#(not really but it's the most relevant for him)

[gem-de-lune]

Daily Vibe Check 11/26

To lighten the daily read load but still ensure I get to everyone, i will be reading on 1 Riize member daily, and Seunghan every other day or just if something with him shifts significantly. I will do Riize collective reads every other day that I'm not doing a Seunghan Read. So today it is Seunghan + Sohee and then an SM read i found in my asks. Tmw it will be Riize collective + Any other member + something relevant to current topics or asks. Hope that makes sense.

Seunghan

Knight of Chalices + King of Wands + 6 of Wands

Honestly bro is just chilling right now...lowkey this is his card when he is at his most neutral/leaning positive state. Very charming very vibey. He seems to be cheeky lately. He is doing well. I asked about how he felt about Rolling Loud in Thailand, and he responded with the King right there. He's feeling very very high up about the ordeal. Rather than being the King, he sees Briize as the King, and him gathering his graces and motivation to push gorwards simply by watching. There are a lot of fond and just overall respectful and "in awe" emotions attached here. To the point where he may wonder if it is overbearing for others (cough OT6 cough) leading me to believe he may have seen their distainful reactions. Nonetheless it wasn't enough to erase his positive feelings on the matter. He really feels like he should bow down in gratitude lmfao.

When I had asked if he had contacted members recently i got the 6 of Wands, which is a yes signally a positive and celebratory? Chat. Therefore, it is probably around or on Taro's birthday they spoke.

One thing of note that I and maybe many have noticed is that Taro seems the most standoffish out of all the members regarding this entire situation from the start. This is true-ish deep down. I pulled another card to clarify the 6 of wands, which made everything I already knew click into place for me- but I accidentally reshuffled it in my deck and I do not remember exactly what card it was- but I know it fully cleared this up for me so I will share the explaination I came to here:

Taro doesn't really know how to deal with negative situations. At all. He acts as if they do not exist unless he must face them. He is not good with them. He will spiral out of control and doesn't know how to work through those things properly, so he believes the most mature thing is to not engage to begin with. Therefore, it was very awkward for him to try and contact Seunghan directly. He does not know what to say. He has been avoiding it even if he also believes he was wronged and is still OT7. He is the most awkward member about this. I do believe that Seunghan mayhaps reached out during his birthday, and this relationship is starting to mend again. Wanted to share bc this makes me sad and happy.

Sohee

The World + 6 of Chalices + 2 of Pentacles

Sohee is generally feeling really good, maybe like something has been completed to an extent sucessfully. I think, tbh that he is glad to be home lmfao, but he really enjoyed the adventure. That sort of feeling. Since people were asking, I decided to ask if he had really smiled and nodded at the Riize is 7 banners at Rolling Loud, to which I pulled 6 of Chalices. This is a yes, it made him think of some other memories- so since that is the case I really think he may be referring to Madrid, which is funny bc Briize were saying he was grinning just like he did back then!

I then asked him how he thought things were progressing for Seunghan's return, to which I got 2 of Pentacles. Things are still being prepared and there's not a clear answer at the moment. This question led me into the next few things we will discuss regarding SM.

SM

Knight of Pentacles + 8 of Swords + Knight of Wands + Queen of Wands

Generally, there is a lot of turmoil here. Careful planning and preparation, but its almost like one team is like "let's do this now, this is stupid and we need to act now" and the other is like "why do we have to do that? I don't wanna". One side wants to do as they have always done, and the other side is younger and more open-minded, wanting to avoid disaster due to refusal to adapt. The older side sees this as reckless, the younger side sees the older as lazy and slow. It is very tough, and they are at odds. I will come back to this energy a bit later.

8 of Wands + 2 of Chalices + 10 of Wands

Someone asked if SM was making a decision regarding Seunghan this week. Pulled 8 of Wands and 2 of Chalices. Yes?? I think they 100% have the intention to do so. But with the 10 of wands as the outcome I think that whatever outcome it is it will be while before it is released, and whatever it is will be due to a lot of pressure being put on SM. So I advise that OT7 really make sure to keep laying it on as thick as possible as this will affect the outcome.

Bottom of Deck:

8 of Chalices + 5 of Wands

The theme here is still a lot of conflict. One side will need to grow mature enough to give up their stance. Whoever gives in first wins.

