#i know that was the whole conflict with that one episode but still

[marishmallows]

I think the CK writers were more focused on the action and shock value this season rather than the writing because a lot of it doesn’t make sense or really holds up that much? Like there’s still so many questions left unanswered and I know the final part is coming out next month but I feel like it won’t really answer them that much. Especially not with five 30 minute episodes. I feel like a lot of the depth just went away? Like with Robby, Sam, Miguel, Hawk, Demitri, and even Tory to some extent.

A lot of the character development and previous plots really goes down the drain this season. Since they have already been addressed in previous seasons AND SOLVED. It’s like they keep writing the characters to repeat a lot of mistakes and conflicts they already did.

I know Robby has been off balanced because of what happened with Tory but besides that, all he’s done this season is lose constantly and be bad-mouthed by so many characters. His relationships are just gone completely, no interactions with Kenny. No heart to hearts with Miguel or Johnny or even Daniel at all. He’s just completely on his own for the entirety of part 2.

With Johnny and Daniel, the arguing and fighting. They already know it throws their students off balance and creates an air of tension between them. Yet they do it anyway even though in late season 4 and season 5, they came to an understanding yet they reduce back to their fighting anyways?

With Sam, she is one of the most skilled and balanced fighters with Robby and Miguel. In season 4 and 5, she finally started listening to her own instincts and make her own decisions in both her personal life and karate. Yet now she needs Johnny and Daniel again to help her with discovering what fighting styles to use? She also with Robby, doesn’t do anything this season but serves as a catalyst for other people’s stories which sucks because they’re both supposed to be the captains but we never see them actually be captains. Like what happened to the Sam who took charge in season 3 when Miyagi-Do’s were being bullied? Surely if Miyagi-Do’s were losing in tournaments (some divisions that she was definitely qualified in) I feel that she would step up just like she did in previous seasons.

Miguel is fine for the most part but I do wish he had a better understanding for Robby’s emotions, like I know he was upset about Stanford. But I wish instead of him having that convo with Johnny, I wish he had the convo with Robby himself opening up to Miguel about the whole thing or just Miguel having a better heart to heart with him.

Overall this season has been good so far but not as great as the other seasons in terms of character writing. I feel that season 6 has been more action focused rather than character focused and wrapping up the character’s stories and setting up their endings.

[juiceastronaut]

TINIEST littlesr ITTIEST BITTIEST detail that I noticed. Kabru calls Toshiro, Toshiro!

And yeah, like duh, that's obvious, its his name but it still shows how good hes at with connecting to people, contrasing Laois and Namari who STILL call him Shuro despite HAVING to have heard the right name at some point (probably). He still calls him Toshiro despite the people who were (in his eyes) closer to him calling him by a "nickname"

Him and Kabru have similar communication styles, I know he probably wouldnt say it (Cause Toshiros allergic to saying his real feelings out loud), but I bet he really appreciates Kabru for that.

[sskk-manifesto]

ಥ‿ಥ

[heatwa-ves]

I'm sick

[six-tooth]

anyway feeling very normal about this scene

the fact that after a long, unpleasant day of absolutely nothing going his way and constantly being reminded of how much everyone else dislikes him, he's too tired to keep his act up and seeks out a genuine conversation with the one person whom he hasn't interacted with through the entire adventure

Pomni about to answer sincerely before realizing it's Jax and changing her approach, either out of caution or uncertainty by him being so... casual

she braces for one of his usual remarks/jokes but is surprised when he answers with neither, simply letting her know how he's doing as well

finally, when he's called over for another task, he's still visibly annoyed but follows through without much protest and waves goodbye to Pomni, who is undoubtedly confused by what she just saw.

there have been a couple of instances where the series shows us that Jax is being affected by the circus more than he lets on, and they were really focused on during this episode.

this got me thinking about what Goose really meant by him "getting worse"; most people (myself included) interpreted it as his actions gradually escalating to a point where it could result in conflict with the rest of the cast, but after this scene and near the end where he leaves and gets in his car, it could be understood as his repressed emotions finally catching up to him and turning his mental well-being for the worst. It could also be a mix of the two

now this is the part where I put my delusional cap on, but there has been a significant build up to Jax and Pomni's relationship through the whole series, the most notorious one being:

his hand missing from Pomni's moment of realization that the other people she's been trapped with are trustworthy and care for her. You obviously can't blame her for coming to this conclusion, but I think that's exactly what made this small interaction a lot more important

Jax has been pushing others away and masking his emotions for who knows how long, and one of the primary focus and messages of TADC is connections with others and how important they are, so for them to show us Pomni seeing Jax have a brief moment of vulnerability, I do believe it's reasonable to think that they will eventually develop a relationship with some amount of significance, maybe even something close to a friendship

but yeah, feeling very normal

[cornfieldsrambles]

YOU HAVE PERMISSION TO INFODUMP PLEASE TELL ME ABOUT WIGGLY'S SIBLINGS???? THAT HE APPARENTLY HAS????

omg ok SO

Meet the Lords in Black. Charming, aren't they?

Yes, Wiggly does indeed have four brothers who all do different things, so I'll cover them one by one, in order of introduction (since we've already met each of them in Nightmare Time at least once). BTW Nightmare Time has a fuckton of lore in it that I won't go into here, so even though I am about to spoil significant parts of it for you, I do recommend watching it, it's really good and if there's enough interest they might make a third one!

(Also you might notice they're all in doll form in this picture. This is how we knew them up until NPMD introduced us to what I call their Tumblr sexyman forms. Which are rad as hell by the way.)

So you already know Wiggly. That little green fucker, Wiggog Y'Wrath, the Capitalist Cthulu who does uwu-speak and starts a cult by invading people's minds. This will become a bit of a reoccurring theme with these guys. He's also the only one to successfully start an apocalypse, and the only one to have attempted to birth himself into our reality. (Or is he? We'll get to that...) He does seem to have some kind of dominion over the other LiB, as whenever all five of them show up there's always emphasis placed on him, like in NPMD where he does most of the talking while his siblings occasionally butt in.

Now for Bliklotep. Blinky seems to have slightly lower-scale ambitions than Wiggly, but don't let that fool you. Eyeball Boi is still incredibly dangerous. He runs an amusement park, WatcherWorld, deep within the Hatchetfield Witchwood. But it's not for the amusement of the patrons. Oh no. It's for Blinky's own amusement. Once you step inside, every insecurity, every shred of potential conflict will be ripped to the forefront, turning people against each other to the point of trying to kill each other until he's fully infected their minds. It's implied that, if not all, but a significant chunk of the workers at WatcherWorld were once patrons before having their minds taken over by Blinky. He's also implied to be the thing in Trail To Oregon that Jack Bauer sees during his venom-induced hallucination, as Blinky is referred to as "The Watcher With 1,000 Eyes", which is exactly what JB says he sees? Making Blinky the only LiB to induce a Starkid crossover. My headcanon is that the Dikrats founded Hatchetfield. But regardless.

Next up on the roster is Tinky. T'noy Karaxis, the Time Bastard. You may be wondering about that one line in NPMD where he recognised Pete as a Spankoffski, and said he "could have the whole set in his toybox". Has Tinky gone after Pete's relatives?

Well. Um. You know Ted, right? Yeah, his name is Spankoffski. He's Pete's big brother. We actually got the surname reveal before the brother reveal, lol. And that's not the only reveal we got about Ted. Our boy Teddy Bear has this whole entire tragic backstory and it turns out he gets fucked over in literally every timeline! Isn't that fun?

