#10 Great Families

[maya-caffrey]

can we bring back procedurals? or at least just proper shows like how TV used to be? 5 to 15 seasons, a generous amount of episodes per season, 45 minutes: the sweet spot between too long and too short, pilot episodes that are wildly different from the rest of the show, filler episodes that overall contribute nothing but are extremely fun because that is what god intended, random musical episode, crossovers, waiting an entire week in anticipation to see what happens next, like, this was the PEAK of television, where did we go wrong

[fake-married-my-dead-fiance]

I continue to love Dal

[lunadove]

I feel like 10/14 will take Rose on day trips in the TARDIS to beautiful, safe planets.

And then 15 “The Fun Uncle” will just crash into Donna’s backyard every once a while and come out of the TARDIS going “Who wants to stop an alien dictatorship on a planet where all the plant life wants to eat you?”

[sarahjtv]

My Hero Academia Chapter 426 Spoiler Talk: The Hellish Todoroki Family Conclusion

Whew, what a chapter goddamn. The Todoroki Family, especially Shoto (my favorite character 🩵), is one of my favorite and one of the best arcs in My Hero Academia. We all knew that their conclusion was coming this chapter and now that we're here, let's talk about it:

First off, in case you didn't hear, Weekly Shonen Jump and MHA mangaka, Kohei Horikoshi himself, confirmed that this is the first of the last 5 chapters of My Hero Academia. The series will end in early August with 430 chapters total if all goes well. I made a post about this when it was announced 2 days ago, but I want to briefly say that I am going to miss this series so much. It has had such an amazing impact on my life and surely saved me during many rough times. I will be so sad to see it end, but happy to see Horikoshi finish his beloved story on his own terms after 10 long years of publication. I will make sure to see it through myself.

We start off the chapter with a Todoroki Family reunion. We see the whole family about a month after the war ended. Everyone has burn scars of some kind now with Rei's having the largest that even covers the left side of her face like Shoto's and Endeavor's do ironically enough (I see what you did, Horikoshi). We don't see if Endeavor got any burn scars on his face because it's covered with bandages, but given he has the highest fire resistance next to Shoto, I doubt it.

Also, pretty much everyone got a haircut from their bodies getting torched trying to stop Touya (I'm going to call him that from here on). Fuyumi and Endeavor got a few inches off, Natsuo cut quite a bit off to the point where he's looking like his father again (oh, the irony), and Rei got a significant portion cut off to the point where it's back to the length it was when she and Enji first met. I think Shoto got a slight trim, but it's hard to tell. His hair is definitely scruffier than it was before, though. Honestly looks-wise, they all still look really good. Those Todoroki/Himura genes are doing good work.

But, despite those good looks, everyone is here to see Touya in his own operating tube (?). The doctor says that Touya's slowly dying and Endeavor tells everyone that he's retiring. Both things are what everyone saw coming. There was no way Endeavor was going back to hero work after everything that happened to him during the final war. It was just never possible. Even with prosthetics, I think his own mental state and where he is in life with his family would have prevented that from happening. I'm surprised that Touya is alive at all, but I'm glad to see that he's alive to see his family for a little longer before he eventually dies which I assume may happen in the final chapter of the series.

Also, Touya can still talk! Bro still can't move for shit, but he's conscious enough to talk to his family. He still hates his father and I get it. I don't think there was any way Touya was going to forgive his father after everything that happened. It's good to see that Endeavor still is trying to atone and wants to talk with Touya as much as he possibly can to his eldest son, but that won't change anything right now. The least Endeavor can do is listen to what Touya might want to say.

Fuyumi and Rei try to talk to Touya too, but the doctor is telling them that talking more would be a burden on Touya's heart. And then Shoto asks his oldest brother "What's your favorite food?" and Touya responds "Soba..." just like Shoto. I can't do this tonight, guys! I'm screaming, crying, throwing up! WHAT COULD HAVE BEEN! THEY COULD HAVE EATEN SOBA TOGETHER IN ANOTHER LIFE!!! HOW DARE YOU, HORIKOSHI! I'M IN YOUR WALLS 😭

And right as his family leaves his room, Touya slowly cries tears and says "Shoto... I'm sorry..." I don't need to explain this one. This fucking hurts. Touya has regrets, but it's too late. Touya may be Dabi the murderous villain who ruined a lot of lives, but he's also still a young man who deserved a better life than what was handed to him and does still care for his family even if only a little. All around a tragic character. If this is the last we see of Touya, I think it's a good albeit sad send-off.

