#AND the story and characters and friendships and relationships are all fantastic

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100 Asexual Books Rec List

For this list the goal is fiction books with a main character or significant secondary character that is on the Asexual spectrum, or non-fiction books about being Aspec.

Junior Novels

1. Rick by Alex Gino An eleven year old boy starting middle school begins discovering his asexuality admist the school's rainbow spectrum club. Also features transgender and crossdressing side characters, as well as a LGBTQIAP+ supporting cast.

2. Sal & Gabi Break the Universe by Carlos Alberto Pablo Hernandez In order to heal after his mother's death, Sal learned how to meditate. But no one expected him to be able to take it further and 'relax' things into existence. Turns out he can reach into time and space to retrieve things from other universes. Asexual Sal.

3. Hazel's Theory of Evolution by Lisa Jenn Bigelow Hazel knows a lot about the world. But even Hazel doesn't have answers for the questions awaiting her as she enters eighth grade. What if no one at her new school gets her, and she doesn't make any friends? What's going to happen to one of her moms, who's pregnant again after having two miscarriages? Why does everything have to change when life was already perfectly fine? Hazel (main character) is asexual and aromantic (it isn't said in the book, but it is specified in the author's note at the back of the book).

4. The Trouble with Robots by Michelle Mohrweis Evelyn strives for excellence. Allie couldn't care less. Together, these polar opposites must work together if they have any hope of saving their school's robotics program. Allie is asexual and/or aromantic. Junior graphic novel.

5. This is Our Rainbow by Editors Katherine Locke and Nicole Melleby Featuring contributions from Eric Bell, Katherine Locke and A.J. Sass, this first LGBTQA+ anthology for middle-grade readers presents stories of queer fantasy, historical and contemporary stories for every letter of the acronym.

6. Every Bird a Prince by Jenn Reese After she saves the life of a bird prince and becomes their champion, seventh grader Eren Evers must defend a forest kingdom, save her mom, and keep the friendships she holds dear--if she is brave enough to embrace her inner truths. Eren is aromantic (and I'm guessing asexual, though that isn't discussed).

YA Fiction

7. When Villains Rise by Rebecca Schaeffer With her best friend, Kovit's, life in danger, Nita is determined to take down the black market once and for all. Latina asexual and aromantic main character (Nita).

8. The Gentleman's Guide to Vice and Virtue by Mackenzi Lee Henry "Monty" Montague was bred to be a gentleman. His passions for gambling halls, late nights spent with a bottle of spirits, or waking up in the arms of women or men, have earned the disapproval of his father. His quest for pleasures and vices have led to one last hedonistic hurrah as Monty, his best friend and crush Percy, and Monty's sister Felicity begin a Grand Tour of Europe. When a reckless decision turns their trip abroad into a harrowing manhunt, it calls into question everything Monty knows, including his relationship with the boy he adores. Aro/ace secondary character (prequel to a Lady's Guide to Petticoats and Piracy).

9. The Lady's Guide to Petticoats and Piracy by Mackenzi Lee A year after an accidentally whirlwind grand tour with her brother Monty, Felicity Montague has returned to England with two goals in mind—avoid the marriage proposal of a lovestruck suitor from Edinburgh and enroll in medical school. A highly loved book in regards to asexual portrayal, Felicity’s journey does a fantastic job of exploring the struggle of navigating a world where marriage is expected of women in order to function in society. Even more refreshing is Felicity isn’t just avoiding getting married out of a sole rebellion against the patriarchy (though those themes are also present), but simply because she doesn’t have an interest in sexual or romantic relationships at all.

10. Silver in the Mist by Emily Victoria Asexual Devlin has grown up in the shadow of her mother’s impressive spy network—and the shadow of the kingdom, too. A magical mist is eating away at their borders, weakening their magic and making them vulnerable to attacks. Devlin is tasked with infiltrating the royal court of the wealthier neighboring kingdom, but when she befriends their most powerful magic wielder, she discovers an ancient mystery that may hold the key to defeating the mists for good. Victoria prioritizes strong friendships between queer characters and an examination of wealth disparity in this fantasy full of twists and turns.

11. Not Good for Maidens by Tori Bovalino Beneath the streets of York, the goblin market calls to the Wickett women-the family of witches that tends to its victims. For generations, they have defended the old cobblestone streets with their magic. Knowing the dangers, they never entered the market-until May Wickett fell for a goblin girl, accepted her invitation, and became inextricably tied to the world her family tried to protect her from. Told through dual narratives in different timelines, the book essentially has two protagonists: Lou and May. Between these two characters, we have some great queer representation for both asexuality and bisexuality.

12. A Snake Falls to Earth by Darcie Little Badger Themes of magic, family, asexuality, and traditional storytelling dominate in Lipan Apache author Darcie Little Badger's delightful and uplifting second YA novel. A Lipan girl named Nina collides with Oli who is from the land of spirits and monsters. But some people will do anything to keep them apart. This is a wholesome, elegantly written read guaranteed to warm your heart! 

13. Arden Grey by Ray Stoeve Arden Grey is a novel about different kinds of abusive relationships, as well as the strength of family and friendships. Following her parents' separation, Arden is depressed and coming to accept herself as being on the asexual spectrum.

14. It Sounds Like This by Anna Meriano Yasm Trevi didn't have much of a freshman year thanks to Hurricane Humphrey, but she's ready to take sophomore year by storm. That means mastering the marching side of marching band--fast!--so she can outshine her BFF Sofia as top of the flute section, earn first chair, and impress both her future college admission boards and her comfortably unattainable drum major crush Gilberto Reyes. But Yasm steps off on the wrong foot when she reports an anonymous gossip Instagram account harassing new band members and accidentally gets the entire low brass section suspended from extracurriculars. Rep: Biracial Latina fat asexual-questioning cis female MC, Jewish gray-aromantic gray-asexual male side character with ADHD and APD.

15. One for All by Lillie Lainoff In 1655 sixteen-year-old Tania is the daughter of a retired musketeer, but she is afflicted with extreme vertigo and subject to frequent falls; when her father is murdered she finds that he has arranged for her to attend Madame de Treville's newly formed Acadaemie des Mariées in Paris, which, it turns out, is less a school for would-be wives, than a fencing academy for girls--and so Tania begins her training to be a new kind of musketeer, and to get revenge for her father. Rep: disability, asexuality, sapphic side characters, POTS and PTSD.

16. The State of Us by Shaun David Hutchinson When Dean Arnault’s mother decided to run for president, it wasn’t a surprise to anyone, least of all her son. But still that doesn’t mean Dean wants to be part of the public spectacle that is the race for the White House—at least not until he meets Dre. The only problem is that Dre Rosario’s on the opposition; he’s the son of the Democratic nominee. In a moment of solidarity and high emotions, Dean tells Dre that he has been questioning his sexual orientation. He isn’t sure if he’s asexual or demisexual. Dre puts a messaging app on Dean’s phone so they can stay in touch.

17. Scavenge the Stars by Tara Sim When Amaya rescues a mysterious stranger from drowning, she fears her rash actions have earned her a longer sentence on the debtor ship where she’s been held captive for years. Instead, the man she saved offers her unimaginable riches and a new identity, setting Amaya on a perilous course through the coastal city-state of Moray, where old-world opulence and desperate gamblers collide. Amaya wants one thing: revenge against the man who ruined her family and stole the life she once had. Desi, demisexual female protagonist. 

18. Camp by Lev AC Rosen It’s Randy’s fifth year at Camp Outland, a camp where queer teens get a chance to be themselves. Hoping to win over Hudson’s heart—who’s masc and straight passing and only seems to date other guys like himself—Randy has spent the past year reinventing himself: workout regimen, new haircut, new carefully curated wardrobe. His friends and camp counsellor all think it’s a terrible idea, but what can they do but support him anyways?

19. Little Thieves by Margaret Owen Once upon a time, the daughter of death and fortune was a teenage girl and she was the worst. Little Thieves is, as the dedication says, for the gremlin girls, never has there been a more gremlin girl than Vanja Schmidt. A brilliant and brazen swindler, Vanja could give Kaz Brekker a run for his money. But Vanja has bigger fish to fry. As her body rapidly turns into the gemstones she craves, Vanja must put things right and face her greed head on all while juggling her engagement to a terrible margrave, an investigator with his own magic, and the princess whose face she stole. Vanja’s relationship with junior prefect Emeric could not be more demisexual if it tried, with both sides of the romance experiencing asexual spectrum existence in different and complimentary ways. One part Germanic fairytale, one part ensemble heist, Little Thieves is an unhinged romp of a book.

20. Everyone Hates Kelsie Miller by Meredith Ireland Rom-coms and the asexuality spectrum...two great things that go great together. Kelsie and Eric have been competing against each other their whole lives. But desperation forces them to work together. Kelsie’s best friend stopped talking to her and Eric wants to rekindle his relationship with his ex-girlfriend, and since both will be at UPenn at the same time, Eric and Kelsie decide to go on a road trip together. Sparks fly.

21. You Don't Have a Shot by Racquel Marie Valentina "Vale" Castillo-Green's life revolves around soccer. Her friends, her future, and her father's intense expectations are all wrapped up in the beautiful game. But after she incites a fight during playoffs with her long-time rival, Leticia Ortiz, everything she's been working toward seems to disappear. Queer asexual biracial (Colombian, Irish) protagonist.

22. Foul Lady Fortune by Chloe Gong In 1931 Shanghai, two Nationalist spies pose as a married couple to investigate a series of brutal murders causing unrest in the city. Rep: demisexual Chinese protagonist, bisexual Chinese protagonist, bisexual Chinese main character, Chinese trans woman main character, aromantic asexual side character; (Chinese-Kiwi author).

23. The Spy with the Red Ballon by Katherine Locke Siblings Ilse and Wolf hide a deep secret in their blood: with it, they can work magic. And the government just found out. Blackmailed into service during World War II, Ilse lends her magic to America’s newest weapon, the atom bomb, while Wolf goes behind enemy lines to sabotage Germany’s nuclear program. It’s a dangerous mission, but if Hitler were to create the bomb first, the results would be catastrophic. Gay demisexual Jewish protagonist.

24. Beneath the Citadel by Destiny Soria Cassa, the orphaned daughter of rebels, and friends Alys, Evander, and Newt, fight back against the high council of Eldra, which has ruled for centuries based solely on ancient prophesies. Alys, an apothecary-in-training and the level-headed one of the crew. She identifies as asexual.

25. Eliza and Her Monsters by Francesca Zappia Eighteen-year-old Eliza Mirk is the anonymous creator of the wildly popular webcomic Monstrous Sea, but when a new boy at school tempts her to live a life offline, everything she's worked for begins to crumble. Asexual main character, not explicitly stated in the book.

26. Technically, You Started It by Lana Wood Johnson When a guy named Martin Nathaniel Munroe II texts you, it should be obvious who you're talking to. Except there's two of them (it's a long story), and Haley thinks she's talking to the one she doesn't hate. Demisexual main character.

27. Now Entering Addamsville by Francesca Zappia Zora Novak is framed for a crime she didn't commit--in a town obsessed with ghosts, will she be able to find the culprit and clear her name before it's too late? It's a brief mention, but Zora is ace.

28. Fully Disclosure by Camryn Garrett In a community that isn’t always understanding, an HIV-positive teen must navigate fear, disclosure, and radical self-acceptance when she falls in love–and lust–for the first time. One of Simone’s best friends in the book, Claudia, is an asexual lesbian. The unwavering support she gives to Simone is heartwarming, and she is also openly sex-positive—which flips the script on its head regarding what most people would assume of asexual people.

30. The Art of Saving the World by Corinne Duyvis When Hazel Stanczak was born, an interdimensional rift tore open near her family’s home, which prompted immediate government attention. They soon learned that if Hazel strayed too far, the rift would become volatile and fling things from other dimensions onto their front lawn—or it could swallow up their whole town. Hazel Stanczak identifies as asexual, though she spends time in the book questioning it. The book presents a unique way to show that there is not one single way to be asexual—that it exists on a spectrum and can look different for each person.

31. Let's Talk About Love by Claire Kann Alice had her whole summer planned. Non-stop all-you-can-eat buffets while marathoning her favorite TV shows (best friends totally included) with the smallest dash of adulting–working at the library to pay her share of the rent. The only thing missing from her perfect plan? Her girlfriend (who ended things when Alice confessed she’s asexual). Alice is done with dating–no thank you, do not pass go, stick a fork in her, done. Alice is a biromantic and asexual black woman who starts off very confident in her identity as asexual, yet has experiences that have her questioning her orientation and how to talk about it.

32. In the Ravenous Dark by AdriAnne Strickland A pansexual blood mage reluctantly teams up with an undead spirit to start a rebellion among the living and the dead. This book features Japha, an asexual nonbinary character who serves as the best friend to the MC.

33. Seven Ways We Lie by Riley Redgate Life at Paloma High School is much like any other high school, with petty drama, judgmental assholes, and mind-numbing schoolwork. Until it isn’t. A scandal emerges: a student and teacher had an illicit affair. At the center of the scandal are seven teenagers, each with their own secrets, whose lives are transformed as a result of this scandal. One of the characters can be read as asexual (and possibly neurodiverse). He never explicitly labels himself as such, but the way he describes his experiences of [non-]attraction strongly point to him being on the ace spectrum.

34. Quicksilver by R. J. Anderson Tori thought she had left her past behind when she and her family started a new life in a new city. But then Sebastian Faraday reappears in her life to tell her that she’s not quite as safe as she thinks: the relay is still operating and a genetics lab is trying to track her down to figure out the secret behind her unusual biology. Tori is going to have to use all of her considerable technical expertise to escape her past and live the normal human life she’s always wanted to have. Asexual main character.

35. Hullmetal Girls by Emily Skrutskie Aisha Un-Haad, seventeen, and Key Tanaka, eighteen, have risked everything for new lives as mechanically enhanced soldiers, and when an insurrection forces dark secrets to surface, the fate of humanity is in their hands. In Hullmetal Girls, Aisha is not only ace/aro but she is also happy with her identity. Crucially, so is everyone else.

36. Not Even Bones by Rebecca Schaeffer Nita's mother hunts monsters and, after Nita dissects and packages them, sells them online, but when Nita follows her conscience to help a live monster escape, she is sold on the black market in his place. Aro/Ace main character

37. Before I Let Go by Marieke Nijkamp When Corey moves away from Lost Creek, Alaska, she makes her friend Kyra promise to stay strong during the long, dark winter, and wait for her return. Just days before Corey is to return home to visit, Kyra dies. The entire Lost community speaks in hushed tones, saying her death was meant to be. And they push Corey away like she's a stranger. With every hour, Corey's suspicion grows. Lost is keeping secrets-- but piecing together the truth about what happened to her best friend may prove as difficult as lighting the sky in an Alaskan winter. Aro/Ace main character.

38. If It Makes You Happy by Claire Kann Winnie is living her best fat girl life and is on her way to the best place on earth. No, not Disneyland–her Granny’s diner, Goldeen’s, in the small town of Misty Haven. While there, she works in her fabulous 50’s inspired uniform, twirling around the diner floor and earning an obscene amount of tips. With her family and ungirlfriend at her side, she has everything she needs for one last perfect summer before starting college in the fall. …until she becomes Misty Haven’s Summer Queen in a highly anticipated matchmaking tradition that she wants absolutely nothing to do with. Aro/ace secondary character.

39. Dread Nation by Justina Ireland An alternate history where the Civil War was put on hold when zombies started to rise. Almost finished with her education at Miss Preston's School of Combat in Baltimore, Jane is set on returning to her Kentucky home and doesn't pay much mind to the politics of the eastern cities, with their talk of returning America to the glory of its days before the dead rose.But when families around Baltimore County begin to go missing, Jane is caught in the middle of a conspiracy, one that finds her in a desperate fight for her life against some powerful enemies. And the restless dead, it would seem, are the least of her problems. The word asexual is not used, but that fits with the setting, and the explanation goes into a fair amount of detail, also ruling out that she likes women instead.

40. Vespertine by Margaret Rogerson When her convent is attacked by possessed soldiers, Artemisia defends the Gray Sisters by awakening the revenant bound to a saint's relic, even though she runs the risk of being possessed permanently by the powerful ancient spirit. Non-explicit romantic asexual main character. Fantasy.

41. Archivist Wasp by Nicole Kornher-Stace A postapocalyptic ghosthunter escapes her dire fate by joining the ghost of a supersoldier on his quest to the underworld Aromantic asexual main character. Dark fantasy/dystopian.

42. Summer of Salt by Katrina Leno While anyone would love to have a bit of magic, what happens when magic turns dark? Georgina Fernweh will come into her magic someday soon. Before she does, Georgina faces a tragedy that tests the islanders' trust. In this book, Georgina’s best friend Vira is aroace, and it’s addressed somewhat in the story at different points. There is a sweet strength between Georgina and Vira, full of loyalty and support that is lovely to see.

43. The Summer of Bitter and Sweet by Jen Ferguson In this moving and complex narrative, Lou learns to draw boundaries, stand up for herself, all while coming to terms with her demisexuality.

44. The Sound of Stars by Alechia Dow One-third of the human population has died and now the world is about to end. Ellie, a fat, Black, disabled, demisexual girl with access to an illegal library teams up with a music-loving alien to risk their lives to save the world.

45. The Grimrose Girls by Laura Pohl Pohl serves up a veritable smorgasbord of queer fairytale goodies in Grimrose Girls. This tale as old as time follows four students at the prestigious boarding school Grimrose Academy—Ella, Yuki, Rory, and newcomer Nani. When the former three’s best friend dies, all four girls are swept up in a dark and twisted mystery full of old fairytale magic. They must work together to unravel the secrets between them and break an ancient curse that dooms them to a fairytale ending (and not the fun kind). Yuki’s aromantic asexual identity is explored in her relationship to expectations, beauty, and friendship throughout the novel.

46. Radio Silence by Alice Oseman Frances has been a study machine with one goal. Nothing will stand in her way; not friends, not a guilty secret – not even the person she is on the inside. Then Frances meets Aled, and for the first time, she’s unafraid to be herself. So when the fragile trust between them is broken, Frances is caught between who she was and who she longs to be. In this book, Aled identifies as demisexual while Frances identifies as bisexual. The story really pays homage to the importance of friendship, and romantic storylines move to the background in a way we don’t often get in YA literature.

47. This Golden Flame by Emily Victoria Forced to serve her country’s ruling group, Karis wants nothing more than to find her brother. But family bonds don’t matter to the sole focus of unlocking the magic of an ancient automaton army. Karis is ace and other LGBTQ+ characters are introduced throughout.

48. Sawkill Girls by Claire Legrand A horror novel centered around three girls facing off against an unseen monster that preys upon the young women of the island of Sawkill Rock. Features a black asexual girl fresh out of a romantic relationship, as well as a f/f relationship.

49. Love Letters for Joy by Melissa See Less than a year away from graduation, seventeen-year-old Joy is too busy overachieving to be worried about relationships. She’s determined to be Caldwell Prep’s first disabled valedictorian. And she only has one person to beat, her academic rival Nathaniel. But it’s senior year and everyone seems to be obsessed with pairing up. One of her best friends may be developing feelings for her and the other uses Caldwell’s anonymous love-letter writer to snag the girl of her dreams. Joy starts to wonder if she has missed out on a quintessential high school experience. She is asexual, but that’s no reason she can’t experience first love, right?