So, to summarise an entire episode: Tinky makes travel fuckery happen, Ted wants to go back in time to fix his life, accidentally goes back to before the time machine was created and gets stuck in the past, literally. Tinky is watching and laughing at the whole thing, then shows up to blow Ted's brain to smithereens with his weird little magic box, the Bastard's Box, where he stores all the people he toys with. Anyway Ted eventually catches up with the present by aging, except now no one knows who he is, he's... actually I won't spoil that. But once he dies he ends up eternally trapped and tortured in the Bastard's Box. Yaaay.

Fast forward to Nightmare Time 2 and we get introduced to Nibbly, in possibly the most unexpected way imaginable. He's revealed to have been behind a whole episode literally right at the end of said episode, and even though it was kind of foreshadowed, it hits you like a freight train in the best way. Remember when I said Wiggly was the only one who tried to birth himself into reality? That was kind of a lie. Nibblenephim can sort of do that anyway. Every year, he can possess a bunch of carcasses and create a living form to walk the earth for one night. He also has a cult of followers who provide him with the carcasses, as well as a sacrifice to feed on. There's a little more to it, specifically with how the sacrifice is chosen, but again, I'm trying to spoil as little as possible. Go watch Nightmare Time. Nibbly also seems to have a "pig" motif, and his theme song, The Nibbly Ditty, is a banger, easily my favourite of the three LiB theme songs we've heard so far.

And finally, we are introduced to Pokotho, in the very last episode of NMT2.

Except no. We were formally introduced to Pokey there, yes, but we've seen his apocalypse already. Long before NPMD, before Nightmare Time, even before Black Friday.

Yeah, remember me saying that Wiggly was the only one to successfully start an apocalypse? That was also a lie! Pokey already did that, and he did it without ever showing his masked face. Remember The Guy Who Didn't Like Musicals? The blue spores that came down in a meteor and turned everyone into singing zombies? That was Pokey's doing! That's his blue spores! That's his apocalypse!

This also provides an explanation for why blowing up the meteor didn't work. Emma and Hidgens were right about the hivemind thing, but wrong about the location of the central brain. It wasn't the meteor - the meteor was just the vessel which carried the spores to Earth. The central brain was sitting safely up in the Black and White, laughing as Paul blew himself to smithereens. The central brain was Pokey, the Singular Voice, the most uncompromising of his brothers. The one who hates every voice that is not his own, hence the hivemind and making all of his zombies speak in HIS voice.

Anyway in NMT2 he's happily collecting musical zombies by taking on a human form and infiltrating a fighting ring of superpowered children until he has enough to kickstart another apocalypse. (Don't question it, we're almost done). He also calls himself Otho, not Pokey, making him the only LiB to have two different abbreviations of his name. Hannah is also there (remember her? Lex's little sister?) and she is like incredibly important to this whole thing, she has a super powerful mind, but that's a whole other thing.

But I did mention Hannah for a reason. Because you said "Wiggly's SIBLINGS". And while the Lords in Black are always referred to as brothers, they do have one more sibling. A sister. A Queen in White. And her name is Webby.

Yep, Hannah's imaginary friend isn't imaginary, who could have guessed? She's benevolent, always trying her best to combat her brothers' antics, but given that there's one of her and five of them, this is a bit of an uphill battle. Webby doesn't have a full name that we know of, nor does she have a doll. We don't know much about her. And she may not be all-powerful - but then again, neither are her brothers.

Infodump concluded. Hope this helps, it was very fun to write.

[johanna-swann]

I'm still so disappointed with 911. Like yes, seaon 7 was messy, but the opening disaster was great and they got a few really interesting storylines rolling despite the very difficult circumstances.

But then they got renewed really early. The conditions were lining up perfectly, everything was falling into place. And yet season 8(a) is so much worse than season 7. Just look at where we left the characters in season 7 and where they are now.

Hen (and by extension Karen) was stuck with the custody battle storyline again, but for the first time there was an antagonist involved who had not only a personal vendetta but also the power to exact her revenge on a big scale while at the same time the very same conflict also had the potential to drive a huge wedge between Hen and Chim while they try to work out their weird patchwork situation.

But all of that got resolved in a single episode that also somehow had to fit random calls, Eddie's C-plot, their weird obsession with Hotshots and whatever Bobby and Gerrard had going on. And then this very personal vendetta between Hen and Ortiz wasn't even ended by them. It wasn't Ortiz giving up / forgiving Hen or Hen defeating Ortiz fair and square, no. Bobby and Gerrard who have never even had a scene with Mara got to safe the day. And then neither Ortiz nor this storyline ever get mentioned again.

Bobby lost his job, had a major health crisis, was borderline suicidal and lost his house last season.

Then we meet him in season 8 and he's just okay, mentally and physically, he gets his job back very conveniently automatically in one swoop together with Ortiz being dealt with. The rebuilding of the house is mentioned in one episode and never again.

Athena was really worried about Bobby by the end of season 7, her son moved back in with her after having spend the last couple of years at his dad's, she also lost her home and she once again went rogue as a cop.

In season 8 she's no longer worried about Bobby, everything is okay, there are no consequences for her actions job-wise, as I said the house thing isn't really talked about and Harry? Nobody knows what happened to him.

Eddie had the whole Shannon-Marisol-Kim thing blow up in his face with huge consequences. I expected him to go back to therapy, to maybe argue with his parents, to talk to Buck or Hen about losing Christopher like this, to maybe spiral a little and finally unpack the Shannon trauma.

Instead he mentions every now and then how his son is in El Paso right now, but doesn't really get into it, he lives his everyday life as per usual, doesn't seem particularly down or stressed tbh, he doesn't go to therapy, he doesn't talk about Shannon, he doesn't talk to his parents outside of one small exposition scene in 8x01, doesn't try to talk to Christopher about what happened. Instead he talks to a priest once which has the amazing effect that he dances in his house in his underwear once. I'm sure that fixed him. Oh, also he may be uprooting his life again without talking to anyone about it. Okay.

Are Chimney and Maddie even still main characters at this point? Sure, they have a lot of screentime and they had their wedding episode last season. They also temporarily took in Mara.

But despite fostering Mara, they had nothing at all to do with the little Ortiz related drama we got. They were just. There. In the background of a few scenes. I guess. We also don't see them adjusting to being married now or talk about what the future might hold for them now. They just accidentally got pregnant AGAIN and didn't really talk about the risks and implications and so on here either. It was brought up very briefly, but there was so much potential for actual discussion there instead of a one-off conversation.

Buck's the only one whose season 7 storyline really got picked up again a little. He discovered he's not straight and got himself a boyfriend last season.

They (briefly) showed us how that relationship continued - and then very abruptly ended in a very strange way. But once again they didn't pick up the queer topic. They treated Tommy like they would any other love interest which would be fine if Buck's sexuality was already established. But as a matter of fact it is not. Buck only recently discovered he's queer and we haven't seen any of the stuff that usually comes with the package. Are the Buckley parents okay with this? Has Buck chosen a label? Did he and Hen ever share a moment of solidarity? Was dating another man all of the sudden a big adjustment?

I fell in love with 911 because they had great characters, but right now the show is doing fuck all with those characters. They're all running in circles and even worse maybe, the characters feel less connected to each other than ever. Like. I'll keep up with the show via tumblr osmosis, but the show didn't deliver on a single thing in 8a. They literally did nothing right.

[emptyjunior]

Can I say how much I love how Ouran High School handles the rich boy/poor girl in love trope. 

