#AND THEN IRONICALLY HE LITERALLY DOES THAT. LIKE THAT'S ALL HE DOES.

[sceletaflores]

well, all right i’m bad, but then you’re no prize either…

pair: joel miller x fem!reader

wc: 8.6k

contains: 18+ SMUT MDNI, no ellie, general violence (only referenced), age gap (56/26), swearing, so many spacers lmao, not quite friends to lovers and not quite enemies to lovers but a weird other thing, kinda mean!joel for a good sec, dressing wounds, joel miller TUMMY, loss of virginity (reader is a virgin but she's not completely oblivious and weirdly infantile about it lmao), fingering (fem!receiving), p in v, unprotected sex whoops, size kink, belly bulging, pussy pronouns, porn with a tiny plot, no use of y/n.

nat’s note: well, i finally caved y’all. baby’s first tlou fic! this literally took me forever to write and even longer to post cause i was so terrified LMAO so please give me some grace if it’s shit and he’s ooc and timelines are a little fuzzy cause i barely know what i’m doing. thank you chickens love you mwah mwah mwah. kisses!

dividers by lovely @saradika-graphics!

joel found a lodge house…

You don’t know what you did to make Joel Miller hate you so much.

He's never outright said it, but you know it’s there—in every sharp glance, every clipped word, every deliberate avoidance.

Besides, his silence is worse than anything he could say. A quiet condemnation that settles in your chest like stone.

You tell yourself it doesn’t matter, that you don’t care what he thinks, but the truth is harder to swallow.

You do care—more than you want to admit. His approval, his respect, hell, even a sliver of kindness from him feels like an impossible prize you’ll never win.

And you hate yourself for wanting it. For needing it.

It's not just the weight of his disdain that eats at you, it's the not knowing why. God, do you wish you could ask him why.

What did you do to make him look at you like you’re some necessary evil he has to tolerate. Why does he hold some unspoken grudge that's manifested itself into something you couldn't dream of ever comprehending.

But the thought of confronting Joel feels like standing on the edge of a cliff, staring down into a void that might swallow you whole.

So instead, you do what you've always done. You keep your distance, try to match his indifference with your own, and tell yourself it’s better this way.

You were young when the outbreak hit, six years old.

You’re sure that’s part of it. That that’s how Joel sees you, as some bumbling, naive child who’s more of a hassle than anything else.

Another mouth to feed, another back to watch, baggage.

You've been with him for almost seven months now, traveling side by side when you may have well been miles apart. Trekking through abandoned cities, overgrown highways, and every godforsaken patch of wilderness in between.

In the beginning, you did everything you could to prove him wrong.

You pushed yourself past your limits, hunted, scavenged, fought, kept up. You did everything that needed to be done without hesitation.

All to show that you were more than what he made you out to be. It never seemed to matter much.

After you lost your parents in the early days of the outbreak, it was just you and your sister. She taught you everything you know, taught you how to survive.

It's because of her that you know how to shoot a rifle, how to skin a rabbit, how to start a fire with nothing but sticks and dried moss, how to snap bones and locate which vital arteries bleed out the quickest.

It's because of her that you've been able to hone some sick skill in the maiming of clickers.

A skill you never thought you'd need to use on her.

You were supposed to be safe in the QZ. You weren't supposed to be fifteen years old, aiming a gun at the one person you had left.

Your own flesh and blood wasn't supposed to be the very first in a long list of red tallies under your belt.

It’s been years and you’ve still never forgotten that day. December 19th, 2012, the date burned into your brain like someone took a branding iron to the tissue.

You can’t count the amount of times you’ve been ripped from your sleep drenched in a cold sweat with the tail end of a scream tearing at the skin of your throat.

The image of what was left of your sister, slumped on the ground lifeless as her blood painted the wall behind her flashing behind your closed eyelids. The sound of her last labored breath ringing in your ears louder than any shotgun blast.

You ran that same night, with the weight of her death on your shoulders.

Your entire world spinning out around you as you clawed through barbed wire fencing, not caring where you were going or what would happen to you—just needing to escape.

There was nothing left for you to do after that but survive. And that’s what you did, for years, scraping by in a world that had already chewed you up and spit you out a mangled mess.

You learned how to be ruthless because of it.

How to harden yourself against the loss, the pain, the brutality. But there were cracks, too. Cracks you hid well, buried deep beneath layers of stubbornness and distance.

The endless days blurred into each other. Empty houses, hollow streets. A life reduced to scavenging, hiding, and the occasional, fleeting moment of human connection that inevitably ended in loss. 

And then you found yourself with Joel.

You hadn’t exactly found him, though. More like crashed into his orbit by accident.

A few desperate days spent scavenging through the ruins of a small town, a chance encounter that left you both wary and unwilling to turn your backs.

But, inexplicably, you somehow became part of his traveling routine.

He wasn’t like any of the others you’d met before. At first, you thought he might be different. A man who seemed broken, but different nonetheless.

As the days turned into weeks, and weeks into months, you began to see the truth. Joel Miller wasn’t concerned with you. He didn’t need you. And, more than that, he didn’t want you around. 

You didn’t know what to do with that.

It’s a bitter kind of irony. You’ve survived all this time completely on your own, fought tooth and nail to stay alive, but with him, you might just crumble.

Joel found a lodge house. It's a small, weathered place tucked away in the dense trees of the wood surrounding it.

He only deemed it suitable after an extensive perimeter check and a thorough sweep of the interior.

It's not much—just another run-down place in the middle of nowhere—but for the first time in what feels like forever, it’s a roof over your head for the night.

The walls are sturdy, though the windows are cracked and half of the floorboards creak like they're about to give out at any moment.

You explored the second floor alone, creeping through the desolate rooms and taking in all that was left behind.

Old family photographs covered in thick layers of dust, worn clothes riddled with holes still hung in the few closets you stumble across.

The oddest of all was an old jewelry box tucked away in a dresser draw, tarnished silver dull and muddy.

The sound of familiar footsteps comes from somewhere behind you. The door creaks open slowly.

Joel. Of course.

He clears his throat, the sound abrasive in the quiet of the house.  

“Fire’s low,” he says, voice rough from its lack of use today.

You don’t turn around, not yet. You take the box in your gloved hand, running your fingers across the intricate design of the lid, touch trailing over winding vines and small roses.

“Okay,” you mutter, your voice coming out quieter than you intended. “I’ll grab some more wood later.”

Another beat of silence. Then, “It’s gettin’ cold out, I’ll go.”

Your fingers pause their ministrations, moving to flip the lid open. Empty.

“Suit yourself,” you reply after a moment, your tone just as neutral as his.

Joel doesn’t leave right away. You hear the floorboards groan beneath his weight, his presence lingering in the doorway. 

You wonder what he’s waiting for, or if he’s waiting at all.

Finally, he speaks. “Don’t touch anything.”

With that he turns and leaves the room, you wait until you can’t hear his footsteps trailing down the stairs anymore to let out the scoff festering in your chest.

You snap the jewelry lid shut with a little more force than necessary. “Asshole.”

Joel's been gone for a while now. Longer than it takes to chop a few logs for firewood.

You came down from the upstairs a few minutes after hearing the tell-tale sound of the heavy door opening and closing. The main room is quiet, save for the soft crackle of the dwindling fire.

You're perched on an old armchair near the entrance, peering out the dirty window that has the best view of the treeline as you nervously pick the skin around your nails.

You tell yourself not to worry. He’s probably fine, he’s been doing this a lot longer than you. And if Joel is anything, it’s annoyingly competent.

Still, a nagging doubt itches at the back of your mind. It's been at least half an hour, maybe more.