Final Notes:

Mainly, what I wanna speak on is the energy SM is feeling right now. I made a transit reading when Pluto went into Aquarius that discussed what tf is going on with SM lately and what will be going on for the next few years. I will link it HERE (for twt users, i will link in the twt)

Other than that, again, keep spreading the truth and laying on the pressure here. We are approaching a kind of finale situation rather soon. Or at least some news regarding such. Note that even if we win, we may not KNOW right away. We may not know 100% until closer to a CB. I hope not, but it's certainly possible. So please keep doing what you're doing, and do not give in!!

[durgetavoc]

Yes I really want to know the horrors of the shit bucket. I’m quite surprised that he isn’t obsessed with cleanliness. He always struck me as the type but then again… I guess I’m wrong.

Oh god, here we go then.

SPOILERS FOR THE HOUSE OF HOPE

(CW for...The Shit Bucket Guy, obviously)

So, if we ever decide to go steal the Orphic Hammer, we can go visit The House of Hope, there, we obviously find Raphael's collection of artifacts, his eternal debtors, and one of them is… This guy.

You should know that all eternal debtors are condemned to a certain task/action. It's difficult to know if this has anything to do with their contract with Raphael, if it is a distortion of an already existing trait of their personality (for example, the Perfect Eternal Debtor, the Theologist Eternal Debtor or even the Voyeur Eternal Debtor) or if it's a way to completely dehumanize them (Loyal Eternal Debtor…My beloved :( ). It seems to be a mix of everything, that wouldn't be surprising if Raphael did what seemed most entertaining to him.

But let's focus on the Shit Bucket Guy, since he's the one that interested us today.

As our affectionate nickname for him indicates, we find him in front of a chamber pot with a visible green odorous cloud above it, which confirms us that it has been used (when you interact with the pot, here what the game says : "An overpowering stench singes your nostrils. Nothing good happened here."). The debtor doesn't appreciate us getting closer to it, and if we ask him if he is its guardian, this is what he answers:

His "name" in the game is "Unclean Eternal Debtor" and if you're taking a look at his face... Yeah, I guess he's not just guarding the pot. When we observe the animation of the character, he walks around the pot, makes a hand gesture to smell it, and that's it.

It has become a running joke in the fandom, particularly for us, little mouses. Those who have been to the House of Hope know about the Shit Bucket Guy... But nobody talks about him.

(Yeah I couldn't help it.)

It's not really surprising, the presence of the chamber pot, and not just any one, RAPHAEL'S, raises other questions. One might wonder if it's not a little OOC coming from someone like him.

Let's take advantage of this question to dig... A little deeper.

Here's, imo of course, why it's somehow relevant to show Raphael's chamber pot and what this tells us about him.

Shall we?

1. Don't be fooled by appearances, he POOPS like us!

Raphael. Raphael. Raphael who embodies sophistication, intellect and danger... Alluring and at the same time fearsome, a fascinating mix. Goddamnit, he's a suave motherfucker, and he fucking knows it.

In video games, it's part of the suspension of disbelief to not talk/show toilet, unless you're in a life simulation game like sims. It's not just taboo since it's one of the most private aspects of our life, but it's also... Not relevant to the intrigue most of the time.

Showing us something that intimate about him disintegrate his mysterious aura. We learnt that Raphaels shits. Yeah, absolutely astonishing. Reminding us that he's exactly at the same level as us. Like the title said, despite his charming manners, his eloquence, his theatrical gestures... He's still human, hells, part human.

2. In the Devil's house.

The first time we meet Raphael, he wastes no time in bringing us to his home, on his own terms. We only see one room, and this is what we see:

Luxurious place, lavish displays of food, ordered furniture... Promising, right? This is how Raphael wants to give as a first impression. I think this scene is perfect as a metaphor. Remember what Gale said? He's taking us to dinner! Like a date, he wants to impress us, seduce us.

But when we're back to this place during our improvised visit, what do we see?

Rotten food. Blood. Skeletons. Mess. Remind me of my room before I have to rush to clean everything because a friend comes over.

By choosing to enter Raphael's home, into his privacy, the game takes us on a tour of his home: we discover what is hidden behind Raphael's character. It is of course expected that we discover his secrets and/or aspects of his personality that he would not wish to reveal, at least not before we make a deal with him.

Haarlep, his incubus, also participates in this demystification. Through them, we can learn about Raphael's sexuality (I'll be quick on this since @bitethedevil did some really good analysis posts about it):

Raphael is only attracted to himself (hence Haarlep's appearance)

He is a bottom pillow prince

And he doesn't last in bed (a valuable information that can be used to anger Raphael later)

Once again, this is another very intimate aspect that is revealed to us. I'm sorry to say it, but Haarlep basically plays the same role as the chamber pot to accentuate the intimacy of the place and also to ridicule Raphael, thus revealing to us what he really is.