Like I absolutely believe it’s discussions about classism and elitism to this Day still hold up! 

I will admit there is so much weird stuff in ouran😭, but we see the Handsome ‘Unlimited Money’ Male Lead a LOT in anime and I feel ouran gets a lot of points of the characterisation SO right, that a lot of other shows just don’t! 

Ouran does the whole love story/harem/all the boys want brown hair girl that we project on, trope. Like they do that, but they show that at the foundation, the root of all of it, those rich boys are JEALOUS. They aren’t approaching Haruhi with the need to protect and own her, at their core the rich are envious of her! Even though they have everything, they want what she has! 

Like we see in the real world with how the rich cosplay as poor! And say "ohhhh I'm so broke please venmo me for lunch" and wear their ripped jeans and strained sweaters and take pictures at the met gala with a box of McDonalds fries in their hand. 

The classist comments made towards Haruhi ARE comedic relief, but the joke isn’t on characters like Haruhi, the joke is on THEM. 

They are the ones who can’t do anything! They are the ones who are stilted and emotionally closed off! They are the ones who can’t make an instant coffee or go to a mall without help! 

THAT is why Haruhi is the center of this harem, why she is the one they’re chasing. They are jealous of her insight and world experience from living independently, from living a REAL life. That is her enviable trait. Haruhi GETS people! And they don’t. Their wealth has isolated them and now there is a barrier between these characters and the rest of the world and they have no idea how to navigate it. 

And this is the foundation of 90% of the problems/conflict in the show! 

The holiday ep when Hikaru has feelings because Haruhi reconnects with Nice Guy Arai? Hikaru says he doesn’t like this guy for all these reasons and most of them are like ‘he’s just some nobody from nothing who only knows Haruhi cause they went to some stupid public school together’. Like okay? Haruhi has all of those ‘bad traits’ as well but you still seem to like her?  

Because it’s not about that, it’s never about that, it’s not even about the love rival/romance angle (at least not completely).  

Hikaru is scared and embarrassed! He already was when they got there, when these rich boys crashed Haruhi’s summer to find out she is an employee here and she is working with her own two hands. This is not a break for her! And then he’s so worried when Haruhi and Arai find each other because what they have is so untouchable to him. Same background, same class, they can meet each other’s needs! And know the other's needs! And this is a chasm that Hikaru has no idea how to cross so he starts lashing out. 

And that episode concludes with Hikaru being told about Haruhi’s fear of thunderstorms, finally actually listening and empathizing with what that means, and then going to her and giving her the stuff she needs to deal with that problem (blanket, headphones, support, protection etc.). 

He has to LEARN that none of those poor people inherently know all this secret knowledge! They just care and ask each other stuff! You can ask Haruhi what she's afraid of and then help her with that! It was always this simple! Just because you’re not the same class as her and knowing her isn’t as easy as it is with people the same as you, doesn’t mean you’ll never know! Learn! Listen! Keep trying! 

Ouran shows their rich characters being hurt by their wealth. Their elitists mindset does NOT benefit them and they’re only narratively rewarded when they break out of it, THAT’S why the arcs are so good. 

(And also while we’re here, I LOVE when they do eps that show Tamaki’s character is actually a parallel of Haruhi’s. Tamaki grew up as an illegitimate child, hidden away in France with his mother. He knows what it is to not be at the top of the food chain, and he learns the skills to keep living! Tamaki is a survivor in a world run by a man who was ashamed of him and did not want him. That can destroy a child, but Tamaki doesn’t let it. He learns how to work people and he learns that belief in yourself is the most powerful asset someone can have. And this is the life experience he imparts onto Kyoya and this SAVES Kyoya, who was barreling towards a black pit of despair and chasing his father’s shadow. The ‘poor’ characters of this show have power that the rich people desperately desire, and in the end they learn that it’s not something you take it’s something you build for yourself.) 

[ruruvxz]

“Where is my friend, smiley?”

Idol!Huh Yunjin x Idol!Reader

↳ synopsis: It was infuriating watching everyone ship you and your label-mate, you didn’t even know how anyone came to that conclusion, you didn’t even interact with her in the public! (Or from public knowledge you didn’t) So why would anyone know about your embarrassing relationship with her?

↳ cw: kinda mean reader, use of language, established relationship, reader is in a fake group, reader was in Produce 48, lovesick yunjin, hidden relationship, tooth rotting fluff (kinda a yapfest abt how much you love her…)

↳word count: 2.5k

a/n: literally my first time writing after awhile, usually my stories are old renditions/proofreads of stories i wrote back in 2023. so this is something im actually really proud of! also this story kinda was inspired by “tingin” by cup of joe more than it was inspired by “where is smiley” by serani poji… LOL

౨ৎ It was odd, and everyone agreed, that the partnership with Huh Yunjin from Le Sserafim and Y/N from Serendipity was perplexing. The only thing connecting both of the girls was the industry they happened to be in, other than that they had nothing in common. Of course, the argument could be made that you and her both participated in the hit reality competition "Produce 48", but everyone knew that was quite a flawed counterpoint.

This was because you were practically thrown out after a few episodes before getting scouted by HYBE to debut months later. And you made it apparent that you didn't want to interact with anyone associated with the production of that show. So with Le Sserafim's debut years after yours, you found it baffling that your company wanted you to "hang out" with the rookie groups, it was infuriating. You worked so hard just to be put with a bunch of girls who couldn't care any less about how much you tried. Despite that, you found mountains and mountains of carefully orchestrated videos of “so-called" proof about you and Yunjin being the "best" of friends.

Whatever it was connecting the both of you was a mystery the fans must solve, and being honest with yourself, you found the whole circumstance mildly infuriating.

So at every turn you tried avoiding that mischievous redhead wherever you went, even when it came to recording meaningless video collaborations, you always mustered up a half-assed excuse. It came to the point where you went out of your way to hide in uncomfortable places just to avoid her friendly banter. Though no matter how hard you tried you could always hear her voice linger longer than it should have in the back of your head. Or maybe it was just how awfully loud her voice was, to the point that it left a ringing sensation in your ear.

It came as no surprise when you heard her voice calling out to your other members inquiring about your whereabouts. This was usually your cue to hide away from prudish questions, last time she had asked you "Do you come here often? You look like you do" unprovoked! Admittedly you knew she didn't mean any harm, but it still struck a cord within you, and knew she was probably going to run towards you asking all sorts of questions. You picked yourself up from whatever task was put on you and quickly ran away from her voice.

Of course, you knew what you were doing was more than ill-mannered, but god forbid she quizzes you one more time about trivial interests. But that was better than confronting her, confrontation was your worst enemy, and so was Yunjin's mannerisms. She was the physical embodiment of what a "dog personality" was, always eager to learn more and help everyone out. it kinda freaked you out to some jealous extent.

So trying your best not to start any conflict with this poor redhead, you decided to best course of action was to camp out around the building's designated lounge. Hoping today would not be the day she decided to check this certain deserted area. All you could do now was fish out your phone from your back pocket to read some forums about your performance and pray that no one would notice you here.

On the other hand, Yunjin was getting more and more hopeless trying to find you around the shared building. Feeling a little lost as she mindlessly drifted across section to section of the HYBE building. Though it hadn't taken poor Yunjin a while before spotting you from the corner of her eye. Her eyes lit up when she saw you mindlessly scrolling on your phone, the energy filling her up with excitement as she inched closer. As she came closer you couldn't help but notice her come closer and closer, realizing your interaction was inevitable.