As the Todorokis start to part ways, we get an idea of where their lives are going now:

1. Natsuo wants to start a family with his girlfriend (isn’t he only 20 btw and he started dating her like, what, a year ago? I get it, Natsuo, but this is too early don’t you think? 😭) but has no intention of having a ceremony for it specifically because he doesn't want her or himself to ever see Enji again. I don't blame him for this. Even though he helped stop Touya from literally exploding which did save his father, Natsuo made it clear from the start that he was never going to forgive Enji no matter how much he atoned. The reason why he was even born was because Enji wanted a perfect Ice/Fire child, but he didn't get that until Shoto was born afterwards. Natsuo saw Enji hurt and abuse his family for pretty much his entire life and Enji suddenly wanting to fix what he broke wasn't going to change Natsuo's mind on what he thought of his father. Cutting ties with his father is for the best. It's a miracle the rest of his family still want to see Enji at all, especially Shoto.

2. Fuyumi has also quit her teaching job, but a mother of one of her students found another one. This is also understandable. The public slander of her family on her is what probably pushed this and I'm sure her good reputation got inadvertently damaged from it. I hope she is treated better at her new job.

3. Enji is going got continue to pay for his crimes for the rest of his life whatever that takes. He even understands if the rest of his kids never want to see him again either. He will still do everything he can to make sure his kids are unharmed by the whole Dabi thing. He even accepts that he's going to dance with Touya in Hell one day. Honestly, regardless of what you think of Endeavor, I honestly think his atonement/development arc is one of the best in the series. He has definitely become a better man than what he started out as when we first met him during the Sports Festival Arc, but what I love about this is that Horikoshi never let him off the hook. He made Enji face his sins head-on and suffer through every consequence that came from his abusive actions. If Enji Todoroki is going to atone, he's going to atone the very, very hard way. Enji may be a better man and father, but that doesn't mean he's going to see the pearly gates when all is said and done. The best he can do is pay for his sins for the rest of his life and pray that Rei, Fuyumi, and Shoto don't leave him completely too.

4. And finally, there's my favorite, Shoto 🩵! He's going back to school and reassures his parents that he will be fine with his friends as they help him become who he wants to be. This essentially concludes Shoto's arc as well. When we first met him, he was a cold, anti-social teen who didn't want to make any friends. All he wanted to do was to become a hero with his ice alone to spite his father. Since then, he's opened up to his classmates, made amazing friends especially in Izuku, Iida, and Bakugo, rekindled his relationship with his mother and siblings, come to terms with his father and Touya, and finally accepted his Ice/Fire powers as his own. He says he's on the path to becoming the hero he wants to be, but I'd argue that he's already there. Again, it's an incredible development for Shoto and I think this is a great conclusion to his own character arc.

After Shoto leaves, we transition to Hawks! He's still there for Endeavor if he needs him which is nice. He's also the president of the Public Safety Commission! Dude may be Quirkless, but that doesn't mean he can't do anything! I'm happy to see him thrive in this new role of his and I hope he can reform the PSC into something good as opposed to how they treated him in the past.

We also catch up on Lady Nagant WHO IS NOT DEAD 🎊, but chooses to stay in prison for a bit longer. And Gentle and LaBrava are ok and free too! Good endings here!

The final panel shows Spinner and someone is opening his hospital door 🤔

Phenomenal chapter! 10/10 would read and cry over again. Thank you and fuck you for everything, Kohei Horikoshi. 4 Chapters left. Fuck, my hands hurt 😭

[aishazero9i18r]

Wakfu - The Great Wave webtoon preview thumbnail screenshot from Ankama launcher and ho boi I do not like where this thing going and I am genuinely scared jamshjdbdhd oh hey Aurora is back :D

Also we got lil Yugo again hhhhhhh this is Yugo… right? R i g h t ? ? ?

