you wish, but do so while recognizing it's probably not hatred or apathy that keeps them from leaping into your dms with message after message. they probably love this hobby just as much as you... but sometimes life gets in the way.

[wileycap]

Vi's journey broke my fucking heart and I do not see anyone talking about it, so I will.

The Writing In Arcane Was Very Good, Actually (SPOILERS)

The core of her character is that Vi lets herself be hurt. Again and again, and she asks nothing for herself. In S1E2 when she's talking to Vander, she says "I grew up knowing I'm less than them, that my place is down here. I want Powder to have more than that, and I'm willing to fight for it."

Not "I want more than that." She says "I grew up knowing I'm less" and even then, she's already accepted it. It's fine if it happens to her.

When Jinx blows up the council, again it's "I can do this alone, nobody else has to get hurt." She doesn't want the badge, but she takes it anyways because if she doesn't, Caitlyn will be hurt. So it's fine if it's her principles that get tossed out. It's fine if it happens to her.

When Caitlyn hurts her, again - she directs all the harm at herself. She doesn't grab Cait and beat the shit out of her for hurting her. She goes and becomes a pit fighting alcoholic so that she can keep the pain where it belongs, with her. It's fine if it happens to her.

And then... Jinx comes to get her, and they get Vander. She gets to see Jinx be a big sister, try to carry more so that Isha could carry less. And she sees Jinx lose what she lost. (I want you to hurt like you hurt me today and I want you to lose like I lose when I play.)

She tries to help Jinx again and she gets hit with another betrayal. Except this time... Jinx wants to make the same choice Vi always makes. "You don't need to feel guilty about being happy. You deserve to be with her." She's no longer judging Vi or resenting her, because after Isha, how could she? She understands Vi. She understands her too well.

When she's completely broken down, Caitlyn comes in. And Caitlyn isn't upset or angry, no, Caitlyn knew she'd go to her sister and planned for it. Caitlyn accepted her and her need and put aside her own need for revenge.

This is followed by the best sex scene I've ever seen. Now, you have to understand that sex scenes make me uncomfortable, so this is like, high praise from me.

Vi expects to be punished. "Say it. 'I told you so.'" She is literally imprisoned by her mind (wow, filmmaking 101!). And she expects to be taken out of there, to be put back into the fight (like the first time Cait set her free) so she can be hurt and be useful.

And instead, Caitlyn opens the door and steps inside. Into Vi's prison ("Walls of self-doubt and accepted limitation.") To give her understanding and love and most importantly, time. They have more important things to do. There's an invasion coming. And still, Caitlyn puts Vi first.

And Vi lets her. She initiates it, she leans into the comfort and intimacy being offered. It's actually beautiful.

(And then Jinx comes back to help, too, - healing that wound - and even though she loses her again... she can allow herself to move on and be happy. Like she never could before.)

(And we know Jinx survives, but she leaves because yes, sometimes you have to walk away. Sometimes meaningful healing can't happen if you're stuck in the same situation.)

(And Caitlyn figures it out, but doesn't tell anyone. She learned how to forgive and move on, and she's letting Vi do the same.)

"You've got a good heart. Don't ever lose it, no matter how the world tries to break you."

She didn't.

[clockwork-carstairs]

i don’t think it’s talked about enough that when jem first came to the london institute will described him as “very very quiet, lonely and sad”

[stevesgother]

Savior Complex - S.H

Paring - Steve Harrington x Fem!Reader

WC - 1.9k

Warnings - Blood. Mention of vomit. Partial nudity. Let me know if I missed anything!

Authors note - This is my first fic...ever. Constructive criticism always welcome but pls be nice. Takes place directly after the events of S3. Hurt/comfort, angst, acknowledging Steve’s trauma bc damn.

Summary: ANGST, hurt/comfort, happy ending but not a lot of resolution, friends to ? lovers? idk its up to you!

Inspired by my favorite poem of all time, that has always reminded me a little bit of Steve.

“In this space right here that we have made for each other, you can say anything and I will not abandon you. Unwrap the worst things you have done. Watch me hold them up to the light and not even flinch”

The air inside Steve’s car was heavy with tension and the thick July heat.

You sat parked in his driveway, the rest of The Party having dispersed to their own homes; their parents waiting for them with open arms and misty eyes. 

Not you. 

And Certainly not Steve Harrington.