Jerking your head up to meet her gaze, Yunjin waved her hand as she came within reach of you, letting out a fake smile before putting your phone down. You glanced at her and back to the empty seat resting in front of you, she beamed a bright smile before quickly and "casually" sitting down. Yunjin opened her mouth to speak before you cut her off with a hum.

"Remember, we're the only ones here so make sure to be a little quiet, alright?" You hushed, while she gave you an approving nod, she spoke up this time making it apparent that she was trying her best not to draw attention to the both of you, not like last time.

"Of course, I just wanted to see you it's been so long since I've seen your face..." Yunjin pouts as she looks around making sure the coast is clear from the nosy "enthusiast" who was always oh so curious about you and Yunjin's relationship. Your spine chilling at the thought of people making up such absurd theories about your closeness. The way they could put together such in-depth statements about the both of you always stumped you, how did they manage to procure all this information?

Even Yunjin claimed time and time again that she knew nothing about these fan-made theories, or how her fans managed to get old screen captures of both of you. In actual reality, Yunjin most definitely knew more than he should have! Mainly because it was practically her fault that images of the both of you were wafting around on the internet. See, she wasn't exactly the silent type when it came to friendships/relationships, she loved airing out her own business, which usually came back to bite her in the ass. So needless to say when her old Spotify account was coincidently launched into mainstream media people quickly connected the dots.

For someone who was adamant about avoiding her Juniors, you happened to be insinuated in every one of her, oddly, romantic, playlists. Either that be by a photo of the back of your head being the cover of a playlist titled "The Perfect Pair", or by the fact that all the descriptions were... Unusually corny... even by Yunjin's standards. Each careful string of words all connected with an underlying message about adoration for a certain someone. This didn't help her case since she always spoke about you in high regard whenever she was in a lonesome interview.

And the evidence staked against her was just the tip of the iceberg, it was in fact, much deeper than she'd originally like to admit. If someone with a genuine interest in your relationship with Yunjin researched just a little more about the both of you, they'd probably discover your relationship cut deep. And yes— as much as you tried to avoid how embarrassing your elimination was during Produce 48, you came across one of the greatest person you’d ever meet.

The way she laughed so carefreely, and how her eyes crinkled whenever she smiled, while her gaze brightly met yours. Everything about her made your heart stop, it made you freeze up whenever she looked at you during practice, and it made you such a fool. You knew it was for the better to avoid her, if you didn't, you'd probably be so whipped so hard that you couldn't focus on your own career. But it was so hard, especially whenever she'd run towards you after every practice and performance telling you how well you did. (No one actually noticed anything because you never really got any screen time sadly...) Even if you left fairly early on, Yunjin slipped you her number so you could both keep in contact.

After that day, the one thing you swore not to do, was instantly thrown out the window, as every waking moment you'd secretly visit her to give her your luck. And when things didn't go her way, and she was eventually eliminated, you comforted her in your arms. Before you debuted, you would actively seek your smiling friend, laughing under the neatly shaded picnic table outside the PLEDIS building. It wasn't much nor was it very significant, but being by her side was more than enough for you.

Even after you debuted, you never broke contact with your dear friend, words couldn’t describe how much she meant to you. She congratulated you every step of the way, and you backed her up twice fold, no matter how turbulent her career was becoming you’d stick by her side no matter what. Because to see her smiling face was more than enough for you and you wouldn’t let anything or anyone damage that. So when she finally told you how much you meant to her, you couldn’t help but reciprocate the feeling.

Though when she debuted and years later light babble started to circulate around the corners of the internet, you so desperately wanted to stay away from her, not to damage her career. It was difficult but her happiness, and that smile you treasured so much was on the line, and you wouldn’t—couldn’t let her lose that.

(Of course, she knew what you were doing, she wasn’t an idiot, but it just made her love you even more, the way you cared so much made her heart swoon deeper for you. Yunjin didn’t want to sway your plans because she didn’t want to ruin your career as well, so she too, went with it. But that didn’t mean she ever kept you a secret. You belonged by her side and she didn’t want anyone to forget that. So yes, she was subtly hinting towards her loving fans that her heart fell in the palms of someone else’s.)

So that was what led the both of you to the circumstances you were entangled in right now. Having to camp out in secluded places, where only your faint laughter could fill her ears, and hers only. You reminisced on your past with her, how carefree you both used to be during your youth, but you wouldn’t trade what you had right now for anything. Despite how secretive the both of you were, you were content with having her hands interlocking with your fingers. It was small, honestly not even comparable to how she used to intertwine your lips during rush hour on the bustling streets of New York, but both made your heart race nevertheless.

As she talked about how practice went, your eyes drifted to how she’d scrunch her eyes whenever she laughed about what happened with Eunchae. Despite all the hardships she’s dealt with over the years, she was still the carefree girl you fell in love with. It was honestly surprising how your eyes never faltered off of her even after years of dating. You tried to take the advice from your family and peers that this was some teenage infatuation, but even through crowds of people, you’d pick her gummy smile before anyone else’s.

Your mind drifted to how you’d give her the moon and back, even if no one was watching, you’d give her everything you had. Your eyes, your heart, your mind, anything you could give her, you would. Yunjin couldn’t help but notice your gaze falling from hers and to her cheeks, she curiously stopped her story to call out to you.

“Ah Y/N, are you okay? Are you tired, I’m sorry I shouldn’t have talked your ears off—“ You cut her off by raising your hands to her face, she looked confused as she cupped her face. Yunjin looked even more shocked when you started to pinch her soft cheeks. Squishing them like marshmallows before laughing to yourself silently.

She (very pathetically) tried to swat your hands away before finally giving in with a giggle, placing her hands on top of yours. “You have such an adorable smile, have I ever told you that?” You speak, pulling her cheeks up to force a smile, not realizing she was smiling from your comment. Caressing your hands with her thumb she spoke up once more.

“Yes actually, you always tell me that my love.” She responded, her cheeks flushing red as you continued to play with her face. The way her eyes squinted like a crescent moon made you adore her even more than before.

“Your smile is just so adorable, I’m afraid I might hide it away from everyone.” You joked as you continued, she looked at you even more lovingly than imaginable, if you weren’t in public, you’d probably be kissing her face all over instead of playing with it. You were so distracted by how charming she looked that you didn’t notice a meddlesome paparazzi sneaking in and taking a very sneaky photo of the both of you. (And even if you did notice, you didn’t have the power to stop them, they’d probably run off with the photos before you could even stand up. Though they would probably release the photos later on in the day, and it would rightfully annoy you. You couldn’t deny the fact you were a little grateful that the people knew, the Huh Yunjin was, Y/N L/N’s)

“There you go again— Hey! You know, that was the first thing you told me when we met.”

“Was it really?”

“Yeah, you told me how beautiful my smile was, I was kinda surprised since you approached me in such a huge crowd of people.”

As Yunjin recited the moment you met, you remembered in detail about the interaction, because that’s what changed the trajectory of your life. (The backstage was crowded with everyone getting ready in their bright pink and white uniform, the cameras weren’t rolling so it was awfully loud. Your broken Korean wasn’t helping your cause as you tried your best to converse with your fellow trainees. The sea of faces was difficult to remember, there were 96 contestants after all. Despite how deafeningly loud everything was, and how overwhelming everything felt, your eyes wonder towards a light-brown bob. Her face caught you off guard, she was stunning, and the way she smiled made the world go silent for a few moments. And you needed to talk to her, or this moment would slip through your tender fingers, so you pushed through the crowd just to have one conversation with her.)