You’re just about to grab your own pack and go looking for him when the front door creaks open.

Joel stumbles inside, the frigid evening air rushing in behind him before he slams the door shut. At first glance, he looks fine—no more haggard than usual. 

But then you notice the way he favors his left side, the way his free hand is pressed against his ribs, blood seeping through his fingers and staining his torn undershirt.

You’re on your feet in an instant.

“Fuck,” you say, voice sharper than you expected. “What the hell happened?”

“Raiders.” Is the only explanation you get as he tries to brush past you like it’s nothing. The stiff way he moves and the tightens of his jaw betray him. “S’just a scratch.”

“Bullshit,” you snap, stepping in front of him and blocking his path to the fire. “Sit. Now.”

He gives you a look, one of those deep, withering glares you’ve seen him use to intimidate countless others into submission. But you stand your ground, chin raised and jaw set–defiant. 

His stubbornness finally meeting its match in your own. 

Finally, with a low growl of frustration, he drops onto the couch. “Happy now?”

"Not until you let me take care of that." You motion toward his side, where the blood is still spreading.

“I’m fine,” he mutters, lolling his head back to rest more heavily on the couch.

“Sure you are,” you snap, crossing the room to rifle through your bag. “And I’m the fucking Queen of England.”

"Said I’m fine," he bites through gritted teeth, but you’re already moving, heading back to him with the first aid kit from your pack.

"You want to bleed out on this ugly-ass couch? Be my guest," you shoot back, dropping to your knees in front of him. "Otherwise, shut up and let me help."

Joel surprisingly doesn’t argue any further, just sighs heavily and reluctantly sinks further into the couch cushions.

You push the front of his jacket open to slide it off his shoulders as gently as you can, peeling back the layer of his flannel next.

The smell of blood hits you immediately.

The gash is about five inches long, trailing the span of his ribcage. It’s deep—but not fatal—just an angry red and oozing blood.

Definitely not the simple 'scratch' he made it out to be.

Your stomach churns at the sight, but you push it down. No time for that.

“Jesus, Joel,” you mutter under your breath, reaching for the alcohol in your kit. “You really know how to underplay a situation, huh?”

He doesn’t respond, just watches you with those dark, calculating eyes of his. Always watching, always assessing.

It’s unnerving, but you focus on the task at hand, grabbing a clean cloth and soaking it with alcohol.

“This is gonna hurt,” you warn, though there’s a part of you that doesn’t mind the idea of causing him a little discomfort.

A petty, vindictive part that still stings from all the scorn he’s thrown your way.

“Just get it over with,” Joel grits out, his voice low and gravelly.

You don’t give him any more warnings as you wipe the soaked cloth over the wound. He flinches, a harsh curse slipping through clenched teeth, but he doesn’t pull away.

You work as quickly as you can, wiping away the blood and dirt with steady hands, your movements as gentle as possible given the situation.

You let out an annoyed huff when the torn fabric of his shirt gets in the way of your hands for a second time.

You lean back on your heels, glancing up at Joel. “You need to take your shirt off.”

Joel raises a brow at you, his lips pressing into a thin line. “That really necessary?”

“Yes, it’s necessary, Joel,” you huff, already losing patience. “Unless you want me to sit here and cut around every thread of this ratty thing while you bleed out, then by all means—”

He sighs heavily, cutting you off as he shifts forward and grabs the hem of his shirt. He tugs at the fabric, grunting in pain each time it strains his ribs.

You roll your eyes at how slow he’s moving, and your patience—already worn thin by the day's events—snaps.

“Jesus Christ, let me help,” you huff, reaching forward and grabbing the fabric.

Joel jerks back slightly, his hand shooting up to stop yours mid-motion. “I got it,” he growls, a sharp edge in his voice.

You glare at him, your hand still caught in his grip. His palm is calloused, his hold firm enough to make your pulse jump unexpectedly. 

For a moment, the two of you just sit there, locked in a silent standoff.

Then he releases your hand and pulls the shirt over his head himself, wincing as the movement pulls at his side.

You wait with your arms crossed, trying to ignore the awkward flutter of nerves in your stomach as the fabric peels away to reveal his chest.

Joel’s broad, solid frame isn’t new to you. You’ve seen him shirtless before—brief glimpses when bathing in rivers or changing in run down houses between stops.

But this time feels different, more intimate somehow.

You’re staring, and you know it.

The firelight cast shadows over his skin, illuminating old scars, faint lines of muscle, the barely there jut of his stomach over the hem of his jeans.

You had been getting more game kills recently, two hunters are always better than one.

Joel clears his throat, dragging your focus back to the present. “You gonna gawk all night, or can we move this along?”

You snap out of it, scowling to cover your embarrassment. “Yeah, yeah. Don’t get your panties in a twist.”

You finish cleaning the gash and grab the small needle and thread lying next to you.

“This’ll hurt worse than the alcohol,” you say, threading the needle easily.

Joel snorts, a rare sound. “Figures.”

The needle pierces his skin, and this time, you catch the smallest hitch in his breath. He doesn’t make a sound, but his jaw tightens, the veins in his neck standing out like cords.

His hands grip the edge of the couch hard enough that his knuckles turn white with it, but he doesn’t tell you to stop or slow down.

He’s too damn proud for that.

You shift closer, your knee brushing against his leg as you position yourself to work from a better angle. You feel his eyes on you, that intense, scrutinizing stare that makes your skin prickle.

“You’ve done this before,” Joel says after a moment, his tone less sharp than before. It’s not quite a question, more of an observation.

You shrug, keeping your hands steady. “Of course I have.”

“Who taught you?”

The question catches you off guard, Joel’s never shown much interest in what your life was before you met him. You glance up briefly, catching his gaze. There’s no malice there, no judgment—just curiosity.

You swallow hard, dragging your eyes back to stitches, half way done now. “My sister.”

You don’t elaborate and Joel doesn’t push.

Maybe it’s the sudden tightness in your tone or the look you know must be clouding your face that keeps him quiet.

You finish off the stitching, tearing the thin strand of thread with your hands before you’re leaning away again.

“Good as new,” you say, dabbing some more alcohol on your own hands to disinfect. “Try not to tear these open anytime soon.”

Joel leans back, strong arms spread across the back of the couch, his face unreadable as he peers down at the fresh stitching on his side. 

“Could’ve done it myself,” he mutters, but the edge in his voice is gone, replaced with something softer, almost resigned. 

You roll your eyes with a scoff, not even trying to hide your irritation as you rise from the floor. “Sure you could’ve, right before you passed out. You’re welcome by the way.”

You gather your supplies and turn to head back to your bag, but Joel’s voice stops you in your tracks.

“You’re always like this, y’know,” he says, and the words carry that same gravelly drawl, but there’s something new there—something heavier.

You pause, your hands tightening around the kit in your grasp. “Like what?”

“Pushy. Stubborn,” he replies, his tone cutting, though it lacks the usual venom. “Like you’ve got somethin’ to prove all the damn time.”

You whip around, your patience officially gone. “You think I’m stubborn?” you shoot back, your voice rising. “Coming from the guy who would rather bleed out on a fucking couch than admit he needs help?”

Joel’s jaw tightens, and his hands flex against the couch cushions, but you don’t stop. Not now. Not after months of this.

“I’ve been busting my ass since day one to prove that I’m not dead weight to you. I’ve fought for us, for you. And for what? Just to get more of your bullshit attitude?”

“You don’t know what the hell you’re talkin’ about,” Joel snaps, pushing himself upright despite the obvious strain it puts on his freshly stitched wound. “You don’t know a goddamn thing about me.”

“Because you won’t let me!” you fire back, stepping closer, your voice rising. “All you do is look at me like I’m some burden you can’t wait to get rid of.”