[pianokantzart]

I just made the Mama Mario soup.

I can see why Luigi got so excited, that stuff good.

[bonefall]

mmm would it be possible for Mistystar and Leopardstar to fight/met during the BOTTE? or was Leopard already fed up with Tigerstar, his batshit insane plans and her status reduced to 'Tiger's another lackey' (like Darkstripe and many others) to really care about revenge? if she ever thought about it, that is.. im assuming she would be pretty pissed about being killed (there was a post about Mistyfoot first trying to poison her and Leopard realized it and instead decided to take her on a solo patrol to.. deal with a rogue i think? and then Misty gave her a rock appointment) and might had thought about making Mistystar pay, but it's been soooo long before BOTTE that she might had.. moved on? or just decided she had better things to do, not sure.

I have a BIG rule for the BOTTE, an unmoveable object, which I will abide by like a solemn vow;

NO spirit will be killed by the same cat twice.

I already changed it so Yellowfang doesn't get Brokenstar (he's not even present) and Brambleclaw doesn't get Hawkfrost, so I certainly wouldn't have Mistystar do it to Leopardstar!

I have some ideas but first; context.

The Killing of Leopardstar

Mistyfoot was sloppy.

Leopardstar recognized the way that Mistyfoot had poisoned her food, because she'd done the same thing to Crookedstar before her. Not enough to make it quick, just enough to weaken.

The emotion that licks at her is frustration.

Is this what her life has come to? Dramatic irony? Is this some kind of cosmic joke? To die just like her predecessor, wasting away for a few seasons in the darkness of this musty den, before solemn mourning and empty platitudes from her underhanded murderer.

What should she even do about this? Reveal Mistyfoot in front of everyone, exile her, she plots against her from the safety of another Clan, some kind of rebellion, rah rah rah we just dealt with this.

It's boring. It's so boring it's offensive. This will be the state of RiverClan forever, deputies poisoning leaders and taking power quietly until the end of days. No honor, no nobility, just treachery until the sky dries up and its rich blue becomes a crackled pale-brown.

If she is to die, she will not go out in the slow and painful way she killed crookedstar without a fight.

So she smacks the limp fish aside and brushes past Mistyfoot with a snarl, not even caring enough to drink in the way her traitorous deputy's ears flushed pale, knowing she'd been caught.

Leopardstar calls for a rushed meeting, telling them all that there's actually 40 - 50 feral rogues on the border right now and she saw them all last night or something, so she's taking Mistyfoot to go confront them right now. Don't follow us.

(Something that the more astute members of the Clan immediately recognize as Leopardstar setting up cover for a death match, including Misty's brother Swansong. She snaps at him when he runs to stop her, Don't Follow.)

Once they're a fair distance away, at the southern delta that divides WindClan and RiverClan, where the cliffs will hide them and the wet stones will not catch the scent (and where Reedwhisker will die, someday), Leopardstar lays it out.

No more tricks. No more schemes. If one of them is to die, it will be with honor.

"You want my lives?"

(Boss music fades in. Misty sees the health bar appear lmao)

"Come and take them."

After she came and took them

Leopardstar is kind of obsessed with the final battle of her life. That fight was everything she hoped for, except that she didn't win.

She wants it again, and she will triumph this time.

Hawkfrost is easily able to twist it into, "You lost only because StarClan shone upon her with that stone. It wasn't real skill. Join our cause and we can get you that rematch, we will defeat Mistystar, win back RiverClan, and dethrone the Stars!" But at the end of the day, it's an excuse.

Same sort of excuse Leopardstar came up with when she believed she wanted an honorable battle, rejecting the guilt and fear that clawed at her to think about dying the way Crookedstar did.

She does this a lot. Dodging feelings of remorse or regret by substituting power fantasies, avoiding any hard lessons. She says she wants revenge, but what she's actually doing is avoiding taking an L. Shame is a vagrant in Leopardstar's heart; she will never let it stay for long.

But...

