#(but god the repetitive parts. i do Not know what to do with them)

[cowlovely]

trying to plan out the master drumming song amv. why are there so many repeating lyrics in this song good lord

[nereidprinc3ss]

do you believe me now? | 8

it's the morning after. spencer reid suspects you’re left with some doubts after losing your virginity to him. he has to figure out why—which is hard when you're keeping secrets.

series masterlist

this series is 18+ warnings/tags: fem!reader, blood related to losing virginity (dramatized for the drama duh), super vague allusions to the BAU being hungover, mild blasphemy if anyone even cares, pondering god bc am I really a fanfic writer if I don’t get a little religious w it, emily AND hotch are here and nobody knows why pls don't pay attention to that bc we are imagining like season 11/12 spencer and I'm inconsistent w who is unit chief in this series apparently, spencer slut lore, spencer emotional wounds lore, Spencer is a traumatic situationship survivor a/n: DADDYS HOMEEEEE (me and dybmn not spencer) anyway missed these little guys and am happy to be writing for them again!! idk what my upload schedule will becoming back to this but pls lmk what u think of this part, I have no idea how you will respond but I'm being brave and ily

Friday morning Spencer comes into the office fifteen minutes late (he tried his best), in yesterday’s suit (everything in his go-bag had been too wrinkled), hair messy (no doubt from your fingers), coffee cold (he’s exhausted) and overall, in an excellent mood.

The rest of the team isn’t faring quite as well—Spencer gathers they stayed at the bar celebrating Derek’s birthday a lot later than he had. It shows through sallow skin and dark circles and the grimaces he receives on the way to his desk that are probably supposed to approximate good morning’s. 

Honestly, he doesn’t mind the dull mood—he doesn’t need the teasing and the prying questions that would be sure to come if his co-workers were at peak performance and were able to put together his unusually perky demeanor and disheveled appearance. At least Prentiss doesn’t appear to be paying him any mind. She’s always the one who can read him like an open book and has no shame in doing so aloud. Echoes from years of, ‘so who was the lucky girl, last night, Reid?’ Still ring through his mind and it’s like he can feel her finger prodding at his side. 

The Emily of it all makes him smile, though the rest of the memory leaves a metal tang in his mouth. Back in those days, there were sometimes a lot of girls, but even then he was consciously aware he wasn’t necessarily doing something he enjoyed. He spent a lot of time, actually, staring at his bedroom ceiling, psychoanalyzing himself. Repetition compulsion. The insatiable desire to repeat or reenact emotionally painful experiences. Maybe he thought if he could teach himself to subsist off of emotionless hookups, he could in some way heal from his experience with Elle. Though, he’s hesitant to think of it now as healing—it’s not like he didn’t know what he was doing when a few nights after she said I don’t feel the same I’m sorry he opened up his front door for her. It’s not like he didn’t know what he was doing every time after that. So, maybe heal isn’t the right word, when one doesn’t have the right to be injured. Or when the injuries are, in a manner of speaking, self-inflicted. At the very least he could tell himself that this time around, meaningless sex was a choice he was making for himself. Spencer hates when things just happen to him. 

But you—you’re different. You were a complete surprise. At first, a cute and unexpected complication. After a few painful and short-lived attempts at real relationships, Spencer decided he was simply not to be trusted with emotional intimacy of any kind, including that which inevitably develops from physical intimacy, and would resign himself to a life of celibacy. He tried not to like you, but you were just so damn likable. Magnetic, to use a trite and perfectly honest turn of phrase. All that to say: he doesn’t regret you at all. There is no filter of putrid shame or anguish over his memories of last night. 

Just you. Perfect. Starlit. Glowing softly around the edges like you’re not even real. 

I love you I love you I love you. A hymn with no melody. You, always reminding him exactly why he is decidedly not a man of faith. At least, not in the typical sense of the word. 

How God became the idol and not Mary is lost on him. That’s why, Spencer supposes, tapping an eraser on his desk, marriage and sex were forbidden for so many ecclesiastics. After all, if they knew what it was to love a woman, specifically to love you, he doubts they’d feel like spending much time in the pulpit. Love. Humans had that long before they had any gods. It’s primeval. It’s the most natural manifestation of devotion and worship. It will always have come first. Isn’t it a better kind of religion when a man realizes he can kneel in front of a woman rather than an altar?

A heavy hand falling on his shoulder jolts him from his theological musings—which are in all practicality useless. What’s that saying about blasphemous thinking on the FBI’s dime? Right. There isn’t one. 

“I’m scared to ask,” Morgan says as Spencer jumps slightly in his chair. 

“What?” He mumbles, looking up from the document he’d only sort of been reading.

Morgan just looks at him, strong brows furrowed and a ditch between them, angles his head and glances to the side as if Spencer is missing the obvious. He almost follows Derek’s eye-line. When that doesn’t work, Derek just says your name. Like your status is somehow in question. 

“Did you two work things out, or not? It looked pretty bad when you guys were leaving last night.”

People often misunderstand an eidetic memory. It’s not like things can’t slip his mind—Spencer can actually be quite forgetful. It’s made worse by the fact that last night at the bar feels like months ago. For a moment, he has no idea what Derek is referring to. 

“Oh. Oh! Right, we—right. Yeah, we, uh—we worked it out.” Before Derek has a chance to read his face, no doubt as incriminating as his fumbled speech and an ill-timed throat clearing, he turns back to his paperwork. “Thanks for keeping an eye on her at the bar. I appreciate that.”

It’s quiet for a moment, and Spencer’s lips twist as he can feel the incoming inappropriate comment. 

“Is that the same suit you were wearing last night?” Morgan quips, his wide grin audible. Spencer can practically hear the cartoon gleam of his friend’s bleached teeth. 

“No.”

“You dog.” Derek is still smiling as he claps Spencer’s shoulder again. “What did you say to her that worked so well?”

Spencer clears his throat again and tries to look extremely involved in logging onto his computer, speaking quickly as if he’s beyond disinterested and can’t wait for the exchange to be over. 

“I don’t know what you’re talking about. I’m actually trying to work so if you wouldn’t mind going back to your desk that would be great.” 

“Uh-huh. I’ll let you work. But I see you, pretty boy.”

Spencer tries not to blush like a teenager as he refuses to look up. 

Naturally the rest of the day is a slow descent into dread and madness as all those good feelings with which Spencer had started his morning begin to harden into something much worse, chilled by your lack of response to the text he sent you earlier. Which was essentially a rehashing of the note he left on your bedside table. 

Maybe it was too much. It should’ve been one or the other, but not both. He’s overwhelmed you. 

Okay, so maybe this is what religion is for. A last ditch effort when you can’t talk to your girlfriend so you have to try talking to God. 

But Spencer knows you, and he knows something is wrong. You wouldn’t just ice him out so blatantly if everything was okay. He catches himself glancing up toward Hotch’s window to see if the blinds are drawn, and considers faking an illness to get out of work early and go check on you. But he powers through the remaining hour and a half that he is obligated to stay at work, he bounces a pencil between his fingers, drums at his desk, and gets nothing else done. As soon as 4:59 rolls around, he’s out. 

Spencer can hear shuffling on the other side of your door as he stands in the hallway. A pot clatters. The walls hum with the rush of water through the pipes to your sink. He knocks, relieved that you’re okay and at the same time struggling with that weight on his chest—something cold that leans over his shoulders and whispers into his ear—so she just didn’t want to talk to you. 

Suddenly all sound from inside your unit ceases. For a few long seconds, Spencer’s confusion only grows exponentially. 

“Who is it?” You finally call, voice wavering. Also odd. Usually you just open the door. 

“Um… Spencer?”

“As in my boyfriend Spencer?”

He frowns, bottom lip jutting out ever so slightly as he tries to decipher your sudden paranoia. “I hope so?”

The click and jingle of several locks precipitates your much-anticipated reveal. 

“Come in,” you say breathlessly, more harried than usual and not giving him the tender greeting he’s selfishly become accustomed to—barely even giving him a second to look at you. But he steps inside, watching on in concern as you do up every single lock—the one on the knob, the deadbolt, even the chain. Is this really all because of his little comment last night about anyone being able to get in? He certainly hopes not. He didn’t mean to terrify you. 

When you finally turn, he takes stock of your appearance. Big hoodie, pajama pants patterned in little hearts. Hair pulled back hastily. Your skin is sort of dull where you normally glow. But you’re beautiful, like always. It always aches just a little bit to look at you. Spencer’s always been like that. Going breathless at a particularly good piece of art or pretty girl. Like yourself. Mostly you. 

You quickly turn to hurry back into the kitchen. “I was trying to make dinner, I—”

“Hold on,” he interrupts, stopping you with a hand on your stomach that is so non-demanding it’s really mostly a suggestion. He tries to clear his head, though you make it hard. “You didn’t talk to me all day. Not that you have to, but… I was worried.”

You glance at the floor and mumble, “I lost my phone,” with so much embarrassment he believes you’re telling the truth. “Did you, um—did you text me?”

Insecurity. Spencer knows well what it looks like on you. He softens. You weren’t ignoring him—but you’d been left in a vulnerable state without any ability to contact him or anyone. That couldn’t have been comfortable. 

“Of course I did.” He pauses to observe you. Still anxious. Still prepared to run at any second. Something, and he’s not sure what, did a number on you today. Maybe it’s sheer exhaustion, maybe it was the anxiety of not having your phone. But he has to figure out what it is so he can undo it. “What? What’s wrong?”

He watches your breathing pause—watches your eyes gloss over with tears and a frown contort your features. Oh, god. He’s done something terribly wrong. It’s been thirty seconds and he’s done something wrong. 

“Can we sit down? I don’t feel very good.”

“Yeah. Yeah, we can. Whatever you need.”

You cast a baleful look at him and now he has to wonder what that means. Spencer sets his bag on a pulled out dining chair and follows you to the couch where you settle on opposite sides—you’re curled up in the far corner, hugging a pillow to your chest with your legs folded in front of you. Spencer’s heart is beating fast. He doesn’t know what’s going on with you and he can’t figure it out just by looking and you don’t seem eager to tell him. 

He’s exhausted all his typical ways of collecting information, and now he’s at a loss. 

Eventually, the anxiety comes bubbling up. 

“Please talk to me,” he pleads. And you do. Almost instantly, like he stepped on some sort of landmine. 

“I know it’s my own fault for not having my phone on me and not being able to see your texts, but it really sucks that I had to find out from my creepy neighbor that you snuck out in the middle of the night without saying goodbye.”

The whiplash is so strong it’s almost a broken neck. Spencer reels, frowning deeply as he tries to process your impromptu speech, the sudden confrontation. What creepy neighbor?

“I… didn’t. I went to grab my stuff from the car around one, but I came right back. I left at 7:30. You don’t remember me saying goodbye?”

Your brow furrows, and your eyes dart over the design on the rug like you’re watching memories go by. He sees it in your eyes when you recall some hazy image of him holding your face, kissing your cheek more times than was necessary and whispering sweet things against your lips before he had to go. You shrink into the couch, clearly struggling under the combined weight of relief and embarrassment. 

“I forgot. I thought… he said…”

A moment passes and it’s clear you’ve abandoned the sentence. Spencer is concerned about this shadowy male figure who put malicious untruths into your head. He slides his hand under yours and twines your fingers together. Finally, finally you meet his gaze. 

“Someone made you believe I left without saying goodbye.”

And he almost wishes you weren’t looking at him as more tears pool before falling down your cheeks. You nod, and don’t make a sound. 

“No, honey. I didn’t do that. I’m sorry that’s what you’ve been thinking all day.”

“I was worried that you… or that I wasn’t…”

His chest aches. You’d woken up alone, no recollection of his goodbye, and without the comfort of even a text. 

“You didn’t see my note?”

The way you look at him then is heartbreaking. Eyes wide and wet and sad, lip trembling. 

“You left a note?”

Murphy’s Law. Anything that can go wrong, will. 

It must’ve fallen off the bedside table, or maybe he just hadn’t positioned it obviously enough. 

A lost phone, a missed note, and not even a memory of his departure. While none of these things are verifiably Spencer’s fault, he feels so, so guilty. 

“I did,” Spencer says gently, scooting closer and pulling you into him, head pressed to his shoulder as you try not to cry, and he rubs your back slowly. 

Your sulky words are muffled by his shirt. “I didn’t see it. What did it say?”

“A lot of very nice things about you,” he whispers. Spencer thought maybe he could get away with giving you all the sincere compliments you can’t accept face to face through a note you could read while he wasn’t around. That way you couldn’t refute them or stop him. It was a good plan. 

He feels the sigh of relief leaving your body against his neck. 

“I didn’t know.”

“I know. I’m sorry. That’s not… I should’ve just stayed. This is my fault.”

You keep your cheek pressed to his shoulder as you speak. 

“It’s not. You have a job. A really important job. You can’t just call out whenever I want you around.”

Logically he knows you’re right, but he doesn’t always think logically around you. 

“I could’ve made it work. I could’ve come in late, or the team could’ve called me if there was a case, which there wasn’t—”

“Spencer, it’s okay. It’s not your fault. Don’t worry about it.”

He pulls back slightly, frowning at your tone. You do look relieved, much less plagued than you’d been when he arrived minutes ago, but something heavy still weighs you down. The burden of it darkens your eyes and dulls your expression. When he cups your cheek, you glance up at him, and then away once more. 

He speaks softly. “Is that all you wanted to tell me?” 

Again he earns a moment of your eye contact, but it’s fleeting. He watches the words spin around your head as you try to figure out what to do with them—and then choose to remain silent. 

There is in fact something you’re keeping from him. 

Spencer hates to use work tactics on you, but he doesn’t speak either, hoping that you’ll feel compelled to fill the silence with the truth. Knowing how you’re not entirely comfortable with quiet. 

And you try, lips parting and the sound delayed as you wrestle with something you clearly don’t know how to talk about. 

“I… my neighbor,” you say, frowning like you don’t quite know why you’re speaking. “The one who told me he saw you leaving in the middle of the night. He also—he said…”

Spencer brushes hair away from your cheek with a thumb, stroking the high point in gentle passes as your words taper off. Now that he’s thinking about it, he did encounter a man in a dumpy robe standing in the courtyard and smoking a cigarette when he left you tangled in sheets and dozing contentedly to get his bag from the car. In fact, they rode back up to your floor in the elevator in mostly awkward silence. Spencer was sure his outfit told a story—shirt untucked and hastily buttoned only partway, no belt, shoes barely tied, duffel slung over his shoulder—he wasn’t really expecting to run into anyone at such an hour, to be honest, but he hadn’t particularly cared what this man thought of him, so it didn’t cross his mind again.

Now he remembers. 

Long night, huh? I remember those days. 

It was an inappropriate comment, but given his job he’s used to ignoring those. Mostly his mind had been preoccupied with the idea of returning to you, who gave him such a warm and sleepy welcome when he climbed carefully back into your arms several minutes later that it was like he’d never known anyone else at all. 

Now he resents that he hadn’t said anything, he hates the idea that you spoke to this man and he said something to upset you and Spencer wasn’t there. Usually he tries not a judge a book by its cover (metaphorically, of course) but he’s been around enough bad men to know when he’s looking at one. Last night he hadn’t even been cognizant enough to realize they got off on the same floor. 

“What did he say, angel?” Spencer whispers, incapable of being anything but soft with you at the moment. Even though he senses something a lot like a tide of preemptive anger rising in his chest, painted over with layers of anxiety and guilt. He should’ve found a way to stay with you this morning. 

You sniffle and let your head fall again, forehead resting against his collar. Instinctively his hand slides to the back of your neck and even at the awkward angle he finds a way to press his lips to yours hair. “Can we talk about it later? I don’t feel good.”

If it’s making you this uncomfortable, Spencer really wants to know what passed between you and this neighbor. In fact, he’d be willing to bet a lot of your strange behavior this evening stems from something that occurred which you don’t feel comfortable telling him yet. But he manages to bite back anymore questions. He doesn’t want to make you feel interrogated. 

“Yeah, you mentioned that,” he says eventually, kindly, hand tracing down the length of your back and up again. “Why don’t you feel good?”

He doesn’t miss the way you reach up to discreetly wipe your cheek. But he won’t make you talk about anything you don’t want to talk about until you’re ready, and it seems like you’re already having a rough day. Which is not what he wanted. This is so far from what he wanted for you. He’s cursing himself for how he handled this whole situation. 

“Um, I just… I don’t know. I feel… bad. I’m sorry I’m being so weird.”

“You’re not being weird, honey. You had a hard day. You’re having a normal reaction to an abnormal set of circumstances.”

You sit up, sniffing and wiping your tears like you can just make the whole thing go away. 

“No, I am. I am. It’s all okay now, right? So I don’t know why I feel like this. I don’t know what’s wrong with me.”

He watches helplessly. “Nothing is wrong with you. We’ve… it’s been a big couple of days. Mostly good, but I think you’re probably really tired. Emotionally and physically.” 

You bury your face in your hands and nod silently. He still feels like he’s shooting in the dark, but you’re not entirely comforted yet, and it’s killing him. 

“Whatever you’re feeling is okay. If this is… about last night, or this morning, or something entirely different—regardless of what it’s about, you’re not going to be… in trouble with me if you’re having complicated feelings. And you can talk to me. But it doesn’t have to be right now. We don’t have to figure it out all at once, okay?”

You press the heels of your palms into your eyes, and for a moment, his words sink into silence. When you do raise your head, nodding, the evidence of your discomfort is all over your face—reddened eyes, cheeks polished with wiped tears. But you take a deep breath and try to project whatever it is you think he wants to see. 

The back of your hand is soft under his thumb as he sweeps it, as if he could draw forth more information that way. People speak when they’re ready.

“Is there anything I can do?” He tries, all ramped brow and soft spoken. 

You’re looking at where he’s tracing swirls on your hand as you swallow and blink the last of your tears away. 

“Um… you can say no, but—do you think it would be okay for you to maybe stay again tonight?”

Spencer sucks in a breath, painfully aware that he’s about to let you down. 

