#(so it needs to be edited out lol. now i know how THEY work.)

[morgana-larkin]

Alright, here’s the arrival of part 3 of “Just Tired”. I’m so glad that there’s been so much interest in this series! I’m wanting to make this series as realistic as possible for someone going through it as I still struggle with the trauma for when I went through it, even though I escaped him at the end of 2021. Not edited in the slightest and I hope you like it!

On another note: I was listening to Angel Eyes by ABBA as it seemed fitting lol. Would have posted this earlier but I was watching the chiefs get their asses handed to them. Go Birds! 🦅

Part 1 Part 2 Part 4

Just Tired -Part 3

Warnings: Manipulation relationship, small masturbation part, Melissa going through some confusion

Words: 3.75

You awake at 5am to your alarm going off and you shut it off before you get ready. You hop in the shower and in there you can’t help your mind drift to Melissa and how beautiful she looks, even when she was downright ignoring you.

“Stop it, mind! She’s married.” You remind yourself. But that doesn’t stop your hand from wandering down to your clit and start circling it.

You lean against the shower wall and close your eyes as you picture Melissa being there. You imagine how her lips would feel all over you, how she might make you come. Would she want to use her tongue or her fingers or even a strap? You honestly wouldn’t say no to any of those if she was asking. You then feel yourself right at the edge and you start circling faster and then you come. You quickly have your shower and then you get ready and leave at 6:30. You walk up to her house at 6:58 and you knock on her door. She opens the door a few seconds later and she takes your breath away.

“Hey Y/n, just gotta grab my things then we can go.” She says and you nod.

“Alright.” You say and then take a step back and watch as she gathers all her things. When you step back you notice her ‘Go Away!’ welcome mat and you snort. “Nice mat.” You tell her as she steps outside and she smiles.

“It’s to ward off unwanted visitors.” She says as she locks the door.

“Does it work?”

“Most of the time, yes.” She says and you both walk to her car. “Apparently it doesn’t work on family.” She adds and you smile.

“Good to know.” You tell her. “So you giving me rides, does this make us acquaintances?” You ask her and she looks at you before starting the car.

“No, this is me just helping someone in need, and I’m not going out of my way to help them.”

“So you have a heart then.” You say and she rolls her eyes at you before bringing the car onto the street. “So is the husband not up?” You ask her and she shakes her head.

“He doesn’t get up until another half hour. He doesn’t have to be at the fire station until 9.” She tells you.

“He’s a firefighter?” You ask her and she nods.

“Yep.” She says and you take your phone out and go on your social media. You look up Melissa on Facebook and then you click on the name where it says who she’s married to and see a picture of him.

“And what exactly do you see in this… Joe?” You ask her and she looks at you quickly before turning her attention back to the road.

“Did you just look at my account?” She asks.

“Obviously. But what exactly do you see in him? I mean there’s ones much better looking than him.” You tell her and she quirks an eyebrow at you. “I’m gay not blind.” You tell her and she snorts.

“We met in college and he was really nice to me. He kept talking to me, giving me gifts that he knew I’d like, listening to what I say, wanting to spend all his free time with me, even before he asked me out.” She tells you and two words come to your mind when she says this, love bombing. You don’t say anything as it’s not your place and it was probably like over 20 years ago and you’re sure things are different now.

“So why are you so closed off?” You ask her to change the subject.

“You ask a lot of questions, you know that?” She asks.

“I don't normally, only when something catches my interest.” You say and she quirks an eyebrow at you.

“And I caught your interest?” She asks and you nod.

“You seem like an interesting person, and you wanting to say nothing about your life only makes you more interesting. You’re a mystery.” You tell her.

“And I like to remain a mystery.” She tells you.

“You know I could probably just ask Barb questions about if I really want, I mean you two seem close.” You say.

“Barb and I have been best friends for over a decade and she knows I like my privacy. She won’t tell you a thing.” She says to you and you lean back in the seat and pout.

“Are we close enough for me to at least know your favourite colour?” You ask her.

