#ABOUT THE ACTUAL PROBLEM WHY IS EVERYTHING ABOUT YOU

[dreamscapeee222]

(I'm new to tumblr, sorry if I'm posting in the wrong place, I hope this is ask box)

I asked you to write about the relationship between the arcane characters and the reader who is very thin due to some health problems?

(Sorry for any mistakes, English is not my native language)

A/n: Hello!! I did lots of research with your request so I hope my work satisfies what you had in mind ^^

You deal with health problems that affect your weight

Vi, Jinx, Caitlyn, Ekko, Jayce, Viktor, Mel

Masterlist

Vi

She’s not the type to pry. But she notices the little things—the way you don’t finish your meals, the way you curl up a little too tightly, like you're trying to protect yourself from the world. She never asks you about it, but she always makes sure you’ve got something to eat or drink when she knows you’re struggling.

She might drop a sandwich by your side, or hand you a water bottle without saying a word. It’s just her way of saying, “I see you,” without actually saying it.

If you ever get quiet for too long, she’ll be there, sitting next to you without forcing a conversation. It’s not about pushing you to talk—it’s just her letting you know you’re not alone, even in those silent moments.

Jinx

Jinx doesn’t always understand why you’re not at your best, but she feels it. She’s a whirlwind of chaos, always trying to keep you distracted, to keep you laughing. She doesn’t always get it right, but she’s trying, you can tell by the way she keeps pulling you into her nonsense, hoping that a little of her madness will rub off on you.

But there are times when she looks at you, and the mask slips for just a second. She sees how tired you are, how empty you seem sometimes, and in those moments, she doesn’t know how to fix it. But she doesn’t turn away. “You don’t gotta do this alone, okay?” she says, voice softer than usual. It’s a rare vulnerability, the one moment where she lets down the wall and shows you she’s scared too.

She might not know what to say or do, but she’ll always bring something to make you smile—even if it’s just a little.

Caitlyn

Caitlyn’s the quiet type, always paying attention to the little things that others might miss. She watches you—never in a way that feels overbearing, but in a way that shows she’s aware of when something’s off.

She doesn’t press you to talk, but she’ll always offer a gentle reminder that she’s there for you—whether that’s by quietly handing you a cup of tea, leaving a snack where you can easily reach it, or making sure you have time to rest.

She never pushes, but when you catch her looking at you with those soft, patient eyes, you know she’s not going anywhere. "Take it easy,” she says, as if it’s the simplest thing in the world. And for a moment, you actually believe it’s okay to slow down.

Ekko

Ekko’s the type of person who’s there without being too much. He notices when you’re pushing yourself too hard, and when he sees the signs—when you’re too quiet, when you’re too weak to do what you usually can—he’ll just quietly step in.

He won’t make a fuss, and he won’t ask you if you’re okay every five minutes. Instead, he’ll bring you a blanket when he sees you shivering, a drink when you look like you haven’t had one all day. He knows you don’t need someone to tell you what to do—you just need someone to make sure you don’t fall apart while you're doing it all.

Sometimes, he’ll sit beside you and not say a word. It’s just his presence, calm and steady, and it’s enough to make you feel like maybe everything will be okay. “You’re not alone,” he’ll say without looking at you. And it’s not just words—it’s his way of making sure you never feel like you’re fighting your battles by yourself.

Jayce

Jayce doesn’t know how to make things better when it’s you, and that frustration shows. He wants to fix things, to find the right answer, and he’s always throwing himself into research, into getting you the best treatment, the right food, whatever he thinks might help. But sometimes, it feels like he’s pushing you harder than you want, trying to make everything better without realizing that maybe what you need is just some quiet.

He doesn’t always know how to slow down, but there are times when you catch him looking at you, his expression softening when he sees the exhaustion in your eyes. “You don’t have to do this alone,” he says, and for once, it doesn’t come off as a demand. It’s a plea—something raw and real in the way he says it.

When you’re too tired to argue, he’ll just stay next to you, offering comfort in his own way. It’s not perfect, but you know he’s trying, and that’s enough for now.

Viktor

Viktor doesn’t say much, but his care shows in everything he does. When he sees you struggling, he doesn’t push you to talk about it. Instead, he quietly takes action—he makes sure your space is organized, makes sure you have what you need, even when you don’t ask for it.

You won’t hear him say, “I’m here for you,” but you’ll feel it in the way he adjusts your pillow without asking, or in the way he slides a cup of tea your way without a word. He’s not the type to crowd you, but he’s always making sure you’re okay in ways that don’t demand attention.

When you do catch him looking at you, there’s a softness in his eyes—an unspoken understanding. “You don’t have to be strong all the time,” he’ll say quietly, but it’s not just the words that matter. It’s the way he’s already got your back without needing you to ask.

Mel

Mel is the kind of person who knows how to give space without making you feel like you’re invisible. She’s quiet, observant, and when she sees that something’s not right, she’s there—but never in a way that feels like she’s pushing you.

Her care is in the little things—the cup of tea she hands you when you’re not feeling great, the soft touch of her hand on your arm as she sits beside you, giving you time to breathe. She doesn’t expect anything from you, just that you take care of yourself in your own time.

She’ll always remind you that it’s okay to slow down, to rest. “You don’t have to do it all at once,” she’ll say, and the gentleness in her voice makes it feel like everything else can wait. She’ll be there, waiting, until you’re ready to come back to the world.

Requests may be sent through the ask box. Only SFW.

[here-for-fanart]

JINX REMEMBERS THE TIME LOOPS!

I'm probably gonna get a lot of nay sayers on this, but I don't care. I believe Jinx was fully aware of Ekko rewinding time. Here's why:

We know Jinx is medically enhanced with Shimmer. It has become fully integrated into her system, as we've seen her use it multiple times to move at super fast speeds (especially during a fight).

But it gets even better: She appears to actually glitch through time, when using it. She's THAT fast. Here's a few screenshots that show her partially glitching through time. In a few of them, she almost disappears entirely.

Now, I'm not saying she's physically travelling through time (yet). This isn't teleportation or rewinding; this is simply acceleration. But remember, Ekko himself said he was playing "with inversions on Jayce's acceleration rune", when he discovered the Z-drive. So, Jinx and Ekko's powers are connected, as they are complete opposites of what the other is doing.

So, how does Jinx manage to negate Ekko's travel backwards when she's travelling forward? Well, Shimmer is a substance made for adaptation and survivability during transitions. Hextech (which Ekko's Z-drive and her monkey bomb both use) has been known to have unpredictable results when combined with Shimmer. It's possible the shimmer in her system counteracts the Z-drive naturally, or it adapted to it to prolong Jinx's survivability during the first explosion.

The first time Ekko rewinds Jinx's explosion, she is zipped backwards just like the first time the Z-drive was used. But in the aftermath of this rewind, Jinx looks somewhat confused (indicating she has at least a noticeable case of deja vu, even if she does not fully remember the events).

One might think this is surprise in response to Ekko calling her name. But we know it's not, because she quickly dismisses his presence and goes back to blowing herself up. This is her way of saying, "Okay, my mind is doing a weird thing again but back to business."

NOTE: We don't get to see her initial reaction to the second explosion, but I think the second explosion is where she finally understood something was seriously off.

Because the next time we see her,

She's in experimentation mode. And the fact that she's watching Ekko, means she suspects he's the cause.

If you watch her micro expressions, during the third explosion, you'll see: default curiosity; a narrowing of the eyes, indicating suspicion (right before she pulls the pin); she keeps her eyes open and on Ekko during the explosion and does not blink; then when everything is set back, there's a slight widening of the eyes; her eyebrows raise; then her eyes narrow; before they dart downwards, noticing Ekko's blood and charred state.

[Before you start berating me for "reading too much into it", this is animation. Every single twitch is purposely added.]

After she sees the condition he's in, she knows this is his doing but that he can't keep it up forever. That's why she says "You're too late, Ekko" and goes again. It's too late for talking out her problems anymore. She's just gonna weedle him down, until he gives up.

But then, he says, "It's always a dance with you". Well, now, she's just curious about what the heck THAT means. So, she gives him a second to see if he'll tell her.

