#ANNIVERSARY VOL.6

[short-wooloo]

Happy Anniversary!

5 Years baby!

[euclydya]

happy birthday Wil <3

[cold-heart-warm-writings]

Hope ya’ll are ready for some Soul Eater content because guess who just F!I!N!A!L!L!Y! picked the manga back up after years of saying “this will be the year I read Soul Eater!!” 

[briebysabs]

Mochijun is amazing and I feel like ppl don’t understand how much she’s worked. PH began in 2006, had long chapters a minimum of 40 pages. I wasn’t there for the run but to release 104 chapters in 9 years you can assume there were almost no breaks. If you’ve read Brocante which is a sketchbook that comes with special edition of vol 11 (I strongly recommend getting it if you can). You would know she’s been planning VnC from 2009-2015. So essentially for 6 out of those 9 years of PH’s run mochijun was working on two manga at the same time. That’s crazy.

And mind you, she didn’t take that long of a break after PH. It ended in March of 2015 I believe and then she had to compose the PH final artbook soon after. And vnc started in December. And went on with few breaks until a few years ago. Then you include supervising the 2009 ph anime and VnC’s anime when they came out. Then include the ph and vnc collab, the ph 15th anniversary cafe, the now mochijun 20th anniversary online lottery. Then you include interviews, signings, covers of GJ magazines. She worked on a shoujo rei MV. She makes all the additional items that come with volumes. I think she released 3 light novels for PH (though idk if she wrote them or overlooked its creation by another writer). There’s likely stuff I forgot depending on her role in stage plays. Or art she did in miscellaneous magazines or art she did for other creators. Or much more I just don’t know about. Jun Mochizuki is not a company or a small studio. She has assistants thank god but most of this will fall on one woman.

I know it’s sad we haven’t gotten vnc since April but firstly, we got a lot of shit in April. So the hiatus is sad but I’m not surprised. And honestly when I found out she worked on ph and vnc around the same time, I was so shocked she hadn’t broken down for that long. On a final note, both PH and VnC are not simple manga with straight-forward plots. They have so much planning and detail and foreshadowing placed into them. She gave us two complex manga basically back to back.

[burningdaybreak]

Aun no Beats & BAD DOGS' Relationship

Hello everyone! Today is August 19, which is a pretty special day, since it's both Aun no Beats' original version's release anniversary, and Akito and Touya's middle birthday (the day in the middle of both of their birth dates, which are May 25 and November 12). Added to the game on June 6, 2022 (JP server), the addition of Aun no Beats has always been quite an interesting case. The song is covered exclusively by Akito and Touya, which is a pretty rare thing; not many songs are exclusively covered by just original characters, and it hasn't happened for a while now; as of writing this, the last one was Amanojaku (released in the JP server on October 1, 2022). Furthermore, the song's original producer, Hanyuu Maigo, prohibits covers of their songs being sold commercially, which is most likely the reason why it was not included in Vivid BAD SQUAD SEKAI ALBUM Vol.2. So, why did Project Sekai go out of their way to add a cover of this song to the game, even though they wouldn't profit from it at all? They must have really wanted it in the game, then... and looking at the lyrics, I think it makes sense; the song represents Akito, Touya, and their relationship and story so well. And so, in this essay, I will talk about Aun no Beats, and look at its lyrics and analyze them, and talk about how they represent Akito and Touya and their characters and story.

1. What is Aun no Beats about, and how does it represent Akito and Touya's relationship?

Aun no Beats is a song about a relationship where both parties understand each other without a need for words, but they'd still like to hear those words.

So, giving and receiving, I never needed to look for the words Even so, I wanted to hear them from you

However, with the We were going to be together forever in the lyrics, the song feels like it's about a relationship with a bad ending, where they're separated for some reason, whether a break up or separated by death... The meaning of the word aun in the title is taken from the Japanese idiom 阿吽の仲 (a-un no naka), a phrase that indicates an inherently harmonious relationship where both parties can understand each other without the need of verbal communication.

When it comes to Akito and Touya, my interpretation of the cover for them, and possibly the most common interpretation, is that it represents them in the main story, and the short break up they went through due to their lack of communication (therefore, the things that weren't said). Aun no Beats represents them pretty well because of the incredibly close bond they have and how they understand each other so well without needing to communicate their feelings... but they both still want to hear how the other really feels. As for the "bad ending" in the song, it represents the miscommunication issue they had in Vivid BAD SQUAD's main story; this conflict arose from the fact that Touya felt like he wasn't good enough about singing to be Akito's partner. Even though Touya kept these feelings to himself for the two years that he had been singing next to Akito, seeing Akito berate An and Kohane and how they aren't serious enough about their dream of surpassing RAD WEEKEND made Touya decide he can't keep going like this. In the end, he decided to claim he didn't want to sing with Akito anymore because he felt he wasn't worthy of being his partner, but avoiding telling him the real reason and riling him up on purpose, because he'd rather lie than disappoint the most important person to him. This culminated in Akito allowing his emotions to overtake him, and punching his partner, and BAD DOGS breaking up temporarily. However, unlike the song, their story has a happy ending, since at the end of Vivid BAD SQUAD's main story, Akito and Touya talk it out, Akito making Touya realize that he actually loves music...

🥞 You love music. You love it like an idiot, you really do. You love it… and I know that better than anyone else!

... And Akito declaring that he'll never team up with anyone other than Touya...

🥞 STOP SAYING THAT!! … Don't you get it! I'm never gonna team up with anyone other than you!

... Which finally makes Touya talk about how he truly feels:

☕ Gh…! Isn't it obvious that I want to…! I've felt that so many times! I wanted to chase that dream with you as far as I could…!

With both of them on the same page, with the same feelings, they can reconcile and be a team, once again. Although Touya is still doubtful if he's truly worthy of singing by Akito's side, Akito shuts him up with the following line:

🥞 Oh, shut up already. Don't go makin' this complicated. I want to be with you, and you want to be with me as well. And after that, our dream will come true. ... Isn't that enough?

They know how they feel. And they now have words they were looking for. This is all they need, to be partners: just knowing that they respect and appreciate each other, and wanting to sign with each other. With this, they can now be together forever. In short, this song would symbolize Akito and Touya's relationship during Vivid BAD SQUAD's main story; most specifically, the period where they temporarily split up (often jokingly called their "divorce arc"). But they come out of it stronger and more determined than before to be with each other, which is why the song doesn't fully represent their relationship, since their story does have a happy ending... they reconciled, and still have a future together. It's not the first time that they get a song that symbolizes their short break up during the main story, as Fragile can also be interpreted that way (among other covers, but Fragile is the one with most similarities to Aun no Beats); however, compared to that, there's a few things that stand out about Aun no Beats. Fragile was added with Project Sekai's release in September 30, 2020, back when the only story content Vivid BAD SQUAD was their main story, so it made sense that have that song available right when the game came out; but Aun no Beats came out over one year and a half after its addition to the game (June 6, 2022), when Vivid BAD SQUAD was well past the main story's events.