Joel’s glare sharpens, his lips parting as if to respond, but you cut him off.

You really can’t stop yourself now that you started, all the anger and frustration reaching a fever pitch hot enough to burst the tight lid you’ve kept on your emotions.

“If I’m such a hassle, why didn’t you just leave me back there, huh? Why didn’t you just walk away like I know you wanted to?”

Joel’s breathing is heavier now,  his broad chest rising and falling as his dark eyes bore into yours.

For a moment, he doesn’t say anything. Then, he stands, and the sheer size of him forces you to tilt your chin up slightly to keep your glare fixed on his face.

“You think I wanted this, kid?” he growls, his voice low and strained, like he’s barely holding himself together. “You think I wanted to be responsible for someone else? To have someone else’s fuckin’ life on me?”

“Don’t call me kid,” you spit, shoving a finger into his chest, ignoring the way his jaw ticks at the contact. “I’m not a fucking kid.”

He scoffs, casting his eyes to the ceiling disbelievingly. “Could’ve fooled me.”

“Fuck you, Joel,” you growl, fists clenching at your side. “If you hate me that much, why the hell are you still here? Why didn’t you tell me to fuck off the second you met me?”

“Because I couldn’t!” Joel snaps, booming voice filling the small space.

The confession slips out like it pains him. His fists clench at his sides, and for a moment, he looks like he might break something.

You’ve never been scared of Joel, even though you’ve seen first hand just how scary he can be.

Now, as he looms in front of you, eyes blazing and jaw working furiously beneath his skin, it’s the closest to scared you’ve felt.

“I’ve seen you out there,” he continues, tone low and dark. “You’ve got a fuckin’ death wish. You’re too damn stubborn to just stop, and I’m not gonna let you go so you can run off and get yourself fuckin’ killed.”

Your heart pounds in your chest, his words hitting far too close to home.

“I’m just trying to survive, Joel,” you snap, your voice shaking. “That’s what we do, isn’t it? Survive.”

“Survive,” Joel repeats bitterly, his gaze burning into yours. “That what you call it? Throwin’ yourself into every goddamn fight, gettin’ stabbed and shot right fuckin’ in front of me and expecting me to brush that shit off?”

You let out a humorless laugh, nodding your head exasperatedly. “Yes, yes I do expect you to just brush it off, because that’s what you always do.” 

“Well I can’t,” he grates out, taking a step closer. “I can’t ‘cause despite whatever it is that you may think about me, I don’t hate you. I care about you too damn much and that's my goddamn problem.”

That shuts you up, your mouth snapping closed with a sharp click of your teeth as you stare at him, shocked.

Joel holds your gaze, lips pressed into a thin line. “That what you wanted to hear?”

It’s in that moment that the fire finally fizzles out, the dull hiss of it the only sound left in the room.

You’re quiet for a beat, stunned into silence. The heat of his anger, his frustration, it radiates off him, and you realize suddenly that this isn’t just about you. 

It never was.

“Then show me,” you challenge softly, your heart pounding in your chest. “Show me that you don’t hate me.”

Joel’s eyes darken, his head cocking to the side as he searches your face for a sign. You don’t say anything, you only square your shoulders and raise your chin, your eyes just as hard as his own.

“I want you to prove it.”

The tension snaps like a rubber band stretched too far. 

You shouldn’t—this shouldn’t—happen. Not like this. Not after everything that’s been said.

But when Joel’s lips crash against yours, hot and desperate and urgent, it makes everything blur into nothing. 

It’s not gentle, not soft—this is anger and longing and frustration all wrapped into one. It’s messy, frantic, like a fight that’s been brewing for too long.

He grips your arm, pulling you closer, almost too roughly, but it feels like it’s everything you’ve both been avoiding.

His other hand moves to cup the back of your neck, grounding you as his lips press harder against yours, like he’s trying to pour everything he can’t say into this single moment.

You respond just as fiercely, nails digging into the skin of his shoulders as you kiss him back with all the pent-up emotion that’s been simmering beneath the surface.

The coarse hair of his beard scrapes against the skin of your chin deliciously, the scent of blood and firewood filling your senses as his arm wraps around your waist, dragging you impossibly closer.

Close enough that you can feel the wild beat of his heart booming against your chest.

You pull away for a second, breathless, both of you looking at each other, your eyes wide and pupils blown.

“Goddamn it,” Joel mutters, his voice thick with frustration and something else you can’t place. He presses his forehead to yours, the deep brown of his eyes dark than before. “What the hell are we doing?”

You don’t have an answer. You’re not sure if you even want one.

You reach for him again, arms looping around his neck to drag his mouth back to yours.

This kiss is nothing like the first, it isn’t a clash of frustration–it’s filthier, rawer. A near feral thing, all teeth and tongue, a surge of hunger and need that borders on violence. 

Joel groans into your mouth, a low, guttural sound that sends a shiver racing down your spine. His teeth catch your bottom lip, pulling just hard enough to make you gasp.

He takes advantage of the sound, his tongue sweeping into your mouth to slide against yours with wet, messy desperation, like he’s trying to claim every inch of you.

The taste of him—salt and iron and something distinctly Joel—makes your head spin. 

Your fingers knot into the chocolaty curls at the nape of his neck, surprisingly soft to the touch. His own hands roam the soft curves of your body, rough and insistent, like he can’t decide where he wants to touch you most.

“Joel—” His name spills from your lips like a plea, and he answers with a deep, guttural noise that sends heat pooling low in your belly. His tongue follows the path of his teeth, soothing the bites with lazy, deliberate strokes that make your knees weak.

You’re moving before you even realize it. Joel dragging you across the room and down onto the couch with him, using the strength he’s built up after all these years to manhandle you until your thighs are spread wide on either side of his lap.

“Joel,” you gasp again, rearing back enough to break the kiss. “Your stitches–”

He cuts you off with a sharp nip to the sensitive spot behind your ear, tearing a high whine from your throat. “Can hardly feel ‘em.”

You make a displeased sound, but it’s undermined by the way you tilt your head to give his wandering lips more room. His hands find a home on your hips, one slipping beneath your shirt to press against the soft skin of your stomach. 

His fingers splay wide across your skin, his palm callused and rough. His pinky just barely brushes the underside of your breast, and you’re suddenly rearing back. 

“Wait,” you say, your voice barely a whisper.

Joel’s hands immediately loosen their grip on your hips, his brows knitting together in concern. “You okay?”

You nod quickly, your heart pounding in your chest. “I just...I need to tell you something.”

His jaw tightens slightly, but he stays quiet, waiting for you to speak.

You take a beat, chewing at the skin of your bottom lip nervously.

“I’ve never...” You pause, swallowing hard as your cheeks heat up. “I’ve never done this before. I mean, I’ve never been with anyone like this.”

Joel pulls back slightly, his expression unreadable as he processes your words. For a moment, you think he might pull away completely, but then he exhales a long, slow breath.

“Christ,” he mutters, scrubbing a hand down his face. “You’re tellin’ me this now?”

“I didn’t exactly plan for this to happen,” you snap back, crossing your arms over your chest defensively. “It’s not like I had the luxury of a high school sweetheart to pop my cherry out here.”

Joel’s gaze softens at your tone, and he reaches out to cup your cheek, his thumb brushing against your skin. “Hey, hey, I didn’t mean it like that.”

You glance away, suddenly feeling self-conscious under the weight of his stare. “I just...I wanted you to know. But I want this, Joel. I want you.”

His thumb stills against your cheek, and he swallows hard, his adam’s apple bobbing as he considers your words.

“I don’t...” He pauses, the most hesitant you’ve ever heard him. “I don’t want to hurt you.”

