#1. ship i don't like 2. it's like.... not good writing :/

[showsandstuff]

WHAT'S UP!

Welcome to my post where I praise the fanon original league version of Jayvik!!!

I'm gonna be real, I will miss the Og machine herald Viktor. I never played league, and I'm not going to, but before season 2 came out I read his lore and he's actually a pretty fun character.

Then after season two act 1 came out, I dove into the world of fanfiction cause I started shipping Jayvik and found kind a few fics about the league of legend versions of the characters. And here is what I will say.

If we go with fanon alone, I actually prefer the league versions.

League Viktor and League Jayce are actual enemies for most of the time. They used to be colleagues, then Viktor was getting into brainwashing whilst Jayce was a dick and got him kicked out of the academy. He also didn't speak up when some other scientist took credit of Viktors invention. Oh and there were misunderstandings about some crystal...

Long story short, they don't like each other. But in the fics they often times either clear the misunderstandings and make up or yearn for each other whilst on opposite sites. Or they fight each other which leads to make out sessions because why not.

The characters are also generally more fun to read about.

Jayce is a huge dick, that is literally his most defining personality trade. He is a cocky bastard and people like him until they get to know him because he's just such an asshole.

And Viktor is just... Really fucking silly. He wants to get rid of his emotions and says that he already did get rid off them, but then Jayce pisses him off and you can tell no way?? Where did you get rid off your emotions? You've been whining non stop. There's also still love, kindness and empathy within Viktor, but he somehow convinces himself that he is emotionless. It gets especially good when that's played for comedy, which it oftentimes is!

Also, the nicknames! They still call each other Jayce and Viktor but Viktor also calls Jayce "Defender" short for "Defender of tomorrow" which is jayces title, and Jayce calls him either V or Machine Herald, depending on the mood.

Arcane season 2 was too rushed and packed with so many seperate story lines that we didn't have enough time for the characters. We needed at least one more season.

But the fanon for the league version, as someone who never played it, gives me this huge time frame of them being enemies but they used to be colleagues or friends (or more than friends depending on the writer), and then a huge time frame of them being enemies.

Og machine herald League Viktor though??? PEAK, WHAT A FUNNY CRINGEFAIL LOSER!

Now more to Arcane...

I think as much as I love Jayvik there, it's all just too sad, especially if you don't necessarily want to read act 1 fanfictions or AUs.

Also Viktor is super hard to characterize because his personally changes with almost every act. That's why I don't buy it when people complain about the way he is characterized because Ik all yall want is sassy S1 Act 1 Viktor, but I prefer the less confident and workaholic Act 2 Viktor. We are not the same.

The Fanon of League is just, somehow, more consistent in a way, because it has existed just much longer and people probably get inspired by the same shippers for how to write their dynamic.

Arcane fics though depend on how the individual interprets the characters, and with characters whose arcs were rushed sm it's just impossible.

So Og machine herald Viktor, you will be missed. I hope people don't stop writing for them and drawing fanart!!

[tansyuduri]

@larluce Thank you for the tag and for the rec!!! You are amazing too! I can't believe I'm working on our second collab!!!! 1. How many works do you have on AO3? 31! 13 of which are Melin the rest are from YEARS ago.

2. What’s your total AO3 word count?

297,340

3. What fandoms do you write for?

Currently just Merlin. There is one dragon age fic I MIGHT eventually go back to but merlin for the forseeable future!

4. What are your top 5 fics by kudos? Fever Talk

Treat Me Warmly

Better Than Burning Merlin Enchanted (my first colab with Larluce)

Unthinkable All of these are what I tend to stick too for my fics that are below 40K+ Aka a mixture of fluff, Hurt/confort, angst, banter, whump, ETC with a happy ending. The next one would be one of my long fics XD

5. Do you respond to comments?

Consitering how happy they make me! Yes Every one!

6. What is the fic you wrote with the angstiest ending?

I'll be honnest with you! It would be in my old fics for the Dragon Age Fandom and not Merlin. I tend toward happy endings for Merlin fics. Likely Forget me not or Good Boy

7. What’s the fic you wrote with the happiest ending?

Uhhhhhhhh UHHHHHHHHH UHHHHHH Well Most of my merlin ones have happy endings? If we're going least traumatized Um PERHAPS treat me warmly?

8. Do you get hate on fics?

Oh not really hate but I got this one person commenting on my longfics that Merlin deserves better because arthur would go back to gwen if he could and that they don't like gwen. Like I'm sorry but my Arthur returns series is my love letter to the cannon version of the show in my mind. I'm not going to pretend Arthur never loved Gwen Even if the fic's main paring is Merthur, And even if I belive Gwen would be more likely to love Arthur but stay with the man she remarried (Who she also loved because In my mind she married again to a noble she loved for secrity AND LOVE because I want her to be happy in her life) and knew into old age in the afterlife.

9. Do you write smut? If so, what kind?

I include sex scenes in longfics usually and if asked for a request. I do not think its what I am best at but I do my best!!!

10. Do you write crossovers? What’s the craziest one you’ve written? NOPE!

11. Have you ever had a fic stolen?

NOPE!

12. Have you ever had a fic translated? I am borning and only speak english but I would never say no to this!

13. Have you ever co-written a fic before?

with @larluce I'm actualy currently about to do my first edit of our second colab! 14. What’s your all time favourite ship? MERTHUR

15. What’s a WIP you want to finish but doubt you ever will?

When I started writing merthur I had a rule that I do not publish any of a fic until I am done with the entire thing. I do have some drafts however One is my version of What happens post cannon during gwen's reign. I Don't think I'll ever finish it because I'm CRAZY about merthur. and having Merthur in a fic helps keep me going with it.

16. What are your writing strengths? I like to think I am good at keeping In character, Besides that Dialouge and feelings I think. I like to know my characters deeply and be able to keep them fairly close to their cannon versions. Of course characters have LOTS of cannon versions depending on which time in cannon and how the story affects them. BUT still its somthing I like to focus on

17. What are your writing weaknesses? Problubly having enough decription. I'm NOT a super visual thinker so yeah. 18. Thoughts on writing dialogue in another language in fic?

Normally it should be translated or knowlable. Spells are an exeption

19. First fandom you wrote for? Um I was not in any fandom but I wrote a LOTR spoof in elementary school

20. Favorite fic you’ve written? Oh easy. Our Stars Still Shine Together was my first long merlin fic and the first that I wrote after realizing I could write again

@shanastoryteller @shana-rosee @catsconflictscopicsandchamomile @calamity-talvi @247merthur

@saurix5 @groundbreakingdot872

Twenty Questions for Fanfic Writers

Thank you @liviapeleia for the asks <3!!

Tagging longtime frond @breadkween, fabulous runner of @merlinmicrofic @queerofthedagger (thank you!) and reader and writer who's left me lovely comments @achillesuwu. @mythandmagic, Ao3 is down rn so I can't check but if you have any fics yourself, here's an ask game for you! There's no obligation, presh or time limit of course! Also like @liviapeleia said before me, consider yourself tagged if you see this!

1. How many works do you have on AO3?

11

2. What’s your total AO3 word count?

265,960

3. What fandoms do you write for?

Right now just Merlin. I've written for other fandoms in the past but each of those works have been standalone.

4. What are your top 5 fics by kudos?

Always His Destiny | Merlin | A true love's kiss, resurrection and golden age AU written for Glompfest 2024.

Like Every Tree Stands On Its Own | Merlin | A longfic inspired by other Arthurian media/sources featuring Wildman Prophet!Merlin and a magical forest. This is my magnum opus.

What's Mightier Than a Sword and Robs a Prince of His Servant? | Merlin | Pre-slash Merthur minor canon-divergence in which Merlin's talents in speech writing land him a promotion and Arthur is Not Pleased™.

Only Human | Venom | A short gift/exchange fic about masturbation, lol. The fic I received in exchange was also about masturbation. In my defence this was a writing exercise (I promise).

The Sky Is Falling | Nightvale | Unfinished fic about alcoholism recovery, love, community and the complete collapse of reality.

...Okay wow what a mix :D

5. Do you respond to comments?

I really love comments and I love getting into discussions with readers! It really makes my day to see that someone has commented on one of my fics.

6. What is the fic you wrote with the angstiest ending?

Am I allowed to choose a soon to be published WIP? Words Are Dead, a microfic inspired by the Agnes Obel song of the same name in which Merlin and Arthur are unable to communicate when Arthur returns. Merlin has lost Brythonic, his first language, and his capacity to relearn it. He's simply been alive for far too long and his mind has suffered :(

7. What’s the fic you wrote with the happiest ending?

Like Every Tree has a prolonged bittersweet kind of ending but I think Always His Destiny wins.