That's really hard to do when Tigerstar is actively using her and speaking over her in every interaction. Being here, in the Dark Forest, taking the SAME advice she once groomed into Hawkfrost to only look at the positives of Tigerstar's legacy and ignore atrocities, is embarassing.

It's HUMILIATING.

She had her starshine BASHED out of her with a rock and went to the hell she'd been downplaying since she "regrettably" tore down the Bonehill. Being Tigerstar's stooge. Reducing the proud, ferocious leader of RiverClan into a goon.

Towards the end, she will have a scene with Hawkfrost, proud warriors that they are as mentor and apprentice, and vaguely address this. As far as Leopardstar's ego will allow, of course... the shame of it.

It's an important moment, because it's as much about Leopardstar and Hawkfrost as it is about Hawkfrost and Ivypool.

Leopard is too set in her ways to change, even if she is capable of brief glimpses of self-reflection, of which this is one. Hawkfrost, however, is seeing his mentor and himself in a different light. How she'll let herself be humiliated over and over as long as she can cling to her ego... and how by doing Tigerstar's diplomacy work, Hawkfrost is doing the same.

And he's dragged his OWN apprentice into it, too. She accidentally double-killed her friend, Antpelt, but he killed him more by bringing all of these trainees here to begin with. How Ivypool gets pitted against Tigerheart because TigerSTAR is playing mind games, how it's destroying her bond with her sister, how much fun and joy in the Dark Forest he's missing out on by not giving the afterLIFE a chance...

How much he's thrown away for this, before and after his death.

I'm not sure yet if it's the LAST stop before the BOTTE, but it's close to the end of Hawkfrost's redemption arc. Recognition of self through the other. He is part of a cycle he has a choice to break.

But anyway... back to Leopardstar.

She wants to fight Mistystar, but I don't think I'll let her have that satisfaction. She has already gotten nearly everything she ever asked for and can't even acknowledge that she did.

I think it's most fitting for SWANSONG to finally get what he craves; a chance to take a burden off his sister.

Leopardstar allowed TigerClan to STRIP his brotherhood from her because they don't share blood. Forced him to pretend like Rippleclaw meant anything to him, as if Oakheart hadn't been his proud baba as long as he could remember. Stonefur, Mistyfoot, and Swansong are the kits of Graypool; and he's not gonna let this golden FART ignore that ever again.

So my idea is that when Leopardstar meets Mistyfoot in the Second Wave of the BOTTE, she pounces onto her for her rematch, but Swansong BURSTS out of the crowd in response and rips her off, allowing Mistystar to go back to defending their Clanmates

"I don't want YOU," Leopardstar spits, "My battle is with Mistystar!"

"Tough titfeathers! It's MY turn to get a hit in for Stonefur!" He bristles with equal parts fury and excitement, lunging towards a fight he's dreamed of for years.

Still subject to change, though! And I'm not sure if Swansong dies here, or in the 3rd Wave, or if maybe he succumbs to injuries after the BOTTE is over.

It would also be fitting if he got a whack on Mapleshade though... since Maple doesn't even consider him Applekin and won't curse him. It would be neat for him to get angry about that lmao. "What do you MEAN my siblings are haunted by a demon? But NOT ME?? What ELSE am I getting left out of???"

EDIT: I'm currently planning to kill him in the 2nd Wave

[delusionalblfan]

as i expected throughout the whole episode i was so tense and with teary eyes. the whole damn episode. but i literally bawled my eyes out in three moments. the three of them made me stop watching to catch a breath and to just think about life and choices and stuff. i was so into them i felt sick to my stomach

1. when Babe kissed Babe's forehead three times, it got to me more than the whole scene of Babe realising Charlie was dead. it was so tender, full of regret of untold words, it was what Babe regretted not doing to Charlie before the race. it was a goodbye. it was a 'i cannot live without you'. a 'i respect and love you so much for everything you've done for me', a 'i do not deserve you', a 'you do not deserve this'. i felt it all. it was a detail that made all the difference to me and of which i am very thankful for. it was what my emotions needed to really make me go 'no! this is happening' and make me crumble