It’s the most vulnerable he’s been around you, round eyes shining with something so raw and so earnest it makes your heart ache in your chest. 

“You won’t,” you insist, your voice steady despite the nerves fluttering in your stomach. “I trust you.”

Joel’s jaw clenches, and for a moment, he looks like he’s going to argue. But then he nods, his shoulders relaxing as he cups the back of your neck, pulling you closer until your foreheads touch again.

“At least let me do this right,” he murmurs, his voice so soft you almost don’t hear it. “Not here. Not on some goddamn couch.”

You blink up at him, surprised by the tenderness in his tone. “What?”

“Upstairs,” he says, his thumb tracing lazy circles against the side of your neck. “There’s a bed up there. It ain’t much, but it’s better than this.”

You can’t do anything but nod, your pulse racing beneath your skin fast enough to combat the cold night air seeping through the walls.

“Okay,” you say softly, voice barely above a whisper. “Upstairs.”

Joel stands, gently pulling you to feet and taking your hand in his. He leads you upstairs, each step feeling heavier with anticipation. The small bedroom is dimly lit, the faint glow of moonlight filtering through a broken blind. 

The bed isn’t much—an old mattress on a worn frame, covered with a patched-up blanket—but it doesn’t matter.

Joel shuts the door behind you, the sound of the latch clicking into place sending a shiver down your spine.

“Last chance,” he says, his voice a low rumble. “You say the word, and we stop. No questions asked.”

Your throat tightens at the sincerity in his tone, the way he’s giving you an out even though you can see the strain in every line of his body, the way his hands flex at his sides like he wants nothing more than to reach out and touch you.

But you don’t hesitate.

You step closer, placing your hands on his bare chest. You bite back a smile at the goosebumps that break out all along his skin at your touch. 

“Jesus, Miller,” you mumble teasingly, nails lightly scratching through the salt and pepper hair scattered along his chest. “How long are you gonna drag this out before you get it through your thick skull that I want to fuck you?”

"Christ." Joel huffs, shaking his head as the corners of his lips turn up in a small grin. “Like I fuckin’ said,” he starts, big hands kneading the meat of your hips. “Pushy.”

Joel walks you backward until the backs of your knees hit the edge of the bed, and you fall onto it with a soft gasp.

He follows you immediately, crawling over you, his body covering yours, his weight a comforting pressure. “I’ll take care of you,” he murmurs, his lips brushing yours. “I’ll make it good for you, I swear.”

His fingers are everywhere, unbuttoning your shirt with a practiced ease that has your pulse racing. His lips follow the path of his hands, each touch a branding mark, each kiss leaving you wanting more.

“Pretty girl,” he mutters softly, pressing a kiss right between the valley of your breasts.

You feel his cock stirring against your stomach, and it makes the ache between your legs flare to life, the weight of it, the hardness of it, driving you crazy with need. 

You want him so badly you can barely think straight, but when his lips graze over your collarbone, you can’t stop the quiet whine that escapes your throat.

Joel growls in response, a sound that resonates deep in his chest, and you know then that he’s as far gone as you are. His hands slide down to the waistband of your pants, tugging them down your legs with urgency. 

As your skin is exposed to the cool air, you can feel the heat of his gaze on you, like he’s memorizing every inch of you.

“You’re fuckin' perfect,” he mutters, his voice thick with desire.

Joel's hands find your thighs, parting them with a deliberate slowness that makes your breath catch in your throat. He positions himself between your legs, his body weight pressing you into the mattress, his chest rising and falling with the same frantic rhythm as yours. 

The anticipation is almost unbearable as his fingers trace the line of your panties, the fabric damp with want.

“Jesus, she’s drippin’ for me already,” he mutters, voice rough, as he slides the material to the side, his thumb brushing over the sensitive swell of your clit.

Your body jerks at the contact, a desperate sound escaping your lips, but Joel doesn’t relent.

“You touch yourself down here, baby?” he asks, working tortuously slow circles over your clit.

"Please," you beg, your hands grasping at the sheets, pulling at them as if they can anchor you to the moment.

He looks up at you, his gaze dark and filled with an intensity that makes your stomach tighten. “Asked you a question, honey.”

You whine, high and loud in your throat as your thighs clench desperately around his wrist. “Yes, I touch myself.”

Joel’s lips curl into a satisfied grin, sliding his thick index finger through the messy wetness to slip inside your clenching hole, making you gasp. Your hands grasp at the sheets, pulling at them as if they can anchor you to the moment.

“Good girl,” he breathes, eyes darkening at the broken moan that bursts from your lips. “When’s the last time you touched yourself?”

Your brain feels hazy as you search for the answer, pleasure clouding your mind slow and sweet as molasses. “A–a few nights ago.”

Joel hums idly, slipping a second finger alongside the first. The stretch has you whining, his fingers a lot more to take than your own.

Your hands come up to claw at his shoulders, relishing in the way his broad muscle ripples and shifts beneath your greedy palms.

“Joel,” you whine, hips canting down against his hand impatiently.

He just shushes you softly, free hand brushing soothing circles along the skin of your inner thigh. “I know, honey,” he mutters, the pace fingers speeding up. “But I gotta get her nice and ready if you wanna take my cock.”

The gush of your pussy around his fingers is loud in the stillness of the room, a filthy wet noise that burns your ears each time he plunges them into your aching hole.

“I am ready.” Your breath hitches as your body begins to tremble beneath him. “Please, Joel—fuck—please, I need—”

“Need what?” His voice is thick with dark amusement, but there's a hunger in his eyes that has your stomach twisting. “Tell me, baby. What do you need?”

“I need you,” you rasp, your nails digging little crescent moons into his skin, your body pleading for release. “I need you inside me.”

Your hands grab at his hair, pulling him back up to meet your lips in a feverish kiss. 

The pressure of his body on yours, the way his hard cock grinds against your trembling thigh, drives you to the brink of madness. 

Your hands trail down his chest, past the waistband of his jeans, finally reaching the bulge straining against the fabric.

Joel groans when you rub him through his pants, feeling his cock twitch in response. He pulls back, breathing heavily, his lips curling into a smirk. 

“Yeah?” he asks, his voice thick with lust. “You want my cock in this pretty pussy? Want me to show you how good it feels to be fucked?”

“God, yes,” you answer, desperation lacing your tone as your hand moves to unbuckle his jeans. “Want it so bad.”

He lets you push his pants down just enough to free his cock, and you gasp, your eyes drawn to the way his length stands, thick and hard, just waiting for you. The tip flushed an angry red, drooling pre-come onto the scratchy sheets.

Joel pulls his fingers from you, using his hands spreading your legs wider, positioning himself between them with such careful precision that you can barely stand it.

The head of his cock drags through the mess between your legs, slipping all the way down till it catches on your soaked entrance.

Joel pauses, looking down at you, waiting for your signal, but the only answer you give is a pleading whimper, your hands pulling at his shoulders, urging him to move.

His mouth captures yours once again as he slowly slides into you, the stretch of his cock filling you steadily, making you gasp into his mouth. 

The slow burn of him carving a place for himself inside of you is almost too much, your body trembling as you adjust to the feeling of him.

“Fuck, baby,” Joel mutters against your lips. “You’re so tight, so fuckin’ perfect for me.”

As he sinks deeper into you, his thick cock finally buried to the hilt inside of you, the feeling is overwhelming. You gasp, nails digging into his back as the pain slowly shifts into pleasure.

Joel groans into your mouth, his hands moving to your hips, guiding you as he rocks gently against you. 

The rhythm is slow at first, deliberate, as if he's savoring every inch of you. Your body quivers beneath him, every inch of your skin tingling with sensation. You clutch at him, your legs tightening around his waist, needing more, wanting more.