“It’s pink.” She says and you give her a weird look. “What?”

“The badass of Abbott likes pink? I would have never guessed that.”

“What’s wrong with pink?”

“It’s seen as a colour for little girls, especially when Barbie came out.” You explain.

“Alright, what colour do you like?” She asks.

“F/C.”

“Ok, interesting.” She says as she pulls up into the parking lot of Abbott and then you both get out and walk into the building.

*In the break room*

“I’m telling you that I saw Melissa purposely go up and start talking to Y/n. And not only that but it seemed like there was some attraction there as well.” Janine tells Jacob.

“It doesn’t matter for Melissa if there’s attraction, she’s married to a nice ma… she’s married.” Barb tells them. “She has never cheated on him and she doesn’t intend to. And has never thought about leaving him either…even though she should.” Barb adds and she gets a weird look from Janine and Jacob.

Just then you and Melissa both enter the break room and everyone looks at you both.

“What are youse looking at?” Melissa asks them.

“This is the third day where you get here at the same time.” Jacob says as you go to sit down with him and Janine.

“We just end up getting here at the same time. Is that a crime?” You ask them.

“Ok what about yesterday? I saw Melissa and you talking and smiling.” Janine asks you.

“Janine, what exactly are you asking?” You ask her and cross your arms.

“Is there an attraction between you two?” She bluntly asks. “You have mentioned you’re into hot older gingers and Melissa fits that.” She adds.

“Ok, first of all, Melissa and I were talking about our job yesterday as she was nice enough to give me pointers. Second of all, yes Melissa is a hot older ginger but she’s married and we’re not even acquaintances as Melissa very clearly told me that she barely talks to newbies.” You tell everyone and they shut up after that.

“So what pointers did Melissa give you yesterday?” Janine asks after a couple minutes.

“She told me to not do my lesson plan so far in advance and expect to fall behind, don’t be too stressed that it’s my first year of teaching on my own and she generously took a look at my first week lesson plan and said it was good and the kids will enjoy it.” You tell them and you weren’t lying as Melissa did actually tell you all those things.

“Melissa, you gave her that advice?” Barb asks her and Melissa nods.

“I don’t like communicating with newbies but the kid looked like she was gonna have a panic attack, I wasn’t gonna sit by and do nothing.” Melissa tells her.

“Oh Janine and Jacob, would you help me hang a few things that require 2 people?” You ask them and they immediately nod.

“As long as it’s not on a ladder.” Janine says and you nod.

“You’re not climbing a ladder, it’s not high.” You tell her.

Melissa watches from her desk as you and Jacob hang some stuff up and Janine directs you both to make sure it’s straight. Melissa’s mind starts to wander. She doesn’t know why but you seem to have caught her interest a bit. Her telling you her husband doesn’t forgive her just honestly slipped out and she doesn’t why she said it. Of course her husband forgives her every time. And then she tries to remember when was the last time he said he’s sorry and she can’t remember.

“I’m telling you it’s straight.” She hears Janine says.

“It doesn’t look straight to me.” She hears you counter. She then gets up and leans against her doorframe with her arms crossed. She sees you and Janine a few feet away from her and you’re looking at your board.

“You two are loud.” She says and catches both of your attention.

“How about we ask Melissa?” You tell Janine.

“No, she’ll just side with you as you’re friends.” Janine counters.

“Ya, we’re not friends.” Melissa says and goes to stand beside Janine and looks at the board. “And it’s not straight.” She says and sees you sticking your tongue out at Janine. “It’s a little high on the left.” She adds and then goes back to her door. “Try to keep it down this time.” She says and then walks inside her classroom.

At lunchtime she gets there before anyone else does and takes a few seconds to decompress as she gets her salad out. Everyone else comes in about a minute later and Barb gets her lunch and sits down and immediately notices Melissa is looking stressed.

“Are you alright?” Barb asks her.

“Ya, just a headache.” Melissa says softly.