8. Do you get hate on fics?

Nope/not yet!

9. Do you write smut? If so, what kind?

Yes, though so far it hasn't been the focus of any of my works, there's no reason why that can't change though (the Venom one doesn't count, I make the rules here). As to what kind I'd say loving and intimate, I guess? Sometimes with a bit of a hurt/comfort element to it. Again, no reason why I can't branch out in the future ;)

10. Do you write crossovers? What’s the craziest one you’ve written?

While not labelled as a crossover, Like Every Tree was heavily inspired by Arthurian media both new and old, and one medieval Irish source. I did so much research for this fic and I'm still down those various rabbit holes. It was a homage to my favourite, janky cartoon movie from my childhood Quest for Camelot. Otherwise I don't write proper crossovers.

11. Have you ever had a fic stolen?

Don't think so.

12. Have you ever had a fic translated?

Also don't think so.

13. Have you ever co-written a fic before?

No but I would love to!

14. What’s your all time favourite ship?

I guess it really has to be Merthur! I don't recall a ship ever having such a hold on me. Those two are doomed but made for each other. The way they interact is so much fun to read/write.

15. What’s a WIP you want to finish but doubt you ever will?

Damn, this is definitely Be Here When the Weather Turns, a Mushi-shi fic. It has a very soft, restful and liminal vibe and I adore it. I really do wish I can finish it someday. So sometimes like a song, you share a piece of media with someone, or you associate it with a particular chapter in your life, and that song/piece of media brings up feelings. I'd like to think it's still worth a read. If you don't know Mushi-shi, please consider checking it out, it was weird and quiet and beautiful.

16. What are your writing strengths?

I can't deny that I put a lot of love into this hobby. Also @breadkween has told me that they really like my dialogue :3

17. What are your writing weaknesses?

I'm really prone to typos. I can re-read something a hundred times and just fail to see them. I'm a very slow writer; what I put out usually goes through months of edits and change-ups. Lastly I have embraced a faux-pas or two for fun, such as starting sentences with 'and.' And no one can stop me >:)

18. Thoughts on writing dialogue in another language in fic?

I'd only be comfortable writing dialogue in a language I've formerly learned and have some level of familiarity with for fear of getting something wrong.

19. First fandom you wrote for?

Okay I love this question because the answer is the highly formative Garth Nix's Keys to the Kingdom series, a YA series I was obsessed with, and have continued to read, and re-read as an adult and as unexpected prequels and sequels popped up in more recent years. I wrote it on a literal floppy disk :D First fandom I wrote for that I actually published online was Undertale.

20. Favorite fic you’ve written?

Definitely Like Every Tree. I'm just really proud of it :3

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[doverstar]

actually I love Tentoo and he is the Doctor and it was the only ending for Rose that worked and it is a huge gift to be able to have the man she loves grow old with her, they were always heading for that, y'all be quiet. I 100% understand the angst but it's okay, they're okay, good ending-

[memento-morri-writes]

I've been thinking a lot about how Rook's reunion with his former mentor, Zara, is going to go, and since I can't predict what the DM is going to have her do or say, I can only dwell on what I know is going to happen. Which happens to include taking off the illusion ring that's been hiding his injuries from her. So have a snippet of the description I have planned for that moment:

tw for description of (mostly healed) injuries

He hesitates, twisting a ring on his finger. Looking at it more closely, she can tell it’s very finely crafted, and must have been very expensive. A large emerald is set into the band. Rook sighs, and pulls the ring off his finger in one quick motion.  Immediately she’s struck by the difference in his appearance as the illusion melts away. He looks awful. His warm, healthy skin fades to a dull and sickly grey. There’s huge bags under his deeply sunken eyes, and his cheeks are hollowed, as though they have been carved out by an overeager sculptor. He looks like he’s recently risen from the grave.  While he was thin before, now she can see his ribs under the skin, and his collarbones are exaggeratedly pronounce. Thin white lines left by dozens upon dozens of recently healed cuts are scattered across his body. On top of that, faded bruises cover most of his visible skin, a mottled mosaic of purple and yellow. They’re clearly days, maybe weeks old, and she can only begin to imagine what they must have looked like when fresh. Bandages are barely visible under his shirt, wrapping around his back, hinting at even more injuries.

[mischiefprincess]

I have so many thoughts about Mobius, I absolutely HATE the way he treats Loki in various moments of s1, the way he tries to manipulate him and use him for the tva's mission, and he has the audacity to feel betrayed by Loki when he runs after sylvie and leaves him behind in s1e2???

Sir you KIDNAPPED LOKI AND ERASED HIS ENTIRE REALITY, MENTALLY TORTURED HIM WITH FOOTAGE FROM HIS TRAGIC FUTURE, COERCED HIM INTO WORKING FOR YOU UNDER THE THREAT OF BEING ERASED FROM REALITY IF HE DIDN'T COMPLY AND YOU REALLY THINK YOU HAVE THE RIGHT TO BE MAD AT HIM FOR TRYING TO ESCAPE???

What he does after is even worse, I could NEVER accept him putting Loki into a torture loop to be kicked in the balls and to hear Sif telling him that he deserves to be alone and he always will be, the worse part imo is that a lot of lokius fans seem to think this is cute and a show of Mobius's feelings towards Loki, what the hell???

First off he doesn't have the right to be mad at Loki, second, torturing someone like that is absolutely fucking VILE and I don't care that people think it's cute or funny

BUT

I blame those disgusting actions more on the directing of s1 who was very keen in humiliating Loki at any given moment than in the character of Mobius itself, I ADORE Mobius in s2 bc he is sweet, caring and understanding of Loki, he truly is a good friend and I love their dynamic in it, I don't know what Kate Herron had against Loki but she truly tried her best to diminish and humiliate him whenever she could, every character is annoyed by Loki in s1 and he's treated like a fucking idiot, thankfully that was changed in s2 and he was finally treated with respect and dignity

Btw I should say that I appreciate lokius very much and I think they're cute together but pls stop with the crap, Mobius's "jealousy" isn't cute or funny, he literally abuses Loki just bc he can and Loki never gets a proper apology for that, Mobius apologizes to sylvie but never to Loki (KH when I find you...), again I blame this on the directing and writing of s1 and I don't think s2 Mobius would've done all that to Loki bc he's a different character in it

[welcometoteyvat]

the rarepair pipeline really is just (wants to see two characters interact) (the only people who make content of those two interacting are the shippers) (doesn't mind them having a romantic relationship and thus is converted into the rarepair)

[panspaming]

Don't mind me I'm giving myself therapy in the tags

[holdoncallfailed]

rpf tier ranking

tier 0: actors. too easy. actors fall in love all the time due to proximity and amount of time spent together, especially if they are playing characters who are themselves in a relationship.

tier 1: bands (post-80s). writing songs together is incredibly intimate and requires emotional vulnerability. tours are great opportunities to spend a lot of time in an enclosed space together. sometimes they will sing into the same microphone at the same time so their mouths are close together which is basically making out if you think about it.

tier 2: bands (pre-80s). see above. however this requires slightly more mental fortitude because a lot of their fans will insist on their heterosexuality and get really mad when you say simon and garfunkel were kissing on each other or whatever.

tier 3: contact sports team. sports can be emotionally intense if you care about that sort of thing and obviously there are a lot of opportunities for intricate rituals wrt touching another's skin and locker rooms and all that. but this requires more imagination because there is less text (i.e. songs or correspondence) to use as evidence.

tier 4: solo artists. this is where things can fall apart. you have to choose both figures in the ship wisely and exercise a decent amount of creativity because they are not compelled to be together all the time (see above). you can cast a wider net but that lack of specificity may hurt those with weaker imaginations. also they don't always write their own songs.

tier 5: historical figures. this varies a lot both in terms of plausibility and social acceptability. depending on how old the figures are you could legitimately turn this into an academic dissertation if you wanted to commit that hard to it. however you may also come up against a lot of opposition among your colleagues. one must be intellectually prepared to present concrete evidence and argue one's point. (however, you are also more likely to convince people b/c the figures are old and dead and can't deny it. and probably didn't know what rpf is.)

tier 5.5: historical figures who have been fictionalized in media. this depends on the tone you take but unfortunately you will always be up against thomas jefferson hatsune miku binder as the starting point for the general public's thoughts on your hobby. so good luck.

tier 6: racecar drivers. if you are into racecar rpf i assume you are capable of seeing colors that are not visible to the ordinary human eye. they are literally in cars. the creativity required to wring a [romantic] narrative from people driving cars around a track is beyond my comprehension.

tier π: living politicians. you are a pariah among even your most deranged peers. no one respects you. you are categorically a weirdo and beyond help.