Fun fact: Aun no Beats' addition to the game was announced in the 20th Wondershow Channel stream, which took place on May 25, 2022 — the same day as Touya's birthday. Quite a coincidence, huh?

Another curious thing, which I mentioned back in the introduction, is that the release anniversary of the original version of Aun no Beats (August 19) is the very same date as Akito and Touya's middle birthday. It could most definitely be a coincidence, but considering how well the song represents them and their characters, one starts thinking... could it have been on purpose? Fragile also represents them really well, and it makes you wonder the same thing, and if perhaps they wrote these characters when considering the song's lyrics, but Aun no Beats' case is even more intriguing because of all these odd facts. To add on, both are songs where Akito and Touya sing by themselves, with no accompanying Virtual Singer. These two songs are the only Vivid BAD SQUAD covers with this trait (along with Odo, covered by An and Kohane), making them stand out among the other duets (which all have at least one Virtual Singer); and considering both can be interpreted as representing their relationship, this makes them even more special. They are the BAD DOGS songs. Taking into account the situation with the original producer and their rules regarding commercialization, there genuinely wasn't much to gain from adding this song to the game as a cover, but since it represents BAD DOGS so well, along with the other reasons I've mentioned, I feel like the Project Sekai team really wanted to do this.

2. Song Analysis

I've talked about how the song represents the events of the main story, but I feel like the lyrics symbolize not just that; I would say they also represent Akito and Touya, how they feel about each other, and their personal relationship. And so, here I will look into Aun no Beats' lyrics, and talk about what I feel they represent: (Note that I'll be posting all the Aun no Beats lyrics, for the sake of putting everything here, but I won't analyze all of them!)

🥞♪ Everyone has gone somewhere and became nothing 🥞♪ They had it coming ☕️♪ I wanted to believe it, so I stopped voicing it out

Everyone has gone somewhere and became nothing // They had it coming, lines sung by Akito, would represent how Touya left him, leaving him alone once again. The became nothing part can be viewed as Akito expressing his frustration at how they're nothing by themselves (both him and Touya). And the They had it coming could be about Akito's reaction to their break up, with Akito punching Touya. He "deserved" it, he believes; therefore, this part of the song would be Akito expressing his frustration at how everything went down, anger at his partner, and anger at himself. On the other hand, though, this line can also be considered from Akito's point of view, singing about himself — They had it coming being how he deserved this, because of his reaction, because of something he must have done wrong, because he didn't notice his partner's feelings... Akito is a character who is very harsh on himself, he regrets that they ended up like this, that he reacted like that, and so, he believes he had this coming. Then, I wanted to believe it, so I stopped voicing it out, sung by Touya, is about how he feels about himself: believing he's not a worthy partner for Akito, with half-hearted feelings, but keeping it to himself... deep down, he enjoyed singing with Akito, and wanted to keep doing it, but due to his insecurities, he pretended he was just singing with him because it was better than nothing. Therefore, he wanted to believe it was fine to sing with Akito, even though he thought he didn't deserve it. He didn't talk about how he truly felt, and even when he faced Akito when his insecurities peaked, he lied; he avoided telling the truth, he avoided voicing it out, because, for Touya, disappointing Akito would be worse than losing him.

🥞♪ Why do I want to be loved? ☕️♪ Why do I want to love? ☕️♪ I dressed it up and shared it

(cracks knuckles) I've already talked about these lines in the past, multiple times, and also love as a theme in Vivid BAD SQUAD; but I really like it, so I will do it again. While I think these lines can be associated to the events of their "divorce arc", Akito's Why do I want to be loved? and Touya's Why do I want to love? are, pretty much, the core of their characters, and a very significant part of their characterization and personalities. Akito is a character with a lot of love to give: love for music and his goal, love for the town, love for those he admires, love for his partner... however, that love is often not reciprocated. People make fun of him, they don't take him seriously; the town doesn't love him back at first. Why do I want to be loved? symbolizes Akito's desire to be loved back, how he wants people to respect him and to take him seriously. Akito wants the love he receives to match the love he provides. This line would represent, too, how he loves and appreciates Touya: the guy he met who he found interesting and immediately knew that he wanted to share his dream with; that person who had been singing next to him the previous two years, practicing endlessly with him; always listening to him, taking him seriously, respecting him; always by his side... and Akito wants that love to be reciprocated. And even though he knows Touya feels the same, he wants to hear those words. On the other hand, Touya is a character with a lack of love in his life: trapped since he was young in a home where his family barely provided him love, only really caring about his musical skills, Touya grew up away from a life where he could be free and express himself properly, attempting to meet his parents' expectations and his love for music diminishing as time passed. Ultimately, he ran away from that life, but after meeting Akito, he could enjoy music, once again, even though he's not aware of it at first. Why do I want to love? symbolizes Touya's inexperience with love; not used to being loved, having forgotten how to enjoy music, and not knowing what it's like to have someone close to him — a friend that cares about him, he didn't really know what "love" is like... furthermore, this line also symbolizes his desire to give back to Akito and to everyone else who has supported and watched over him, grateful for their support and for pushing him forward, helping Touya find himself and learning what it's like to be loved. In the past, Touya believed that Akito could do better, that he wasn't worthy of being by his side, that he was singing with him because "it's not classical music"... but he didn't realize that Akito truly cares about him, and wanted to have him as partner, above anybody else; and that, even if he ran away from classical music, even after all the pain he went through because of it, he still loves music, and he realizes that thanks to Akito.

🥞 You love music. You love it like an idiot, you really do. You love it… and I know that better than anyone else!

Touya thought that he'd disappoint Akito by telling him how he feels... but, besides the fact that Akito knew those feelings are not true, he would never be disappointed in Touya — because he loves his partner above anybody else. Touya is the one and only partner he could ask for; and Touya's so grateful to Akito for that, for making him realize that he's loved, appreciated, and that he still loves music, after everything. And thanks to Akito's words, and all the love he provided, the current Touya is so much happier with his life, able to express his emotions better, and no longer bound back by a miserable life of unrealistic expectations. He can now be his own person; and so, the reason why he wants to love is because he wants to repay everyone's kindness, supporting his partner and teammates, and helping everyone in any way he can — Touya wants to reciprocate the love of the people that allowed him to find a place where he can laugh. Love is a very central theme for Akito and Touya as characters (and for Vivid BAD SQUAD as a whole), not just for music and everything that surrounds them, but also for each other, with it being a very prominent part of their relationship: Akito giving lots of love, always caring for his partner and having helped him find himself and learn about a whole new world, surrounded by people that actually care about and love him; and Touya learning to love, grateful for everything that his partner did for him, wanting to repay his kindness, and a desire for Akito to rely on him more — he wants to give all that love back. Which is why the lines of Why do I want to be loved? and Why do I want to love? fit them so well; because it's what they're missing, and what they want from the other. In short, these two lines are very significant to their relationship and how they feel about each other, and I really like it a lot.