“I… I haven’t been home in a week. I’ve been wearing this suit for two days straight and I don’t think I would want to share a bed with me again until I shower.” He watches you wilt and lifts a hand to stroke your hair. “But I do want to spend time with you… do you maybe want to come stay with me instead? No pressure—”

“Okay. Yes. Is that okay?”

Spencer’s brow knits. You seem even more enthused about the idea of going to his apartment, like now that the opportunity has presented itself you can’t wait to get out. Maybe you have some sort of black mold problem. 

“Of course. Do you wanna grab a few things and then we can go?”

“Um—I also haven’t showered today. Do you mind waiting?”

“Sure. Or you could use mine. With supervision, this time.”

Spencer is attempting to make a joke about your unplanned (and unmoderated) stay at his apartment last week after he left—but looking at your face now he’s wondering if he touched a nerve. 

“Like… one at a time? Or…”

He thought maybe you’d be more comfortable around him after last night—and it’s not like he hadn’t seen you naked before then, either.

“Do you wanna do it one at a time?” He asks gently. 

There’s this sparkly sort of longing in your eyes that he’s seen before, but you tamp it down like always. You’re so cautious. About everything. Even the things you’re curious about. It’s sweet and a little sad. 

“I’ve never… showered with anyone.”

The corner of Spencer’s mouth twitches as he pushes hair over your shoulder. “I know. You don’t have to. We could save like 100 gallons of water depending on how long your showers typically last, but—”

“Spencer—”

“Sorry, sorry—I didn’t—I didn’t mean it like that. I’m not trying to pressure you. You absolutely can take your own shower. You can go first so you get the hot water.”

“No,” you laugh, and it’s like a sparkling cloud of gold has settled around you, fractals bouncing off the shine of your cheeks and eyes—the sound of your laughter, the look of it, is such beautiful relief he can’t believe how good it feels, but it fades from you quickly. “It sounds… I think I want to, I just… I don’t wanna, like… do… anything.”

For a split second your veiled language mystifies him and then he realizes what you’re trying to say without saying. Something has changed since yesterday, when you brazenly referred to it as fucking, and today, when you can’t even say sex. He’s gotten as far as it being something your creepy neighbor said. Maybe. He needs to know what. 

But that’s not the topic at hand. 

“We don’t have to. I didn’t mean to imply that we would do anything like that. I don’t expect anything from you.”

You swallow. 

“Okay. I wasn’t sure.”

About what?

He says your name. No response. 

“Can you look at me, please?”

It takes you a moment, and your head raises like you might need some oil in your hinges, but eventually you manage. Spencer hopes the way he’s rubbing your leg is comforting. 

“You know I’m never, ever going to make you do anything you don’t want to do, right?”

To his horror, your answer isn’t an immediate and resounding yes. Instead you look back down and cover his hand with your own, fiddling nervously with his fingers. 

Eventually, you reply, “Yeah… I know. I just thought… I’m not sure. Maybe it’s supposed to be different now.”

“It doesn’t have to be. Nothing has to be different. We’re still doing everything on your schedule, okay? And as for the next few days, at least—I think it might be a good idea to take sex off the table altogether.”

Your eyes narrow and you hesitate. “Why?”

“Because I don’t want you worrying about it. And I don’t think it would feel good for you right now. I think there are things we need to talk about, but… we’ve probably tried enough for a while, hm?”

You give him a shy nod and hum your agreement. For a moment he lets his hand linger on your leg and then pulls it back. 

“Okay. Do you want my help packing a bag, or should I wait out here?”

“You can wait. It should only take a minute.” You pause, halfway up to look pensive. “Um, Spencer—do you think it would be okay if maybe I… if I stayed tonight and tomorrow? I just—I wanna get out of here, for a bit.”

He frowns but doesn’t hesitate. “Of course. Can I ask why?”

“It’s just… suffocating sometimes,” you call as you turn and hurry down the hallway to the bedroom. “Feels like my neighbors are on top of me, like they’re… breathing down my neck, half the time.”

Sure, bigger apartments exist—but it’s not like you’re in a studio. And you’ve never mentioned feeling that way before. That bad feeling is starting to come back—like you’re not telling him something he needs to know. But is it worse to let you deal with it yourself until you’re ready to talk or to force it from you?

A few minutes later you return, a duffel of your own over your shoulder and full to bursting. 

“So I’m an idiot. My phone was literally in the pocket of my jeans on the floor.” You drop the bag as you bend down by the door to pull on your favorite slippers. “Oh—I think I forgot my charger, can you grab it? It’s by my bed.”

Spencer of course obliges, and is secretly pleased to be in your room again, in the light this time, so he can see better. It’s sweet. The pictures on the walls, the plants and the knickknacks and the sticky notes scrawled with messy reminders on every surface and the sweater hanging over the back of a chair—the one you’d been wearing at the cafe all those months ago—it all feels so you. He wonders why the two of you don’t spend more time here. 

He lets himself linger for only a minute before remembering his task, but as he reaches down to unplug your charger, whatever dopey smile he’d been wearing evaporates. The sheets have been stripped from your bed, and he can see why—there’s a striking stain of dried blood, and several surrounding dots, soaked into the mattress. Not much, but enough to make him feel horrendously guilty. He cringes, imagining what it must’ve been like to wake up all alone to nothing but your own blood. Poor girl. Of course he’d noticed some, last night when he was doing his best at cleaning you up, but it had been dark, and he was exhausted, and he hadn’t done enough. 

“Where’d your sheets go, baby?” He asks once back by the front door with his own bag on his shoulder, setting a gentle hand on your lower back and holding out your charger for you. You jump slightly, and he makes circles on your back, wishing there was something he could do to settle you. 

“Oh! They—they got ruined. I threw them out. It’s fine. I have others.”

So you didn’t have enough energy this morning to walk a few feet to your shower, but stripping your bed, getting dressed, and walking down to the trash chute at the end of the hall had been top of your priority list. 

You swallow as he undoes the locks and holds the door open for you, and pretend like you’re not doing surveillance to either side as you stand in the hallway, locking your door again like you can’t get out of here fast enough. 

Spencer casts a sidelong glance at you and wonders if you’re intentionally avoiding eye contact. He tries not to think like a profiler. He tries not to assign meaning to your actions, but he can’t help it. He can’t not notice. 

He can’t not worry. 

And he can’t not wonder what you’re not telling him. 

-

part nine

[gay-dorito-dust]

Can you please do some headcanons of Stanley being fake married to Fords’ assistant. They had to put up this charade for 30 years to convince people he was Stanford and “Mr. And Mrs. Mystery would bring in way more business!” Dipper and Mabel see her as a mother figure and Mabel likes to plan out their dates because she firmly believes they don’t go on ENOUGH of them. While they’re both on one of these said dates they realize “wait…do I actually like you??” (Slow burn is indeed 30 years slowwwww)

This is so fucking long oh my fucking god-I’m actually going to have to make a part two or something. This is just too long.

Part two here

When you and Ford first arrived at Gravity Falls a lot of people were under the impression that you were a married couple, where they got that preposterous idea form neither of you had single clue but as hard as you and Ford tried to disprove their claims, insisting they you were just platonic partners and nothing more.

It only seemed to give them more reason to assume that there was something more going on between you both. So in the end you both elected to ignore it as Gravity Falls was a small unknown, sleepy town that wasn’t on any recorded map that you chalked it down to them needing something to gossip about to spare them of how boring their lives were. But you and Ford knew others wise and saw Gravity Falls as a treasure trove of information regarding the mysterious and the unknown, it was the main reasons you started this partnership to begin with after all.

But things were quick to fall apart just as it seemed you were getting closer to what you knew was the truth as Ford made a deal with a triangular demon known as Bill, easily swayed by his tricks and even more so by his constant repetition that Ford should ‘trust no one’ not even you, his assistant. Naturally it caused a rift between the two of you as you were sick and tired of having to try and reassure Ford- who was slowly succumbing to paranoia- that you weren’t in any way shape or threat to his research. Even bringing up how you both spend hours on end documenting mushrooms, fungi and others of a similar vein when you both first moved to Gravity Falls.

However this tactic didn’t work in your favour unfortunately as one thing lead to another and you were left helpless as you watched Ford get pulled into the portal that his brother -Stanley- had accidentally pushed him into during their squabble, watching as it seemingly closed forever.

You wanted to be mad at Stanley, you really did but the man had just lost his brother, his twin brother seemingly forever due to his own actions. So instead you eased off of him and offered to help him with reopening the portal in order to get Ford back, while also giving a triangle demon a piece of your mind for taking advantage of your overachiever of a friend. Ford being lost seeing forever hurt you just as badly as it hurt Stanley and you would do anything and everything if it meant seeing your friend again.

That and probably scold him for ever thinking that a deal with demon would ever go down well without some sort of hidden agenda, for if a deal sounds too good to be true then it might as well be. Something you’ve learned from Stan, whom you leaned was an expert conman who conned people for a living in order to get by. You didn’t necessarily saw it as a good thing to do, living off of the nativity of people and their gullible natures, but you didn’t have much of a choice when Stan assumed the identity of his twin and even has the audacity to lean into the town’s assumptions of you and Ford being married.

‘But we’re not married!’ You spat, letting go of Stan’s hand when you got home after a trip into town, all that effort you and Ford tried in order for people to stop assuming your relationship was ruined in one fell swoop, was this town really that desperate that they’d deeply get involved in someone’s life like?

(Yes the answer was yes)

‘I know that and you know that, but they don’t have to know that. Think about all the money we could make off of this! They’d be eating out of the palm of our hands!’ Stan replied with a smile while you could only scoff, not understanding how this was Ford’s twin brother when the two were only alike in the physical sense rather then anything else.

‘Is that all you see this as? An opportunity to capitalise on their naivety? Their gullibility and for what? A quick buck?’ You argued back as you sat yourself down at the table in the kitchen and rested your head in your hands. ‘They’ll catch on eventually.’ You added sombrely as Stan could only watch you and feel a slight pan in his chest at seeing you upset and at a loss, completely the opposite of the person you were when standing next to Ford.

‘Listen toots, I know this isn’t how you expected things to go-‘

‘You think?’ You shot back, glaring at him as he held up his hands.

‘-but there’s no other option for us other then to keep the charade up until we can reopen that stupid portal and get my brother back.’ Stan then tested the waters by planing his hand atop of your own, felling you flinch slightly at the contact before relaxing when you felt his thumb rub your knuckles comfortingly. ‘But until then we’ve got to see this through until the end and hey maybe you’ll come to like me one day!’ He then adds with a smile but you couldn’t help but scoff.

‘Yeah right, the day I come to enjoy your company Stanley Pines is the day I enter an early grave.’ You replied but there was no malice in your voice like there was before and in that moment it felt like things were okay, even if it was brief but it was enough for you to want to take Stanley up on his word and see it through to the end.

Flash forward 30 years and you and Stanley were still going strong with the whole ‘fake marriage’ thing and to Stan’s credit a business ran by a married couple did work wonders on the paying public, most of whom would find more intrigue about how you two met more so then about the fake attractions that Stan tried to have them believe as things that once existed.

‘A unicorn made out of corn? Really Stan?’ You’d whisper to him as you forced a smile while clinging onto his arm while the dumb tourists took their pictures of the supposed unicorn made out of corn. ‘That has to be your worst one yet.’

‘Trust the process sweetheart, trust the process and watch as these idiots throw their money at the first ‘weird’ thing they see. They never stop to question its credibility and that’s what we bank on most.’ Stan replied before pressing a kiss to your forehead, something he always did to keep the facade alive and fresh, along with pulling you into his side by your waist and gloating about you and all your academic achievements to anyone with ears.

You hated how much he seemingly remembered about you that almost had you rethinking everything you know about this man. But then you stop to constantly reminded yourself that Stan only remembered these parts about you because he needed material to keep your story consistent and without any falling potholes, the man knew how to cover his bases that was for sure, and yet that didn’t stop you from feeling seen whenever Stan bragged about how smart his spouse was.

That’s the one thing that you mentally thanked him for. He didn’t make you play into stereotypes or change anything remotely about yourself to fit his narrative, he let you be the smart and intelligent spouse while he played the man who was happy to snag you before anyone else could and had been riding the high ever since. It was…sweet in a way that you couldn’t describe.

When Mabel and Dipper came to Gravity Falls they were naturally skeptical on whether they should stay with you and Stan, but soon enough did they warm up to you when you could match Dipper in terms of intelligence and treated Mabel with nothing but kindness and encouragement of her creativity. That and the fact that you could sway Stan into letting them do whatever by placing your hand on his bicep and bating your eyes at him.

‘Let the kids have fun, you were quite the troublemaker when you were their age.’ You told him as you played devils advocate for the kids going to the movies and Stan sighed before reluctantly agreeing to your terms.

‘Fine, fine.’ He says before pointing at you. ‘You owe me for this though honey.’

You smiled as you kissed his cheek. ‘And how can I do that?’ You asked.

‘How about you both go on a date!’ Mabel exclaimed from across the table as she pulls out a blindingly glittery and sparkly binder that had written across the front: Mabel’s date plans for Grunkle Stan and great aunt/Grunkle/ y/n.

‘How long have you had that sweetheart?’ You asked her, a little frightened to know the answer as you knew Mabel was emotionally intelligent when it came to these sorts of things.

‘Since I’ve noticed that you and Grunkle Stan don’t go on dates.’ She replies as her brows furrowed while she flicked through the pages of her binder for the perfect date for the pair of you.

‘We’re married honey, we don’t need to go on dates. Being together 24/7 is like a date all in itself.’ Stanley replied as he could feel your hand gripping his bicep tighten, wanting nothing more than to soothe that overworked mind of yours as he placed his hand over the top of yours and squeezed, shooing you a reassuring smile.

‘Not good enough!’ Mabel cried as she pointed at the pair of you. ‘I can see the love in your eyes, that love is so hard to come by nowadays and just because you’re married doesn’t mean you stop going on dates!’

‘When was the last time you did go on a date?’ Dipper asked this time as his eyes darted from you to his Grunkle as you both mentally swore to yourselves. You and Stan have never been on a date, sure you’ve both been through town together but you never actually went anywhere that would be considered a date. After all your marriage was just for show and tell and not the real thing, despite how much you’ve grown to like how he held you at night or looked at you as though you hung the stars in the sky.

‘A long time kiddo.’ Stan told him. ‘And it was the date where I realised that I wanted to be with them for the rest of my life.’ He adds, his eyes softening when the looked at you, making you smile in response as you moved your hand to squeezed his.

‘Awwww!’ Mabel cooed as she watched you and her Grunkle look at each other so tenderly. it was obvious to her that you meant a lot to her Grunkle Stan and he meant a lot to you too that she couldn’t help but hope to find a love like yours one day herself. ‘Which is why I think you should both go on a date tonight! Right Dipper?’

Mabel punches dipper in the shoulder. ‘Yeah you both defiantly should go on a date.’ He agrees as he rubs his shoulder.

You and Stan looked at one another and knew that there was no getting out of this one, but you were both kind of excited for it at the same time, after all what was going to happen? You both actually realise you like each other after all this time? Preposterous.

[apricityxoxo]

Sound of Your Voice

✧.*Simon "Ghost" Riley x Fem! Reader

✧.* wc about 3k

✧.* summary: Routine. Continuously. Everyday. Every day since that day. He is used to a routine, that’s how he normally lives. His routine was tedious and had recently started to feel mundane. Like a never-ending cycle of constant repetition, a cycle of violent missions and loneliness. That was most certainly not the case now. Now he has you, and he is addicted.

✧.* content: mainly fluff, a bit of violence (simon gets in a fight duhh) and a bit of suggestive dialogue

✧.*This is part two to Help and Care, Here is "part one", it can be read together or separately.

I'm so sorry this took such a long time, I've been so busy and I haven't been in a writing mood. I'm gonna start updating more and writing about different characters. lmk who you want me to write for next. pleaseeee interact, i love hearing from yall.

Routine.

Continuously.

Everyday.

Every day since that day.

He is used to a routine, that’s how he normally lives. His routine was tedious and had recently started to feel mundane. Like a never-ending cycle of constant repetition, a cycle of violent missions and loneliness. 

That was most certainly not the case now. Now he has you, and he is addicted.

He makes his way over… starting to rush a little. 

He keeps checking his back, ensuring no one is following, checking to see if anyone's watching. 

Sometimes he feels paranoid, worried that rumors will spread. Reputations ruined, your reputation ruined. He has seen it happen before and doesn't want it to happen to you.

He finally arrives at the building, making his way past the receptionist's desk. He doesn't have to look, he knows that the receptionist is shaking her head. He knows this path like the back of his hand. When he finally arrives at the door, a weight is lifted off his shoulders. 

It’s like the feeling of pure relief. 

He checks his surroundings while turning the handle and with his free hand, he begins to pull up his mask. He pulls up his mask with a large smile on his face, mentally preparing himself for the intense makeout session that was about to start. However, before the session was about to begin he realized something strange.

Your office was empty. This was the exact time he came to visit your office every other day, so why was today different? Where were you? He started pacing, trying to think where you could be. Where? Where are you? What are you doing? Why aren't you here? 

He's freaking the hell out.

Where are y–

“She's not here son.”

He pulls down his mask and quickly faces the voice. He turns and sees a tall but thin older woman in the hallway. She looks away from her clipboard and looks up at him with her thin almond-shaped eyes over her slim reading glasses. When he still doesn't address her she rolls her eyes and looks back at her clipboard. 

“She should be back next week, it won't kill you to be away from her for a week…right?” She says with a sarcastic smirk on her thin lips. 

So, word had gotten around. 

She walked away while shaking her head.

He had to wait a week, he could do that. 

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He could not do this. 

He's going crazy, it has been six days and he thinks he's going to kill himself. It's been a horrible week for him and many are starting to notice. God, he’s gotten addicted to you.

He's been snappy, and everything is starting to set him off. He doesn't think he's ever been madder in his life. He's like a ticking time bomb that is constantly being set off…

And these recruits were going to make him explode.