Barb knows that she’s lying. But she also knows Melissa enough to know that she’s not ready to say anything and she’ll tell her when she is ready.

“Want some ibuprofen?” You ask since you heard as you were at the coffee maker. “I always carry some as I can get some painful cramps when menstruating. And that’s probably too much information.” You immediately say and it gets Melissa to crack a smile.

“It’s not that type of headache, but thanks hon.” Melissa tells you and you nod.

“Want some coffee? New batch is ready.” You offer and she nods and gives you her coffee mug.

“Thanks kid.” She says as you hand her the mug back with coffee.

“Y/n, do you have any plans this weekend?” Janine asks you as you join her and Jacob at the table.

“Probably just watch the game, I hope the Eagles hand the cowboys their asses.” You say and you don’t notice Melissa smiling at that comment.

“What about you?” You ask her and she goes into some detailed plan about what her and Tariq are doing this weekend.

When lunch ends, you all get up to go but Melissa stops you and Janine.

“Just wanted to let you both know that around February is when I do this Peter Rabbit art project with the kids and each of your second graders can join as well.” She says to you both.

“Oh that sounds exciting. What do they usually make?” You ask her.

“A rabbit face from paper plates.” She says.

“Oh that sounds fun, definitely count my class in as it sounds exciting. Y/n is your class going to join?” Janine asks.

“Definitely count my class in as well, they’ll enjoy that.” You tell Melissa and she nods before she goes back to her classroom.

At the end of the day, you pack up your things and you head out the door and you run into Jacob and Janine and you have a conversation with them for a few minutes before they both head to their cars. You start to head to the bus stop when Melissa stops you.

“My car is the other way.” She tells you and you turn around to face her.

“I didn't know how long your offer was by driving me home.” You tell her.

“Until you can get gas in your car.” She says and you smile before following her to her car. You both don’t notice everyone watching you both as you get in Melissa’s car.

“Thanks again.” You tell her as you do up your seatbelt and she pulls out. “So how long have you done the Peter Rabbit project for?” You ask her.

“Since I started working here, almost 15 years ago.” She tells you. “By the way, do you really think I’m hot?” She asks you and you furrow your eyebrows. “You told Janine that in the break room this morning.” She clarifies.

“Well of course you are. You honestly don’t need all that makeup.” You tell her and you see her smiling and a hint of a blush on the cheek that you see.

Melissa gets home a few minutes after dropping you off and she immediately goes to the kitchen for a glass of wine. She takes a deep breath after she takes a few sips and puts her head in her hands. She keeps getting compliments and praises from you and she doesn’t know how to react. She then realises that it’s been awhile since she received any from Joe and a tear slips down her cheek but she quickly wipes it off.

“Don’t cry, I’m not sensitive.” She tells herself and takes a big sip of her wine.

She has 2 glasses of wine and ends up falling asleep on the couch. When Joe gets home, he leaves her be and goes to reheat leftovers and watches tv in the bedroom. Melissa gets home a couple hours later and immediately goes to eat. After she eats she hears the tv on upstairs and goes to see Joe.

“Finally awake?” Joe asks her and she nods her head.

“You could have woken me up.” She tells him.

“I wanted to watch tv by myself anyway without being asked for cuddles or any kisses.” He tells her.

“I’m sorry, I know sometimes I might be too needy and I’m trying not to be.” She tells him and she goes downstairs to watch tv by herself.

She falls asleep on the couch again and wakes up around 4am. She gets her phone out and sees that it’s dead so she charges it as she makes breakfast. She eats and then she puts some in a container for Joe when he gets up. She gets ready for work and then she goes outside a few minutes early and sees you pull up on your bike.

“I woke up late but I don’t remember biking being this tiring.” You tell her and she shakes her head at you.

“You can leave it in the backyard for now.” She tells you and you nod. You come back out a couple minutes later and you get in the car.