☕️♪ I— 🥞☕️♪ My sympathy is due to vagueness 🥞☕️♪ And my fearless sensory 🥞♪ Don't worry, don't worry, it's okay 🥞♪ I will make you smile

Despite the briefness of the line, I believe that the I- is pretty significant; it being a Touya line, it represents his hesitation to speak up his feelings up until then, and keeping them hidden rather than voicing out what he wants to say. Don't worry, don't worry, it's okay // I will make you smile, lines sung by Akito, are quite nice, as they symbolize multiple things: first, Don't worry, don't worry, it's okay is about how Akito wants to reassure Touya that voicing out his feelings is fine, he'll accept Touya no matter what. He wants to hear how his partner feels, and he'd never be disappointed in him. Then, I will make you smile is how Akito wants the best for Touya; to make him feel happy, loved, accepted. It shows all the love Akito holds for his partner, and his genuine wish to be by his side, and make him smile. No matter what, Akito will always be with Touya.

☕️♪ So, giving and receiving, ☕️♪ Stay here so you won't disappear 🥞♪ Then, 🥞♪ "Please reply to me, too"

So, giving and receiving, // Stay here so you won't disappear, both lines sung by Touya, are really good and pretty significant. First, So, giving and receiving, is also a core part of Akito and Touya's relationship, closely tied with what I talked about love in the Why do I want to be loved? // Why do I want to love? section.

Their relationship can really be boiled down to giving and receiving, a mutual exchange of love, respect, help, feelings, dreams... they share everything, they give and receive things from each other, and this allows them to grow as people, together. They make each other whole, and that's what makes them inseparable partners — they're each other's one and only partner. Following that, Stay here so you won't disappear, it represents Touya's yearning for Akito, not wanting him to leave him, despite these insecure feelings he has, these feelings he thinks will disappoint Akito. No matter what, he wants Akito with him... and he'd rather lie than disappoint the one he loves. And then we have Akito's, Then, // Please reply to me, too. This is a direct response to Touya's Stay here so you won't disappear, which symbolizes Akito wanting to hear how Touya truly feels, so they'll stay together; representing that moment during their dispute where Akito tells Touya to voice out how he really feels, but Touya keeping his feelings to himself. Akito wants to hear how Touya truly feels, to hear what's wrong. He doesn't want to let go of Touya the same way Touya doesn't want Akito to leave him.

☕️♪ I held up my heart to you, ☕️♪ Give it back someday, be gentle, okay? 🥞♪ I really wanted to go back 🥞♪ Going back after this is fine, too

Then we have these lines, which I think symbolizes them right after their break up and how they feel. I held up my heart to you // Give it back someday, be gentle, okay?, sung by Touya. This line would represent how Touya trusted Akito, how he enjoyed their time together, even if he never expressed it, and deep down regretting what he said, hoping his partner will forgive him. Akito then sings I really wanted to go back // Going back after this is fine, too; the first one showing his regret towards their fight, and the second line showing that he still wants to be with his partner, after all. He won't accept it, he won't give up on his partner and leave it like this. He'll fight for his partner. This part is interesting since their lines have a similar structure, with the first one showing "regret" or wanting what they had before their break up (I held up my heart to you and I really wanted to go back), while the second line symbolizes their hope to be reunited again eventually (Give it back someday, be gentle, okay? and Going back after this is fine, too).

🥞♪ We... 🥞☕️♪ We— 🥞☕️♪ We were going to be together forever 🥞☕️♪ We were going to be together forever ☕️♪ Don't worry, don't worry ☕️♪ It's a wonderful end for us both

Akito's solo We... is really good, as it comes right after his Going back after this is fine, too; he still talks about himself and Touya in plural. He wants to be with him, after all; to be partners, once again, because there's nobody else he'd rather be with. Comparing Akito's We... with Touya's previous I— is interesting; Touya's earlier line is about hesitating to speak up, unconfident about being by Akito's side, while Akito's line, on the other hand, shows confidence in wanting to be together and still thinking of them as a duo, even if they're currently apart. Which is, frankly, quite a nice contrast, since later on, it's Akito who's more unconfident (in his skill and himself), while Touya's confident in wanting to be by Akito's side. Akito and Touya are very contrasting characters, and even here it shows; these contrasts really make them fit to be together, like they're made to be with each other — they make up for the other's faults, and that allows them to push each other ahead and grow together. Following that, there's another We—, this time being a shared line, showing how they still want to be with each other; and two We were going to be together forever afterwards, also sung by both of them, show that they both feel the same: regretting what happened between them, and yearning to be together. However, these lines are followed by Touya's Don't worry, don't worry // It's a wonderful end for us both; these symbolize Touya thinking that no longer being Akito's partner is the best outcome for both of them, and how he believes that Akito's better off without a half-hearted guy like him and that he can find someone better than him — someone who actually takes music seriously the same way Akito does.

🥞♪ So, giving and receiving, 🥞♪ I never needed to look for the words 🥞☕️♪ Even so, 🥞☕️♪ I wanted to hear them from you

Once again, the line So, giving and receiving, appears, this time sung by Akito. As mentioned before, this is a core part of Akito and Touya's relationship, and with both of them singing the same line, we know that their relationship is one of mutual exchange, that is, giving and receiving; providing to each other what they're looking for, and making each other whole in the process. I never needed to look for the words, sung by Akito, is also an important aspect of Akito and Touya's relationship; as long time partners, by now they know each other really well, and as time passes and they grow together and experience more things alongside the other, their bond will become even more inseparable, not needing to put into words how they truly feel — individually, and about each other. By the point of the main story, their relationship is still relatively early (even though they had been singing for two years together already by then), and they hadn't experienced any major setbacks, simply singing together and enjoying themselves, so they weren't truly close yet — but still, they knew, deep down, how the other felt... which is why Akito thinks that he never needed to look for the words; no matter what Touya said, he knew Touya still loved music, and that he enjoyed singing by Akito's side, and that he wanted to be with him. Even if he never truly expressed himself, Akito knew how his partner felt, which is what makes their bond so strong. ... However, as the next lines say: Even so, // I wanted to hear them from you, lines sung by both of them, they both still wanted to hear those words from each other. They want to hear how each other feels; Touya wanting to be reassured that Akito wants to be with him, and Akito wanting Touya to open himself up. As partners... they want the other to rely on them, to help them and to guide them; so they can become the best partners, and reach their goal together. And for that, they need to communicate; even if it may not be necessary at one point, as they'll know each other without a need for words, voicing out their feelings is necessary to get through this setback — to reach each other.