You and Steve weren’t what you would call “close”. Until now, that is. Shared trauma tends to have that effect. He knew you had a tumultuous relationship with your parents, and it didn’t take much deducing to realize his parents weren’t in the picture. Barely in Indiana, let alone spending anything close to quality time with their only son.

The idea of spending the last few hours of this nightmarishly long day in his big, empty house was sounding lovelier by the minute. On the grounds that it ‘wasn’t safe to be alone right now’. You didn’t read too much into it; he was right, after all. Part of you wonders if he just didn’t want to be alone. Sluggish, and noticeably more bloodied than you, Steve made his way to the front door with you in tow. His house was silent; eerily so. Everything pristine and well manicured, as if no one lived there at all. 

“There’s a guest bedroom upstairs, and a bathroom down the hall, to the right. Towels in the cabinet next to the shower.” He doesn’t even look at you as he says it. You try not to feel like you’re burdening him, blaming his avoidance on the exhaustion and not the unwelcome presence of you in his home.

“What about you?”

“What about me?” He finally meets your gaze. The shiner he sports on his left eye is still swollen, but less so. The front of his sailor suit you once thought so endearing, is now stained with blood and vomit.

“You’re bleeding.” You say quietly. “You have -” you wince, “- open wounds on your face Steve. Probably a concussion too and that’s if we’re being modest.”

He wears a tight-lipped expression you can’t quite read. You can tell he’s frustrated, and his exhaustion is bone deep. It nags at your heart. Maybe that’s why you don’t just drop it when he answers you.

“Not my first rodeo, I’ll be fine just-” He pauses, “go shower, and get some rest. God knows this shit won’t just be over come tomorrow.”

You take a tentative step forward. “Please just…just let me help. I can disinfect the cuts around your eye. I was a girl scout! Though in hindsight I realize how useless that sounds and-” you’re rambling now; nervous.

“Stop.” You’re taken aback slightly by his tone, you haven’t known Steve to act hostile. Not in a long time. “I don’t need your help, and I certainly don’t need your pity.”

“It’s not ‘pity’ Steve! Why is it so hard for you to believe someone might want to help you?” You take a step forward from where you stand a few feet from him. You reach up to touch his forehead with the hope of better assessing his injuries.

‘Enough!” He swats your hand away, “God, I should’ve never offered for you to stay here. You think you’re some type of savior, but you’re not.”

His words feel like a knife to the chest. You knew what he was trying to do, you knew he didn’t really mean the things he said. Not when he’s like this. For the first time since you arrived tonight, you thought of how many times he’s had to come back to this empty, soulless house all alone. Damaged, emotionally and physically. Wounds he’s had to patch alone. No gentle caress of another’s hands. Just the stinging of antiseptic in his nostrils, and the heaviness of everyone he’s ever loved abandoning him.

“You don’t mean that.” You say, shaking your head in a disbelieving way.

He laughs, humorless, “Yes I do. I really, really do.” A bitter sharpness to his words. It burns like liquor washing down your throat. “Go.” 

“No!” Now you’re the one raising your voice. “Being stubborn is for when someone is haggling you at a flea market. Not when someone is trying to love you.”

Love. You realize what you’ve said a beat too late, but you stand defiant despite it. You do love Steve. This fact, collecting cobwebs in the back of your brain for months, being spat out onto the floor in front of you both is what compels you to what you do next.

Steve, who was previously standing with this index finger and thumb pinching the bridge of his nose, is now staring at you like a deer in headlights. Before either of you can blink, you’re closing the gap between the two of you, sure of yourself. You wrap him in a suffocating embrace and he struggles against your grip.

“Stop! Please I don’t need you-” He all but shouts. Still, you sense a dent in the armor.  A crack in the wall he’s spent so long building to keep you out; to keep everyone out.

Eventually, he stops struggling. His knees give out from underneath him as the trauma and the pain and the events of today catch up to him. But not just today; a year ago when his girlfriend broke his heart at Tina’s stupid party. When Michael Harrington cut him off on the grounds of him being a disgrace to the family name. Everything flooding back to him all at once. Everything he’s spent his youth avoiding.

You sink to the ground with him, still holding him tight. He stops making an effort to hide his sobs, but instead clings to you like you’re the only tangible thing keeping him here. You sit beside him, with one arm wrapped around his shoulders and your free hand cradling his head to his chest so he can hear your heartbeat. A heart that finally beats for him.

“I know.” You soothe. “It’s okay, I’ve got you.” The hair you’re gently stroking, which is usually so voluminous and perfectly styled, is now dampened with blood and sweat.