The car ride this time was pretty quiet as you tried to make conversation but wasn’t getting replies. She pulls up 10 minutes later and you both get out and walk inside. This time you actually don’t head to the break room, you turn into your hallway and head to your classroom instead. It takes Melissa about 30 seconds to notice as she was in her own world and wanted to question you but you were too far ahead.

“Did you and Y/n not arrive at the same time today?” Barb asks her.

“No, I saw her come in, she went to her classroom for whatever reason.” Melissa explains.

“Interesting thing yesterday, I saw her get in your car when we were all leaving for the day.” Barb says and everyone looks at Melissa.

“Oh, well that’s none of youse businesses.” Melissa says. Right after she says that, you walk in and you head straight for the coffee machine.

“Y/n, we all saw you go in Melissa’s car yesterday.” Janine immediately tells you and you shrug.

“Cool.” Is all you say and pour yourself a cup and head back to your classroom. Janine and Jacob sensed something must be wrong and follow you out.

“So Melissa, now that we’re alone, want to tell me what’s happening?” Barb asks Melissa.

“On Tuesday I saw Y/n on the side of the road in my neighbourhood and she said she ran out of gas. I’ve just been giving her rides as she lives like a minute away from me, that’s all.” Melissa explains.

“Well that’s nice of you.” Barb says and really looks at Melissa. “Is something wrong?”

“What do you think of Joe?” Melissa asks her and Barb tilts her head.

“What do you mean?”

“Well Y/n has actually given me compliments in the week she’s been here, more compliments than Joe has given me in the past year. So what does that say?” Melissa asks her.

“That Joe doesn’t give compliments.” Barb simply says. “Melissa, I’ve given my opinion on Joe many times over a decade ago and you always gave reasons why I was wrong. I stopped trying as you kept defending your marriage with him.”

“Well you never had a lot of nice opinions about him but you never knew him like I do.” Melissa states.

“You’re right, I don’t. And I hope he’s changed since then.” Barb says and goes back to her cup of coffee.

*Your classroom*

“So you went on a date 2 months ago with a girl, but stayed friends and she invited you to watch the game at a bar this weekend?” Janine says and you nod.

“I thought like everyone else that she’d just forget me and we’d never talk again.” You tell them.

“So you have a new friend, what’s the problem?” Jacob asks you.

“She’s a little crazy.” You tell them. “I’m just hoping that after the game, she never wants to speak to me again.” You add.

Melissa gets to her classroom and sees your door is closed but can see Jacob and Janine standing near your desk from the little window on the door.

The morning goes by quickly for Melissa, and before she knows it, it’s lunchtime and she heads to the break room and gets her lunch.

“So I was notified this morning by a parent of one of my students that I’m getting.” You say to Janine and Jacob.

“And what did they want?” Janine asks.

“They wanted to let me know that they tested their daughter over the summer and apparently this kid is dyslexic.” You tell them and that catches Melissa’s attention and she turns around to look at you.

“Do you know how to teach a dyslexic child?” Melissa asks you and you shake your head.

“No, but I could just google some ways to help her.” You tell her and she nods and goes on her phone.

You go to your classroom and an hour later Melissa walks in and closes your door behind her and walks up to your desk where you’re arranging some papers.

“Melissa, what can I-”

“Can you switch the dyslexic kid over to my class?” She asks you and you tilt your head.

“Why?” You ask her.

“I can help her better.” She states and you furrow your eyebrows.

“Look I know I’m new but I’m pretty sure I’m not an idiot.” You say and she sighs.

“It’s not about you being new, it’s the fact that you can’t relate to her.” She says and the gears in your head are turning until it dawns on you.

“You’re dyslexic?” You ask her and she nods.

“I haven’t had a student who’s dyslexic and I feel like I can help her the same way that I was.” She says and you smile.

“Of course, want to go to the principal to make the transfer right now?” You ask her and she looks taken back.

“Wait, you’re not going to say no?” She asks and you shrug.

“Since you’re dyslexic then you might be the best teacher to help her.” You tell her and you go to your door. “Come on, let’s go see Principal Coleman.” You say and she follows you to Ava��s office.