☕️♪ "We were going to be together forever" 🥞♪ "We were going to be together forever" ☕️♪ Even so... 🥞♪ Even so... 🥞☕️♪ Even so... 🥞☕️♪ "I want you to say it to me"

And with this, we reach the finale of the song, with both of them saying "We were going to be together forever" and Even so... once, before saying Even so... together, and ending it with "I want you to say it to me". All of these have appeared before, with "We were going to be together forever" expressing, once again, their regrets of having ended up like this, and the multiple Even so... expressing that, even though they're like this, they want to fix their relationship... they want to hear how the other feels. They have a desire to communicate to be with each other, yet again; as they complete each other. They're the best partner the other could ask for, and they want to keep being together. Forever.

3. Conclusion

And that's it for Aun no Beats' lyrics! Pretty much all the lyrics can be somehow related to Akito and Touya's story and the events of the main story, and their relationship, which is so great. The fact it fits them so well makes all the aforementioned facts, such as their middle birthday happening to coincide with the same day as Aun no Beats' original version's anniversary day, and how the Sekai team went out of their way to add this song to the game even though they wouldn't benefit financially from it, very interesting. Could it truly be a coincidence? Oh I am so curious... Aun no Beats is a song that can be interpreted as a couple with a close bond that has been separated, a song with a sad ending; and this plot sounds very much like Akito and Touya's "divorce arc" during the main story. Fortunately, their relationship was fixed and now they're a stronger couple than ever. As I've explained in past essays, even though their relationship may not be inherently romantic, because Vivid BAD SQUAD's "partner" (aibou) does not have the romantic meaning that the western partner does, their relationship is very reminiscent of a romantic couple: as of current story events, Akito and Touya are very much like an old married couple, experienced in relationships and being together (as partners), and everything they go through and how they interact with each other really can give off romantic vibes sometimes (look at Let It Ring! Beautiful Sound!'s Touya's card's side stories, for example; the way Akito reacted at Touya was so... unusual of a regular pair of friends); while An and Kohane are a newly formed couple that is still learning to be together and how to be partners, with Akito and Touya guiding them through this new experience as an experienced couple. Although the previous paragraph was slightly unrelated to the essay, the point I am trying to make is that Aun no Beats is often interpreted as a couple that has broken up or that has been separated by death, so the romantic associations for Akito and Touya's relationship are existent. This is definitely up to interpretation, of course, but I believe Akito and Touya are one of the pairs with most chemistry in the game, due to how they're pretty much made to be together, as they complement each other so much, between their contrasts and their personalities. Their break up during the main story was quite similar to how an actual couple would fight, due to their mistakes and lack of communication leading to an argument and split up. However, they manage to make up, and they become partners once again, and their bond has been inseparable since, growing further as they keep singing by the other's side. Their relationship, in the end, is all about giving and receiving; relying on each other, loving and learning to love back, and supporting each other by making up for the other's shortcomings. They grow and learn together, they desire to sing together, and they yearn to be by each other's side. This is, after all, what it means to be partners. And together, they can surpass anything. They're fated to be together, and there's nothing that can separate them anymore. They're each other's best partner they could ask for.

4. Afterword

And with this, the essay is done. Truthfully, I've struggled a bit to write since my last essay, and I am still halfway through Part 4 of the Freedom and Captivity series essay; I may have stressed myself by putting on unrealistic deadlines, first meant for August 1, then for August 19. It wasn't necessary at all to release it on August 1, and it was more of continuing the joke, but I did want to get something out for August 19 because it's a very special day. Fortunately, I got a bit inspired, and I had the idea of writing this... and I wrote it in like, 2 days? (lol) And I'm glad I did because it's a very fitting essay for this day, talking about both Akito and Touya's relationship (since August 19 is their middle birthday) and Aun no Beats (song originally released on this day, too). I'm satisfied, and I'm relieved I can take my time to finish the next essay, since there's no deadlines now... from now on I won't set deadlines so close to the actual thing, haha. To finish off, I'd like to thank my friend Dainn for supporting me as I wrote, both this and the previous essay that I failed to finish in time; I appreciate it a lot!! Also thanks for proofreading my essays as always. And thanks to artemis for proofreading it, too; consider this my gift to you for getting T100 in Let It Ring! Beautiful Sound! Congratulations! Anyways, thanks for reading, and I hope you enjoyed this essay! See you next time!

[gamer-comix]

that's what i get for having the same email address since 7th grade.

note (copied from the first page): this is probably a lost cause because this manga's been out for 20 years now (wow, happy anniversary), but NO SPOILERS PLEASE, i want to experience this in real time and have only read the first volume (EDIT: i've read two now but this still applies)

vol. 1 - 1 | 2 | 3 vol. 2 - 4 | 5 | 6

[burstfoot]

Figured I'd make a post outlining Arknights' auxiliary material for those who want to see more of the universe and aren't aware of all that's out there! ANIMATION Arknights Prelude To Dawn (S1) and Perish in Frost (S2, currently airing): [Crunchyroll]

A straight up adapation of the main story, up through Chapter 0 to Chapter 6! It's much more fast-paced than the story, so I wouldn't use it to replace actually reading it, but it's very cool to see some of these scenes in full animation. Lee's Detective Agency: (Youtube)

A mini-series animated in a chibi-style with a comedic tone focused on the adventures of the Kuroblood-illustrated Lee's Detective Agency! Distributed by Crunchyroll globally, but entirely free to watch.

Closure's Secret Files: (Youtube)

A cut-out styled series of shorts hosted by Closure which outlines a lot of the game's basic mechanics!

Holy Knight Light: [Youtube]

A short Youtube OVA focusing around Penguin Logistics delivering a package, celebrating Arknights' first anniversary!

[Upcoming]: Kay's Daily Doodles: (Twitter Annoucement)

Another free youtube mini-series that starts airing December 1st, focused around Ceobe! Here's some additional animations! Each event usually also has a 15 second 2D animated preview of the event, but there's so many of those that I can't list them all. Official Anniversary Event 3D Animations: Lone Trail Where Vernal Winds Will Never Blow Il Siracusano Ideal City Stultifera Navis Invitation To Wine Near Light Dossoles Holiday Under Tides Bonus 3D Animated Shorts: Legend of Chongyue Arknights Special - IL Siracusano Lo Scontro Youtube Shorts: Ch'en and Lin's Watermelon Splitting Game Part 1 Ch'en and Lin's Watermelon Splitting Game Part 2 Amiya's Siracusan Food Guide Part 1 Amiya's Siracusano Food Guide Part 2

Comics, Manga, Manhua

Officially Translated Rhodes Island's Records of Originium: Rhine Lab: (Offical Website)

A canon manhua centered around the circumstances that lead to Silence falling out with Saria and joining Rhodes Island with Ifrit, as well as Ifrit's attempt to save a dying infected stowaway on the landship. Essential reading for understanding the Rhine Lab storyline and characters - read it right after Mansfield! One of the characters, Darya, is mentioned in both Ifrit's module and briefly in Lone Trail.