“I’m sorry-” He sobs, “I'm so sorry.”

“Don’t be. I don’t want you to be sorry. I’m not sorry.” 

He cries harder at that. Shoulders shaking and breath shallow, he looks at you. You cradle his sweet, bruised face in your hands. You think, like a pomegranate, Steve Harrington is beautiful, and worth the mess. Wiping his tears with your thumbs and careful to avoid the cuts and swelling that decorate his face, you give him a smile. Shy, but earnest.

“Can you take me to bed?” He asks you, eyes bleary.

–

Neither of you speak as you turn on the faucet and watch the porcelain tub fill with scalding hot water; still not hot enough to wash away the memories this day has tainted you both with forever. Tentatively, you lift your shirt over your head, and slip your shorts down your scraped legs, revealing your mismatched bra and underwear. A pang of guilt washes over you when you look down and realize Steve took the brunt of the Russian soldiers. He was the bravest and most selfless person you had ever met.

You give him a look that asks “is this okay?” as your fingertips brush the cotton of his ruined Scoops uniform. You aren’t sure what the boundaries are anymore. Momentarily Steve worries this will irreparably change things between you two. He nods anyway. You lift the shirt over his head, catching a glimpse at the real extent of his injuries. His ribs were badly bruised, and he had clotting cuts all over his abdomen. Something swirls in your stomach at the sight of his chest hair. You wish the circumstances of this moment were different.

He pulls his own pants and socks down with a hiss, eyes screwed shut, leaving you both in just your undergarments. He steps into the tub and slowly sinks beneath the hot water. You step in behind him, and he looks over his shoulder at you, a look of confusion contorting his features. You don’t bother to explain, for the fear that speaking would break the trance you both seemingly were under. You had built a space here for each other, one you didn’t want to leave just yet.

Sitting behind him now, you wrap your arms around his chest and pull him flush to you. You rest your chin in the space between his shoulder and his neck, and close your eyes. You can feel how he tries to match his breathing to yours; slow and rhythmic.

You reach up to the hanging shelf on the wall above your head, and grab the cedar and sandalwood body wash. The second you open the bottle, your senses are flooded with him. Only in your wildest dreams did you think you’d ever get to smell his scent in any way other than passing. A slight brush of shoulders in the hallway; a friendly hug when you’d gotten back from a month long vacation.

With a dollop of body wash on a washcloth you found on the edge of the tub, you gently start to scrub the blood and grime off his freckled skin. Like this, you can see every birthmark, every scar, the way the hair at the nape of his neck curls up around his ears in the damp bathroom air.

Steve rests his calloused hand on your knee and squeezes. A silent reassurance that what you’re doing is okay, that he’s okay, that he’s here. Everything feels overwhelmingly intimate as your hands explore his body. You lather his thick, brown locks with the shampoo you found next to the soap. With a heavy sigh, Steve allows his head to fall back into the crook of your neck. He doesn’t tell you, but this is the kindest thing anyone has ever done for him.

You’re not sure how long the two of you sit in the tub together, but at some point he turns to face you, cupping your jaw in his larger hand. The look he gives you is so tender, you think you might cry. His caramel eyes flicker to your lips and back up to your eyes, so fast you would’ve missed it if your senses weren’t dialed up to 11.

With the delicacy of someone touching a flower petal, he closes the gap and presses his cut lips to your soft ones. Hesitant at first, giving you the option to pull away. He fears he may have misread the moment when you separate from him, a look in your eyes that he can’t read. His worry dissipates as you take his face into both of your hands and kiss him deep and slow. You only break when the air feels too stiff to continue, the water droplets accumulating in the air and Steve's kiss making it difficult to catch your breath. His hands slide from where they were grasping your hair, and down to your neck where they stay.

“I love you, too.”

