#AND THE WHOLE WORD WILL KNOW YOUR NAME

[infinitelilith]

HAHAHAHAHAHAHAHAHAHAHAHA PEAKKKKKKKK

PEAK FUCKING FICTIONNNNNNNN

HAHAHAHAHAHAHAHAHAHAHABHBAMDBSGA7APW02URBR NWY26271KQNWVWYEYW0Q98WC7C5HWQJ1K2O4OFUSQLKLSJMMMMA HAHAHAHAHA

[kyouka-supremacy]

I was thinking on the recent chapter, and I realized that the S1 ending song, 'Namae Wo Yobu Yo' is so connected to this chapter, and Shin Soukoku?? How else do you recognize somebody, without face or voice? It's one of my favorite openings, but it definitely reminded me even more of them, now the story has progressed even further, the parallels in the animation too, are so connected to the chapter!^^

Thank you, I will. Be thinking about this for the next six years.

[ghostespresso]

staff logging on to tumblr dot com today

[bloomyblemy]

random though

SQQ (SJ specifically ) is definitely SQH’s type and I find it hilarious how we don’t talk about it enough

[necrotic-nephilim]

there is not enough femslash in batcest circles. the girls deserve to be just as weird about each other as the boys are. if BruDick gets to be weird father/son/brothers/lovers/friends/rivals/soulmates then it is only fair that Babs/Cass get to be mother/daughter/sisters/lovers too. Something about that deep intrinsic but undefinable love that is born out of trauma, especially if you consider Cass not knowing what healthy love looks like in the first place. i think it's fun and deserves just as much fandom content.

besides that, you can get even more niche with rarepairs like Helena/Steph. Huntress/Spoiler: Blunt Trauma is already a fantastic comic and even though it's their only real canon interaction it has so much potential. very comparable to TimJay in how Helena tries to get Steph to understand her morals and the corruption you could play with it.

batman: huntress/spoiler: blunt trauma (1998)

that comic also highlights on how both Steph and Helena are outcasts of the Batfamily and don't have the approval of Bruce to be doing what they do in "his city". I think there's so much Potential in Helena taking Steph under her wing because Bruce won't let her in and it becomes a weird codependent toxic sapphic mess. I think the protectiveness Helena feels over Steph from the get-go is so clear and the way she wants to look out for Steph, wants to make sure Steph understands the real world? I love them. Helena should be allowed to steal Steph, actually. I think it'd be fun.

there are a lot of other possibilities too like Babs/Steph or even getting weird with Helena Bertinelli/Helena Wayne and the existential question of "is it selfcest or not." But these two specifically live in my head rent-free, especially Helena/Steph and one day I'll convince everyone else to ship it too.

[juiceastronaut]

TINIEST littlesr ITTIEST BITTIEST detail that I noticed. Kabru calls Toshiro, Toshiro!

And yeah, like duh, that's obvious, its his name but it still shows how good hes at with connecting to people, contrasing Laois and Namari who STILL call him Shuro despite HAVING to have heard the right name at some point (probably). He still calls him Toshiro despite the people who were (in his eyes) closer to him calling him by a "nickname"

Him and Kabru have similar communication styles, I know he probably wouldnt say it (Cause Toshiros allergic to saying his real feelings out loud), but I bet he really appreciates Kabru for that.

[fishyfishyfishtimes]

Every time I think about what Ahti II would sound like I always have to metaphorically beat myself on the head, “he sounds Swedish!!! He sounds Swedish!!! HE!! SOUNDS!!! SWEDISH!!!!!” I accidentally make him British every single time

[an-urgent-appeal]

monitoring by deco*27 could be a soldierspy song if you just give me 12 hours and 5 cans of monster to explain

[theloveinc]

Shinsou needs you to look at him so bad but also can't keep eye contact with you at all

Whore. Vying for your attention like a child only not being able to handle it cuz he's really just a baby deep down.

And you already know he can give the most dangerous pair of bedroom eyes if he really wants to, just has never liked someone as much as he likes you to actually want to use them seriously.

I feel like it's funny because, before you start dating, you think the reason he can't look you in the eye is just because he's aloof and doesn't care, but after you start, it's frustrating because it's so intimate and lovely and he still can't bring himself to do it! Despite always needing to be in your vicinity or up in your business, turning away the second you acknowledge him.

Getting-all-flustered-ass when you pay attention to him like he's not staring/glaring down everyone else... Yes, I would be kinda Pissed.

(It's really just because he's shy. Being all sexy and intimidating to keep people from thinking they can get all close to him.