3. Raphael hates his father.

Our favorite cambion is having daddy issues, and the chamber pot seems like a nice response to the statue his dad gave him. It's a "blink and you'll miss it" kind of detail, but it's funny to point it out. Show don't tell as it's finest.

4. How bad it is to sell your soul to Raphael.

This one is easy... The Shit Bucket Guy is an example of Raphael's cruelty : "This is what could happen to you if you make a contract with Raphael."

Sure, it's funny because the whole thing is ridiculous: "Guardian of his chamber pot? Seriously?", but it's hard to really laugh at it if you take into account the other eternal debtors. The whole place is designed to make you uncomfortable, because it's not treated as a joke. They had a life, had to ask Raphael for help, and are now reduced to doing something degrading until the end of time. They don't even have a name anymore. They could be your Tav/Durge or your companions...

Suddenly, the temptation to make a contract with Raphael is less appealing after seeing all this, isn't it?

Conclusion : Now the question that burns our lips : What could this guy have done to him to be reduced to this? And why?

My first instinct when I met this character was to think, "oh boy, you must have really pissed off Raphael..." let's be honest, it's the kind of torture you could imagine to your worst enemy or at least a very annoying one.

It could be that, or maybe, mayyybe...

Remember Mephistopheles' statue?

What if Raphael was SO annoyed by this gift that he woke up one day thinking "fuck my dad, fuck his gift" and decided to literally shit on him by putting a chamber pot in front of this statue to express his thanks. And just like any narcissist/paranoid guy, he named a "guard" to be sure no one would spy on him through this (it sounds delirious, but again, we learn that Haarlep was send to distract Raphael, so why not?)

Sure, maybe Shit Bucket Guy annoyed Raphael in the past, but wouldn't that be kinda fucked up that this guy didn't do anything that would justify this treatment? He's just a dude, and Raphael is just a pissed-off daddy's boy (and a very mature one).

Or maybe, Raphael just thinks it's funny. And who are we to discuss a devil's sense of humor?

In any case, sorry Shit Bucket Guy, but it wasn't your lucky day.

PS: Hush, I can hear you wondering "do you think Raphael is scat???" and on this subject I would say: I don't think so, his narcissism is there after all, but he also seems really into humiliation. So maybe it's for the best we don't really know the answer to this question.

After all, only Haarlep can judge him (so the bar is already on the floor).

[everliving-everblaze]

Fitz's characterization is so interesting and so hard. He's both very kind AND a bit of an entitled jerk, and most people only manage to capture one of the two.

I think this is well-illustrated in the first few chapters of the series. Fitz and Sophie spend a lot of these chapters rolling their eyes and sniping at each other, because they both have an attitude about the whole thing. In particular, Fitz has his attitude about elvin superiority, and Sophie immediately responds to that negatively.

He'd never heard of Albert Einstein? The theory of relativity was dumb? She wasn't sure how to argue. He seemed so ridiculously confident—it was unnerving.

On the other hand, it's very clear that Fitz's heart is in the right place (or at least, a well-meaning place). He has his attitude of elvin superiority, but he's thrilled to welcome Sophie into it as well.

Fitz nudged her arm. "Hey. It's not your fault. You believed what they taught you—I'm sure I'd have done the same thing. But it's time you knew the truth. This is how the world really works. It's not magic. It's just how it is."

(And undoubtedly, he's right. He would have believed what he'd been taught—he did, just different beliefs!)

The thing is, Sophie doesn't particularly want to jump aboard the elvin superiority train that he's so excited about.

"Well, it's like you're saying, 'Hey, Sophie, take everything you've ever learned about anything and throw it away.'" "Actually, that is what I'm saying." He flashed a smug grin. "Humans do the best they can—but their minds can't begin to comprehend the complexities of reality." "And what, elves' minds are better?" "Of course.

Fitz reads as a total jerk with what he's saying! He's completely ignorant of the fact that his belief that humans are stupid and evil is like, gonna hurt Sophie's feelings. Because that's what he's been taught!

I've said it before, and I'll say it again: Fitz's character is hugely about prejudice, about people who believe what they are taught, even though it's wrong. And his character is about those people who then have to relearn their beliefs!