They had the same attitude they always had, but he couldn't tolerate their actions with you not here. He was harder on them than usual and irritated by everything they did wrong. He didn't have time for their cockiness, their back talk, and their disagreeable attitudes. However, that's all he received, and he had had enough.

“Harder, you have to hit me harder. Unless you want to die out there.” Ghost said with an angry stern tone. He was training a young recruit, they were on the training grounds surrounded by other recruits and onlookers. The recruit he was training had extremely short-buzzed black hair, was well-built, and had impressive combat skills. His name was Thomas… he thinks. He has a lot of potential, he could make it far if he wasn’t a cocky asshole. Thomas's hits were impressive but not up to his standards. He needed to try harder and be better. 

“If ya not going to try hard, I can train someone else,” Ghost said, sick and tired of this recruit's lazy antics. He could tell his corrections had been irritating Thomas. He was rolling his eyes, shaking his head at Ghost.

“Come on!” Ghost yelled. He watched as the concentration in his eyes turned into pure anger. Ghost thought that anger would encourage him to fight harder, but all it did was make his mouth move more.

“Don't be mad at me because you haven't seen your bitch in a week.”

Ghost doesn't think he’s ever punched someone in a while as hard as he punched Thomas. What was a sparring session between mature respected soldiers, quickly turned into what looked like a nasty bar fight between infantile men who couldn't control their temper. Punches were thrown back and forth and soon they both ended up on the ground. A crowd of men formed a circle around them, cheering them on and guessing who they think will win.

“Get the ‘ell off me!” Thomas yelled, trying his hardest to get from below Ghost.

Ghost didn't say anything, he was more focused on teaching Thomas to watch his mouth. He knows this isn't good for his reputation. He knows that this proves all the rumors about him and you true. He thinks about how he shouldn't do this, after throwing a punch to his face, but he doesn't care.

He was ready to throw another hard blow to the right side of Thomas’s head before he heard a bellowing voice. 

“What’s goin' on here?!” Ghost stops and Thomas quickly crawls from under him, ready to salute his captain. 

Ghost stays on the ground looking at the floor. 

“That's enough training for today. You're all dismissed.” Says Captain Price, followed by the sound of soldiers dispersing. Then he feels a firm hand on his soldiers.

“You're dismissed too Ghost. Go take a nap or something, your piss-poor mood is showing.” Price says the smell of expensive cigars follows him as he walks away. 

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“Piss-poor mood, I'm not in a mood…”

“...he should’ve watched his mouth”

Ghost continued to murmur to himself as he made his way over to his quarters. Upset by the eyes that followed him. He didn't feel upset, he felt fine. He's not the problem, everyone else is for upsetting him. 

He makes his way down a hallway and near his quarters but before he can get within a couple feet of his door, he feels a tap on his shoulder. He turns around and his eyes widen in utter shock and surprise. 

“So, I'm gone for not even a week and you're already beating up little kids?” You say. You look beautiful, your hair is done differently than normal. Your skin looked kissed by the sun and glowed under the artificial lights in the hallway, God he missed you. He missed the sound of your voice.

“It's not my fault, he should've watched his mouth.” You could practically hear the smile forming on his lips as he spoke to you. He was slowly closing the professional and appropriate gap between you.  

“Did ya miss me?” You ask in a soft sultry voice, as you look up at his tall frame through your eyelashes.

He didn't respond but by your face, he could tell you already knew the answer.

“What did you do while I was gone?” you said and as you spoke you started to walk away, and like a loyal dog, he started to follow.

“I found ways to busy myself” he lied. In reality, he did his work and was pissed while he did so. Everything that happened while he worked ticked him off. He didn't like that the recruits talked back when he gave them corrections. He didn't like how cafeteria food tasted when you weren't there to distract him. He especially didn't like how he couldn't visit you in your office on long days.

When he wasn’t working, he was at the pub drinking his sorrows away with Johnny and drinking and drinking even more so that he could forget that you're not around. You're not around, and he can't listen to you ramble about your unique interests like your troublesome cat, the most recent book you read, or the hairstyle you were planning on getting next. He really missed that. 

When he wasn’t working or drinking he found other ways to distract himself.

Other ways that made him feel ashamed. 

Other ways that made him sleepless at night, and drowsy in the morning. 

You made him crazy. You drove him absolutely mad. He couldn’t think straight around you, and it confused him. 

He’s had girlfriends, and hookups, even one-night stands. None of them compared to the way you made him feel. You made him feel lightheaded, you made his heart race, and you made him throb at just the thought of you. 

He wanted more.

He was tired of the flirty banter, the soft touches, and the heated makeout sessions in the privacy of your office. 

He wanted to get to know you, the way no one else has gotten to know you. 

Out of nowhere, he asked, “Do you want to have dinner with me?”

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God! Men! 

How dare Simon give you less than an hour and a half to get ready! 

You’re so nervous, you’re literally trembling. You haven’t felt this way about a man, ever. You feel ridiculous! 

All your life you pushed away the attention of men, in order to succeed in your career. You were always taught that men would stop you from succeeding, they would only drag you down. 

However now, you don’t give a shit. You don’t care if Simon drags you down to hell, you’ll skip right along with him. He makes you feel high like you’re weightless and on top of the world. 

He so entrances you that you think if he asked you to run away and sell crops in the middle of nowhere, you’d say yes. You’re crazy and delusional, and you don’t care. 

You invited a friend over to help you style your hair, wanting to do a natural look for your first date with Simon. As she styles the curls and coils of your hair, she can’t help but make fun of you. 

“I can’t believe ‘Ms. I don’t need a man is going on a date!” She cackles, and goes on saying “And she’s nervous!” She all but hollers. 

Even though you don't appreciate the hollers and cackles from her, you can’t help but giggle along with her. You were a hypocrite.

…

Okay, even with the time given… you look good. Like, really good. You always look good, but damn. Right now, you look fine. 

You managed to search for a dress that was elegant and sexy at the same time. A black dress that hugged your curves beautifully, with a high slit that showed your glowing legs. You paired it with jewelry, a black bag, and black heels. Your makeup was finally finished and as you started to set your face you heard a knock at the door of your apartment. 

You felt your heart sink and doubt started to creep into your mind. However, before you have time to second-guess yourself, your friend sprints down the stairs to let Simon in. 

You rush to grab your purse and your phone, hyping yourself up as you scramble around your room. “You can do this, you got this” “he’s already into you, there’s no need to worry” “You’re a bad bitch, the baddest”. You look at yourself in the mirror one last time and head downstairs. 

As you make your way downstairs you find Simon and your friend talking. Simon is wearing the face of a child who has been punished by his parents and your friend has her back to you. 

“What's going on?” You ask, confused. “Nothing!” Your friend said with a bright and mischievous smile on her face. You roll your eyes, knowing that she's probably giving him the best friend speech. 

“Love you, have fun!” She says as she walks past you and gives you a friendly kiss on your cheek. 

When Simon finally looks at you, you can see his face physically soften. He looks nice, you lied cause he looks so handsome. He's wearing straight black dress pants, and a short-sleeve white button-up shirt with the top two buttons undone. He looks classy and slutty at the same time. It's making you warm up inside, especially with the way he's looking at you.

His hair is styled differently, instead of the messy blonde tussles of hair that usually adorn his, it looks like he attempted to style his hair. His beard also looks trimmed and cleaned up, not fully shaven though. He holds himself more confident than normal but his face has nervousness written all over it. 

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God, you look good, so good. You look good in your scrubs and tennis shoes but right now you look amazing. You look beautiful, you look so beautiful that words can’t describe how he feels right now. It was absolutely worth getting the "You better treat her right" speech from your friend.

He was nervous about planning this date, he wanted it to be perfect. He tried his best to find the best restaurant near your apartment knowing that you’re, what you call, a foodie. He searched all day for somewhere worth taking you to. When picking out his outfit he had to go off base to find a new shirt.

He cleaned up his beard and even thought about shaving it completely, but he decided against it last minute thinking about all the times you've played with it. He also styled his hair but it looks messy now due to all the times he nervously ran his hands through it. 

He needed this date to be perfect. It had to be. It had to be as perfect as you.

“I brought these for ya,” He said, as he grabbed the flowers off the coffee table with sweaty hands. He gave you a beautiful bouquet. A bouquet of vibrant lilies that went together perfectly with beautiful white flowers.

“Aww! They’re beautiful, how’d you know these were my favorite?”

“I’m psychic,” he said with a wink. He saw a picture of a similar bouquet while you were scrolling and liking posts on your Instagram. You smile to yourself and look down.

“You look good, Simon,” you say to him, so soft it almost sounds like a whisper. He loves the sound of your voice. He loved how it made him feel and he couldn't get enough of it.

After you complimented him, he took a couple of steps toward you until your chests were pressed together. He looks down at you and holds your face with his hands. “You look beautiful”. He leans down and gives you a soft and gentle kiss on your thick glossed lips. You feel dazed after that kiss and he asks “Ya ready?”, with a cocky smile. He was perfect.

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Dinner was less than perfect…

The hostess was rude, giving you nasty looks. During dinner, Simon called the waiter a clumsy, forgetful, flirt. The waiter was so busy trying to get your attention that he ended up spilling your drinks on you and giving you the wrong food. Finally, when you do get the right food it was “bland shite” as Simon described it, cursing the people who gave this restaurant anything above a two-star review.

As he paid the check, refusing to let you even reach for your purse, he pettily left a no tip and a short message. You giggle your way out, laughing at his pettiness. As you make your way out, he's profusely apologizing as you wrap your arms around his thick bicep while trying to clean the huge stain on your dress.

“I'm sorry love, thought the restaurant was good and it was gonna go different and-” You're not even focused on him nor your dress anymore. Your eyes drift away to the colorful ice cream stand and your mouth all but waters.

“Do you want ice cream Si?” You interrupt him with a bright smile on your face. You let go of his arm and make your way over to a cute ice cream stand. 

You bend over with a slight arch to your back and look at all the ice cream flavors. You feel a presence make its way over to you and feel a hand go from your upper ass to your hip. “What do ya want Si? My treat!” you look up at him “Nah, you don’ need to get me anything, love, I'll pay”. You continue, ignoring him, “You seem like a cookies and cream kind of guy, or maybe French vanilla, ooh cookie dough?” there was a silence for a couple of seconds, then a deep sigh “Mint Chocolate-chip” 

You look at him and giggle, you knew he’d like something weird. “You got it, Si!”

You order and pay for the ice cream after going for a walk as you both enjoy the sweet treat. You find a bustling Main Street near the ice cream stand that’s illuminated with street lamps, fairy lights, and boutiques. You both walk down the street hand in hand while eating your treats. You walk and window shop and point out things you find cute to Simon. Then, a surge of happiness fills you. You haven't felt like this in years, Simon makes you feel alive, in a way you have never felt before. You finally finish your ice cream and feel the need to tell him how happy you feel. You both drift away from the crowd and make your way to a bench illuminated by a warm street lamp, that's where you finally stop and look up at Simon.

“I having a wonderful time Simon, thank you.” You tell him and you squeeze his hand as you do.

“I'm real glad ya are. I was nervous ‘bout this and I feel like I screwed up with dinner and the waiter was a flirty arsehole and I just wanted this to be perfect with the-” 

“I have a wonderful time, every time I'm with you. It's always perfect with you.” You interrupt his nervous ramble with your own. “I haven't really done any of this before and I feel kind of dumb but I like the way I feel when I am with you.” Then you start getting honest, real honest, “After I graduated med-school, I couldn't find a job and I was looking everywhere and no one was hiring me, it was so frustrating”. You continue, “So when I found that job at the military base, I impulsively took it. And when I did, I immediately regretted it, it was far from home, my friends and family, and a new environment, but now, I have great friends, an apartment that feels more like a home every day, a crazy cat, and more” You pause, and grab his hands. “I think it's one of the best decisions I've ever made” 

Simon then rips his hands from yours and grabs your face pulling you impossibly close to him. Giving you the greediest kiss you have ever felt. 

His lips intertwine with your own and you wrap your hands around the back of his head.

The most passionate kiss you have ever felt. He pauses the kiss and you go up to reach his lips once again but before you can he interrupts you by speaking.

“I'm so glad I went to the infirmary,” he says then he pulls you back in.

You know that from this moment on everything is going to be okay.

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I hope you all enjoyed pls let me know who you want me to write for next

[csuitebitches]

The Charisma Myth: things that I liked

Three quick tips to gain an instant charisma boost in conversation:

Lower the intonation of your voice at the end of your sentences. Reduce how quickly and how often you nod.

Pause for two full seconds before you speak.

The very next time you’re in a conversation, try to regularly check whether your mind is fully engaged or whether it is wandering elsewhere (including preparing your next sentence).

Expensive clothing leads us to assume wealth, friendly body language leads us to assume good intentions, a confident posture leads us to assume the person has something to be confident about. In essence, people will tend to accept whatever you project.

when you can project both power and warmth together, you really maximize your personal charisma potential.

charismatic behaviors must originate in your mind. Knowing how to skillfully handle mental discomfort is even more important than knowing how to handle physical discomfort. Anxiety is a serious drawback to charisma. First, it impacts our internal state: quite obviously, it’s hard to be fully present while you’re feeling anxious. Anxiety can also lower our confidence. Anxiety, low presence, and low confidence can show up directly in our body language, as well as reduce our ability to emanate warmth.

 The single most effective technique I’ve found to alleviate the discomfort of uncertainty is the responsibility transfer. Pick an entity—God, Fate, the Universe, whatever may best suit your beliefs—that you could imagine as benevolent. Imagine lifting the weight of everything you’re concerned about—this meeting, this interaction, this day—off your shoulders and placing it on the shoulders of whichever entity you’ve chosen. They’re in charge now. Visually lift everything off your shoulders and feel the difference as you are now no longer responsible for the outcome of any of these things. Everything is taken care of. You can sit back, relax, and enjoy whatever good you can find along the way.

Golfer Jack Nicklaus said that he never hit a shot, even during practice, without visualizing it first. For decades, professional athletes have considered visualization an essential tool, often spending hours visualizing their victory, telling their mind just what they want their body to achieve.

“There is good evidence that imagining oneself performing an activity activates parts of the brain that are used in actually performing the activity,” Professor Stephen Kosslyn, director of Stanford’s Center for Advanced Study in the Behavioral Sciences, wrote me. Visualization can even physically alter the brain structure: repeated experiments have shown that simply imagining yourself playing the piano with sufficient repetition leads to a detectable and measurable change in the motor cortex of the brain.

Silvia recently confided that visualization is one of the secrets to her success. Before key meetings, she’ll imagine “the smiles on their faces because they liked me and they are confident about the value I’m bringing them. I’ll imagine as much detail as I can, even seeing the wrinkles around their eyes as they’re smiling.” She visualizes the whole interaction, all the way through to the firm handshakes that close the meeting, sealing the deal.

A twenty-second hug is enough to send oxytocin coursing through your veins, and that you can achieve the same effect just by imagining the hug. So the next time you’re feeling anxious, you might want to imagine being wrapped up in a great big hug from someone you care about.

Self-confidence is our belief in our ability to do or to learn how to do something.

Self-esteem is how much we approve of or value ourselves. It’s often a comparison-based evaluation (whether measured against other people or against our own internal standards for approval).

Self-compassion is how much warmth we can have for ourselves, especially when we’re going through a difficult experience.

It’s quite possible for people to have high self-confidence but low self-esteem and very low self-compassion.

Types of charisma:

Focus: Focus charisma requires, of course, the ability to focus and be truly present. Good listening skills are nonnegotiable, as is a certain degree of patience. To develop focus charisma, cultivate your ability to be present.

Visionary charisma makes others feel inspired; it makes us believe. It can be remarkably effective even though it won’t necessarily make people like you. We assess visionary charisma primarily through demeanor, which includes body language and behavior. Due to the fact that people tend to accept whatever you project, if you seem inspired, they will assume you have something to be inspired about.

kindness charisma comes entirely from body language—specifically your face, and even more specifically your eyes. Kindness charisma is primarily based on warmth. It connects with people’s hearts, and makes them feel welcomed, cherished, embraced, and, most of all, completely accepted.

Authority charisma is primarily based on a perception of power: the belief that this person has the power to affect our world. We evaluate someone’s authority charisma through four indicators: body language, appearance, title, and the reactions of others. you’ll need to learn how to “take up space” with your posture, reduce nonverbal reassurances (such as excessive nodding), and avoid fidgeting. You may need to speak less, to speak more slowly, to know how and when to pause your sentences, or how to modulate your intonation. Look expensive. 

Avoid holding a drink in your right hand, especially if it’s a cold drink, as the condensation will make your hand feel cold and clammy. Before shaking someone’s hand, whether you are a man or a woman, rise if you’re seated. And keep your hands out of your pockets: visible hands make you look more open and honest. Make sure to use plenty of eye contact, and smile warmly but briefly: too much smiling could make you appear overeager. Keep your head straight, without tilting it in any way, and face the person.

Ask people open ended questions, focus on questions that will likely elicit positive emotions. With your questions, you have the power to lead the conversation in the direction you want. In fact, even when you’re speaking, the one word that should pop up most often in your conversation is not I but you. Instead of saying “I read a great article on that subject in the New York Times,” try “You might enjoy the recent New York Times article on the subject.” Or simply insert “You know...” before any sentence to make them instantly perk up and pay attention.

Another way to exit a conversation with grace is to offer something of value:

Information: an article, book, or Web site you think might be of use to them A connection: someone they ought to meet whom you know and can introduce them to

Visibility: an organization you belong to, where you could invite them to speak

Recognition: an award you think they should be nominated for

When someone has spoken, see if you can let your facial expression react first, showing that you’re absorbing what they’ve just said and giving their brilliant statement the consideration it deserves. Only then, after about two seconds, do you answer. The sequence goes like this:

They finish their sentence

Your face absorbs

Your face reacts

Then, and only then, you answer

The next time you’re given a compliment, the following steps will help you skillfully handle the moment:

1. Stop.

2. Absorb the compliment.

3. Let that second of absorption show on your face. Show the person that they’ve had an impact.

4. Thank them. Saying “Thank you very much” is enough, but you can take it a step further by thanking them for their thoughtfulness or telling them that they’ve made your day.