2. Babe alone at home with Charlie's gloves while reminiscing their times together. he remembered their first meeting as expected. but then he remembered moments that Charlie made him feel special, told him he is special, irrevocably and unconditionally told him he is the reason he ever tried to stop Tony. Babe knows that what Charlie has been doing is not for his own self, but for Babe. this moment Babe is feeling so much pain and so much guilt and it's palpable. and it's as if he feels like the gloves are the only good thing he gave to Charlie and he wants to hold on to them. he needs a physical thing to hold on to, given he doesn't have Charlie. he wants to keep the thing he gave to Charlie and thinks he likes the most. he wants to keep what he saw in Charlie's eyes was what he was most proud of. (Babe, news to you: you are it. you are what Charlie most wanted, most loved and most wanted to show off. you are what makes Charlie happy. you)

3. Alan and Dean's scene (PHENOMENAL) what a moment. seeing Sailub and Lee's emotions so raw that they are physically feeling it. that's the feeling i got. the hurting in their voices made me go crazy. i lost myself there. and i got the whole moment. Dean always felt like the outsider, haven't found his place and used that to self-pity, never spoke about it until recently and only now is doing something to not live in the shadows, but unfortunately by doing wrong decisions. they are family (remembering these men have no blood relatives, they are each others family and that's as valid as blood relatives. it's Family) i am sure they would support him if he decided to find his place somewhere on the racing world. but he was so desperate he decided to do it by siding with the person that has done most harm to his family members, and by harming a family member (i know nothing about mechanics, but he said it, he did want to scare Charlie so he would give up racing, so Dean was willing to make Charlie get into an accident to scare him). and Alan was so hurt. and i bet i know some traits of him so he must be thinking 'this is happening again within my family, the family i started, the people i sworn to protect, i must not be monitoring their feelings well, where did i do wrong, i definitely did something wrong'. but at the same time he knew Dean did a very bad thing, the was so hurt with Dean and so disappointed. and to make the (right!) choice of calling the police on a family member must be so hard. they will not be family like before. the trust was broken. and realising that this is the end, the way they physically gave up and bended. Alan grabbing him like he wants to embrace him still! i believe they get each other's point of view, but Dean was already so hurt by all these years (this boy has a fucking inner saboteur!) and false accusations but shattered by the fact that Alan could in fact, but to his eyes only now, show love towards him and Alan was so hurt that a family member hurt another family member (again) and still very regretful for what he could have done… this is unequivocally a breakup and it was very real and hurtful to watch

[widowshill]

BURKE DEVLIN & ROGER COLLINS. — It isn't really amazing if you know what love is about. — Well, yes, I suppose I don't know anything about love. I guess that's why she married you ten years ago and not me. — I'll go one step further. I think you've gone beyond the point of even knowing what it is.

[frnkiebby]

May I offer some sleep deprived helena era fronk doodles? :3

UM YES???

oh my god how fucking cute 😭😭

pls i love these so much~🎃

[aces-to-apples]

Xenk Yendar doesn't traffic in colloquialisms because he's so old he doesn't know any anymore

[weiyjling]

Anya: Today I lost my dear sy-on boy.

Damian: QUIT TELLING EVERYONE I’M DEAD!

Anya: Sometimes I can still hear his voice.

[fingertipsmp3]

Maybe I did this to myself but it does irk me when people see me knitting and they ask who it’s for and I say it’s for me and the immediate reaction is “you should sell it” yeah… let me spend at least a week’s worth of my free time making an item I like, want, and would wear just to sell it on etsy, making at most a £2 profit on materials and not being compensated for my time whatsoever 👍🏻

[libroseitm]

Can I just... I super need to rant cus still feeling quite raw. Warning: it's gonna get really depressing really fast.

I saw my parents yesterday. My parents who are still in the cult (LDS church) that I grew up in which I left two years ago. My parents who are homophobic despite insisting that they're not, who are transphobic, who think relationships must look one way and one way only, who have damaging political views and the list goes on and fuckin on.

When they're over, they expect me to change who I am because a lot of who I am offends them. They don't stop to think that a lot of who they are offends me. They don't think that it might be appropriate to meet half way. That's pretty normal for members of their "church". Ex-memebers are the ones who must change, otherwise they risk those delicate relationships crumbling to the ground.