“How embarrassing… I hope no one finds out about that.” You sheepishly admit as you move your hands away from her face and intertwine your fingers back to hers.

“I’m sure they’ll find away, but before they do, my smile will always belong to you, Y/N.” She lifted one of your hands back to her face and cupped it to one of her cheeks before smiling softly. Making the already silent lounge even more quiet, as your mind only focused on her delicate smile. The same one you’d turn tides to protect. Your smiley.

opm and ppop lovers rise tf up!!!!!

[mazzystar24]

Okay but picture this a couple of eps into s8 Eddie shows up at bucks all happy I mean downright giddy and just BLABBING but we the audience can see buck looks sad but we don’t know what about (and Eddie doesn’t notice at first cos yapping) then Eddie reveals the reason he’s so happy is cos Chris wants to come back and basically being like pack your bags we are driving to Texas (according to Google it’s an 11hr and 49 minute drive and also Eddie canonically just assumes buck would be involved cos why wouldn’t he) and obviously when he says the Chris coming back thing we see buck instantly brighten up

But then Eddie’s brain catches up and he’s like wait a minute what was up with his vibe before I said that and he looks around realising the loft is in ‘buck is sad’ mode and then buck drops that him and Tommy just broke up and before he asks that he doesn’t wanna talk about it (and we the audience hadn’t seen this so we spend the ep as much in the dark as Eddie is) so Eddie (while concealing his conflicted happy bt are done but concerned for buck emotions) is like even better we’ll take your mind off it with the road trip! 🤩

Maybe Buck tries to be like oh I’m not gonna be good company or oh I don’t wanna impose and Eddie’s just looking at him like he grew two heads and is like what are you on about you dumbass (affectionate) I literally always want your company and you never impose

And boom it’s a Texas road trip episode

Shenanigans ensue on the way to get there maybe, flat tires, people needing help,etc

Maybe they stop at motel on the way cos it’s a long drive or cos of one of the little things that happen (and there is only one bed <- damn who said that???) and they go to a bar (preferably cowboy bar for cowboy hat Eddie reasons- and when I say cowboy bar I use that loosely because the vibes we want is save a horse, ride a cowboy not be gay, get shot - we are a pink pony club not republican club) and buck is acting weird the whole trip but they’re still their drunk affectionate selves but there is a vibe that we and Eddie are both meant to think is cos of the breakup, maybe buck even gets hit on and drunk buck is a yapper and starts talking abt loving a guy who’s never gonna love him, etc, etc and Eddie overhears and thinks it’s tommy and hello complicated feelings again

As the trip goes on buck starts getting more at ease

Eddie is still concerned tho

Buckley Diaz family reunion and all the feels

And this is when you guys get to choose your story:

Either once buck and Eddie go home and they have a moment that’s like their usual ones (very romantic but gaslighting is saying it’s platonic) and when buck is alone we get a flashback to the bt breakup and its revealed that buck has feelings for Eddie (whether that is realised during the breakup or he broke up with tommy cos he realised etc)

Orrr

Diaz parents being dickheads, we get a will mention AND an Eddie confession that is overheard by buck, (then either buck acts on it before the ep is over or we are left on a question mark) AND THEN we get the flashback

[hamliet]

Derry Girls: A Masterclass in Detailed, Thematic Writing

Several years after the end, I finally watched Derry Girls, and it's become one of my favorite shows. Not only for the way it captures the absolutely unhinged aspects of Irish families (askmehowiknow) but for the sheer writing skill.

The vast majority of the episodes are laugh-out-loud hilarious, while also offering insightful commentary on the Troubles and on humanity's foibles as a whole. The characters are allowed to be human and act in unlikable, unsanitized ways, and to still be human and come back from that. (Almost like a metaphor for the Troubles or something.)

The story is also incredibly detailed; for example, when the girls are accused of killing a nun and Erin points out the nun was like, 98 years old and askes "might that shed some light on the situation?" there's an hourglass behind Sister Michael--emphasizing the idea that her time was up. Even more than that... the window is behind the hourglass, literally shining a light on it.

But that's a micro level. On a macro level, I also appreciated the way the story discusses the political backdrop that is part of its premise. Even as Erin, Michelle, James, Clare, and Orla grow up in a place that's been in a state of low-level warfare for decades, they live full lives. In fact, that's kinda the point.

Case in point: episode 4 of the first season, wherein Erin gets an exchange student from Chernobyl. The way the Northern Irish in general treat the Ukrainians is hilariously awful and patronizing, believing that they are giving them a respite from the troubles "over there" while Northern Ireland isn't in a much better state. But, as Sister Michael assures the Ukrainian students, the Irish troubles don't matter because "we're the goodies."

This line gets to the heart of what the episode is saying about political divisions and the way people view an "other." Everyone sees themselves as the "goodies." Because of that, they don't self-examine and wind up hurting the people they see themselves as wanting to help/save with their ignorance. It's a paradoxical egotistical (and frankly teenage) worldview that is also unwilling to look critically at oneself. The focus on their own perceptions over focusing on the actual humanity of the other results in ruining gifts that could come with cross-culture interaction, as seen in how Erin's misunderstandings and petty jealousy of Katya leads to her literally ruining a surprise gift Katya had prepared.

And the end of the episode also comments thematically on the story. One of the Ukrainian boys turns out not to be Ukrainian after all--he's actually Irish and from just down the road. He just didn't know how to say that. The ironic message is clear: despite differences in culture and views, they are actually all human beings, and assumptions make it hard for people to speak. If they could actually talk openly and without presumptions about who is "good" and who is "bad," they could prevent and solve a lot of problems.

This kind of background, symbolic commentary on the Troubles continues in just about every episode of the series. For example, even after the ceasefire, season 3 has an episode where it's discussed how negotiations are stalling, and the entirely of the rest of the episode takes place on a train that stalls between two separate places.

The Troubles are always something affecting their lives, but the only time the Troubles ever become the main story is in the finale episode. Which is also an episode that makes everyone cry. Michelle's brother is finally mentioned for the first time the entire series, yet it doesn't feel like a retcon so much as a recontextualization, and again mirrors how a lot of society (and Michelle's own family) have treated those who murdered others during the conflict.

Erin and James' relationship also works as a metaphor for the Troubles--an Irish Catholic girl and an English boy. Earlier in season 3, after they finally kiss, they're told they can't be together, that it's wrong, and that it'll create problems for everyone around them. Michelle doesn't want things to change. And Erin agrees that it's not good to pursue something.

But, in the final scenes, as Erin prepares to vote in the Good Friday Agreement and talks to James, she directly states she thinks things can't stay the same forever--thereby countering what she said to reject James earlier:

There's a part of me that wishes everything could just stay the same. That we could all just stay like this forever. There's a part of me that doesn't really want to grow up. I'm not sure I'm ready for it. I'm not sure I'm ready for the world. But things can't stay the same, and they shouldn't. No matter how scary it is, we have to move on, and we have to grow up, because things... well, they might just change for the better. So we have to be brave. And if our dreams get broken along the way... we have to make new ones from the pieces.

Symbolically, also, given that we know the outcome of the Good Friday Agreement, I think it's pretty clear Erin and James end up together even if we're not directly shown it.

That the last shot of the episode (besides the funny epilogue) is Grandda Joe, one of the eldest characters, helping his youngest toddler granddaughter Anna leap over a threshold as they leave the voting station, is also incredibly clear in its symbolism.

