#2000 acting

[shannendoherty-fans]

When Jenny Hammersmith (Irene Contogiorgis) arrives at her older sister's house, she is attacked by a weird shadow and stabbed. The police believe she committed suicide since she was alone in the house. and close the case. However, Beth (Shannen Doherty) is not convinced and refuses to accept that her sister traveled all the way to Seattle to commit suicide.

Beth then decides to join the Fallbridge College for Women in New England where her sister Jenny studied to investigate what happened to her. She uses the alias of Karen Oxford to be not identified as Jenny's sister and is welcomed by Alison Kingsley (Julie Benz), Paige (Taraji P. Henson), and Courtney (Aimée Castle), and has an interview with the college's Dean Olivia Burtis (Kate Jackson).

Soon she dreams with strange things in the college and tries to find out who The Five are. She also dates Mark Lantch (Daniel Cosgrove), who provides information from the Dean's files, until she discovers the dark secret of Fallbridge and The Five, a Satanic cult of witches.

This TV film was produced by Aaron Spelling and is a remake of the 1973 version with the same name. It was filmed in the city of Montreal, Quebec and the John Abbott College was used for the movie's campus. The film first aired on March 13, 2000 on ABC.

JOIN THE GOOGLE PHOTO ALBUM TO SEE ALL THE PHOTOS AND SCREENCAPS:

WATCH THE FILM ON YOUTUBE HERE:

[lacerise]

Been Country.

Beyoncé's old looks.

[heyitsspaceace]

rent was due. they had a dollar between them. heating gone. they did what they had too

[theboyanachr0nism]

jay study got a bit out of hand... whoopsies

(reblogs appreciated, alts under cut!)

[as1llydino]

Pink Godzillas <3

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[patheticblorbloscholar]

[kingoftieland]

Hugh Jackman DIDN’T KNOW wolverines were REAL ANIMALS! 🐾

[silverthelovebug]

You guys remember DinoSquad?

Just me?

Look, it even has its very own Kenji !!

(Dumbass who cares about social status and his looks)

[nestorzinho]

saw that today is carlos alazraqui's birthday, so i drew my favorite characters in his voice

(at least the ones i can think at the moment)

[joseigamer]

Patalliro! is fascinating to me because of stuff like this. It's unapologetically gay - even within its anime which aired during primetime hours in 1982 - in a way that many later BL manga would never be, like the ones from the early 2000s which would never dare to call their characters actual homosexuals. Patalliro has actually aged quite well in this regard, there's something comforting about how campy it is.

[strawberryraviegutz]

GUYS ITS CURRENTLY BEING DISCUSSED IN THE SENSTE RN. MAKE LOTS OF NOISE. CALL YOUR REPS/SENSTORS. SIGHN THOSE PETITIONS AND SPREAD THE WORD.

[only-angelss]

Rip to the legend Roberto Cavalli🤍

[ultfreakme]

Look you can’t dismiss Zukka as a crackship when they, overall, had more positive interactions with each other than many other fanon Zuko or Sokka ships that are taken more seriously because they’re het.

Like okay, you’ve got

the episode 1 armor parallel

 Sokka saying “if there’s one thing I know about Zuko, it’s that he never gives up”

Zuko’s time at Western Air Temple where Sokka’s the only one who’s helping him to his room and even smiling at him.

Then we get TWO WHOLE EPISODES(TWO) of Zuko and Sokka working together extremely well and the narrative itself showing how they complement and support each other positively.

Need I talk about the tent scene, yes its funny but also Sokka felt comfortable enough with Zuko at that point that he talked about his mom with Zuko.

The SWORDBENDING KAI

the fact that Zuko, Sokka and Suki become a little sub-trio during Ember Islands

the Search comic where they’re the only ones awake and they’re talking about family.

every zukka shipper knows this one, *ahem* “The prince and the fool, is that all you were, or were to one another?”

If we’re talking on Zutara terms, Zukka is equally as valid. Like yeah it’s funny as a dynamic but also, it’s not like this is completely out of nowhere. There’s stuff in there that backs up the ship rather well.

I think overall, Sokka saw Zuko as more of a person? The crystal caves thing put Zuko on Katara’s shit list, rightfully so, but it’s because Katara’s an idealist and sees the best in people. Unfortunately it goes the other way, she’s a lot more black and white about people than Sokka. Like if it were Sokka in the crystal caves and Zuko had pulled the mom story, Sokka would empathize but he’s not going to trust Zuko in any capacity or see him too differently unless he showed results.

Like he knows to some extent Zuko’s capable of good and even says that just being capable of good isn’t enough. He needs to show it. Zuko betraying them in the Ba Sing Se definitely would’ve pissed him off but like, to some extent, he’d have seen it coming. Sokka’s always been more nuanced on the morality thing than Katara and Aang. Which is why I think he more quickly was willing to give Zuko a chance at the Western Air Temple. Zuko was acting on his ability for good. Sokka being a skeptic actually helped them a lot(oh, Jet my boy).

Anyways Zukka rights

[a9saga]

bitches and hoes who claim that danger days sucks and is a huge downgrade from the quality of the black parade are just afraid to have fun and wear colorful clothing once in a while

[eternallovers65]

Imagine letting two actors dictate your show and ruined the whole fucking experience for the fans.

And imagine not being professional and letting your girlfriend get in the middle of your work when she shouldn't even be there in the first place. Both girlfriends.

And imagine creating this whole situation when you have your friends, the actual ex couple on the set, being civilized, playful and professional while still playing a couple

Imagine the level of unprofessionalism. Just imagine.

EDIT:

To those saying his contract ended and accusing me of sending hate, I’m sorry if you’re under the impression I care or asked for opinions. Secondly, yes, "his contract ended", which is exactly why they decided to use so many camera cuts during the JJ and Kiara bonfire scene (including a double for certain takes) and why there was a lack of closeness in other scenes. I'm not just blaming them, I’m holding everyone involved accountable: the actors, their partners, and the producers.

Acknowledging that they handled it poorly doesn’t mean I’m sending hate. It’s completely unprofessional on all sides that things escalated to this point. And also, embarrassing when you have a real ex couple being more mature than you.