[augusnippets]

Prompts are out!

plain text and "rules" under the cut

path of hurt:

day 1: gaslighting/hypnosis/brainwashing

day 4: amputation/degloving/vivisection

day 7: waterboarding/drowning/choking

day 10: execution/fake execution/begging for mercy

day 13: drugging/poisoning/cannibalism

day 16: humiliation/dehumanisation/conditioning

day 19: collared/branded/chipped

day 22: captivity/recapture/tearful goodbye

day 25: intimate whumper/sadistic whumper/reluctant whumper

day 28: mind control/body control/betrayal

bonus prompts: forced to watch/whipping/stalked

path of comfort:

day 2: platonic bathing/hair care/make-up

day 5: drunk caretaking/concussed caretaking/feverish caretaking

day 8: reunion/found family/friends

day 11: escape/breaking the conditioning/safe and sound

day 14: toys/gifts/celebration

day 17: forgiveness/grace/resolving a misunderstanding

day 20: homemade meal/quenched thirst/favourite treat

day 23: massage/wiping away tears/gentle touch

day 26: nightmare/warm blanket/snuggling

day 29: singing/first words/inside jokes

bonus prompts: tending to nonhuman whumpee's nonhuman parts/protective caretaker/whumpee wearing caretaker's clothes

secret third path — whumperless whump:

day 3: thunderstorm/blizzard/heat wave

day 6: car accident/plane crash/ship wreck

day 9: hypothermia/overheating/dehydration

day 12: lost/trapped/avalanche

day 15: food poisoning/starvation/throwing up

day 18: apocalypse/infection/self administered medicine

day 21: delirium/vertigo/hallucinations

day 24: animal attack/bear trap/land mine

day 27: migraines/chronic pain/phantom pains

day 30: self-harm/addiction/overdose

bonus prompts: flashbacks/relapse/medical complications

day 31 — bonus day :) write whatever you feel like writing today or have a nice day of rest

AuguSnippets is an event that encourages the short and sweet of the whump genre. Ideally, your drabbles would be under 500 or even under 100 words, maybe even just a dialogue prompt. This, however, does not mean I won't reblog longer prompt fills! Don't stress too much on that limit. I just think it's sometimes nice to challenge yourself to write shorter drabbles, and it can also work as a very good exercise to write daily or semi-daily, and it doesn't need a lot of prep.

As for tagging your work, please use the appropriate trigger warnings. This is so everyone can stay safe and avoid potentially triggering topics while participating. Also, if your work is nsfw, please don't forget to tag it as mature content! If your work is not tagged properly, I won't be able to reblog it! Thank you!

Our special tag will be "#augusnippets day [x]". On the first day that would be "#augusnippets day 1". This is so I and others can find your work easier! You can also tag the blog, that's an even more surefire way to get me to notice your prompt fill :)

Is this a writing only event?

Yeah, this one is exclusively writing focused.

Do I have to use the special tag or tag this blog?

Not if you don't want to get featured on this blog :) It's just so I can find your work easier and reblog it here! If that's not something you're interested in, just scribble away without it.

Is the "under 500" a hard limit for the word count?

No, but I encourage everyone to try and keep to it in the spirit of this event.

Can I submit nsfw works?

Yes! Just please tag it properly :)

Can I mix and match the prompts from different paths?

Yes! Have fun!

What do I need to do to get the completionist badge?

Either you need to complete one whole path, or complete 10 prompt fills altogether while mixing and matching. Those who complete all 30 days (and maybe even the bonus day) will get something extra special!

Can I write fandom related things?

Yes! This event is both for original characters and fandom related writing.

Will there be an AO3 collection?

Yes! Here

[chick-it-out]

everything 2 know about sendin a SASE 🐥📬

what you will need: if you live in the US: two envelopes and two first-class stamps if you live somewhere other than USA: two envelopes and one global stamp

instructions: 1.) Write your address on the first envelope. You will be the recipient of this envelope, so make sure it's going to you at your preferred location! Don't seal the envelope. leave it open so I can put stuff in :v Domestic/US mailers: Use a forever stamp or stamps that equal the current postage (73 cents as of August 2024!) International mailers: Do not stamp this interior envelope; I will cover return postage. Just make sure that the stamp(s) you use will cover global shipping - so your mail can go international! (These cost a lil more so i'll cover half. Also the US postal service only likes their own stamps lol) 2.) Fold the stamped/addressed envelope in a way that's going to fit inside your second envelope. 3.) Then tuck that first envelope in there! (You can put whatever else in there-- words, requests, good vibes, whispers and dreams, etc. etc. anything you want to send to me-- just make sure it weighs less than 1 ounce [28g]!) Also, mail needs to be flat. Please make sure the combined situation is no thicker than 1/4 inch (0.6cm)! 4.) Seal the second envelope. 5.) Write Flockin Together's address on the second envelope. Stamp this envelope!

(if you are outside of the USA, please add "USA" after this address!)

6.) Once you got an envelope inside a stamped envelope and it's all sealed up and ready - go ahead and mail it!

7.) I'll send goodies back - stickers, bookmark, temp tats, whatever's flat enough for da mail :) as my schedule allows (1-2 weeks + more if you live farther from me)

if there is anything else that'd be handy to know, just msg/ask! 🐔

[mind-intheclouds342]

Do it for them - Co-captain reader x curly

Part 1 - Part 2 - Part 3

You were tapping the end of the pencil in your hand against your leg repeatedly while writing in your notebook, sitting cross-legged on your bed.

"The ship is still moving, but I could perfectly hear its engines from outside... that means it's following a route, it would be great to know where it's taking us... Could the autopilot have been activated unexpectedly?...That would be a miracle... How could we trace the route we are taking?..."

You were thinking out loud and biting the pencil, hoping someone else would respond, but when you turned to your side, there was no one.

You missed him too much.

You needed to clear your head, so you left your room putting on your jacket to take a walk. 

As you stepped out and started wandering the hallways, you could see Jimmy approaching one of the dormitories.

"That is not your bedroom."

You mentioned exalting him and making him turn to look at you.

Jimmy: "I wanted... to see if Anya was okay, she looks very distressed."

"Don't do it, get out of there and leave her alone. Who wouldn't be distressed in a situation like this? Go to your bedroom and try to rest."

You pointed to the end of the hallway, waiting for him to leave, and when he did, you immediately peeked into Anya's room, seeing her deeply asleep in her bed.

You closed his door carefully and looked around, making sure no one was near. 

You decided to do something risky.

You headed to the nursery to try to get in and see Curly, but you felt frustrated when you saw it was locked with a code. You entered one, and end up getting a denied access, you couldn't help but let out a sigh and lean your back against the door, then slid down to sit on the floor.

"Did you seriously set a code so I can't come in and see you when you're alone? That's very cruel of you."

You said, resting your head against the door, hoping he could hear you.

"I'm sorry... I know you must be feeling overwhelmed... I have no idea what state you're in... I don't even know if you can hear me... I want you to know that I'm doing my best to help everyone move forward... But even so, I miss you and I need you with me..."

You started playing with your hands while you continued talking.

"I still don't understand what happened, how we crashed, others think it was you but... It's impossible, you would never do something like that... Right?"

You turned, kneeling in front of the door, resting your forehead against it.

"That's not true, is it? You're not hiding there trying to avoid me because you feel guilty, are you?..."

You let out a small chuckle and gave the door a gentle punch.

"What am I talking about? Obviously, it wasn't your fault... It must have been an unexpected event, something you couldn't control... And I want you to know that I'm on your side... okay?... Goodnigth, darling."

You got up from that place to start walking around the ship, hoping to find some peace before sleeping.

The next day, Anya was very curious about what he was doing to her door. 

Anya: "Is that a latch?"

"Yes, your door opens and closes during the nights, it makes a horrible noise, when you close it you can lock it with the latch to keep it in place."

You said, finishing installing that on the door, you tested it and pulled the door hard to make sure it would take a good hit to break it. 

Anya lowered her head, as if she were hiding her sadness from you. 

"By the way, do you know anything about the gun?"

Anya: "Why are you asking me that?"

"I can't find it anywhere, and I want to keep it out of reach of others, just in case."

Anya: "...No, I'm sorry, I don't know where it could be"

She responded still with her head down.

"Sheesh... I hope no one really has it."