Erin: People died. Innocent people died, Grandda. They were someone's mother, father, daughter, son. Nothing can ever make that okay. And the people who took those lives, they're just gonna walk free? What if we do it, and it's all for nothing? What if we vote yes and it doesn't even work? Grandda Joe: And what if it does? What if no one else has to die? What if this all becomes a--a ghost story you'll tell your wee-un's some day? A ghost story they'll hardly believe?

I dunno, I think this is a sentiment we need more of in the world. A peaceful future means taking risks and accepting that punitive justice will not be perfectly doled out; however, if you allow more people to be hurt, is that not also injustice? It's a paradox that the story leaves us without a dogmatic answer to (for example, we never find out if Michelle's brother gets released), but it's also hopeful--because we know that the Good Friday Agreement largely worked.

(For further analysis of the final scene, I recommend PillarofGarbage's analysis on YouTube!)

[theallyandhisbeast]

About bucktommy and 911 in general

You know, in the end, this just feels extremely cheap and cruel.

Showing bucktommy be incandescently happy in all the episodes but 8.6? Even in this ep you can feel how much they care and genuinely love each other. Audience was largely optimistic and excited about them, in a way we have never seen for other buck's LI.

Only to what? Throw it all away because you can't be bothered to write a satisfactory arc for them? Because Buck is the epitome of the guy who dates a lot but always gets broken up with? That to be able to decide if you want to be in a committed relationship if you are bi you have to explore first or else your decision is null and void?

What a way to waste potential and your characters arc.

The special thing about Tommy was that he was beloved by not only bucktommy fans, but GA, and most importantly he was a sort of representation we don't see all that much in media. People loved him because they saw themselves in him, they could connect to his journey and they were genuinely rooting for him to find love and family with Buck. To waste it all away, and to do so by basically throw at us all that we loved about them is unnecessarily cruel.

What hurts the most is that even buck and tommy themselves didn't want to break up. but instead they "must" because bowing down to harmful stereotypes about bi people who are "confused and so they must experiment before settling" is more important than telling a compelling story.

Even without bt break up, I feel like this season took a sharp dive for the worst about well thought storylines in a way that baffles him. Gerrard was reduced to a joke, as was Ortiz, both pgs that could have been used to create compelling arcs that intertwined the 118 even more but instead we got this cheap throwaway joke of a Gerrard, Ortiz was basically throw out of office in a single ep. Hotshot sl could have been fun but instead it's just.... there. And coming back too just for funsies, cause apparently that sl was more important to develop instead of a interesting queer relationship.

Athena once again doing copaganda. Bobby coming back to the 118 without any particular struggle or even guilt about dropping the bag. Things said in interviews that we expect to happen and never even made it to the screen (Eddie's loneliness? Chim and Hen having conflict over Mara? Buck feeling guilty about injuring Gerrard?).

The way Maddie cannot have any sl that is not either tied to a man or about motherhood. Madney having another surprise baby instead of them choosing on purpose to expand their family. Hen & Karen gaining trauma after trauma about their children and not having any other sl that is not tied to that. Josh just existing in the periphery and only becoming important as the "insightful token gay" but not having any type of meaningful screen time since Carson.

The other side characters like Sue, Ravi, Linda, Carla completely disappearing without anyone mentioning them. Ravi has not been given any important sl ever since he talked about having cancer and ever since reduced as a comic relief without anything to add to his character but he's a "landlord".

Chris is out of the picture for who knows how long, and is basically kept around to be traumatized over and over again. Eddie hasn't gotten any character development until first s5 and seemingly now, but i'd argue that the whole thing just felt rushed because what do you mean it takes one chat with a priest for him to do a 180° while he still isn't talking to Chris? And Eddie was the one who got the best treatment of all of them this season.

It's the way this show is slowly chipping itself away. It's the way they start a queer story line promising it would be impactful and handled with care and then half-assing it a best. It's the way the other queer characters are never explored and able to breath and revel in their queerness in the first place. Because, really, when was the last time Hen and Karen kissed on screen? When was the last time they went on a date? When was the last time their arcs were not about children or getting hurt, but just about them as individuals? And on this thread what about Maddie? Or Josh? Or Chim? Or Eddie?

Everything feels reused again and again and again without no real development than then starting the circle all over in half a season.

What a waste.

[isagrimorie]

Rewatching a few scenes from Star Trek Voyager's 2 part episode: Workforce. These episodes really did a number on Janeway; this is one of the times I did wish emotional arcs carried over from one episode to the next.

In the seven years in the Delta Quadrant, nothing has stopped Janeway's quest to bring home her crew back to the Alpha Quadrant.

And in the Delta Quadrant, for Captain Kathryn Janeway, the Voyager is home.

Janeway has faced off against the Borg Queen, the Hirogen, the Vidiians, and Species 8472 but no one has done as much damage to Janeway the way Dr Kadan did a number on Kathryn Janeway.

Because Kadan took away Janeway's certainty.

Kathryn Janeway can traverse any gulf, and jump to any fire as long as she has her iron-clad certainty and belief in her mission intact and that was what Kadan took from Kathryn Janeway.

He accidentally pinpointed the one thing she's been able to repress for so long, and that's her loneliness and how bone tired she is of being in Command.

More than any other Captain, Kathryn Janeway needed a sabbatical. She needed to reconnect with herself, and just be Kathryn.

This is the gift and curse Kadan gave to Kathryn Janeway. Because as plain ol' Kathryn Janeway, a factory worker she was happy, free of responsibility and burdens of Command.

She found friends, love, and comfort in Jaffen (a well-casted romantic lead. The actor had charisma and acting chops to make us believe Janeway Captain or just Kathryn would fall for him).

I don't think Janeway even knew how lonely she's become -- no one needed a long vacation from work than Janeway. I hope that she got that vacation Starfleet put her on the Flag Officer track.

Through the whole two-part episode we see them build up this vivacious and happy version of Kathryn, and then by part 2, the story slowly pulls that away from her.

Just as an example, the look on Kathryn's face when Harry addresed her as "Captain".

You can see how Harry addressing Kathryn as "Captain" struck a chord in her but it's also like someone threw cold water at her.

Kathryn immediately tells Harry to call her "Kathryn" instead:

Kathryn tries to still be in denial and tentatively brings up what Chakotay told her: "He said you had proof of who some of us really are."

She's trying to put distance between herself and this reality. She's conflicted-- she doesn't want to be Captain Janeway. There's even a hint of temptation there that she doesn't want to continue on helping her missing friends.

And yet, the moment Voyager and her crew were in trouble some part of herself reacted. And despite what she felt, she proceeded to bring down the shield knowing that doing so would tear her away from the life she's come to love.

This happens fast, once the shield grid is down, Kathryn disappears from Jaffen's side.

And the next time they see each other again, Kathryn Janeway is Captain Kathryn Janeway again with her uniform and Command back. And they might as well be a million miles away despite being in the same room:

Janeway allows herself to embrace Jaffen for one last time, and there's tears in her eyes, her grief is palpable. It's the way she's held herself apart from Jaffen, the way her hand twitches like she wants to reach out and touch him but can't.

Not in the uniform she's wearing, not in the position she's in.

You can see how much her experience in Quarren affected Janeway by the way she enters the Bridge:

In the turbo lift, she's faced away from the Bridge as if she can't bear being there. She has to steel herself.

Normally Janeway occupies the turbo lift like she owns that space. Because she DOES.