The first time you go to the club together as a couple, you catch him giving sexy eyes to a guy chatting him up, and the second you walk over to confront him about it, he's melting under your gaze and ignoring the other person altogether... embarrassed and squirmy at the thought of you being mad at him but needing you to know it's just because he loves you so.

He just can't help it!!! And now the stranger is mad that you got him so easily... bamboozled.)

[compacflt]

i'm so curious: what's your favorite thing you've written? something that makes you nod and go, "yeah, that's it right there. i did that." just the best combination of words you've ever churned out in your personal opinion. it makes you proud just Thinking about it. could be a sentence, a paragraph, etc.

very cute ask anon, thank you. im going to assume for your benefit that you mean specifically my icemav writing—obviously I write outside of top gun and am very proud of that stuff but it wouldn’t make sense out of context.

There’s a lot of more recent stuff that I’m extremely extremely proud of on a technical level, but I’m prouder of this paragraph below on a deeper more existential level.

This paragraph was one of the first parts of WWGATTAI i ever wrote—august 12, i think, well before I had fully realized the characters’ voices or their attitudes towards life/each other; I only had about 5k written of what is now a 300k+ project (at the time of writing this paragraph i wanted it to be 10k max) and had no real outline, didn’t know who or what I was dealing with, hadnt seen TGM in two months, had done no research (so it’s not at all politically/militarily accurate or anything, why the FUCK is ice going to fucking GUAM)—and STILL this wound up being my favorite paragraph in the entire fucking series. not to suck my own dick or anything. I’m STILL so proud of this paragraph, 9 months and 275k+ words later, even though i Absolutely Would Not write it this way now.

[sammysammer]

Who was ur first oc (send pics lol)

We don't talk about them-

[icharchivist]

was refreshing myself on some old myth for a bit and i read the french and english wiki page for the Charybdis' mythos, and i'm noticing something that i don't know if it's just the wiki being inaccurate or an actual difference (from the linguistic page it seems to be an actual difference) but

In English there's this expression about choosing between two equally bad horrible situations by saying "choosing between Scylla and Charybdis"

But in French the expression is "to fall from Charybdis to Scylla" and instead of a choice it's about managing to get out of a horrible situation only to get thrown into an even worse situation (the equivalent of the English's expression ""falling out of the frying pan into the fire")

if i believe the linguistic page there was a bit of borrowing around and technically both expressions are used in both language, but you're more likely to find the first one in English and the second one in French (very likely because Victor Hugo popularized "to fall from Charybdis to Scylla" with Les Misérables) (does not mean it started in French the origin of the expression is still Greek anyway, just talking about why the saying is more popular in French with weirdos like me)

idk i think it's cool on a sort of metatextual perspective that English People saw this myth and when "oof imagine picking between those two" while French people just chugged a bottle of wine and went "And it's a BINGO and LIFE SUCKS and it NEVER GETS EASIER you get BOTH OF THEM BABEYYY"

[rainingincale]

.

[quietwingsinthesky]

Hiiiii! So, a few days ago you were talking about the whole thing with Amy, Rory, and River. And when I saw those posts a thought arose in my head and I wish to share it with you.

Since River grew up with Amy and Rory as Mels. And Mels was Amy's best friend do you think that they ever talked about children? Since I know that it can come up when talking with friends, and like... do you think that Amy might've ever expressed whether or not she wanted children?

And if she didn't, that Mels would've had to listen to her mother say that she doesn't want children? The idea is so heartbreaking and sooo interesting.

What do you think about it?

no, no, see, you're so right and this drives me wild.

because, the way i see it, i don't think amy wanted children. she's somewhere on the 'hasn't thought about it' to 'vaguely negative feelings about it happening' range to me, which falls sharply into 'Not Happening Ever Again' post-s6. (specifically, in terms of having a kid herself, even if she could, i really don't think she would. i do love that she and rory end up adopting a kid later, because that does make sense, for amy pond who grew up alone in one universe with her family swallowed by cracks in time before the doctor helped her set it right again, for her to want to make sure another child won't be alone in the world like she was. getting off-track here.)

and that's so. because the first real memory river/mels has of amy is of amy shooting at her. and depending on how well the silence fucked up the rest of her memory, it might be one of the very first memories she has at all. that's how she met her mother, crying for help and getting a bullet instead. her mother tried to kill her, so of course, you have to think. she must have needed to hear that she was wanted, right? even if she was taken away, even if amy shot her, at some point, melody must have been wanted?