It’s not just metaphors that can paint the wrong picture. Some common phrases can have the same effect. When you tell someone, “No problem,” “Don’t worry,” or “Don’t hesitate to call,” for example, there’s a chance their brain will remember “problem,” “worry,” or “hesitate” instead of your desire to support them. To counter this negative effect, use phrases like “We’ll take care of it” or “Please feel free to call anytime.”

You can deliver value to others in multiple ways:

Entertainment: Make your e-mail or meeting enjoyable.

Information: Give interesting or informative content that they can use. 

Good feelings: Find ways to make them feel important or good about themselves. 

The longer you speak, the higher the price you’re making them pay, so the higher the value ought to be. 

If your goal is to communicate power, set the pitch, tone, volume, and tempo of your voice in the following ways:

Pitch and tone: The lower, more resonant, and more baritone your voice, the more impact it will have.

Volume: One of the first things an actor learns to do on stage is to project his voice, which means gaining the ability to modulate its volume and aim it in such a targeted way that specific portions of the audience can hear it, even from afar. One classic exercise to hone your projection skills is to imagine that your words are arrows. As you speak, aim them at different groups of listeners.

Tempo: A slow, measured tempo with frequent pauses conveys confidence.

To emanate vocal warmth, you need to do only one thing: smile, or even just imagine smiling.

Charismatic people are known to be more “contagious”; they have a strong ability to transmit their emotions to others.

The most effective and credible compliments are those that are both personal and specific. For instance, instead of “Great job,” you could say, “You did a great job,” or, better yet, “The way you kept your calm when that client became obnoxious was impressive.”

Here’s one specific—and surprisingly effective—recommendation for phone charisma, courtesy of author Leil Lowndes: Do not answer the phone in a warm or friendly manner. Instead, answer crisply and professionally. Then, only after you hear who is calling, let warmth or even enthusiasm pour forth in your voice. This simple technique is an easy and effective way to make people feel special. I recommend it to all my business clients whose companies have a strong customer service component. The gains in customer satisfaction are impressive.

Charisma takes practice. Steve Jobs, who appeared so masterful on stage, was known to rehearse important presentations relentlessly.

Retain at least a certain measure of equanimity. Most charismatic leaders are known for their ability to remain (or appear) calm even in the midst of turbulent circumstances.

[fixyourwritinghabits]

How to Handle Critique

I’ve got to admit, I wish I was one of those beatific saints that could take critique with a grateful smile. Instead, I am constantly suppressing a horrible little gremlin at the back of my head hissing at anything from legit plot critiques to grammar corrections. I’m well aware I used that comma wrong, GOD.

Don’t get me wrong, I’m very good at suppressing that gremlin, but the little bastard is still there. He exists because even though your brain knows critique can help, it also knows you worked damn hard on the thing being critiqued, and goddamnit, isn’t that enough???

Anyway, here are some tips on getting that gremlin to shut the hell up.

It is okay to be upset. You worked really hard on this thing, and now someone’s gone and pointed out all the things that suck about it. You cannot control how you feel about one thing or another, but you can allow yourself to feel that way and let it pass through you. Let your critique partner you’re taking time to reflect on it, and go for a walk. Do something else. Let those feelings pass through you before you get back to the page.

Give yourself time. Don’t feel like you need to correct things right away (unless they are minimal grammar tweaks). Some pieces of feedback might take awhile to sink in, especially when you’ve got a whole novel to wrestle through. Set it aside, think about something else for a week or so, and get back to it when you’ve reset.

Get a second opinion and/or ducky friend. It can be very hard to tell the difference between good and bad feedback sometimes. Someone who means very well could give feedback that just doesn’t work for you, and someone who doesn’t give two shits could have spotted that fatal flaw right away. You can bring in a real third party or just make use of the old rubber duck technique, where you talk through the issue with a friend or a Naruto poster telling you to Believe it. Working it out out-loud is a really effective technique to figure out what needs fixing and what doesn’t.

Guide critique-givers toward the feedback you want. I, a person who prefers straightforward fantasy and sci-fi, cannot give the fine-tooth points on how a romance novel should work. However, I can give feedback on what works for me and what doesn’t story-wise. Giving your beta reader or critique partner a list of questions to look for will help avoid vague feedback based on how they don’t like the genre. There are many ways to do this, but consider using the following as a base to tailor your own questions:

Did you get a good sense of the setting? Did the worldbuilding make sense to you?

Was this story clear? Where there any parts that seemed confusing?

What characters did you like and why? What characters didn’t you like?

Did any parts of the story feel slow or repetitive?

Did the beginning draw you in? Did the middle keep you engaged? Did the ending feel satisfying?

If you were to write [insert plot point here], what would you do differently?

Again, all of the above questions are up for debate depending on your goal, but we are rarely taught how to give good feedback, and a guided feedback session would work better for you than a free-for-all.

Figure out what kind of advice doesn’t work for you. It is really hard to give good feedback sometimes, even with guided questions. It can also be really hard to figure out why some feedback doesn’t click with you, and that’s a matter of digging deep to figure out what you really want. You may lean toward characters who are horrible fuck-ups, but your partner prefers more steady characters who always strive to do the right thing. Your characters, therefore, may never click with this person, no matter how much they want to help you. And that’s okay! Figuring out where your critique partner is coming from can help you figure out what parts of their feedback isn’t working for you. Sometimes the only thing you can do is thank them and move on, but you might also want to guide them to focus more on the plot or the worldbuilding when looking at your work.

And last, don’t focus on grammar. It’s great if they point that out, but if you end up changing everything, trying to fix that first is a waste of your time. Grammar tweaks last, plot points first.

And, I dunno, give yourself a treat to get that horrible little mind gremlin something else to focus on. Sometimes patting those bad feelings on the head and sending them away can help way more than ignoring them.

[mostlymarvelsstuff]

Reader Receives PeggyNats Nudes Accidentally

Authors note: For my ease, all of the drabbles for the couples will have reader receiving the couples nudes in the same manner (Though circumstances do differ). I apologize if this becomes repetitive.

Authors note 2: accidentally went a bit long with this one. Though I'm sure y'all won't mind lol

Warnings: smut (eating out and mirror sex)

Word count: 1198

Marvel Masterlist How They React To Masterlist

   Both women step out of their shared shower and grab their towels, beginning the process of drying off. Once their bodies are dry they step off the mat in front of the shower and move closer to the counters 

   Natasha lets out a chuckle as she tousles the small towel that's on her girlfriend's head, earning her a playful glare from the brunette, “Cheeky little thing, aren’t you?”

   Nat smirks, “Don’t lie, you like when I’m playful”

   “Indeed I do, but that doesn't mean I won't tease you for it” Peggy admits with a smile and a wink that has butterflies erupting in Natashas belly

   Seemingly oblivious to the feelings she's caused the redhead, Peggy continues to towel off her hair, giving Nat the perfect view of her bare muscles flexing. Her ogling however doesn't go as unnoticed, but the Brit chooses not to say anything and instead waits for Natasha to make a move

   Nats eyes shamelessly take in every curve and crease of Peggy's body. From her toned shoulders, down to her solid abs and continuing down past her core, which she admittedly stops to admire a bit longer, until finally stopping at her thighs

   “Bozhe, pochemu ty dolzhna byt' takoy chertovski privlekatel'noy(God, why do you have to be so damn attractive)?” she mutters, already forming a plan in her head

  “Sorry darling, I didn't quite catch that”

   Nat hums and takes a step closer to the other woman, making her turn to look at her. The mix of adoration and pure hunger in the shorter woman's eyes has her own belly doing flips. 

   “You look good enough to taste….Can I?”

   Peggy's body reacts before she can even give a proper response and Nat watches in amusement as the brunette's legs automatically part to give her more room. Still, she waits for a verbal response

   “Yes…”

   Without wasting any more time Natasha drops to her knees in front of her girlfriend, and places her hands against Peggys thighs. She trails them over the muscles before moving them around to the Super soldier's firm ass, and gently squeezes as she brings her mouth to Peggys awaiting pussy.

   “Oh hell…” she breathes out as Nats tongue swipes through her folds

   Nat hums in response, sending vibrations through the other woman that have her clenching around her girlfriends tongue as she slips inside. Natashas nose bumps against her clit and she swears that if she wasn’t a super soldier, she'd be in need of some serious support to stay standing due to how good she's currently feeling. She's lost in that feeling of bliss for a few moments, until she gets a rather unexpected idea. Though she supposes it's rather time for her to be the cheeky one. 

   She reaches over to the counter where she had left her phone before the shower and grabs it. Now admittedly, she still doesn’t know how to use it very well, but she knows how to work the camera. And right now, that's all she's after. She opens the app and points it at the large mirror in front of her, moving around to find the perfect angle. 

   She knows that through all of this, Natashas eyes haven’t missed any of her movements. No matter the circumstances she never does. So before she takes the picture she looks down to confirm it's okay. The sight of the redhead with blown pupils and arousal dripping down her chin has a moan escaping Peggy instead of the question, but thankfully Nat knows what she intended

   “You can take one” she assures, her voice a bit raspier than usual either from lust or how long she's gone without using it while focused on pleasing Peggy, “Just make sure it gets sent to me when I’m done with you”

   Peggy nods and quickly snaps the pic before setting her phone back down on the counter, and Natasha eagerly reattaches her lips to her girlfriends clit. Without thinking Peggy buries her hand in Nats hair and pulls her face impossibly closer to her core

   “Oh god! Natasha!” she moans, cumming into her girlfriends mouth,and Natasha takes great pleasure in the fact that she was able to get her girlfriends strong legs to tremble

   She stays on her knees, gently bringing Peggy through her orgasm and cleaning up the mess she made until Peggy's grip loosens in her hair. She pulls away and sucks in a breath she hadn’t even realized she needed while her girlfriend looks down at her with a smile

   “Come here, love” she says, reaching to help pull the Russian to her feet

   Once standing Natasha finds herself being trapped between the countertop and her girlfriend as Peggy captures her lips in a searing kiss. Her lips part to allow the taller women tongue to enter and she fully relaxed as Peggys arms wrap around her waist

   After a few minutes of making out the older woman pulls away with an affection filled smile, “I suppose I should send you that picture, before I forget”

   “Oh, I wouldn’t let you forget about it” Nat says with a smile, but still lets her girlfriend go to retrieve her phone

   As usual Peggy fumbles to get the picture sent off but once it goes through she seems satisfied. Nat picks up her own phone to look at the picture and is also satisfied, for all of five seconds. Because that's when she notices her girlfriends blunder

   “Lyubov'(love).....you sent it to the chat with Y/n”

   Her eyes widen as panic and anxiety build inside her as she thinks about their teammate, friend and longtime crush seeing that picture, “Damn”

   In your room you hear your phone ding and decide that you've worked on paperwork enough today anyway. So you get up from your desk and plop down on your bed to grab your phone. You're quite happy to see that the notification is from the group chat with your best friends, who also happen to be a couple and a couple that you're madly in love with at that.

   When you open the message you're greeted with a picture of a slightly foggy mirror that has the reflection of a fully naked Peggy staring back at you, and though you know you should, you can’t tear your eyes away. Your eyes continue to travel further down and that's when you notice a head of red hair that obviously belongs to Natasha as her bare back faces the mirror. You swallow hard and take a deep breath to settle your nerves and to figure out just what the hell is going on, but before you can get your bearings another text from Peggy comes through

   I am so incredibly sorry, still figuring out this blasted phone

   I would like to say that it's not a problem, but truly I don’t think I’ll be able to forget what I’ve seen….and I'm not quite sure i even want to

   Natasha rereads your message three times to make sure she's reading it correctly as Peggy somehow gets out a reply, You don’t have to forget. 

In fact detka(baby), you can even see more.

[lavishlyleo]

Astrology Observations 5

One thing I've noticed with Gemini Moons is that while they do love to talk to people and share their thoughts, if they aren't interested in the conversation's topic or if you stay on one topic for too long, they tend to zone out. If they aren't very invested in the convo at hand it will be VERY noticeable (e.g. blank stares, they suddenly go very quiet, dry repetitive responses, checking their phone frequently).

The same can be said for individuals with a lot of Air in their charts in general, especially Gemini and Libra. It can be hard to keep these individuals attention for prolonged periods of time. They like to cut to the interesting part so keep what you have to say very brief and to the point.

Not something Leo Moons are known for, but that I've noticed is that they can be really good at analyzing peoples behavior. Like, they'll see how someone acts and can make connections to their own behavior to understand some elses emotions and feelings. It's how many Leo Moons relate to people, bonus points if their Moon is in a water house!

In your Natal chart, if your ruling planet 's transit is in opposition or square with your natal ruling planet's sign, it can indicate a period of bad luck and hardship. It may feel like the world is against you at the moment, especially if said aspect is in a less than 5° orb. Not a great transit aspect to have.

For example, My ruling planet is Jupiter (Sag Rising) and it's in Scorpio at 9°. IRONICALLY ENOUGH, in my Solar Return chart for this year, Jupiter is in Taurus at 9°. So I'm expecting a lot to happen this year. Later on this year I'll make an update on this aspect.

If you have Scorpio or Pisces in your SR top 3 this year, don't take this lightly!! Like I said in my last post with manifestations, this will be a year that your manifestation power is at an all time high! You may literally speak things into existence, for better or for worse.

On the topic of Scorpio/Pisces SR top three, my advice for this (and I'm speaking from experience) is try to think about things you want to happen, not things you don't want or like. For example, if you think about how much you don't like a certain person, later on down the line you may find yourself suddenly coming back in contact with that person a lot more, when either you wanted to or not.

People with Cancer personal placements, I'd advise you to frequently check the Moon's transit and positions! Whenever it's the full or new moon, keep tabs on what happens those days and how you feel. Let me know in the comments anything interesting that's happened to yall during those times!

I've said this once and I'll say it again, Scorpio Mars are some of the most PERSISTENT people I've ever seen. When it comes to their desires, NOTHING stands in their way. However this can be detrimental if it's bad habits like drinking, smoking, stealing, ect. One way or another they will get what they want, even if it costs them everything. These people can truly be the victim of their own desires. Honorary mention- Taurus Mars.

Listen, if you ever need someone to promote your music, call an Aquarius Venus/Dominant person. I swear to god these people listen to the most obscure, outta pocket things I've ever heard.

Taurus 6th/5th housers tend to be those people at work that live by the slow and steady motto. They don't like to rush and do a sloppy job on whatever their working on.

On the other hand, Aries 6th/5th housers may be very fast workers, and it usually works well for them, works well under pressure. not the most thorough people but for the most part they get the job done.

People with a lot of Gemini and Leo placements in their chart tend to give off Aries energy.

Capricorn and Scorpio relationships are literally ride or die. I know a couple with many of these placements and they are so possessive of each other. Even after heated arguments and many hardships, they always come back together and work out their issues, it's really sweet!

When in an awkward situation, Libra Risings tend to try and break the tension first. Sometimes they can make the situation more awkward doing this but they're always the ones to bring the vibes back to the way they were, so I appreciate it. Gemini Risings may also do this but can be slightly more unhinged in their methods. I love both regardless for it😭💕.

The reason puberty for all of us hits hard is because it's around this time that Saturn is usually in the sign opposite from our Saturn sign. It makes a lot of sense when you think about it, itcchanges a lot of what we focus on and introduces us to new struggles. Although with Saturn retrograde, the age of which these changes can affect us can range from 13 all the way up to 25. Saturn is trying to toughen us up before we become adults.

What your Rising Sign's season is may be the season/months you prefer. For example, I'm a Sagittarius Rising and I tend to like late fall/early winter.

Your Moon sign can show how you process not just your emotions, but how you handle other peoples emotions, and how you relate to them. For example, a Leo Moon may relate to others by thinking of themselves in someone elses shoes, and how they would handle situations. While a Gemini Moon may relate other peoples emotions with stories from others that they've heard, and use what they've observed from other people to help others.

Venus PC Moon can also show this, I'd look at both sign's relationship to see the full picture of how one truly processes theirs and others emotions.

Moon/Pluto Aspects in someone's chart can show a relationship where however the mother treats the native, is how the native will end up treating her as they get older. For example, if the mother was negligent to the native in their younger years, then as they get older they will have a detached and impersonal attitude towards her. Basically the natives mirror how they were nurtured in youth.

"She say do you love me, I tell her only partly. I only love my bed and my mama I'm sorry." -Drake, a Cancer Moon.

People who say Gemini/Libra placements are indecisive have CLEARLY never met someone with many personal fire placements, especially if it's their top 3. Fire sign energy is naturally high and can be all over the place sometimes, this can include their thoughts and decision making as well, mostly concerning the direction of their passions and work. They may have a million ideas of what they're about to do but have trouble slowing down and planning it all out into managable chunks at a time. Will fight for what they want but may have trouble picking their battles wisely.

[sairenharia]

Why Chloe Deserved A Miraculous

Its a thought that's been stewing in my head and the more I thought about it, the more I realized it was true. Chloe was entitled to a Miraculous.

From a Doylist Perspective.

When there is conversations of if Chloe was entitled to a Miraculous is always presented from a Watsonian perspective. For those who don't know, Watsonian means the perspective of someone inside the story. A character. Doylist is the perspective of those in the real world. The author and audience.

The problem I see from fandom discourse is how often people don't actually consider the tools in a story. Often they take a Watsonian perspective, talk about what is right and sensible and should be how things work if this was a real situation. But the thing about stories is they have messages. They have tools and metaphors and themes to help display these messages. Sure, shows are about entertainment, but a story always has some kind of point. It may not be a moral lesson, it may not be some grand philosophy, but any story worth telling says SOMETHING. It takes a stance. The Fast and the Furious is all about doing cool stunts with cars, but it also has a message of doing things for family because if you just want to see cool car stunts, just go watch cool car stunts, but no, people want at least a little humanity in the car stunts, so there is a message of family. Sharing is caring, do your best, the heat death of the universe comes for us all, the messages can be vast, but there's some point of emotional reality to invest us in this specific media.