That's when Ekko says he's gonna sit there a minute, to see if he can talk an old friend out of blowing them up. And when it's clear he's waiting for her to say something, her mind focuses back on dying. "I'm tired of talking." But! She tries something new again. If he can stop an explosion, maybe he can't stop something else. She falls over the edge.

After this reset, we don't see her expression, but I can only imagine she's thinking through her slowly dwindling options. Then, he says, "Ya know, I learned from someone..." and suddenly, she's back to curiosity. How is Ekko doing it? Is he finally going to tell her?

"No matter what happened in the past, it's never too late to build something new". And that's when she notices the Z-drive and the monkeys. That's not Ekko's style. It's hers.

The next sentence actually doesn't make sense, grammatically, unless you follow it up with the previous sentence. "[It's not too late to build] Someone worth building it for."

And having just been given evidence that there is a good version of her, [There's no good version of me.] one who did fix things [It was something I could fix.], and who made it possible for Ekko to save her [big fat hero], she decides to try one last time.

It's curiosity that keeps her pausing over and over again. Even trapped in depression and suicidal ideation, she's still the girl with a brilliant mind and an inventive spirit.

It's my opinion that Ekko would not have been able to save Jinx, if she was not aware of the time loop situation. It was her curiosity of Ekko's new toy, combined with the realization that she helped build it, that led to her giving life another chance.

Lastly, remember when I said she's not capable of physically travelling through time yet?

Unless Warwick let go of her before the explosion, yes, yes she is. Or at least, she's come as close to it as she's physically able to. Either way, our girl is alive and on her way to a new life.

############################

[Thanks for reading, but don't take this too seriously. It was just some thoughts in my head I needed to get out.]

[forwards-beckon-rebound]

jason todd with a partner who’s into skincare/haircare

he didn’t know people actually did those 10 step korean skincare routines until he met you

he goes over to your place one day and sees all of the products in your bathroom and is like how could you possibly use all of these

he grew up with a broke mom and then a bunch of men, even billionaire bruce wayne doesn’t really do much besides some fancy hair products maybe

will probably be a bit skeptical like he lowkey thinks it’s a scam because no way do you need that many products just for your face

but if you sit him down and explain everything i think he’ll understand (or at least he understands that it’s important to you. don’t expect him to become a skincare expert overnight)

thinks you’re kinda cute when you’re doing your routine, like with your little headband and how focused you are while you’re doing it

will loiter around in the washroom, spend extra long brushing his teeth so he has an excuse to watch you

he will 100% laugh at how goofy you look when you put on a face mask though

make him wear one and suddenly he isn’t laughing anymore

if you try to make him do a whole skincare routine he’s going to grumbling the whole time but he’ll still do it

still thinks it’s kind of unnecessary (“why are we washing our face to make it dry to slap on wet stuff?”)

he lowkey does enjoy it though

he doesn’t have too many skin problems (i feel like he did have acne as a teenager but he grew out of that) besides maybe like his skin being on the dry side

definitely has ashy elbows and knees too

so at the very least he appreciates the moisturizarion, but he doesn’t really get the other stuff

feel like he’ll stick to just splashing his face with water or going like “i wash my face when i shower” but when you’re doing your routine he’ll steal some of your moisturizer

i think as time goes on, he’ll really like the domesticity of the whole nighttime routine thiugh

like shower, blow dry hair, brush teeth, skincare

luckily he’s not a 2 in 1 type of guy but that’s only because he straight up didn’t understand what conditioner was for

and i feel like he would just buy one of those costco sized bottles of body wash, like a neutral scented one so he doesn’t have to think about restocking (also it’s the most price efficient)

will tease you if you have fancy shampoo and conditioner

but who’s going to steal it after all of that teasing? he is

i think he just does it accidentally but ends up finding the smell really comforting (reminds him of you) and also his hair feels weirdly nice

might use it once in a while

definitely see him enjoying having his hair blow dried and also blow drying your hair

it’s a weirdly intimate act

also i feel like he’s not big on words, so sometimes he does other things to show he cares for you

like just the little things

he knows you take your skincare routine seriously, so if there’s ever a day when you feel too tired to do it, he knows something is up

will probably try to gauge what the situation is, like whether it’s a problem with work or school, if you want to talk about; or if it’s just been a long day

will help you to the washroom and if you’re too tired, will do your skincare for you

he’s watched you enough times to kind of know what he’s doing

personally hc that he has to get used to the change in his body and physical strength after the lazarus pit so he’s careful to be as gentle as possible

handles you like you’re on the verge of breaking

he’ll tie your hair into a loose ponytail (he knows it could be tighter but he’s kinda worried that it’ll hurt if he does another loop), keep the headband stretched as he pulls it over your head so that it doesn’t make contact with your face

makes sure the water isn’t too hot (you have to assure him that if the water is a little hot it won’t kill you and that for the oil cleanser to come off properly he’s going to need to make it hotter) and rubs the softest circles into your face

i think he’s focusing on this too much to be talkative

it’s kinda cute watching him struggle with some of the products

he’s trying to remember the order of the products and where on your face you put each one

you might have to give him pointers from time to time

i think he starts giving you obnoxious kisses all over your face as you’re trying to do your skincare to tease you

but after a few times i don’t think it’s a joke anymore…

will accidentally taste some serum and be traumatized though (please do not try to eat skincare!!)

will stick to your lips

[alexanderwales]

This one has been going around a bit, and there are a few comments to the effect of "timestamps on spells mean you can use infinite spells" or "unique wizard codes to make every spell unique", and ...

I think I understand the instinct to do this, to "solve" the idea. You put yourself in the shoes of a wizard, and you think about how you would go about breaking open the seams of magic so that you can cast the fireball you want rather than the weird, awkward fireball that takes you five attempts to cast.

However, if "append garbage or UID" were a valid solution, then the entire conceit would just evaporate. It's the kind of "solution" that would not be sufficiently interesting to include in a story. If you were writing a novel and had this system set up, and a character came along and gave this as their answer, and they were right then the reader would immediately ask "wait, why has no one thought of this before?" AND you wouldn't get any of the elements of tension.

So if I were actually building a system that needed to work for a story, something that was built out enough that the reader could feel like they understood the language, it would need to be built with some considerations in mind:

It must not be possible to easily replicate a spell.

Every part of the spell specification must "do something", even if what it does is relatively minor.

The language must be complicated enough that new techniques can be discovered over time through great effort.

The earliest people to use the system cannot have simply learned everything about it right away.

I don't consider this to be an easy design problem for a system that's going to live in a story, especially since if you make it completely exposed to the reader, there's a risk that some reader who is more dedicated or clever will come along and "solve" it.

When I was a kid, everyone was worried about "peak oil". There were rapidly depleting reserves! Even if consumption stayed steady, less oil was going to be tapped over time, it was simply a question of resource extraction, and that meant prices were going to soar!

But in fact this was more a tug-of-war between depletion and extraction, one that had been going on for a long time. So what happened to peak oil? Maybe it was shale oil and NGL, maybe it was fracking, maybe it was just that production doesn't actually follow a bell curve. Maybe the science that gave us "peak oil" was just wrong, and while the principle that we would eventually deplete all reserves must be correct, the actual understanding of what the oil reserves are was flawed.

This was the kind of thing I wanted in the system though, a tug-of-war, a tension, wizards spending more and more time trying to figure out new ways to create the same effects, getting more and more esoteric, upping the skill level and knowledge-base necessary to become an effective spellcaster.

And this is very tough to design. If you want a puzzle to solve, it's that one, the design problem of a system of spellcasting that has that feature.

Spells are a non-renewable resource. One a spell has been cast, it can never be cast again.

But thankfully, what counts as a unique spell is permissive, and very early on in the history of wizardry, wizards found many ways to use the arcane language to specify a similar effect even if the wording was different.

And still, spells were a non-renewable resource.

There are only so many ways to call forth a beam of lancing light, only a limited number of methods of purifying food to make it safe to eat. Soon it became necessary for the wizards to start casting spells that weren't quite what they wanted: a beam of light that arced to the left, a purifying spell that added a bitter taste, some changes cosmetic and others very functional.

And still, spells were a non-renewable resource.