Rhodes Island's Records of Originium: Blacksteel: (Official Source)

A short story focusing on the lives of the Blacksteel operators aboard the landship. While it often gets overshadowed by the Rhine Lab manga which is bigger in scope, this is a great read especially if you're interested in Franka or Liskarm.

Rhodes Kitchen -TIDBITS-: (Official Source)

An anthology story related to the cuisine that's important to a variety of operators. While it might seem unassuming, the art is gorgeous and it's really well-written. I particularly recommend the Goldenglow (Chapter 4) and Rosa (Chapter 5) chapters.

Unofficially Translated

Arknights Comic Anthology: (Mangadex)

As the title says, a series of non-canon anthology stories regarding the cast of Rhodes' Island! Note that the link provided only has complete translations up to Volume 4 (and Vol. 4 is missing Ch. 7), and most of the chapters avaliable after that point were MTL'd, so I can't vouch for their accuracy. Chapters I'd recommend are: Volume 1: Chapter 12 (focused on Myrrh trying to improve her medicine), Chapter 14 (focused on Saria and Silence trying to put apart their differences to take Ifrit on vacation, afaik the only place where they are directly referred to as her "moms") Volume 2: Chapter 1 (Manticore tries to make friends), Chapter 3 (The LGD gets drunk), Chapter 11 (Texlapp and Mosexu yuribait), Ch. 13 (Magallan tries to find a pet), Chapter 16 (Ethan spies on the interior lives of Rhodes operators) Volume 3: Chapter 6 (Snowsant, Ifrit, Nian and Shaw are forced to make friends), Chapter 7 (Gummy flashes back to Chernobog), Chapter 10 (FEater and Shaw yuribait), Chapter 13 (Blackout on the landship, as well as Ayerscarpe and Leonhardt yaoibait)

Volume 4: Chapter 4 (Thorns tries to make friends with Weedy [this one is my favourite]), Chapter 6 (Tomimi tail spankings), Chapter 9 (Elysium helps Frostleaf get along with Dur-Nar) Volume 6: Ch. 1 (Whisperain opens up to others) [this one isn't MTL'd afaik]

123 Rhodes Island: (Mangadex)

A series of non-canon gag 4komas! Many of the games' offical stickers are done in this series' art style.

Arknights: Operators!: (Mangadex)

A compilation of 4komas posted on the official ArknightsJP twitter account! Thank you to @sleepywoodscans for their work on translating these, please show them some love!!

[Edit: For clarities sake, the only stuff here that has used MTL is later chapters of the Comic Anthology! Sleepywoodscans’ work on Operators! is all done by hand (they’re a native Japanese speaker). Again, I really appreciate their work!]

Arknights: A1 Operations Preparation Detachment: (Mangadex)

Part of the Terra Historicus website and not yet officially translated, focusing on Fang, Kroos and Beagle, and a catastrophe striking the Columbian city of Tkaronto. Unfortunately, only translated up to Chapter 6, but one of the characters (Elba) has a brief cameo in Light Sparks in Darkness! Edit: Chapter 7 has been translated by @pooce-art, and they're working on Chapter 8!

Angelina: Sketches of THIS Messenger's Journey: (Mangadex)

Also published as part of the Terra Historicus website and not yet officially translated, focuses on the adventures of Angelina travelling across Terra as a Messenger! Recent chapters relate to the upcoming Sami event & IS4, as well as the upcoming So Long, Adele.

Prelude Suite: Unrestrained Play: (Wiki)

Unfortunately, I can't find a full translation for this one - an epilogue to Hortus De Esscapismo focusing on Arturia's background. Of course, major spoilers for Hortus apply - if you can find a full translation yourself.

As well, an upcoming manhua focused on the Break the Ice cast was annouced during the 4.5 Anniversary stream. As far as I'm aware, chapters have not begun releasing yet!

Other:

Arknights Ambience Synesthesia: (Youtube)

A series of concerts (3 so far), focusing around Arknights' music! A live performance has been done every year, with skins released in-game for the concert's theme & 3D animations produced featuring the skin's cast in 2022 and 2023.

Monster Siren Records: (Spotify) (Official Website)

Arknights' official (and-in-universe) record label publishing game OSTs, themes for almost every 6 star operator that releases, and occasional bonus songs.

Arknights: Endfield: (Twitter)

An upcoming 3D action gacha game from Hypergryph, set in the far future of Arknights' universe on another planet. Currently in closed beta testing for their CN servers!

Arknights: Nomad City: The Founders: (Youtube)

A to-be-released CN Arknights board game! Unclear of if it will ever be translated or released globally, unfortunately...

Terra: A Journey: (Wiki)

An upcoming CN lore book focused on the intricate details of Terra's worldbuilding. As well, unclear if it will be translated or released globally.

UNOFFICIAL:

Some fandom-developed tools that might be of use to you are the Arknights Terra Wiki - which just transferred from FANDOM to wiki.gg, and has very detailed information on both game mechanics and world-lore.

As well, the Arknights Story Reader can help you catch up on stuff you don't want to or can't read in game!

Finally, Aceship's Toolbox provides access to a variety of tools, including a levelling calculator, a calculator to ensure the best recruitments, and all the CGs, backgrounds and character sprites that are avaliable in-game.

Conclusion:

Thank you for reading! I hope this provided some new information to you or at least provides an easy reference resource in the future. There's a lot to check out even outside of the game, and I hope you find some stuff you enjoy!