It’s so strange seeing Janeway occupy so little space in her own bridge, even when Voyager was hijacked she never looked out of place or so small.

The moment she steps out Harry, eager Ensign Harry, who missed the events in Quarren and how it might have affected her notices Captain Janeway immediately and announces her arrival.

She looks around at the bridge, still uncertain. Still picking up the pieces of the Captain.

Even when she sat on her Command chair,Janeway looked uncomfortable and for the first time, Captain Janeway doesn't look like she's larger than life.

She can't help but confide to Chakotay:

And. There. It. Is.

The biggest moment. Janeway admitted that Quarren felt like home. Even in The 37s, on a planet that's closest to Earth and home Janeway never even considered that home.

In the Delta Quadrant, Voyager is home.

The moment Janeway said this on the rewatch, I was bowled over because this is such a big moment for Janeway. A big thing for her to admit.

Chakotay asks her if Janeway is sorry he showed up and upended her comfortable life in Quarren?

There is a second's beat, but the beat tells all the story that needs to be said. Janeway rallies and lies: "Not for a second."

She's saying the right words but, at that moment, so near Quarren, after just losing Jaffen. Janeway says something she doesn't feel.

Janeway orders Tom to resume the course for home; but after she gives the order, Janeway's face falls.

And it's so damned sad and this, as I said above, is one of the moments I wish they continued this emotional throughline with Janeway.

Kadan did a number on her and I wish we get to see throughout a few episodes Janeway slowly get over the lie and find a measure of happiness.

Instead, season 7 loses its focus on Janeway and bizarrely have an episode with Q Jr and then a lot of focus on the EMH Doctor. It takes several episodes before Janeway gets the focus again, and that's the series finale.

If Voyager were written today, and the writers were allowed, this moment would be the emotional turning point for Janeway. It's the point where Janeway has to find a way home fast otherwise she's heading for a breakdown.

The center will not hold.

It's probably a good thing her future, alternate self decided to save Captain Janeway the heartbreak of a decade more of this life, and losing the people she loves the most.

And it kind of hurts that canonically, we don't know if Janeway was able to take that vacation. And if Janeway was able to get a measure of happiness and love, as I've mentioned after this episode and after Firewall I really don't care who Janeway ends up with anymore as long as Janeway is happy.

/Edited, March 13 2024, 10AM

[rootspiral]

Agatha All Along deep dive: episode 9 part 6

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

billy drives to westview again, I guess flying right now feels weird while he's so conflicted about his own witchy nature. and who boarded up agatha's door? were the neighbors afraid some other unspeakable horror was going to jump out of the house?

we get another good view of agatha's grave, with all the purple flowers and mushrooms rio grew for her

agnes' bike and señor scratchy's cage (I hope that fluffer bunny's okay somewhere)

NOT HELPING, AGATHA. did she just run down to the basement so she could do her 'it's britney bitch' face? (she does look like britney here)

sure, sure, you'll get your brooch back and then you'll be on your merry way doing ghostly shit with no regrets whatsoever. it's not like you've been following billy around like a lost puppy or anything

agatha sees billy drawing the circle and is all posture again, a big slice of "I'm cooler than you and you don't scare me little kid" with a side of "ooooh are we doing magic?? I love magic lemme see lemme see!"

she's truly embarrassing

you're the one with a buttload of black candles in your basement agatha who do you think you're mocking

a pentacle, the symbol of our coven surrounding him. wherever you are, a coven there shall be.

oooh book through the heart! we get it, symbolism.

agatha sees the brooch and gives a deep relieved sigh, immediately followed by more bullshit. JUST TELL HIM THAT'S YOUR SON'S BROOCH AND IT'S IMPORTANT, YOU USELESS DISASTER. JUST OPEN UP FOR ONCE.

the spell is vade (not valia) a lucem, relinque terram, noli esse phantasma. go to the light, leave the earth, don't be a ghost (bit on the nose.)

what's wrong agatha, not feeling so confident all of a sudden?

you know the drill by now, she won't go quietly. so she sneers.

ooh we're appealing to his better nature now? after your many 'never apologize for murder' lessons?

idk man, it's almost as if the people you keep pushing away will eventually get tired of your bullshit. it's almost as if billy here, the kid you supposedly care a lot about, just went through a terrible experience and could really need a wise mentor right now - instead of whatever you're doing.

and now we're begging. better make a decision there agatha, you're starting to fade away!

sure, that will help. great plan agatha, masterful gambit, turning into a ghost and losing even more of your agency

there you go. it only took this poor wretch nine episodes, killing three people, scaring away forever the love of her life, thoroughly traumatizing a kid and somehow losing her entire body to express ONE honest, uncensored feeling.

it's the little steps.

heartwarming: local 350 year old experiences for the first time the mortifying ordeal of being known.

another thing billy and agatha have in common is how good they are at reading people. with billy it's a natural talent (comes with being a mind reader) that he's still learning how to use, he can read people but doesn't know how to interpret what he finds yet, hence the whole trials fiasco.

with agatha, he's been trying to reconcile his instincts with facts and logic. on a surface level he shouldn't trust agatha at all, indeed she's the last person anyone should trust. but since he was that kid who liked hanging out at agnes' house, billy guessed something else in agatha, a vulnerability behind all the darkness that he's been (awkwardly) trying to bring to the surface.

why? I think it's for the same reason agatha has been reaching out to him: because they're so similar. billy wants to reconcile agatha's two natures because he wants to do the same for himself. he is the son of the witch who tortured westview, he has all this scary power. there is a darkness in him that he doesn't know how to deal with, but maybe, if agatha is redeemed, there is hope for himself too.

in other words, these two are kindred spirits (spiritual mother/son, mentor/mentee, whatever you want to call it) who recognize each other and instinctively want to stick to together, even though it's a bad, bad idea.

(I cannot believe it took agatha turning into a ghost to finally get a manicure for her nasty witchy nails)

and this is all it took to win billy over, that's how ready and eager he was to believe agatha has a heart! the moment he realizes that of course agatha loved nicholas! of course she's devastated after losing him! he steps back and dries a tear, moved. for the first time he sees agatha's pain and, the good kid he is, he's earnest to give her sympathy and comfort. he's still too young to fully understand what agatha has been trough, but he doesn't need to. he just needs to care and be there for her, and that's enough, that makes all the difference.

the salemites taught agatha that she cannot trust others, that if she shows who she really is people will hate her and hurt her. when nicky died she tried all she could to exorcise that devastating pain, except asking for help. she never allowed someone to give her even the most basic forms of comfort, no hugs, no crying on someone's shoulder, no 'I'm sorry this happened to you'. no 'I'm here for you, if you need anything'. no 'I know it feels like that, but I promise it wasn't your fault.'

agatha set out to mold and raise billy as another version of herself, but what she got instead is a kid who, just like nicky, is simply glad to love her back. yes, people will leave you if you keep pushing them away, but the opposite is also true: if you stick by and make an effort, no matter how many mistakes you make, most people will recognize what you're doing and respond in kind. it sucks that agatha can do that so rarely and with so much difficulty. but it happens sometimes, even to her.