"That's it," he murmurs, his voice thick with desire. "Take it, baby."

You screw your eyes shut tightly, trying to steady yourself as he thrusts deeper, harder. The angle shifts just enough to make your breath catch in your throat. 

Every stroke feels like it’s hitting the deepest part of you, sparking heat in places you never knew could burn so hot.

"Fuck," you gasp, the sensation too overwhelming, too much in the best way. "Joel... please..."

"Please what, sweetheart?" He pulls back slightly, teasing you with a slow roll of his hips before driving back in with a grunt.

Your nails dig into his shoulders, urging him to move faster, harder. "Don’t stop," you breathe, your voice trembling. "I need you to fuck me, Joel. Faster. Harder. Please."

The sound of skin slapping against skin fills the room as Joel finally picks up the pace, each thrust harder and deeper than the last.

Your back arches off the bed, chest pressing flush to his as your body coils tighter and tighter, already so close to the edge.

Joel reaches up to take your wrist in his, dragging your hand down to press flat against your lower stomach.

“Feel that?” he asks breathlessly, the speed of his hips knocking the dingy bed frame into the wall with every thrust. “You feel how deep I am?”

His own hand blankets yours, pushing down so you can feel the way his cock punches up against your palm on the next thrust.

Your pussy clenches desperately around him at the feeling, your slick lips dropping open on a loud moan.

You can barely hold on. The heat in your stomach tightens, coiling painfully as your free hand scrambles to find purchase on his skin. "I can't—I'm gonna—"

He grits his teeth, his jaw clenched as he drives deeper, pushing you closer and closer to the edge. "Come for me, baby," he growls, his voice dark and commanding. "Let me feel it."

With a strangled cry, you finally release, your body clenching around him, every nerve igniting in a white-hot explosion of pleasure. 

You’re lost in it, your world spinning, your senses overwhelmed by the sensation of Joel’s body pounding into yours, the way his cock brushes against that sweet spot behind your clit enough to make sparks go off behind your eyelids.

Joel pulls out of your velvety warmth, hand coming up to fist his dripping length until he’s bowing over you tightly and coming with a deep groan of your name.

His release paints your stomach with milky strands of white, rope after rope of warm come claiming you in a way no one has before.

He finally collapses against you with one last shuddering breath, both of you breathing heavily, your chests rising and falling together in the quiet aftermath.

For a few moments, neither of you speaks, the only sounds are the soft creak of the bed and the quiet hum of your racing hearts. 

Joel rests his head against your shoulder, his breath warm against your skin, and you can feel the tension begin to slip away, the weight of everything that’s happened between you both settling into something new—something different, but still there.

Your hand slips down the sweaty expanse of your stomach, your fingers swiping through the sticky mess of his release curiously.

“Christ, quit that,” Joel groans, tearing his eyes away from the sight to press his forehead against your shoulder.

“Why?” you hum, brow raised in amusement as you drop your hand back to the mattress. “Can you even get it up again?”

Joel pinches your side hard enough to make you squeal, your body flinching away from him as a surprised laugh bubbles from your chest.

“Watch it,” he warns, though there’s no bite to his tone. You only laugh in response.

The two of you settle into a comfortable silence, wrapped in each other as crickets chirp from outside the window.

Then Joel clears his throat, fingers idly tracing different shapes on the skin of your hip as he gathers the courage to speak.

A circle, a square, a diamond, a circle, a heart, a heart, a heart.

“I’m…” he starts, trailing off softly. “I’m sorry. I’ve been a real fuckin’ prick, and you didn’t deserve it. You never did.”

You turn your own gaze to his chest, hand coming up so you can trail your fingers along the jagged scar decorating his shoulder. Your touch featherlight over the rough patch of skin.

All the anger seeps from your body, a heavy weight gone until you feel so light you could float off the mattress and into the cold night air.

“It’s okay,” you whisper softly, so soft you think it gets lost in the quiet darkness of the room. “I understand now.”

And for the first time in what feels like forever, you both just lay there, tangled in each other, not worrying about the world outside, about the chaos that waits. 

Just you, him, and the soft glow of moonlight.

tags are now in the comments! if you want to get tagged for any of my works just fill out this form!

mini nat's note: should i add joel to my taglist...i do kinda want to write more for him in the future but i'm not sure yet...lmk chickens <3 bee tee dubs sorry the ending absolutely sucks i could not for the life of me figure out how to end this LMAO

[maxdibert]

Having a shitty past is no excuse for being a horrible person, and Snape was a horrible person. Snape fans always try to turn him into a tragic hero, but there was nothing heroic about him when he was just an obsessive bigot who followed a group of genocidal maniacs

Well, I think I’ve said this a million times already and explained in exhausting detail why growing up in a particular environment—lacking social, emotional, economic, or essential support—and being subjected to violence during the most crucial years of cognitive development creates the perfect breeding ground for antisocial behavior. It also makes vulnerable or socially excluded youth prime targets for sectarian groups (whether religious, political, or otherwise) that prey on their situation, offering them promises of protection, safe spaces, surrogate parental figures, or social progress. These groups actively seek out kids with emotional voids caused by dysfunctional family dynamics, minimal to no financial resources, and a profound sense that the system has failed them at every turn. They offer these kids an alternative system—one that gives them a roof over their heads, a hot meal, a place to belong, and people who won’t marginalize them like the rest of society has—at the simple price of blindly following the group’s ideology. And they do it. Of course, they do. Because what other choice do they have? This group gave them life, a place in society, and restored their status as human beings.

But since I’ve spoken about this at length before and about how Severus’s life shaped his decisions, I feel like I’m starting to sound like a broken record. So, since I’m also reading a legal ruling I need to memorize by Friday, I’m going to indulge myself and dissertate as freely as I please—because hey, if you’re going to throw hate, I’m going to grant myself the privilege of replying however I want.

Here’s a question: why does it even matter? Seriously, what does it matter if he was a shitty person? Do you know that people go to space today thanks to the work of physicists and engineers who were literal SS members? That after WWII, all the top scientists, physicists, chemists, and engineers were granted amnesty and fast-tracked into citizenships so they could work on government projects? That people working within a stone’s throw of concentration camps are the pioneers behind some of the greatest technological advances of the 20th century? And you don’t care that the products you consume are derived from the work of collaborators with mass genocide, but you’re upset that people find a fictional character interesting? I don’t want to sound cynical, but honestly, it’s ridiculous to get so morally high and mighty about a character who doesn’t exist and who followed an extremist cult for, what? 3 or 4 years tops? and then canonically worked actively to take it down. If we put Severus in a real-world, wartime context, the guy would be a literal war hero with medals to his name. No exaggeration. If he survived, he’d be recruited with a fat paycheck to work in internal affairs for some major world power’s secret projects. That’s just how the world works.

And yeah, he was obsessive. But in an era where everyone suffers at least one anxiety episode a month, where the best-case scenario is that your panic attacks don’t spiral into chronic mental health issues—can we really judge him for that? Like, most of the people I see being ultra “snater” are folks who openly declare themselves neurodivergent, and one of the common denominators of all neurodivergence is obsessiveness. All of them. Whether it’s chronic anxiety, depression, OCD, ADHD, paranoid schizophrenia, bipolar disorder, borderline personality disorder or autism. Every single one has an obsessive component. So it’s kind of ironic—and even hypocritical—for people who are themselves pretty obsessive (because let’s face it, we’re all compulsively doomscrolling here to soothe our anxious compulsions with little dopamine hits) to judge this character’s obsessiveness as a negative trait. Maybe let’s take a good look in the mirror, too.