Fitz makes so much progress throughout the series in combating his own prejudice, largely through befriending Sophie. His character arc is one of my absolute favorites from any media, ever. I've gone through a lot of the same things he has, having to learn about prejudice and deal with my own biases, the lies that I was taught. His character is very meaningful to me!

But I think that's a piece that so often gets missed when people try to capture Fitz's character. Some people only see the bad parts and choose to portray him as totally evil. Some people focus on the good parts and portray him as more of a victim.

But I don't think either interpretation is totally right. Fitz is nuanced. He means well and truly tries to be kind within his worldview, and once he truly starts to realize his worldview is bad, he works on it! That's way more than a lot of people do. But he he makes a lot of mistakes along the way.

That's a fascinating, relevant character. And that's why he'll always be one of my favorites.

[silcoitus]

Hello! I think I'm doing this right but if not, I'm so sorry:

What do you think Silco would do if he found out, years later/during Act 2, that a fling he had when he was alot younger and dumber, resulted in him having a Son/Gender neutral child living in Piltover?

(how this is discovered can be completely up to you)

Would the angst of them being a Piltovian(?) citizen permanently leave their relationship undefined or would he push away his hatred of Piltover and try and meet them?

Better yet, how would Jinx react to this?

Just a bit of potential angst to spice things up I guess haha.

Thank you!

Thank you for this amazing prompt, anon! It's one of my favorite ones I've ever received! Why does writing angst soothe me? It doesn't make sense.

Summer's Ghost

Masterlist | AO3 link

Rating: Mature

Tags: Silco, original female character, original child character, angst, depression, reference to character death, character study

Word count: 2.7k

Beta reader: @juniper-sunny

Silco receives a curious letter from a Piltie boy claiming to be his son. Spurred by lingering bitterness and unresolved anger, Silco visits Topside for answers and to finally speak his mind to the woman who left him so many years ago.

Dear Mr. Silco,

I'm not exactly sure how even to begin this letter, so I’ll start with the part that is most relevant to you:

I am your son.

I know, I didn't believe it at first either. But if you keep reading, I can tell you how that happened.

My mother was a brilliant woman, born and raised here in Piltover. She was the top of her class and an artist. My grandparents tell me that, in her university days, she had a bit of a rebellious streak. She ran away from home to live in the Undercity. Over the course of a summer there, she met a man. And fell in love.

You probably know more about how the rest of this story goes than me.

After that summer, my mom had a change of heart. She returned home with a new bundle in tow: me. And while she never told me, I assume she left the Undercity in order to raise me here.

But you probably don’t care about all that. You just want to know why I’m writing to you. 

Well, first off: I'm not asking for money. My mom (and grandparents) provided for me and I have a comfortable life here in Piltover. 

I don't want anything from you. Not really. I wrote because… well… My mother died recently. It's actually how I found out about you. My birth was a closely guarded secret and it was only when I was cleaning her stuff out after her death that I learned. She had a box of things from her time with you: a diary, some photographs, a bracelet. I thought you might want them.

I don’t know what your relationship with my mother was like or how it ended, but this seemed like something she would want me to do. If I crossed a line, I’m sorry. 

I've attached her obituary. It has her final resting place. If you want to collect the box, I've left it on her grave. If you haven’t taken it by next week, I’ll assume you want nothing to do with it. And that’s okay, too.

Sincerely,

M.

P.S I also included a photo for proof. You can hold onto it. I already made myself a copy.

When finally Silco lifts his eyes from the letter, it's with slightly parted lips and inward curling eyebrows. Visions of memories long ago flick across his mind’s eye unbidden, released like water from a dam. 

Setting the letter down, he retrieves the other effects in the pneumatic tube. Fingers tremble as they pull out a small photograph. It's worn around the edges and the ink has faded significantly, but the image is unmistakable: it's him in his early twenties, standing next to the woman who left him.

He remembers that summer clearly, the memories vivid and the feelings so strong it could power a Hexgate. He remembers the late nights talking, the sound of her laugh, the way she was always sketching in her notebook. He remembers the first time they kissed, followed quickly by the first time they made love.

Silco’s lips press into a thin line, something bitter bubbling within him. 

He remembers his desperation when he ran through the Lanes, searching for her. He remembers how he couldn’t sleep for days, worried something had happened. That someone had taken her. Or worse. He remembers crying so hard that he could feel it in his teeth, his cheekbones feeling as if someone was pressing their thumbs to them with the aim of crushing them. He remembers drinking.

And drinking.

And drinking.

Drinking to cope.