[bruciemilf]

"Bruce was so violent and irrational and dangerous after Jason died" Yeah that happens when someone murders your kid, Jessica

[pokeberry5]

fellas, is it gay to give up a guaranteed future with the girl of your dreams and the collective happiness of most of the people in your life for the sake of one homie?

redraw of THE page from chap. 275:

[spop-romanticizes-abuse]

whenever i say that a character needs therapy and healing before they start a relationship, people jump at my throat and assume that i'm saying that people with mental health issues shouldn't date at all or that they're not deserving of love.

folks. i have bipolar type 2. i'm also a psychology major. trust me when i say that i never said people with mental health issues shouldn't date at all.

i just think that it's a lot healthier to get into a committed relationship once you've started therapy and/or medication. no one is stopping you from getting into a relationship before that, but there is a higher chance of the relationship turning unhealthy and/or complicated. not just for your partner but for yourself as well.

and there are other relationships that people can and should focus on. i would never recommend an individual completely isolate themselves because they're mentally ill. that's the opposite of effective, it will only worsen your mental health.

romantic relationships aren't the only form of love. and when a person focuses solely on their romantic relationship, pushing aside their familial and platonic relationships, there's a higher chance of the person becoming overly dependent on their partner, which can again be unhealthy.

and keep in mind, my criticism is also more from a fictional perspective. stories that ignore a character's trauma and just give them a romantic partner aren't trying to tell you that people with mental health issues deserve love too, they're trying to brush the character's trauma under the rug and hoping that you won't notice.

a lot of these writers seem to genuinely think that romance will “cure” a character, and that's such a harmful mindset because it discourages people from seeking professional help. it's the same logic as thinking that birthing a child will solve relationship problems between a couple - that's just not how it works.

and in cases like catra, it's even worse because catra is not just dating anyone, she's dating the same person she has abused since childhood. this is destructive for both of them, not just adora. we have to realize that toxicity often stems from some kind of trauma (though not always) and it's not ableist to say that an abuser shouldn't be dating their victim.

one good example of a relationship involving a victim of trauma, in my opinion, is steven and connie from steven universe.

steven universe future focuses entirely on steven's deteriorating mental health, caused by all the trauma he endured in the original series. but in the end, after experiencing a mental breakdown, he actually seeks professional help before beginning to date connie.

it must also be mentioned that their relationship had great development since their friendship was already quite healthy and mutually supportive, and connie has been with steven through all his highs and lows. and so, it doesn't feel like this relationship came out of nowhere, just so that steven gets a happy ending.

it's a satisfying conclusion to both of their arcs and even better because they're allowed to stay away from each other and pursue their own goals while still being in a relationship, meaning that there won't be the risk of them becoming codependent.

this is all that i'm asking writers do with their characters with mental health issues/trauma. you can give them a romantic partner, just make sure you address their personal problems too, instead of brushing them under the rug.

[lainalit]

Rhysand stans:"nobody wants to talk about how Rhysand is a SA Victim"

Girl, I see constantly posts/tiktoks/content about how Rhysand is a SA Victim and 99% of the comments are always super supportive, but every time a Nesta post is made about how she was SA'd by the Kelpie and/or Thomas there are always some Nesta antis in the comments being like "her trauma, doesn't absolve her of being a horrible sister!!!!" even though the post has nothing to do with feyre

or than god forbid people point out that feyre is a Victim of SA in the hands of Rhysand all hell breaks loose, and instead of acknowledging what rhysand did was SA , most of the fandom is out here trying to justify it with the same old tired phrase of "he did it to protect her" or even worse out right denying it by being like "rhysand touching feyre's waist, arms, making her sit on his lap and kissing her against her will isn't SA because only certain circumstances need to occur for it to be classified as SA"

Don't even get me started on the people who believe that gwyn faked her SA and is secretly an evil lightsinger

And the one who rarely gets any recognition of being a SA Victim (besides from his fans) is Lucien. I saw a handful of posts/tiktoks from lucien fans that bring this topic up but those are not nearly as popular as Rhysand's posts and where are almost always some people in the comments of lucien's posts who are asking "when did he get SA'd?"

The majority of the fandom always talks about Rhysand being a SA Victim

[jinxed-sinner]

Look I know Lucifer isn't the best dad ever but I feel like people who say he's a bad dad are purposely ignoring the context of the show. It is very much implied that he thought Charlie wanted nothing to do with him, and Charlie thought he wanted nothing to do with her. Lucifer’s still dealing with trauma from Heaven and his fall and probably will for the rest of time plus he's dealing with what would probably qualify as clinical depression, and simultaneously dealing with trauma, clinical depression, and autistic traits (which Lucifer absolutely has; I do not say, as an autistic person, that Lucifer is a massive autistic mood for no reason) is a fucking NIGHTMARE.

I'm not saying Lucifer shouldn't take responsibility. He should. But he's already doing better than my dad frankly. Lucifer hits me in the daddy issues, I wish my dad made an effort to be more active in my life. Lucifer is fucking trying, and that's better than a lot of people can say about their dads.