50. Not Your Backup by C. B. Lee Part 3 in the Sidekick Squad series by C.B. Lee. Follows a questioning aromantic asexual latinx superhero sidekick fighting to prove her worth on the team despite her lack of superpowers, all admist the team's battle against the corrupt League of Heroes.

51. Belle Révolte by Linsey Miller Noble-born Emilie des Marais, 16, wants to become a physician, a role usually forbidden women of her class because of the corruptive toll the magical "noonday arts" exact. Common-born Annette Boucher wants to escape her domineering parents and master the less physically costly "midnight arts" of illusions, divination, and scrying, normally reserved for those who can afford the expensive education. At Emilie's urging, each girl takes the other's place. Miller (Ruin of Stars) writes in lush, dense prose that can require a careful read, but her protagonists' awareness of privilege and desire to challenge the status quo shines through. LGBTQ representation--including gay, trans, and nonbinary characters (Annette identifies as asexual biromantic)--further widens this tale's appeal.

52. Tarnished Are the Stars by Rosiee Thor A secret beats inside Anna Thatcher's chest: an illegal clockwork heart. Anna works cog by cog -- donning the moniker Technician -- to supply black market medical technology to the sick and injured, against the Commissioner's tyrannical laws. Determined to earn his father's respect, Nathaniel sets out to capture the Technician. But the more he learns about the outlaw, the more he questions whether his father's elusive affection is worth chasing at all. This YA novel features an aroace character gradually coming to accept his orientation in the midst of everything else that is happening in his life. Perfect for older teens who also enjoy WLW representation and dark themes.

53. Aces Wild: A Heist by Amanda DeWitt An all-asexual online friend group attempts to break into a high-stakes gambling club and commit a heist together. Includes a male asexual character navigating what love looks like for him, an aromantic asexual Latinx gender-nonconforming boy, a Vietnamese American and German asexual nonbinary teen, and a black asexual girl.

54. Planning Perfect by Haley Neil Summer vacation quickly becomes complicated for Felicity Becker as she tries to plan a perfect wedding for her mom, figure out her feelings for her friend Nancy, and wonder what dating will look like for her as an asexual person.

55. Ace of Hearts by Myriad Augustine Everyone around Alvin seems to be obsessed with one thing-- sex. Alvin finds it uncomfortable to think and talk about it and he knows he isn't ready and may never be. His friends, however, think that all Alvin needs is to hook up with the right guy. But the closer Alvin gets to being physical with someone, the more he's uncertain that this is for him and he begins to wonder if he's asexual. Can Alvin find the love that's right for him?

56. Beyond the Black Door by AdriAnne Strickland Everyone has a soul. Some are beautiful gardens, others are frightening dungeons. Kamia comes to know more about her identity as she decides to battle the forces of evil, no matter the cost... Asexual and demi-romantic main characters. Dark fantasy. Kamai is asexual, but isn’t aromantic—she has an interest in relationships that isn’t always depicted for those who are ace.

57. Loveless by Alice Oseman A queer coming of age story featuring a romance obsessed aromantic asexual main character discovering her sexuality and coming to terms with what that means, and a variety of other queer characters that support her on her journey.

58. Summer Bird Blue by Akemi Dawn Bowman Rumi Seto spends a lot of time worrying she doesn’t have the answers to everything. What to eat, where to go, whom to love. But there is one thing she is absolutely sure of—she wants to spend the rest of her life writing music with her younger sister, Lea. Then Lea dies in a car accident, and her mother sends her away to live with her aunt in Hawaii while she deals with her own grief. While not the main focal point of the book, Rumi does grapple throughout the story about where exactly she lands on the ace and aro spectrum—and whether she has to label herself at all.

59. Meet Cute Diary by Emery Lee In this queer rom-com, a transgender teen must decide if he's dedicated to romantic formulas or open to unpredictable love after an internet troll attack on his blog compels him and a fan to start fake-dating. Through an unlikely friendship with sweet, grounded Devin, who is Cuban American, asexual, and experimenting with pronouns, Noah--initially self-centered and standoffish--learns to value communication and empathy.

60. The Reckless Kind by Carly Heath In 1904 Norway, Asta runs away from her horrible fiancé to live with her two best friends. The three misfits set out to win the annual Christmas sleigh race to prove that they belong together. Queer asexual hard of hearing protagonist with heterochromia of Norwegian descent.

61. Forward March by Skye Quinlan How can band geek Harper have the chance of becoming the First Daughter with a fake dating profile? However, Harper does know that the drumline leader swiped right. Come along with Harper as she explores her truth during her last year of high school. Asexual-questioning cis female MC with anxiety and asthma.

62. Elatsoe by Darcie Little Badger What if America had monsters, magic, and interdimensional beings? For Elatsoe, this is real, and she has to uncover her cousin's murder! She can do this with the help of her ghost dog, Kirby, but has to remember not to wake human ghosts. Aromantic ace main character. Paranormal mystery. Casual representation which extends to Ellie’s identity as Lipan Apache. This identity is asserted more often and firmly than her asexuality, and Little Badger drops in nuggets of education for us settlers about what Indigenous people, and the Lipan Apache in particular, suffered at the hands of settlers.

63. All Out: The No-Longer-Secret Stories of Queer Teens Throughout the Ages by Editor Robin Talley A collection of short fantasy stories, featuring a variety of queer characters across multiple sexualities and genders. Features an asexual roller-skating girl from the 70s struggling to explain her identity to her crush.

64. Black Wings Beating by Alex London Twins Brysen and Kylee live in a world that revers the power of the falconers, but in a world where war approaches, they aren’t safe. Hunted for their power, they work together to trap the Ghost Eagle. Kylee is an ace character, focused on protecting her brother.

Graphic Novels

65. A-okay by Jarad Greene Eight grade can be tough, especially if you have acne and bullies, and lose friends. But our relatable asexual and aromantic protagonist, Jay, pulls through. This is a relatable memoir with colorful artwork.

66. How to Be Ace: A Memoir of Growing up Asexual by Rebecca Burgess A comic memoir detailing the author Rebecca Burgess's experience with growing up asexual in a world obsessed with sex. Also talks about her experiences with her own mental health and OCD.

67. Jughead, Volume 1 by Chip Zdarsky A comic book reboot of the Archie comics centered around Jughead Jones. Follows an aromantic asexual main character in typical Archie-style shenanigans. Part 1 of a 3 part series.

68. A Quick & Easy Guide to Asexuality by Molly Muldoon A charming introduction to asexuality, created to shed light on the misconceptions surrounding sex and being asexual. Told by writer Molly Muldoon and cartoonist Will Hernandez, both on the asexual spectrum.

69. Is Love the Answer? by Isaki Uta A poignant coming-of-age story about a young woman coming into her own as she discovers her identity as aromantic asexual. A complete story in a single volume, from the creator of "Mine-kun is Asexual."

Domestic Fiction

70. Have You Seen Luis Velez by Catherine Ryan Hyde Raymond Jaffe feels like he doesn't belong. Not with his mother's new family. Not as a weekend guest with his father and his father's wife. Not at school, where he's an outcast. After his best friend moves away, Raymond has only two real connections: to the feral cat he's tamed and to a blind ninety-two-year-old woman in his building who's introduced herself with a curious question: Have you seen Luis Velez? Mildred Gutermann, a German Jew who narrowly escaped the Holocaust, has been alone since her caretaker disappeared. She turns to Raymond for help, and as he tries to track Luis down, a deep and unexpected friendship blossoms between the two. Raymond is asexual (to be precise, he is aroace) And he is depicted as kind, loving, sensitive and realistic.

Fantasy

71. In the Lives of the Puppets by TJ Klune In a strange little home built into the branches of a grove of trees, live three robots--fatherly inventor android Giovanni Lawson, a pleasantly sadistic nurse machine, and a small vacuum desperate for love and attention. Victor Lawson, a human, lives there too. They're a family, hidden and safe. Protagonist: Vic, A curious, loving, & asexual human.

72. The Bone Season by Samantha Shannon In the mid-21st century major world cities are controlled by a formidable security force and clairvoyant underworld cell member Paige commits acts of psychic treason before being captured by an otherworldly race that would make her a part of their supernatural army. Demisexual main character.

73. The Perfect Assassin by K.A. Doore Divine justice is written in blood. Or so Amastan has been taught. As a new assassin in the Basbowen family, he's already having second thoughts about taking a life. A scarcity of contracts ends up being just what he needs. Until, unexpectedly, Amastan finds the body of a very important drum chief. Until, inevitably, Amastan is ordered to solve these murders, before the family gets blamed. Amastan is asexual and, as it turns out, homoromantic.

74. The Bruising of Quilwa by Naseem Jamnia Firuz-e Jafari was able to escape the slaughter of traditional blood magic practitioners by immigrating to the city-state of Qilwa. But now a terrible disease is spreading through the city, and Firuz believes it comes from ineptly performed blood magic. Now they must find a way to break a cycle of prejudice in order to survive. From the author: it's about an aroace nonbinary refugee healer who is trying to cure a magical plague in their new home while hiding their blood magic.

75. The Midnight Bargain by C. L. Polk The Midnight Bargain is a story "set in a world reminiscent of Regency England, where women's magic is taken from them when they marry. A sorceress must balance her desire to become the first great female magician against her duty to her family. Ysbeta has a clear goal for her life: to discover and share magic. Besides loving learning for its own sake, Ysbeta is asexual, and wealthy in her own right, so the bargaining season offers her literally nothing.

76. Every Heart A Doorway by Seanan McGuire Set in a world where a group of children have the ability to find and enter doorways into magical worlds, and now must find who's targetting them for this ability. Lead by an female asexual main character, with a trans love interest. First book in a series of novellas.

Science Fiction

77. The First Sister by Linden A. Lewis She's a priestess of the Sisterhood, traveling the stars alongside the soldiers of Earth who own the rights to her body and soul. When her former captain abandons her, First Sister's hopes for freedom are dashed and she is forced to stay on her ship with no friends, no status, and a new captain she knows nothing about. When the Mother, leader of her order, asks her to spy on Captain Saito Ren, First Sister discovers that sacrificing for the war effort is so much harder to do when your loyalties are split. He climbed his way out of the slums to become an elite soldier of Venus, but now he's haunted by his failures and the loss of his partner Hiro. But when Lito learns that Hiro is alive, but a traitor, and he's assigned to hunt Hiro down, and kill them, Lito must decide what he is actually fighting for - the society that raised him, or himself. As the battle to control Ceres reaches a head, Lito and First Sister must decide what - and whom - they are willing to sacrifice in the name of duty, or for love. Hispanic panromantic asexual protagonist (Lito).

78. Firebreak by Nicole Kornher-Stace Mal is one of many war survivors in the old town working multiple jobs to scrimp by, one of which is her team's streaming video game play. The team lives with several other roommates in a converted hotel room run by Stellaxis, the company that owns half of town, and is the only legal provider of drinkable water. When Mal catches sight of an elusive SecOps character, special non-player characters (NPCs) modeled after Stellaxis' twelve bioengineered operatives, the team pursues her inside the game to catch her on video for two seconds before their power curfew kicks in. By the time Mal heads down for her daily ration of water, they've secured a lucrative contract, involving an in-person meeting and a conspiracy theory, paying them to capture images of the three living SecOps characters. When Mal returns to find out why the next payment failed, she becomes involved in a fracas that will endanger everyone she knows. Aroace main character.

79. To be Taught, If Fortunate by Becky Chambers Four astronauts set out to explore the galaxy. This journey spans centuries and many worlds. A thought provoking read that explores the themes of loneliness and sense of purpose. Excellent cast of diverse characters and vivid world building. Chikondi is asexual and the text is careful to note that his relationship to the protagonist is no less emotional or vital than those she shares with people she is sexually involved with.

80. The Circus Infinite by Khan Wong What better person to take down a crime boss than a mixed-species fugitive! Join Jes on this exciting tale of espionage, torture, demolition. Sex-averse panromantic asexual lead character

Historical Fiction

81. Kaikeyi by Vasihnavi Patel The only daughter of the kingdom of Kekaya, she is raised on grand stories about the might and benevolence of the gods. Yet she watches as her father unceremoniously banishes her mother, her own worth measured by how great a marriage alliance she can secure. And when she calls upon the gods for help, they never seem to hear. Desperate for some measure of independence, she turns to the ancient texts she once read with her mother and discovers a magic that is hers alone. Kaikeyi is asexual and aromantic. Although the words "asexual" and "aromantic" aren't used in the book.

Western

82. The Complete Lady Ruth Constance Chapelstone Chronicles by L. C. Mawson If you’re looking for steampunk magic, the Lady Ruth Constance Chapelstone novellas are the place for you. Read them individually or all together in this compendium. Chapelstone is interested in her inventions, not love and romance.

Paranormal

83. The Faceless Old Woman Who Secretly Lives in Your Homes by Joseph Fink Told in a series of eerie flashbacks, the story of The Faceless Old Woman goes back centuries to reveal an initially blissful and then tragic childhood on a Mediterranean Estate in the early nineteenth century, her rise in the criminal underworld of Europe, a nautical adventure with a mysterious organization of smugglers, her plot for revenge on the ones who betrayed her, and ultimately her death and its aftermath, as her spirit travels the world for decades until settling in modern-day Night Vale. Asexual secondary character.

Romance  

84. All the Wrong Places by Ann Gallagher After his three ex-girlfriends in a row leave Brennan because he's not fulfilling their sexual needs, he seeks out advice from Zafir, the owner of a sex shop. Zafir introduces Brennan to the concept of asexuality and slowly something more blossoms between them.

85. That Kind of Guy by Talia Hibbert Rae needs a fake date to take to her ex's wedding and convinces Zach, a close friend who has recently discovered that he is demisexual, to play along.

86. The Love Hypothesis by Ali Hazelwood In an attempt to convince her best friend that she really is over her ex-boyfriend, grad-student Olive panic kisses stern associate professor Adam in the hallway. (Olive is coded as demisexual/graysexual, but that label is never used in the book).

87. Far From Home by Lorelie Brown The oddest of odd couples finds unexpected joy in Brown’s warm, sweet contemporary romance. American citizen Rachel, a not-quite-asexual assistant film producer struggling to make a living in L.A., is drowning in student debt; Indian immigrant Pari Sadashiv, a lesbian logistics manager, needs a U.S. green card to advance her career. When Rachel offers to marry Pari in exchange for funds, it’s just party banter at first—but what’s to stop them from crafting a friendship with legal and financial benefits? Their platonic plans quickly go awry as Pari’s mother moves in to help plan the wedding, forcing them to live their lie. As Rachel feels herself awakening to an attraction she didn’t even know was possible, Pari has to decide whether she can live with the possible fallout of Rachel’s tentative first foray into same-sex love.

88. Kiss Her Once for Me by Alison Cochrun Last Christmas, Ellie met Jack in Powell’s when they both went for a copy of Alison Bechdel’s Fun Home, and over a cute argument over “shared custody”, and Jack poking gentle fun at Ellie (who had been crying alone and talking to a footstool as if it were her friend) they start to bond. Jack asks Ellie for coffee, and then they end up spending the whole day together. This is a big deal for Ellie, who is demisexual, and rarely develops attractions to anyone. And then Jack breaks her heart. Fast-forward to this Christmas when Andrew, the landlord who owns the building she works in, asks her to fake-marry him so he can access his inheritance, and shenanigans lead to her agreeing to this and to going home with him for Christmas, and surprise! Jack is Andrew’s sister.

89. The Charm Offensive by Alison Cochrun Tech wunderkind Charlie has never really been interested in dating, but agrees to join the cast of reality show 'Ever After.' While there he finds himself charmed by his producer, Dev, and questioning his sexuality. The Charm Offensive includes a conversation discussing asexuality and its spectrum.

90. Never Been Kissed by Timothy Janovsky Wren Roland has never been kissed, but he wants that movie-perfect ending more than anything. Thanks to Mateo’s boyfriend, he learns about demisexuality and realizes that when he came out as gay, he had not finished realizing truths about himself and intimate relationships.

91. How to be a Normal Person by TJ Klune Before The House on the Cerulean Sea blew up, Klune wrote this quirky and delightful story of two asexual people finding each other and their happily ever after.

92. Soft on Soft by Mina Waheed This super sweet, low-angst romance centers on two fat, queer women of colour (one Black and one Persian-Arab) who fall in love and find their happy ending with hardly any drama. There’s also anxiety representation. It’s just pure fluffy romance goodness. Demisexual protagonist.

Non-Fiction

93. Ace and Aro Journeys: A Guide to Embracing your Asexual or Aromantic Identity by The Ace and Aro Advocacy Project What does it mean to be ace or aro? How should I approach the challenges that come with being ace or aro? How can I best support the ace and aro people in my life? Join the The Ace and Aro Advocacy Project (TAAAP) for a deep dive into the process of discovering and embracing your ace and aro identities. Empower yourself to explore the nuances of your identity, find and develop support networks, explore different kinds of partnership, come out to your communities and find real joy within. Combining a rigorous exploration of identity and sexuality models with hundreds of candid and poignant testimonials -- this companion vouches for your personal truth, wherever you lie on the aspec spectrum. You are not invisible! You are among friends.

94. Being Ace: An Anthology of Queer, Trans, Femme, and Disabled Stories of Asexual Love and Connection by Editor Madeline Dyer Discover the infinite realms of asexual love across sci-fi, fantasy, and contemporary stories From a wheelchair user racing to save her kidnapped girlfriend and a little mermaid who loves her sisters more than suitors, to a slayer whose virgin blood keeps attracting monsters, the stories of this anthology are anything but conventional. Whether adventuring through space, outsmarting a vengeful water spirit, or surviving haunted cemeteries, no two aces are the same in these 14 unique works that highlight asexual romance, aromantic love, and identities across the asexual spectrum

95. Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex by Angela Chen A non-fiction research book about the asexual perspective on society's facinations with love and sex, and the misconceptions about what being asexual really is and what it means to a person.

96. The Invisible Orientation: an Introduction to Asexuality by Julia Sondra Decker An introduction to what asexuality is, both for people who don't know what that means and for people that may be questioning their own sexuality. It aims to puts asexual people's experiences in context, as they move through a very sexualized world.

97. Gender Queer: A Memoir by Maia Kobabe A graphic memoir about author Kobabe's growing from adolescence to adulthood, as e explores eir gender identity and sexuality. Features a gender queer and asexual main character that uses e/eir pronouns.

98. Ace Voices What it Means to Be Asexual, Aromantic, Demi or Grey-Ace by Eris Young This is the ace community in their own words. Drawing upon interviews with a wide range of people across the asexual spectrum, Eris Young is here to take you on an empowering, enriching journey through the rich multitudes of asexual life.

99. I Am Ace: Adice on Living Your Best Asexual Life by Cody Daigle-Orians Tackling everything from what asexuality is, the asexual spectrum and tips on coming out, to intimacy, relationships, acephobia and finding joy, this guide will help you better understand your asexual identity alongside deeply relatable anecdotes drawn from Cody's personal experience.

100. Sounds Fake But Okay: An Asexual and Aromantic Perspective on Love, Relationships, Sex, and Pretty Much Anything Else by Sarah Costello and Kayla Kaszyca Drawing on their personal stories, and those of aspec friends all over the world, prepare to explore your microlabels, investigate different models of partnership, delve into the intersection of gender norms and compulsory sexuality and reconsider the meaning of sex - when allosexual attraction is out of the equation.

