#*THAT* was such a power move and hot

[bacchuschucklefuck]

no more fan-ta-sizing about it! everything's already changed~

[astrologysaysno]

I'm obsessed that in the fandom, almost everyone agrees that SQQ has everyone in a harem EXCEPT for Shang Qinghua cause he has Mobei-jun

I'm also obsessed with the notion that they still perceive Qinghua as a love rival anyways. Not just a love rival, but their GREATEST love rival.

Cause from their perspective, Shang Qinghua would be one of the clost people Shen Qingqiu has. And that pisses everyone off cause how can you compete with one of the people he's most comfortable talking to?

They don't realize that he's not their biggest enemy, he's their greatest ally. If anyone can help get you with Shen Qingqiu, Qinghua is your ticket.

I would also presume that they would realize that once they figure out that SQQ is not Qinghua's type.

LQG, interrogating SQH: Are you in love with Qingqiu? *Points sword at him*

SQH, Appalled and confused: No‽ Cu- Shen Qingqiu is my friend. Also he's not my type.

LQG, shocked: What do you mean he's not your type, he's everyone's type.

SQH: Not really, I prefer men with a lot more meat to him.

[juniper-clan]

thank goodness you're okay!! i remember when hurricane irma and hurricane ian hit my area in their respective years; the worst part was probably not having AC in the florida heat and humidity 😭 reminds me to not take such stuff for granted though. i hope your electricity comes back soon! stay safe <3

Thank you! We have been making do. I'm a born and bred Appalachian and have dealt with plenty of natural disasters, so Hurricane Beryl wasn't too dissimilar than what I'm used to up North. The biggest pain in the ass is truly the humidity though.

I hope all my fellow Gulf Coasters / Southerners and those in the Caribbean are safe and picking up the pieces.

[houseswife]

house’s cane is grotesquely underutilised sexual style in fanfics considering that 1) it’s a long phallic object that he is constantly handling and 2) he straight up joked about fucking wilson with it that one time

[greatpistachiopie]

it's about time we see more fanart of glamour eursulon so i've taken myself up to the task

[icewindandboringhorror]

sneepy cozy time....

[thetorturedlovergirl]

People hate seeing me arrive to parties bc I pull up like this

[thinkin-bout-milgram]

Triage: Initial Thoughts

Hello! Venus back at it again with the 4-5 AM theory time! This time we’re looking at Shidou’s second MV, Triage! 

I’m going to be going through my various thoughts on everything as usual, going point by point to analyze each thing. I’ll be referencing Triage, his first MV Throwdown, and the always-fast audio drama translation by @onigiriico​! 

Alright, let’s do this!

Shidou’s kids died immediately, but his wife had a chance to live.

I’m basically just going to give a quick play by play of what I think happened in the video.

Surprise, Shidou has kids! And a wife, but we figured that already. They’re all very cute and all until they fade out like ghosts pretty early on. Before that happens, though, I think that, chronologically, the opening sequence of Shidou walking with some groceries happens first.

He’s just going about his day, walking around, having a great time. He’s intending to take stuff back to his family and cook dinner or whatever he usually does that we see in the cute scenes.

Then, though, he gets a phone call. He answers it (this is the untranslated “Kirisaki desu” part; please let us know if you find a full translation of what he says on the call there!) and we move on to the next scene. However, later, at 1:57, we hear the line die. I think that this is probably Shidou getting a phone call from the hospital. He sounds casual in his initial response because he probably assumes it’s work related, but once he hears what happened, he drops the line and immediately heads over.

I think Shidou’s kids must have died immediately because of Throwdown. Throwdown has absolutely no references to his kids (though he does mention liking children and stuff like that in his first audio drama, which now kinda stings) and, were he also trying to save them, I’m sure there would’ve been at least some references. 

I think it’s far more likely that, whatever happened, both his kids died immediately, but his wife was in a condition where he could still try to save her. That’s when Throwdown occurs. Shidou probably focused intensely on trying to save his wife as a way to cope with the death of his children. Then, after his wife officially died, it really hit him that he had nothing left, and he was forced to process it. That’s when he started feeling all the guilt and wishing for death. 

This isn’t really relevant, but my best bet is a car crash. It seems like a likely and viable way that his kids could’ve died instantly while the wife could’ve kept living. As a minor note on that, he’s also walking back with groceries, which could indicate that someone else (the rest of his family) might’ve had a car. I don’t remember if Shidou mentions anything about driving or anything like that at any time, but if I had to call a method of death right now, that’s what I’d go for.

NOTE: I do want to disclaim this by saying it’s also possible that one of his kids was the flower person in Throwdown. He gives a receipt to one of his kids, so that could make some sense. I need to go back and compare the flower person in Throwdown with the people in Shidou’s family now that they have appearances. I also need to reread his first audio drama; he says something about it being fitting that Es is judging him, which could check out if his crime relates to trying to save his kid instead. If I am wrong and it was one of his kids that he was trying to save, then everything about what I’m saying still checks out; just swap everything I say about his wife with one of the kids.

Shidou purposefully showed us the least forgivable parts of his crime in Throwdown.

Looking back on it, Shidou painted himself in an awful light in Throwdown, and I’m sure it was intentional. After all, he was trying to get us to give him a guilty verdict. If you say that a prisoner like Muu might have been altering what part of her story we received in order to get her desired verdict in the first round (innocent), Shidou could absolutely do the same thing with a guilty verdict.

He doesn’t show us any of the context of his loved ones and how much he loved them; that was all stuff we had to read between the lines of. We see him butchering plant after plant only to end in horrific failure without ever seeing him succeed at anything surgical. (He still should’ve hypothetically been saving lives while doing all of this; it’s not like he was ONLY killing people.) 