Drinking to forget.

Drinking to wash down the bitter taste of the knowledge that he had let someone get so close to him so quickly, only for them to rip his heart out and slash it to pieces. And to add insult to injury—

My mother was a brilliant woman, born and raised here in Piltover.

He stares at that word again.

Piltover

Hand shaking violently, he picks up the pneumatic tube and hurls it across the room. It breaks on impact as it hits the office door, glass shards flying through the air.

Of course.

Who else could chew him up and spit him out? Who else but a Piltie? His home—his life—nothing more than a tourist attraction to her, a vacation away from her cushy, privileged life. 

How could he have been so blind?

How could he have been so stupid?

He can feel his heart rate rising, chest heaving as his breathing grows unsteady. Good eye fluttering closed, he puts one hand out, signaling himself to stop.

Slow down.

Breathe.

He takes one long inhale through his nose, holding it for a moment before blowing it out his mouth through pursed lips. When he opens his eyes, his jaw is set, decision made.

He snatches the letter, photo, and newspaper clipping off the desk, shoves them into his coat pocket, and walks out the door.

As far as final resting places go, this certainly is one of the more luxurious ones. Even in death, Topsiders can’t help but preen and self-aggrandize, if not with their bodies, their tombs. Each gravestone seems to be attempting to outdo the next, growing larger and more gaudy in size as Silco walks down the rows of graves. Subconsciously, his nostrils flare and his mouth twitches into a snarl.

When he finds her name among the dead, he’s surprised to see not a tombstone but rather a park bench. Constructed out of blue pearl granite and polished to a brilliant shine, her name, date of birth, and date of death are carved into the back. The soil around the bench looks freshly turned over and the carved letters barely have any dust or dirt accumulated in them. Studying the dates, it would seem M did not lie; she had died two weeks ago. 

And there—sitting on one end of the bench, waiting for him—is the box.

His chin lifts as his mismatched eyes scan his surroundings, looking over his shoulder, his ears alert and listening for any signs of other visitors. Certain no one is nearby or within eavesdropping distance, he turns his attention back to the bench.

He could just take the box and go. There’s no need for him to linger here. But as he stands staring at her name—carved with such finality into that unmoving stone—he can’t bring himself to leave.

And yet, it’s odd, addressing a bench. On his way over, he had envisioned himself spitting on a tombstone with great satisfaction. But now, as he’s faced with something as welcoming as a bench in a beautifully maintained cemetery, he feels stuck. Any anger that had been boiling in his abdomen before has simmered down, upended by the unexpected appearance of his former lover’s grave.

Reaching into his pocket, he retrieves the photograph. After propping it up on the bench, he addresses the woman who lies six feet underground. 

“You…” He can’t even bring himself to say her name, both hands balled into fists in his coat pockets. “You’ve been here this entire time.”

Both eyes roll as he realizes the error of his statement.

“Not here, but in Piltover.” He brings one hand up to pinch the bridge of his nose, good eye squeezed shut. “I searched for you for weeks. I didn’t sleep. I didn’t eat. I thought someone had taken you. I thought you had—”

Died.

Well.

It’s accurate now, isn’t it?

“Typical Topsider,” he spits out, one hand gesturing as if throwing something away, like the way she had thrown him away, “You come to my home, promising a bright and brilliant future, but all you do is leave destruction in your wake.”

He steps back, pulls his head back, and spits onto the freshly dug soil.

“Disgusting,” he snarls. “And to think, I had lov—”

He pauses, unable to finish the word.

He was young. He was ignorant. That was not love he felt for her. Nor adoration. That was infatuation; merely a young man’s naive idea of what love was.

What that was—it was Not Love.

Silco pulls his fingers through his hair, collecting himself.

“Why?” His hand curls into a fist again. His tone is bitter, full of anger, growing in volume. “I don’t care why you left; I know exactly why you left.” 

As he continues to speak, his concerns about being overheard are overcome by the thundering emotions swelling inside him, churning and bubbling after years of dormancy. “You didn’t want your son to grow up to be a street urchin like his sumprat father. No… all I want to know is…”

His next words are bellowed out, the sound coming from deep within his lungs, each word punctuated with a pregnant pause, as if he means to put his entire body into every syllable.

“Why. Didn’t. You. Tell. Me?”

There’s a flurry of wings as nearby birds take flight, spooked by the sudden noise. 