You sighed, cleaning the dirt from your uniform, ready to go out and deliver the daily rations to everyone. 

Anya: "Captain-"

She said almost as if she were letting out a sigh after holding her breath for a few seconds. 

You turned to look at her, hoping she would tell you what she needs. 

Anya: "...Don't forget Curly's rations..."

"Of course not, I've already made sure to set aside something he can consume."

You nodded to continue on your path.

Daisuke: "This is more than yesterday!"

"As I said, Curly can't eat the same as everyone else, so I've had to change the portions, making them a bit more for each one." 

Jimmy: "Ha, I don't think you need more rations."

You took a deep breath, squeezing one of the packages you were handing to Daisuke to the point of making it explode, the cookies inside leaving them in crumbs.

Daisuke: "Aaaw..."

"Oh- I'm sorry- here, take mine-"

You said right away to hand them over. 

Jimmy: "And tell me, (Y/n), have you found a way to return?"

"It takes time, Jimmy, I need time, and calm, and the patience you're making me lose!"

You aimed it, it was clear how your hand was trembling with the same rage you were feeling. 

You still remembered your wedding day, after the ceremony, the disgusting way he looked at you in your dress, and you could hear what he said to Curly. 

"That dress is about to tear apart, why did you marry that?"

Many were surprised by the captain that day; they had never seen Curly so angry with his friend. Jimmy thought he would react the same way when he said other hurtful or unpleasant things, but that wasn't the case. 

You were never going to understand how your husband could be friends with someone so twisted.

And you would never understand how he decided it was a good idea to include him in the crew. 

You held your wrist trying to stop it from trembling and stopped pointing it to smile at him. 

"Here is your food" 

You told him in the end, throwing his rations at his face. 

"When we get home, I will make sure to tell the press that you were the only idiot who did nothing to help, just crying and complaining like a child. It's going to look great on your resume."

You finally handed over his rations to Swansea to leave and continue looking for a way to fix things. 

Swansea: "You're never going to learn, huh? You love to annoy her."

Jimmy just clicked his tongue in annoyance, picking up his rations from the floor to take them to his room and lock himself in there for the rest of the day.

[nicksolemnlyswears]

SWEET TREAT

TWO IS COMPANY, THREE IS A CROWD

pairing: opla!sanji x reader, opla!zoro x reader

word count: 2.8k

warning: 18+, smut, swearing, penetration (p in v), oral (m receiving), food play, slight vouyerism

a/n: i didn't think 'TWO IS COMPANY, THREE IS A CROWD' would receive so much love. it's been overwhelming (in a good way) how well it's been doing. thank you to everyone who liked it and reblogged it!

as a thank you here is part 2 because if zoro had his moment so should sanji. (isn't that gif of him precious?) honestly you don't need to read part 1 to understand this. it's basically porn without plot (although it does have more plot than the first part lol)

i'd like to repeat i've only ever watched netflix's one piece so don't come for me if they are out of character.

i might just write a buggy oneshot next...that clown is coming for me.

Sanji outdid himself once more with dinner. No one in the crew can deny that recruiting Sanji onto the Straw Hat Crew was a great idea. Not even Zoro, who downplays his gratefulness with jabs towards the ‘waiter.’

With a full stomach and the rocking of the Going Merry the crew shuffles to their respective shared rooms to get some rest. Except for you.

You stay behind, gathering the empty plates and returning them to the sink. Sanji shoots you a thankful smile and pecks your lips gingerly as he turns to clean up the mess he made on the kitchen counter.

It’s peaceful as you scrub the dishes and Sanji returns everything to its respective spot. Each time he walks past you his palms find your hips, squeezing your body and rubbing up against you unnecessarily. Sanji just likes feeling your presence. Physical touch and acts of service is how he shows his love.

You don’t mind his touch, you revel on it actually. There’s something about big strong hands on your hips that makes you feel safe and fills your mind with impure thoughts.

You and Sanji talk in soft voices to maintain the unusual peacefulness of the ship. He whispers sweet nothings in your ear as he helps you dry the clean dishes, his breath tickling you and making you giggle.

“Saved space for dessert?” Sanji whispers, his eyes on the hallway leading to Luffy’s bedroom, afraid the boy will barge through the door.

“You’re telling me I have the pleasure of getting dessert?” You quip with a grin while looking up at him.

Sanji softly laughs, grabbing your waist and pulling you close to him. Your arms instinctually go around his neck. “You were the only one who helped me clean.”

“I just like spending time with you,” you whisper getting on your tippy toes to brush your lips against his.

“Even more reason to treat you with something sweet,” he responds, fully capturing your lips in a kiss.

With only the two of you around he takes his time to sink into the kiss. Tilting his head to deepen it and brushing his tongue against your lips. One hand grabs your hip while the other tangles in your hair, pulling you closer.

“I thought you were making me dessert not that I was dessert…although that can be arranged,” you tease him, dropping down back on your feet, leaving one last kiss on his jaw.

Sanji chuckles and shakes his head at your words, “You’re sweet enough to be dessert, but you’re right I did promise you a treat."

Kissing your forehead, Sanji opens up the pantry to get the necessary ingredients. You lean against the counter besides him as he fixes his sleeves up and starts whisking ingredients together. All of his movements are precise and confident.

Your eyes zone in on his strong forearms. The veins and tendons tensing as he whisks away. You can't help but remember all the times he's held you in his arms, his strong grip and the pleasure he gives.

You move to stand behind him as he finishes up, wrapping your arms around his waist and hugging him. You leave kisses along his spine, resting your head there for a moment. Neither have to speak to appreciate each others presence and the calm environment.

“All done, darling,” Sanji announces. He places his arms over yours to intertwine your fingers and give the palm of your hand a kiss.

You peep from behind him seeing a dish with chocolate mousse and whipped cream. It's your favorite dessert, the same one he recommended back when you first met at Baratie.

As you reach for the dish Sanji grabs you and lifts you to sit on the kitchen counter. You laugh as he stands between your open legs, bringing the dessert up between the two of you.

You part your lips as he raises the spoon up to your lips. Sanji watches you expectantly and a sense of satisfaction fills him as you close your eyes in pleasure.

The mixture of flavors invade your senses causing a moan rises from your throat. Sanji's proud smile falters as your tongue swipes your bottom lip to clean off a bit of chocolatey residue. A wave of lust crashes against him and settles deep inside of him.

“Best one yet, Chef Sanji,” you say none the wiser to the thoughts of the blonde chef.

“Yeah?” He says huskily, “Let me try, darling.”

The taste of the chocolate is alive in your mouth as Sanji presses his lips against yours and sneaks his tongue inside your mouth. There's no better place to taste his creation than from you. You squeal in surprise but lean into the kiss, grinning at his playfulness.

“I have to agree with you,” Sanji responds breathlessly, tucking a stand of your hair behind your ear.

“Smooth,” you giggle, taking the dish and spoon from his hands.

You and Sanji share the tasty dessert. You take charge of the spoon, feeding it to him in intervals. When it's nearly done you take a bit of left over whip cream and spread it on his nose.

Sanji stares at you open mouthed, he wasn't expecting that from you. "You're disrespecting the chef, love," he says moodily, wiping the nose with his finger and looking around for a rag.

"Am I?" You question, grabbing his hand. He looks at you questioningly as you lift it up to your lips to suck the finger covered in whipped cream.

The same sensation from earlier fills him once more as your lips wrap around his finger. You lock your eyes with his as your tongue swirls around it, just like it would if it was his cock. You release it from your mouth with a ‘pop’ with Sanji staring at you lustful eyes. His cock stirs in his trousers, feeling confined all of the sudden.

“You're being a little brat after I've treated you so well, darling?” Sanji breathes out, grabbing your thighs and sliding you to the edge of the counter. Now pressed against him you feel the bulge you've caused.

"I'm sorry?" You 'apologize' with a mischievous grin and a shrug.

"Sure you are," Sanji grumbles, stealing a kiss from you. He doesn't kiss you long as he leaves open mouthed kisses along your neck, the smell of your perfume still present on your skin. His hands sneak under your shirt, touching your warm skin and making you shiver.

You cross your ankles behind him, keeping him close to you as your head dips back. You feel his tongue on your collarbones, sucking a bruise on them.

As best you can you blindly unbutton his shirt, allowing your nails to rake down his chest and stomach. Sanji's abdomen tenses at your touch, which doesn't go unnoticed by you.

Sanji's lips soon return to yours, slipping his tongue past them to play with your tongue. Teasingly you slip a finger in the waistband of his trousers, pulling on it playfully.