“What do you two want?” Ava asks you.

“We want to transfer a student from my class to Melissa’s class.” You tell her and she rolls her eyes before she gets to one of the women in the office and you follow her.

“Can you do a classroom transfer?” She asks her and the woman nods. “She’ll help you with that.” Ava tells you both and you nod.

“Thank you.” You say and you and Melissa get the transfer done. “I’ll also send you the email that the parents sent me. They said a couple ways that they’ve noticed have helped her.” You tell Melissa on the way back and she nods.

“Ok, thank you.” She tells you and you nod.

“I’ll also notify the parents and tell them about the transfer.” You tell her and she nods. “Do you mind if I tell them that you’re dyslexic as well?” You ask her.

“No, that’s alright. It’ll probably make them happier that their daughter’s teacher has the same thing.” She says.

“Alright, I’ll forward you the email right away.” You tell her and go inside your classroom.

Melissa receives the email a few minutes later and sees the ways to best help her and writes it down.

She goes through the rest of what she needs to get done and finishes about an hour before the day ends. She stays on her phone for the rest of the day and waits a few minutes for you in the parking lot.

“You waited for me?” You ask her as she’s leaning against her car.

“Well I offered you rides, plus your bike is at my place.” She says. “I’m gonna drive to my place and you can bike home.” She tells you and you nod.

“Sounds good.” You say.

Melissa drives you both to her place and you go to get your bike right away.

“Hey Melissa.” You say as you come out with your bike and she looks at you. “I can probably actually just bike to and from school.”

“You ran out of breath biking for like 5 minutes. How are you going to survive for another 30 minutes?” She asks you and you shrug. “Mm, I’ll see you Monday at 7.” She tells you and then goes inside. You put your helmet on, get on your bike and start biking back home. Melissa watches from the window as you leave and she sighs. “What the fuck am I doing?” She says out loud and goes to get some wine and chocolate.

Taglist: @esposadejoyhuerta

@imaginesmultifandoms

@idonothingalldays-blog

@sexysapphicshopowner

@dvrkhcld

@lilfartbox1

@ricejucie

@unicorniusfallapatorius

@a-queen-and-her-throne

@sleep-deprived-athlete

@og-kxsh-420

@sasheemo

@midnight-lestrange

@dashbag-art

@morgananyx

@schmentisgf

@cblanchetts

@that-october-night

@schemmentigfs

@italianaidiota

@ambessas-doll

@ankhsta

@olderwomenenthusiast

@ackleybloodybridge

Let me know if you want to be added!

[dandysworldhcs]

I dont think we have much info regarding things you can actually do when visiting the gardenview centre (before it shut down) so I had some thoughts about it.

Each toon either leads or is a co-leader for at least one activity that the kids who visit can participate in at certain times. The activities only happen 1-2 times everyday, every few days at set times and they’re not all at the same time so you will also see toons wandering around and interacting with each other and the kids.

Anyways, some specific activities that could’ve existed!

Brightney is in charge of a storytime where she reads books to kids, sometimes other bookclub members join her as guests.

Looey teaches kids pretty simple circus tricks like juggling and spinning plates.

Cosmo and Sprout show kids how to cook/bake certain foods (this is mostly reserved for older kids since little kids and kitchens aren’t usually a good combination).

Goob and Scraps have a craft corner, Scraps shows the kids how to make certain things and Goob goes around and helps kids who are having a bit of trouble figuring it out.

Rodger leads a mystery the kids have to work together to solve; he usually gets a few other toons to play some role for the mystery, either as somebody who needs a mystery to be solved or as a culprit who stole some cookies or something.

Thats all the ideas I have for now, sorry for the long ask and if I accidentally sent this in already.

