#(well . . . two times in one -- two for one deal)

[bacchuschucklefuck]

forgot to specify on firearm possession when he posted that job ad

[kurthummeldeservesbetter]

tbh I don’t think therapy would have fixed Jayce and Viktor lmao. maybe would have softened their self-destructive tendencies but there’s no fixing that co-dependent relationship. Heimerdinger Mel and Sky are told “yeah, I can help treat their individual depressions but nothing is gonna reduce their co-dependency. I’m pretty sure separating them makes it a lot worse for not only them but much worse for everyone else. for everyone’s safety I suggest they’re not allowed to be more than a buildings length away from each other and even that is pushing it.” That therapist then quits on the spot cause now they’ve literally seen everything.

It’s like that scene in Brooklyn nine nine where all the physiatrists are observing and talking with Gina but instead it’s a whole crew of therapists and neurologists and physiologists trying to find out how these two men literally mind-melded together. They go to couples therapy but it’s literally just individual therapy held together because why tf not it’s the only way to get them to go.

[otiksimr]

LOVE IT WHEN WOF HYBRIDS HAVE PHYSICAL ISSUES-

LOVE IT WHEN WOF HYBRIDS HAVE PHYSICAL ISSUES BECAUSE YOU'RE MIXING TRIBES HAVE DIFFERENT PHSYICAL TRAITS WHICH COULD CAUSE ABNORMALITIES IN THE CHILD AND OVERALL GIVE THEM A WORSE LIFE EXPERIENCE.

[suguruuuuu-chan]

Do you ever think about the fact that the ONE time Sanji let himself be comfortable and enjoy dresses and makeup with cigarettes, Ace died and Luffy almost died all alone and so far away. Will Sanji ever forgive himself for daring to relax and explore himself a bit while catastrophic things were happening? (Jk he'll never do so again, just in case)

[unlawfulchaos]

Bradley, on the phone: Hey Uncle Sli! I just used your prank on Ice, he's never gonna guess who did it-

Ice, from the other side of the house: BRADLEY, I KNOW THIS WAS YOU!

Bradley, yelling back: UNCLE SLIDER APPROVED IT! IT WAS HIS IDEA!

Ice: I AM COUNTING TO TEN.

Bradley: Shit, he started counting, I gotta go, Uncle Sli. It was worth it!

[i-bring-crack]

A–Aventio TGCF idea?? Wherein Civil God Veritas Ratio meets the infamous Ghost King Aventurine during his first mission cuz cuz like— The "live for me" paralels?!? The one who has all the luck partner as well?!? The villain who was actually not the Villain this whole time!?!? The loving humanity a little too much it causes their downfall !?!?!?

Rant AU in the tags proceed with caution

[anxiouslowercase]

sas rh: let eoin survive the fall au » the astronomer philosopher, the earth and the moon

[muninnhuginn]

The Anya-Twilight interaction in the middle of this chapter is pretty interesting.

The Anya side of this interaction seems clear enough in that she's trying to obfuscate when asked about her exposure to classical language. The fact we don't see her face as she claims she doesn't remember makes me think she very possibly *does*, but doesn't want to talk about it. And, of course, as I've seen pointed out already, her face when she's first asked is very reminiscent of how she looks in the recent 'Ania' short chapter. She has thoughts/feelings about her past and they've clearly affected her, but they're not for the audience to see yet.

However, the Twilight side of this? I'm a bit stunned at how obviously he does not want to be asking this question of Anya. We know he's considered there's some reason in her past for her knowledge of classical language. We know he's a chronic overthinker. Even last chapter, he was thinking of this, but didn't ask. Anya getting second place though basically removes any plausible deniability. If he doesn't ask now, he's neglecting his duty. But still, he has to work up to it, almost leaves the room before he decides to broach the topic, and when he does, he *mumbles* it. Twilight doesn't really *act* with Anya when it's just them. His mumbling is not an act; it's reluctance.