"Let me make it up to you," you pant, referring to him calling you a brat. Undoing the belt and popping open his trousers you slip your hand under his underwear.

"You're going to be the death of me, woman," Sanji groans when you take hold of his cock and pull it out of its confines. You smile widely at him as you begin stroking his length.

Sanji's attention is redirected to your chest as he brushes off the straps of your top down your shoulders and pulls it down, exposing your chest to him. He feels you shudder when the cold sea air hits your skin.

An idea forms in his head when he notices the left over whipped cream. Reaching out to it he grabs a dollop of it and spreads it over your hard nipples. He's combining two things he adores, you and food.

"Sanji, what?" You gasp, looking down at the mess he created.

"You said you could be dessert," he reminds you, briefly kissing you.

His mouth encases one of your nipples to clean you off the sweet cream. Sanji's tongue swirls and flicks against it, making your back arch in pleasure.

You momentarily stop pumping his cock in your hand, getting lost in his touch but Sanji reminds you as he thrusts into your palm. You continue to rub him up and down, tracing your thumb over his sensitive head to spread the bead that has formed there.

Meanwhile, Sanji switches to your other nipple, licking and sucking it. He needs to give props to himself as the whipped cream is delicious, especially topping your skin.

Sanji pays equal attention to each one of your breasts as he pinches and pulls on the one not in his mouth. Above him he hears your dulcet voice calling his name. Your touch is addicting as he sporadically jerks his hips to meet your pace.

Your chest and neck continue to be covered in whipped cream and yet you don't feel the stickiness as Sanji indulges on the sweet treat. Even as he comes back up to kiss your pouty lips you taste the sugar on them, leading you to crave some yourself.

"I want some whipped cream too, you know," you tell him with a pout.

"There's some left over," Sanji answers you albeit a bit confused. Seems like he forgets he's not the only one that can play around with food.

You gently push him back and drop down from the counter. Grabbing the small bowl with the left over whipped cream you kneel on the floor. Sanji is taken aback but nontheless lets you guide him to stand right in front of you.

His cock bounces as he settles in front of you. You grab it and give the tip a little kiss. Sanji grabs the counter behind him to brace himself. Dipping your finger into the bowl you spread the whipped cream along his length, letting some accumulate on his head.

Sticking out your tongue you lick Sanji from base to tip, gathering the sugary substance. You lick and lick until there is none left. Sanji watches you like a hawk, knuckles white from how hard he's grabbing the edge of the countertop. A grunt or two leave his lips, urging you on.

Sanji hisses your name when you push yourself to take his whole length in your mouth. You look up at him, cheeks hollowed and wide eyes, feigning innocence. "You saucy minx," he chides you.

Gathering your hair into a makeshift ponytail Sanji takes charge of your pace and the depth you take him. You hold onto his muscular thighs, letting him do as he pleases. Your tongue does wonders as it swirls around his cockhead with each opportunity that presents itself.

The combination of your warm mouth and the visual of you half dressed and flushed takes him to the precipice but before he's able to climax he forces you off his cock. He's not about to cum without having your walls wrapped around him. Helping you up he brushes your watery eyes with his thumbs and kisses your wet red lips that match your nose.

Positioning you to face away from him, he leans you over the counter. You glance behind you as feel him pressing up against you. Sanji pulls down your shorts and panties, ignoring the wet patch on them. His fingers dipping between your legs confirms what he already knows. You've been anticipating his touch ever since you decided to stay behind to help him clean up.

"Would you look at that?" Sanji smirks, spreading his fingers to watch your slick webbing between them.

"Sanji, please. I need you," you whimper, wiggling your hips.

"Now you decide to be polite, darling?" Sanji asks, swiping his cock against your drippy slit. It catches against your entrance, teasing you.

"Mhm, please," you shakily beg.

"Remember to be quiet or else the others will come wandering around," Sanji warns you, slowly pushing into you.

You bite your lips to keep quiet as it slips in smoothly. You swear you can feel the long vein that trails down his cock and the curve of it that hits you just right.

You hold onto the wooden counter for dear life as Sanji begins thrusting into you. One hand grips your hip, pulling you back towards him and the other runs down your back, occasionally spanking your ass to get a rise out of you.

"Such a good girl," he groans. At his words your pussy clamps around him, seems like you have a praise kink. "You like when I call you that, huh?" Sanji asks, leaning down to whisper in your ear.

"Yes, Sanji" you moan out, looking over your shoulder to get a glimpse of your boyfriend.

Sanji straightens back up and continues to thrust into you. Steady and deep. He focuses on the mess between your legs as a white ring forms at his base whenever he pushes back into you.

Shamelessly he grabs your ass, spreading it to see how your pussy chokes him out and how your walls drag each time he pulls out.

The height difference between the two of you is inconvenient. You're on your tippy toes as he grabs your hips to pull you impossibly closer.

You and Sanji are lost in the moment, concentrating on each other. So much so neither notices how Zoro walks into the kitchen. Quiet as a mouse, he walks around the counter until he's across from you.

You're a sight for sore eyes as your tits bounce with each of Sanjis strong thrusts. He'd come for an after dinner snack before heading to bed. He figured you'd be here with the waiter since he wasn't back in their shared cabin.

Sanji doesn't say anything, more than used to Zoro's presence by now. Zoro grabs the bowl of left over mousse and dips a finger in to taste it, liking it he grabs a spoon and leans back to watch.

"Is the waiter making you feel good?" He asks as he takes a spoonful of dessert. Sanji almost growls at the name but the feel of you choking his cock quiets him down.

You gasp at the sound of his voice. You had your eyes closed and as you open them you see Zoro, staring intently at you. You nod before speaking, "Fucking me nice and deep."

"You've gotten better at keeping quiet, baby," Zoro praises you, leaving the now empty bowl behind. He leans over the counter on his elbows, he's eye to eye with you now. "If I didn't know any better, I would have no idea of what's going on here."

"You really think now's a good time to have a conversation, mate?" Sanji glares at him. Zoro's presence causes him to snap his hips harder against yours. Your body jostles harder against the counter.

"Why not? Her mouth is free," Zoro shrugs, returning his gaze to his pretty girlfriend who is trying her hardest to keep quiet with the change of pace. "But I can leave if that's what you want."

"No!" You exclaim, extending your hand out to him to take. Zoro smirks at the blonde, grabbing your hand and cleaning the bead of sweat forming on your forehead.

"Whatever," Sanji mutters under his breath.

Your quietness doesn't last seeing as soon as Sanji touches your clit you yelp and tighten your hold on Zoro's hand.

"There she is," Zoro smirks at the noise you make. The harder Sanji thrusts and the more he touches your clit the louder your noises get.

"Sanji. Zoro." You whine, scrunching your eyes closed focusing on that knot settling deep in you.

"Spoke too soon. Want to help her out, Zoro?" Sanji grunts. He's not going to last much longer now. He feels the pressure coming to it's limit.

Zoro comes closer to you and kisses you. It's nearly not enough to keep you quiet though as your moans leak in between each kiss. Your fingers come up behind Zoro's neck, deepening the kiss as you feel your toes curling in anticipation.

Soon Sanji's thrusts become erratic and once he feels your walls clenching around him as you cum, it's over for him. He stills inside of you, shooting his load. Sanji helps you ride out your orgasm, circling your clit gently till you push him back.

There's a moment where you're slumped on the counter, forehead pressed against Zoro's. Sanji is inside of you not moving, his fingers caressing up and down your back. Your pussy spasms around his softening cock every so often.

Only when you attempt to straighten up does he pull out and helps you pull up your panties and shorts, seeing you like the mess that comes afterwards.

Sanji tucks himself back into his trousers and buttons up his wrinkled shirt, tucking it in as if nothing happened. Wrapping his arm around your waist Sanji kisses your temple and whispers another praise in your ear.

The two men exchange looks and smile as you lean tiredly against the blonde. The arrangement you three have is unorthodox but it is convenient. You make good use of your time giving them both the attention and affection they need.