And let me just say, no court would convict Severus of collaborating with a terrorist group. Not a single one. Impossible. Especially since he literally collaborated against said group, so any judge would happily clear him—not after the war, but the moment he struck his deal with Dumbledore. Severus is what’s known as an informant. He worked from the inside, exposed himself to greater dangers than regular agents. Legally speaking, there have been cases where people guilty of heinous crimes—including crimes against humanity—were let off because they provided critical information. So imagine someone like Severus, who, as far as we know, didn’t even kill anyone during his time in the group, willingly spilling the beans and agreeing to work as a spy. He’d be celebrated as a hero of war. Hell, they’d probably buy him a mansion in Florida if he wanted one. That’s just how our system works, and honestly, this kind of moralist posturing is pretty cringy because you’re talking about a guy who literally saved half of magical society’s asses and without whom the kid destined to save the world would’ve died in his first year at school.

You can dislike him or think he’s a jerk, but he was damn good at his job. And compared to the people he’s often unfairly measured against (Sirius, James, Remus...), he actually did something. They didn’t. Absolutely nothing. Contribution: negative one.

[razzellyn]

Cuddles!!

No tricks this time!! Just fluffy cuddle session!!!

Part 2!!!!

MCB

Part 1 here!!!

Notes in the end!!!

°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°

Dexter

• Oh he's a cuddle bug. He doesn't act like it, but he's very cuddly at times. He also doesn't really mind when someone sees you two, still would prefer to be in private though.

• Sometimes the two of you cuddle while nature/bird watching. He often points out the little creatures that the two of you could find and then share fun facts about them. He yaps like that only to the people he trusts.

• More often than not he bombards you with kisses all over your face. How? By pressing his face against yours of course!

Fleta Z

• He's a bit hesitant for some reason, but once you've convinced him he's actually very into it. He also takes this time to learn more about you! Maybe even sway your heart with a compliment or two.

• Not overly cuddly, but he will smother you in affection. In fact, he's not leaving you alone until you give him his daily hugs.

• Soft kith after every cuddle/hugs. No backing out from him! He will hunt you down (not literally). Quite the gentleman while he kissed you. Very gentle indeed.

Wild Guardy

• What's a cuddle?

• Jk, he knows what cuddle is. He just doesn't know what to think of it. You'll have to slowly introduce him to the concept too, start by holding his hands and then side-hug him, etc.

• Overtime he does gets comfortable and decided to cuddle. He's awkward and terribly nervous about it, but he's doing great. Be patient with him okay?

• He usually asks for cuddles when either of you are stressed out about something or just having a terrible day in general. Surprise him with a peck on his cheek too, that helps him greatly.

Buffalo Crush

• Absolute cuddle bug. You might be crushed under his strength, but don't worry, he always apologizes after. Oh and please hug him daily, he loves it.

• He is also the one to DRAG you to a cuddle if he thinks you haven't spend much time with him yet. Though he will be a bit shy about it at first. He just loves being close to you okay!!!

• Unfortunately he's hard to be pushed away once you do cuddle. It was either him or the world. The world, which means letting him hug you to death. Him, which means leaving him to sulk in the corner.

Buster Gallon

• He'll make a comment about how it's a waste of time and is a useless thing to do, but then when you pull him into a hug he puts his entire weight on you and cuddles you like crazy.

• The cuddle doesn't end until he says so. Well you could just bribe him with a kiss or two if you want to be freed, but that's a 50/50 chance. He's tired of Black Dan's bullsh t man let him be.

• He also lets go when someone randomly comes in on you two cuddling. If they make fun of you two, he's hunting them down. If they don't make a single comment, he just lets them be. He's got a red face though so that's something.

Black Hook

• It's also a 50/50 situation with him. He'd either be immediately into it or he thinks it's stupid and leaves. Let's be real, his actions depends on his mood.

• That being said, despite being the leader of his team, he's quite gentle with holding you. Unless he's been feeling a bit down, he's going to cuddle you until death.

• Don't expect to be treated like a royalty though, he's a pirate not a servant. He's going to cuddle you whenever and wherever he wants to. Yes, even in mid air, however that works.

Heavy Iron

• Definitely thinks he's better as a big spoon than a small spoon. Well he's true, but he's definitely more 'cuter' as a small spoon. He won't admit it but you will.

• He'll hug you when he feels like it, or you're genuinely in one of your less preferred moods. That being said, if he was also in one of his preferred moods, a quick cuddle does well in calming him down.

• The same as the two above, it's a 50/50 situation with him unfortunately. He's not exactly a lovey dovey type so... don't expect much out of him.

°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°

First of all, i would just like to say

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

Secon of all, i am SO SOSOSOSOSOS SORRY for being gone for MONTHS

eugh I'm so lazy at times and so busy at the same time it's FKALRBSOCNW

No srsly I'm so sorry

I'M SORRY

I'm sorrryysyaurhisyroah 😭😭😭

Anyways hope y'all like this part 😋

[uniquecellest]

I like movie Moira McTaggert. I dislike how they give her so little sustance but that's also what I love?

"she's charles's love interest" In First Class she isn't given much with Charles (which yay love interest wise bc she can do better and nay in their lame attempt to make them seem romantically compatible) but she and Charles are close in like a best friends way but some other CIA agents assume it's more (they go with it bc 60s) meanwhile she's actually closer to Raven and imo it's Moira not Erik Raven goes to when she wants to know if someone can kiss her without her looking normal, Moira reassures her (Moira tells Hank off later then laughs when he comes in blue and furry before leaving for Cuba in like ironic you wouldn't kiss a naturally blue girl but now you're blue way)

where was she in DoFP which is where I imagine maybe she was there in 63 when Erik got arrested (workoholic bastard *affectionate*) and sure she doesn't remember Erik clearly but she kind of knows him so she may be sticks her neck out and gets him into the underground plastic cell (the other option was death and she just knows that that can't happen. Not only bc of the brotherhood but she vaguely remembers Charles's presence and knows Charles will not handle that shit well) and the reason why her course of action is accepted instead of dismissed or stolen by one of her male colleagues is bc Lady Kennedy spoke up for her, agreed to it, and was adamant in letting it be known that I was Moira's idea.

Then in Apocalypse she and Charles meet again (I'm re-writting the cringe ass meeting). In post DoFP with Charles and Hank re-opening the school he invites her over prior to the school opening that is when he gives her back her memories, she keeps the school quiet. Eventually she out-ranks Stryker and that pisses him off but oh well. Anyways he calls her over to Westchester because he knows something is wrong and she is the main one (aside from Lady Kennedy bc Lady Kennedy was a frequent visitor and writer to Erik) that has kept tabs on him at least where he lives and asks her to try contact him but then Apocalypse happens (Alex survives in my version) they all go and save Charles, Moira goes with Raven and Peter to knock some sense into Erik - in Moira's case literally. idk how but she does. Everything else follows in-verse minus Moira getting her memories back. Turns out Magda and Nina were alive and had been kidnapped but Magda and Erik divorce amicably as he doesn't want to put her in danger again and she has now seen first hand some shit that can happen to and around him. Nina goes to the Xavier school