If we talk about Chloe and the Miraculous from a Watsonian perspective, no, she is not entitled to a Miraculous. No one is entitled to an object of power. Not even Marinette nor Adrien are entitled to their Miraculous.

But superpowers aren't real. Superpowers have always been a tool to emphasize a point. The stories of superman only focused on his powers are boring, but when you tell stories of how he tries to fit into a world that is not made for him, stories of how much he loves this world despite how easy it could be to be cruel, it gets interesting. The reason superhero comics started is there was a want to show that there can be incredibly powerful people who choose to be good. To choose to make the world a better place.

Superpowers made just to be cool and show off are boring. There is only so much you can watch a fight with a cool power before it gets dull and repetitive. But you relate the powers, the struggles of using the powers, to the person wielding them, the story has a lot more staying power. The powers say something about the person, and is part of their development.

And honestly, Miraculous is a good case for why this is important.

Because good god, most of the superhero team is boring.

And I don't just mean because they're good people, so there's no spice, though that's also true, but because the powers aren't really used to emphasize anything about the character. Max has portals. Why? His mom wants to be an astronaut, but we never really hear about Max wanting to travel. Doorman is a better example of a portal hero because he loves going to other places and learning about them.

Now portals are good for a tactician....except Max is never the tactician despite the fact we know he's brilliant and is good at video games. He just does as he's told by Ladybug for where he should put his portals. Its so close, but its not utilized.

And that is the case for most of the superheroes. Like the bones are there, but nothing is properly utilized. Sabrina is definitely a dog, good at getting things, and is in fact well practiced in recognizing what things may or may not be important. But we've never actually gotten to focus on her BEING a superhero, she only had a small cameo with the power, basically. Same with Ivan, really. They're pretty perfect for their powers and it suits their personalities, but none of it is EXPLORED. And that's the case with most of the heroes.

Juleka and Rose were pretty good at using the Miraculous to develop more of someone's character and emphasize a strength about another in turn. These are good hero episodes because we learned more about them and their journey.

Kagami's first episode with the dragon showed off more of her, such as she could be reckless, which is new information, but we learn a lot about her without it, and nothing new beyond that.

Luka could have actually been incredibly good because the snake both emphasizes a big part of him, and something he needs to work on. Luka is someone who steps back and watches. He observes. However, he has a problem where he often is too willing to step back. But with the snake needs someone who can observe AND act. So its a Miraculous that uses an important part of his personality, but could have also helped him grow.

And the rest are just...nothing.

There is a little for Nino and Alya. Nino is definitely more bold about defending his friends than he was at first, and Alya learns to be better about secrets, but these are the primary secondary heroes. We should have seen a ton of impact and development due to them having the Miraculous.

Here is the stance Miraculous should be taking in their story.

The desperation of those trapped and the power of being given good options.

Most of the Akumas are people who are trapped. They feel powerless. They are desperate to escape their problem and feel like they have no proper recourse with things are they are. How accurate this is varies, but this is how they feel in the moment, and that is what Gabriel preys on. These people agree to the deal because they don't feel like they will be helped any other way.

Ladybug and Chat Noir are meant to bring hope to those who felt hopeless and chose a terrible way to try and escape. They are support. They are a hand people desperately need.

So by that same token, the Miraculous should be a good way for people who feel trapped to be given an option, OR give those people the ability to extend their own hands to help others.

While it doesn't have to every time, it should often be the case those who are given a Miraculous; A, dealing with a huge problem and the Miraculous helps them solve that problem, regardless to the Akuma being related. Like if Juleka was working on trying to speak up even if the Akuma wasn't her parents and the Tiger still helped her do that. B, they are related to the Akuma and why they feel trapped, so they are working through their own issues with the important person. Like Rose when Juleka felt guilty. Or C, the person wants to find a way to help in general and kind of go how it went with Nino becoming Carapace. Where they were trying to be that hand a person needed, and earn the Miraculous, and that helps them on their journey to provide more support and help.

But its often it is someone they know, but them being the hero doesn't REALLY matter. Penalteam, the people were just there, these specific people didn't matter. Why did Zoe need to be Vesperia? Anyone could have taunted Chloe and she got turned into a banana real fast, her being the Bee didn't really bring a lot, to the bee, to her, or even to Chloe, and then she proceeded to just not bring much as the Bee, to the story, or herself.

Now part of this problem is that Marinette is not allowed to not learn a lesson, and has to be the one to save the day. These heroes do have skills. They have things they could be good at. But often....the plan is just what Marinette says. These heroes are not allowed to have agency.

They can't make decisions on their own.

Often times, they're just bodies being told to do the power without the ability to make the decision how and when. Sometimes they let the heroes do things and make decisions, but nine times out of ten, its Marinette who says who does what and when and her mental health is degrading because of it.

The Akumas are stories that always at least tell us something about the person because we see what problems hit them hard. There is something to learn, a bit of conflict to develop from.

The Miraculous should be following that trend, but in a positive way, but...doesn't.

All that being said.

Chloe was entitled to the Miraculous.

Because here is the stance Miraculous takes.

Someone is trapped in a situation and chooses to lash out violently and while that violence can not be permitted to continue, the heroes offer their support so the victim can feel like they have another option.

This is the story of Miraculous crystalized. People who feel alone and helpless are easily convinced to hurt others until someone is willing to help them despite this harm.

Chloe is the story of Miraculous.

Akumas are a metaphor.

And Chloe is the reality.

A child who is alone. Who feels trapped in her situation. Who doesn't know what else to do. So she does the only thing she knows how. She lashes out. She hurts people. She keeps them distant because then it doesn't hurt as much when they leave, or when they treat her like dirt.

Chloe is an Akuma personified, but her problems are brief moments. They're not a bad day that someone took advantage of. They are ever present and continuous and more over, reinforced to continue.

Chloe knows being a brat gets her what she wants from her father and was never taught to not be like that. Because he didn't discipline her, because her mother acted like that, because all adults around her was staff. Making demands is what she was TAUGHT and learned, through observation and guidance.

A behavior she continued to do with kids, and she found out teachers responded to the same threats and was never properly stopped. Other kids, reasonably, didn't want to deal with her, or submitted to her like Sabrina.

Chloe was not never taught how to be good. She was, in fact, very much taught to NOT be good. Her parents both set a terrible example. Her father is a corrupt politician. He may spoil her, but he we know he bribes and blackmails people, plus, you know, abandoned his daughter and technically kidnapped Zoe. This is not a paragon of a man. Then there was her mother. But she had a choice, listen to the man who had to weasel and cheat and play back handed games to get what he wanted, or the woman who got anything and everything she wanted...of course she would try to be the woman who seemed to get everything her way.

Because if her mother got everything she wanted, if Chloe was like her, maybe she could get everything SHE wanted.

Except it wasn't working.

But Chloe wasn't taught it was because she was cruel. She just started to believe she wasn't GOOD ENOUGH.

Maybe if she was as great as her mother, it would work.

By the time she would be old enough to recognize that wasn't how the world worked...well, by then, most of her peers hated her.

And here is something I think goes under the radar about Zoe.

Zoe knows how to act like Chloe. Audrey didn't blink at it. Zoe defaulted to the same behavior as Chloe. Zoe said she put on an act and she was tired of it.

Zoe WAS CHLOE.

And we know what happened with Zoe. Zoe stopped acting like Chloe. And then she got bullied. People were mean and cruel and put cockroaches in her locker and she only had one friend.

I'm sure that's why Zoe moved to Paris. Zoe went to her mom because she wanted a clean slate. She wanted the bullying to stop.

Even then, she struggled to stop. She defaulted to her habit, and we see that she CONTINUED the act around the hotel for some weeks after, because it was a hard habit to break.

But then...

Zoe got support. A hand was held out to her. Marinette gave her a chance, and so did everyone else, and Zoe took it because she wanted to be herself and she wanted to stop being cruel. Of course she's nice. She was given the space to be so.

Chloe is never given that support.

Chloe doesn't know how to be kind. She doesn't know how to be nice.

But the greatest tragedy is Chloe does know how to be GOOD.

Out of all the heroes, besides Chat, to a lesser degree Alya, and Alix and Luka by nature of their Miraculous, Chloe shows the most agency as a superhero. All the other heroes have their hands held by Ladybug. She tells them what to do, to an overly specific degree, and they are just bodies to use a tool. Chloe? Chloe acts on her own. To good and bad effect. Discounting the whole Queen Wasp break down, just when Chloe is actually acting as a superhero, she doesn't wait for Ladybug to tell her everything all the time. She calls out to her father, which was a mistake, but then there is every other time she's Queen Bee...

And she's fantastic at it.

Miraculer, she almost had Mayura's Miraculous.

Star Train, she gets people away from the Akuma.

In Bakerix, she's the last the to leave the train car.

In Ladybug, she's defending Sabrina.

In Style Queen, played Style Queen in an effort to find a way to save Adrien.

In Heroes Day, she is a great teammate. Keep in mind, everyone on the team knows who Chloe is. Ladybug was desperate and doesn't fully trust Chloe as a general rule. Rena Rouge and Carapace definitely don't trust her at all. Chat Noir is the only one who believes in Chloe as a person.

And yet, throughout the entire fight, Chloe is keeping up and picking up the slack with everyone else. She fights, she keeps civilians from being hurt, her synergy is on fire despite the lack of trust. When Rena Rouge and Carapace go down, she is quick to try and protect them and even after two EXTREMELY dangerous Akuma show up by way of her parents, who are both gunning for her real hard, she holds her own for a while and even then, she had to be mind controlled to stop and to feel negative emotions. It took FOUR AKUMAS gunning for her specifically to corrupt her, akums who are made to mess her up mentally to boot. When they confront Gabriel at the end, she prepares venom without being asked, to have a back up for taking him down. She makes decisions and when she was trusted to act as a hero, they are largely good ones.

And she never once complained about the mental hardship of what she went through. Because that's the thing, all her times as Queen Bee are super intense. They are her loved ones she's fighting, they are incredibly powerful Akumas. She fought a frickin' army.

And everyone...

Just insults her.

She risked her life for people and no one cared.

She fought her family and no one cared.

Chloe doesn't know how to be nice. Nor kind. But she was so good. And while the next day, people appreciated her, it was only a day.

And the tragedy is Chloe didn't immediately go back to being a bully. After Despair Bear, Chloe's bullying habits took an extreme nose dive. We only see her being unreasonably cruel a few times. After Maledikator, the only time is when she bullies Aurore and when she teamed up with Marinette, but also Marinette was with her and they were both doing it for fear of losing Adrien reasons. Not reasonable, but also not just to be cruel and honestly, her plan was fairly benign. She wanted Kagami to leave, not even humiliate her. And even Aurore is because Chloe was reaching the point she did in Miraculer where she was doubting Ladybug's trust in her and as she is want to do, she lashed out.

Most of the time when we see Chloe, what we see is her bragging about being Queen Bee. Which, sure, isn't a great thing...

But better a braggart than a bully. And when things go wrong, she tries to use her status to help reassure and guide people, which is actually a pretty good idea. Akumas are attracted to negative emotions. If she can reassure them, then less likely of them getting akumatized. It may be bragging, but it could help.

Chloe may not have been picture perfect nice, but we literally have an entire classroom full of perfectly nice people. She may not be humble, but bragging is not a damnable offense. But Chloe was legitimately trying to be a better person. She put herself in between others and danger. She had faith and belief that there were solutions. Even without the Miraculous, she tried to help people.

She may have wanted appreciate and gratitude for it, but what's even sadder is she didn't require it.

Chloe believed in Ladybug for a long time. She believed Ladybug would trust her again. She believed she could be given a Miraculous again, and all on her own, ALL ON HER OWN, she was trying to be a better person.

Its actually amazing how good Chloe was being despite the fact no one was helping her.

Because that is the thing.

Zoe got support and help.

Chloe didn't.

Every. Single. Time. Chloe tried to do something different, something not cruel, she is rejected. She tries to join the art club and she's mocked out of it. She tries to be class representative, a job no one else wanted for years, and she loses it as soon as someone did challenge her. She auditions, legitimately, for a music video, with eight years of practice, and she loses it because she isn't nice enough.

She stops bullying, tries to be a reassuring presence, and she is treated with suspicion and derision.

And still.

And STILL.

That isn't what breaks her.

What breaks her is the realization the only time where her efforts were appreciated was taken away. And even then, she holds onto the pieces. Holds onto hope that maybe she would be given a new chance.

Her parents are in danger. The reason she was given she couldn't be a hero is because she and her loved ones would be in danger.

Except her loved ones were in danger.

She was in danger.

Not having a Miraculous didn't change anything. It didn't keep them safe, it didn't keep her safe.

And its only then, after months of no one believing in her for more than two days, of no one holding out their hand, helping her, supporting her, believing her, with the one person she thought DID believe in her proved that she didn't believe in her, and couldn't even give her the safety that not having a Miraculous was supposed to bring.

For months, Chloe only thought Ladybug believed she could be good.

Adrien wanted her to be less cruel, but Chloe knew her being good wasn't necessary for him.

Nor was it for Sabrina.

But Ladybug?

Ladybug needed her to be good to believe in her, and she thought Ladybug did.

Chloe was able to largely bite back her desires to lash out at people based purely on the fact one person, ONE SINGULAR PERSON, needed her to be good, and believed in her ability to be so. It got her derision. It got her suspicion. It got people comparing her to villains. It got her dismissal. But she still tried. She still believed.

A person who didn't really believe in Chloe very much.

And there is also the Watsonian argument that Marinette doesn't owe it to Chloe to help her improve AND THIS IS INCREDIBLY VALID and honestly, in a perfect world, it would be great if it was Adrien who helped Chloe improve.

Or you know, Zoe. Someone who has a clean slate with Chloe and understands where she's coming from and could help her.

But no, this is the Marinette Has To Solve Everything Show.

So from a Doylist view, it IS Marinette who has to help Chloe, but also the Watsonian problem could be helped if it was CLEARLY ESTABLISHED that Marinette knows she doesn't HAVE to help Chloe, and people aren't pressuring her to do so (coughBustiercough) because that is a bad message...

But Marinette can CHOOSE to help her and make that clear.

Because Marinette has seen a lot of Chloe and could understand that she really does just need a little more help. That Chloe needed just a bit more support and help. And, you know, didn't actively encourage Chloe to please her abuser.

But we're going from the Doylist view and we can solve the Marinette being the one to help Chloe problem by not having it be Marinette, but LADYBUG.

And this?

This is why I say Chloe was entitled to a Miraculous.

Because Chloe is the reality of the stance of the show, and so helping her problem with the metaphors would go a long way.

You see, Chloe doesn't know Ladybug is Marinette. And Marinette knows being Ladybug means being the bigger person. Ladybug believes in people. Ladybug helps everyone she can. Its not about the victim helping their bully, its the superhero choosing to help someone who NEEDS HELP.

Chloe is stuck in her situation. Her mother will always be emotionally abusive. Her father will always be an enabler. She can try to change, but no one will BELIEVE in her change. She will be derided and mocked and treated poorly because no one is willing to give her the chance to grow, and they certainly won't help.

Frankly, its a miracle that Chloe's Akumas are so merciful.

Because Banana Queen is the most destructive of Chloe's Akuma forms. Most of Chloe's Akuma forms don't care about HURTING people. They care about WINNING. She either wants to win or for people to just listen to her.

But give Chloe the Bee Miraculous, and suddenly things change.

Chloe feels like she has OPTIONS as Queen Bee. She doesn't feel she has to meet her mother's expectations as much if she's Queen Bee. She has people who trust and depend on her. At least right after she saves people, she gets a little praise, a little belief.

And people may say being a hero for glory and attention is a bad thing, but the thing is, Chloe's need for glory and attention is about being ACKNOWLEDGED. As feeling like people value and care about her. This is a BASIC HUMAN NEED and she doesn't know another way to get it. Its not like she's demanding physical things for her heroics.

She just wants to be appreciated.

By giving Chloe a Miraculous, she is given the tools to try and be good. She is given an escape from her situation. She is given SUPPORT in her efforts because the other heroes have to support her.

And over time...

That trust will grow.

Because what Chloe doesn't know, all her classmates are the other heroes.

And suddenly, all her classmates will see her as a different person. They will see what she's like when the chips are down. How much effort she's willing to put in. How seriously she takes the job.

Is she still a braggart? Sure. Is she still rude as hell? Absolutely.

But she will risk it all to help people, without asking for anything in return except a little faith.

Chloe is entitled to a Miraculous.

Because her story without a Miraculous is a story of a little girl who no one wanted to help, who were unwilling to offer her help because she lashed out while trying to survive a situation she couldn't escape, and because it wasn't super charged by a terrorist, she was deemed unworthy of it and instead deserving of isolation and constant emotional abuse.

But with a Miraculous?

Chloe is a girl who, when given a little faith, a little trust, a little help, returned it tenfold. Who puts her all in trying to be the best hero she could be. Is she imperfect? Sure. But she's giving it her all. (And frankly, she's spicy and it makes for entertaining character dynamics. You can have a character be a jerk and good, tsunderes are popular for a reason.) And as she gets more trust, as she gets more help, as she is offered that hand of help over and over again, she would continue to improve.

And as she's given power, she uses that same faith to figure out how to offer her hand to others. To help them. To spare them the same pain she suffered.

Because that is what given to the Akuma victims. They are given a little help, and a little power to break free of their magically abusive mindsets.

To have someone go from the continuing the cycle of abuse to someone who would save other people from that?

That is a real superhero story.

Chloe is undeserving from a Watsonian perspective.

But she's so very deserving from a Doylist perspective.

[prettieinpink]

5K SPECIAL | CREATING YOUR OWN GARDEN𝜗𝜚

This is a guide to make your mind like your own garden flourishing with plants, flowers and butterflies. Having a good mental mindset, and being in the right state of mind is essential to being the best version of yourself.