I haven't read all of these books, so I can't guarantee all of them. But I did my best researching all of them. I was making this list on my own and I was amazed that I could find over 100 books with asexual characters and I wanted to share it!

The Aromantic Book List is now out!

Tagging some people who were excited about this list: @sweetspiderstew @majorgenerally @shayberri789 @53rdcenturyhero @knightoflodis @neonghost39 @rosaazulina

[rwrbficrecs]

Our September & October recs ❤️

make lemonade by @smc-27 (book-verse)

@dot524: This author consistently posts stellar works but I often finish wanting more of that world. This one is nice and long — yay! I loved this meet-cute where Alex’s daughter Claudia has a lemonade stand and Henry is one of their favorite customers. This was a bit of an exploration of divorced dad (single dad) Alex. His mixed feelings about coparenting and starting a new relationship were nicely developed. Such a great warm fuzzy fic, with a nice bit of angst and character development mixed in to make things interesting. And I loved the kid character, Claudia!

falling in love (in the cruelest way) by @coffeecatsme (book-verse)

@suseagull04: This road trip AU is so fun, partly because of how soft our favorite boys are, but also just because of Alex's bright personality throughout the whole thing, and the faith and hope that's a critical part of the book!

we should get married by @smc-27 (book-verse)

@suseagull04: I had heard people talking about this green card marriage AU for months, and the hype was definitely warranted (as with all of this author's writing)! Little details from the book used in a new way, instant attraction, both of them being exactly what the other needs, exploration of other relationship dynamics within the book... this fic has so much depth in its 4 chapters, and it's fantastic!

Cleansing Downpour by @sprigsofviolets (book-verse)

@na-dineee: It often seems like things between June and Nora were always easy, like they were just meant to be. But what if it wasn't that simple? Feeling stuck in life, June is caught between writing a book she’s starting to hate, and navigating her growing feelings for her best friend. A beautifully written story of change, friendship and love, and figuring out who you really are.

runaway now and forever more by tonystarked (book-verse)

@na-dineee: Aged Alex and Henry, a US Senator and an English Prince, have been pining for each other for what feels like forever. Could tonight, at a glamorous charity event, finally be the night they open up to one another? This beautifully heart-wrenching and incredibly poetic fic has been stuck in my head ever since I read it!

The Candy Tax by @hgejfmw-hgejhsf (book-verse)

@suseagull04: This fic is absolutely adorable! It's the perfect nostalgia trip for anyone who went trick or treating, and it incorporates some of the pop culture references from the book in the best ways that just add to what make this fic so cute!

Heart enough by @hgejfmw-hgejhsf (book-verse)

@suseagull04: What if Henry's the one who has to travel for the apology tour and instead of celebrating New Year's, they have a Halloween party? This fic adds so many layers and soft moments to the original, but still includes the heart and references we all love!

Halloween at Kensington by @hgejfmw-hgejhsf (book-verse)

@suseagull04: This is the Arthur POV of Halloween when his kids are little I didn't know I needed until I read it- this is so adorable, and Henry and Phillip's characterization in it is perfect!

I was cold as a stone (but I found what I'm lookin' for) by @miharaikko (book-verse)

@na-dineee: Author Henry has retreated to a small, secluded cabin in the mountains, hoping it will spark some writing inspiration. That's where he meets Alex, the owner of the cabin... The mountain and campfire vibes are absolutely wonderful. It's such a fluffy and heartfelt one-shot – just as recommendable as the other fics in the Flufftober: A Red Umbrella Collection.

Red, White and Royal Switcheroo by @xthelastknownsurvivorx (book-verse)

@suseagull04: This body swap AU left me wondering how everything would have been different in the rest of the story- it's that good! It has the heart and content of the original, plus moments that are brand new- and watching the boys pretend to be each other is fantastic!

Oblivion by @milowren29 (book-verse)

@dot524: This story has been on my reading list for a while and wow, did it live up to expectations! Alex and Henry are kidnapped during their visit to the hospital, and they trauma-bond during their experience. But what will happen afterward? How will this change things between them? The action, angst, and longing in here is spot-on and the storytelling is so well-done.

Sounds of Someday by dazedandconfused (book/movie-verse)

@na-dineee: USA 1972, three weeks on a road trip on the 'road to nowhere' heading toward Texas: writer Henry and farm boy Alex. This fic is so layered and full of hurt and emotions. The ending completely knocked the wind out of me. An absolute masterpiece, please everyone, read it – it's phenomenally good in terms of language, storytelling, and capturing the spirit of the time !!

blizzards and broken boundaries by @gayhoediaz (book-verse)

@na-dineee: Age gap – I love this trope with Henry and Alex. Here, it’s a 20+ year difference: Alex is a student, Henry his professor. Alex makes the move, Henry is very amenable. The alternating POV is so cleverly done, the tags say PWP, but I definitely felt all the feelings. Absolutely delicious!

These violent delights by @lizzie-bennetdarcy (book-verse)

@suseagull04: Henry as a vampire hunter in this fic is such an intriguing concept and the backstory of it and the fic's conflict is so well done!

With magic soakin' my spine, can you read my mind? by @hgejfmw-hgejhsf (book-verse)

@suseagull04: Pining and magic and revelations abound in this fic that's written so well, it gave me chills. This fic is definitely a must-read if you want a canon divergent fic that has just a hint of magic!

to belong to a family (even beyond this world) by @read-and-write- (book-verse)

@suseagull04: The Mexican part of Alex's heritage absolutely shines through in this- and this is definitely a fic you want to read if you want Día de los Muertos fic and all the Arthur feels! I also love all the neurodiversity in this fic!

A Beautiful Reality by @tinyarmedtrex (book-verse)

@na-dineee: Priest!Henry is back. The second part of The Only Heaven I'll Be Sent To Is When I'm Alone With You is out!! And – surprise: He’s not a priest anymore. But it’s not that easy to shake off those deeply rooted beliefs and Catholic guilt. Luckily, Alex is so patient and totally in love.

The Brightest Star by @aforgottennymph (book-verse)

@dot524: Single dad Alex meets children’s book author Henry, and they connect immediately. The obstacle in this story is Alex’s sense of duty to his daughter, Bia. She’s quick and creative, and she’s brimming with opinions. I’m a bit picky about OC’s and kids in fics, but this one was so well done. It’s full of fun dialogue and well-realized feelings and angst. Definitely check it out!

A Love That Haunts the Land by @14carrotghoul (book-verse)

@suseagull04: Once again, this author has blended Mexican culture and RWRB in a way that's so authentic- plus there's magic! This is one you won't want to miss!

check out our past Monthly Faves here ❤️

[givehimthemedicine]

time for my big lumax rantpost. I used to be way more of a shipper but upon reexamining some of my GA-era assumptions, I'm here to tell you why it sucks, and why I don't look forward to lumax endgame if it's the same lumax we've been getting.

lumax has fantastic potential, but needs lots of work to actually become the ship most of the fandom thinks it is.

I get the sense most on here consider lumax ST's darling perfect ship which is sullied by weak and/or racist writing. while I wouldn't argue at all that the writing does right by Lucas, I do think it's important to recognize lumax as an intentionally-written badly flawed relationship, NOT a poorly-written perfect relationship. (the writing for 5 has a lot to prove so we'll see)

lumax is obviously happening. no ending to Lucas's story makes sense other than him getting the girl. however, I don't like that from either character's standpoint.

from hers - Max is not a prize. and from his - Max is no prize.

Max is a pretty shitty girlfriend.

we've never seen her show Lucas any interest in learning anything about him. I can't remember a time she's complimented him, said anything nice about him, or done anything purely for his benefit. virtually all of their serious conversations have been about her, and the scant few that are sort of about him are inevitably just a lead-in to him offering support to her.

Lucas and Max's relationship - pre, during, and post dating - is 100% about what he can do for her. he's the one making 100% of the effort.

it seems like most of their interactions are him walking on eggshells trying to placate, reassure, or convince her, all for the reward of.... what. being allowed to continue existing near her? like yeah, she's a cool girl, but. that can't be it.

what good is getting the girl if the girl doesn't really offer anything?

. . .

through the seasons, semiquickly:

season 2

Lucas and Dustin both like Max, so they invite her trick or treating, offering to protect her from bullies and show her where the good candy is. in other words, the first Max / Lucas interaction is him offering something to benefit her. Max returns no appreciation or even response to the invite, yet still shows up to reap the benefits.

that pretty much sets the tone.

Max wants to be included, but that's a sensitive subject, so she puts on aloof airs to protect herself. it's an act, but nonetheless it's all Lucas receives.

the facade slips on multiple occasions though; Lucas is permitted to see her vulnerability, and we can see she's actually more desperate to make the connection than he is.

Dustin seeks Steve's manipulation tactics to use on Max, but Lucas wins her over by treating her like an equal and offering her genuine friendship.

he risks both his place in the party and his safety/life to include her, gives his undivided attention when she talks to him, asks questions that show his interest and concern, he reassures, uplifts and compliments her, and physically protects her.

in return, Max. uhh. well she does apologize for being a jerk, although she doesn't exactly stop, lmao. this is one of only two moments I can think of when Max reveals any regard for what Lucas thinks of her.

lumax is off-balance before it even starts, although s2 is when I think that dynamic is most permissible. since Max is a newcomer, Lucas has the advantage in many respects, and it makes sense for him to be the one extending a hand to her.

when Billy attacks Lucas for hanging out with Max, he could be gravely hurt if not for Steve taking the beating instead. Max joins in the momentary group hug but never says a word about this. (I suspect the writers mean for Max's bus apology to have proactively served as a veiled "sorry my stepbro is racist" but more felt needed in that moment.)

then they go to the dance and she kisses him and it's cute and everything is happy for ten whole seconds.

between 2 and 3

even though the summer of '85 is "the good days," this relationship is already careening downhill.

we learn that Max has dumped Lucas five times - such a regular occurrence that he takes it in stride and is well practiced at winning her back as a result.

unfortunately it's Lucas taking to heart the "happy wife happy life" policy from his dad that's set up lumax as something that seems to serve only Max. her awareness of the policy means she holds all the cards.

season 3

Max has secured her place in the party and the relationship, and now it's time for her to bring something to the table, but I honestly can't name one thing. it's still Lucas bending over backwards and Max sometimes being a bit of a jerk. (another act. we'll come back to this)

from the start of 3 we see an excessively secure Max and an obsequious Lucas. she doesn't show him any of the vulnerability that made her endearing in 2. they share fun moments, but we can infer that she doesn't treat him very well in ways that matter.

at one point she even plays mad just to watch him panic. you get the feeling this boy can never feel secure in his relationship. yeah she's just teasing, but do you think Lucas is allowed to tease too?

when El comes to Max for advice, she tells her that "boyfriends lie all the time" and this is before we see Lucas lie to her.

when Mike comes to Lucas for advice, he confidently schools him on how to get back in El's good graces by buying her a present - making clear he's been following his dad's advice all summer long and it's been working:

L: Dad? When Mom's mad at you, how do you make her not mad? C: First, I apologize. Then, I get your mother whatever she wants. L: Even when she's wrong? C: She's never wrong, son.

the mall confrontation is the first time we see Lucas really lie to Max, but even then, the girls don't actually have proof Nana isn't sick.

it's telling, actually, that Lucas's loyalty goes to Mike instead of Max in this moment. in s2 it was the other way around (Lucas pissed off the whole party by including her in the group and telling her the truth - a technically banishable offense). but now he's back to his s1 bros before hoes policy, and not only backs up but expands on Mike's lie. after dating almost a year, his loyalty to Max should be even stronger, but here we see the opposite. if Max had been at least as good a friend to him as Mike, I'm inclined to think he would at least have tried to be noncommittal here.

Max is so confident Lucas will have nothing on his mind but winning her back, as always - meanwhile who we actually see Lucas apologizing to is Will.

she may have had Lucas wrapped around her little finger all summer, but we're seeing that start to uncoil. if Lucas apologizes, it's offscreen.

when Billy tries to break out of the sauna to kill Max, Lucas slingshots him and body shields Max during the fight. next thing you know, Max is back to being cliquey with El in the bathroom (making fun of Mike even though he was the only one who did anything to save El's life?? girl you're being shitty to boyfriends that aren't even yours)

they seem to be a couple again by the end of 3, but the relationship is weakened...

between 3 and 4

..which sets the scene for how the two apparently drift when Max ends it once again. she's not playing this time - she uses the term "break up" instead of "dump" and Lucas has accepted that it's over.

depression makes it hard for Max to connect with him, but the way she treated him in 3 has likely also eaten away at his insistence on prioritizing her. if you push someone away over and over you can't be too surprised if they stay further away each time.

so Max withdraws socially and Lucas apparently doesn't go to his usual lengths to pursue her.

he's still making effort though! the "stalking" comment makes it clear he's been trying to approach her. we know he's been inviting her to his basketball games. him already knowing her favorite song as of 4x4 is more evidence of him taking an interest in her between seasons.

he clearly still cares a lot about Max, but good for him for pursuing his own hobbies and friendships as well.

season 4

Lucas finally asks Max to do something to support him for once (come to his game), but she shuts it down hard.

we know Max still cares about him, but that's just it - WE know. he doesn't. to his face, it's bristling rejection even while he literally begs for the chance to support her.

saving Max's life is a group effort, but Lucas knowing her favorite song is the key that saves her life, and it's only after that that she's friendly towards him again.

the only time I can recall Max expressing any concern for Lucas's wellbeing is when she asks if he's okay in 4x6 - and he only gets a few sentences to process Patrick's death before it's time for him to turn it into an apology to her. sigh.

Lucas is the only one of Max's friends to voice any objection to her suicide mission of a Vecna plan, and pitches for them to gamble a stranger's life instead. he once again risks his life to hang out in the Creel house with Max, personally taking on the huge responsibility of making sure she doesn't die.

Vol 2 Max finally shows Lucas some long-awaited appreciation ("you might have been there" and "I'm glad you're here") which is very nice to see.

I'm conflicted about the movie invite scene, but we'll talk about that later. textually: he asks her out, she accepts, it's totes adorbs.

unfortunately, Max being tranced out by the time Jason walks in means it's time for Lucas once again to get attacked by an older, stronger guy who's wrongly convinced he's a danger to her. (again not her fault, but kinda because of her)

everything goes sideways, Max gets Vecna'd, and Lucas holds her while she dies. we end on a bruised Lucas sitting loyally at Max's bedside, reading to her just in case she can hear it inside her coma.

Lucas hasn't been perfect but he has spent yet another season physically protecting and emotionally supporting Max at great personal expense, and with little appreciation and no support in return.

. . .

the movie doodle didn't fix lumax

Max has had an epiphany, but a change of behavior has scarcely begun. being nice isn't the same as making amends. they've resolved zero of the old issues, plus 4 (even if the plan had worked) has heaped a ton of new shit on both of them.

she's still a grieving, neglected, depressed and passively suicidal child of a triply-broken home. dating doesn't fix that. they already broke up once under the same conditions.

plus Max has new catastrophic emotional traumas, some of which which explicitly exacerbate those very issues. she has catastrophic injuries and disability to cope with (and this is a girl who withdraws under stress normally). with a shred of realism, she's waking up in less a mood for dating than ever.

Lucas has also taken on new traumas, between the basketball team stuff, getting beaten up and almost shot/strangled, and watching Max get Vecna'd and die. he already has a history of guilt about not being there for her enough, so he's going to have a lot more about failing her in that moment (definitely not his fault but he'll still feel bad) and will likely be even more focused on her.

to me, this all sounds like a recipe for the same old dynamic except worse than ever. if they get sleeping beauty'd directly back into lumax, it'll be a disservice to both characters.

. . .

now let's talk about why Max treats Lucas the way she does 🔬

she's not a conniving bitch, she's just a scared kid from a toxic home. that doesn't excuse her behavior but it does make it understandable.

Max CAN be a great friend. she's just not to Lucas.

Max absolutely showers El with the good qualities she'll barely show Lucas. in fact I could loosely say Max is to El what Lucas is to Max.

Max is suspicious and disparaging towards Lucas, even while trusting that he can be counted upon to grovel. meanwhile El never apologizes for intentionally hurting Max both physically and emotionally, yet the moment El acknowledges her (only because she wants help), Max is instantly forgiving, kind, gentle, caring, generous and supportive towards her.

she throws her loyalty behind a friend of 1 afternoon over her boyfriend of a year who's been the only person in Hawkins to show her any true kindness and emotional connection.

if Max was half the friend to Lucas that she is to El, she'd be a decent girlfriend. why isn't she?

we can name a few reasons why Max IS so nice to El, but why she ISN'T to Lucas is a separate question. kindness isn't zero-sum.

she told us why. boyfriends lie.

and it's ANY boyfriend, not just hers. Nana's sick? more like Mike's a lying piece of shit! Suzie from camp? fake! Dustin's obviously lying! the only one of the boys Max has never accused of lying is Will - the only one who's been single the whole time.

just. the state of being a boyfriend (or even just liking a girl is close enough), makes any boy automatically a liar.

Max believes "friend" and "boyfriend" are mutually exclusive

"Friends don't lie!" "Yeah, well, boyfriends lie all the time." <- it's all right there.

back in 2 when Lucas was her friend, she was more open and trusting. she gave him the benefit of the doubt that monsters were real and he knew a girl with magic powers. starting to date flipped the switch, and now she doesn't trust him about mundane stuff.

now they're not friends, they're boyfriend/girlfriend, and she expects to be treated in a whole different way, including all the baggage that comes with romantic relationships in her mind.

what baggage?

Max's childhood is full of examples of awful, manipulative men and abusive, broken relationships.

her dad: I'd only be speculating about why her parents' marriage failed, but in 2 Max misses California because her dad is still there, then by 4 acts like it's doubtful he can even be tracked down for delivery of what's basically her suicide letter. it's clear she desired a relationship with her dad but was abandoned. Neil: abusive asshole who rules the household with an iron fist. I'd be shocked if he hasn't abused Susan, and see little reason he wouldn't do it in front of Max (after all, we see him verbally and physically abuse his first wife in front of his son, in a bad fight over suspected lies/infidelity). in his grief over Billy, Neil and Susan have "bad fights" and he leaves the family. he's not missed, but it's still a second abandonment by a father figure. Billy: Max's peer example of guys in relationships: a sleazy, two-faced asshole who treats girls like trash and completely changes his persona to manipulate them for sex or whatever else he wants (Max appears to be all too aware of his sex life and is disgusted). abandonment issues with him too: a good relationship with a big brother would've meant the world to her, but he rejected and probably abused her for years; her letter at his grave reads "ever since you left" - same word she used for Neil.

Max desperately hopes Lucas is an exception to the rule, but these are the behaviors she would naturally fear from any guy she dates.

Max is especially terrified of being abandoned (and that she deserves it)

to be abandoned over and over can naturally leave a kid wondering if it's their fault, if this is the treatment they deserve.

Lucas is overall quite honest, and there's not an abusive bone in his body. the most realistic one of Max's fears to apply to him is that someday he'll leave her, too.

and that's the worst fear Vecna chooses to voice in Lucas's form: realizing he's been wrong about her, that she's fundamentally bad and he's glad she's going to be killed. a gutting abandonment from the guy she most wants to trust.