Wizardry was divided into ages by the historiographers. The First Age was the age of plenty, when wizards could make minor tweaks to the spells and cast as much as they liked. The Second Age was the age of modification, when wizards were jumping through hoops and using methods with side effects. But the Third Age was the age of decay, when so many spells had been used that only the oddballs were left. It was impossible to cast anything even remotely resembling a fireball, not even one that hooked to the left and exploded with sharp green shards.

It came to be that few wizards could produce a spell on their first attempt. They would try, only to discover that someone else had already taken their idea and the spell does not work. They would try again, only to discover that their second idea had also been taken. Wizard battles, which had once been glorious light shows, were reduced to two wizards standing in a field trying to be the first one to stumble upon a spell that had never been cast before.

~~~~

Here are some plot hooks:

Wizards jealously guard their knowledge, fearful that someone will learn of a "seam" of untapped spells, but they also write down every spell they know to have been cast, to reduce their search space. Obviously this trove of knowledge is highly valuable.

The existence of spell "seams", which are really just collections of spells that work off the same cluster of discrete variations, mean that wizards tend to be very specialized. The Sheep Wizard knows eight hundred ways of turning someone into a sheep, because he's studied that area of the arcane language extensively, as well as historical precedents that have been ruled out. The natural enemy of a Sheep Wizard is, of course, another Sheep Wizard.

During the Second Age, a group of wizards get together to deliberately reduce the spell-space, largely in the hopes of reducing the capacity of wizard-kind for making war. Their work largely consists of sitting around casting as many fireballs as they can, depleting all options for everyone else.

During the Third Age, a group of wizards gets together and in the spirit of mutual cooperation begins to define "spell blocks", a collection of spells that a single wizard is entitled to and all other wizards agree not to use. When you become a wizard, you're given a thousand spells which are thought to still be valid, and will lose your license to practice wizardry if you cast any spells that are outside your block. This is difficult to enforce, rife with accusations and suspicion, but is thought to be better than nothing.

During the Fourth Age, a group of "wizards" (none of whom have ever actually cast a spell) are working on the arcane language in the hopes of a revival. As the age of hoarded knowledge has mostly passed, they're able to get their hands on many books that weren't previously available. One day, they invent a new form of specification that allows hundreds of thousands of new spells, re-igniting wizardry.

[swuumi]

thinking about kento who is sick.

he loathes getting sick. it makes him unable to do more productive things, he thinks that being sick just holds him back from progressing on something.

he did figure out that it would lead to this due to the amount of overworking, not getting enough sleep and barely eating throughout the day.

“kento, come on. don’t be stubborn, you can’t go to work like this! you’re just gonna make your cold worse and possibly infect others!”

“i’ll be fine... just a couple of tylenols and i’ll feel better. don’t worry about me, sweetheart.”

“nuh uh, you’re gonna stay in bed and rest. you are not going to work!” you huff, tucking him in.

of course you’re not gonna let him get up.

“but—”

“no means no, kento.” you quickly cut him off, offering him the thermometer.

“i’ll go and make you something to eat so you can take your medicine, okay? i’ll get you a cold towel too.” giving his forehead a quick peck as you leave the room.

“alright...”

don’t get him wrong, he loves it when his wife takes care of him! it’s just that he feels like he’s a burden. with you having to tend to his needs, taking care of him, even staying up just to check on him!

kento’s thoughts were snapped as you open the door.

“how’s your temperature?” you come close to him as you place the cold cloth on his forehead.

“38.7...” he sighed, facing the other direction.

“and you still think that you can go to work when your temp is pushing 39?”

“no...” he mumbled, looking back to you.

“come on, sit up. you need to eat, it’s probably the reason why you’re in this state right now. i keep reminding you to eat, and what do you do?” offering help for him to sit up.

“prioritize work... please, enough scolding... i’m trying to learn my lesson.” his voice was hoarse.

“i’m not scolding you, ken. i’m just saying, you have to balance everything. you have yo eat on time, get enough rest and lastly, no more overtime.” punctuating the last three words.

“sorry, you have to take care of me...”

“hey, i have no problems with taking care of you. i love it, actually.” you smile softly at him.

you’re like an angel, just saving him from this damned misery, his fever.

“you’re so...”

“‘so’ what, ken?”

“you’re so pretty...”

he’s tearing up.

“thank you, baby.”

you wipe the droplet falling from his cheek and kissed him.

you know it’s just the fever acting up but you find kento in this state, cute and pitiful...

you know that once he gets better, whatever reminders you mentioned to him, he’d forget. he just ends up getting sick again.

but... you wouldn’t mind taking care of your husband, right?

[kinardsboy]

Buddie shippers have tried to coin the moral superiority and high ground with their ship and I’m sick of it

This not only comes from a place of homophobia but also heteronormativity. Buddie is inherently better because “they’re a family” ignoring the fact that Evan and Tommy could easily build their own, they are constantly pushing buddie into heteronormative roles, ESPECIALLY Buck.

They go out of their way and try so hard to prove Tommy never changed for the better, that he is still the same person he was nearly 20 years ago. That he isn’t deserving of Buck, all to prove their claim of “your ship bad and toxic therefore mine better.” Again, putting themselves on the moral high ground so their criticisms and weird hater behavior seems more justified and acceptable than when we speak out.

When that doesnt work? No problem. They just turn to straight homophobia and conservative talking points.

“Tommy wanted Eddie first but settled for Buck” sure man, I’m surprised you could take Eddies dick out of your mouth long enough to type that sentence.

“Tommy only wants sex, like most gay men do” Yes this is an actual quote from a post criticizing Tommy! Again! Homophobia! If Tommy only wanted sex theres.. grindr.. its fucking LA?? However I do find it interesting that the idea of queer men (Gay men especially) wanting sex and not feeling bad about it is something that upsets these people so much.. i wonder why the idea of gay sex makes them uncomfortable 🤔

Which brings me to their next talking point

The daddy kink scene.

I don’t even want to go into the awful violent things that were posted in response to a gay man flirting with his boyfriend, but I’m sure most of you all have seen them already so I’ll keep it vague. We all know Buck initiated that flirting scene, we all know Buck brought up daddy kink and Tommy reciprocated.

But because they can’t possibly imagine their precious little baby Buck partaking in such heinous kinks? Well then it MUST be Tommy who started it! Therefore BuckTommy is bad because Tommy is into “gross” or “immoral” kinks and makes everything about sex and so..? Yep! Buddie better ! Buddie the safe clean option!

SPEAKING of making everything about sex lets talk about the way buddie shippers tried to say “youre a vision in a cone” was about PUPPY PLAY??

Again I find it sooo interesting that these people are trying to base morals and high ground on two men possibly engaging in kink. Isnt that interesting?

The compliment was obviously not puppy play kink but even if it was who the fuck cares? They’re grown ass men? They can partake in kink???

Why are you twice now claiming that BuckTommy , and lets be honest here, mainly Tommy is a bad person and ship because of sexual attraction? Because of kinks?

Good thing their fave is a fucking catholic cause they all sure act like one

[meloqnspblog]

Rink O' Mania / The Airport Scene™ is the biggest byler proof.

Okay, that title was little dramatic, but It's not too far from the truth.

It's such an amazing piece of evidence because It's one of the proofs that melvins can't make about their ship. A good example of evidence like this is the end of s4. It either means something for byler or nothing, no in between.

There is yet to be an argument against WHY Mike wasn't being himself. (Of course, melvins deny that he wasn't being himself when it is obvious. Even if you don't ship byler, Mike was NOT being himself.)

An argument I've seen some melvins use is how Mike was just trying to impress El. Which could be true, but:

Why did he fake his smile? In here you can literally see that he's faking his smile AT THE SAME TIME AS EL. WHO WE KNOW IS LYING. I mean, okay the outfit was him not being himself, but does he also hate being with his girlfriend?

2. I am sure Mike not being himself around El for this reason would be brought up at some point, no? Why would Mike open up to Will about everything BUT that. He soukd definitely say something about not feeling like he can be his true self around El.

3. This was never really an issue in previous seasons? I am overdue a rewatch, but if my memory serves me right, Mike never had a problem with being himself around El. Season 3 was more about not being himself in general.

Obviously, he isn't being himsslf around El - but not to seem cool, but because he is actually in love with Wi- *GUNSHOT*