[utilitycaster]

If I may, as we go into what appears to be the clear endgame for C3, I think the lessons to take from the ending of C2 within the fandom are:

Do not freak out about the possibility of the campaign ending sooner than you expected nor you personally wanted

Last minute twists are not impossible, but if your enjoyment rests on a sudden reversal in the final hour you are likely to be disappointed

Just because it happened in prior campaigns doesn't mean it will happen in this one

Don't count your chickens before they fail to hatch

There will probably be one shots if it's a serious enough plot hook that we can't get to

Disappointment and anger are fine but eventually you do need to get over it

For the record, I think the particularly unpleasant responses to the ending of Campaign 2 boil down to the fact that it wasn't nearly as clearly signaled (the formal announcement was like two weeks in advance and while in retrospect it makes sense, at the time it felt very abrupt); that despite two relationships being established and a third clearly on the way people had convinced themselves that there would be some kind of last minute twist and their anger is entirely because that didn't happen even though there was literally zero sign it would; the fact that Molly didn't come back; and the general atmosphere of the world in June 2021 - I watched the finale while on my first trip to see my family in over a year and a half. I also think the ship wars for C2 were as bitter as they were because of both the strength of the party's bonds; but also the echo chambers that developed during a lengthy hiatus; and Campaign 3 does not and never has had anywhere near that level of serious ship warring.

The structure of Campaign 3 has been different in many ways from that of Campaign 2, which was different from Campaign 1 - that's not to say you can't make comparisons across campaigns, but I would not make assumptions based on the length of prior campaigns (plus, we're already in the same ballpark of number of episodes as C1, and the same level going into the BBEG combat as C2).

If your happiness rests on any of the now three current couples in Bells Hells breaking up, you are a weirdly bitter person, and you are likely to be disappointed. On the other hand, if you're already annoyed that a plot thread will be dropped, while there's like...maybe three plot hooks I can think of and every single one is related to Chetney, who I think will only survive the finale if Travis is unable to find a satisfying way to kill him off, we've had some excellent one shots post-campaign for both Vox Machina and the Mighty Nein and I don't see why this would be any different.

And as always I will never tell you that you can't dislike something, though there are things that, if you dislike them, I will think less of your judgment. But stick to expressing disappointment and anger; if you find yourself wanting to write out violent threats on the internet, you need to back away for a good long while. But certainly wait to be disappointed by a campaign that's already ended, and not pre-mad at things that haven't happened (or failed to happen) yet.

[sv5hive]

too little, too late. | lh44

pairing: lewis hamilton x fem!reader

content warning(s): angst, swearing, lewis is a bit of a dick in this sorry, unhappy ending because i love being miserable 🫶🏻

word count: 1,763

note: thank you so much for all the likes and reblogs on my first work a few days ago!! i didn't expect all the love so it is very, very appreciated :) this is a bit long so get comfy! and i also listened to you're losing me by taylor swift while writing so... yeah.

(psst! part 2 is here!)

(masterlist!)

memories from the night you two met flashed through your mind as you stood alone in the dim kitchen. the hangover from the next morning meant most of the night was a blur of shots, flashing lights and sweaty bodies but those deep brown eyes and endearing smile remained sharply in focus.

you stared at the two cold plates of dinner abandoned on the table and a bottle of wine nearing the end.

where had it all gone wrong?

six years.

six years of supporting him through everything.

and you loved being with lewis no matter what. seeing him in his element while racing was just as exciting for you as it was for him. but when would it end? you couldn't keep your life on pause forever.

back in 2017 when you first started dating you discussed a life of peace. a life with a big family and a nice house in england where your children could grow up normally like the both of you did. and you weren't foolish. you would never truly have peace when you were in a relationship with lewis hamilton, the face of formula 1. but you were willing to give up any sense of normality if it meant you could be with the love of your life.

or so you thought.

years passed as you watched all your friends get engaged and married, settle down and start their own families. at every bachelorette party, wedding reception, baby shower, family event you would be asked the same questions.

"when is he going to pop the question? you two have to get married! i bet he's planning to do it soon."

and every time you would have the same response.

"oh we're just taking it slow. he's pretty busy with racing and we both agreed that it wouldn't be fair for him to be away so much."

and you really did believe that at first.

either you didn't notice the stares of pity or you ignored them to convince yourself that everything was ok. it was only when you brought up the idea of finally having kids that you started doubting yourself.

"hey, lew. i've been thinking."

"hmm, yeah? what about." he replied absentmindedly, still searching netflix for a good movie to watch.

you passed him the bowl of popcorn to hold while you got under the blanket.

"i was thinking that we're finally ready to start a family."

he stilled. that was the last thing he thought you would bring up.

"lewis?"

"i want a family too, you know that. but i can't retire without getting that eighth championship. we're almost there. besides, i don't wanna leave you at home with a kid and not be there for every step of the way."

both of you knew at the rate mercedes was going, lewis would need a miracle and a half to win another title against red bull and their rocket ship.

he avoided your eyes and clearly thought that was the end of the matter so you accepted that when he was ready he would tell you. right?

you tossed and turned that night, unable to get the way he brushed off the topic so coldly out of your head. did you imagine it? that flicker of hesitance on his face? a pit of uneasiness settled at the bottom of your stomach as you desperately tried to reason with yourself. no. everything is fine. you had already waited a few years. what was a couple more?

so you tucked away your dreams of a family into the back of your mind for the time being and just enjoyed your relationship with lewis. every date felt like the first and you never wanted your love to end.

"lewis...this is too much!" as you stared in awe at the lone table in the middle of a completely empty restaurant.

rose petals led you two all the way from the entrance to a table with a single rose stood in a vase in the centre as candles flickered softly.

"for you? never."

staring at him in the golden light, you couldn't help but blush at his romantic gesture. he was making up for being away during a triple header and you hated to admit it but you could get used to this.

racing. you smiled at the thought of seeing lewis race. it was like seeing an artist produce a masterpiece every time pencil hit paper. he truly was an incredible sight to see.

you were there for each of his championships since 2017. you witnessed the joy of 2020 and the heartbreak of 2021. you were there, celebrating each win with him and consoling him after each loss, every time. you had fallen in love with the sport you once had no knowledge of just as hard as you had fallen for lewis. you knew how much of a toll each season took on him and you were always going to be there to pick him back up. his world became yours as you met his team and soon enough you were a familiar sight in the mercedes garage.

wasn't seven world championships enough for him?

you would never ask him to give up his career for you. and he would never ask that of you. but after years of waiting for the next step you couldn't help but wonder whether he still wanted that with you.

he was more than an hour late now. both of your schedules had been almost completely full for the past few months and you thought it would be nice to catch up over homemade dinner.

apparently he didn't think the same.

you hadn't bothered calling or texting. he always turned his phone off while at work anyways. as you finished off the last mouthful of wine the jingle of keys and the door unlocking brought you back out of your thoughts.

heavy footsteps trudged through the hallway.

"hey baby, i didn't think you would be up- what's all this?"

"dinner. i've been waiting for two hours now." you turned away from the counter to face him.

"shit. i am so sorry. i just got so caught up at work. we've been trying to improve the car to-"

"-to beat red bull. i know. i know."

"i promise i'll make it up to you. what about dinner next week? at that chinese restaurant you really like?" he walked towards you and went to wrap his arms around you before you pushed him away.

"stop, lewis. just stop. i can't keep doing this." you couldn't look him in the eyes.

a pin drop could be heard as lewis' blood ran cold.

"what?"

the change in atmosphere almost made you wish you had never said anything. almost.

"i can't keep waiting on you, lewis. i'm sorry."

"i said i would make it up to you." the look of pure confusion on his face would be amusing if it weren't for the fact that you were on the verge of tears.

"it's not just about dinner, lewis."

"then what is it about?"

"everything. god, we've been together for eight years and we're not even engaged and nowhere near starting a family. we have nothing to show for it. i knew i would have to wait and i was fine with that but i just can't anymore. this isn't what i imagined for us."

"so what? you're just going to leave? you know how i feel about having kids."

"and i get that, i do. but are you even planning on retiring in the near future? we're not getting any younger and i've been ready for a while now. i just don't think our ideas of our future are the same anymore."

"am i just meant to drop everything for you then? give it all up?"

"fuck, of course not, lewis. i would never ask you to do that. never. but sometimes it feels like you choose your career over me. and i know what it takes to be in formula 1 to win, i know you need to give it your full focus. i just, i need you to choose me for once. choose us."

"no, you don't know what it takes because if you did, you wouldn't be doing this to me right now. in the middle of the season."

you blinked. once. twice. you couldn't believe what you were hearing.

"are you fucking kidding me, lewis? i'm ending our six year relationship and you're thinking of how it's going to effect your season?"

"yes! fuck, this is my whole life. it always has been and it always will be."

there it is. confirmation from the man himself. you stumbled on your words trying to convey your anger as your blood continuously boiled at his miserable attempt to fix his mess.

"have you ever even thought about how i've felt all these years? giving every excuse in the book to our families and friends about why we haven't taken the next step in our relationship and defending you when they said i was too good for you? you may get to avoid them by going to the races but i don't have that privilege."

your throat was dry at this point as you gasped for air and still, he was stood almost unbothered at the fact you were hopelessly clinging onto the last remaining threads of your relationship, willing him to fight back.