He even shows us the horrified reactions of the loved ones of patients he killed. I can only imagine that he would do that if he was trying to spark a negative reaction in us.

In contrast, this MV is very straightforwardly showing how the day he lost his family went for Shidou and directly examines what verdict Shidou wants (more on this later). I think, therefore, that this is probably a much more honest view of the situation than Throwdown, at least in terms of how Shidou perceives the truth. 

Shidou is constantly plagued by the guilt of what happened.

The simplest way to explain this is with this image: 

When showing Shidou’s family turning to ghosts, he views the man that he used to be as dying with them. Shidou, as he was, is dead. Still, what happened clearly still impacts him. That’s pretty obvious, but I’m talking down to the details. He mentions kids and liking them in both of his audio dramas. Further, take this lovely image: 

Pancakes. Shidou made pancakes for his kids. In BOTH Minigrams 3 (Pancake) and 24 (Pancake: a Second Trial) Shidou is directly shown talking about pancakes and their relation to children. He really wants Amane, the young child, to try some. It seems like he used to make pancakes for his kids before they died. He’s very clearly not recovered in any sense. That’s not surprising, but it’s still something to point out.

Triage takes place almost entirely before and after Throwdown.

That sounds a little confusing, but all I mean is that Throwdown is completely isolated from this MV. Some parts of this MV happen before the events of Throwdown; those are the ones featuring Shidou’s wife and kids, as well as the ones where he simply looks younger. The other parts are clearly looking back at the same time frame, but are from Shidou’s present perspective, here in Milgram. Those are the ones where he reflects on his verdict or directly addresses what verdict he wants.

Most directly, I think the part at 2:14 indicates this. Shidou, looking back on the death he caused (knives in the pomegranates and other food, dead flowers, receipts from the surgeries that we also saw in Throwdown), says “I want to be INNOCENT / I want to live.” That’s him, in the Milgram prison, right now, coming to terms with the fact that he actually, genuinely wants to live right now.

In the audio drama, he’s clearly conflicted. He still says that he wants to die, that he wants to atone for his sins and that dying is the only way he can make it up to the people he killed. He also, though, says that, at least for right now, he wants to live. Futa and especially Mahiru are on death’s door, and there’s no telling what other injury might occur. He believes he’s essential to saving lives within the Milgram prison (and I think he’s 100% right).

He even directly references this in the song lyrics, talking about “extracting the fang.” The fang is clearly Kotoko, given that Milgram has referred to the damage Kotoko does with fang imagery before and given that that’s what he’s currently healing. He has to be the one to save them because he’s the only one who can; as a result, to save lives, he has to care about his life right now. While he’s still unsure of what final verdict he wants, he knows that he needs to stay alive, at least going into trial 3.

VOTE: INNOCENT

Personally, this one’s a no-brainer. Es theorizes in the audio drama that Shidou only harvested organs from braindead patients, and though he never outright confirms it, based on his responses, it seems to me like that’s true. That means his crime isn’t as severe as we initially thought it was.

Additionally, he’s right; he is indispensable to us right now. He outright says in the audio drama that if he stops giving Mahiru care, she’ll die, whether or not anything else happens to her. That basically tells us that voting Shidou guilty means Mahiru dies. That’s not good, and I’d rather avoid prisoner death when we think it’s possible.

I also just don’t think it’s smart to change verdicts on him here. If we decide that, after all is said and done, we can’t forgive Shidou, we should do that with the third verdict. Here, we want to leave both options open. Right now, Shidou is torn between wanting to live and wanting to die. If we switch to guilty, we’ll ruin any chance he has at recovering a will to live and a will to atone through any means other than death. If we want to preserve the option of forgiving him in the end, I think we have to forgive him here. We can debate whether his actions were forgivable or not in the last round.

[b4kuch1n]

tdov was like a week ago already but I just wanna say when I came over to vacation slash help my sworn brother move flat he told me, "ever since you said you wanted to get top surgery I've been thinking about it. it's straight up number two on my bucket list"

[idk-bruh-20]

Irondad fic ideas #126

You know what we need more of? Ironfam via May Parker/Pepper Potts

Are Peter and Tony already close when May and Pepper start dating? Does Peter only get to meet Tony Stark because his aunt is dating the CEO of Stark Industries?

You decide! Lesbians and bisexuals win either way. 😌🌈

Bonus:

Peter introduces his family like, "Those are my two moms, May and Pepper, and that's my dad Tony. I'm related to none of them. 😇"

[andsotheuniverseended]

Orimar Vale sir if you happen to be free any night this week i would love to discuss sensory overload and the pursuit of escaping the limits of humanity to become a story that will never die with you

[allmyandroids]

Raymond Reddington

Season 4 Episode 14 - The Architect

[mahi-wayy]

Samantha Ruth Prabhu and Allu Arjun in Oo Antava from Pushpa.

[iholli]

"weh weh Alastor is canonically aroace you're being disrespectful" I'm ace and probably aro-adjacent get the fuck out of my space and let me foam at the mouth in peace

[vigilskeep]

tangentially related to your post about the zevran recruitment scene - is it just me or are some zevran flirting scenes different if you play as a human noble vs an elf? like the vibes are not vibing

i’ve never played as a human noble so i wouldn’t know if there are actual differences but absolutely the power dynamic is skewed VERY differently if you play cousland. and for me if you’re playing that route then you need to like... think abt that a little!

[comas-are-for-sleeping]

cannot wait for the amount of self confidence it would require to wink at anyone i caught staring at me