This guide is divided into four sections: mindset, self-care, mental wellness and emotional intelligence. I hope you can take away something useful and take care of yourself! 💖 

MINDSET

Your mindset can easily determine how you go through life. It influences how you feel, act, behave and your thoughts. When you have a poor mindset, it is going to be difficult to go through life, even if your life is easy. 

However, once we grow and improve our minds, it is easier for us to navigate life, improve our well-being and increase our chances of success. 

Before we get into mindset shifts, I want to explain how exactly you can implement them in your life. I feel like there’s so much talk about mindset, but no one exactly explains on how to implement them. 

IMPLEMENTING 

The first thing to implementing mindset shifts is making a conscious effort to be aware of your thoughts. If you want, practice mindful activities to improve your self-awareness of your thoughts. 

You have to be able to catch a thought in its passing and whoosh it away from your mind. If you don’t whoosh it away, those simple thoughts build each time which can soon turn into the way you think.

Secondly, after increasing your awareness, identify what exactly about your thoughts or mindset you’d like to shift, and what you would like to shift to.

Thirdly, is to completely immerse yourself in that mindset shift. The mind learns through repetition, meaning that repeating it enough will make your mind learn it. 

Set your mindset shift as your weekly intention, say affirmations, and prayer, read books on it, put a quote on your phone as your wallpaper, just make it so that mindset shift is constantly on your mind. 

Lastly, do small actionable things that reinforce that mindset shift. I recommend you do at least one habit every day for this. 

This is not the only method to implement mindset shifts, but for me, it’s the one that is highly effective. I recommend doing some research on your own, and making adjustments when needed depending on how you think. 

MINDSET SHIFTS

This whole part we’ll talk about the mindset shifts I think everyone should at least try to implement in their lives if they want to improve themselves. These mindset shifts are my absolute favourites and they improved the quality of my life. 

After each one, I’ll state a small habit you can incorporate that contributes to that shift. 

Live your life with your highest self in mind. 

This is more intentional living than an actual mindset shift, but still as important. Whatever you do throughout the day, consider if it aligns with your highest self. If not? Release it. Your highest self knows what's best for you, trust them. 

At the end of the day, reflect on your daily habits, which include all habits you did today whether they were ideal or not. What habits aligned with your highest self and which didn’t? The ones that didn’t, why? How can you change or remove this habit to get closer to your highest self?

Rejection is just redirection.

As someone who has gotten rejected from the things that they wanted and felt so lost in the pursuit of fulfilment, this mindset shift saved me. You have to stop chasing the things that aren’t meant for you if life has proved it isn’t.

While I’m not saying give up after the first try, but try to step back and assess the situation. If you are qualified and ready for this thing, then why is it still not yours? Because it isn’t meant for you. God is trying to nudge you into a different path, recognise his signs. 

To handle rejection better, look for the lesson(s) you’ve learnt, and the skills you grew and see if there is another area of life that you can apply them to. 

Keep yourself on a pedestal.

I am worthy so much to me. It sounds like a weird sentence, but you should start treating yourself like a treasure and avoid giving out that same treatment to most people because you have your soul, which homes itself in your body. Every day, you are living through this soul and body. 

So, why would you take care of someone else’s soul and body? You are never going to be the soul that lives in their body, or the body which homes their soul. Don’t neglect yourself in the priority of someone else. 

Practice setting boundaries with others and recognising when someone wants more than what you’re willing. 

You choose the life that you want.

You have choices and options every day to do things that will eventually have an outcome. Whether this outcome supports the vision of your dream life or not, all depends on how you choose to live your life now.  

I don’t have a habit with this one but keep in mind that absolutely nothing is controlling you, and your choices are of free will. Circumstances can change, but that is why we have to adapt and be flexible.

Fear is a step to success

If you’re not scared, you’re not doing it right. Fear can hold us back, but that is why we have to twist fear into a source of motivation instead. If we were always in our comfort zone, stepping back when we feel a sliver of fear, we allow fear to dictate our life and its course. 

You can’t be successful unless you do the uncomfortable. For this one, do something each day that scares you or makes you uncomfortable. It doesn’t have to be anything extreme, but simple things like exercising longer than usual or talking to someone who you wouldn’t imagine yourself with. Those little risks are so important. 

Embarrassment is not a real emotion 

This one is a bit controversial, but I do not believe in the concept of embarrassment. Yes, things can sometimes be awkward, but it is fully in your control if you want to feel ashamed or not. Being embarrassed only holds you back, and doesn’t allow you to live life to its fullest. 

I would recommend doing a small risk every day as well, but of things that would usually feel awkward. 

Progress over perfection/completion

Perfectionism which is allowed to be nurtured over time can create an avoidance mindset towards doing harder things in life. While we should strive for excellence in everything we do, we shouldn’t allow it to consume us. 

(the avoidance mindset is when we put off/avoid tasks that we believe to be out of our abilities, and so that completion of the task is poor quality/not done well.) 

This one is less common, but I know a few people who would not do a task if they knew it would not be fully completed in their desired time frame. However, each minute of work contributes to the results or completion of something. 

Every day, do one thing that will add up to the completion of your long-term goals. 

To welcome tomorrow, you have to let go of yesterday. 

Living in the past makes us neglect our present self. I’m not saying forget everything that’s happened, but never allow the past to consume your mind. Acknowledge that you’ve been hurt, you’re longing or you were happier. Then, release it. 

Journaling is the perfect way to stay in touch with the present. You can type it, write it, vlog, draw, or compose to journal. 

Everyone has their beauty.

This one helped me a lot with comparison. I saw beauty, not as a measure or a value of someone, but rather something that everyone has uniquely and it cannot be valued. I have my sense of beauty, and you have your beauty as well. We are two different people with unique features, traits and qualities, so our ‘beauty’ can’t be measured against each other. 

Define your beauty. You could be smart, feminine, book beauty or dark, flowers, creative beauty. You add your details to your beauty and never try to define someone else's. 

To conclude this section, your mindset is very powerful. To achieve your goals, work on your mindset. Also, don’t try to work on more than one mindset shift at a time. Implement one fully then work on the next one. It could be overwhelming if you’re doing more than one. 

SELF-CARE

The next chapter of this guide is about self-care. Self-care is important for maintaining balance in our lives and generally keeping ourselves happy. However, most people don’t understand the concept of self-care, so they just end up doing a bunch of random things and wondering why they don’t feel better.

Yes, you can coddle or pamper yourself when you want, but it is not self-care. While activities from these three things do overlap, do not confuse the terms with each other. 

Self-care is simply what it says. Taking care of yourself. Taking care of yourself looks different for everyone. My idea of self-care will be different to yours.

REDEFINING SELF-CARE.

When you imagine what self-care looks like, it’s typically someone else’s definition of self-care which has been reinforced in your mind. You have to redefine your idea of self-care to match your goals, energy levels and circumstances. 

Before you do, self-care is not always about taking a break. It seems that way, however, self-care can also be having the discipline to do the things that you don’t want to, but are good for you. 

Here are some questions to help you redefine your self-care:

What does self-care mean to you? Does that meaning align with your current values and needs? 

Do you have any negative associations or misconceptions of self-care? Why?

How do I feel in all areas of my life? (physically, mentally, spiritually, professionally). What areas need more attention and how can I improve that area(s)?

What activities bring me happiness, fulfilment and a sense of renewal? 

What tasks do I have to do, which are good for me but I hesitate in completing that task?

How would I like to feel after complementing my self-care rituals? 

Envision your life if it had complete balance and self-care incorporated. What habits would you be doing to support that vision? 

My idea of self-care is completing all of my non-negotiables, maintaining a healthy lifestyle, taking somewhat productive breaks and talking to others daily. 

THE SEVEN PILLARS OF SELF-CARE 

Self-care has seven pillars, which you all need to take care of to have a balanced life. However, balanced self-care does not mean equal attention to each pillar. It means that each one is up to the same standard of self-care you’ve put for yourself. So, you need to allocate your attention appropriately. 

MAJOR PILLARS 

Physical - The well-being of your body. 

Mental - The state of your mental health, mind and emotions. 

Spiritual - The strengthening of your relationship with God while nourishing your holy spirit. 

Personal - Doing things that bring you enjoyment and fulfilment + embracing your identity.

MINOR PILLARS

Social - Connecting with friends, family or even strangers.

Professional - Your work/school life. 

Environment - Keeping your space clean and extracting anything that holds you back. 

Major and minor do not add or take away the value each category has, it just means that major pillars may need more attention compared to the minor ones which may need less attention. Of course, you may need to focus more on a minor pillar, as self-care is individual to you. 

I would’ve added a list of things that you could do for each category, but I want you to think about what you need for each instead of relying on strangers with different lives for self-care. 

Maybe you need to focus on exercising and doing your hobbies more. Or you need to create a better work/life balance for yourself. It all depends on your values, needs and circumstances. 

MENTAL WELLNESS

Mental wellness is the state of our cognitive, emotional and psychological functioning. When we are mentally well, we can cope better with challenges, develop a habit of having positive thoughts, and greater happiness and improve most areas of our lives overall.

There are a lot of things that contribute to our mental wellness, and I most likely won’t have everything here. Just a little disclaimer as well, it is completely normal to have a fluctuating mental state especially when we are going through unfavourable change. 

DIGITAL MINDFULNESS

Social media is a huge part of our lives but is also the main factor of mental destruction. I’m not going to say delete all of your social media, but I want to introduce to you a few ways to mindfully consume and rules with managing screen time. 

MINDFUL CONSUMPTION

To consume content mindfully, go onto apps intentionally and know what your purpose is when using that app. For example, if you want to find new habits that you can do, you could search on Tumblr or if you want a quick break from something stressful you can watch an episode of something on Netflix. 

It doesn’t matter what the purpose exactly is, but the action of being intentional. 

After you consume what you want, download images, and screenshots, and take notes or any documentation of what you found/learnt. This is more so the information is remembered/used. 

Manage your notifications. You do not need notifications from every app. Except for messages and phones, I do not put notifications on my device. I believe that if something is important enough, I’ll remember to check my phone later without the help of a notification. 

Only consume quality content. It is so easy to consume content that has obviously been reposted or is blatantly spreading misinformation. Only consume from people who you trust and you’ve followed/subscribed to. While yes, you can explore but be very mindful when doing so.

You should be decluttering, organising and deleting on your devices routinely.  This reduces the amount of distractions on your phone and makes it more intentional. Only keep the things that align with your needs, values and goals. 

DIGITAL BOUNDARIES

Have rooms or zones in the house in which you’re not allowed to use any devices or the devices you choose. For example, the bed, bathroom, office, when you’re eating at the dining table, etc. 

An alternative is having a period of a day when device usage is not allowed. It could be right after you wake up, right before you go to sleep or just in the middle of the day. Either, I recommend you have a time or place in which device usage is not allowed.

While I encourage everyone to keep up with socialising with their loved ones and friends, I don’t support dropping everything just to talk to someone. E.g If somebody wants to text while you’re in the middle of a study sesh, just say you’ll talk later. 

MANAGING STRESS

Stress is an unwelcome yet common feeling we all have. No matter what’s on your plate, we tend to stress a lot, especially in a society that is going so fast and makes us feel like we’re falling behind. 

To manage stress, you need to be self-aware of when you feel stressed. A lot of people actually can’t recognise when they feel stressed, and I am one of those people. Instead, I rely on mental or physical signs that tell me I’m feeling stressed out. 

SIGNS OF STRESS

Unusual lack of motivation or discipline

Feeling tired constantly even if haven’t done anything exhausting

Inconvenience impacts you more

Overthinking about small things

Trouble with sleeping

Low appetite

Focusing is harder

Crying or feeling tearful over small things

This is not the complete list of symptoms, but these are the things I feel/do when I feel stressed. Stress will look different for everyone, so you need to be able to create your own list of signs when you feel stressed. 

CREATING A STRESS MANAGEMENT PLAN

Creating a plan helps you to be prepared to effectively address and cope with stress. It allows you to be more productive and improves mental health when you use this plan when needed. 

Here are a few steps to creating your own!

Identify stress triggers. What do you dread the most? What makes you feel drained? What do you overthink about? Answer these questions to figure out what triggers your stress.

Assess your coping strategies. Notice if you have any ways of coping that are self-destructive, as this only contributes to your stress. 

Choose 1-3 activities that are fun to you and are not self-destructive. These activities do not have to be productive or beneficial, but they have to make you feel relaxed and generally feel better

Choose one relaxation technique and one self-care activity. These are up to you, as we tend to neglect self-care relaxation when we’re stressed. 

Optional, but have one person who you can talk to when you’re stressed. When we are stressed, we tend to look at the smaller picture but talking to someone else helps us gain a greater perspective on the matter. 

PRETTIEINPINK’S EXAMPLE PLAN

(If doing something that is my stress trigger, slot a time in the day to do my plan.)

Journal about why I’m stressed 

Make a cup of strawberry and mango tea

Read a nice story while drinking tea

Guided stress meditation

Eat some fruits 

Another thing when creating you plan to not restrict yourself using time. Allow yourself to take as much time as needed to alleviate yourself of stress. 

EMOTIONAL INTELLIGENCE 

Being emotionally intelligent is a skill. It is the ability to understand, process and communicate emotions effectively. 

There are times when we do sometimes let our emotions take over and they dictate our actions, thoughts and words. This is why we need to build this skill, to get that control over our emotions back. 

Thinking before you speak is an oldie but goodie. What we say can drastically influence the current situation for better or for worse. If you think that what you might say is rude, offensive or crude, don’t say it at all. 

Also, stay quiet! I am all for standing up for yourself when being disrespected, but you need to recognise when someone is trying to rile you up... They WANT a reaction out of you. Most likely to use against you. Silently exit the situation instead. 

If you are someone who gets a lot of energy from big emotions like anger, dejection, sadness, and jealousy, try to channel that energy into something that requires you to have a lot of energy and is beneficial to you. Keeping that energy in until you blow up is a no-no.

Not everyone is trying to hold you back with ill intent. People’s previous experiences can influence the advice they give to you because they have your best interest at heart. They know that their method worked, which is why they’re advising it. These types of people don’t understand that there is more than one way, but they still love you.

Avoid prolonging emotions. When you’re sad, don’t listen to depressing music. When you’re angry, don’t consume ragefuel. It’s very easy in this age of consuming to amplify therefore prolonging emotions, but it holds us back. Process it, and move on.

Stop acting on a whim. Go where your heart takes you, but reflect on it and create a plan. When you do, you end up in unfavourable circumstances. The most common one is working so hard to get to a certain point, only to realise that you don’t even like it. This is why reflection is important. 

Be kind even when you’re not receiving it. Kindness is only kind when we do it out of pure love instead of personal gain. Stop expecting people to be kind to you after you’ve been kind to them. Kindness is a debt-free action.

[bamboobooshark]

LOGAN HOWLETT X READER

‧₊ ᵎᵎ 🧸 ⋅ ˚✮ SQUISHY (2) : 1K WRDS

( PART ONE HERE )

A/N : So turns out a LOT of people liked the first part of this mini-series, so here’s part two! If this one gets similar feedback to part one, I’ll make a part three. If not, this will probably be the end of this mini-series. Hope all of you kiddos love it just as much as the first one!! <3

You nod your head at Logan’s suggestion of breakfast. He lets out a content huff and nods gently, just as you did. You giggle softly at his mockery of your actions, holding your stuffed animal to your face. Logan sighs and pulls your toy down. “You can’t eat if you have your little friend covering your mouth, bub,” he says in a playfully stern voice. You pout at his words, crossing the plushie to your chest. “Don’t say that! You might make them sad,” you tell Logan while frowning slightly. He returns the pitiful look before pulling you up to his arms. “Aw. I’m sorry, kid. I promise I won’t be mean to your friend anymore, okay,” he assures you softly. You nod your head against his chest.

He pulls back from you and kisses each of your cheeks, then gives your stuffed animal a kiss as an apology. Your stomach growls, and Logan raises his eyebrows in amusement. “Sounds like you’re hungry, bub. Let’s get you to the kitchen,” he chuckles as he scoops you into his arms, unable to be affected by your weight due to his superhuman strength. You hum in compliance as you snuggle against his chest, your stuffie still gripped in your hand. 

Logan tries his best to be careful as he carries you down the stairs. His steps are slow and cautious, not wanting to drop the precious cargo he carries in his arms. “We’re halfway there. Just a little longer,” he promises, leaning down to kiss your forehead. He counts down from three to one each time he goes down a step. Though it can be repetitive and annoying, he never knows if you’ll ever get scared or want to walk down the stairs yourself. He tries his best to be a good dad for you. Even if that means being more cautious than most.

 

He eventually gets you downstairs and sets you down on the couch. You whine softly as he starts to walk away, but he turns around and smiles at you. “Calm down, kid. I’m getting you a blanket so you don’t freeze to death,” he informs you as he grabs a big fuzzy blanket from the top of his arm chair. He tosses it over to you, only causing another whine from you. “Are you not gonna tuck me in, dada?” you ask with the most pitiful look in your eyes. Logan practically perks up when you ask that. As much as he would hate to admit it, he loves doing you little favors if you ask. Sometimes he’ll purposely not do something just so he can hear you ask for it. "Oh, my god. How could I forget to make sure my sweet little bumblebee is all cozy in their blanket?” he gasps dramatically. He walks over to you and lifts the blanket into his hands. “Let’s get you cozy, kiddo,” he says before he smirks, an idea forming in his head.

“Your tummy is out,” he says in a slightly sing-song voice. Before you can protest, he tenderly runs a palm over your stomach and exhales deeply. “God, that tummy of yours is what keeps me going some days, kid,” he tells you. You can’t do anything but giggle and blush at his gentle touch and affectionate words. He kneels down to meet your face and smiles at you. “I mean it, Bumblebee. You keep me going; your squishy, precious little self,” he reassures you. He didn’t forget to tuck you in, thankfully. He grunts a bit as he gets each corner of the blanket tucked around you, the excess going under you. He puts his hands on his waist and smiles down at you. “I’ll be in the kitchen if you need me, bub,” he informs you. Before he leaves the kitchen, he grabs the remote for the TV and turns on your favorite cartoon.