[mrnightingale]

There's so much to read between the lines of what do they love about each other but not just as "he's everything I could wish for" but "he's everything I could wish for, every personality trait that I value and appreciate, every thing I've tried to be or to find in my life and failed" and now in their afterlife they finally can find in each other those things they always needed so desperately that, how not to choose each other over and over again, when I never been part of nothing real, when I never belonged in any other place but by his side? It's not about "complementing" each other (surely they do), but to choose each other. Every. Single. Time.

Because they can find the light in each other's eyes, because they can finally know what love is, true, real, caring, selfless love, and without needing to ask for it, and so they decide to stay with their light, but also, they are constantly choosing to be the light for the other.

And I think it's beautiful.

Because we can actually see how troubled they are when things are starting to get stormy, how shocked Edwin is when Charles "choose" Crystal over him (and what happened in the loop), when Charles sees whatever happened with the Cat King is worrying Edwin, and then, when they talk in hell and afterwards, we can see how relieved they are when they're finally in the same page again. Because their personal problems were consuming them, and they weren't really able to be there for each other (and that's why I love Crystal and Niko, bc even when everyone were dealing with their own things, they could talk through it to make it more amenable), but they always choose each other nevermind. Bc even when Edwin "can't believe" Charles went for him to fcking Hell, he obviously knows that Charles is going to get him wherever he is, and obviously Charles is going to get him out of Hell again, and obviously Charles will choose Edwin, beautiful, gentle, smart, caring Edwin that came to him with a fcking lantern and read to him in his worst ours, that stayed with him while he died and he didn't even noticed bc he was near him, obviously Charles will choose Edwin over whatever his Afterlife awaits for him, bc Edwin is what he choose his afterlife to be.

They choose each other, bc they really love each other. And I think that's even more beautiful than Destiny and Soulmates and everything. (Fun fact, I'm writing an AU where they're soulmates, lol).

Yep. I got a little carried away, don't you think?

I don't think Edwin particularly likes his own cold, self-interested analysis or his quick temper or his venomous tongue. I think he's accepted them as faults that he probably won't be able to change, but I don't think he's proud of them.

He tells the Cat King that he's ashamed of wanting to make a case for his innocence, to protect himself in the process of helping others, as though that would undo the good he does. He immediately calls himself out on his own vindictiveness when Despair tells him he was about to gloat over Simon's suffering.

I don't think he's particularly beating himself up for those things, but I do think he thinks of himself as selfish, and possibly cruel, and Charles as the opposite of those things.

Charles is the one who helps Edwin, and their clients, out of the goodness of his heart with no hope of reward. Charles is the one who had the option of heaven and chose Edwin instead. Charles is the one who never has a harsh word to say about anyone. When he says Charles is the best person he knows I think that's part of what he means: that he sees in Charles all the virtues, the kindness and selflessness, that he thinks he lacks.

(Charles, meanwhile, loves Edwin's bitchy side, and I think attached himself to Edwin at least in part because the kindness Edwin showed him in his last hours epitomises the good guy he desperately wants to be. But I don't know if Edwin fully believes that.)

I dunno I just think there's something fascinating in that - in Edwin's ruthlessness in holding himself to these impossible standards, and his view of Charles as someone who meets them.

[mariacallous]

I'm seeing a lot of anti-McBride trans people on bluesky acting like being trans is what gives them authority (like a Parker Malloy skeet "it's NOT JUST ABOUT HER. SHUT UP IF YOU AREN'T TRANS YOU DON'T GET IT") and like, idk, I think this really shows that there are other divides within marginalized groups beyond just broad membership in a marginalized group. Contrapoints - who of course got shit from these people for it - has pointed out before that wealthy white trans women who work in tech should maybe chill out on how they appropriate the pain of TWOC who are in high contact sex work, and who make up the vast majority of murders of trans women by male partners. and i think there's a reckoning here that maybe people who work in fields like journalism and academia where there are probably a disproportionate number of people who at least aren't going to throw a shitfit over one trans woman using the bathroom, who are at least trans-supportive enough not to be problems for these people's employment, are mayyyyybe not the best judges of what a politician should do about a rule THAT IS GOING TO HAPPEN ANYWAY, NO MATTER WHAT SHE DOES, BECAUSE REPUBLICANS CONTROL THE HOUSE AND MAKE THE RULES. (the other issue is too many Online Talkers coming from the tech world or other stuff where they don't actually know much about American politics, but are disproportionately likely to think they are experts on everything anyway. This is true of a few fields but I single out tech because I think it's the worst and wayyyy too many online pundits these days come from that world and know fuck all about anything else.) and I think that's why there doesn't seem to be a neat sorting of cis vs. trans in terms of who has sensible, compassionate takes and who thinks yelling online is the only barometer of strength. Because it's really more about whether you understand politics, whether you're aware of how the far right works and the particularly difficult situation the first trans woman is in about how she has to respond to this to not make things even worse, than about being cis vs. trans. ....Although actually one pattern I have noticed is that the most rancid takes are disproportionately coming from white trans people, and a lot of the best takes are coming from POC and particularly black people both cis and trans. Probably because they have some understanding of the issues that surround being the first of a marginalized minority in Congress, and how that has played out for for instance the first black politicians, that a lot of historically- and politically-illiterate white people just do not!

Literally all of this makes sense and none of it surprises me.

[biteyoubiteme]

I'll be quick

huening kai x fem!reader

synopsis: dress shopping with your boyfriend.

warnings: 🔞!!! slight exhibitionism, chubby reader implied, no protection, creampie mention, prob forgot some sorry

wc: 1.9k

an: thank you so much for requesting hp! im so nervous for you to read this lol I hope you like it if you don’t just put me down nicely :)) <3333

[m.list] [1kevent m.list]

“How about this one?” you ask, smoothing your hands down the front of the silk dress you wore. It was the kind of material that should not be worn with this type of underwear; your pantie line clearly visible. Your hands went sliding down over your ass as if that would make the buckled fabric disappear. “Ignore the fact I'm wearing the wrong panties,” 

You give a slow spin in the fluorescent lights, the semicircle of mirrors reflecting every angle of your dress-clad figure at you. But all you can see is the damned line from your underwear. “Actually don't answer that, I hate it,” 

“I love it,” Kai speaks up from his spot opposite the mirrors. He's leaning back with your purse in his lap, eyes tracing up and down your body as he watches the way the material clings to you. He can imagine the way it would feel under his fingers, sliding over the expanse of your thighs. 

“You always say that,” you mutter, turning your cheek to look at the dress from the back. You can see Huening watching, eyes tacked right to the outline of your underwear. “Kai,” 

“What?” he blinks up at you like he was caught. Cheeks flushed as he pulled your bag closer to his lap.

“Is it that bad?” It was late in the day, and your usual trip to the mall was fun. Both of you could spend hours going from shop to shop, no need to buy anything but to spend time together looking at all the new things in store. It was one of your favorite things to do. 

Kai would follow you around like a little puppy, letting you pick out things for him to try on. Pulling him into dressing rooms so that he could get something new to wear. Spending too much time at the sunglasses wrack, spinning the display around and around, trying on each pair, first on you then on him, giggling over the silly reflective wraparound pairs. He loved when you picked out the different things for him to put on, especially jeans, your hands sliding into the back pockets to check their depth was always his favorite part. 

You had your favorite spots at the food court, always picking the same little table every time you sat down, knees bumping as you picked over each other's meals. Kai would carry your drink while you tried on shoes, hold your bag when you tried on clothes. And most of the time having him along with you made shopping less overstimulating, you could have fun without rushing to just get the shopping over with. 

Only now that you needed a dress for an event it felt like everything was crashing down at that very moment. Nothing felt right, every dress you tried on made it feel like you wouldn't find the one. The lights now make everything look too oversaturated, the dressing room is now cold enough to make goosebumps rise along your arms, and now the stupid panty line. 