"so that's it? you're not going to stop me?"

tears pooled at your eyes as you realised this was really happening.

"well clearly you've thought this out pretty well."

you didn't know whether to laugh, cry or throw the empty bottle of wine at his head.

"you are fucking unbelievable, lewis. i thought this meant something to you but clearly not."

you stormed towards the door and opened it. you paused while silently hoping he would beg you to stay. hoping he would risk everything for you.

but it never came.

you wiped away your tears and tried to at least sound somewhat assertive despite your voice wavering.

"let me know when you're not at home and i'll come get my things."

you slammed the door shut with a resounding bang and walked away from the place and person you had called home for so long.

he sighed and rubbed his face with his hand. as he moved to get a beer out of the fridge his gaze fell on the calendar stuck to the front. there was a red heart around today's date with "anniversary!" written in your handwriting.

fuck.

note: yikes. i hope you aren't too sad because of me. any feedback is appreciated!! let me know what else you wanna see :)

[badscienceman]

I saw someone ask what "I hope this hurts" means beyond the obvious, and I started to respond only for it to turn into an essay... Because I don't feel like dumping something so long in some unsuspecting person's notifs, I'm just going to post it here instead.

I started writing this after playing the game, but ended up watching a playthrough because I couldn't remember exactly where "I hope this hurts" was repeated. I think I caught the only few times it was mentioned, but I wouldn't be surprised if I missed something, so feel free to correct me on that or anything else I might have gotten wrong.

Spoilers for the full game and CWs for everything you would expect from discussing Mouthwashing apply.

Edited 10/16/2024 for clarity and some minor issues with formatting. I added sections in hopes of making it more readable, as well as a few more screenshots that I hope will support my points better. *Indicates where I made potentially significant additions to my original analysis.

Part One: Jimmy

Jimmy is someone who has a delicate ego. This means that he's very concerned with how he's perceived by those around him. We see this in how he responds to Curly and the news of the company's closure, which he takes it as a personal attack in spite of it very clearly having nothing to do with him on a personal level.

For people like Jimmy, a threat to one's image (whether it's a matter of their perception of themselves or, maybe worse, the perception others have of them) brings intense emotional pain. Even though it's clear that Curly meant no personal offense, and likely saw more good in Jimmy than was actually there, Jimmy sees this as a great threat to his own image, and thus identity.

To be clear, it's not just that Jimmy thinks Curly is looking down on him. It's also that Jimmy needs his role in the company to maintain his image, and he needs to eventually become captain. This is his ultimate goal because the respect and control that someone like Curly has, in Jimmy's mind, is tied to the title he possesses. And Jimmy wants that. He wants respect, he wants to be listened to, he wants power over others. (This is also why Swansea's final speech is so important, in relation to the belief that if one just reaches this next goal, they might feel a little more human, a little more in control, a little more fulfilled, but as Swansea shows us, that's just not the case. And it's true for Jimmy, too. Jimmy isn't magically fulfilled by obtaining the title of captain.)

But in the beginning, Jimmy has yet to realize that just getting the role of captain won't magically make him a man who is respected, or even a man who is truly in control. He sees no opportunities for himself on earth. The only option is to stay in this company and become a little lord of his own ship... and suddenly that's ripped out from under him. He will never reach the goal he's been chasing for all of this time.

Anya telling him about her pregnancy is the final push he needs to go over the edge.

Part Two: Captain

Returning to the initial reveal that the company is shutting down for a second, I think it's important to keep in mind a few things:

1. The importance of the title of captain in Jimmy's mind.

2. How this extends to his perception of Curly, him being the current captain.

3. Jimmy's self-centeredness preventing him from understanding the feelings and perceptions of those around him.

When Curly says what he does, Jimmy immediately jumps to the conclusion that Curly sees himself as above everyone else (and most importantly, as above Jimmy), to the point of considering them "dirt." I don't think Jimmy is just projecting his greatest fear (being seen as lesser) onto Curly. I think he's projecting his own perceptions.

He's placed all of this importance on the title of captain, and thus Curly. The captain is above Jimmy. Jimmy is beneath him, is lesser. And we know how Jimmy treats those he sees as lesser (first Anya, and then the rest of the crew once he's captain, *manipulating Daisuke into putting his life at risk because Daisuke, who is just an intern after all, just isn't important to Jimmy being an example).

I think this is a fair reading because Jimmy does something similar with Swansea when he insists that Swansea is keeping the last cryostasis pod for himself. I understand some might say that this is just Jimmy's attempt to manipulate Daisuke and Jimmy doesn't actually believe it, which is a fair interpretation, but I sincerely think he believes what he's saying in this instance. And I think that because Jimmy sees selfishness as common sense. It's what he would do were he in Swansea's position, and what makes him giving the pod to Curly significant.

Part Three: Anya

So, Jimmy is already hurt and panicking. He sees his chance at power and thus fulfillment slipping away. And then Anya tells him that she's pregnant.

Anya, who he has shown time and time again that he thinks little of.

Anya, who he clearly sees as beneath him.

Any mention of the pregnancy, no matter how gently it was worded, would immediately feel like a threat to him on multiple levels. And not only that, but a threat from someone lesser than him. His image, his status, his control, his power—it's already slipping from his fingertips. *It's happening right then, in that moment. It's not just a potential future where he's held accountable in a real way (maybe if Anya involved authorities, or if Jimmy was legally responsible for supporting a child once they returned to earth). It's happening now, because his image is crumbling.

For this reason, I believe I hope this hurts to be directed at anyone and everyone that he sees as "threatening" him.

Anya and Curly have made him hurt. He wants to make them hurt.

He doesn't care about Daisuke and Swansea. If anything, he's so caught up in himself and this contorted vision of reality, I wouldn't be shocked if he convinced himself in the moment that they, too, were looking down on him for some reason. (See again, "I know what everyone is thinking. The way they look at me." Obviously this is said in the midst of his spiral, after the crash, but I wouldn't doubt the paranoia was there before that moment.)

He wants to make them hurt as they've hurt him. He may also want to make himself hurt in order to vent out his emotional pain. If not, death may simply be the easiest way to escape pain and the threat the future holds in his mind.

*Part Four: Without the Guilt

In addition to all of this, I think crashing the ship (making them hurt) is his vision of what Curly has done or is doing to him. This is how he "leave(s) the dirt behind."

To understand this, I'm going to include the birthday conversation and the conversation between Jimmy and Curly about crashing the ship.

Jimmy: ... So I guess you got what you wanted. Without the guilt. Curly: Jim... If I had known... Jimmy: I can go back to my, how'd you put it? "Struggle of a life?" Jimmy: Anya never got into medical school because she's... well, let's be real. Jimmy: And how many employment years Swansea got left in him? Jimmy: Daisuke will be fine, mommy and daddy have him covered. So there's that at least. Jimmy: But you. Headed for bigger and better, right? Curly: I'm just... I'm just working on my life being a place I don't have to fucking escape! That's what I was trying to tell you, nothing mor- Jimmy: We're the ones you're trying to escape! Leave the dirt behind now that your boots are clean! Curly: That's not what I meant. Jimmy: It is what you meant. Jimmy: You just couldn't frame it to yourself in a way that kept you as the hero. Jimmy: Abandon the crew but remain the model captain.

To me, this is one of the most important and revealing sections of the game. Jimmy is not only projecting onto Curly, he's telling us exactly what he's going to go on to do (or attempt to do) when he becomes captain.

In addition to this, we see his manipulation on full display as he twists Curly's words and won't allow him even a moment to truly speak beyond a few lines he manages to get in between Jimmy's ranting.

That's not to mention we see the beginning of yet another pattern in Jimmy's behavior: getting a person to admit their weakness, then using it against them and/or using it to hurt them (he does this with Daisuke, for example, when he hears Daisuke's fears/desire for approval and proceeds to use it to get Daisuke in the vent). Here, Curly speaks about feeling trapped. Jimmy will soon trap him in a crashed ship just as much as he traps him in his own body, which Jimmy will proceed to drug. But I'll return to that.