[digimonarchive]

Digimon in all animated media - Anime, Movies and OVA

1st pic = Digimon Adventure anime (Japan: March 7, 1999 - March 26, 2000; USA: August 14, 1999 - June 24, 2000)

2nd pic = Digimon Adenture 02 anime (Japan: April 2, 2000 - March 25, 2001; USA: August 19, 2000 - May 19, 2001)

3rd pic = Digimon Tamers anime (Japan: April 1, 2001 - March 31, 2002; USA: September 1, 2001 - June 8, 2002)

4th pic = Digimon Frontier anime (Japan: April 7, 2002 - March 30, 2003; USA: September 9, 2002 - July 14, 2003)

5th pic = Digimon Savers / Data Squad anime (Japan: April 2, 2006 – March 25, 2007; USA: October 1, 2007 - November 2, 2008)

6th pic = Digimon Xros Wars / Fusion anime (Japan: July 6, 2010 - March 25, 2012; USA: September 7, 2013 - August 16, 2015)

7th pic = Digimon Xros Wars: The Evil Death Generals and the Seven Kingdoms anime (a.k.a Digimon Xros Wars part 2) (Japan: April 3, 2011 - September 25, 2011; USA: March 8, 2015 - August 16, 2015) **

8th pic = Digimon Xros Wars: The Young Hunters Who Leapt Through Time anime (a.k.a Digimon Xros Wars Hunters or Digimon Xros Wars part 3) (Japan: October 2, 2011 - March 25, 2012) ***

9th pic = Digimon Adventure Tri OVA (Japan: November 21, 2015 - May 5, 2018; USA: September 15, 2016 - September 20, 2018)

10th pic = Digimon Universe Appli Monsters anime (a.k.a Appmon) (Japan: October 1, 2016 - September 30, 2017)

11th pic = Digimon Adventure: (a.k.a Digimon Adventure 2020 or Digimon Adventure reboot) (Japan: April 5, 2020 - September 26, 2021; USA: November 19, 2022 - April 13, 2023)

12th pic = Digimon Ghost Game (Japan: October 3, 2021 - March 26, 2023)

13th pic = Digimon Adventure (Movie) short film (Japan: March 6, 1999; USA: October 6, 2000 as the first segment part of Digimon The Movie)

14th pic = Digimon Adventure: Our War Game! movie (Japan: March 4, 2000; USA: October 6 2000 as the second segment part of Digimon The Movie)

15th pic = Digimon Adventure 02: Vol. 1: Digimon Hurricane Landing!/Vol. 2: Transcendent Evolution! The Golden Digimentals movie (a.k.a Digimon Adventure 02 Vol 1 and 2) (Japan: July 8, 2000; USA: October 6, 2000 as the third segment part of Digimon The Movie) ****

16th pic = Digimon Adventure 02: Diablomon Strikes Back / Digimon: Revenge of Diaboromon movie (Japan: March 3, 2001; USA: August 5, 2005)

17th pic = Digimon Tamers: The Adventurers' Battle / Digimon: Battle of Adventurers movie (Japan: July 14, 2001; USA: October 16, 2005)

18th pic = Digimon Tamers: The Runaway Digimon Express / Digimon: Runaway Locomon movie (Japan: March 2, 2002; USA: October 2, 2005)

19th pic = Digimon Frontier: Revival of the Ancient Digimon!! / Digimon: Island of Lost Digimon movie (Japan: July 20, 2002; USA: October 23, 2005)

20th pic = Digital Monster X-evolution movie (Japan: January 3, 2005; USA: August 1, 2020)

21st pic = Digimon Savers The Movie: Ultimate Power! Activate Burst Mode!! movie (Japan: December 9, 2006)

22nd pic = Digimon Adventure 3D: Digimon Grandprix! short film OVA (Japan: July 20, 2000)

23rd pic = Digimon Savers 3D: The Digital World in Imminent Danger! short film OVA (Japan: July 8, 2006)

24th pic = Digimon Adventure 20th Anniversary Memorial Story Project OVA short films (Japan: November 22 2019 - December 25, 2020)

25th pic = Digimon Adventure: Last Evolution Kizuna movie (Japan: February 21, 2020; USA: September 29, 2020)

26th pic = Digimon Adventure 02: The Beginning movie (Japan: October 5, 2023; USA: November 8, 2023)

** This is the 2nd part of Digimon Xros Wars saga with Taiki, Kiriha and Nene on their adventure while Akari and Zenjirou are left out.

*** This is the 3rd part of Digimon Xros Wars saga with Tagiru, Yuu and Taiki as the protagonists. This 3rd part has the overly long title so we fans prefer to call it 'Digimon Xros Wars: Hunters' or 'Digimon Young Hunters'.

**** Yes, this movie has an overly long title. I had a hard time deciding whether to highlight it in bold or not.

Happy Digimon Day!

[theblorboscalledtheturtles]

TMNT IDW LIBRARY GUIDE

Want to read the IDW run of tmnt, but confused by the reading order and don't want to spend money? Below is a list of everything in order, with links to library resources (primarily Hoopladigital and ComicsPlus, which are free with a library card at participating libraries) and physical book titles you can search in your library catalog! Happy reading!

This is going to take a long time to complete, so I'm going to go ahead and publish the post unfinished and just keep making edits to it. Readers can at least get a start! CURRENTLY: 6/16 Complete

Bold=reading order, Blue=BOOK, Purple=Digital, Red=Not found, Orange=additional info

*I'm going by the tables of contents from the IDW collections, but it's also on wikipedia **When searching titles, assume TMNT=teenage mutant ninja turtles, fully written out. I just abbreviated it to keep the list tidy ***I'm not going to link ComicsPlus because it requires a library-specific url to actually work. Also their availability sometimes changes. I will occasionally include a search keyword because the ComicsPlus search is funky ****Mega deep library tip: see if your library does Interlibrary Loan through WorldCat. You might have to talk to a librarian and/or fill out a special request form. But the complete IDW collections could be available that way if they aren't in your regular system. I was even able to get vol 14, which is currently out of print.

TMNT the IDW collection vol. 1 (BOOK)

Teenage Mutant Ninja Turtles #1–4 TMNT Vol.1: Change is Constant (BOOK, issues 1-4) Hoopla, issues 1-4, also on ComicsPlus

A Lot to Learn (30th Anniversary Special) Hoopla, starts pg 34, also on ComicsPlus

Teenage Mutant Ninja Turtles #5 TMNT Vol. 2: enemies old, enemies new (BOOK, issues 5-8) Hoopla issues 5-8, also on Comics Plus

Micro Series – Raphael TMNT Micro-Series vol. 1 (BOOK, Raph, Mike, Leo, Don) Hoopla Raph Mike Leo Don, also on ComicsPlus Hoopla Raph

Micro Series – Michelangelo Hoopla Mikey

Teenage Mutant Ninja Turtles #6

Micro Series – Donatello Hoopla Don

Teenage Mutant Ninja Turtles #7–8

Micro Series – Leonardo Hoopla Leo

Teenage Mutant Ninja Turtles #9–10 TMNT Vol. 3: Shadows of the Past (BOOK, issues 9-12) Hoopla issues 9-12, also on ComicsPlus

Micro Series – Splinter TMNT: Micro-Series Vol. 2 (BOOK, Casey April Splinter Fugitoid) ComicsPlus Casey April Splinter Fugitoid (search "tmnt micro-series")

Teenage Mutant Ninja Turtles #11–12

TMNT the IDW collection vol. 2 (BOOK)

Micro Series – Casey Jones

Teenage Mutant Ninja Turtles #13–14 TMNT Vol. 4: Sins of the fathers (BOOK, issues 13-16) Hoopla 13-16, also on ComicsPlus