You didn't even know why you were so focused on finding the right outfit, it was a last minute decision to even go to the little dinner your friends were hosting. you didn't need something new but you wanted something new. 

“Just take them off,” Kai suggests, sweet face glowing in the lights, every little mole dotting his skin easily seen. 

The fitting rooms were in the back of the store, the long hallway sectioned off with several doors before ending right at the little platform with the mirrors you stood now. Although a few people milled around in the shop just past the corner no one was in the other changing rooms. He was suggesting an easy fix to the only problem you were having with the dress and so you took it. Even though the door to the room where you kept all your other clothes was open and waiting for you to go back inside, you just bent right there hands going up under your dress and hooking in the waistband of your underwear, pulling them down and off without lifting the dress to expose yourself. 

Kai feels all the blood rush to his face, the prickling heat slinking through his bones. It was enough to already be thinking about undressing you, but now seeing you do most of the work for him, at his suggestion, was taking him out. You tossed the fabric into the dressing room, aiming for your pile of clothes but missing, the corner of the fabric still seen from where Kai's sitting. 

“That's so much better,” you're back to sliding your hands down the silky fabric, flattening out any bumps to make sure it's lying right. You love the way it hugs your thighs, outlines the shape of your hips, the curves of your stomach, and lays against the swell of your chest. “Okay now just imagine it without a bra, I'll have to find something without straps,” 

“It's uh- it's really nice,” you look over at him in his hesitation to find that he wasn't saying it just to appease you but was finding it hard to swallow back what he really wanted to say. He was doing exactly what you asked, picturing you naked under all that silk, he could see it falling to the floor, how easy it would be to slip right off of you.  He pushed your purse closer to his growing bulge, cheeks flushing deeper when you asked, “Huening, are you blushing?” 

He loved it when you used that slightly teasing tone on him, it was as if your fingers were brushing up his neck with each word. “I think that's the one,” he was avoiding directly drawing attention to your question, not needing to think about exactly why he’s red so that he can try and wish away his erection before you guys walk out of here. 

“Okay, perfect.  I don't think I want to even try on anymore ,anyways,” you step down from the little platform, “oh, do you think we could stop at the little candy store on the corner and get the gummies we shared last time?” 

“Umhum,” he gives his usual hum in response as you close the door behind you. 

It's only then that you realize that you can't undo the zipper by yourself, he had helped you do up the back with no problem and there was no way for you to reach up to grab the zipper on your own. “Kai? Could you help me take this off?” 

It's the last thing he should be doing, he knows it as soon as he's in the dressing room with you, hand placed on your hip as he steadies you. You're just as soft as he expected, his free hand not even making it to the zipper. You watch him in the mirror in front of you, his eyes following his fingers as they make their way down gripping the outside of your thighs.“God, I love your body,” he groans, his head falling to your shoulder, lips dusting over your shoulder when you finally feel how hard he is. “You really like the dress huh?” 

“No I just love you and need you, please I'll be quick,” he whines right at the back of your ear. 

“Anyone could hear-” 

“I'll be quiet, I promise, please,” and your slight nod is all he needs to push up the back of your dress, his hand pushing between your thighs, dragging his fingers through your fold, swirling over your clit to build up your arousal. You fall forward, hands bracing yourself on the mirror, kai readjusts so that one hand is splayed across your tummy, silk spilling through his fingers. 

He’s quick to free himself from his jeans, pushing them down just enough so that he can line himself up with you, dragging his tip through your folds, catching at your entrance. You know yourself well enough to cover your mouth when he pushes in, the overwhelming stretch of him always making you whine. He's no better, his pretty face reflecting at you as his mouth opens in a silent moan when he fully seats himself inside you. His head falls into your shoulder so that he can muffle any sound that wants to escape, your back arching as his hold on your plushie hip tightens, fingers digging into the soft skin of your tummy. 

Kais intoxicatingly deep inside you, his first thrust pulls a throaty whimper for you that you can't hold back. “This was a bad idea-” you try to whisper, cutting yourself off by clamping your hand back on your mouth when he slams his hips against your ass. His breath fanning over your ear when he whispers, “You feel fucking amazing,” his trapped whimpers rumbling his chest, all the vibrations pressed to your back. He peeks in the mirror, biting his lip when he watches the way your tits bounce, hanging perfectly in view for him, “fuck- look at you,” 

His cock slides so effortlessly in and out of your needy cunt, warm fluttering walls drawing him in until he's forgetting he needs to be silent, that he shouldn't be pounding this hard, changing his orgasm so intensely that someone might hear him. 

It's the soft clapping of skin that reminds you where you are, “slow down kai- we could- we could-,” but it's then that he uses the hand on your hip to slide under the bunched fabric of your dress, to draw circles on your clit. It was an instant shock that had your knees shaking. 

“Who cares,” he's muttering, head shaking as he picks up his pace, “If anyone saw you dressed like this they would want to be right where I am, fuck, but they could never fuck you like I can, never,” his last word caught on the end of a whimper drawn out and pulled from him as he came. 

It's the look on his face, brows tightening, eyes squeezing shut as he falls apart, mixed with his steady pressure on your clit that has you tumbling over the edge after him. Your whole body flexes as he pulls you in tight to him, hand leaving your stomach to clamp over your mouth. 

Both of you are struggling to catch your breath in the now stuffy room, mirror fogged up from your hands, skin once chilled now inflamed with your post-sex afterglow. His cock still jerked even when he pulled out of you, his hand moving to try and stop the spill of your combined release. Your thighs try to close around the feeling of him brushing your sensitive clit while he leans down to pick up your discarded underwear, using them to clean you up. 

He peppers kisses all along your cheeks bunching up the soiled fabric in his hand before unzipping your dress. “I really do love this dress on you,” 

“Oh really? I couldn't tell,” you giggle, and he helps you get dressed, carrying your bags out after you, panties shoved into his back pocket. 

When you leave the store you wrap an arm around his center, going underneath his jacket to feel all his warmth. He slinks his arms around your shoulder, tugging you into his side, pressing his lips to the top of your head. “Didn't I hear you say something about getting gummies?” 

taglist 🏷: @kissmekissykissme @bts-txt-ateez @apeachty @seungfl0wer @lunesdesire want to be added to the taglist? check out my rules to see how to join! want to be taken off the taglist? send an ask! thank you to @thetxtdevil @hmusunoo @hyukascampfire and @prince-jjae for proofreading/beta reading this for me ily all sm okay my little sweet baby angels I hope you get everything youve ever wanted in life and more

[suzukiblu]

Day twenty-five of “obligatory sugar baby Kon” behind the cut. prev: (( chrono || non-chrono ))

Also then he fucking ruins his best non-funerary/non-gala slacks with ground-in gravel, rips a hole in the upper sleeve of his button-down, and nearly wipes out three times but only actually wipes out once, which ends up in him on his back and out of breath with Kon leaning over him and grinning down in delight as he reaches down to offer him a hand up. 

Tim takes it, because why the hell would he ever turn down the opportunity to hold Kon's hand? 

“That fall was sick,” Kon says as he pulls him to his feet, grinning wider at him. Tim isn’t really sure how to take that, considering. Like, Kon seems happy, but also he doesn’t love that Kon’s first comment was about him fucking up, so–“You’re really good at it, bet if you got tossed off a bridge you’d be super-easy to catch!” 

“. . . uh,” Tim says, vaguely bewildered. “Thanks . . .?” 

“And your balance is killer!” Kon continues enthusiastically, grabbing his other hand too and squeezing them both instead of letting go of him, and Tim realizes that Kon was, in fact, actually complimenting him with the comment about falling, which is . . . really weird, okay, but does make him feel better about the first comment thing. And, well . . . it does actually kind of make sense that Kon would be more impressed by examples of control, rather than strength or superpowers or stuff he sees every day. Like–technical skills over just throwing raw power at a problem until it stays the hell down, which is definitely what Kon’s used to. 

But also it makes literally no sense at all, because it’s Kon. The idea of big and bright and flashy Kon who does everything he can to take up space and get attention being the type to appreciate things like the fiddling little balance adjustments he did on the fly and the way he controlled his wipeout just feels, like–weird. 