Vecna-Susan also tells Max that she deserves what's going to happen to her, that she's "broken everything" and that her letters can't make things right. because he's in full Vecna mode when he says it, I just took those as very general condemnations at first. but they hurt even worse when I remember they're still coming from "Susan" - revealing that Max feels she has broken her family.

she wanted Billy to die, and she figures Neil left because Billy died, so that's two of the abandonments being "her fault". if that's true, Max would also feel responsible for destroying her mom's life - having cost her her marriage, home, and financial security.

in her addictions Susans has, in an emotional sense, abandoned Max just like all her other family members - and Max fears she deserves it. how desperate she was for this hug... :(

anyway, back to lumax: let's reexamine those s3 dumpings

what exactly did Lucas even do? we never find out.

on first watch, I took "boyfriends lie" at face value and assumed Lucas got caught fibbing. but that doesn't fit so well.

he's maybe the party member most invested in "friends don't lie". honesty to his friends is a pillar of his character. again, he caused friction in 2 because he so strongly prioritized honesty to Max. to assume based on one line from an unreliable narrator that he randomly became a huge liar over the summer is unfair.

via their counseling of Mike and El, Lucas and Max tell us what's been going on with lumax

Max tells El:

He'll come crawling back to you in no time, begging for forgiveness. I guarantee him and Lucas are totally wallowing in self-pity and misery right now like "ohh, I hope they take us back!"

I think we all clocked that one: Max thinks that because El followed her technique, Mike will come crawling back - because Lucas has come crawling back to her several times now.

but I haven't seen much discussion about how the spying scene (which "he'll come crawling back" is paired with) shows Lucas assuring Mike that he's been dumped for an unfair and illogical reason because that's what Max has done to him several times now.

M: I just don't understand what I did to deserve this. L: Nothing. Nothing. That's my whole point. You are the victim here. Stop asking rational questions. M: I know, I know, you're right. Because women act on emotion and not logic. L: Precisely. It's a totally different species.

Max is pissed. but has she been irrational, acting on emotion and not logic, and dumping him for no apparent reason all summer? signs point to yes.

and I understand Lucas saying this. it's not pure misogyny out of nowhere; he's been told that his mother expects gifts and apologies even when wrong, Max acts that way too, and now so apparently does El. all of his examples concur that this is just how women in relationships are. (Charles Sinclair how many relationships will your advice destroy lmao)

both Max and Lucas are bringing preconceptions from home.

Max acts this way on purpose

I don't think she's dumped him over truly nothing (although that's how it looks to him). I'm thinking she blows real, minor missteps out of proportion.

any time Lucas does something slightly insensitive, it looks like the first red flag to her, and instead of communicating in a constructive way, she just throws up this "boys aint shit" force field and dumps him. of course she doesn't truly want to be rid of him, she's just sorta snapping the leash.

I think Max knows what she's doing. I think she wants to keep Lucas always on his back foot, because the relationship isn't as scary if she feels like she holds all the power.

she's always trying to cover up fear/sorrow with anger, because anger gives an illusion of control. and she's been conscious of that anger, and the fact that it's unfair to Lucas, since the beginning - that's what she apologized for on the bus. "I guess I'm angry too, and I'm sorry."

she was mature enough at 13 to see the error in her behavior, but still not mature enough by 15 to fix it. every season has just been a slightly different flavor of "leave before you get left".

so, that's my take on Max's relationship behavior. but again, explanations aren't excuses. Lucas deserves to be treated well, and that's not happening.

what needs to happen?

simply maturing more will help them both a lot. being 15 is a terrible condition in of itself.

I don't see Lucas dumping Max's ass, but she should take her own advice before the relationship continues: explain herself and fix the garbage parts of her behavior.

before Max can be the girlfriend Lucas deserves, she needs a substantial period of physical and emotional healing.

she needs renewed connections with her friends and family, and a lot of general growth in the area of communication and processing her feelings.

in regards to Lucas, she needs to work on her trust issues, and learn to extend him the treatment warranted by his behavior, not the behavior she fears from others. she needs to learn that "friend" and "girlfriend" aren't mutually exclusive, that real friendship is the key to their relationship, and is a two-way street.

any Billy racism/assault acknowledgement would be better years late than never, especially if grieving Billy continues to be a focus in front of Lucas.

Lucas could also use a little work

the relentless positivity doesn't serve Max well. often it turns out to be empty reassurances which make her feel let down (so, a soft version of the lies she fears). she let him know in 4x4 that this hurts her, but he kept doing it for the rest of the season.

but the big one is that "happy wife happy life" doesn't serve him well, and rewarding unfair treatment perpetuates the problem. yes, the ability to compromise, swallow pride, and be the bigger person are healthy parts of a relationship, as well as the willingness to extend grace to your partner/friend when they're struggling. but it always being on one designated person is a recipe for dissatisfaction and resentment.

Lucas should voice to Max that he, too, has struggles and needs support. I'd like to see him pursue outside interests unapologetically.

no, this isn't an exhaustive list, and I don't expect to see everything fixed at once, or explicitly processed onscreen. but I sure hope we get some evidence of change, and that this has all been part of an arc.

for instance, I'd love for the final lumax reconciliation to be Max asking Lucas to take her back.

I kind of hope not to see them officially together until the very end. in fact I'd so much rather see ST end on a good Max / Lucas friendship with an implied romantic future than jump back to the status quo.

l don't want to see lumax until it's a new lumax, based on real, reciprocal friendship.

[absolutebl]

This Week in BL - Screw everything else inject On1y into my damn veins

Organized, in each category, with ones I'm enjoying most at the top.

Aug 2024 Week 4

Ongoing Series - Thai

Monster Next Door (Thai Thurs Gaga ) eps 5-6 of 12 - Extreme introvert dealing with a very hot, very drunk, very affectionate extrovert was an excellent experience all around. “I was drunk and talking out of my ass, but I wasn’t lying” maybe one of the world’s greatest confessions. How meta that he’s checking out the book of the story that he’s in. Carry on boys, very enjoyable, very Thai BL.

My Love Mix-Up Th (Fri YT) ep 12 fin - It’s cute. They are all very cute. I do like it when high school BL gives us a coming out sequence. I know it’s old-fashioned, but it’s a trope that goes with this particular setting really well, and I just like it when it’s done nicely. I’m not sure I needed it to totally dominate the final episode of the series. But it was fine.

I gotta say, Fourth is an absolutely outstanding actor. He really did knocked it out of the park in this last episode especially. 

In conclusion:

It was fine and it was charming, but it was also a little lackluster. Thailand managed to take one of Japan's softest cutest most bonkers BLs in recent memory and make it softer and cuter and... dull. They did this by watering it down. JBLs almost always have an edge to them, even the rom-coms, by dulling the edge, MLMU lost a great deal of the sparkle and tension as well. What an office setting managed to mostly maintain in the consummate hands of TayNew felt somewhat lackluster when handed off to the next generation and a high school setting. Cherry Magic was a lovely reinterpretation, Mix Up was an amateur's watercolor rendition of a colorful oil painting. Am I being harsh? G4 tried their best, and Fourth turned in some outrageously good acting in the latter half. But the show? It was fine. If you like water colors and you haven't seen (and loved) Kieta Hatsukoi. 8/10

This Love Doesn't Have Long Beans (Fri iQIYI) ep 8 fin - This was the first hint we got that the lead's relationship was anything more than sexual. And it was utilized for a breakup?! JJ and Wan's friendship is the best thing about this show. PWan selling JJ out to Methas was great. I was modestly delighted by the big fuck off ownership engagement ring. I admire a boy who likes to mark his territory with bling. I actually thought this was a decent final episode. If very rushed. I know, in general this ending was objectively weak, but I grinned the entire time, so I can’t really complain that much.

Final thoughts?

A story about a kid who infiltrates a cooking competition under false pretenses and then has to deal with the consequences when he falls in love with the head chef. The side couple is a poor little rich boy meets physical therapist (morality chain). The core friendships are excellent and the chemistry cannot be faulted across the (charcuterie) board. What this show lacks in substance it makes up for in health code violations. It was all chili all the time. Considering that the plot centered on betrayal but the romantic relationship never sweetened enough to balance that bitterness; one could be forgiven for throwing this one in the compost. But I got over all its weaknesses in flavor balancing for an ultimately satisfying meal, with a great dessert course. I've always loved spicy food. Plus the blooper reels were fantastic. 8/10

Addicted Heroin (Thai Tues WeTV) ep 2 of 10 - I like the side couple a lot. It’s nice to see that dynamic developed (as it wasn't in the CBL version). Of course, Thailand leans into a secondary couple, but I also like the super popular jock + geeky boy who couldn’t care less. You know what? I’m actually really enjoying this. And yes, I AM biased because it's August. (Wait, that could be taken several different ways this month. But you know what I mean.) Anygay, this is a lot softer than the original, and so Hero is much more of a pining character and less harsh. But I'm still enjoying it. I like the stepbrothers trope (we don’t get it very much from Thailand), and I enjoy the beats and pulses of this particular story. We will see if it derails into inconsequence and lack of conflict the way My Love Mixup did.  

Sunset X Vibes (Sat iQIYI) ep 11 of 12 - I’m enjoying this show but it should’ve been just 10 eps. It’s feeling bloated at this juncture. That said, I loved our little GL kiss. Very pretty. I also really like the bit with Sam and Yo flirting with each other. Sam trying to get Yo to call him P'Sam was fucking brilliant. And then slipping in all of those nongs. Delightful. Linguistic negotiation, it's what's for dinner... along with Sam's d**k apparently. I frankly did not think they would take this couple that far. So, thank you very much everybody involved.

Battle of the Writers (Sun YT) ep 4 of 12 - I do enjoy watching Yim freak out and fall in love all over again. The reality is still better for me than the fantasy parts, but it’s all fun enough. The magic mushrooms bit was odd. In fact, there is definitely a core tenor of ODD going on with the show. Which I’m accustomed to from Japan but I’m not really sure about from Thailand. Thus I remain engaged but suspicious of this BL. 

I Saw You in My Dream (Weds Gaga) ep 6 of 12 - Yu wants to take his baby on a trip, gets thwarted by his younger brother. Ouch. I really do think it’s time for Ai to tell Yu what’s going on with his dreams! Drunken boyfriend bolster pillow is a fav trope of mine. As usual, I’m catching second lead syndrome. What? I liked the rich boy badminton player. And then he picked up a guitar. Oh well.

The Trainee (Sun YouTube) ep 8 of 12 - No one cares about the hets. He was jelly? Cute. Also kinda an arse, by hey this is BL. 

Ongoing Series - Not Thai

The On1y One (Taiwan Thurs Gaga) eps 1-2 of 12 - announced in 2023, high school, stepbrothers, and is reputed to be high heat. Based on a novel Mou Mou + the Your Name Engraved Herein team.

ARE YOU READY? I'M GOING TO NOT SO QUIETLY LOSE MY DAMN MIND

This is old-school BL and it’s bloody fantastic. Tsundere seme to beat all tsundere (smartest + tallest + bestest at everything but people) meets socially-ept cutie smart-ass protag.

They living together by end of ep 1 and start kissing by end of ep 2.

There is an Unknown quality to this, and that I love. Also, and ironic to say this while Addicted Heroin Th is airing, but this REALLY reminds me of Addicted. It’s so fucking good. I am all in on this show. Shut up while this eats my life.

Cosmetic Playlover (Japan Tues Gaga) eps 5-6 of 8 - Of course! The POV shift to the seme character at ep 5! How could I forget? Japan loves this beat! AND.... The running of the gays. And a use of a first name! So darling. Also some crazy great communication and conversation that is NOT a hallmark of Japan. Sahashi is so very possessive. I loved the switch that went on in his brain and the mania in his eyes when he thought someone else was interested in Natsume. I continue to love this.

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 10 of 12 - I’m never going to like Maya. Sorry. And the leads were separated for most of this episodes so it was largely disappointing. I did like the insight into the way T sees the world, and sees the alienation of a disability and what it's dong to his friend. It’s very empathic. He’s such an appealing character in his obtuse bull-headed way.

Seoul Blues (Korea Fri? YouTube) ep 2 of 8 - It’s intriguing, and I'm happy to have anything from Korea on my dash. But, like Blue Boys, I’m not entirely sure if I like it or not.

First Note Of Love (Taiwan Mon Gaga) eps 3-4 of 12 - This may be Taiwan but I’m still in the "no singing" camp. I’m getting a slightly better chemistry feel off the leads in this episode. I’m not sure if they’re keeping it stiff because the younger character is under age or if it’s just that the actors aren’t there yet? (In other words is this a directing choice or a performance issue?)

Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 8 of 10 - I've finally come down firmly on the fact that it’s the uneven power distribution (in terms of interest and enthusiasm for the relationship) that I dislike about this show. Generally, I like a power dynamic differential, kinky and all that. But this particular dynamic, when it’s the weaker personality that’s so much more into the stronger one? I never like it, unless it engages a serious pivot at some point. (See My Personal Weatherman or Takara & Amagi.)

It's airing but...

Sugar Dog Life (Japan Sun grey) ep 3 of 10 - I was really loving this one but I can't find ep 3 anywhere so I guess I gotta wait it out. I hope I get to see it eventually.

4 Minutes (Sat Gaga) eps 1-6 of 8 - Gaga picked this one up so we can watch it there. If I have time, I'll get caught up and put it into rotation.

In case you missed it

Meet You at the Blossom (China) - I'm eating crow, binging the fucker, and live blogging.

The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer IS COMING IN SEPTEMBER!!!! (Yeah this is gonna sit here until then).

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Coming Next Month:

The Time of Fever (Korea)

9/1 Live in Love (Thai)

9/3 Happy of the End (Japan)

9/6 Kidnap (Thai)

9/7 The Hidden Moon (Thai)

9/9 Jack & Joker (Thai)

9/14 Love Sick 2024 (Thai)

9/17 Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan)

More deets next week. It's late and I'm tired.

THIS WEEK’S BEST MOMENTS

It was pretty. I am very shallow.

Even more pretty. Petition to have Tenon with his shirt off and hair back in every subsequent Thai BL? Just because.

(SunsetXVibes)

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many tags.

[susansontag]

my guide to lesbian anime both canonic and subtextual

(won’t include every lesbian anime ever, this is a personal list)

the canonic-gay section:

revolutionary girl utena

nothing before or since has ever done it like this. trigger warnings for everything imaginable. loads of homosexuals in this one. gender commentary, fairytale allusions, a lot of kids who are having a hard time growing up and moving beyond their pasts. sword lesbians.

flip flappers

the problematic favourite, in that there’s at least one uncomfortable sexualised shot each episode (roughly speaking; some have none and one has even more, unfortunately), so be warned. but at its heart flipflap is about repressed cocona going on adventures with outgoing and expressive papika, and their exploration of various fantastical lands/inner worlds of people they meet. hugely inventive and pretty, and a core thread is cocona discovering she’s gay.

aoi hana (‘sweet blue flowers’)

the comfort lesbian show, with not a romantic relationship at its heart, but a friendship between two childhood friends who meet again, both of whom are gay (though only one realises this during the show’s run, as it’s based on a manga). one of them dates an upperclassman at her school, and there’s various gay and bi side characters. it’s just very wholesome, lovingly animated, sweet and sometimes painful stuff.

bloom into you

I controversially do not care that much for bloom into you, but as the best, high-production, non-skeevy yuri show in years - that is based on a manga by a woman - it’s worth mentioning. late-bloomer girl dreams of romance, though has never felt it, and finds affinity with a girl who similarly is disinclined to date. that is, until said girl says she fancies her. genuinely moving exploration of developing gay identity at times, only downside is my personal disinterest in the black haired girl. some weird ‘heightened’ moments that feel inauthentic and titillating do arise, but it’s very few - to the point where some would disagree with me on my reading of it, I’d imagine.

sailor moon

the bits which the lesbians are in, etc. it’s a classic. I haven’t watched all of it myself because I don’t care much nor do I have nostalgia for sailor moon, but it’s one of the most notable examples of a butch/masc lesbian in anime, so that’s nice.

o maidens in your savage season

nerdy teenage girls who are part of a literature club make it their quest to discover sex and dating, in various ways (unfortunately, not all of them dealt with well… teacher/student foolery that is fortunately abandoned before it gets worse but is nonetheless handled with mixed results, imo). mostly though it’s hilarious, sweet, silly, and there’s a gay girl in it, but I won’t spoil which one. adults predating on children is also handled much, much better in another of the show’s storylines, and I do appreciate it for trying to tackle that difficult subject matter.

oniisama e (‘dear brother’)

an oldie, based off a shoujo manga by one of the greatest (riyoko ikeda). there’s a central relationship to root for (better articulated in the manga), but it’s mostly just what if we were messy depressed lesbians at an all-girls school and we were also melodramatic and mean as hell.

revue starlight

what if we were at an all-girls dramatic arts school and engaged in utena-like duels to become the top performer? main implicitly gay couple with canonic side gay couples. it’s quite cute. also worth watching if you like takarazuka in any way (prestigious all-female japanese theatre troupe), because the main conceit of the school is very much based on that idea.

the gay-themes section:

sound! euphonium (season one)

in which director naoko yamada’s awesome legacy of writing lesbians and then saying “who’s to say though, ha ha” continued (she did it already with a side character in tamako market). this one is known as the gaybait to end all gaybait, but hear me out: the first, and best, season, is not only a fantastic self-contained story with many great characters and plot points, but it’s main character is undoubtedly lesbian-coded and even has a love interest you can argue about. frankly I think she’s gay-coded throughout the whole show (even when she dates a guy for two minutes), but this feels very “I wanted to focus on this compelling relationship between two female characters but the adaptation’s success meant we had to revert back to the source material in later seasons”. what we got from this is perhaps my favourite lesbian anime of all-time, following utena.

a place further than the universe

this show is about four girls who join an expedition to antarctica, and what if I told you they’re all great, believable dorky teenage characters, and they exist in a well-written and thematically satisfying show… and there’s nice lesbian implication between one of our adult female protagonists and her old (deceased; not a spoiler) friend who was the main teen girl’s mother. there’s some sad here, obviously.

puella magi madoka magica

the well-known, much beloved deconstruction of the magical girl genre is also pretty gay, as it happens (so gay in fact it started a trend of gay-coded pink+black magical girls). it’s not a particular favourite of mine, but it’s visually one of the most notable anime productions ever, so it’s well worth seeing just for that.