Silco’s good eye flutters closed again and he takes long, deep breaths, recentering himself. His hand comes up, forefinger pressing to his sternum. There’s a desperation to his voice now, a yearning. Mourning something he didn’t even know he had until a few hours ago.

“I had a right to know.” He opens his good eye, staring at the photograph. Staring at her. “He is my son. He is my blood. How could you have kept him from me for so many years?”

He gathers himself, eyes casting to the ground. 

He had so much more he wanted to say. Years of anguish, torment. But now that he’s here, he’s forgotten them all.

He feels empty.

Finally, he slumps down on the bench, next to the box. It remains untouched beside him. He sits with his shoulders sagging forward, both elbows resting on his knees, hands clasped together as his head hangs low. 

It’s quiet in the cemetery.

He turns his face toward the photograph, addressing the woman in it with a whisper of a voice. “All I wanted was for you to be okay. For you to live a good life.”  He lifts his head toward the great, open sky of the City of Progress, free from smoke and fissure gasses and ash. “And I suppose I got what I wanted.”

He hangs his head once more, speaking to the ground at his feet.

“You just did it without me.”

A stiff breeze blows through, tugging at his coat. He makes no move to bundle himself up further, letting the chill air surround him, seeping into his bones.

He sits.

And remembers.

After a few moments, he hears movement. Ears prickling and head whipping up, he spots a boy walking between some nearby tombstones. He looks to be a teenager, fifteen—maybe sixteen—years of age. The boy pauses at one of the graves, looking at it silently, his hands shoved into his pockets. After a moment, his eyes lift and meet Silco’s.

Silco meets his gaze, unblinking. The boy doesn’t seem at all fazed by Silco’s corrupted eye, giving him a small, polite nod. Silco nods in return before tearing his eyes away.

Ocean green and volcanic orange eyes pause on the small wooden box on the bench. 

Mahogany. Expertly crafted. Like the bench, it’s beautiful in its simplicity. Unbidden, Silco’s throat bobs as he reaches for the box and gingerly places it on his lap.

After taking a deep breath, he lifts the lid.

The first thing he sees is a bracelet. Black in color and made of thin strips of leather with small circular charms along the strings, it’s plain and modest. The surface of the leather looks almost brittle, worn around its edges from frequent use.

Underneath, there’s a stack of photos. Lifting them, he recognizes the first as one he had taken. The late woman stands laughing beside The Last Drop’s jukebox, Felicia grinning widely next to her. Vander can be seen in the corner, caught mid-sentence as he speaks with whom Silco can only assume is Benzo. Setting down that photo, Silco’s eyebrows lift when he sees the next one.

He doesn’t remember this photo being taken at all, which is curious given the fact he’s the one and only subject of the photo. Silco—sporting long hair tied back in a low bun—sits at the bar, pouring over his notebook. His right arm is wrapped in strips of off-white fabric and in his hand is a pencil, which hovers over the page, posed to write. 

Silco remembers this night.

It was the night Felicia told him and Vander she was pregnant with Violet. It was the night everything changed.

Funny, how the night he learns of one pregnancy happens to also be the night his lover leaves him because of hers.

He hums, continuing to study the photograph.

He had forgotten what he looked like at that age, so used to seeing his marred reflection in the mirror. So used to covering half of his face with foundation just to regain some semblance of normalcy.

Silco’s about to look through the rest of the box when he sees movement out of his periphery. Quickly, he shuts the box and looks up to see the boy from before, standing in front of him.

“Sorry,” he says, voice quiet. “I didn’t mean to startle you.”

“You didn’t,” Silco replies simply. His good eyebrow lifts in silent question.

“Is it okay if…” The boy gestures to the empty spot on the bench. 

Silco stands, hand offering the seat, the box neatly tucked under his arm.

“Oh, you didn’t have to leave,” the boy says, scooting over to leave some room. “I just wanted to sit for a little bit.”

Silco eyes him for a moment, then, against his better judgement, sits back down. The mahogany box feels heavy in his lap. The boy’s eyes look at it briefly before looking out into the rest of the cemetery.

The pair sit in silence, the only sound the rustle of the leaves as the wind rushes through the nearby trees. Silco’s hand covers the box, fingers idly smoothing over the carving of a rose on the lid.

He doesn’t know why he does it, compelled by a nagging curiosity, but Silco breaks the silence.

“Do you have family here?”

The boy nods. “My grandpa.”

Silco hums.

Silence falls between them again.

“Do you?” the boy asks, eyes lifting to meet Silco’s.

Silco’s lips press together, the tip of his chipped tooth catching the inside of his mouth a little.