Micro Series – April

Teenage Mutant Ninja Turtles #15–16

Micro Series – Fugitoid

Teenage Mutant Ninja Turtles #17–20 TMNT Vol. 5: Krang War (BOOK, 17-20) Hoopla 17-20, also on ComicsPlus

Villains Micro Series – Krang TMNT Villain Micro-Series Vol. 1 (BOOK, Krang, Stonk, Hob, Alo) Hoopla Krang, Stockman, Hob, Alopex, also ComicsPlus

Villains Micro Series – Baxter Stockman

Secret History of the Foot Clan #1–4 TMNT: Secret History of the Foot Clan (BOOK, 1-4) Hoopla 1-4, also ComicsPlus

TMNT the IDW collection vol. 3 (BOOK)

Annual 2012 *Wikipedia lists this in a different place Hoopla

Teenage Mutant Ninja Turtles #21–22 TMNT Vol. 6: City Fall Part 1 (BOOK, 21-24) Hoopla, also ComicsPlus

Villains Micro Series – Old Hob

Teenage Mutant Ninja Turtles #23–24

Villains Micro Series – Alopex

Villains Micro Series – Karai TMNT: Villain Micro-Series Vol. 2 (BOOK, Karai, Hun, Be&Rock, Shredder) ComicsPlus (search "karai")

Teenage Mutant Ninja Turtles #25 TMNT Vol. 7: City Fall Part 2 (BOOK, 25-28)

Villains Micro Series – Hun

Teenage Mutant Ninja Turtles #26

Villains Micro Series – Bebop & Rocksteady

Teenage Mutant Ninja Turtles #27–28

Villains Micro Series – The Shredder

TMNT the IDW collection vol. 4 (BOOK)

Teenage Mutant Ninja Turtles #29 TMNT Vol. 8: Northampton (BOOK, 29-32) Hoopla 29-32, also ComicsPlus

Utrom Empire #1 TMNT: Utrom Empire (BOOK, 1-3) ComicsPlus

Teenage Mutant Ninja Turtles #30

Utrom Empire #2

Teenage Mutant Ninja Turtles #31–32

Utrom Empire #3

Annual 2014 Hoopla

Teenage Mutant Ninja Turtles #33–37 TMNT Vol. 9: Monsters, Misfits, and Madmen (BOOK, 33-36)  Hoopla 33-36, also ComicsPlus (search "monsters, misfits, and madmen") TMNT Vol. 10: New Mutant Order (BOOK, 37-40) Hoopla 37-40, also ComicsPlus *Watch out! You only need to read #37 right now!

TMNT the IDW collection vol. 5 (BOOK)

Turtles in Time #1–4 TMNT: Turtles in Time (BOOK, 1-4) *Might be out of print? Hoopla, also ComicsPlus

Teenage Mutant Ninja Turtles #38–40

TMNT/Ghostbusters #1–4 Teenage Mutant Ninja Turtles / Ghostbusters (BOOK 1-4) Couldn't find it digital

Teenage Mutant Ninja Turtles #41–44 TMNT Vol. 11: Attack On Technodrome (BOOK, 41-44) Hoopla 41-44, also ComicsPlus

TMNT the IDW collection vol. 6 (BOOK)

Mutanimals #1–4 TMNT: Mutanimals (BOOK, 1-4) *Might be out of print? On ComicsPlus

Teenage Mutant Ninja Turtles #45–46 TMNT Vol. 12: Vengeance Part 1 (BOOK, 45-47, FCBD '15) Hoopla 45-47 +FCBD, also ComicsPlus

FCBD 2015 – Prelude to Vengeance

Teenage Mutant Ninja Turtles #47–50 TMNT Vol. 13: Vengeance Part 2 (BOOK, 48-50) Hoopla 45-47, also ComicsPlus (search "teenage mutant ninja turtles vol #13)

Casey & April #1–4 TMNT Casey & April (BOOK, 1-4) Hoopla, also ComicsPlus

[blackbatcass]

Hi! Feel free to ignore this but I thought I’d ask:

Do you have any comic recs for someone getting into Roy Harper? Very into Dickroy but want to learn more about Roy and where he came from and what his deal is etc etc

hey!! I can definitely help with that. roy harper my best friend forever <333

i am definitely not as well versed in his og speedy appearances alongside ollie (<- Girl Who Is Ignorant Of The Silver Age) but i think if you're interested in his early years the original teen titans '66 series is fun! there is also a really cute story about early ollie & roy published in dc's saved by the belle reve called 'earn it back' that i'd recommend.

you have doubtless heard of snowbirds don't fly (green lantern v. 2 #85), which. yeah. it is what it is. it's very hard to understand roy's story without reading it so it's kind of a must, but. y'know. keeping in mind the context of the time and everything. i would very much recommend reading the story 'green man and autumn son' from the green arrow 80th anniversary super spectacular after reading snowbirds; it's basically the story of sdf but from roy's perspective this time and it's like essential reading for roy imo.

next big thing would probably be new teen titans vol. 2 #19-21, which is where he finds out he's a dad for the first time!! very exciting! directly after that i'd read the cheshire contract arc (action comics #613-618), a very fun arc where roy actually gets to keep lian. plus dickroy! i would also recommend the arc rocks and hard places (action comics #627-634) which i think gets sometimes overlooked despite basically continuing on directly from cheshire contract. roy looking out for random irish orphans my beloved<3

specifically for ollie and roy's relationship i'd rec green arrow vol. 2 #75 (MY BELOVED), and the archer's quest (#16-21) arc from green arrow vol. 3! really really good stuff. 'you're a good dad roy harper/so are you ollie' augh.

next thing chronologically would be roy's new titans run, i think from around #97-130. this is where roy actually got to lead the titans, and it's an era that not a lot of people remember lol. the series was on its very last legs at that point but it's very cool to see roy in a leadership role!

arsenal (1998) is probably the biggest rec i have. beloved beloved comic. Roy In A Nutshell, four issues of pure gold. batman plus arsenal is also just one issue but very fun and a good look at roy!

titans (1999) is an obvious pick but like. it's so good. such good roy content. donnaroy i love you forever

and yeah if you're a dickroy fan then i shouldn't even have to mention outsiders (2003). The Dickroy Bible

OH almost forgot justice league of america vol. 2, around the first half of it! especially #6 has a REALLY good roy moment. red arrow!roy my best friend

i hope that's a good roy harper starter pack!!

[armed-with-a-waffle-iron]

The Bat Family Timeline and Ages (Post-Crisis and New Earth) with Sources

Evidence

In Batman: Year One, Bruce is said to be 25 in the January he returns to Gotham. The 1976 DC Calendar puts Bruce's birthday on the 19th of February so Bruce is 26 during his first outing as Batman in April.