Maybe it's just another example of a thing Kon is too busy acting cool to show Robin, but doesn't mind showing Tim Drake. 

“Thanks,” Tim says again, briefly wondering why Kon is completely incapable of putting up with Robin getting technical or detailed but can appreciate it in Tim Drake. 

. . . admittedly, the fact Kon wants to make out and, uh–take pictures with Tim Drake probably does make him more inclined to not find him annoying. Also Tim Drake isn’t the one in charge of both him and their entire team in regular stressful situations and there’s no one around who Kon might perceive him as stealing the attention of. 

Yeah, alright, he’s asking himself stupid questions again. 

Well, alright, so everything he was actually trying to impress Kon with is literally not even anything he cares about, all his best and slightly-too-Bat-level attempts aside, but he had pretty much expected it, just hoped that–

“The rail slide thing was so cool,” Kon continues again, sounding just as enthusiastic and back to beaming at him, and Tim . . . pauses, and then–“I dunno how you even did that without flying, and you did it so fast, and–” 

Tim doesn’t intentionally time it, but he needs to disassociate a little so he’s just counting a bit in his head, and therefore he knows that Kon spends exactly forty-seven seconds talking his ear off about literally every single one of the skate tricks he just did while still holding both his hands. Which doesn’t sound that long, technically, but definitely feels pretty long. 

And also pretty mortifying, because forty-seven seconds of Kon recounting every single trick that Tim is perfectly aware of having just done to him in an excited, delighted tone with his face all lit up in delight is . . . is a thing. That is happening to him. Actively. For forty-seven seconds. 

Forty-seven seconds. 

Tim really does not know how he’s supposed to pretend to not be going insane about this situation. Like that just isn’t a reasonable expectation. 

Kon stops to take a breath at second forty-eight, and Tim decides this is actually the perfect time to be more proactive in their physical relationship without any chance of Kon feeling like he had to drop any hints first. 

Well, no, Tim just grabs Kon’s face and kisses him stupid. But the first option is how he’s gonna explain why he did that to anyone he might ever have to explain it to, as opposed to if I didn’t kiss him right then and there I was going to have to go murder the Joker at LEAST fifteen years early and I just don't think Batman's thinly-veiled excuse for mental health could handle that, which is understandably a more loaded response and might lead to inconvenient follow-up questions he really doesn’t have time for in his schedule. 

Ideally he won’t be explaining himself to anyone, obviously, but contingency plans are contingency plans.

[cjlouwho]

He'd forced himself to stay out of bed until at least eight o'clock. Glancing at the clock on the wall every two minutes as he flipped through the channels on TV. He had exited out of his DVR pretty quickly. Most of the things on there were shows that Buck had recorded for them to watch together later. There was a documentary on beetles of the world that they had only gotten halfway through before they were stumbling into the bedroom, not that Tommy minded. He'd never really wanted to watch the documentary in the first place. Now he'd give anything to have Evan beside him, talking over everything the narrator said.

He wanted today to be over. Wanted to fall asleep and wake up and it be another normal day. Just Friday, November 29th. Nothing special about that.

The second it hit eight, Tommy was shutting off the TV and getting up to head to his room. He stopped as he passed the front door. He swore he could hear something on the other side of it. A rustling, mixed with someone cursing under their breath.

He sighed. He was supposed to be getting a new part for his truck delivered soon, and the guy probably tossed it, angry about having to make deliveries on Thanksgiving.

He flipped on the light before opening the door, freezing when he saw it was definitely not some random delivery guy on the other side.

"Ev- Buck? Why are... What?"

"I dropped the pie," Buck whined, scooping pumpkin pie off of Tommy's front porch and plopping it back into its container.

It took Tommy a second to understand what was happening. There was a brown bag by the door, filled to the top with containers, and a couple more containers beside it.

Then there was the pie, most of it back in the container with some smeared in Buck's hand, and remnants on the porch. There would be ants everywhere by morning. But that was a tomorrow problem.

"Here, Buck, it's fine, just-"

"You weren't supposed to come out yet," Buck explained in a bit of a panic. He was still bent over, picking at the crust on the ground. "I was gonna ring the doorbell and go before you got to the door."

"You were gonna ding dong ditch me?" Tommy asked, trying to lighten the mood. When it didn't work, he took a step closer to Buck, "Buck, seriously, it's fine. You didn't need to do all this."

Finally, Buck stood, his pumpkin covered hand held out. "Well, I know you don't wanna see me or talk to me, but I wanted you to have some of the food because when we planned everything it was with you in mind, and we had a lot leftover and I knew you wouldn't fix yourself anything and-"

"Buck, just... just come in and wash your hands, please, okay? I'll grab the food."

Buck took a deep breath, letting it out slowly. "I'll be in and out."

Tommy stepped to the side, letting Buck in first. He grabbed up all the food and followed behind him into the kitchen. "Feels like there's enough here to feed me for a week."

"I figured you might want to take some into work with you, or freeze it or something," Buck replied, scrubbing the pumpkin off his hand.

"I appreciate it. You, um, you really didn't have to do all this. I did end up making some Thanksgiving foods for myself."

Buck huffed out a laugh. "What? Stovetop stuffing and cranberry sauce?" He grabbed the towel from beside the sink and turned to Tommy looking at him from across the kitchen island, his face blank and eyes a little red. Buck shook his head. "Sorry, that was mean, I- I didn't mean it to sound like that."

"It's fine. You're not wrong about that, actually."

"Still, I, uh, I shouldn't have said it like that. Sorry." He dropped the towel back by the sink and pushed himself away from the counter. "I'm gonna go, but Happy... Happy Thanksgiving, Tommy."

Tommy pursed his lips as Buck walked by, heading for the door. Part of him was saying to keep quiet, let him go. The other part told him he was an idiot if he did that.

"You are wrong about something though," he blurted, stopping Buck before he could get too far.

Buck turned back to him. "What's that?"

"I have wanted to see you, and talk to you."

They stared at each other for a moment, both of their hearts thumping in their chests.

"You have?" Buck questioned. "Could've fooled me."

Yeah, he deserved that. "Listen, are you hungry at all?" Tommy asked. "I could get this warmed up and we could eat, talk, fight, whatever. I... I feel like I left a little too soon and you deserve more of an explanation than what I gave you. No pressure though, if you wanna go, I'll understand, I just think-"

"I could eat," Buck interrupted. "As long as you mean it all. Even the fighting part."

Tommy smiled softly. "I would really, really love to fight with you this Thanksgiving, Evan."

"You sure?"

Tommy nodded.

"Okay then," Buck agreed. "I'd really, really love to fight with you too."

“The team is off this year, and you are too, so I’m going to show you what a real Thanksgiving looks like.”

That’s what Buck had told him a month ago, a late night discussion in bed at the loft, Buck’s shoulder healed enough to lie down but Tommy making no effort to leave him.

Being off for Thanksgiving was rare, both of them being off was practically a miracle. Buck was determined not to waste it.

He’d asked Tommy about what his Thanksgivings were like growing up. Tommy had told him, the first few he could remember were his dad yelling about something not being done right and his mom ending up in the bedroom crying.

After she died, there was no more Thanksgiving at all. The only thing Tommy would do, more for his mom than anything else, is make her “special homemade dressing” (a box of Stovetop), and cranberry sauce. He’d eat it alone in the kitchen while his dad downed one beer after another in his chair in the living room, watching whatever game was on.

And once he was an adult, he worked pretty much every Thanksgiving, so he didn’t think much of it.

Buck had kissed him hard after that, promised this year would be different. They’d all be at Maddie and Chimney’s place, but everyone was going to pitch in with the cooking. There would be kids running around, and games, and way too much food, and maybe once everyone else left they’d watch a Christmas movie.

Tommy played it cool, but he felt like a kid on the inside. He was so excited. He’d get to be with his boyfriend and his boyfriend’s family, which were his friends too. There would be laughter and embarrassing stories told. The kids would be getting excited for Christmas and he’d ask Jee what she was wanting so he could get her present sorted out. It would be perfect.

Tommy cleared his throat as he turned off the stove, blinking away the tears in his eyes. He set the stuffing on the back burner, letting it sit while he scooped two spoonfuls of cranberry sauce on his plate. From the fridge he grabbed a beer and set it at the table. Then he went back to the stuffing and stirred it, satisfied with the thickness. He added a bit more than a regular serving size to his plate, then walked back to the table.

From his seat he could hear the game on in the living room. If he pretended enough, he could imagine his dad in there. At least then he wouldn’t be alone.