They would not want a relationship with me with I were my true self around them.

So it fuckin hurts when they tell me they love me. Because it's no longer me they're talking to. I've hidden so much of myself around them, right down to the way I talk (no, seriously) that they're not telling me they love me. They're telling somebody else.

I can't even listen to the music I want to listen to when I escape to the kitchen to make food without fear of some of the songs offending them. Without fear of creating a huge scene.

When trying to show my mum an approximation of the hair style I want, I was looking for a picture of Ed Teach (Our Flag Means Death). I found the one I wanted, paused, and then cropped out Stede. I had to crop him out because my mum can't look at two men in love without making some snide comment.

They have no fucking clue who I am. Because they have no desire to know.

Their love is conditional. They add caviats, and 'despite this' to their love. And it fuckin sucks.

[the-judicial-assistants-notebook]

You know, I think what really bugs me about the "Dadworth" dynamic applied to Kay and Edgeworth's relationship is that it usually makes Kay out to be this hyperactive, slight problem child (in the 'stealing and pranking' sense rather than the 'moody and abrasive' sense), occasionally with deep-rooted daddy issues like Edgeworth has, when that's... the opposite of her character.

(This post got away from me, so TL;DR: Kay is a quick-witted and independent young woman who has worked very hard to be both emotionally and practically intelligent enough to be seen as a legitimate successor to her father's legacy. Making her out to be the traits mentioned above, so she functions as Edgeworth's daughter rather than his investigative partner and equal, undermines her character and semi-conflates her with Maya [the deep-rooted issues bit]. Also I don't like it wksgskaj)

The thing about Kay is that she's not actually in the series as much as it feels like she is, which makes it easy for her character to be altered to suit the needs of the story (which I think happens in The Forgotten Turnabout, but I won't talk about that here). She turns up in two cases as herself in AAI (as in, teenager Kay whom we're most familiar with) and shares her role with Gumshoe, Ema and Franziska when she does, lessening her appearances even further. Nevertheless, there are still concrete elements to her personality that we're made aware of right from the beginning, and the first major one which I feel gets overlooked in favour of her hyperactive characterisation is this:

Kay is very, very sharp.

In terms of mainline assistants, I'd consider her the sharpest of all (maybe after Trucy? But I don't remember enough of AJ to comment on that). Yes, she's shown to be reckless and impulsive, but, when it comes to actual investigating and reasoning, she is solid. With Nick and Maya, you sometimes get the impression that they're both fumbling along until Phoenix catches on (most of the time with Maya's usually a little accidental help, and he still has to explain things to her near every time [not Maya's fault. Following Phoenix's reasoning is like being on a rollercoaster in a minecart]), but Kay is very rarely like that with Edgeworth. Within minutes of meeting him, she can predict what he's going to say (or 'steal his lines', as the game puts it), and there are several moments after he uses Logic and is about to explain what he's connected where Kay interrupts with the correct conclusion herself:

Edgeworth: A second Blue Badger that shouldn't exist... Clearly, the true identity of the person underneath is...

Kay: Oh, I know! It's one of the kidnappers, right!?

There's even a point where she tells him off for overexplaining things to her:

Kay: Yeesh, I told you I got it! Do you feel the need to explain everything!?

And, near the end of their first case together, he acknowledges that's she's generally quite quick:

Kay: OK, what should I re-create first?

Edgeworth: ...You haven't figured it out yet?

Kay: Heh, maybe I have, and maybe I haven't.

Even if you don't take these points into consideration, the fact that she comes up with a new way to use Little Thief, and knows how to use it at all actually, shows you that she's a really intelligent girl! Continuing on a bit from the point I made earlier about her being brash, Kay may be reckless, but she isn't irresponsible. Whenever she rushes into situations, she doesn't expect other people to come save her; she's quite assured that she can and will get herself out of them on her own, and, if she needs help, she asks for it in advance. She treats Edgeworth less like her guardian and more like her investigative partner:

Kay: I didn't get permission to enter Allebahst... so we're going to go gather whatever info we can over on the Babahlese side, OK!?