NANA

the 2000s manga+show about the two twenty-year-olds who meet on a train and discover they’re both called nana is also pretty gay! to the point where there are heated fandom debates about nana komatsu’s (pink one) possibly being a lesbian. they both have many relationships with guys, but it’s their bond that forms the heart of the show, and the bisexuality (or, who knows, homosexuality) of the leads is pretty undeniable. to the point where you’ll get blasted on the nana subreddit if you try and suggest otherwise.

the wild-card section:

keep your hands off eizouken!

this is a show about three oddball girls who start a club to create anime, but have to pose as the film club instead for various reasons. it’s not even subtextually gay, I just personally think that all three of the leads are gay and the whole thing feels like a very female-centred creative endeavour. hugely fun watch, and very high production values. you wouldn’t regret seeing it.

skip & loafer

these two you see here are side characters. this show is actually about mitsumi, the greatest female protagonist of this kind of shoujo-esque slice of life show, who moves from the countryside to tokyo for high school. here she meets many a misfit, including the pretty blonde and the nerd girl who have undeniable chemistry and form one of the most popular pairings in the show. it’s just a good time.

chihayafuru

I’d get in trouble for this, because the primary romance factor in the show is a famed heterosexual love triangle with chihaya at its centre and her two male childhood friends at the side. but go with me on this. chihaya is oblivious to romance and feminine socialisation, she is obsessed with a card game and with her equally dorky dark-haired rival… she’s anime’s greatest autistic lesbian lead. and you get more than what you pay for, because the two boys I mentioned? a lot of gay stuff going on there too.

the big-screen-cinematic section:

the adolescence of utena

revolutionary girl returns in the sequel of a lifetime, slightly older (sixteen, say) and gayer than ever, to escape this place with the love of her life. cue the impromptu dance sequence (with stars and rose petals)!

liz and the blue bird

the naoko yamada directed gay cinematic universe continues with a gorgeous film starring two of the side characters from sound! euphonium’s second season (not necessary to watch beforehand). that means it has plausible deniability whilst being so crazily gay it’s almost some kind of joke. this is a highly detailed, laser-focused character study of two girls in their high school band club and their ever more strained relationship. yamada never misses.

the summer

this is korean! it’s about two girls who meet at school and start dating in secret, what happens as they grow up and move to seoul, and how their relationship changes and strains when met with the conservatism of contemporary korean society. it was sweet and like aoi hana above for japanese girls, felt pretty frank to the experiences I’d imagine young korean lesbians might have.

puella magi madoka magica: rebellion

if you’re a fan of the show, you probably don’t talk about this movie. sure, it’s a visual feat, sure, it’s insanely entertaining, but it’s also frustrating and upsetting and potentially undermines the neatness of the original as a perfectly-crafted story. BUT. kyouko/sayaka becomes all but canon in it, and everything else aside, that’s all that really matters. but you should definitely watch the show beforehand.

[adventures-in-mangaland]

Dead Boy Detectives Fic Recs Part 6

Part 1 | Part 2 | Part 3 | Part 4 | Part 5

Sorry its been a while, last month was crazy! Not too crazy for my emotional support fandom, though! You guys are giving me life. So please have another fic rec list. :)

We two boys together clinging by Aliquis

Charles and Edwin explore their romantic and sexual hangups and also help Crystal search for Niko. This fic has everything: excellent writing, developing relationship, rituals, first time, Beltane, a hot priest. This is already a fandom classic and now I've finally read it, I can confirm it's very good! Read the rest of the series too!

The stranger the better by ghostinthelibrary

Everyone's alive and basically the supernatural version of the Men in Black. I love the whole series, but this installment has the boys' first meeting, Edwin insisting he doesn't need a new partner, office gossip and an intriguing case. The prequel also has palasaki and background catwin! Anyway, I'm obsessed with this AU.

Partridge in a Pear Tree by Vamillepudding

Cinderella AU! Charles is basically a Disney Princess and Edwin is Secretly The Prince, it's wonderful. I also loved the worldbuilding and nods to old school Cinderella lore, like the gift-giving tree. So charming, highly recommended.

Wunderkammer by dear_monday, two_ravens

Edwin and Charles (and later Crystal) are functionally immortal and running a magical museum. This fic has a fantastic sense of place (the Athenaeum is a character in its own right) and an intriguingly gothic horror vibe with its sentient exhibits, doors into other planes and unnerving nonchalance about disappearing staff and guests. I would probably die, but I would absolutely go there.

pinch me (I don't want this to be a dream) by shadowquill17

The pince-nez fic! Charles finds a pair of glasses that show him a person's desires. Then he looks at Edwin. It goes about as well as you'd expect. It was inspired by this wonderful comic by technically-human so check that out too!

Let Me Follow by LikeMmmCookies

Time loop fic! The boys get trapped in Crystal's mind, replaying the day of Charles' death. Only Edwin is the New Boy in school and he's alive... Fantastic concept, so intriguing. Plus Crystal being a badass, The Sandman crossovers and Niko!

Oaths of the Forsworn by e_va

Vampire AU! The boys meet while Charles is dying so Vampire!Edwin agrees to turn him. The story is ongoing, but so far it's been focusing on Charles coping with being a fledgling vampire. Compelling.

lasciate ogne speranza, voi ch'intrate by KiaraSayre

Edwin is in Hell. Or is he? Fabulous writing, Hell worldbuilding and gut-wrenching detail. Cw for body horror and torture.

'Cause You Cut Through All the Noise by DontOffendTheBees

Edwin doms Charles in a therapeutic and non-sexual way. That's it and it's great. I loved this for its exploration of intimacy, trust and kink.

Instructions on Being by thewritingotter

Everyone is Alive Modern AU based on an AITA post featuring Charles convincing himself he's homophobic when he realizes he hates Edwin dating other men. It sounds like a funny premise, but really brings the angst and poignancy.

in an alternate timeline's light by plentyghost

Charles finds comics!Edwin hiding in the office. Sweet.

Become So Numb by snowkatze

AU where the Night Nurse doesn't help Charles and Edwin spends another 50 years in Hell. Loved Edwin's mechanism for escape, kind-of-dark Charles and the angsty reunion.

unidentified affectionate object by lyres

Edwin is struck by a curse that manifests his feelings as random objects. Good thing Charles isn't also effected... Very cute with mild angst and a happy ending.

between you and me, suddenly something is on my mind by lolotr

Beach episode! A proper one. Just fun, friendship and emotional support. Plus Edwin in an Edwardian swimming costume, complete with a handy visual aid.

Other Types of Intimacy by Asidian

After a tough case, Edwin takes care of Orb!Charles. (Chorb? Is this chorbwin?) I guess I have a thing for non-sexual intimacy. Seriously, though, what could be more beautiful than someone cuddling your soul?

(black is the colour) of my true love's hair by ObsessedWithFandom

Charles has long hair: the fic. Interesting ghost lore with Charles' hair kind of working like his mood-ring polo and growing when he's happy. And this is an established relationship payneland fic, so lately he's been very happy. 😜 Honestly, as a child of the 80s, Charles deserves to have long hair. I need more fanart!

@ghostinthelibrarywrites @shadowquill17 @tumblerislovetumblerislife @lolotr @technically-human @dont-offend-the-bees @neurodivergent-fangirling @fishy-lava @many-gay-magpies @cordelia-noir @whatthehorsedoicallthisblog @shazziez @extremely-eager-reader @atariakana @tragedy-machine @guardianspirits13 @colourmornings @herebehunters @dearheartdont @avoiceofnerat @littlepocketuniverse @overlord-of-chaos @fairandfatalasfair @handwrittenhello @every-moment-a-different-sound

I've added some tags for people who left fun tags/comments on previous lists. Let me know if you'd like me to add you on the next one. :)

[weirdmageddon]

why i think aradia and john work so well

(with some stuff i’ve been wanting to yap about for ages)

have you guys ever given arajohn / johnradia (idk if its popular enough to even have a standardized ship name) any thought …? i know it seems kind of out of left field. i’ve considered it and i think its. really really good. i have a bunch of thoughts to unpack. come join me. and maybe grab a snack or something because i didn’t realize how much i'd actually have to say about this

(fantastic art by skeletood)

the other day i made a tweet that did rather well where i said, “john and aradia shouldve talked more. its so simple but i like how she actually earnestly answers his questions. so many characters in this comic are so mean to john for just wanting to know more give him a break”

putting it out there now im not big about shipping for the sake of shipping. there needs to be real chemistry. i need to sense that as a reason why two characters would potentially be a good influence on each other. i never knew why i was always so obstinate about this because it’s fictional and not materially hurting anyone, but i think it might be because i’m not sure how to justify it or explain it if not.

i strongly believe john and aradia would have had it made out for them if circumstances allowed it. (what i mean by “ship” or “johnradia” extends to any kind of interpersonal dynamic, even if just a good friendship. it doesnt even have to be romantic, just some sort of dynamic with them.)

unfortunately aradia originally committed herself to staying out of trolling the kids over their timelines, so john and aradia never talked until year 3 on the ship in the dream bubbles but they never had a truly proper one-on-one without outside meddling. i think if john knew aradia better and her story beforehand, she had more time to explain herself and her history, he wouldnt have been unsettled. and also of course if his experience with the trolls didn’t suck so bad because he already had expectations for how antagonizing most of them were.

i found people’s sentiments about johnradia elsewhere too. i remembered that they were both on the song art for ascend, and searched ao3 to see how many fics have been written to gauge how substaintial it’s been in the homestuck fandom. only 17 of them turned up. but the people who do talk about it are either curious about it or really do like it, and that interested me.

clearly it’s pretty niche character relationship to be depicted in any fanwork and i can understand why. despite being so small, from what ive seen it seems universally agreed upon to be nice. i haven’t seen a single person object to it. what ive seen falls into two categories: “wow i didnt think about this before but i actually dig it” or “(starving) finally some good fucking food”

the pattern im seeing is that people think it’s “random”, but i disagree. there is something there substantiating it even if they’re unable to articulate it.

the fanfic these comments are from is chronology of wind. that fic is really, really good, and sadly unfinished. i have more abstract reasons to believe why aradia and john would be good in theory, so actually seeing someone else actually make something with them helped me read it in action, to get a more tangible feel of the dynamic beyond what we have in canon.

i wouldn’t normally make claims about a relationship with regard to homestuck canon by looking at their relationship in a fanfic, because i think you all know by now i am very nitpicky about accurate characterization, and it does not go unnoticed by me when people get it right because for some reason it feels like a one in a million thing (even though it really shouldn’t be?). so this was a special case. the tone was completely consistent with canon. this fic is so in-character i’d basically consider it an extension of canon. to me it’s like they took the same characters and plopped them into this scenario to see how they’d interact. guys… i love that stuff so much. i love fanfiction or fanworks that depict realistic extensions of canon and stays true to the energy and tone of the source, but deepens it. there isn’t enough of it imo. i want to see more of it.

anyway, what i read of their conversations in that fic basically aligned with what i was thinking in my head about what i’d expect it to be like. i was able to compare how aradia and john talked to how aradia and the other characters interacted, their comparative attitudes towards each other—how they’re treated by others compared to how they treat each other.

have you noticed john and aradia’s communication values are both based on sincerity, being in the proper know, treating people fairly, and thanklessly taking on the necessary work that “must be done” in order to have what they really want — a good time that feels meaningful? and they accomplish this without any adjustment in how they talk to each other.

john is always subtly (or not-so-subtly) asking the people around him to answer him soberly and to the point so he knows whats going on and what that means for what his options are. he needs to know to what end he will be applying his absurd energetic drive into making shit happen. aradia honors his time before john can even become uncomfortable with the amount of time being eaten up by conversation. contrast this with rose, who seems to go on for a while with prose-like conversational adornments. in dire situations that need rapid explanation and definitive answers so he knows what to do, this is really the last thing he needs. aradia doesnt waste john’s time. she answers all his questions, and does it politely to boot. his time talking to her doesn't feel wasted.

john's impatience with this sort of nonsense is also why i can’t see something like dirkjohn working out, for example. to me it feels like @entropicbias also deeply understands this on some level because i literally couldn’t have demonstrated what i mean by it any better myself than that. i'm gonna have to to hit him up about how much i genuinely respect that like tbh hes one of the few i absolutely trust to handle writing and depicting these characters in situations and their interpersonal dynamics. and also care about doing their characterization justice as much as me.

of course people are still entitled to like whatever they like, ship whatever they want to. i dont care. but i just don’t think it would work from the perspective of the minds of the canon characters, how they generally think and approach situations. and i can already tell people might ask me how do i know this? what makes me an expert? i’m not more than anyone else is (although i have been called a "characterization expert" from my friends), but i do know that i can pick up on the energetic chemistry between people, including characters, honestly precognitively, without even thinking? like if it’s stiff or tense or awkward, if people aren’t free to express themselves uninhibitedly, if they feel unsafe or uncomfortable. i can sense this almost instantly. it’s something that’s a visceral feeling in my body i cant express and i have to rationalize it after the fact. like i’m doing now in fact writing this big analysis.

> listen to me talk about my special interest boy

for the next section to make sense, you probably want to read this post. i initially started writing it within this post to explain but there was so much brewing i had to explain the context that it turned into something i wanted to post on its own terms.

> okaaaaaayyyyy i read all that

thank you, really. my main point is using the conceptual tools provided by this system to expIain why aradia and john feel nice together and why i’ve seen people positively perceive the idea of a relationship between them even if it seems “random”.

framing them in this system, it wouldn’t be random! there’s a good reason they seem to fit nicely. this is because john and aradia have complementary forms of information metabolism. information metabolism is talked about in this section.

Jung’s psychic types are the types of cognition, or intelligence. But it would probably be easiest to call them types of IM [information metabolism], since the main difference between the types of people lies in their exchange of information with the external world.

Aushra Augusta, Commentary on Jung’s Typology and Introduction to Information Metabolism

aradia megido’s type of information metabolism (otherwise known as a TIM) is LII. john egbert’s TIM is ESE.

aradia and john’s types are duals. you can read more about what that entails here. in theory, their interactions would reflect the duality dynamic. reading chronology of wind, that one really in-character fic that explored their dynamic made me excited because they do!

michael pierce gave an overview of his impression of the characteristics of this intertype dynamic. despite only rough knowledge in socionics while he wrote this, his understanding of duality was spot on to me from my experience and others and i wanted to share it here. (fittingly, i believe he is also LII.)

Now we have the famous duality relationship: in a nutshell, this role is characterized by two traits: 1) a very close psychological distance or intimacy, and 2) a great ease of interacting with each other. It is sometimes described how meeting one's dual can be the event of a lifetime, because it inspires aspects in each party's character that they had never expressed before: the pair may even drop out of society for a time in order to focus on just each other, and to explore themselves through interaction with each other. The curious thing in this relationship is that these parties are rather different in outlook, and when they are not actually interacting as potential friends it's probably more likely for them to dislike or mistrust each other because of how different they are. […] However, when they are able to interact normally, it is a strange and wonderful discovery to realize that the interaction is unexpectedly smooth and invigorating. It's hard for people to describe, but as I understand it: while both parties recognize their differences on the surface, these differences are created by a root structure that coincides perfectly with each other, so that the differences on the surface are entirely complementary and cause no friction at all.

it’s also meaningful to consider that the structure of my own psyche is LII as well. so i’ve got a bit of a bias towards aradia and john.. not in the sense that what i actually say about them is personally biased, but that the bias is moreso my personal attention to people and characters of these two types in particular to see how my own experiences are reflected in them. i really do feel of a reflection of my own thought and work process in aradia and in the more abstract sense she is like an extension of myself. when people say they like aradia as a character i get secondhand joy from that because shares certain specific traits with me. of course i am still my own person though.

these are some of the most apt profiles i've found for these types at a glance. again, think about these characters as you read these descriptions. [from here (ESE / LII)]

ESE (Ethical-sensory extrovert) - john

The trademark quality of this type is a focus on socializing and guiding social situations and interactions so that the people involved can have fun and enjoy themselves. ESEs are typically in the middle of what is happening socially and know about the latest events and what people think and feel about them. They are skilled at bringing people together in fun and interesting ways and making everyone feel actively involved. Their friends know them as people who love life and feel most at home in social situations surrounded by other fun people. In their pursuit of fun-oriented and stimulating social interactions, ESEs typically neglect to structure their own thought processes and views in a way that would help them know exactly what they think and why. They are receptive to others’ attempts to help them introduce more structure and logical consistency in their life and thinking processes. They gravitate most to people who open up to fun and emotional interaction easily, yet are also skilled at systematizing thoughts and views and explaining ideological matters.

LII (Logical-intuitive introvert) - aradia

The trademark quality of this type is a focus on logical, structured thought and generating true assertions and views. LIIs are typically strict thinkers who are concerned that everything fits together in a logical way. They are skilled at understanding, generating, and criticizing logical arguments and instilling their views in the people around them. Their friends know them as people with well-organized thoughts and opinions who know what they think and can elucidate their ideas to others. In their pursuit of logical understanding, LIIs typically neglect their external social interactions and activities that would help them lighten up and experience a connection with other people. They are receptive to others’ attempts to create these fun and lighthearted situations for them. They gravitate most to people who are interested in their opinions and understanding of things, but are also skilled at organizing social interactions and creating a sense of emotional unity.

ive recently consciously experienced the feeling of duality for the first time since i've been communicating with my mom's high school classmate, and it is definitely a real thing. i even remember mom pointing out she noticed when we were all talking on the phone over a year ago that i perked up whenever he said stuff. here is how i explained it:

its bonkers how only once i experience something for myself i’m able to explain in detail what makes it so great based on what my impressions about it were because i tend to have a peculiar way of describing the qualities of an experience. my specialty is deep precision in my analogies for what it’s like. so now i can tell you how conversations with your dual feel… heres the status report. it’s weightless. its so strange. like the topic conversation stretches into infinity that you can pick right back up at any time. it’s hazy and unfocused but still pleasant (unless you’re particularly self-conscious and need to unlearn hiding your true self). but the best parts of it come when you have a specific issue or insecurity that comes with being your most natural self that the world seems to misunderstand about you, or just not give you what you don't even know you’ve been looking for. i think you might mutually intimidate each other at first because you're lowkey both expecting to be made fun of for your inadequacy with certain types of information that the other is nuanced with (and you’re not), but it never comes. you don't feel like what your dual wants in life is wrong. your dual seems so talented in all the ways you hope to shine but you’re always unsure of. for the introvert (me) wishing they felt their own active presence as an object (Se, Ne, Te, Fe) like the extravert does. for the extravert, wishing they felt their own relationships with other objects (Si, Ni, Ti, Fi) like the introvert does. any other intertype relationship (ITR) vs. duality is like the difference between 99% and 100% totality of a solar eclipse, except it’s the level of understanding with another person, like the eclipsing of your own information metabolism with theirs. of course there are other things that influence how well your relationship with this person goes, but i am talking strictly about when it comes to basic communication, the level of understanding you share. sometimes it might feel like you dont have much to talk about or the topic is unfocused, because you two ARE opposites in many ways after all, especially at a glance (domain of interests usually come with specific macroelements. theories about thought structures—like socionics, for instance—are in the domain of intuition, while physical interests and experiences are in the domain of sensorics.) i’m LII in the NT club (researchers) and my dual ESE in the SF club (social-communicative). so they’re constantly providing you with information from their own niche in life that you may be entirely unfamiliar with, but for some reason still interests and relaxes you to hear. you might not feel like you have a lot to say about the topic since but you are fully amazed by this person’s activity. it also makes you feel more sure of yourself and more confident that people truly appreciate and need your natural abilities.

> let’s break it down

here’s some lightly modified descriptions of the information blocks in LII and ESE's information metabolism models from pyatnitsky so you can get an overarching impression of how their type contributes to the informational sphere. i added some of my own adjustments and borrowed some sentences from stratiyevskaya's descriptions. additionally, you can click on the name of the block for an explanation of the role it plays.

i put about a week’s work into these collages but my goal with them was to actually show where i think these information blocks are most pertinent in these characters specifically and where they apply so it’s not just some abstract thing, just as supplementary examples as needed. (for the meaning of these information elements individually you can refer to cysia’s document.)

LII (Logical-intuitive introvert)

EGO (-Ti? -> -Ne!). Analytical thinking. They are well aware of the interrelationships of some objects or phenomena with others, and what laws are in effect or not in effect. On the basis of a comprehensive analysis, they put forward insights about the global essence of specific objects and phenomena, their possibilities. They acutely charge the situation with potential energy. For every situation, there is an archetype.