river is good at getting people to do what she wants, but she is very, very bad at subtlety. and mels is younger, has less practice, so when she wants to know this, she's just going to ask. blunt and quick, easy enough because amy's used to the way mels will open her mouth and you just have to be ready to roll with what comes out if you want to keep up. it's why they're such good friends (like mother, like daughter.)

they're nine, and mels asks if amy wants kids, and amy wrinkles up her nose and says she won't have time for children, obviously, once her raggedy doctor finally comes back. they're fifteen, and amy and rory dance will they-won't they in a way that makes mels twitchy to watch, and taunting amy about wanting to have rory's babies is a good way to get on her nerves. but amy calls her gross, tells her she's got more life planned than children would leave room for, and besides, imagine her, a mom? it'd be a disaster.

mels does. a lot. she looks at her mother and just sees her best friend instead. she's not even sure what she wishes was there, but. maybe amy's right. and besides. imagine her, a daughter, instead of the ticking time bomb she really is? it'd be a disaster.

they're sixteen, seventeen, eighteen, and on. mels stands on the outside of a love story that births a universe. and her. how do you compete with that? not that she would know, not yet, she hasn't been there. but it doesn't make her feel any less alienated when amy and rory talk in whispers about a half-remembered world that's bled through to this life, about roman soldiers and boxes and the big bang of belief.

all these memories, they never mention children. on amy's wedding day, she's different, not like someone remembering a dream but someone who lived it. rory stands straighter, won't leave her side, and they're both so much older than they were yesterday. maybe now, right? a wedding's as good a time as any to decide you want kids.

mels not being at amy & rory's wedding is such an obvious lazy way of them trying to explain why they totally didn't just throw this plot twist together at the last minute that i'm not even going to acknowledge it. of course she was at their wedding. she's their best friend. there's too many people around the doctor, and she wasn't ready today of all days, so despite this horrible burning need under her skin to strike, she stays her hand. doesn't let him dance with her because she might just tear his throat out if he gets too close. stays with amy and rory as the maid of honor should. she must have been there for the awkward questions that always gets asked, 'so, any plans for a baby?' 'when am i getting grandkids?' 'oh, you two are going to have gorgeous children together.' standing a few feet from amy in her wedding dress and watching her mother tense and grit her teeth and brush off the questions. watching her look nervously at rory but never ask if he means it when his mom asks him if he'd prefer a son or a daughter, and rory answers 'either one, some day, not anytime soon.'

god i'm just going on and on, aren't i. but really, what's it like to know that amy never changed her mind. the next time she sees them, she's already been born and stolen. i don't like let's kill hitler for. so many reasons. but there is something compelling about how recklessly river lashes out at the world, at the doctor. even her sacrifice at the end is almost suicidal, throwing all her regenerations into this man without knowing if that will even work or if it might kill her to do it. but it makes more sense in the context of someone who has reached the end of a long, long wait for some kind of indication, any kind, that her mother wanted to have her. and finally been told, no. she didn't choose melody.

[seaweedstarshine]

To soothe it further, Dr. Moon totally said it. Probably kept waking her up at 'night' to tell her he loved her :) It did probably eventually end in River answering with 'I hate you' for being waken up all the time

('no, you don't' <3)

Oh…!!! No “I love you” until they’re BOTH dead so the Doctor no longer has to fear the razor-sharp pain of losing her. 😖 Layers of emotional constipation, finally falling away…

This is the most perfect kind of soothing because it’s complicated emotions honestly — and you are so real — because it always fits them, even if I personally like to think eleven said “I love you” when he was dying, well, it’s easier to say these things when you’re dying and may not have to live with the pain that comes with love that’s fated to end…

Night-long “I love you”s when they’re both dead. (😭 “no, you don’t.” After ten giving the wrong response to “I hate you,” that would heal all. 😭)

On the vein of the Doctor’s various equivalents to “I love you” that he definitely would’ve said if he couldn’t actually say “I love you” in those moments — I once heard a headcanon that eleven whispered “you are always and completely forgiven” in LKH and honestly, that’s the only possibility (apart from “I love you”) that really makes sense to me — if something’s gonna persuade you last-minute to save the man you were raised to kill, why not being (lovingly) forgiven as he loses consciousness?

RIVER NOT ONE PERSON ON THIS SHIP NOT ONE LIVING THING IS WORTH YOU

[keeps-ache]

the worst thing that has come out of me losing every art file from this year is that i can't just eyedrop palettes now. the world is agony