Marv Wolfman's Batman: Year Three (Batman vol. 1 #436) tells us that Dick Grayson's parents die in Bruce's third year. In Batman vol. 1 #441 (also by Wolfman) Tim says that Robin started appearing around 6 months after the death of the Flying Graysons. For Dick's age when he becomes Robin, see below.

Bruce joins the Justice League before Dick forms the Teen Titans. Both these teams form before Barbara Gordon becomes Batgirl at 16 (Batgirl: Year One).

Barbara and Dick are each other's dates to their high school prom and so are less than 2 years apart in age (Detective Comics vol. 1 #871).

I suspect Dick, who was an emancipated minor, graduated high school and started college a year early, which allows Dick and Barbara to have some time as the new Dynamic Duo, as we see in Batman Family.

Dick Grayson is 18 when he forms the New Teen Titans, all of whom are also teenagers (Nightwing vol. 2 #137 by Wolfman, who also created the New Teen Titans).

Dick Grayson is 19 when he becomes Nightwing (Batman vol. 1 # 416).

21 year-old Helena becomes Huntress (Huntress: Year One #1), and interacts with Batgirl, meaning that Barbara is not yet Oracle.

Jason dies at 15, 4 months before his 16th birthday (Batman Files). This is before the New Teen Titans' third year anniversary (New Titans #71), before any of the Titans turn 22 (Deathstroke vol. 1 Annual 1), 2 years after Dick becomes Nightwing and almost 10 years before Dick's parents are killed (Batman vol. 1 #436). Dick is hence 21 during these events and 11 when he became Robin.

I also kinda like Dick being 17 years younger than Bruce because that's also the age difference between Adam West and Burt Ward from the 60s TV series.

After these events, Tim Drake becomes Robin and is 13-14 (Batman vol. 1 #441 and Robin II #1)

Soon after, Stephanie Brown is 15 when she becomes Spoiler (Secret Origins 80-Page Giant).

Stephanie is still 15 when she realises that she is pregnant (Robin vol. 2 #59) and Tim is almost 15 during this time (Secret Origins 80-Page Giant).

Cassandra Cain is 17 when she comes to Gotham during this time (Batgirl vol. 1 #1), during No Man's Land which lasts one year.

Helena’s family were killed when she was 8 and during Batman/Huntress: Cry For Blood, Tim says the murders happened roughly 15 years ago, making her roughly 23 during this storyline.

Cass turns 18 in January (Batgirl vol. 1 #39), Tim Drake turns 16 (Robin vol. 2 #116), Jason would have turned 18 in August (Detective Comics vol. 1 #790), and Stephanie is 16 when she "dies" (Batman Allies Secret Files & Origin).

Personally I'd re-arrange Tim's 16th birthday to be the last of these events four events to accommodate him still being 17 late into the Batman: Reborn, see below.

Jason soon returns to Gotham as Red Hood, not long before Infinite Crisis, 52 and One Year Later.

Following the one year time skip, Dick says it's been almost 10 years since his misadventures with Metal Eddie and Liu as a 16-17 year old (Nightwing vol. 2 #133 by Wolfman), which makes sense because he would be 25 by my math.

Stephanie returns from her time as a medical volunteer in East Africa, finishes high school and begins university during Batman: Reborn. She'd turn 19 by the end of this year by my math, which is a typical age to be begin attending university (Gotham Underground and Batgirl vol. 3 #1).

Dick calls Damian Wayne a "10 year-old" before Stephanie attends university (Batman and Robin vol. 1 #2) and Steph still calls Damian a "10 year-old" while she's in her second semester (Batgirl vol. 3 #13 and Batgirl vol. 3 #17). He might have turned 11 before the reboot.

Batwoman: Elegy (Detective Comics #858), during the Batman: Reborn year, shows that Kate was 12 when she was kidnapped and saw her mother and sister killed. This incident is also said to happen "20 years ago”, making her 32 and hence 30-31 during her first appearance in 52/One Year Later.

Tim Drake is still 17 while Steph is in her second semester of her first year at university, and it's stated that he is meant to be in his senior year at high school (Batgirl vol. 3 #13, Red Robin #17 and Red Robin #25). It's possible he turns 18 before the reboot.

Mistakes I Made

Cassandra Cain is 21 in Year Eighteen.

The "Titans disbands" in Year Thirteen was definitely a year early but it's done.

[short-wooloo]

I can't believe I forgot to post this 3 days ago on it's 5th anniversary

[ungoliantschilde]

the Fantastic Four, Vol. 6 # 35 60th Anniversary Wraparound Variant by John Romita, Jr., with Inks by Scott Hanna, and Colors by Matt Wilson.

[comicwaren]

This week on Marvel Comics (28th August 2024):

Amazing Spider-Man Vol. 6 #056

Captain America Vol. 11 #012

Chasm: Curse of Kaine #001 (NEW!)

Fantastic Four Vol. 7 #024

Incredible Hulk Annual Vol. 2 #001 (One-shot)

Marvel 85th Anniversary Special #001 (One-shot)

NYX Vol. 2 #002

Phases of the Moon Knight #001 (NEW!)

Spider-Gwen: The Ghost-Spider #004

Ultimate X-Men Vol. 2 #006

Venom War: Zombiotes #001 (NEW!)

Venomverse Reborn #003

X-Force Vol. 7 #002

X-Men Vol. 7 #003

[argoscity]

Hi there! I was wondering if you had a rec list of good comics to read for someone just starting to get into Supergirl comics. Thank you!

to start off, I will always recommend reading supergirl (1982) in its entirety. it’s self-contained so you don’t have to have any background knowledge of kara and her history to read it and it’s only 23 issues long. it really captures the essence of who kara was in pre-crisis continuity and it’s definitely my favorite characterization of her! in particular, i really like the first arc that spans the first three issues :)

supergirl (2011) is also really great all the way through—with some exceptions. her costume sucks and there are some annoying crossovers, but i really love how she’s characterized and there are a lot of interesting arcs. whenever people say that they wish someone would write a supergirl story that focuses on her trauma and doesn’t make her into a carbon copy of clark, i just want to hold up supergirl vol 6 and wave it around. 

now for some individual storylines/arcs i’d recommend:

superman/supergirl: maelstrom

superman: brainiac

supergirl (2005) #54-57 (”bizzarogirl”)

supergirl (2005) #58-59 (”day of the dollmaker”)

supergirl (2005) #60-64 (”good looking corpse”)

supergirl (2016) #19 (”plain sight”)

future state: kara zor el, superwoman

supergirl: woman of tomorrow

if you’d like something more in depth and specific to a certain era, i have reading guides on here for kara’s comics in pre crisis, post crisis, and rebirth! just search my reading guide tag :)

i also made a list of my favorite supergirl stories for her 64th anniversary on my personal blog here!