[cursedextrovert]

People comparing CaitVi dynamic season 1 and 2, are we watching two different shows or y'all just forgot what happened in the middle. There was literally a war going on, Cait's mom fucking died like are they just gonna be lovey dovey with all these politics going on? And then one moment they leave everything to just be with each other in that jail cell you are also mad like wdyw?

Also people who say their sex scene is not necessary and/or a bad representation.

Firstly, JayceMel also got a sex scene in season 1 so its not like they invented sex just for these two lesbians.

Secondly, they didnt just fuck. Vi was beating herself up thinking she made the wrong decision and fucking things up like always and Cait told her that she actually let the guards go so Vi can do that exact thing she wanted. Ultimately saying a) she trusted Vi when she said Jinx has changed and wanted Vi to let the girl out b) she wanted Vi to be happy more than she wanted revenge even tho just some months ago she was the opposite.

Thirdly, we see the detail, Cait hesitates when she sees the bandage where she used to hit Vi. We see Cait taking off her clothes and showing her all, being vulnerable because Vi deserves that much from her.

Fuck. I get it, ok? This is a rare time we got a wlw relationship where both are main characters, and in a big show like this so you want it to be perfect and deprive of all flaws. But wouldnt you rather have two well-written characters where they relationship is tangled with the core of who they are than just a wlw couple with no conflict, no personal development no nothing? Hows that a good representation? Their relationship doesnt solve the conflict between them and their politics but is the reason why they were intertwined in the first place.

And dont come at me about systematic problems as well like Im a poc myself living in a white country and a sociology graduate. I understand Caitlyn did terrible things and is a war criminal herself with how she stands aside letting Ambessa did the thing she did and for gasing Zaun just to seek revenge. But she, just like everyone is a product of her sociocultural surroundings, shes a human affected by their beliefs and emotions. Isnt that the point of the show?

I dont think she got her happy ending just because she lives, I think being alive is her purnishment. She has her whole life to make up for what she did and I believe she will. What other fate you think she deserves? Her death will not undo her crimes, so is prison, they will also prevent her from actually fixing what she caused and ultimately using her priviledge for good(which shes doing, you can read my post about it). And Im not about to start the whole ethic debate on prison. How does one define a purnishment worthy? How do one define what a person deserves?

Finally, you know who else was a war criminal and walked away with what he wanted? Singed. Reality is like that, not black and white. People dont get what we think they deserve, ever.

[rakhalofthestars]

Under His Bangs

Synopsis: Boothill finally lets you see what he's been hiding underneath his bangs.

Tags: Boothill x gn reader, established relationship, Boothill's backstory, fluff, light angst, hurt/comfort, soft Boothill <3 a/n: This fic is based off my headcanon on what I like to think is underneath his bangs :3

Warnings: Self depreciation and talks of appearance, Boothill might also be a bit ooc here :(

wc: 1 733

Many parts of Boothill’s appearance are striking, causing him to easily stand out in a crowd. Poor guy. Blending in was never his strong suit and his metal body makes it even more difficult. There just aren’t many cyborgs who looked the way he did. 

It’s not like Boothill ever tried to blend in much. Everything from his whole cowboy get-up to his boisterous personality screamed that he was someone who you wouldn’t want to forget about anytime soon. Not to mention the bounty on his head that had risen to the billions recently.

“Whatcha lookin’ at me like that for, darlin’? I ain’t even responsible for half the things these people be accusin’ me for! I mean, just look at me, ain’t I just the picture of a saint?” Boothill protested one time when you had shoved his wanted poster in his face. On the poster was a (admittedly good) photo of him with his signature shit-eating grin along with the sum of a whopping one billion credits stamped underneath.

You had sighed back then, knowing you can’t argue with him and in all honesty, you doubt he was actually responsible for the wares disappearing from a shop at Pier Point shopping street. Maybe the poor employee was really just trying to get out of listening to Karen complain their ear off. Considering the amount of trouble he’s caused at Pier Point for the IPC, it’s no surprise that Boothill made a long lasting impression on everyone there. 

That’s the thing about Boothill. Every part of him always left an impression. Whether the impression was good or bad really depended on whether you were with the “shirt bags at the IPC” as he liked to call it. 

Even though you had been traveling with the Galaxy Ranger for quite some time now, there was one aspect of his appearance that was constantly on your mind. His bangs. They were so mysterious and styled in such a way as well. 

Why were his bangs the only part of his hair that was fully black? Why did they cover his right eye? Was it a stylistic choice to cover his right eye and look like an emo? Or was there some other, more bigger reason behind covering part of his face like that?

The flurry of questions always swirled about in your head whenever you were with him. It almost made you dizzy at times. However, since you knew about all that the man had been through prior to becoming a cyborg, you kept quiet and never tried to pry. It didn’t go unnoticed by Boothill though, the curiosity that was always brimming in your eyes when they flicked momentarily to his bangs. He really did want to explain what was underneath. The problem was that he just wasn’t sure whether he was ready to open this specific can of worms.

But when something is meant to happen, the opportunity for it will naturally present itself.

You and Boothill were lying on the motel bed, simply basking in one another’s presence. It was one of those quiet nights where all you wanted to do was to just forget about your worries and relax.

Lying on the soft mattress with Boothill’s body acting as a sort of weighted blanket whilst his face was nuzzled in the crook of your neck, you really don't want to ruin this slice of paradise by asking about his bangs. Nor does he want to ruin that lazy little smile on your lips by revealing this particular skeleton in his closet.

Your hands roam about and glide over him mindlessly until your fingers are suddenly tangling themselves in his hair. You massage his scalp gently before bringing his face out of its little hiding spot in your neck. An uncharacteristic and borderline pathetic little whine sounds from Boothill’s lips but it’s forgotten as the crosshair in Boothill’s eye locks onto you, the tiny target in the middle forming into the shape of a heart because each and every time you caress his face, he swears he’s falling in love even more than he thought was possible. He has the most adorable little smile on his face but it falters when your hand strays just a bit too far, almost brushing his bangs away from his face. 

“I’m sorry, I didn’t mean to”, you apologize immediately and retract your hand, knowing that the fact that Boothill even allows you to touch him and his hair so freely is something that not many get and you’d hate to overstep his boundaries.

“...Naw, it’s fine. I ain’t mad, darlin’,” is Boothill’s reply as he brings your hand back to his face, already missing your touch. He places your hand right underneath his bangs and the look in his eyes tells you that it was no mistake on his part for the placement.

“Can I…?”

The man hesitates, something that you’ve rarely ever seen him do. He’s always so sure of himself, so confident with each and every single move of his. What could possibly make him hesitate?

“Yeah, go ahead”, Boothill finally says.

Despite the bit of excitement that’s bubbling within you, you don’t rush to see what’s underneath. You take your time, simply feeling the soft skin and watching how your partner looks on with anxiety but also affection. He wants to know- no. He needs to know how you’ll react. Even if it might hurt him. You’ve done so much for him. You’ve loved him, taken care of him, listened to him without any judgment and have been with him through the highs and lows of this chapter of his life as he navigates through depression, anxiety and this new robot body of his. You deserved to know.

With love and care etched into your movements, you slowly brush aside the black locks of hair that covered part of Boothill’s face. 

Under his bangs, was a big, dark burn mark that marred the area his hair normally covered along with a deep scar that ran vertically down his right eye, causing it to be shut tight. 

Silence permeated throughout the room as you drank in the sight and Boothill stared back anxiously, waiting for you to say something.

“Oh…”, you finally breathe out and the Galaxy Ranger winces.

His breath hitches and his left eye widens in disbelief. Beautiful? Was there something wrong with your eyes? He was tempted to ask but falls silent when you trace the darker flesh with reverent touches and bring his face closer to press the lightest kiss on top of his right eye.

“It’s hideous, ain’t it?”

“You’re so beautiful, Boothill.”

“You’re so very beautiful.”

“Well fudge…ya can’t just say that, sugar. Gon’ make a man cry”, Boothill mumbles, his gravelly voice cracking so subtly you could’ve thought that you imagined it. He had never exposed himself like this to anyone. He could count on one hand the amount of times he felt as vulnerable as he did now. 