(I'm making up a different movie in place of Phoenix) in the 90s they find out Banshee and Angel and some others are alive. They find out that the sentinals that killed them didn't kill them but teleported them somewhere else where Amahl Faruk finds them and brainwashes them into working for him. Hank, Raven, and Alex feel as though it is their duty - as the ones closest to them - to bring them back but Amahl is after Ororo and Charles. Hank, Raven, and Alex sneak out when the others are on a field trip overnight in like DC or something. in DC Moira is talking with Charles and Erik about a new mutant disturbance which throws them off as neither have detected any mutants in weeks which startles Moira bc how can the two strongest mutants not know. Amahl then hypnotizes Ororo and Charles - Academic he is still being up - feels that something is off and sees Storm but she doesn't feel right telepathically he calls to her to no avail, going after her Charles and Storm are kidnapped. Moira goes to the DC CIA office to gather Intel on what happened and threatens to cut everyone there a new one (Erik's with her and any beef they have, squashed. She's his bestie now) and with CIA Intel and plane they set off to save Charles and Ororo. (I can make this thing a whole post alone so I'm gonna stop here for now.)

but we still get the Paris proposal (Raven is also alive) Moira and Hank are Charles's Best Woman/Man, Raven is ordaining, with Magda and Angel as Erik's and Sean and Nina as the flower throwers (metal so Erik can reuse them later and make them last longer) and turns out Moira's son is a mutant (which for some explain her advocacy aside from her friendship with Charles) that becomes the ring bearer. And Alex is the first person to give a speech at the reception that makes everyone do a spit take

[pessimisticpigeonsworld]

She is a white savior that Daenerys believes to be the Mysha of the slaves, in addition to her arrogance of thinking that she is the only savior, she has that hero complex like her brother Rhaegar had that caused a war for his prophecy, I saw the publication and it makes sense Aegon according to what he dreamed of in the long night, but for me the author invented it to make it seem like the foreigners subjugated Westeros, for me it is not fair that Daenerys and her fans believe that she deserves the credit of many people who also fight against the others.

I'm sorry, have you ever read the books? Or even seen the show for that matter? Literally none of this is true in either one.

Dany didn't create the title of Mhysa, the Yunkai'i slaves she freed did. Then the name was picked up by the slaves in Meereen and others all over Essos. It's a title; it's awarded by others, that's how they work.

Dany takes this title as a responsibility. She feels a level of responsibility and care for the slaves and freedmen that no other pov ruler does. She understands the weight of ruling as no one else does; it's a ruler's responsibility to care for the people and do justice on their behalf. She is motivated by her genuine care in all the released books and in the seasons when she's in Essos.

Where are you getting that she has a hero complex? I'm assuming since you're talking about the Others, you're talking about the events of the show's ending. Well, even with how D&D royally fucked up, Dany didn't believe herself to be the only person fighting the Others, nor does she begrudge other people their credit.

She's rightfully upset when all the Northmen choose to ignore the fact that she literally saved them. Dany brought her dragons, saved Jon's life multiple times, and brought a massive army. She did literally save their fucking lives. No, she wasn't the only one to fight, nor was she the only reason they won, and she doesn't think that.

As for the slaves, she doesn't liberate them out of a hero's complex, she does it because slavery is a horrifying institution and she had power. People who have power should feel an obligation to do good with it; Dany does. She chose to put aside her conquest for the Iron Throne for the slaves.

Rhaegar didn't start the war, nor did he do it for the prophecy. Again, I don't know where you or any of Rhaegar's antis got that. Rhaegar ran away with Lyanna because of a mutual love. GRRM literally calls Rhaegar "a love struck prince"; meaning he isn't really thinking clearly.

As for the prophecy, yes, Rhaegar knew about it; but we have textual evidence that he believes Aegon is the Prnce that was Promised. He literally tells Elia when Aegon is born that, "His will be the Song of Ice and Fire." Yeah, he said there needed to be a third child, but why logically wouldn't he choose to have a third child with Elia? Well because he's not thinking logically, he's "lovestruck", and because he didn't run away with Lyanna for a child.

No, GRRM didn't make the Targaryen conquest to reflect foreign invasion or colonization. They're literally a Westerosi house, they came to Westeros centuries before the conquest happened. It's literally a different concept all together, why is that so hard to understand?

Literally none of Dany's fans believe that she "deserves all the credit" for fighting the Others. We just want her to get the credit she deserves, which is that she saved the Northmen's lives and without her they would have failed. These are all just facts in the show. As for the books, we know she'll play a large role in fighting the Others because GRRM makes it pretty fucking clear.

[tethrras]

straight-up i could analyze varric and the dasher's men being the only book he wrote with a dwarven hero forever. like he literally wrote himself out of the narrative after that . because it was too close to home? too blatantly him wearing his heart on his sleeve? did bartrand ever call him on it, if he even READ the damn book? did bianca during a fight? or is it because he stopped thinking he could be the hero? because he CHOSE to sink into the background because that way he can avoid vulnerability and failure and rejection and conflict??? 🧐✍ which also ties to how his character arc in inquisition (and his relationship with hawke) is about him growing as a person and becoming someone who will take action after purposefully avoiding the weight of responsibility . hence veilguard and him becoming viscount 🧐✍thank u for listening to my unhinged varric tedtalks

DON'T EVEN I DIDN'T EVEN THINK ABOUT LIKE. WHAT EVERYONE ELSE THOUGHT ABOUT HIM WRITING. do we know when he and bianca first got together btw and what books it might've tied into.......... i'm sure you do you smart talented genius whomst im kissing on the lips....

[puppetmaster13u]

Prompt 333

I once more believe Battinson Batman needs to be given a child. Or multiple. Multiple children. I am also once more rotating Ghosts Have Wings Au. 

So Batman, still early in his whole vigilante career ends up busting a shipment, nothing too surprising there. Pretty usual honestly. Except for what was in one of the crates already open. Because it looks like some sort of gemstones but… perfectly spherical. Strange. Suspicious. 

But it’s also late, er, early in the morning, and the GCPD is notoriously corrupt, so like, he’s not going to just leave the weird gemstones, each about the size of a plum or so. (Dear Gotham he’s apparently hungry, and might inwardly vow to never let anyone realize what his tired mind decided to use as measurement) 

So he, unknowingly spurred on by more than just a slight bit of ecto contamination, takes the strange spheres back home. Just puts them in his pockets and heads back to the manor that they moved back into after the whole Riddler mess. (He even found a cool cave! With a bunch of terrifying bats, but they made a glass separator! For safety!) 

But in Bruce’s defense of forgetting about them, he’s more than a little tired and hungry and just wants to sleep for a bit, y’know? So maybe he forgets about the gems as he falls asleep in the chair in the cave (Alfred was not pleased!) until he starts digging around for them. Erm. Did they fall out somewhere?? There’s no holes in his belt pockets… 

And maybe these sort of things shouldn’t slip his mind, the spheres had felt Weird with a capital W, but he gets forced to a circus and there’s an… accident. So maybe he pushed it away as not important because there’s now an angry grieving eight-year old living with him and he’s panickedly reading any and all sort of parenting books he can get a hold of because he has no clue what he’s doing. 

Yeah, maybe his back is itching like crazy no matter what he tries, and maybe he threw up the other day, but it’s fine. This is fine. 

….

Oh dear Gotham those are feathers, this is not fine- ALFREEED!

[al-luviec]

compiled whatever this is (and I run out of tag space)

meh HoT gifs (3/?)