His reluctance to ask the question of Anya is, in some ways, more egregious than how easily he drops the topic once Anya claims she doesn't remember. Not pushing her further and bringing the topic up later is a valid tactic (and likely one we may see), but we can see that he knows there's more to it. Unlike the audience, he can see her face, after all. And for now, he's indicated he won't push further despite that knowledge. By choosing to back off and patting Anya instead, he's (in a very low-key way admittedly) prioritising Anya over the mission.

It's just so neat how this one interaction showcases so much about the both of them. It hammers in Anya's trauma about her past, without spelling it out in words, but at the same time, it shows how Twilight's approach to fatherhood vs his mission are coming increasingly into conflict. We've had something similar on a larger scale with the recent Yuri-mole arc, with his role as Yor's spouse vs the mission, but it's still playing out on a smaller scale in scenes like this. And it's fascinating how the mission isn't always the clear-cut winner anymore. Sure, early on, we had Twilight sabotaging the Eden entry interview, but that was a moment of passion inspired by his whole "not wanting children to cry" deal. In other words, fuelled by some of his own trauma. In the recent chapters though, he's had time to think and justify before he acts. But the pendulum is still swinging towards his family when given the chance.

[camellcat]

I just realized I have never seen dru with dawn in literally anything, so! here's some very quick thoughts about them:

dawn thinks drusilla is a FREAK at first. they do not get along bc dru is so so taken with little dawnie and little dawnie herself is petrified every time this psycho vampiress who speaks in incomprehensible metaphors drifts into the room and laser focuses onto her

dru likes to always have a hand on dawn. little pats and playing with her hair and whatever she can get away really with without being pushed away. she's like a cat, constantly rubbing up against the girl like she's marking her territory with love. dawn's their little girl! ...even if the only one who knows it yet is dru herself

dru cannot get enough of just being around dawn. her key-ness is mesmerizing. first time dru sees dawn is a shit show for everyone except dru, who is having a fascinating time Seeing dawn

just like spike, dru gives dawn lots of nicknames. the slayer is their own personal sunshine, but dawn here has been touched by the universe itself

I think over time dawn would learn to appreciate dru's attention, if only bc she feels as though no one else is giving her any and dru is always happy to provide, making them quite close (even if for not very good reasons)

[dykedvonte]

I never even considered that parallel, that Anya would have an ignorance to (or at least, vain hope against) Jimmy abusing Curly with his meds. Because they're friends, because she hopes he wouldn't be as callous with Curly as he is with her, because Curly even said himself "I know him." Incorporating that into my world view.

I don't think Anya thinks Jimmy is a good man, but I do believe she would think he'd be reasonable enough not to raise tensions in a situation this bad. She genuinely wants to believe that in their worst moment Jimmy won't be a monster.

Everything has gone wrong. Curly is gravely injured and she is doing everything she can to keep him clinging to life, despite believing he caused this. Swansea has relapsed and is constantly arguing with Jimmy. Daisuke is trying to stay positive but in a way it just reminds everyone of how hopeless it all is. And to top it all off Jimmy is defiantly losing it with all he's trying to do and the responsibility he can't handle.

Anya wants to believe that no matter how angry, how bad and awful he could get with her, he'd at the very least show decency to one person who tried to show some semblance of care to everyone. The one person that always stuck by his side. The person who confided in him and maybe told him how he was struggling instead of her. I don't think it's guilt but she regrets not prying more with Curly, making him admit what's wrong because it was her responsibility to help and she gave him the okay. I like to think even if she never realized Curly didn't crash the ship, Jimmy was the real reason or a big part of why he did and is why she tried to keep Curly from him in death.

It's Curly's worse moment and she's hoping Jimmy will be less of a monster for it. She knows she's hoping on what would basically be a miracle but it's the only thing she has left keeping her going.

[mishy-mashy]

Shinomori is cute. Here's a post.