“Why can’t I say it? You’re the handsomest man that I’ve ever seen. If you want to cry then go ahead, there’s nothing wrong with crying. But believe me when I say you’re gorgeous.”

“How could you ever find a bag o’ bolts like me beautiful?”

“These scars on your face…they tell stories of who you are and what you’ve gone through. I won’t force you to do anything that makes you uncomfortable but you don’t have to hide them. Not around me at least,” you whisper against his skin. Hidden in your words was an underlying plea that was only for him to hear. 

“Because you are. If I could, I’d let you see yourself through my eyes just so you could realize what a sight you are.”

With every word that passes your lips, you press soft kisses across his face, paying extra attention to the right side that he deemed “ugly”. It was as if your kisses were paint and his face was your canvas as he allows you to paint your love onto him. 

Please let me take your pain and shoulder it with you. Please let me shower you with the love that was robbed from you. Please don’t push me away.

A shuddering gasp escapes Boothill, the first sound that he’s made now in a while. He needs time and that’s what you give. You fill the silence with fond caresses and gentle kisses until the man finally manages to speak.

“Mah face wasn’t always like this, y’know. It was…on that night. When them cannons were falling down from the IPC…”, his voice cracks and he trails off. You wanted to know more but stayed silent, letting him take things at his own pace.

“I was runnin’ home, praying to every Aeon that I could think of at the time that everything would be all fine and dandy…Wasn’t really lookin’ where I was runnin’ and neither was I thinkin’ much about dodgin’ the bombs. A bit o’ burnin’ shrapnel fell on this side of mah face here and well…y’can see for yerself what happened.”

“When I went to that tech doc to get this here body of mine, I asked her to not do anythin’ to these scars. Maybe it’s stupid since I can’t stand to look at ‘em, but I just didn’t want to do away with ‘em. I wanted to keep ‘em, as a reminder of that night and what it is that I fight for. Not like I need much remindin’ but heh…y’know…”

Boothill lets out a small, bitter chuckle before burying his face back in the crook of your neck. He had long lost the ability to cry but he swore that if he continued to talk, he’d end up breaking down in front of you and that was something he wished to avoid.

All you can do now is to comfort him because the fact that he’s told you all of this means that yes, he will allow you to shoulder his pain with him. Yes, he’ll allow you to shower him with the love that he was robbed of. No, he won’t push you away. So continue with what you’ve been doing all this time. Continue to assure him of his beauty and his worth. Continue to love him because Lan knows how long he’s gone without it.

[fairymischief]

I've been thinking about how often I heard men say that "women are crazy" and that's supposedly why their relationships never worked out. My ex used to use me and betray me so often that I was in a nearly constant state of distress and anger for years, and to his male friends I will always just be the "crazy ex that he's well rid of." This is all men see: just an upset woman who must therefore be the problem. I could have explained to them in painstaking detail everything that he did to me and it wouldn't have mattered. It made me think about ALL of my friends and lovers who claimed their ex-girlfriends were "crazy," and now I wonder what kind of hell those men put them through.

ARE we crazy, or are we being kept on the verge of a mental breakdown at all times because of how we're being treated?

ARE we crazy, or is it distress at being told that our natural bodies (both functionally and aesthetically) are disgusting and need to be painted over, waxed, douched, dyed, tanned, whitened, tucked, injected, implanted, and otherwise tortured to be acceptable to the same people who claim to love us - and that the disparity between "I love you" and "I hate everything about you" is both painful and incomprehensible?

ARE we crazy, or could it be that we are exhausted from putting in 110% effort while the person who is supposed to be our partner puts in 0.1% and acts like even that is more than we have a right to expect?

ARE we crazy, or are we never able to heal from the fucking ENDLESS ways we're disrespected and degraded, none of which ever have a proper apology or even explanation beyond, "I don't know, I'm just an idiot, okay!" And after which the onus is on us to just get over it, otherwise we're gaslit into believing that WE broke up a relationship over "one little thing" - when it's actually a neverending stream of actions that convey very clearly that our man isn't a true partner, never intended to be, and couldn't care less about us?

ARE we crazy...or is trying to force a relationship to work with someone who HATES US while claiming to love us enough to drive anyone into such despair and distress that it looks like insanity to ignorant and indifferent outsiders?

[srslylini]

The way season 1 ended she was at a point so low she was ready to blow up a city (and like she did, she blew up the council). The start of season 2 showing her cathartic wasn't actually bad I liked that direction. It felt like they wanted to show her in a "nothing state" which depression also feels like.

they showed her as not caring about anything anymore (literally just walking through every scene in the music video sucker while everything just HAPPENS around her). The meeting with Isha, while still being a little bit odd since it felt like well they randomly put them together but that's something you can overlook, was amazing. She still just didn't care, played with her life.

Her reaction to seeing her sister being an enforcer? Gut punching. Extremely painful. The fight with her STILL being more in a nothing like state, just shooting the dude with her back turned to him felt very s1 which is good because again, Jinx in the end was like??? done.

and then.... act 2 happened. Suddenly they used Jinx's mental state as a Plot device. In season 1 it would ruin missions and her freaking out would happen no matter if "the plot needed it or not" if you get what I mean? The first mission we see on screen? fucked up because Jinx lost control. This happens throughout the first season, it doesn't just come when ever the writers need it to happen.

In season 2 it does. Suddenly in situations that should freak her out she doesn't. Suddenly they use it as a plot device. Why was she very calm and relaxed upon meeting Vander as warwick with Vi? Why did she not freak out when Vi and her fought in the mines?

Do we all remember what happened in season 1 episode 3? And how Jinx immediately lashed out as soon as a fight occured? What happened? Also why was she suddenly so very chill with Enforcers in act 2 and beyond? The joke with the Enforcer and her god damn fucking pants was so out of place I cannot even handle to think about it anymore. The fight with Warwick was good and I liked that in the end they again showed that she is ready to kill herself, at least there is continuity here but that is also never addressed and also... happens for Plot and plot only

it happens so warwick can see the bomb and so they can have him recognize her, like okay arcane writers? And then after that she is simply fine with her second father figure showing up again? You are telling me the girl who had such a mental break down last season over her sister returning would be absolutely fine and 🥺family🥺 upon seeing Vander? Where was the sense? Where was her having to deal with Silco and Vander in her mind? i don't WANT to see her tortured, duh, but they set that up and showed this happening to her in season 1, so this is just, I dont know, a plothole? You are telling me the same girl who blew up the council in s1, and like LOOK AT HER in that scene, is all cuddle cuddle with her past family whose death she always blamed herself for and was scared off?

Then Isha dying, and god do I have my problems with that but that's another thing, and THEN having Jinx never mention her again? Are you KIDDING ME? like it's not even just not mentioning her as much as it is just also Isha not appearing in her nightmares etc. That is NOT how they set Jinx up as a character. While the scene with Jinx in the prison with Silco turning up was chillingly heartbreaking it also didn't make sense if you take into account how they wrote her seeing things this season. In the one scene where she talked to Silco's chair she says he doesn't show up and then when she is in pain over Isha being caught suddenly he stands behind her? I mean maybe I missed something here but I literally sat there like huh.

In season 1 it happened not because it was needed but because it wasn't. As it should be. In this season it only happened when the Plot needed to move and that's just so incredibly weird to me. Especially cause I already saw people misinterpreting the Silco and Jinx prison scene. It was her subconscious telling her to kill herself not Silco trying to be "a positive influence".

And then or course, we have this tragic character Jinx. Who was shown to have a wish of death all throughout season 1 with how careless she was with her life (for example when she threw around the bombs in her hide out) and then throughout season 2 as well. Who saw a breath of life for a bit, taken from her.

To have a character like this ACTUALLY die by killing herself and then to paint it as a GOOD thing? This isn't a tragedy. This is straight up suicide glorification. I did not cry when I watched this scene, I did not feel sadness and grief. I was beyond mad and disgusted and might be for a long time to come.

I need more ppl to talk abt how awfully Jinx was treated this season. I am soooo angry and upset