Also, could I be ink anon?

welcome to the crew ink anon!

also, im really in LOVEE with this concept. i know most of the fandom includes things like the arts and crafts aspect, but never much else.

gardenview actually makes sense to have the learning center if all the activities are happening

edit: some weird stuff is happening lmaoo, it says cheeky queued it, but it includes all my commentary and shit. sorry cheeky lololol

note from cheeky: we prob just answered it at the same time lol

[camcat1320]

Oh, no, I didn't think you came off as flippant in your response at all. I did ask for your opinion and you have helped me so much in understanding. I enjoy having discussions with fellow fans, especially when they point out things I may have overlooked. I'm not arguing at all with you. 😊😁

Now that you mention it, you're right that love languages can be problematic in both origins and application. I know someone that had tried to use the love language of physical touch as an excuse for his entitlement to sex in his relationship. I tried to explain to him that physical touch is not just sexual, it's also holding hands, cuddling, and the like. Unfortunately, I was unable to help him understand that.

Personally, I experienced parentification, having to cook and clean and take care of my brother who has a physical disability. Because I was forced into this role, I don't enjoy doing acts of service as an expression of my love; it's labor. However, I appreciate it when my partner shows their love for me through acts of service. LOL it really revs up my engine if you catch my drift.

But that's only an example of my personal experience, I'm NOT trying to sound akin to "I'm right, you're wrong because me me me" sort of argument. My experience may not be universal to others and that's okay.

If I had to assign Katara a primary love language, I think it would be words of affirmation. And you're right, all 5 love languages are needed by everyone depending on the situation. Though I think that everyone ranks them differently in regards to how important they are to themselves.

I appreciate your insight into emotional labor as well. One person is doing the brunt of the emotional labor while the other gets to snog- that's an apt description of what is happening. The dynamic is unbalanced. And the fact that they have a trauma bond and Zuko has learned that love is transactional- you have a keen eye!

You mentioned how The Boiling Rock was Mai's stakes being challenged and the choices were either let Zuko go or watch him die. So very insightful!! Thank you very much for pointing that out.

Yes, in the show, the writers of the final episode (Bryke) backpedalled on Mai's act of letting go of Zuko. I disliked the ultimatum. It was played off for jokes but it's problematic as it is. You're right that she didn't learn what it really means to love someone and it's sad to see that happen.

In my Book 4 fix-it fanfic, my prologue will explain which scenes would be redacted or edited from the show. I was thinking of either redacting the Maiko scene altogether or editing the scene to be a Zutara cliffhanger for the end of Book 3.

Thank you again for all your input! I truly do appreciate it. I'm working hard to make my fanfic as close as possible to what Ehasz and crew might've been trying to accomplish in their storytelling if it wasn't for Bryke's meddling. Your insights have definitely had a positive impact on me and my writing.

Thank you again! ☺️

[I'm sorry my post is so long]

My take on Maiko

Now this isn't meant to be a bash against Mai. I wanted to point out the hot and cold emotional rollercoaster that is Mai and Zuko's relationship. I believe they are not romantically compatible but it isn't any one person's fault.

They have different love languages and different relationship wants and needs. They also have opposing political views.

Zuko's experiences have changed him, what with being banished and life as a fugitive. He is no longer the boy Mai had a childhood crush on. People grow and change and so do too our interpersonal relationships.

Despite everything, they still care for each other. Keep in mind that caring for someone can be platonic or familial as well, not just romantic.

Simply put, they are not a good match for each other.

[hotdogmchiggin]

Company Mandated Fancy Fits on the Tulpar 😏

Also had to include the REAL star of the show (and a bonus)

Based off of this and this. Thank you very much joetastic for being inspirational 👍

The REAL reason this is late

[ckret2]

probably a dumb question considering THEY'RE a god, but how quickly does VENDOR generate new planets? can THEY ever run empty before THEY need to create more? also, are THEY limited to third-dimensional planets, given how the Vitruvian Mandala was said to be curved uncomfortably atop one?

I think THEY don't generate THEIR own planets. THEY have to restock them just like any other vending machine.

Remember: being a god just means somebody looked at the person and said "holy shit that looks like a god." VENDOR would (and does) get called a god just by virtue of the fact that THEY're a machine the size of a dwarf star that can vend planets.