He is so baby-faced. He hasn't changed at all since he was 22, to when he died of "old age" at 40

(Old age? With a face like that? 40 years old?? Gimme that kind of youth and hotness Shinomori-)

He has tiny eyebrows. Like a puppy's (rottweiler's, for example). So cute and tiny and fuffy

He naturally frowns. Look at him and his mouth and his lil nose

He has a thing about keeping his arms near his chest. He sits with his arms crossed, introduces himself with his hands over his torso, and even walks with his arms crossed toward Midoriya

He has such clear skin for someone who lived the rest of his life in a forest??? Why do Hikage and Yoichi have such nice skin despite living in terrible environments? (forest and vault + abandoned streets respectively)

Is easily scared

They knew their Quirks could be used, but Shinomori got scared of it when it happened. Even though he gave Midoriya his support and access to his Quirk beforehand. Depending on the translation; "it startled me", "you scared me", "it surprised me"

I'm not going to hold running from AFO against him because he knew he was running for his life. Who wouldn't run for their life when it's in danger? Shinomori was being chased by the strongest person in the country (and likely the world)

His sense of self-preservation is probably heightened by the nature of his Quirk to keep him out of danger too. Which makes him all the more sensitive and jumpy to danger and anything that startles him, especially when he has no warning

He's actually extremely tall, but is so socially inept and jumpy it's adorable. He's taller than Bruce.

Bruce is as tall as a vault door that the 2m AFO used.

(Meanwhile Kudo is down there-)

He has such a bad sense of humor that it's cute (his puns off Danger Sense)

It's also adorable how Shinomori just doesn't understand social conventions sometimes. He lived in a forest, so it made sense, but also— Midoriya shows up in the void to the vestige platform for the first time. He has no mouth, no clothes—and Shinomori's first idea is to stand in front of him menacingly and go: "I shall explain. I am Shinomori Hikage." SIRRRR

This.

His Ability is basically like glorified anxiety. What if something is coming to hurt him? If something can hurt him? What if that tree falls while he's under it? And the ideas come so hard they hurt (although yes, it does detect ill intent and that's what sets it off)

He talks weirdly. Formal? Old-fashioned? Listening to him speak Japanese compared to others, it just sounds a bit different. (Translated subs don't show it very well, it's the voice itself methinks)

"This too, is destiny." *about Midoriya having OFA*

Kinda wise or sage-y. He did spend his life in solitude in the forests so he definitely spent a lot of time with his own thoughts. Maybe he found the meaning of life in a centipede or something one day

For someone so cute, he is also such. A fine. Specimen???

Look at those back muscles, dang.

LOOK AT HIS CALVES AND ARMS DANG.

[fantasticalchaos]

Thinking of the thought that Danny is in two friendship groups (Secret Trio/Quartet/Group and the Nicktoons) that has someone (Randy and Timmy) that'll eventually have their memories wiped and has to deal with that twice...

[bisexualcherdegre]

D:BH Rarepairsweek 7 | @dbhrarepairs

Day 3: Hank/Markus After the revolution, Markus and Hank are both trying to deal with the new situation they've been handed. Their paths cross.

[stagefoureddiediaz]

Thinking thoughts about Abuela being back and with this backstory about her being taken in by charlatans and Eddies whole catholic guilt thing and how the two things kind of play into one another as an exploration of faith and being taken in by something.

Abuela giving all her money to the tarot card readers etc because she was searching for something - for connection (with Abuelo) - trying to recapture what she had lost, and How Eddie has spoken about trying to re-find the magic he had with Shannon - how Eddie hasn't actually fully reconciled the Shannon of it all when it comes to relationships and how his Catholic guilt connects into that.

How Marisol as a physical representation of Catholicism is part of that narrative - how Eddie is entering a place where he has to chose his path - in order to move on from Shannon he needs to fully square the hole - catholic or non catholic. And how that needs to happen first - before he can begin his queer journey!

[awesometothe3rd]

[bitchthefuck1]

you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.

There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.