Curly: Jim. I can fix this. Jimmy: What do you think will happen when we get back? Hm? Curly: We can figure all of this out. You and me. Take care of it. Kills ninety nine percent. Jimmy: All I ever hear is how great of a leader you are. God, it's so annoying. Jimmy: But, now... What do you think will happen now when we get back? Curly: We'll fix this together. Jimmy: Everything you and I worked for in our lives. Accomplishments, changes. Jimmy: None of it will matter. Curly: You've gotten through difficult situations before. This time won't be any different. Work through it, one day at a time. Jimmy: It's not just me, is it? Jimmy: You were supposed to be the one who had everything under control. You said so yourself. Jimmy: The ship, this crew, everything that happened here... Jimmy: This was your responsibility, Captain. Jimmy: That is what you'll be hearing the rest of your life. Take responsibility. Jimmy: Or this can all be remembered as a tragedy. Jimmy: Despite what must have been the best efforts of its acclaimed captain. Jimmy: The Tulpar crew was never found. Jimmy: No one survived to tell the tale. Take responsibility. Jimmy: You're standing at the top. Jimmy: Feet in cement. Jimmy: I get it now. Right? Curly: ... Curly: ... Right.

This is an important moment, because aside from the scene in which Jimmy is approaching Curly while he's on fire, it's the only other time that I can recall the game separating from their perspectives to allow us to see them both, standing together.

We see a flash of Take care of it. Kills ninety nine percent. Jimmy begins to pull away. Another flash. He continues to draw back. Another. He turns towards the cockpit.

Jimmy sees through Curly. He sees Curly's worst where Curly sees only Jimmy's best, and he's more that willing to use that against Curly.

He sees a man who is not going to do what's hard. He sees a man who is going to try to "fix it" only in the most superficial sense. A man who confuses the appearance of cohesion and peace with the reality of it. Someone who sees the rocking of the boat as a manifestation of taking action against a wrong rather than the wrong itself.

In the end, it seems they're both ruled by appearances. And Jimmy will soon rip appearances in every sense from Curly's fingertips. He will make him hurt. He will get his revenge. He'll turn Curly into the villain, taking away his title, his respect, and his very face.

For daring to look down on him, Jimmy will turn Curly into dust.

But I think these words—I hope it hurts—come back to haunt him.

Part Five: The Eye as a Mirror

Like I said, I went back to try to find each time the phrase is used. There's the beginning, of course, but then there's the pregnancy sequence, for lack of a better name.

When the Polle monstrosity emerges from the giant uterus (?), we see these words:

In this sequence, we see a lot of different images and concepts connected: Anya's pregnancy and thus her sexual assault by Jimmy are tied to Polle and the company. The emergence of the Polle monster from the giant uterus (and the idea of the removal of the pregnancy) is tied to the mouthwash, as it's an act of "cleansing." This is all then tied to the phrase I hope this hurts.

Unless I missed something, these are the only two moments when the phrase is used: When Jimmy crashes the ship, and when he's experiencing this hallucination.

All clean! Really gets rid of that bad taste in your mouth, huh? Through wreckage! Through silence! Wash it away! All day fire fresh!

"Clean" is important immediately. "Leave the dirt behind you now that your boots are clean," Jimmy says. Because in this accusation is Jimmy's actual intentions himself. He wants to rise above others and clean himself from their filth. Now, he wants to clean himself of his sins.

I think "Really gets rid of that bad taste in your mouth" is mocking him. A direct challenge to the thought that he could ever truly be "cleaned," at least in the ways he's so desperately trying to go about it. *Not to mention how this connects to the mouthwash, as it might get that 99%, but there's always going to be 1% left.

"Through wreckage" obviously refers to the wrecking of the ship, but also of their lives. All by Jimmy. Though I wouldn't doubt in his mind it connects to the wreckage of consequences (ie. Anya's pregnancy resulting from Jimmy's actions).

"Through silence" I feel connects back to Jimmy's attempts to keep everything quiet, both literally and figuratively.

"Wash it away" also has a mocking edge, as if stressing the foolishness of Jimmy's attempts to treat these very serious events as if it's all just "dirt" he can wipe off.

Finally, we see "All day fire fresh!" This line stresses the connection to the mouthwash, of course. It also calls to mind the concept of cleansing by fire. Important considering Curly.

And after each, I hope it hurts. Jimmy's statement of pure, childish rage. His desperate desire to make others hurt as he hurts. To lash out, to get revenge. To have control until the very end.

This is also why Polle haunts him. Because he, as a man desperate for control, will always be under the thumb of the company even with that title of captain. That hurts him. And maybe the closest thing to ever recognizing the evil he's done to Anya is envisioning it as similar to the company's control, but even that feels like a mockery because he's so horrifically incapable of seeing her as a human being that she's been reduced to her womb. That's what he's really afraid of, in the end, and the fear feels like something else is in control. It makes the organ feel giant, larger than him, capable of hurting him.

When I was watching the playthrough, I thought that there was going to be four or five "I hope it hurts." I thought it would represent each person Jimmy hurts, or all of them, because he hurts himself too. When the sixth came, I thought so much for that theory. But then, I thought about it and there's the fetus. That makes six.

So, I hope this hurts means "I want to hurt you the way I've been hurt. The way you've hurt me." It's Jimmy saying that if his life has been wrecked, he'll wreck yours. It's Jimmy saying he'll shut you up. It's Jimmy saying he'll burn everything down if it means he can maintain control, or even just the illusion of it.

Part Six: Pain

But I think there's another side to this. Like some of the other lines I said feel are mocking him, I think I hope this hurts turns against Jimmy, especially here. And more than that, pain (and by extension, pain medication) plays a massive role in the game, after all. So I hope this hurts feels as if it haunts every moment where it's involved.

Jimmy says this the first time he gives Curly his pills. Pain is how we know we're still living.

The pills are clearly connected to death from the start. If "pain is how we know we're still living" then pain is connected to life and freedom from it is connected to death. That's saying nothing of Anya's use of the pills to kill herself. I think this connects back to the crash, as well. If life is pain, death is an escape from it.

I think it's also significant that the act of swallowing the pain pills is in and of itself painful.

The pills that are meant to take the pain away become a method of torturing Curly. It's a way to make him hurt, and to exert control over him. Even something that should take away his suffering is just an extension of it.

At one point, Jimmy says "Once these are out, we'll have nothing to keep him quiet." In this sense, the pain pills are meant to suppress, not to heal (Through silence!). They're supposed to shut Curly up and keep him from expressing his anguish in the only way he has left (the noises that disturb Jimmy's sleep).

Others have compared this, or Curly's state, to how Anya has been forced to bottle up her own suffering. Jimmy is keeping them both quiet, or at least attempting to. The ultimate form of keeping them quiet would be to, of course, kill them all.

The pills can also be seen as an attempt to hide or conceal the hurt that has been caused rather than to actually heal. In this way, they're like the mouthwash: something that's not really helping, just covering up an issue (and thus making it worse). And the mouthwash represents Jimmy's attempts to "fix" things. He doesn't actually want to make things right, because that would mean taking accountability. He wants to protect his own ego by "fixing" things in a mimicry of Curly "fixing" things in which he wants to create a sense of "rightness" without actually adressing what (or who) has been wronged. Jimmy can't stand to look at himself, because he would see that he really is constructed of his worst moments, or at least, that's what I suspect he would see.

Conclusion

Considering all of this, I hope this hurts can then become a mantra about living in spite of everything. I hope this hurts means "I hope I'm alive in the end. I hope we're all alive in the end." It could mean "I hope I'm allowed to hurt, because I am hurt, and the harm that's been done to me must be seen rather than suppressed and hidden." It could mean "You can't keep me quiet. You can't ignore or hide what you've done to me."

Maybe most of all, I think it means I hope you reap what you sow. When it's turned back on Jimmy, when it's almost mocking or haunting him, it becomes in part about his emotional weakness. About his inability to look at himself and his reality without experiencing the pain of humiliation. I don't think he ever experiences half of the pain he's inflicted on those around him. Still, he has to deal with the fact that his attempt to hurt others instead of facing himself has caused him more pain rather than taken it away as he'd hoped.

And I think that's why he suddenly decides to make Curly a "hero" instead of a "villain." There's a tipping point where he's pushed into a corner. The pain is too much. He hasn't confronted his own actions in any real way, but he's done enough that he can't stand to save himself anymore. It hurts too badly to live with what he's done. It sends him into another stage of fantasy/delusion. The only thing left to do is what he intended to from the start: kill himself to escape and damn Curly to a slow death. Because to go on living in spite of the pain would be the right thing to do, in a sense. To live in the hell of his own creation. To face what he's done. But instead, he'll entrust those heroics to Curly.

This feels barely coherent in the end, so I might come back in a few days and say wow what the fuck was I talking about? But hopefully there's something here that captures some truth. Again, please feel free to correct me if I'm misremembering anything or if I missed something.