THEY're no creator god, just a... well... a vendor god. Someone else makes the worlds. THEY could probably custom-order some to be fabricated to THEIR specifications, but THEY probably usually just keep a default stock of popular worlds. Y'know, the coke bottles and lay's chips of the planet vending business.

Hypothetically THEY probably could vend higher- or lower-dimensional planets, but THEY'd have to switch out their trays to accommodate them, which is a whole damn process, and I'm not sure anyone's even manufacturing VENDOR's parts anymore, THEY'd probably have to get THEM custom made... It's a lot easier to just stick with three dimensional worlds. And VENDOR's a three dimensional machine, it just makes sense.

[raiiny-bay]

wip

[bmpmp3]

the really beautiful landscape/skyscape animation in makoto shinkai's works tends to be the big thing i see focused on and that is understandable and deserved like the weather and lighting effects are unREAL but i do think we should also appreciate how absolute insane the plotlines of his original movies get. at least two movies with in universe catastrophes with major ecological implications. the guns and explosions. theres that one movie i havent seen yet with the guy who turns into a chair (?)

[kalashtars]

i need professors to start including their late work policies in syllabi again. i'm trying to make strategic decisions here

[dallonwrites]

lately my only goal w my writing sessions is just to do whatever i need to feel good and set myself up for success w the next writing session and it feels kind of like basic advice but i seriously never gave specific focus to that and it's kinda life changing lol

[mimi-cee-genshin]

I think I finally have my first draft done for chapter 4 of my Wanderer series. It took so much work to figure this out.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[bf-rally]

wee today i managed to get stuff to start listing

[clowningaroundmars]

absolutely OBSESSED with dumb phones out of nowhere ahaha*

*me when i lie

[kurominiiiz]

The amount of incest, noncon, and pedophilic jjk smut content is getting out of hand.

"Just scroll if you don't like it!" - this doesn't negate the fact they're posting disgusting scenarios. They're targeting an audience of people who should seek therapy. That kind of shit is not okay.

It's like saying "scroll part a zoophile account on Twitter if u don't like it." See how stupid it sounds?

This Fandom is slowly becoming one i regret being in because of just how disgusting people are becoming. Come on guys, do better.

It's okay to have kinks and fetishes, but that doesn't mean they're okay. It's not okay to sexualize minors, it's not okay to sexualizw little space, it's not okay to sexualize r//pe! I get dubcon, but noncon? That's literally just nonconsensual sex.

Anyways. Rant over. Do better, people.

---

Edit: I have MUCH more to say on this now that I've read some other inputs:

The problem isn't "block and move on" or "ur arguing for fiction..." it's the fact people are exposing minors and already mentally ill people to VERY REAL and DISGUSTING scenarios. It doesn't matter that they're fictional, what they're writing about is a real issue. Blocking tags doesn't work most of the time, so stop saying to shut up and just use that feature.

Another thing is that people are making these writings so normal that they are making others think it's okay. When I was younger, I had unsupervised internet access and was exposed to smut like this. It messed me up and got me institutionalized because I didn't know it wasn't okay to talk about. Minors nowadays are also very unsupervised and will come across your stuff. I'm worried for the next generation.

Last thing, the excuse "they're just fiction" is flawed because you're ignoring the PSA! You wouldn't say this if it was about something else, right? If someone was saying: "I love lolicon!" You wouldn't block and move on. You would call their asses out and comment bomb them. It's the same concept, except on a broader spectrum. You're enabling the behavior of these vile creatures that need serious help. You're not doing anyone any good by saying "this is so unnecessary" or "they're fictional..."

(Update: read this post about my asks if you plan on sending a hate message or threat lol)

[springcatalyst]

this movie is permanently implanted in my retinas. it's not even that good

[creachercrunch]

if i decided to fuck more with channel mixer like. a week ago it probably would've made one gifset i made so much easier but it's okay i will hold this for the future