I've talked about how a "coven two" is never sustainable on the long run, how you cannot just have one person be your whole world. humans, social animals we are, simply need a community. but for now it's a start, it's agatha cautiously letting herself be around another person again. and oh god she's going to be such a bad influence on this poor kid. I'm glad *he* has other people in his life, at least.

she's like, faIR WArNiNG

ookay drama llama. these two gays, I swear. already trying to outdrama each other.

she's all proud!! look at her boy paying homage to the dead and expressing his grief like a champ! meanwhile I'm sitting here like guys, guys, you cannot just write their names on the floor and call it a day, have you CHECKED if you have to break the news to their loved ones?! did sharon have children? did alice have friends or a partner that are looking for her right now?!?!!?!?! please make ONE phone call I beg you! is there an ADULTIER ADULT in the room, you CANNOT LEAVE THESE TWO IN CHARGE

and off they go, merrily causing chaos and mayhem. if I had to guess what happens next, agatha is going to love and help and teach that kid while making soooo many mistakes and causing soooo much emotional damage, and also very much try to manipulate him into giving her a new body, because lbr, this asshole didn't get herself close to the one person on earth who can do that by pure accident. all immaturity and ulterior motives aside, agatha is taking baby steps in the right direction and I'm SEATED for it.

AND WE'RE DONE. I cannot believe I got to the end of this?!!?! thank you from the bottom of my black heart to all the peeps who reached out and encouraged me, thank you for all your likes and reblogs and engagement, and special thanks to @idkbroletssee, @yodladi-yodlada, @aquaaquila, @onceuponalegendbg, @vinspiration-book, @sallysetonagathario, @2-the-moon-and-2-saturn, @yourlocalegotisticalqueerishere, @isagrimorie, @jojobobapalooza, @netellie, @nutella-icecream, @talysalankil, @ragnarockz, @misschanandlerbong25, @westviews-nosiest, @liminal-smith, @kendrysaneela, @whogirl42, @witchtwig, @nerdybeachbum299, @bogcrowe, @the-silence-in-between, @farminglesbian, @lazyreinelle @fantasticvoidnerdshoe, @ofutopia, I'm sure I'm forgetting many but I promise I see you all!

Last but not least, big, grateful thanks to @crybabyheathen for always messaging me and forcing me out of my shell and encouraging much needed human interaction 😉. And lots of love to @april-december, don't tell anyone but I look forward to your comments the most, it truly means the world that you appreciate and engage with my posts like you've been doing.

Happy new year, everybody!

[nightcolorz]

always thinking about the development of abed and Brittas dynamic. Pov ur Britta and ur starting community collage and u meet a visibly autistic guy in ur Spanish one class and when ur introduced to him u can’t help but think of ur older brother who works with autistic kids and u wonder if ur capable of making positive change in someone’s life the way he does or if ur always going to fuck everything up like everyone says u do, and u befriend this autistic guy in ur Spanish class who realize as u soon become close friends rlly needs a type of daily support that he isn’t and has never been accommodated with and ur like wow, sad, what if I can be the support he needs, and obviously you can’t, bcus ur one person and also u know nothing about autism and also this random man from ur Spanish one class has an acute mission to push u into emotional despair bcus ur earnest desire to help him bcus of ur personal internal conflict combined with ur huge amount of ignorance reminds him of his mother and he wants to consciously emulate his relationship with her with u so that he can use footage of u to make a shitty art film about his childhood trauma and that’s when u realize that u aren’t ur brother and also are stupid asf to think that u can be like ur brother for ur adult friend who is low key having some form of psychotic episode but even still you’ve grown to love this autistic Man U met at ur Spanish one class and it breaks ur heart everyday that u will never be enough to meet his neglected emotional needs so u decide to become a psychology major so that maybe one day u will be adequate enough to do this right, bcus rlly u have a lot of unaddressed existential terror that the world is a cruel unjust place that u are too insignificant to do anything about and it fills the hole in ur heart a little to feel like u are making an impact in at least one vulnerable persons life, but ultimately ur an ignorant and self centered collage student and ur autistic friend from Spanish one loves to remind u that u are not enough and ur attempts to help him will only ever backfire or register to him as infantilizing condescension and as u try to therapize ur adult friend u become the one getting therapied as he turns every attempt of urs on its head so that now u are the one being confronted by ur own psychological problems which eventually come to a head when he comforts u about ur own failure while he’s having a hallucinatory psychotic episode prompted by his mom giving up on him where he tells u in song form that you are “broken” bcus u desperately want to help people but u lack the tools to make any positive change and u cry a whole lot about this bcus from now forward u are forced to reckon with the reality that u are not qualified to fix ur disabled friend bcus ur a psychology student in collage and he has autism and psychosis and childhood trauma and all u can rlly do about that is be a good friend and an adult about it and also accept that ur disabled friend is just as much of a person and an adult as you are and u cant violate his autonomy by using him as a tool for ur own self betterment and now u don’t use ur baby voice on him quite as much bcus you’ve learned that ur friend is going to psychologically torture the shit out of u if u try to be his mom so instead u set ur sights on being his collage friend who he can talk shit with and such and everyone’s just going to try their best

Then pov ur abed and ur like lol. Britta is Talking to me Like im five. What if I stop talking to her to emulate my childhood speech delay so that she’s forced to deal with the burden my mom did and she leaves me like everyone else does so I can make a movie about it. Oops she’s still here. Well, her romantic subplots would make rlly good sitcom storylines in the tv show that is my life. 🍜🍜🍜🍜🍜coolcoll

[crystalizedcryolite]

Woah woah woah what's this I'm hearing about Green hate?? Is this true? Probably not, but this is a great opportunity to explain character flaws! :D (I was saving this analysis for when the entire arc is done but whatever)

A perfect, flawless character is a boring character. What fun will there be if your character did everything right in the world, no mistakes to let them grow or problems they can learn from? This helps create conflict, which helps expand on a character and develop them further.

Green's ego problem, his whole attention and fame-obsession thing, is a part of his character for a reason. Flaws in a character makes them more realistic and relatable, you feel me?

Green is actually a really complex character, and that's something I love most about him. That's why he's my favourite.

He can be kind, he can be a cocky jerk, he can be selfish, he can be selfless, he loves his friends, he doesn't understand what he's doing to them, all of it. His character flaws make him feel real.

His wanting for a bigger taste of fame, his slowly losing himself to the world of content creation? It's realistic. It happens everyday.

I, of course, hate what he's doing to his friends, hell, I've been there before, but that's simply necessary for his character arc. When he realises his mistake, he's going to grow from it. He's going to become a better person, I just know it.

How do I know? Because we've seen it time and time and time again.

Green showing off when he wins every build battle, Green getting cocky when dodging Red’s pranks, his anger when he loses? Those flaws have been established since day one.

Except he's still a good person.

He remained loyal to his friends, genuinely loves and cares about them so very much, and most definitely the type to drop everything for them.

(I hope, if my analysing skills are any good..)

And who's the one who comforted Purple after all he's done to them?

Green.

He's still including his friends, albeit a lot, lot less. He still cares about them, he's still trying to give them some spotlight, but he doesn't understand that they don't want that. Doesn't understand yet, anyway.

Sure, he's losing himself to the taste of fame, sure he's currently filled with an ego-driven, attention-seeking drive right now, but he'll learn soon.

That's what makes a character arc so darn good. Sometimes the problem isn't an outside force, or an enemy to battle, or something to stop.

Sometimes the problem is yourself, and it's something that needs to be changed.

Maybe the whole point of this fame-chasing arc is to let Green learn more about humility, in all it's glory, and the dangers of devoting your life to giving content to a bunch of strangers.

Or maybe not, who knows? There's still two episodes for the influencer arc, after all.

I can't wait to see how Green's character arc goes for it :D

(I don't mean any malice towards anyone, by the way! This is just me analysing Green's character :>