Edgeworth: Alright, I'm counting on you two.

Kay: Right, and I'm counting on you and Ms. von Karma to sniff out clues in Allebahst!

...

Edgeworth: A number of pieces connect in a very complicated way in this case... It's almost enough to make one completely mentally exhausted.

Kay: Let's not over-complicate matters, OK, Mr. Edgeworth? We've been so focused, like a laser, on only what seems strange and out of place... it's no wonder nothing's clicked and we haven't unlocked anything yet. But, if we think things through calmly, the answer should come to us!

There's an independence to her proactiveness that kind of forces Edgeworth to meet her on equal grounds, and this too is an element that gets lost when the Dadworth dynamic comes in because it involves making Edgeworth responsible -- or feel responsible -- for her actions and general wellbeing when Kay has never expected nor wanted that. She does things on her own terms, and she walks the path she's chosen by herself:

Edgeworth: Preposterous! On what grounds do you suspect her of such a thing!?

Shih-na: The fact that she calls the Yatagarasu. That in itself is a more elegant proof.

Kay: Ms. Shih-na.

Shih-na: Yes?

Kay: I... have no intention of taking back any of what I've said.

Shih-na: ...?

Kay: I am the Great Thief Yatagarasu. And I refuse to allow some imposter to claim that name as their own! The path of justice that my father pointed me towards... I will walk it the best I can!

Her relationship with Edgeworth works as an inverse to that of Nick and Maya's in the way that, where Nick and Maya have deep respect for one another beneath layers upon layers of playful insults and messing about, Kay outwardly respects Edgeworth first (and expects that respect to be returned) and razes him second -- that, too, never to an extent she wouldn't with anyone else or that crosses a certain boundary. Her messing with Edgeworth is shown to be more an attempt to get him to lighten up or not take himself too seriously than an act of (platonic) intimacy as it is with Nick and Maya (which makes sense because Nick and Maya have spent years together, while she's known Edgeworth for all of two weeks) or genuine obliviousness/silliness (although it definitely sometimes is). This is pretty obvious simply from the fact that she always calls him 'Mr Edgeworth', though she's perfectly comfortable calling Gumshoe and Badd, people whom she is more familiar and comfortable with, 'Gummy' and 'Uncle Badd' respectively. Also Kay, in general, is quite polite? Edgeworth calls something she said rude at one point and she gets insulted, and, when you ask for her opinion, she doesn't go 'What?' or 'What is it?', she specifically says, 'Yes?' (this changes in AAI2, which I promise I'm not discussing here) Upon meeting Oldbag, she has this exchange with her, where Kay chooses a more formal mode of address than what is actually offered:

Oldbag: My name is Wendy Oldbag. But you can call me "Wendy", or "Granny", or whatever suits your fancy.

Kay: Nice to meet you, Ms. Oldbag! I'm Kay Faraday.

She's also had moments where she calls Edgeworth out for being 'tactless', and she's shown to feel very strongly about rudeness throughout the whole game. I'm not saying she isn't mischievous or playful, she very much is, but the point is that she's really quite respectful, and this extends to her relationship with him. Her characterisation in Turnabout Ablaze, where she's considerably more excitable/high-strung than in Kidnapped, seems largely due to them chasing down Calisto Yew. Edgeworth even comments on this:

Edgeworth: Kay, you need to look before you leap. You tend to lose your cool when it comes to anything related to that woman.

Generally, though, you can tell that she was obviously raised with an adherence to certain formalities. She's not looking for another parental figure (because she doesn't need one, which I'll go into after this), but, if she was, she'd make that clear.

Kay's a very straightforward person at heart; she doesn't hide any part of herself, even the part that should be hidden (i.e. the Yatagarasu). There are points where she suggests that Edgeworth reminds her of her father, but, in AAI, she specifically mentions that it's both Edgeworth and Gumshoe who remind her of her father and Detective Badd. It's not about her seeing Edgeworth as a father figure; it's about their and her own dedication to the truth. Even in AAI2, where her comments could be read as leaning more towards the former angle, she doesn't get cut up about him not picking up on that or really paying it much emphasis at all, because it doesn't matter. The fact that he reminds her of Byrne is just that: a fact.