[puhpandas]

I think the reason beckory works well is that tony has a habit of getting self righteous and in his own head about things but Gregory isnt afraid to tell him off or call him out about things. the point of tony in ggy is that nobody ever told him that how hes treating other people isnt good, so that's why he got so bad. but tony would be close to Gregory and have every rational reason in the world to listen to Gregory so when he would say something like "you're treating ellis badly and that's not what a good friend does, you need to do better" hed actually listen and take it into account and improve himself

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[butchjess]

Well. hrm. the way they all connect to each other. like it’s all starting to look like a circle of some sort. jess as rory’s mirror/reflection/narrative foil but also jess as he pertains to luke and jess as he pertains to lorelai. luke breaking the church bells luke who says he was troubled but they gave him a chance and just bc a kid has issues doesnt mean they don’t deserve that. luke who is a figure placed against the rest of the town, just in the sense that he is not like them, he does not hold their values, he doesn’t even sound like them. which is of course a result of scott patterson’s new york accent, but adds to this theme anyway. and they use jess to build this picture, because they walk the same and talk the same and they’re stubborn—independent to a near self-endangering degree—and emotionally repressed in the same way and luke himself admits that he spent more time working at his dad’s shop than he did at school, which jess also does. but jess and luke are also. very very different when you get past these similar values that are maybe ingrained into them through different circumstances and same genetic makeup. and in their differences you get a lot of jess and lorelai’s similarities. when it comes to their family dynamics and how it’s affected them in particular. it’s made them independent yes, but it’s also made them hypervigilant, almost paranoid in the way they are allergic to accepting help and especially accepting help from the people who hurt them. jess only goes to his mother’s wedding because luke asks him to, lorelai only asks her parents for money because rory needs it for school. and they, and this is where they differ from luke, don’t know how to trust people and so they don’t know how to talk to people. where luke’s particular brand of emotional constipation comes from a general cluelessness as to how to do it—which is why the tapes helped him so much—lorelai and jess’ come from emotional responses to the situations they grew up in. while it was different—lorelai growing up rich, jess growing up poor—the effect it had on them still resulted in something similar. lorelai with her overbearing manipulative mother and (emotionally) absent father, and jess with his neglecting manipulative mother and (in all senses of the word) absent father. the ways that, despite their effort to distance themselves, they still end up with similar mannerisms to the parent they have the most conflict with (lorelai and her controlling nature + that scene where they have the same nighttime routine, jess and his love for books + tendency to run away). and of course, their romanticism. their big confessions and period drama-esque speeches and, yeah, i do think in a way jess was asking rory to marry him in 4x21. come with me. let’s get married. luke and rory both being the most important people in their lives. literati+javajunkie where they are all melding into each other, and luke is rory and lorelai is jess but on the surface level dynamic luke is jess and lorelai is rory and they are all each other. on accident. by sheer nature of making jess as a character for the sole purpose of interfering with luke and lorelai’s relationship (which means he is important narratively to them both) and by making him rory’s love interest/foil (because ASP casted him before she even had the idea for the character) you have now made an accidental blending of them all together. he is like a skeleton key of a character. Okay. okay.

[hella1975]

so there's a reason my new job got back to me so quickly about my application and that's bc it's an absolute fucking shambles like actually perfect timing for me to decide to rewatch the bear bc i have never more felt like ive been thrown into a broke on-its-knees establishment trying to crawl its way up the ladder where i am somehow a godsend to them. my old job was crazy and shambolic in the sense that the industry is just Like That but this one?????? insanity. every 5 mins i am questioning what im doing with my life. ive already had a walk-in fridge moment

[swallowtail-ageha]

I do remember seeing on the dreaded red app some people seeing the "Messmer mourned the loss of a brother-in-arm" quote and the fact that he didn't execute Andreas and Huw as a sign of being merciful but also like. His treatment of them is the opposite of having mercy. He quite literally entombed them alive and left them to starve to death alone if not for the company of stone statues and sorcerers long gone mad

[jrueships]

Paul George on Stephen A. Smith’s Kawhi Leonard jab: “I didn’t like that moment… Kawhi wants to play… We exhausted a lot out of Kawhi this season. So at some point your body breaks you down… I didn’t appreciate that moment. I know I laughed because the situation was lighthearted, but deep down it was like you gotta let that go, Stephen A.”

Paul George, knight in shining armor

[vaguely-concerned]

I've been trying to figure out a dynamic between neve and rye that I find more compelling, because right now there's not much of anything there for me to sink my little teeth into. but I think I've landed on something delicious with the idea that especially after minrathous gets fucked, rye looks at neve and sees myrna -- someone he feels he keeps letting down horribly no matter how hard he tries not to and can't quite achieve the approval of/connection with that he wishes so it's better to just pull away completely and disengage rather than stay in that unshifting shame. neve is (very understandably) measured and distant with him after what happened, and he's flashing back to his student days of myrna gazing at the perpetually hungover heartbroken heap of a person of him on the other side of her desk every time he missed the deadline of a paper or project like '...can we at least both agree that this is. a bit disappointing. especially considering your potential.' (and him all smudged black eyeshadow and numb ruefulness being like 'sure that's a very kind way to put it myrna thank you'.)

aside from the 'if I let him get too deeply into this he'll go the way of brom and it'll be all my fault (again)' element, neve thinks rye is dismissing her and her city/being a bit callous in the same way he was after varric's death (listen. how fucking wild must rook's reaction to losing a beloved mentor seem to the rest of the crew who aren't seeing the blood magic paper doll ghost varric the whole time, especially those who got to see them interact. you WOULD think 'there's something wrong with this guy. putting the job first is one thing just not seeming to react at all is another this is fucking freaky', wouldn't you, especially after seeing the warmth in that dynamic in action beforehand.) perfect storm of two people who grit their teeth and turn inwards in pain deciding that not talking about it is their best bet (NEWSFLASH: IT ISN'T) lmao

(rye spent his last year of watcher training on a mostly joyless bender and then got it together enough to finish the eternal orb project last moment in a fevered near-sleepless week instead of the half a year that was intended. emmrich is both astounded and distressed to hear this. "a week? but -- but that is an astounding accomplishment rook!! and also why in the maker's good light would you ever do that to yourself?" ("well you see there was no one to stop me from doing it like that but me. and under those conditions these things tend to happen".) rye was working through/looking up stuff around transitioning and doing every kind of OTHER high level watcher research through that whole time, but ultimately he's an excellent watcher and a terrible student, at least under traditional methods. adhd from here to the fucking moon. touched by something akin to divine inspiration in moments of high tension that pulls all the threads into one coherent unbreakable cord, a bit of a frayed mess in most other settings. in our world he'd be dropping out of a masters program at the very last hurdle in this moment maker bless and protect him)

[personishfive]

Yay someone else who’s obsessed with Thieves’ Den and what implications it has for Joker and how it tells us how he sees the world and his confidants. He doesn’t nerf the other thieves just for an advantage because he wants it to feel as real as and as true to them as possible. Though I argue that it’s not entirely accurate but pretty close. “ It leads to the question why doesn’t he just play it with his actual Phantom Thieves. Probably because time crunch and blowing off steam he needs someplace where time and consequences have no real meaning.

hi ^_^ yeah like one thing about me is that i love taking stuff that doesn't actually have much real significance and running with it because it's really funny to me. it's really funny to me. like obviously the thieves den exists purely as fun side content for the player in a rerelease game, and its minor mentions in-story are just to introduce it naturally, but if you decide to take it legiterally its really fun. (have i ever mentioned how funny it is to me that the default thieves den bgm is an instrumental version of no more what ifs) (this doesn't work In Universe because the thieves den is unlocked before jazz jin but like. its really funny to me. you get it) (and yeah every thieves den conversation etc becomes way funnier when you remember that this is meant to be in joker's brain)

im also like this with, like, the third eye (i cant believe joker is cheating at games with his magic insight/vision powers </3 don't tell anybody!) and grapplinghook (i have a set of comics planned about grapplinghook that i haven't gotten to yet bc life is hell but i really really really love grapplinghook. my 'joker persona5 fucking loves his grappling hook' kind-of-headcanon is very special to me lmao) like yeah these are literally just gameplay elements but we can get silly with it.

anyway *joker voice* lets play this card game together gang! and then the others do way worse than they did in his brain. or something. joker loves her friends so much👍