“In a sense.”

The boy sighs. “At least it’s a pretty nice view.”

Silco follows his gaze.

“It is.”

“Well, except for that.” 

The boy points to a large tombstone made of porcelain with gold accents all along its edges. Every inch of it seems to be covered in some sort of design, painted in blue. But the patterns come across as less elegant and more like visual noise; the eye given nowhere to rest, the senses overwhelmed by all the complicated shapes and textures.

Laughing, the boy makes a retching noise. “It’s so ugly.”

Silco’s lips pull into a smirk, head tilting.

“There’s no accounting for taste.”

“Yup.”

The boy abruptly gets to his feet, seemingly satisfied. Turning to Silco, he puts his hand out in offering.

“I’m Marlow, by the way.”

“Marlow.” Silco takes his hand and shakes it. “Nice to meet you.”

The boy nods, seemingly out of words. After offering a small smile, he turns on his heel, heading for the gates.

Silco continues to sit on the bench, thumb rubbing absentmindedly on the box’s carvings. After a moment, his eyes widen and he reaches into his coat pocket for the letter, eyes darting down to the bottom.

M.

He looks up to find the boy has disappeared. He lets a short chuckle out of his nose as he shakes his head, rising to his feet.

After one final look at his ex-lover’s grave, he starts his trek back home.

He has a feeling this won’t be the last time he visits this cemetery.

And it won’t be the last he’s seen of that boy.

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[i-will-change-this-someday]

Genuine question, does Victor actually ever compare himself to God?

Like, almost every single Victor hate post is like "this dumb idiot with a god complex is just a college dropout haha, if I made the Creature I would love and nurture it, not like loser McGodComplex over there."

But I looked it up, and the word "god" is in the book 26 times, and most of them are just exclamations.

The only time that Victor is likened to god (that is relevant, Walton does describe him as "God-like in his ruin" or something else really gay) is when the Creature claims he "should have been thy Adam, but is instead a fallen angel" or whatever he said.

So the one that sees Victor as a god is the Creature, and not Victor himself, which I think is very interesting. It's a kinda like how kids think their parents always have the answers or can fix anything.

I also wonder if the Creature thinks that Victor made him for some "divine purpose" or something. (Sorry if he already said something of the like in the book)

[irregularjohnnywiggins]

You ever have those moments where an idea just... won't leave your head?

[poisonouspastels]

I think a lot about the fact that Herobrine as a creepypasta initially was not malicious at all. Like literally he was just some guy who made very specific tunnels, cut leaves off trees and built pyramids in your world, all weird things but really not harmful. Like his worst crime was telling someone on a forum to fuck off when they kept talking about him. But then with time there's been all this additional detail added on like the redstone torches and traps and shrines and he's seemingly gotten more aggressive as an entity within writing and other media. Like he'll actively go out of his way to hinder the player in game or in some depictions irl in some way. All of this is to say I think the more we tried to figure out Herobrine and shit the more we pissed him off a little. Give the man some space I'm sure he's tired of the 12 year olds trying to summon him every other day. EDIT: Please check out my Minecraft AU if you like MC stuff like this, I put a lot of work into it with my partner.

[lesbianslovenamari]

I was reading DunMeshi and was so confused by this phrase that I decided to look it up

(Do correct me if you think this isn’t accurate cuz I just used google)

But I find it frankly hilarious that Chilchuck is using slang from various parts of the British Isles out of nowhere in the last volume??

(I’ve now had someone explain to me that apparently it’s not uncommon for certain uncommon types of informal Japanese to be translated as slang from specific areas, typically around Britain, in English)

First of all I’d alr seen people jokingly headcanoning him as Irish on here (which was an idea I absolutely love)

ALSO I come from a part of the UK where I’m very familiar with the term ‘git’ but had never heard of a version with an e and I also had no idea it meant the same as ‘bastard’

(I have considered that this could just be the regular meaning of the word ‘get’ but I thought it wouldn’t grammatically make sense here so I assumed it was slang esp cuz he would totally call someone a git)

Anyways I’ve checked other translations and it’s not the same so I find it so funny that this one (which I’m pretty sure is the official English translation) included it

(^ another version I found online)

Anyways this is the translation I have and used as an example for this post, which I’m pretty sure is the official English translation:

Edit: Btw also check tags I kinda wrote this when I was drunk on sleep deprivation

[thisisallthehattersfault]

AU where Hualian met and got together some time before Xie Lian's General Hua era, and they ended up properly being able to raise and take care of Banyue and Pei Su.