Super-EGO (-Fi? -> -Se!). Normative ideas about relationships between people and ways to get out of unpleasant ethical situations. Understands ethics as founded on the principles of fairness; to do to one side of the equation that you do to the other. Volitional manifestations in order to protect their living space are carried out only on the basis of personal experience. Because of the limited opportunities to fight back, they react painfully to attempts of any interference in his life. Does not respond to any arbitrary crudeness or volitional pressuring. Does not compromise goals, stubbornly clings to them. Avoids direct confrontation if possible, would rather talk civilly and earnestly. Uses their naturally strong sense of the conditioning of objects over time to avoid collisions with their material interests. Due to this, they may appear as someone with very little weaknesses.

Super-ID (+Fe -> +Si?) Attracts information about a good mood, a specific positive state, or a feeling. They would like to think that they can eliminate serious inconveniences, make the environment around them more comfortable. This skill needs to be evaluated. They are unconsciously activated when there is a need to make the environment more comfortable, which should lead to a better state, raise the mood at least in the immediate environment. In friendly, comfortable, and informal company, their cool exterior thaws and they start lighting up with joviality.

ID (+Te! → +Ni?). Has developed guidelines and methods that relate to specific practical activities, technological effectiveness, and resource use. Spontaneously feels the correct allocation of resources over time, which allows them to effectively solve tasks at an unhurried pace. This pace is deeply rational in nature.

ESE (Ethical-sensory extrovert)

EGO (+Fe! -> +Si?). Perception of the world is fundamentally emotional. Feels the emotional atmosphere well in any situation, knows the relevance of the way of expression, the place and weight (importance) of the internal state in each situation. Flexible approach to solving problems of managing and expressing emotions. They show bright emotionality both negative and positive. Creatively produces around themself comfort, coziness, conveniently arranges space, surrounds others with beautiful things, changing thereby the general condition and mood. Usually opinionated about their tastes.

(wow i really went all out on that this one that tumblr wont even display it in full resolution, so here. john just has so many more lines to choose from, sorry!)

Super-EGO (+Te! -> +Ni?). Practical and technological thinking is tightly based on acquired knowledge and patterns of solving similar problems. Methods of business activity in both general and specific areas are selected based on the opinion of reputable sources, or adjusted to one of the mastered templates. Predicting specific changes in the sphere of their interests is carried out only on the basis of personal experience. He is not able to compare his own method of forecasting with others, so he is sensitive to criticism of poor timing or deadlines, does not like situations that feel like a waste of his time; he is lost in connection with negative events. Guided by purely personal experience, he chooses specific times and deadlines for various tasks with a normative understanding of business activity in general.

Super-ID (-Ti? -> -Ne!). Attracts information about the order, specific logical relationships in the field of activity or interests. Needs someone to suggest specific ways to make connections between phenomena, patterns, and rules. Tries to be reasonable himself, even though he knows that this is not characteristic of him. Sometimes he openly talks of his actions that were poorly reasoned through, as if inviting other people to laugh at his thoughtlessness. The ordering and systematization of thought opens up a new way of understanding of events that are happening around him, as well as new prospects, potential, and capabilities. He likes to think that he understands the essence of a situation and lights up with new ideas. This skill needs to be evaluated. It is unconsciously activated when it is necessary to create order, clear consistency and clarity on a particular issue, especially if their abilities are recognized.

ID (-Fi? -> -Se!). Involuntarily keeps track of communications in their social circle. Without hesitation, they use a variety of ways to establish and maintain relationships that have been developed in his personal practice. Good relationships are important for personal inner confidence in a situation. To prevent unfavorable relationships, they are inclined, often without even realizing it, to act with pressure, forcing a showdown, forcing the partner to change the relationship for the better. Frequently demonstrates his resoluteness, persistence, and purposefulness, as if proposing his behavior as a model for imitation. Usually tells in much detail what obstacles were created before him, and how he overcame them, what he was told in response, and what he replied with, and so on and in the like.

(full res)

you might be able to see already how they would complement each other's thought process nicely. here are some descriptions of what the communication between these types is like:

+Fe! : program function of ESE and dual-seeking function of LII

The ESE periodically tells emotionally charged "program" function stories, telling of how somebody has acted and what they have done. The main orientation of ESE's leading ethical program is: "No one should be offended." The LII carefully listens to these statements, and, demonstrating a full understanding of these issues, develops logical basis for them, e.g. in calm persuasive voice he explains how the ESE has acted justly and fairly. The effusion of turbulent emotions coming from the ESE is counterbalanced by their absorption by the LII, who breaks them down into fragments by asking clarifying questions of the ESE.

-Ti? : dual-seeking function of ESE and program function of LII

The ESE is tuned to accepting information when it's relayed in clear logical form. He issues requests for logical explanations delivered from a point of view of generalized rules underpinning specific life events, which he receives from the LII, who delivers clear unambiguous interpretations, places the dots over all "i's", and demonstrates good understanding of problems that are of concern to the ESE. Not receiving information of this kind, the ESE begins making demands of those around him to be "intelligent" and understand the reasons of his actions.

-Ne! : activating function of ESE and creative function of LII

The ESE feels uncomfortable if he doesn't extend his help to people who are in need of it. His subconscious orientation is: "care and guard the talented", be kind and attentive towards other people. The LII usually meets such criteria by proving in action his aptitude at uncovering hidden capabilities, winning trust, passing on the knowledge. The ESE creates supportive conditions for people who are capable but lacking in assertive "push-through" qualities, among whom the LII finds himself, and a special work regime that protects such individuals from overloads on sensing functions. Newly discovered possibilities inspire and promote the pragmatic and business-oriented activities of the ESE. He can support a new undertaking or initiative with an enormous amount of energy and enthusiasm, light up by new ideas. Only the LII is able to, even having a vague general notion about the subject, construct a developed theory or idea of any issue. This theory shows to be promising in the process of its concrete application within its field.

+Si? : creative function of ESE and activating function of LII

LII tries to take care of their well-being, but may gravitate towards demonstrative asceticism, exhaust himself with work, studies, or exercise. The ESE periodically takes care of creating an environment that "charges" the LII with pleasant sensations: a reception of guests, a good meal, a visit to a theater or a concert, an interesting trip, and so on. At the same time the ESE takes pleasure in this himself.

+Te! : role function of ESE and observing function of LII

The role function of the ESE manifests as business-oriented activity and initiative, supplying interesting information, provision with material assistance to those who are in need, general restlessness and fussy busyness. This function is normative, i.e. the ESE seeks to comply with the norms and accepted ways of doing things. The nuancing of the understanding of these norms, i.e. introduction of activities that go beyond them, is possible only by considering LII's advice and recommendations. The LII serves as a director of this function, adjusting its workings by advocating the necessity of practical application of some beneficial ideas, rejection of useless though spectacular ideas, and the need to ensure standards of life not below average by rejection of equalization.

+Ni? : vulnerable function of ESE and demonstrative function of LII

The ESE poorly feels the flow of time, both physical, which manifests as running late and poor distribution of his strengths over time, and historical, which manifests as poor ability to anticipate consequences of actions and tendency for traditional ways of solving problems. The ESE finds it difficult to make radical choices. The LII fully takes this aspect onto his shoulders. He has an unconscious ability to distribute activities in time, thereby avoiding work stress and overloads, and is capable of making a radical choice. The LII is able to calmly wait and in the necessary moment get to work when the wasteful fussiness of the ESE reaches its critical point.

-Fi? : ignoring function of ESE and role function of LII

On this function the ESE gives advice and makes demands concerning the creation of appropriate psychological distances in form of proper behavior, courtesy and politeness, denouncing rudeness and boorishness. In this manner, the ESE adjusts LII's role function, which in itself contains a set of large psychological distances: a sullen stubborn look, unsociability, etc. With such fine-tuning it becomes easier for the LII to come into contact with people, whereby he becomes more animated, resolves many of his ethical problems that previously frightened him, gains greater insight into human relationships and a more accurate understanding as to whose side to take in situations of conflict.

-Se! : demonstrative function of ESE and vulnerable function of LII

The LII finds it very difficult to exert pressure on other people from his own will and initiative, especially in cases when he needs to attain something for himself. He finds this difficult to do - to press ahead in certain situations, to gather all the required paperwork, to stand in lines and queues, to petition for his own interests, even the ones that are of vital importance to him. He finds it difficult to push a person away, to sharply refuse someone, to quarrel loudly and defend his rights, to put an end to relations that have exhausted themselves. The ESE doesn't directly affect this function, i.e. he doesn't verbally criticize and teach the LII on this aspect, but takes over its functioning completely. The ESE exerts a constant, sometimes intrusive and imposing pressure on other people if there is a need to achieve something, to defend justice and demand fair treatment, to protect interests of those who are close and dear to him. The ESE goes to the right jurisdictions, inspires people around him and directs them towards work and purposeful activity, keeps up a high pace of life himself, and breaks off relations with those who don't deserve trust.

and some miscellaneous excerpts from literature i liked a lot. (i can't remember the sources i used since i've been working on this on and off, for the past week and i was just spilling things onto the post. i think stratiyevskaya?):

Mood - that’s what matters in this dyad - emotions and feelings. Anything that suppresses and overshadows good mood is considered unethical in this dyad and is strongly condemned.

The ESE does not allow the LII to limit him in the possibilities of consuming the amount of pleasures and joys, which he considers to be necessary and sufficient. Fortunately, both partners in the dyad - LII and ESE - are obstinate and unyielding. Both are demanding, unwilling (and not allowing anyone else) to lower the bar of their requirements, unable to give in and make concessions (especially in anything that is of principle for themselves). Both know how to make their partner reckon with their interests and insist on the fulfillment of their demands.

LII is impressed by the emotional generosity of ESE and his spiritual responsiveness. All this finds the deepest understanding in LII, since he is tuned to the same priorities and values. For his part, ESE admires the ability of LII to speak clearly and definitely on every issue. ESE is struck by the harmony of the reasoning of LII, the amazing clarity, accuracy and laconicism of his statements. To ESE it seems that for LII, there is nothing incomprehensible in this world; he can give a comprehensive explanation on every issue. And everything that ESE thought about before is gradually being built into a definite and clear system of views, which he can now very freely and naturally present. Confusion and chaos in his worldview gradually gives way to a stable logical order, as if someone patient and careful was sorting all his thoughts into shelves. Such clarity inspires and activates ESE; he begins to see some prospects for himself, new opportunities. His energy and activity, in addition to emotional and ethical expression, also receives sensory realization: ESE begins to take care of LII and carefully looks after him. If LII is a colleague with whom ESE is especially pleasant to communicate with, he begins to treat him with something tasty, homemade; will make some small, but beautiful and necessary gift (for example: new cologne or a warm scarf).

> okay that's great and all but when are we talking about john and aradia specifically?

yes, that was the point of this post. i just had to build all that up first so i could walk you through my thoughts in a fully substantiated way.

considering chronology of wind again, john doesnt realize it but he needs aradias frankness and insight. even if she’s unable to explicate on vague things, she states the reason why instead of making him feel stupid (it would create a doomed timeline) but thats all john needs to hear. she is self-effacing and only tells him the truth, and we know other people can take advantage of john’s suggestibility in this way. aradia tells john who is or isnt trustworthy, what actions would be useful/necessary and which ones wont, without any selfish personal motive a la vriska or terezi.

^ (juuuust the record my nitpicky ass doesn’t agree with the truth of the classpect interpretation on behalf of the author in the last bit BUT that is beside the point here. the point is that she is answering john’s question in a way that is meaningful for him)

aradia doesnt realize it but she needs john’s friendy goofiness to brighten her up because she is surrounded by people who antagonize her when she’s literally not even trying to get under anyones skin. everybody gets frustrated at her “spooky nonsense” because theyre afraid of their own mortality, basically telling her to put a lid on it because thinking about hard truths makes THEM personally uncomfortable. but to her it’s always just been a fact of life. plugging your ears to reality is ignorance, but at the same time that doesn’t mean there’s no meaning in anything. she wants to help people see this and she dedicates herself to becoming a psychopomp for the deceased and earnestly trying to make people feel emotionally and physically comfortable in their situation through exploring their memories.

john isn’t hostile towards her. by being herself she is immediately able to earn john’s trust when they initially talk. this is also true in canon; the one time they talked when john initially comes up to her, saying “can i ask you something? seem reasonable, and pretty nice.” unfortunately he asked her the one question she didn’t have much to say about, and i can’t blame him for expecting all the troll girls to be basically insane at that point. but i don’t think aradia is insane. yes she is odd, but i think it’s evident that she has a good head on her shoulders with knowledge of the way the universe around her works, and in the end wants to simply bask in watching it play out. i think she deserves to get childishly excited about it, especially considering she was dead for most of her developmental years.

aside from getting his answers answered, john shows curiosity about her and her species and even care about her well-being and state. this naturally comes from their conversation’s ebb and flow. aradia tells this straightforwardly, without bells and whistles and without trying to trick him, unlike the other trolls who seem keen on well..trolling him.. and providing him with unclear answers to those sorts things. maybe aside from vriska, but she did have a little bit of an attitude about it wherein her and john’s dynamic felt uneven or off-rhythm, with a large psychological distance. it’s a different feeling with aradia, however. they exchange information on the same rhythm and so are able to achieve a closer psychological distance in communication.

there are no judgments coming from aradia about john being “stupid”. she doesn’t underestimate him. it’s not just that john wants to understand (although he does), but he needs to understand what he is doing. aradia compliments john about the traits he possesses that allow him to be effective. i guess in a way i’m doing the same thing with john right now.

john is so mobile and strung along by being the action hero going from place to place as a can-do deliveryboy that he never has time to reflect on his losses, think through them, and accept them.

literally who else is more qualified in all of homestuck than aradia for talking to john about these things?

on top of all of this, they have objectively significant connections beyond just mutual self-realization in a way i think could've been fleshed out. there is potential here.

for a story, i can think of a way that a conversation between them could plausibly happen using the systems established in homestuck's mythology. in canon, we see that john never met aradia until year 3 on the golden battleship in the dream bubbles when he goes to sleep.

but john still dreamt out in the furthest ring. that means during those 3 years it was possible for john to have had a dream with her in it, or at least aradiabot. i know john didn't know aradia's name beforehand but let's just explore the possibility that they could have had met before that. remember that all these aradiabots were once this person.

aradia had obtained john's crosbytop, his dads hat, and his wallet quite a while before their sgrub session. theres your entry

imagine john seeing that

memories of dear old dad get stirred up through the link of seeing those items

the dream bubble transforms

john is forced to stand in his memories and explore grief and the meaning of life with aradia

physically being in the space around him would definitely help john reflect easier i think because it will force him to actually exist within the space and talk to someone, taking some time out for this. he wanted to know if anything could've been done or if he was just too late to save them. i know aradia would be able help him slow down and introspect. don't forget the opportunities created by the properties of these spaces that are glubbed out in the furthest ring by the horrorterrors that meld the labyrinthine time and space of their surroundings to the memories of the people and finding others through common points in memory. i would imagine that objects known by multiple people would provide a common point in memory to bring them together.

The bubbles allow the players of Sburb/Sgrub who have lost a life to continue dreaming. The reality constructed in the bubbles is a combination of the memories of everyone inside the bubble accessible to any who has learned the bubble's nature. According to Aradia, it would be quite difficult to exit a bubble to get into a new one, however someone inside a bubble can travel to another one through common points in memory, taking their own memories with them to be integrated into the new bubble. These memories mix and combine, but in general, no new memories are created. Additionally, the bubbles store the consciousness of a player who has lost their dream selves and their original selves, making them double as a form of afterlife; the player is then capable of accessing the memory of anyone else who has gained access to the bubbles. Living players, who have lost or become their dream selves, appear in the dream bubbles when they are asleep. It is in this fashion that the bubbles can be used as meeting places between the dead and the living; even those from alternate universes and doomed timelines can be found in a bubble. Furthermore, in addition to memories, the bubbles can to some extent reflect the thoughts of a player. Beyond that, the bubbles can also behave similarly to Skaia's clouds, showing things that are in some way relevant to the player - such as when coin-flip Dave saw alpha Dave grieving over Bro's corpse - something he was not aware of before being shown it by a bubble.

physically reflect the thoughts of the player…… rubs hands

john and aradia share points in memory related to those objects, and to top it all of they are directly related to john's dad on the same day he died, while aradia grew up with them as bizarre alien artifacts from an archeological dig. the memories are more emotionally charged for john, and i think that distinction would probably be relevant to them both.

to be honest i think after speaking with him for a bit she would readily tell john that she regrets not talking to the kids from the universe her team created sooner before she died, but is glad that she can in the afterlife. in canon, alpha aradia told a doomed dave, "i think its absurd i never introduced myself to you in all that time i spent moping around the lab. guess i wasnt in a very good mood".

now not all the aradiabots would know who john is, because the trolls only found out about the humans once they created the genesis frog and hid out in the lab in the veil from jack who infiltrated their session. the aradiabot in the lab was the last one that survived. so if any one of them would know who john is, it would be the aradiabot that exploded. aradia's dream self ascended to god tier in jack noir's rampage on trolls' derse and took those memories with her which we can assume is what made the last aradiabot explode. its known that any original copy that dies when another rises up becomes a ghost and lives on in the dream bubbles, which would include her. a doomed aradiabot we see in the comic, which was the one that originally landed to alternia in the past, becomes more lighthearted after she dies, a bit more like her alive counterpart.

oh yeah, and the more obvious surface-level connections to top it off? ghostbusters? john ain't afraid of no ghost girl. john would be genuinely interested in what aradia living as a ghost irl on her planet and not as a gaming abstraction in the furthest ring would be like. i imagine she would be able to explain the subjective experience and that she had to prototype herself into the kernelsprite order for her server player to see her. there's also no way john hasn't seen a movie as classic as indiana jones and judging from her poster i can imagine he probably thinks it's sweet that aradia's strife specibus whipkind is a reflection of her own personal tastes, interests and hobbies.

so yeah i've just been chewing on all of this and thinking about it but i know i needed to just get this out there somehow. obviously since i spent two weeks putting this post together i'd be happy to hear your thoughts

[lurkingshan]

Japanese QL Corner

Another show just wrapped up, but a new one takes its place next week. Takara and Mitsuya have really become the bright spots for me in this current run of shows; they make excellent bookends for the week in jql. Of the five shows airing now, four are streaming weekly on Gaga and the other is available via fansub.

Takara's Treasure

What a fantastic episode of a show that continues to get better and better. The way this story has slowly built our understanding of these characters, and their understanding of each other, is masterful and so rewarding. I really loved the direct conversation they had about Takara's post-graduation plans and what it means for them, as well as Taishin getting to the heart of things and reassuring Takara that his desire is welcome. I'm excited to get a peek at Taishin's family next week and see how they navigate whatever challenges they bring.

Cosmetic Playlover

Farewell to this very pretty show whose story did not make much of an impression on me in the end. It never found a coherent relationship arc or gave us any foundation for this romance to hang onto, and it didn't live up to the dark and sexy tone of its original promotion. But it gave us a lot of beautiful visuals!