 

You can hear Logan humming a tune to himself as he cooks. The smell of breakfast is exciting and delicious enough to pull your attention away from your cartoon. Despite your curiosity, you stay in the comfort of your fuzzy blanket on the couch. “Dada! What’cha making? It smells really good,” you exclaim excitedly to Logan. “Just the usual,” he lets you know. “In fact, it’s almost done,” he tells you with an sweet tone.

He puts the meal on your favorite kiddy plate, grabbing some child-safe silverware from one of the draws in the kitchen. He walks into the living room with a prideful smile on his face. He carries the food over to you, and you smile at how good it looks. You adjust yourself so you’re sitting with your back against the couch, legs crossed, so you can hold your plate in your lap. “You want me to feed you, or do you want to do it yourself?” he asks you with a cocked brow. You think for a moment while humming. “I wanna do it myself,” you exclaim confidently.

You begin to spoon your food into your mouth, whining a bit when the warm temperature burns your mouth. Logan immediately gets protective of you. “Oh lord. Are you okay, Bumblebee? Did you hurt yourself? What happened?” he asks with concern in his voice. “I’m okay! The food is just a little hot,” you explain sheepishly, blushing over the fact you didn’t think to let your food cool down a bit before you started eating. Logan exhales with relief after you explain what happened. “Alright. I didn’t want you to be hurt,” he tells you. “And before you say anything, I’d still help you if you were hurt. There’s no way I’m letting my kiddo be in pain,” he adds before starting to eat his own food.

The two of you continue to eat breakfast, sitting back and relaxing as you watch your favorite cartoon. Logan wraps an arm around your shoulder to let you snuggle against his middle. His hand rubs up and down your forearm lovingly. His lips press against your forehead every so often. This morning has felt better than anything in the world. No stress. No crying. No problems. Just your papa and you cuddling and spending time together.

[dhampling]

one fem!reader, 2k

“Mummy and Daddy’s evening off though, love? Really?”

“Oh shut up, you horrid thing. I know.”

-

astarion is a newly-minted girldad. that's it. that's the plot.

word count: 2,028

an: fluff, fluff n more fluff. no smut this time. soon. promise. parts ONE and TWO linked respectively but can be read alone.

-

“She’s asleep, Astarion!” 

You are wide eyed, furious; speaking in a whispered shout at your husband.

His pale hands flit across the ties of your shirt, frisking every which way they turn. You slap them off like flies on fruit.

“Even more reason to take advantage of the situation, if you ask me.” He murmurs hungrily in your ear, hands now circling down to your waist to tug on your waistband.

“It’s a fine job I didn’t ask you then!” Gritted teeth. Eyes aflame. Cornered against the dresser.

The crib beside your bed holds your infant daughter - skittish and fresh to a world wholly unknown in every sense of the word. She rests rarely and wails often for company in these early months of being alive with you both. Pallid and red-eyed yet beautiful beyond comparison and entirely yours. 

Seeing you together brings him joy unparalleled. 

He has, genuinely; never been prouder of anything of his doing - saving the Sword Coast is a drop in the ocean that is completely and utterly awash with love for your youngling. The mistaken mess of his own bastard elven vampiric genetics now born unto another. This time it would be right. The hunger, the rot; the abuse and neglect, they were hundreds of miles away.

He would make it right. 

But it was already so. She was here, and you all cried together in that dark, sweaty birth chamber. His great guttural sob at her birth, wracked with emotion he never knew he could possibly be permitted to feel on this immortal coil. Your genuinely feral howls of pain turned weeping with pure joy.

Two full days of agony unlike any you’ve ever endured and she had arrived, breathing; wailing; skin of a changeling in birthing viscera and lungs keen to rival any bellow of the Gods.

Astarion weakly clinging to you both; tears salting your lips and wetting her tiny head for hours on end. 

The great weight of another being on your shoulders. His sincere - yet cliche - fervently whispered oath to her just moments after being placed in his arms.

She is home. She is loved beyond any unit of measure. She will want for nothing, and she will never know anguish like that of her parents and their complex lives. No matter who she is or what she becomes, she has two people who are in her corner. She will be fierce if she so desires. Cunning. Witty. Roguish. Barbaric. Horrid. 

It didn’t matter. It never would. 

She was yours, and his; and she would always have a choice.

He had spoken with her for hours, the nurse whispered to inform you once you had awoken from the deepest slumber of your life. Even then when you looked he was hanging over her small form in her cot, running his lithe fingers over her tiny hands and feet in a repetitive soothing pattern. 

When you queried the topic of conversation he simply looked at you with a grin so lovesick it would flip your stomach completely. Butterflies.

-

“We deserve a bit of fun though, darling. Mummy and Daddy’s evening off? No?” 

Astarion pouts, wrapping his arms around you - still pinned against the dresser - and inhaling your scent deeply. 

You return the gesture and cough reactively.

“You stink of Noblestalk. I know your tricks.”

You playfully shove him away and tiptoe from your room to the landing, the pale elf hot on your heels.

“I have never stunk in my life, thank you.” He sulks. 

You pointedly stop to look at him, before picking up a basket of waiting laundry and descending the stairs. He follows.

“I’m trying to fuck you, dear. Don’t make it weird.” He rolls his eyes and huffs. 

You hum. 

“Corpses tend to smell awful.” 

“Warning.”

“You started it.”

“Touché.”

A beat of silence.

“Mummy and Daddy’s evening off though, love? Really?” 

“Oh shut up, you horrid thing. I know.”

“You’re getting rusty.”

He captures you in a kiss as you reach the bottom of the stairs, slow and patient. Holding your free arm to keep you close. 

“Look at me. I’m the epitome of the fatherly jester!’

Waggles his free hand.

‘I have been blessed with brains and humour anew by the birth of our daughter, clearly.’

He grimaces.

‘Not necessarily superior versions of either, but I - am - changed.” 

From the moment of her conception you’d felt it. An old wives’ tale. The night you’d agreed to mother a brood alongside him, you knew she was there. That she was her. That she was brewing as something brilliant deep inside you and nothing would be as it was ever again. 

He’d called it ridiculous, gestured wildly and rolled his eyes to the deepest hells, but a hazardous hope never left them until you’d far missed your bleed and it was confirmed to be true.

From that moment onwards, something shifted even further in Astarion. 

The domestic tether to your townhouse in the city - no longer just a convenience to remain a steady base for you both, but a fundamental part of his scene setting, to plant roots and grow together. Two centuries of rot and abuse, and his reward was finally nearing completion.

His nesting phase began far earlier than yours and with greater intensity than you could’ve matched even without the issue of your later-heaving belly. Entire pinboards tacked with decadent fabric swatches for every occasion - be it swaddling or nursery curtains. Tailor’s tape around his neck each morning and notebook in hand to note your measurements and take inventory of your wardrobe; ensuring you never looked awry or felt anything less than wholly comfortable. 

Because gods forbid ill-fitted clothing stand in the way of you and your brutal vomiting spells, obviously. A pointed click of his tongue as he fixes your sleeve.

In the middle months of your gestation, the typically discerning clientele who visited you and Astarion in your tailor’s store at the dead of night were the first to become privy to the news. Rounder by the week, flushed; brimming with a deep fatigue and yet somehow absolutely aglow.

Children to be fitted for yet another presentation evening placed sleepy hands on your belly with a saccharine softness. Their parents jostle you - sometimes in congratulations, sometimes to whisper in sheer curiosity. Dhampir are a notoriously rare breed, and you’re certain there were rumours of a third party involvement in the process.

‘No, no. We just tried really, really hard.’ You’d smile, as if in a blissful stupor from just the recollection. He’d turn to you with his ridiculously brilliant hearing; needle between teeth, brow raised; lips upturned in a slight quirk. Devilishly handsome, never anything less.

-

You drop the laundry basket in the kitchen corner. A stuffed bear falls from it. Clive.

A pause.

“You never asked what I did with that shirt, you know.”

It takes you a moment to recall which shirt he’s referring to. He sits at the table and watches you lazily.

“Which? The one for Mr. Chugley? I didn’t think it needed much by way of adjustment, at least?”

A stale piece of burnt toast sits on the counter untouched. You bite and chew and bite and chew like a woman who has never once tasted a morsel so divine; so untainted by the evils of hot butter and a filling bronze crunch.

“Oh - Bunt? Gods, no.’

He sips his stone-cold tea. A fresh film wobbles on top.

‘Bunt Chugley.”

A snort of laughter sends it straight back through his nose and out onto the table. You begin to choke on your toast.

“Bunt Chugley.” You giggle, crumbs spilling from your mouth.

Astarion stands to wipe himself down, creasing over with an escalating laughter.

“Bunt Chugley.”

He waggles his hands, eyes heavy lidded with lack of rest. 

He looks purely maniacal.

“That’s- that’s what we should-’

You stop for breath, cackling now; hands over knees for a brief moment.

‘We should call the next one Bunt Chugley.”

He launches into a wheezing fit.

“How- How would that even work, darling? Like Bunt Chugley Ancunín, or- or-”

“No! No, no. Just that. Bunt Chugley.”

You hold both hands to your eye as if framing a canvas, looking through the gap at the ludicrous proposition in front of you. 

He takes a moment to still. Smiles at you dopily.

Crosses the floor and brings both hands down to your waist with a gentle grasp.

“I am so sorry, my love.” He grins and holds his forehead against yours.

You look at him, dazed.

“Hmm?’

He simply looks up. 

A profoundly gut-wrenching wail becomes apparent to you from above. Your face falls.

‘Oh for fuck’s sake, Astarion.”

-

He’s up the stairs before you can comment further, swiftly darting back into your chambers and grinning with an unbridled joy - though, you note, with lack of rest that grin is beginning to look more insane by the hour.

“Sweetheart! My darling girl. Shush now. You’re sounding something absolutely wicked.”

You watch on from the doorway, arms folded; stale toast in hand and jaws meeting in a firm chew.

He’s far too good with her. 

It somewhat surprised you at first just how innately fatherhood came to him, but as he picks her up and cradles her intently it’s as if there are fractures of his own childhood coming back. How he was loved, how he was held. 

A piece of him, now alive and breathing again after all these years of death.  

He coos at her, bouncing her small frame gently in his arms and hushing her with each wail. It takes very little for soft mewls to take their place as she reaches aimlessly in his direction. 

He leans towards her grasping fingers and allows her to take one of his ringlets from the front of his head as he kisses her tummy. She’s enthralled by him; recognises him. She wants to know more of him. 

As he lifts his head her grasp remains firm.

“We have some work to do on your sleight of hand, I think. Not to worry.” 

Ever so gently, he unpicks her fascinated fingers and kisses them all in tow. Her face looks almost ready to crumple before he reaches for one final kiss on the very top of her head.

“There, now. All better. Back to sleep?’

A gurgle. A puzzled blink.

‘Absolutely. Mummy does look particularly radiant today, doesn’t she? I’ll be sure to send your regards.”

He catches the smile on your face. Winks your way.

“You’re getting the baby to flirt on your behalf now?” You tease.

“That’s the lady of the house to you. She was simply passing on her praises.” He whispers as he places her back into her crib and steps back fondly. Sidles over to you as you finish the last bite of toast and pulls you in for a soft kiss.

“Stop playing coy. I know you feel the same way I do.’

He whispers down at you.

‘You want another one, don’t you?’

A kiss on the very top of your head.

“You’re projecting.” You smile.

You can’t deny him for long, he knows this. You don’t particularly want to. 

Since becoming a mother you’ve taken to parenthood almost as naturally as he has; and when the topic has come up since you’ve struggled to say no and mean it.

“Think, though. The sooner we try again, the sooner we can begin building our little mercenary force.” He looks at you with the face of a man who thinks he’s just had a really good idea.

“Oh! Yes! You’ve sold me!’

You pull him into a long kiss, the kind that still makes you swoon after all this time together. He tastes like cold tea and smells so clinical you can’t help but laugh heartily as you pull away.

‘That Noblestalk is getting to me. Have a bath and try again with a little less?”

He scowls before narrowing his eyes in thought.

“Does that mean what I think it means?”

“It just might, my darling dearest.” 

You wink this time.

The bath starts running before you’ve fully made it back down the stairs.

[rosettyller]

some analysis of this scene from 2x02, because i am going absolutely insane over it:

first up: it's 2 500 BCE. They've known each other for around 1500 years at this point, but they haven't been meeting up very often; it's implied at this point, that they've only met at the Garden, and the Flood, and now here (as well as in Heaven, but there's varying interpretations about how much they each remember of Heaven).

(worth noting that these meetings are all bible-related meetings)

So, they don't know each other very well at all. This is why Aziraphale approaches Crowley so cautiously (apart from the fact that he thinks Crowley's going around murdering goats and soon kids). He doesn't know what happened to Crowley when he Fell, how he changed when he fell in with Lucifer, how God's rejection has warped Crowley's perspective or changed his morals (their meeting at the Flood seemed quite short, not enough time to get a definite picture.)

Aziraphale is still seeing Crowley as demonic, although there's already that thread of doubt - can you really see him trying to talk Hastur or Ligur out of this the way he does Crowley?

Aziraphale clings to the memory of Angel Crowley - Crowley gets quite defensive.

Here, Crowley reinforces that he's changed - personally I don't believe that he did fight in the War, but his views of God's Plan definitely got more extreme than "thats terrible god should get a suggestion box".

But, I also believe that here, Crowley is reinforcing that he is no longer an angel, and therefore no longer has to play by angel rules. He can do what he wants. He's a demon, it's in his job description.

And of course, that he is a demon, and he is Evil, and of course he would kill goats.

(more under the cut, because I just can't stop talking)

This shot is very yellow. Crowley's hair being the season 1 orange rather than red, the yellow walls, all accentuate the colour of Crowley's eyes, highlighting the physical reminder of Crowley's demonic nature.

I couldn't be bothered to gif it, but here, Crowley leans forward into Aziraphale's face. There are two reasons for this:

Get his yellow Demon Eyes right in Aziraphale face, just to hammer home his point.

It's an aggressive action, moving into someone's personal space like that. Saying, I could hurt you, I'm violent and aggressive and dangerous, I killed those goats, the kids are next.

The way the light hits Crowley's eyes in the above shot and the below shot also make them a very bright yellow. (Edit: I think someone pointed out that Crowley is making his eyes glow, but the overall yellowness of the scene serves to highlight this)

Clever wording on Crowley's part, because as we will find out, he faked the destruction of the goats to keep them safe, while making himself sound very evil.

You'll notice the repetition of "blameless"; this makes him seem even more evil, hurting the innocent, but also gives deeper insight into one of Crowley's biggest issues: hurting the innocent. What have they done to deserve this? Nothing.

This ties in quite nicely with what we have seen before of Crowley and free will; he gives people the option to sin. It's their actions that decide whether they end up in Heaven or Hell; they get what they deserve for their actions. He just makes it easier to choose Hell. (see: phone lines being down making people crankier and encouraging them to be horrible to each other, but it still being their choice, setting the holy water bucket above the door, so it's Ligur's choice to come in after Crowley that gets him killed.)

Note also the use of "long":

Aziraphale says to "tell me you want to do this". "Long" has rather stronger connotations than "want", but also rawer, more fundamental. Crowley is reminding Aziraphale that he is a demon, and that he has the traits of a demon, this is what he is now. He longs for violence, for destruction.

Aziraphale looks quite sad here. If you watch the video I linked, his previous conviction that Crowley doesn't want to do it is very strong. He fully believes in Crowley, that all he needs to do is reframe not killing the kids as within the rules of Hell, the way Crowley so often comes to do for Aziraphale ("Then you can't be certain that thwarting me isn't part of the divine plan too. I mean, you're supposed to thwart the wiles of the Evil One at every turn, aren't you?" "If you put it that way, Heaven couldn't actually mind me thwarting you.").

Aziraphale believed Crowley was still good, that the angel he remembered was still in there. But Crowley rejects it - and it hurts. Crowley has become what a demon should be.

Crowley looks quite sorrowful here, too: he already cares for Aziraphale (he fell in love at the Garden), and it hurts to decieve him, to disappoint him, to hurt him.

I would argue that here, Crowley is scared.

He's in shadow, which dims the yellows; his undemonic nature is about to be revealed.

And that is not safe, because Hell does not send rude notes. And here, Crowley is not doing just any temptation, but trying to help Satan win a bet (supposedly). And out of every demon in Hell, Satan is the one you want to piss off the least.

But here, Crowley is scared because Aziraphale could reveal him - because Aziraphale is on God's side, and because it is revealed that Crowley is not nearly as demonic as he makes himself out to be. He's vulnerable. Aziraphale could scorn him, hurt him. But instead:

Aziraphale is incredibly smug. "I knew I was right", he says. "I knew you were still good".

And here is another issue: Aziraphale conflates God/Heaven/angels with good, and demons/Hell with bad.

And Crowley does not see Heaven as good. He doesn't want Aziraphale to see his angelic core past the demonic exterior. He's on his own side.

This, for Aziraphale, confirms that "the angel you knew is not me", is not correct.

And I think, out of the three minisodes, it's this one that does the most for fleshing out Aziraphale and Crowley's frames of mind this series, and why they choose what they choose in ep6.

Aziraphale has been proven right about Crowley's angelic nature, and that he wants to do good, but can't, for fear of Hell's retribution.

And Crowley does not see Heaven as good. He recognises that being an angel again will not allow him the freedom to do good. (as Aziraphale had to try and talk a demon into helping him save the kids from God.)