Also they somehow end up figuring out what's up with Jun Wu, and when Pei Su still ascends, he does so with the knowledge of what Jun Wu is. Instead of killing all those people at Banyue pass for Ban Yue, he's working within heaven against Jun Wu.

I just want a fic that really delves into Pei Ming's relationship with Pei Su, and the realization that he didn't actually know the kid nearly as well as he thought he did. Also, we see in canon that Pei Su seems to respect and look up to Xie Lian more than he does Pei Ming, which is another thing that's never really addressed but could be interesting to explore. And I like the idea of heaven being like "The Ghost City is dangerous and volatile and Hua Cheng is the ultimate evil" and then we cut to Pei Su vising home for a weekend and having to dodge dozens of well-meaning ghost aunties trying to feed him questionable things before he gets to Paradise Manor and is immediately accosted by Hua Cheng because oh, I see, you have the time to run all those errands for Ming Guang but you don't have the time to cALL YOUR FUCKING PARENTS--

[86future]

[ 2ND CHILDREN / 5TH CHILDREN ]

— The truth is, Unit 02 simply isn’t compatible with the other EVAs. (E14)

— I never imagined this boy could synchronize with Unit 02 without replacing its core. Quite astonishing. (E24)

Death & Rebirth Pamphlet / Cruel Angel’s Thesis OP / EVA-02 wiki / DEATH (TRUE ²) / E16 / E24 / DEATH (TRUE ²) / E22 / 3.0: You Can (Not) Redo Cover / E09 / The End of Evangelion / E09 / E24 / NGE Manga / The End of Evangelion

[worstloki]

something very horrifying about the concept of Thor but not Loki being told that Loki is Jotun when the brothers are old enough to understand the importance of the secret

[wonder-worker]

the fact that Henry II had two parents who were willing to relinquish their titles and share their authority with him (with his father even writing that he hoped Henry would one day "surpass me and all my predecessors in power and dignity") only to become known as the guy who drove all his sons into open revolt against him because he refused to give them adequate power 🤡

[yea-baiyi]

about hua cheng re: that conversation w xie lian about his “true appearance”, and why hua cheng freaks out when xie lian’s asks to see his real appearance — like san lang is basically his normie appearance. whereas he usually prefers to be full makeup platform heels acrylic nails. but when xie lian asks the question, he wonders if xie lian would consider his “true form” as his ugly self. (after all, that’s what most people mean when they ask for someone’s true form — they mean their original human appearance). but the way xie lian phrased it makes it clear that it’s about being open and comfortable with each other, not about some demand for truth. which reassures hua cheng not only that xie lian will like him no matter his true appearance, but that he would accept hua cheng’s chosen appearance as his “true self” because it’s how he truly sees and portrays himself, rather than his original appearance. xie lian’s words assure him that it’s not the Honesty or the Original appearance that matters, just that he’s aware that san lang is a facade for his benefit and he’d rather see hua cheng the way he prefers to appear.

[bonefall]

oo snowkit becomes snowcarve?

He does!

In StarClan, you can use the names and appearance that you could have had, if you died young. It's very rare that you get permakits or permapprentices. I lifted from the COTC story about Smallstar and his siblings.

(Though, in BB those kits actually survive and it's MAPLESHADE’S kits who lead to the law on protecting children, Darkstar's Commandment, the Queen’s Rights. Smallstar is the leader of WindClan and xey're super chill. Xey own a lovely shawl.)

So Snowkit chooses to appear as Snowcarve, an Honor Title he would have earned for the creation of a full written Clan cat language, expanded from the simple glyphs. I'm not sure if he's a popular patron, but I do know that Bramble and Tawny invoke him sometimes.

Unfortunately though he's more invoked for general guidance by the two of them, not for possibilities like I think he'd like. He watches over them though, like a guardian angel. A lot of cats secretly have those.

I'm not sure who he follows around more often though. I think he LIKES following Tawny more because she's a better listener to his omens. But he feels like Bramble NEEDS him more, y'know?

Also notably, Snowcarve was technically their uncle, but the relationship is best described as "1st cousin." Rabnir in Clanmew, a familial role about somewhat distant but parallel growth, seen also with Brightpaw and Swiftpaw.

[lucabyte]

🐮

[aerithisms]

rotating the pub scene from 73 yards in my mind i think there is so much being said there about wales and welsh/english tension that is so interesting and is going so under discussed