Returning to the point about Kay not needing/wanting another parental figure, I think it's pretty self-explanatory, but to put it succinctly: Kay has the guidance she needs without him.

To put it less succinctly, Edgeworth's possibly the worst candidate to go for for emotional support and guidance in the first place, and by the time she meets him again, she's basically processed her father's passing and has a better handle on herself emotionally than Edgeworth does (not a brag; most characters have higher EQ than Edgeworth); what she wants isn't necessarily closure for Byrne's death in the emotional sense but in the I-want-answers-to-this-mystery-that-will-restore-my-family's-honour sense. You could make the argument that Kay becoming the second Yatagarasu and shaping her entire future around continuing her father's work prove that she isn't over his death, but I don't think that's true and more of a result of conflating her with Maya a bit.

With Maya, becoming the Master isn't something she chooses; it's given to her by Misty and Mia. With Kay, it's the opposite. Kay's decision to become the Yatagarasu and pursue the truth is wholly her own, and her approach to that goal reflects that. While Maya uses her cheery, upbeat attitude to conceal a lot of self-doubt and vulnerability (and Franziska does the same with her hostility), Kay does not. Her cheerfulness is precisely who she is; it's not a mask so much as it is a distraction. It keeps people from looking at her too closely and realising exactly how capable she is, and, while I don't think it's fully intentional (again, she believes in living her life in a straightforward and upfront manner), she does imply that it's sort of her (or the Yatagarasu's) MO:

Kay: Well! By the time everyone notices, it's already gone! That's the Yatagarasu way!

Interestingly enough, this unintentional tactic of using humour and cheeriness as a distraction from her abilities makes her a mirror to Calisto Yew, who also uses her seemingly always light-hearted nature as a disguise for what she's actually capable of (Calisto's joviality is her true self, too, or at least as 'true' as she can get). The difference between them is that Calisto delights in ironically mocking the world around her, whereas Kay finds joy in life itself, and she's stronger for it.

The only part where we see Kay attempt to mask her feelings is when she's a child, and even then she admits that she feels better after crying, which, I believe, led to her becoming more open with her emotions later in life (see how her older self has a teary sprite which makes pretty frequent appearances where her younger self does not). In any case, to me, this shows that she has people in her life already who are helping, and have helped, her confront and process her trauma. She's not looking to Edgeworth to help her make sense of her father's death and she definitely isn't looking for a replacement (again, literally dedicated to continuing her father's [and Badd's] legacy). Whenever Edgeworth even gets close to becoming parental with her, she dismisses it, unless she acknowledges that she is in the wrong:

Edgeworth: ...Kay, it's not good for you to stay up late, you know.

Kay: Yes, gramps!

...

Edgeworth: ...I appreciate your sense of justice, however... I would appreciate it if you wouldn't go running into the heart of any more raging fires.

Kay: Nngh... Yes, Mr. Edgeworth... I'll try...

Despite her buoyancy and bright attitude, Kay is quite firm that she be treated as an adult (she doesn't see her cheeriness as a mark of youth; it's joie de vivre, it's who she is, and that's that), and, throughout the game, she gets annoyed when people don't respect that (her arguments with Lang are largely over how he calls Little Thief a toy and her crow-girl). She holds her own and relies on herself while being unafraid of asking for help.

Anyway, this post has gone on for long enough and I think I've addressed the points I wanted to. I should mention that I realise that a lot of how many people portray/interpret their relationship is validated by AAI2 but that's honestly a discussion for a separate post HAHA I feel like, when it comes to AAI, the father/daughter interpretation can maybe be argued with regards to the way Edgeworth treats her? Honestly, though, I think he'd treat any young lady who suddenly becomes part of his team/responsibility in pretty much the same way. And, like, he drops the ball almost every time he's supposed to give "fatherly" advice because he's just not that great with it/children!! It's actually hilarious HSKSDHSK

Either way, yeah! I just think Kay is actually given a lot less credit than she's due when the Dadworth card gets played and I just! Want better for her!!

[ohhalefire]

.