I Hear the Sunspot

We've now spent an entire month on repetitive side plots designed to separate and cause insecurity for Kohei and Taichi, and I am over it. I understand that the show is faithfully adapting the manga, but this is the thing about adaptations: when you switch to a new medium you have to adapt the work to fit the new format. When you read a manga you can speed through side plots designed to stretch out the story, but you can't do that in a weekly airing drama. And yes, I have seen the arguments that this is primarily a coming of age story about finding yourself, but it's not doing that well, either. This job falling out of the sky for Taichi and his boss—who we are meant to read as someone with good intentions—encouraging him to drop out of school immediately to work full-time is a strange development. That it once again set off a spiral of Kohei and Taichi feeling insecure about their friendship and misunderstanding each other only makes it worse. I understand the intention: we are supposed to be getting that Taichi is embarrassed about this job because it's tied to his still ill-defined feelings for Kohei. But they haven’t unpacked his hang ups with admitting (or understanding?) that he likes Kohei back enough for that to land. We've spent so much time sitting with Taichi's broody confusion without gaining any deeper insight into its source or seeing him grow, which makes all of this just feel like stalling instead of important character work.

Mr. Mitsuya's Planned Feeding

gif by @my-rose-tinted-glasses

*sobs* Welp, the penultimate angst has definitely arrived. They distracted me with the possibility of dog death (Frito lives! THANK GOD) before sucker punching me with Mitsuya pre-emptively rejecting Ishida before their relationship could go further. And while I often roll my eyes at this kind of noble idiocy in the penultimate chapter of a romance, I think it's well-grounded in this story. Mitsuya has been worried about whether a relationship between them is right since he learned about Ishida's feelings, and on the heels of this blow about Frito's health and his sense that he burdened Ishida with this problem, he is feeling his age and his melancholy more than ever. He sees Ishida as a bright and beautiful young person that he would only drag down, and he does not yet understand that it was meeting him that brought this out in Ishida in the first place. The way he apologized and berated himself for asking Ishida to stay then hugged himself for that whole horrible conversation said it all. This also sets us up nicely for Ishida to finally make himself clear and do a classic jbl run next week (this show is ending too soon, I'm going to miss it so much). Thanks as always to @isaksbestpillow for providing her wonderful subs so we can all enjoy this beautiful drama. You can find the ep here.

Tagging @bengiyo to add this week's anime update.

[starlight-archer]

@netflix

Greetings,

I am writing to you with hope in my heart, to implore you, from the bottom of my heart and with the utmost sincerity, to please reconsider your decision to cancel your critically acclaimed new show Dead Boy Detectives.

This show has touched a lot of people's hearts and souls, my own included. It has generated countless rave reviews, massive online buzz and an amazingly active and dedicated fan base that continues to grow.

This series has done something truly incredible and meaningful, and I think you have something remarkably special with Dead Boy Detectives. I have so many reasons why this show is worthy of your investment, faith, and more than worthy of a second season. In this letter, I will attempt to narrow it down and list a few of them.

Firstly, a fantastic foundation has already been laid down from the start with it's incredibly compelling and well-rounded characters. Each of them feels very nuanced, natural and whole in a way that succeeds in making them all widely relatable despite their distinct individuality and complex differences.

There is a rare kind of beauty to the way that these characters have all been written and then brought to life by the cast in such a genuine and heartfelt manner.

Secondly, the natural and loving way in which POC, women and queer people are represented is second to none.

You have an amazing example of a strong and powerful female lead in Crystal. She is layered and does her best to be better than she was in the past. She is realistically flawed and so resilient that it is impossible not to root for her. She is smart and empathetic, and puts in effort to understand her friends, even when they butt heads.

The fact that her powers can never truly be taken away and that she can always connect to them through herself and through the support and live of her female ancestors is a thoroughly wonderful detail that leaves you with a deep sense of hopefulness.

Niko, who is far from home and starts off all alone after losing her father, finds kinship and courage through the support of her friendships with Crystal, Edwin and Charles,and shows her unwavering strength through her continual acts of natural kindness. She is sharp and observant, and she utilises that yo be amazingly caring.

Charles' story is also incredibly relatable and meaningful. The way that he overcomes his painful history with his parents through kindness, and does this again and again, despite still dealing with so much trauma and hurt is astounding. I, and many others long to see his story at continue.

Now, Edwin and his relationship with his queer identity...

The way in which the queer representation has been handled in Dead Boy Detectives is leagues above the vast majority of other shows that share its target audience. It feels so authentic. Something which is unfortunately hard to come by, which this show pulls off spectacularly.

Edwin's personal journey with his sexuality is done with so much care and raw honesty that it is impossible not to appreciate everyone in the writers room who was responsible. George Rextrew's portrayal of Edwin in this aspect (and frankly all other aspects) was simply phenomenal. The way that he discovers more of himself through his relationships with his peers is done so incredibly well. Charles, Crystal, Niko, Monty and The Cat King all play a significant role on his self-discovery - be it directly or through showing their support - in a way that I am sure many of the queer viewers long for and relate to.

There are so, so many people who feel seen because of Dead Boy Detectives, myself among them, and that is something that is immensely and inherently valuable.

Furthermore, the realistically nuanced way in which the show depicts the characters dealing with different kinds of grief and trauma is unbelievably refreshing. To show each unique situation and natural, emotional and internal responses in a way so grounded in reality is a true achievement. One that every member of the cast and crew should be celebrated for. As someone who has experienced tremendous loss, I can confidently say that the way these things are depicted in the show is highly accurate and resonant.

Aside from these aspects, I am of the firm belief that timing and lack of appropriate promotion harmed the number of streams in its initial days of release. It was put out right before/during exam time from American viewers, meaning that all of the teens who might have been binge-watching, were stuck cramming for tests. Additionally, while I do think that focusing so much fantastic promotion and marketing on Tumblr was a stroke of genius, not matching that across other platforms such as X (formerly Twitter), Instagram, and TikTok was a gross oversight that significantly limited reach and harmed viewership.

All of this on consideration, please, please reconsider the cancellation. Dead Boy Detectives has so much potential and deserves a real chance to grow and succeed.

There are thousands of people who share my sentiments of devastation and disappointment, but also hope and massive amounts of love.

It is well evidenced that sharing this show has created a wonderful communuty and brought droves of people together. Drives which I am sure that you have seen sharing their sorrow, frustration, and their dedication across social media.

Saving Dead Boy Detectives is worthwhile and just makes sense at this point, especially given it's role as an extended part of your well-established hit IP The Sandman, and the current proximity to Halloween, when a show about ghosts will be so seasonally and culturally relevant.

I am begging you, alongside thousands of others to bring Dead Boy Detectives back for a Season 2. Please hear our voices and restore our faith in you as a platform.

It is not too late.

#SaveDeadBoyDetectives

Sincerely, one of countless dedicated fans.

"It's not what you did, it's what you do that matters." - Edwin Payne (to Crystal, The Case of The Devil House)

[ro-is-struggling]

Fireproof Series Masterlist || Johnny Storm x Reader

disclaimer: the pictures above are purely for aesthetic purposes and do not represent the physical appearance of the reader

Series summary: you and Johnny weren't supposed to get along. You were the exact opposite of each other. While he was loud and outgoing, you were quiet and introverted. He loved to be the center of attention and you actively made efforts not to be. He had made a name for himself as one of the biggest players on campus while you stood out for your academic achievements. You hated guys like Johnny, and he had no reason to associate with people like you since you rarely shared spaces. And yet, against all odds, you were able to forge a solid friendship. In fact it was the contrast that made the two of you work so well. You called out his bullshit and he pointed out yours. You were a good influence on each other, no one could deny that. It was a perfect relationship, you knew all the bad things about each other and still chose one another....

But what happens when romantic feelings start to flourish?

This series is a collection of one shots that will give you a glimpse inside Johnny and y/n's complicated relationship.

Warnings: slow burn, friends to lovers, mutual pining, a bit of angst, fluff, lots of cliches (like seriously, I was kinda playing the game of how many cliches can I put in the same story? lol) 2000s teen flick/ rom com coded (so I guess it’s a bit cheesy? read at your own risk!), FEMALE READER

This fic starts a bit before the events of the first Fantastic Four movie, when reader and Johnny are in college (but it gets to the movies don’t worry!)

English is not my first language

Author’s Note: I recently rewatched the old Fantastic Four movies and I had so much fun I just had to write something for Johnny. Yes it's terrible plot wise but I love the early 2000s vibes of it. So I tried to keep a bit if that vibe with very overused tropes/scenes and stereotypical characters (yk like the annoying popular girl, the playful fuck boy love interest with a heart of gold and the ‘I'm not like other girls’ main character). I have a soft spot for those kinds of stories and I thought Johnny was perfect for it! I tried to keep a balance as to not make it too over the top, I hope I did a good job

The idea for this fic is to make a sort of collection of separate one-shots that show different moments in Johnny and reader’s relationship, if that makes sense. I have most of the story planned and written, but it is not completely closed. What do I mean by that? That I have a beginning, conflict and ending thought out, but that doesn't mean that once I post those parts the story is over. 

I'm structuring this fic more as plot points than anything else (i.e. how they meet, when they have their first kiss, what the big love confession is like, stuff like that). Beause of that, there are parts of the timeline of the relationship that aren't shown. And that leaves me time to imagine a lot of things, if that makes sense? So if I have a random idea about a silly thing that happens between them in the middle of "the plot" (or if you guys think of something!), I can add it and expand the context without changing the whole story.

ALL PUBLISHED PARTS:

Part 1: First Impressions

Part 2: {COMING SOON}

[fallenrocket]

One thing I really love about the Ed/Stede relationship is how damn dynamic it is. I think part of the reason that people continue to gravitate towards non-canon queer pairings, even as LGBTQ representation is slowly increasing, is that a lot of canon queer pairings feature watered-down storytelling. Many stories still lean into "I've never felt this way about another man/woman before, I don't know if I can do this, what will people think?" as a main source of drama, and plenty of others don't really have drama at all, instead giving us blandly-pleasant background couples that don't have a lot going on. People ship non-canon pairings because they're exciting, meaty, and complex, the kind of romances they'd want to see onscreen. (And, well, fans are going to ship attractive characters with each other. It's what they do.)

Ed/Stede is fantastic because it has all the complexity and drama of a non-canon ship paired with explicit onscreen confirmation involving declarations of love and physical intimacy. Both characters are equally capable of bringing the drama and the hilarity, and they're magnetic together. I just love watching the dance they do over the course of the series. Instant connection! Maybe betrayal! Friendship that's hurtling toward more-than-friendship! Causing havoc on aristocratic party boats! Cuteness and fluff, anguish and near-death experiences! Issues with trust! Emotional arguments! Dramatic saves! Mermaid fantasies!

That's part of why it can be so stunning that this show is actually real. It's not just that the characters are queer. It's that this is entirely the sort of story that would be queerbait on most shows, gripping and compelling but with no intention of "going there." Throw in the casual queerness of so many of the other characters, and it just gets more and more mindbending. We might be inclined to ask what we did to deserve a show like this, but with every breath, the creatives/cast/crew are telling us that this is a show we've always deserved.

[puppetwoman17]

@ace-is-undead It’s nice to meet a new fan! I hope you make lots of friendships on here❤️

For anyone who’s curious, this person asked me:

as someone taking interest in Captain Marvel because of the movies (never heard of him before :/), I'd love to know why you think the movies ruined Billy's image! Bear in mind, I recently started reading some comics about Shazam

I knew I’d be making a hella long comment, so I thought, hell, let’s make a post!

Now, as a preface, I worded what I said a little too strong. The 2019 movie isn’t the worst piece of Shazam/CM media ever. There are definitely parts of it that I liked. The humor was 10/10 for me, and I did like the costumes. There are things about the story I don’t like, but for the purpose of all of us not sitting here for the next two hours, I will stick with just Billy’s personality.

This post will probably have stated everything more eloquently than me lol:

Many Golden Age heroes were created/used to combat war trauma. To the kids who read those comics, it made them feel safe. To read about these people with fantastical abilities, who regularly fought Nazis, supervillains, and entire armies.

Captain Marvel was a little different, though. It wasn’t an adult who was doing the protecting. Or, it wasn’t JUST an adult. It was also Billy Batson. A kid, like all of the other kids reading these comics. And it was different from kid heroes like Robin because he was the hero. The main hero.

Before the New52 reboot, basically from the 40s-2000s, but I could be wrong, Billy was a homeless kid. His uncle Ebenezer threw him out after his parents died and stole his inheritance. He got a job at Whiz Radio and became a reporter, giving him enough money to get his own apartment.

In one continuity, his friend Dudley becomes his guardian. In the most famous interpretation, the Power of Shazam series from the 90s, he is, after some time, adopted by his twin sister Mary’s adoptive family the Bromfields, and Nora Bromfield happens to be their mother’s cousin.

The important thing to grasp from this is that Billy was independent. Responsible. And when he got his powers, he was also responsible with them. He has a few fumbles, but he was always able to keep them and do good with them.

His Captain Marvel persona was also like that. He led the Squadron of Justice, a team of Fawcett heroes. There are also instances of heroes like Batman and Superman praising him as a trustworthy hero, even knowing about his identity.

It’s also important to note that, while in some times the Captain character is childish, he is never stupid. He makes mistakes, is a little goofy, but he never does anything outright cringe worthy.

A prime example of a good interpretation is the JLU episode Clash. The whole JL really likes him. For some reason my tumblr is acting up today so I can’t put any videos without it not allowing me to type afterwords. But the series is on Netflix. Like holy heck, Bruce says they all like him because he’s sunny. Bruce!

There’s also comic examples, like Action comics #768, which is in the POV of Superman. I’m just gonna put everything Clark thinks as text.

“And then it happens.”

“Armed with the wisdom of Solomon, the patience of Atlas, and the focus of Achilles, a teenage boy in the body of a man defends human kind to a frog goddess.”

“I can’t imagine anything more ludicrous. I can’t imagine anything more moving.”

“With unmatched eloquence, he explains humanity’s needs, our weaknesses, and our relationships with nature to a being as old as time.”

“She retorts. It’s not the act itself that enrages her, but the fact that her people are taken for granted.”

“Bred, butchered, wasted. Without appreciation for the contribution to the lifecycle.”

“He emphasizes. It is a horrible thing to be underestimated, unappreciated, forgotten.”

“His sincerity is a living thing. They speak for an eternity until Heqt has been heard and appeased.”

“Then, the war is over. Diplomacy and reason succeeds, where force…where I… simply would have failed.”

This is another example:

I mean the whole Captain Marvel-focused panel is Clark and Bruce arguing with Diana that Cap will be a great asset to the League, and how Bruce wants him on because he’s just GOOD. They all knew he was a kid, and they didn’t care because they trusted him that much!

Many 80s and 90s comic showed Cap as this beacon of hope, very akin to his Fawcett era, which is why so many of us liked it. He was still goofy at times, but it never overshadowed how much of a hero he was. Hell, the Fawcett heroes never gave a damn about him being a kid. All they saw was a person doing good, and they automatically began working with him.

He would get into friendly tussles with Superman, and him and Diana hugged one time, and she confided in him about how she might die. I can’t find the issue, but it’s drawn by Alex Ross, so that may narrow it for you.

Cap was genuinely respected. There are even some comics where Billy’s is interacting with the League as himself and they treat him like any other friend!

And Billy was chosen not because he was a last resort, but because the Wizard saw so much good and purity in him. He still made mistakes, but he was never not worthy.

Compare that with, not just the Shazam movies, but the DCAMU movies(JL War & Throne of Atlantis), and you get a whole other monster. I mean, he is just dumb, awful. He’s good when he’s Billy, a little snarky while also being a good person and comforting Cyborg(before taking his jersey, lol). But when he’s Shazam(his name in the DCAMU) every single thing that came out of his mouth was just… not it. If gets even worse in Throne of Atlantis. Literally almost everyone on the team hates him. The only reason Cyborg doesn’t is because he knows his identity.

In the 2019 Shazam movies, hes very similar. They made him a lot more jaded, which just ruined his character for me because Billy is the type of person who would rather die than talk down to other kids going through what he did. I’m cool with the rebelliousness, it’s just that that I’m worried about. It’s even worse in the 2013 shazam comic series because he’s actually way meaner there. Like jeez, why do you want me to hate this boy so much DC??

And as his Shazam self, he’s like ten times more goofy and irresponsible, which is such a backwards take it’s insane.

The character of Captain Marvel was beloved by so many children because it showed that they could be just like those other heroes. They could fight the monsters and get the job done, and no one would look down on them. They would be taken seriously. Seeing this kid bond with and interact with and be trusted by these seasoned adult heroes was EVERYTHING.

I may not have a grown up in the 40s/50s, but I did get introduced to him in JLU, and then Young Justice, and then obscure media, and then comics. And through that journey, the take I loved infinitely more was of Captain Marvel being this guy who made mistakes, but always tried to do the right thing.

Making him out to be this…immature dude who never knew what he was doing just stomped on all of us. It also really irks me because that is how some people will be introduced to him. As opposed to who he really is. And they won’t be interested because the face value is all they’ll see.

Heck, some people think he’s one of the weakest DC characters when he ranks in the top ten. He’s the Champion of Magic and guardian of the Rock of Eternity for Pete’s sake! He’s fought and almost won against the Specter himself! (Day of Vengeance comic series, it’s so good!)

It’s unclear why his character has been so diminished. Some people, including me, think DC is trying to lower his…everything in general so he can never measure up to the Man of Steel, which is so petty it’s ridiculous.

Hopefully he’ll get something in James Gunn’s new DCU, a movie or a show. Because I feel like there’s a chance to reintroduce the true Captain/Shazam to people.

Anyway, I hope you enjoyed my petty-fueled rant😅. Sorry for the angry spews. Anyway, there are some good reading lists for Shazam/Cap on tumblr. I really advise you to check those out. Though there are also a few articles on google listing all of his appearances, so if you wanna get detailed then those are where you should go.

We also have a Captain Marvel fan club! Go over to @im-not-buying-it-ether and ask for an invite for more content.

I hope you have a fulfilling journey!

[spampai]

Talk Your Way Out!: The Reboot (Preview) :)

It’s back + 100 Followers Special!

A manga filled with comedy, mystery and uncanniness on the journey of two creatures: the self-contained Surgeon and the emotionally-unstable Sheriff! Witness the beginning and the end as they unravel their problems to progress through their adventure in the deep, dark kindergarten and their old friends and foes to defeat the former prince that shattered their kingdom apart. Will they succeed, or fall into his hands? Read to find out!

Thank you all for 100 followers!! I’m really happy to be a part of the community and I hope this lil’ gift will make your day! Stay true to your goals, have a positive mindset and be happy!!

This is something to celebrate the fantastic world of Garten Of Banban, including every character, exploration and interactions imaginable! Remaking the entire story with all the concepts and ideas in mind, it will take place before the Kingdom became a mess, and will time-skip to the aftermath events of GOBB 7. Not only will it be about these two characters, other characters’ stories and relationships will be explored. This features stories such as tragedies, the past, and friendship bonds with a twist of truth and scare!

New features include:

-New formatting! Along with a numbering system!

-More perspectives and angles for better dynamics!

-Instead of Parts, it’ll be multiple short chapters!

-Timeline will be provided as there will be a time skip, providing you all with a brief summary of all the previous games before GOBB 7!

As always, thanks you and enjoy the art!

[ladyloveandjustice]

My Favorite New Manga and Graphic Novels I Read in 2023

It's time to take a look at the comics and manga I read this year! I read  a whopping 78 manga and graphic novels in all. Here's a link to my Goodreads year in books (the manga is at the beginning, the novels start with Siren Queen) and my storygraph wrap up.

I also read 36 novels! If you want to see my favorites, check out my reviews here!

And finally, I've got the continuing manga series I've enjoyed this year here, so check that post out too!

The Magic Fish by Trung Le Nguyen

This is a tale about a first-generation Vietnamese-American boy struggling with coming out to his mother. He connects with his mother through fairytales-- she uses them to express her journey as an immigrant, and he uses them to explore his queerness and identity as a Vietnamese kid growing up in America. It's an absolutely gorgeous book full of Trung Le Nguyen's signature stunning art. The fantastical, ethereal fairy tales are weaved beautifully into the lives of the characters. The book explores how fairy tales can form connection, can express culture, can tap deeply into something real and true, and can offer tragedy and catharsis. The protagonist uses fairy tales to write his own story, and the ending is lovely and moving.

Exit Stage Left: The Snagglepuss Chronicles by Mark Russell and Mike Feehan

You may know Mark Russell from his darker, socially aware re-imagining of the Flintstones, which made quite a splash on Tumblr with this post. Well, I had pleasure of meeting him at a local convention, and I finally got his comic re-imagining of Snagglepuss, also of Hanna-Barbera. He re-imagines the titular pink puma as a closeted gay playwright in the 50's dealing with McCarthyism. It's as wild as it sounds,but also really digs into the politics of the time, the struggle of standing against oppression and how art fights through suppression and censorship. It's tragic, hopeful, poignant and full of historical references. I enjoyed it ! Definitely be cautious if you're deeply disturbed by homophobia and suicide.

The Summer Hikaru Died by Mokumokuren

A story about a teenage boy, Yoshiki, who realizes that his best friend and crush Hikaru has died and been replaced by a strange eldritch being who is imitating him. But, missing his loved one and desperate to cling to any piece of him, Yoshiki decides to keep on having a relationship with this mysterious entity. This book's horror is visceral and sublime, especially the bizarre, creepy, beautiful body horror involving the being who replaced Hikaru. It's an exploration of anxieties involving grief, relationships, and sexuality that hits just right, and the atmosphere layered with dread is top notch. I love me some messed up relationships and unknowable queer monsters, and this book delivers.

Chainsaw Man, Look Back and Goodbye Eri by Tatsuki Fujimoto

Chainsaw Man needs no introduction, but I did end up really enjoying the story of the doggy-devil boy hunting other devils. It got so tragic and intense at the end, with lots of great surreal horror imagery and darkly funny moments. I'm impressed it went so hard, though the random powers that kept piling up made what was happening hard to follow at times, especially in fights. I'm also enjoying the current weird arc starring a class-A disaster girl and the demon sharing her body.

Look Back

I really do enjoy how Fuijimoto writes messy pre-teen/teenage girls. They ring so true. The manga follows the fraught friendship between two girls as they create manga, exploring the struggle of art mixing with real relationships, and how someone keeps creating after tragedy. It's a little hard to follow at times (especially since I have to differentiate the leads based on hairstyle), but it's a good read.

Goodbye Eri

Probably my least favorite of the three, but it's a fun read- a weird ride that examines the thin line between fiction and reality in art and makes good use of Fujimoto's cinephile background and signature gaslight gatekeep girlboss characters.

Is Love the Answer? by Uta Isaki

The story follows a teenage girl, Chika, who has always struggled with not being attracted to anyone. When Chika enters college, she meets queer people all across the spectrum of asexuality, and starts exploring her own identity. As an ace, this is the best story about asexuality that I've read. It was a nuanced look at asexuality and queerness and all the variations. Chika's journey and how she found her community was moving and poignant. It's a honest, moving look at relationships and identity, and how complicated and hard to define both of those things can be. I loved the moments of Chika imagining herself as an alien to explore and cope, and how she bonded with people through magical girl shows and other geekery. My favorite new manga of the year, it really connected with me!

The Girl that Can’t Get a Girlfriend by Mieri Hiranishi

Oh girl, I've been there. This is a fun autobiographical comic about a butch4butch lesbian's struggles finding a partner in a word that favors butch/femme, and it's just an honest look at the messiness of loneliness and relationships. I also appreciate that crushing on Haruka in Sailor Moon and becoming a HaruMichi stan was the beginning the author's queer awakening because uh...same! She has taste, and is truly relatable.

Qualia the Purple: The Complete Manga Collection by Hisamitsu Ueo and Shirou Tsunashima

See my review of the light novel here for my general thoughts on the story, since it's adapted pretty faithfully. I do think the manga is overall the best experience though, because the illustrations break up the detailed explanations of quantum mechanics a bit, and it includes a bit of extra content that fleshes things out, especially withthe ending.

The Single Life: 60 year old lesbian who is single and living alone by Akiko Morishima

Just like it says on the tin, this focuses on a 60-year-old single lesbian. And definitely the shortest thing on here, since only one 30 page chapter is out.  It's a grounded story about a woman looking back on her journey to finding her identity, touching on sexism in the workplace and other challenges. It paints a portrait of a proudly gay elder who's still perfectly content being single and feels fulfilled by the life she had rather than regretting past relationships. I definitely want to see more.

Daemons of the Shadow Realm by Hiromu Arakawa

Arakawa's latest, the story is about a boy who lives in a small village with his little sister is imprisoned and has to carry out a mysterious duty...but then the village is attacked, supernatural daemons awaken, and everything he knows might be wrong. I'm enjoying this fun romp so far! It delivers an really nice plot twist right out the gate (and an excellent subversion of the usual shonen "must-protect-my-saintly-sister" narratives). It boasts Arakawa's usual fun cast and interesting world (and cool ladies). There's some slight tone and pacing issues in the first part- there's so much time spent explaining mechanics the lead doesn't really get to react to his life turning upside down. But it starts smoothing out by the second volume. I'm excited to see what's next!

Superman: Space Age by Mark Russell and Michael Allred

This is a retelling of Superman set throughout the late fifties to early eighties that has Superman interact with the political and social upheaval of the time and question his own role in things. It explored the Superman mythos through a lot of cool new angles, and has a good Lois (why yes she would break Watergate) which is how I always measure a Superman adaptation. My one complaint is, while I liked some of the things it did with Batman, the ending with the Joker was pretty weak. The ending of the overall comic will also be bizarre for anyone not uses to how weird comics can get, but I think I dug it.

#DRCL by Shin'ichi Sakamoto

A manga retelling of Dracula that focuses on Mina as the protagonist and imagines the characters at an English prep school. It adds a lot of  diversity to the characters  and has exquisite, evocative art. I'm curious where it will go and what it  intends to do with all it's changes (especially Lucy), because right now it's mostly vibes and creepiness and the direction isn't clear.

[wuffgang-ameowdeus-moozart]

Aren't you tired of forced romances with no chemistry that only take away from the actually interesting plot? Don't you just want media where romance isn't portrayed as being superior and more important than (queer)platonic relationships?

Well, my exhausted aro ass is too, so here are a few tricks and wisdoms I've gathered over my years of being a-spec (which is all of them) on how to avoid romance (in media) in a very allonormative society 💚🤍🩶🖤

(this is a rec list btw. no I am not shitting on the shows that I tagged, quite the opposite)

1. Middle Grade

I get if you aren't really into that, because it is kind of annoying to be pointed to literal children's literature when all you want is a story that isn't constantly being interrupted by describing the main guy's heated eyes for the twentieth time.

However.

It is true that in middle grade, friendship is always more important than romance. Because, let's face it. Making two eleven year old characters kiss is kinda weird. So even if there is a romance, it isn't very prominent and treated more like friendship and/or a puppy crush. Plus some stories get surprisingly dark?!?!

Examples

- Howl's Moving Castle (Diana Wynne Jones), technically a romance in the end, but mostly focused on found family, shenanigans, and finding your own value

- House of Many Ways (DWJ). Yes, again. I really like her books okay? They always have something so fantastical and whimsical about them. This is my other favorite book by her and it has literally no romance at all. Plus a hmc cameo that is so fun !!

- Coraline (Neil Gaiman). Maybe this is cheating because I never actually read it. However. a) the movie traumatized me. b) Wybie was added to the movie, he doesn't exist in the book, so if "power of friendship" isn't your thing this will be great. Probably vibes over plot.

Flyte (Angie Sage). Technically this is the second book, but I never read the first one and still understood everything. Once again, no romance at all. A fun read, which can get surprisingly dark at times.

2. Short Story Collections

Once again, I get it if it isn't your thing. Short stories are - as the name reveals - short. Which means: no worldbuilding, very limited narrator, open ending, no time to really get attached to characters, etc.

But.

The cool thing about collections, is that they always have a certain theme. And as long as the theme is not romance, romance will not be the focus. Even if there is a romantic relationship, it will be used to explore this theme since there simply isn't time for anything else.

Examples:

Life Ceremony (Sayaka Murata) This is the book that actually made me figure out: hey! I do actually like short stories !! The main theme is basically about being different and it plays a lot with body horror and the perception of your own body in contrast with how society sees it. There is even a story about two women who platonically live together and raised multiple children!

Canterbury Classics: Classic Tales of Horror (introduction by Ernest Hilbert). As the name suggests, this is a collection of horror short stories, featuring well-known authors such as Bram Stoker, Edgar Allan Poe or Charlotte Perkins Gilman. As these are classic old tales, the language is a bit complicated at times and you can read them for free on Gutenberg. However, the book is very very pretty and the introduction is very interesting (Origins of the genre, specific tropes and monsters, etc.)

3. Podcasts

PODCASTS!!! If you follow me, you are probably already aware of those. However, in case you don't, let me introduce you to the wonderful world of Audiodramas.

The cool thing about Podcasts is that pretty much anyone can do it. All you need is an idea, a mic, a lot of motivation, and you're pretty much set to go. No producers or publishers you need to get approval from. So it is only natural that this medium is filled to the brim with queer creators. Basically every character is somewhat queer. It's awesome.

Examples:

- The Silt Verses. I adore TSV. I listened to the first season like, four times. (the second one is good too but OH MY GOD THE FIRST ONE). And one of the main characters is canonically and explicitly aro!! Sister Carpenter, I love you with my whole being. And the great thing is, it is very clear that the writers love her, too!! There is a lot (like a LOT) of body horror so it isn't for everybody. But if you think you can handle it I really recommend it. (Plus, not any romance plotlines at all !!)

- Wolf 359. This is one of the older ones and it is really good. It's a bunch of restless and very unwell people stuck in a spaceship under the unforgiving rule of capitalism. However bad you imagine it, I can assure you it is worse. But the really cool thing is that there literally isn't any romance at all. Like, there are great m/f friendships but they never even hint towards a romance. Some people are so unused to that that they literally ship the main dude with the fucking robot AI. (don't worry, not an actual romance plot).

- Girl in space. I am sure you will be absolutely shook to know that this one also takes place in space. It is about a girl. In space. Shocking, I know. Except that she has been on her own for well over a year when suddenly a fleet of strange ships arrive and kidnap her. There is also a very asshole-y robot. And questions about what makes us human. And found family!! And a goat. And cheese. Just go listen to it okay. This is also one of the shortest ones of the list, so maybe a good start.

- Malevolent. I have to confess that I personally am not a huge fan of this one? Like the premise is really cool - a detective who wakes up blind and with a demon in his head who can see through the detectives eyes. What the fuck?, you may ask yourself. So does Arthur Lester. Mysteries and other dimensions and a whole lot of pain ensues. Harlan is undeniably an awesome VA and a great writer, but his stories just seem a bit too repetitive to me? Nonetheless I know of lots of people who enjoy it a lot. Trying to define the relationship between Arthur and John (his demon) is perhaps the biggest mystery of them all. (Jk. there are multiple murders and stuff. they've really got other priorities)

- Middle:Below. This is another short one and probably the least famous of this list? It's about this funky lil dude with a ghost roommate and a cat who can talk (.....or can it?). There is a m/f friendship but it never turns into a romance (wow it is possible!!). They all go on adventures on the dimension between life and death. Despite the description, this is literally just a comedy. A bit spooky at best. Reminds me a bit of scarier kids cartoons like gravity falls.

4. "Gay" movies/series in countries with homophobic censorship

Now you may think, "hey that seems like a bit of an asshole move!". And you would be 100% correct in thinking that.

However.

It does also mean that the main relationship of the story can never be explicitly romantic. They can allude to it, they can try to show it. But they can never confirm. So it is very easy to interpret them as having a QPR. (because tbh I don't think I've ever seen one on television.)

Examples:

The Untamed. Look. I am aware that the first episode is so fucking atrocious, all right? And no, the CGI does in fact never get better. And sometimes the translated subtitles are a bit awkward. But I swear that it is so good. Trust me on this one, okay? Just make it through the first ep. It's a wild ride. Lan Zhan I love you. (However the book it is based on (written by a woman) depicts them being in an explicitly romantic relationship, with lots of very inaccurate and badly researched smut, so the fandom pretty much sees them as exclusively romantic.)

- Word of Honor. Very much in the same vein as The Untamed. Except that the first episode is less horrible. And the one dude has a very fruity fan. And they also raise a kid together. And the costumes of the villains are really fun!! I actually never finished this one tbh. I know that the book it is based on has one very extremely terrible ableist plot point, but I don't know if that made it into the show since I never got that far

The Devil Judge. The last two were fantasy, this one is a dystopia. Very tense and interesting. There is a romantic subplot (typical childhood friend vs bad boy love triangle), but he rejects the childhood friend and they can't exactly show him and the "bad boy" (who is actually a judge. and also kinda his sugar daddy) as explicitly romantic for the reason above. They also live in the same house and cook together and take care of a child together. Can totally recommend.

Assassination Classroom. A bunch of students have to kill their teacher who is an alien. that's literally the plot. I cried so hard at the finale. Nagisa and Karma have MASSIVE vibes and you can't convince me otherwise. (There is a romantic subplot that does end in a kiss, but they agree to continue as friends since those were..... extenuating circumstances. The dude very clearly is not into her). Nagisa also very aro-spec coded imo.

5. "Straightbaiting" Anime

Sometimes Anime does this thing (which I personally find very hilarious) where a boy and a girl will have no other romantic involvements or love interests while growing closer and closer, but never get together. A bit like reverse queerbaiting.

Examples:

- Fairy Tail. The ultimate power is friendship anime. That is all you need to know. (I should also perhaps warn you that the end of the last arc (and the sequel series, but we don't talk about that) are huge letdowns. Like the buildup? So good. But....welp. If that doesn't bother you too much and the idea to have a group of people be the main character instead of one person only, this may be the series for you. Just do yourself a favor and skip all the filler arcs

Soul Eater. I really love the vibes of this one. Once again, most of the fandom likes depicting them as explicitly romantic, but they never canonically are. It also reminds me a bit of creepy children cartoons. It is also where the superior fictional school exists, Devon. Frankenstein teaches there (the dude, not the monster). People transform into badass weapons. Nobody can convince me that Make Albarn is not a trans woman. However the ending deviates a bit from the manga, and I personally think the anime one is a bit worse

Noragami. This one will always hold a special place in my heart because it was the first anime I really watched. This one also has people who transform into weapons, but the vibes are very different. It goes a bit more into Japanese folklore in case that interests you.

Bonus: Canonically Aro/Heavily Aro-Coded Characters

They were not anywhere above because the stories they are in didn't really fit any of the categories. But they exist!

Wolf (Kipo and the Age of Wonderbeasts). I adore Wolf. There is also barely any romance. Like, it will seem like it at first, but don't worry, it's only straightbaiting. There is a romance subplot but it's very brief and very much in the background. Overall very good aro show 👍

Isaac (Heartstopper) Very queer show, very high likelihood that you already know of it. The series per se is very romance focused, but as far as I've heard the a-spec rep in S2 is really good

Georgia (Loveless). Actually never read it. But, well. Title pretty self-explanatory dare I say. By the same author as Heartstopper (Alice Oseman)

Chance/Chris and Shadow/Ryan (woe.begone) Are explicitly in a QPR together !! they are also probably the healthiest couple in the podcast lol

Henry Clerval (Frankenstein). Henry is the "a couple of besties!!" to Victor's "we look like a couple <3"

Barbie (Barbie 2023) If you've seen it you know what I mean.

Jo Marsh (Little Women). I never read the book, but Jo in the 2019 movie??? very sus.

I would also recommend checking out Japanese books! I personally think they are much better at writing romance than the western people lol. It's more about knowing each other and sharing your views of the world, thus changing each other and leaving a mark forever, even if the relationship ends. (studio ghibli romance vibes). My favorite Japanese book doesn't have an English translation :(

aber an alle Deutsch-Sprecher*innen: Die Katzen von Shinjuku (Durian Sukegawa) -> og title: Shinjuku no Neko

Can't think of anything else right now, but please leave some of your own recommendations! Hope this helps ^^

[ohnoitstbskyen]

I was watching your Udyr video, and it's fantastic. I really love the section about Udyr and Lee. I went to check out the skin spotlight video with all his new voicelines, and made the cardinal sin of looking in the comments for other excited queer people.

They were there, but there were so many people screaming about how they are Just Good Pals™, which was made doubly funny when I saw tons of people talking about how Udyr and Illaoi would make such a good couple and no one was busting out the dissertation on Platonic Heterosexuality on that one. We're stretching on "my spirit" but yeah, this woman he's never met would be PERFECT for him.

Anyway, I know you must see this stuff a lot in your videos, but I really appreciate you being so vocal about queerness in video games. It's really great to see

I mean, it really does sometimes feel like I am going insane when I point out the glaringly, WILDLY obvious queer subtext-- or, no, you know what, not even subtext: text -- in League of Legends characters' stories and relationship and a thousand of the most obtuse motherfuckers on the planet instantly materialize in my comments section to complain about how "why can't characters just be friends anymore?????"

I have never, not even once, had anyone post shit like that in my comments when I discuss a straight romance in anything, weirdly. It's very strange. They seemed so concerned about the sanctity of friendship. Maybe they just missed those videos.

Also, I have it on extremely good authority that Udyr and Lee Sin's relationship is romantic, it's meant to be understood as romantic, and they love each other in explicitly romantic ways. Like, Udyr's voice lines compare him to Kalkia very, very much on purpose. It is text, not subtext.

Additionally:

Lux's story is a metaphor for queerness

Neeko is lesbian

Nidalee is not straight

Taliyah is trans

Miss Fortune is turbo-sapphic, but too busy with vengeance to do anything about it

Graves is a disaster bisexual and Twisted Fate is his non-married husband

Taric is pan

Ekko and Ezreal are not straight and have a bromantic romantic on-again off-again disaster relationship in the Pulsefire universe

Caitlyn and Vi are deeply in lesbians

Draven is aro/ace but will make an exception for Draven

Diana and Leona are not sisters (please for the love of god stop believing this) and they are extremely bitter, toxic exes

Fiora is not interested in dating men, take a wild guess why

Varus is aro/ace, and he's got two wolves inside of him who are both gay

Irelia has at least one girlfriend

Seraphine and Zaun Diva, sitting in a tree, k-i-s-s-i... well, actually they're probably singing a distressingly beautiful romantic duet of some kind

Vladimir is the queerest Dorian Gray motherfucker who ever walked on Runeterra's green grass. I can't justify this with lore, it is just obviously true