[joemama-2]

itadori yuuji is great with kids.

he has as much energy as them, so he’ll run around with them constantly, which helps when you want to put them to bed early. he’ll take part in any game or creative imagination the kid has conjured up.

a tea party? okay, he’ll be the king. oh, he’s getting a call from elmo? he takes the the small toy phone into his hands and has a full on conversation with him. and lastly, he loves just picking them up into his arms and airplaning them around the house.

it’s why when you first saw him interact with kids, you couldn’t help but almost tear up at the sight. it’s like him and the kid would match each others energy, bouncing off the walls together. and you didn’t miss the way the kid would automatically smile and reach their grabby hands up for him as soon as you two entered.

and when you looked at yuuji, you just knew, he would be a perfect dad.

maybe you two were too young to even be thinking about that. kids thinking about having kids is crazy. but you didn’t want kids now of course, but when you were older. you guys kinda had your future planned out for each other. you can call it cute, wholesome, or optimistic. but either way, you knew you wanted to spend your life with itadori yuuji.

but can people really blame you? living in a world full of curses and being a sorcerer meant that any moment could be your last, every breath could be your last, and every smile could be your last.

that’s why whenever you and yuuji were together, you’d spend it like it was your last.

you were already head over heels for him, but seeing him be so playful…so innocent with not just kids, but with you, it struck a chord in your heart in a repetitive thrum. and you found yourself constantly wanting that same melody to played.

you guys were kids, but with what you did for a living, you were forced to act anything but. which is why you loved these kind of moments. the moments where you can do simple teenager things, you know, actually act your age.

the mental and physical toll of being a sorcerer was hard on you both, especially yuuji. and it was your job to hold him up whenever he fell down.

“boy or girl?”

he looks up from his milkshake, eyes landing in your own as you sit across from him. the comforting diner offering a sense of peacefulness. he mulls over your words before answering. “either.”

an eye roll. “no, pick. if you had to choose one, boy or girl?”

“and what is the context of this situation?” his head tilts in that adorable way you love, pink hair ruffled after he runs a hand through it.

“children.” you say.

he stills for a moment, eyes just locked with yours. the silence is deafening, but not tense. it’s like he’s trying to decide if you’re being serious or not. because in all honesty, he had no idea you wanted kids. which is a little ironic since you talked about your future all the time, and kids just found themselves drawn towards him whenever you guys hung out with your side of the family. but, for some reason, having kids of his own one day felt odd, felt strange.

his lips purse and eyes travel to the ceiling. “i guess, if i had to pick, maybe….a girl?”

your head tilts. “not a boy?”

“well, i wouldn’t care. i would love them equally.”

“but you want a girl.”

“i’d want anything, as long as i get to have it with you.” he looks at you again, dopey smile on his face. “if it was a girl, i’d have two precious girls in my life. if it was a boy, i’d have a little warrior.”

you smile back. “the girl can’t be a warrior too?”

“she’ll be my precious warrior.” he says, hand reaching across the table to find yours, fingers interlacing like its second nature. “just like you.”

and god does he always know what to say to get your cheeks red, embarrassed. “and what if i want a boy?”

his thumbs rubs across the back of your palm, sliding the milkshake over to you, to which you sip from. “then we’ll have both.”

“how can you be sure we’ll have both?”

“i’m not, but anything is possible with you.”

your eyebrow raises playfully. “you’re really sweet today, huh?”

his eyes roll and he scoffs. “baby please, i’m always sweet.”

and well, he’s right. he’s always sweet, always thoughtful, always perfect when it came to you. you loved him so much, it felt like you couldn’t ever love anything more than him.

but years later, that all changes when you two first see the sonograms. how can you love something you’ve never even seen, touched, felt? but that’s what a parental love is all about, isn’t it?

you instantly feel protective, like you want to shield them from the cruelness of this world. like you’ll do anything for them, including….dying. however sometimes, you can’t protect them.

itadori’s world stops, shatters and crumbles as he hears the news. he doesn’t even feel his legs moving but suddenly, he’s no longer in the comfort of your guys’ home, but in the hospital. the nurses and security are nothing compared to his strength, the strength of a father, and the strength of a husband.

it’s almost insulting, or comical. after everything you two have been through, one would think a sorcerer would die from fighting a curse, not from a drunk driver.

burying people has never been a foreign concept to him. but you know what is?

burying three people all in one casket. his wife and unborn twins. a boy and a girl.

[ohwormwood]

breaking down over in stars and time's use of tarot cards

[woe, spoilers be upon ye!]

[no seriously, this contains spoilers for the entire game. proceed with caution]

BECAUSE IF I HAVE TO BE TORMENTED BY THIS KNOWLEDGE, THEN SO DO YOU.

Act 2

Six of Swords

Transition, change, rite of passage, releasing baggage

Siffrin is, in the start of Act 2, beginning a new journey. This card is pretty self explanatory, but also is a form of major foreshadowing. Six of Swords has a heavy implication towards evolving and bettering yourself as a person, going on a journey that is absolutely essential to growth. Whether or not this journey is at all pleasant is entirely left up in the air, but given the rest of the game, it’s more of an indication of hard-won lessons.

Siffrin asks “How does the boat not sink?”, which is kind of hilarious, given that they end up almost sinking into complete despair by the end of the game, only saved by getting help and changing, completing their journey and starting a new one.

The Star (Reversed)

Lack of faith, despair, self-trust, disconnection

Stars play a huge part in this game (it’s literally in the name), so this card felt kind of inevitable. The most important part of this card is that it serves as a sort of omen for what is to come. In Act 2, Siffrin is blissfully unaware of the overall impact this will have on his psyche, of the turmoil it will bring him. But the most important part of this card for me is the idea of loss of faith. The very first line in the reference site’s description is this; “The Star Reversed can mean that you’ve lost faith and hope in the Universe”. This is likely indicative of the gradual crumbling of Siffrin’s hope over the course of the game. The site also notes that “You may be desperately calling out to the Universe to give you some reprieve but struggling to see how the Divine is on your side”. Siffrin pretty much does this in the latter half of Act 3, as things become more and more hopeless. This is, for lack of a better term, a test of faith. Given how the Change God mocks Siffrin for the Universe never talking to them directly, this is nailed home pretty hard. But, in Act 2, a lot of the concept of The Universe and Wishcraft isn’t introduced, so this serves more as a premonition than anything else.

Another note: Loop. Loop is a star. Or ate a star. Either way, they have a deep connection with stars (and The Universe as a result). I bring this up because of the general meaning behind the UPRIGHT version of this card, which is a sign of hope, faith, and guidance. Loop serves this purpose throughout the game as Siffrin’s “helpful companion~”, so the connection here there is nice. But the entry states this; “When confronted with a challenging situation, you can either crumble like The Tower or stand firm in your conviction that the Divine is everywhere”. Because of the 2 Hats situation, we know that where Siffrin eventually overcame the challenges of The Star/The Universe, Loop did not. Instead, they made one last plea to the Universe for help, and The Universe listened. But we know the obvious twist of fate here is that Loop is literally helping themself by helping Siffrin. They gave in, crumbled, and lost their faith in the end, only to be the thing that helped Siffrin keep theirs and eventually free themselves. 

Ace of Wands 

Inspiration, new opportunities, growth, potential

Most of Act 2 Siffrin is spent with this idea in mind. At this point, Siffrin is pretty lax about the true meaning of the loops, believing them to be an opportunity to beat the king, each loop full of potential to achieve their goal. But the twist here is that for the Ace of Wands, there is always potential but never a guarantee of success. Siffrin experiences this first hand at the end of Act 2. 

Eight of Pentacles

Apprenticeship, repetitive tasks, mastery, skill development

Another nod to Siffrin’s frame of mind in Act 2. The slow mastery gained through the overall leveling system in the game actually accomplishes this card’s meaning pretty well- you repeat everything, over and over, and it is only when you master it that you are able to defeat the king. Siffrin notes a lot that in a couple of loops, he will likely be able to remember interactions by heart, and some he actually does recall completely, like when the very first interaction with Mirabelle in Dormont at the start of each loop. He’s essentially memorized the script, mastered the actions, the choreography, and now is faced with the fact that he has to do it over and over again. It will turn into monotony by proxy of being so familiar and easy. 

Siffrin also notes that “they seem happy to be working”, which is another nod to how he sees the loops towards the start of the game, less of a curse and more of a boon that requires effort to properly utilize.

Act 3

Two of Swords

Difficult decisions, weighing up options, an impasse, avoidance

There are a lot of hard choices to be made in Act 3, so this likely isn’t referring to any one instance. This is where the Eight of Pentacles card comes back into play, in a sense- there is still more to learn here, more to master, but a lot of that requires decisions that have greater weight than those in Act 2. People’s lives are at stake. However, it is only by doing this and making hard choices that Siffrin eventually learns more about Wishcraft and the way things work in the loops. 

Interestingly, when Siffrin describes this card, they describe someone holding scissors. An intersection of 2 blades, but the thing here is that no matter which side you’re on, they can still cut you. Alternatively, this could just be a representation that Siffrin, who is the main Scissors Craft user of the party, is the one stuck with these decisions. 

Six of Pentacles (Reversed)

Self-care, unpaid debts, one-sided charity

Siffrin is the king of never giving themself proper self care. They are also the king of tearing themselves apart to give everything they have to the party. They are willing to sacrifice everything they have for a “perfect ending” where everyone is happy… everyone but themselves, that is, because they do not receive the same fulfillment in return. They give and they give and they give, but the party does not give in return, not in the way they need. Not soon enough to prevent them from falling apart at the seams over it. 

The note here mentions that it shows “someone walking on the sky and offering flowers to sky people”, but then when flipped shows “the man is touching the ground, and giving flowers to normal people”. This kind of struck me as strange, as no matter what orientation the card takes, they will always have their feet on the ground. This also isn’t the last mention of sky people, but I haven’t really delved deep enough into theories about that to understand what that really means in the context of this card.

The Hermit

Soul-searching, introspection, being alone, inner guidance

Hilariously, this is something Siffrin completely lacks for most of the game. They avoid thinking about themselves and their own sense of self for a vast majority of their character arc, and it isolates them. While this card means well in its message of introspection, it’s also key to note that this withdrawal from the outside also can lead to being alone with your own thoughts, something that Siffrin experiences more as the game continues. And their refusal to acknowledge what they want almost breaks them. 

The loneliness aspect of this card is further hammered home by the fact that Siffrin says “they look sad and alone”.

Five of Wands

Conflict, disagreements, competition, tension, diversity

Misunderstandings and miscommunication is at the heart of this card. And oh boy, does Siffrin deal with a LOT of that in the loops. My brain immediately goes to the whole “touch therapy” arc and Siffrin’s refusal to clarify that they don’t dislike touch, which eventually leads to Memory of Touch. It’s also a bit of foreshadowing of what is to come, especially in Act 5 and the breakdown of the party’s trust in Siffrin because of their break in communication and understanding with each other. 

Siffrin asks “Why are they fighting?” when this card is drawn. The answer is that they don’t really understand themselves. This is conflict driven by a lack of communication and understanding of the other parties at hand. As the description for this card says, “No one is listening.”.

Act 4

Eight of Swords

Negative thoughts, self-imposed restriction, imprisonment, victim mentality

Act 4 starts with Siffrin experiencing quite possibly one of the worst endings to the loops he can imagine, so it’s safe to say that at this point, their deterioration is rapidly worsening. They begin to spiral, and the idea that there is no way out begins to appear. However, the main crux of this card’s significance is that there is a way out, but it lies in freeing oneself. There is a gap in the swords, and if one was to take off the blindfold they could get out. The description of this card calls this “imprisonment”, which ties in pretty nicely to one of the screens you can get when you loop back; “You are in a prison of your own making”. The description for the card also reads “You surrendered your power to an external entity, allowing yourself to become trapped and limited in some way. You may feel that it isn’t your fault – you have been placed here against your will”. This is heavy foreshadowing for the idea that Siffrin’s own wish to The Universe that got them trapped in the loops, not the wishes of The House or The King. 

Siffrin asks “Why is he alone?” when drawing this card, which kind of projects onto themselves. They feel alone, they feel trapped, and they believe that there is no one who can help them, but that isn’t true. They have the ability to change things, but they are afraid. 

Ten of Swords (Reversed)

Recovery, regeneration, resisting an inevitable end

There are good aspects to this card, but the main focus in this case is likely the idea of resisting the inevitable. This is pretty much what the whole deal with the Head Housemaiden is, the repeated attempts to find some way to change something that, by the nature of the wish, cannot be changed. And yet, Siffrin is unable to let go of this. It’s also noted that this card represents past trauma that is still being carried around and still hurts the bearer. Siffrin spends this Act searching into their past, tearing up painful memories (or lack thereof) in the process. They carry the burden of being without a true geographical/cultural home to go back to. They cannot let go of this, nor do they want to. But the card’s description notes that “these old pains need to be dealt with once and for all. It may be difficult to delve back in, but it's the only way to release yourself of this pain and allow it to pass from your life”. In a lot of ways, this nods to the avoidance of pain that Siffrin displays when they are unable to cope with their trauma from the past and the loops. It is only through promising to tell the party their wish and deal with the pain and fear of their trauma that they can move on and begin to heal. This card pretty much represents the whole crux of the story’s meaning. 

Five of Pentacles

Financial loss, poverty, lack mindset, isolation, worry

Loss is a major theme of Act 5. The loss of memories, the loss of a home, the loss of faith, and, perhaps most importantly, the loss of hope. The card’s description says “You no longer feel safe because it has all been stripped away from you in one blow”, and this is pretty much what happens. Siffrin is in a crisis. They are exhausted, they are alone, and they are profoundly terrified of what that means. At this point, they are searching for help desperately, but are unable to ask for it. This card explicitly deals with fear of rejection and reaching out for help- the situation is dire, but, as seen with the card’s depiction of lit church windows, there is help nearby. The issue is that one must be willing to accept it. There is fear that you may lose something important- in Siffrin’s case, his found family- but there is no telling if that will actually come to pass. 

To further nail the loneliness aspect of this card home, Siffrin says that the figures on the card “probably don't have any friends”, something he starts to believe in the latter loops as the group loses their identities to the script. The in-game card also is different from the real card, and is said to show empty glasses, a pretty on-the-nose reference to Siffrin’s “glass half empty” mentality as they lose hope later in the game.

The Hanged Man

Pause, surrender, letting go, new perspectives

The Hanged Man gets a pretty bad reputation if you don’t really understand what it means. It’s a card about acceptance, pausing, and entering a new phase in life. But this change is heavily implied to come via unfavorable circumstances, situations outside of one’s control. The description says that when a person is unable to pause when they need to, unable to stop their actions, “The Universe will probably put things on hold for you, in the form of continued obstacles, ill-health, and breakdowns”. And this is pretty much what happens in Act 5. Siffrin is ground to a screeching halt by their own body, exhausted, starving, and mentally/physically fatigued to the point of actual sickness. On the topic of “surrender” and “giving in”, things get more pointed. Siffrin gives in to Mal Du Pays (very ‘L'appel du Vide” style), almost dying as a result, but then conversely gives in to the party’s urges to tell them what they wished for, to let go of their fear and stop looping. 

Siffrin notes that the Hanged Man “Look(s) like they're about to die, but they're smiling”. This is more of a connection to the end decision of Siffrin to let go of the loops and tell the party about their fears. They are facing down something that they are terrified of, something seemingly insurmountable, but rather than continue to fight and avoid letting go like Loop did, he instead chooses to surrender and tell the party.

Act 5/6

The Fool 

Beginnings, innocence, spontaneity, a free spirit

There are two versions of The Fool, technically. In Act 5, if you take the card and inspect it immediately, Siffrin will give a manic laugh and tear it to pieces. In a lot of initial interpretations of the card, some people will assume The Fool to be what the card says they are- a fool, someone stupid and tricked and hopeless, about to send themselves to their doom. But the reality is that this card is not really about that- it’s about new beginnings and the start of a new journey, but specifically through a leap of faith- a leap of faith that Siffrin has to take at the end of Act 5. While he is going through The House during this act, however, he is unwilling to accept this advice, either because it is misinterpreted or consciously, and instead tears it apart.

When the card is examined after the game, rather than during the final loop, Siffrin seems to recognize the card for what it actually means. He says “It's a traveler. He seems to be starting a new journey”. Siffrin’s title in the Profiles is literally “The Traveler” (alongside having the Traveler’s Hat), so this is a direct statement of new beginnings for the party and Siffrin’s life, a new journey they are taking with their family rather than alone. 

-

annnnd that does it for me, i've spent no less than two hours writing and researching for this post so ima go take a nap now, gnight

[rainystarters]

๋࣭ ⭑𓆩✧𓆪🗡ྀ࿔ 〖 and other stories . . . 〗 a collection of dialogue + action prompts inspired by angela carter's the bloody chamber and other stories. some prompts usfw. add +reversed for the muse receiving the meme to perform the action instead. adjust details as necessary.

dialogue :

are you sure you want to marry him?

oh! how you must want me!

soon.

i had never been vain until i met you.

anticipation is the greater part of pleasure.

all the better to see you.

what is that key? the key to your heart?

every man must have one secret, even if only one, from his wife.

all is yours, everywhere is open to you.

but now... what shall i do now?

my darling, i cannot wait for the moment when you make me yours completely.

there is a striking resemblance between the act of love and the ministrations of a torturer.

you are in some great distress.

any bride brought to a castle should come ready dressed in mourning.

oh god. i can smell the blood.

i thought all these were old wives' tales, chattering of fools, spooks to scare bad children into good behavior!

can't it wait until morning, my darling?

who can say what i deserve or no?

i've done nothing; but that may be sufficient reason for condemning me.

i have a place prepared for your exquisite corpse upon my display of flesh.

good fellow? i am no good fellow.

forgive me for robbing your garden!

all she wanted, in the whole world, was one white, perfect rose.

and what else was there to be done?

they are the death of any tender herbivore.

so late! you will want sleep.

you will come back to me? it will be lonely here, without you.

i will come back. soon, before the winter is over.

i am sick and i must die.

if you'll have me, i'll never leave you.

i think i might be able to manage a little breakfast today.

i have lost my pearl, my pearl beyond price.

if you are so careless of your treasure, you should expect them to be taken from you.

for all my pride, my heart is heavy.

if you wish to give me money, then i should be pleased to receive it.

i shall twist a noose out of my bed linen and hang myself with it.

you are a woman of honor.

nothing human lives here.

we have dispensed with servants.

take off my clothes for you, like a ballet girl? is that all you want of me?

all cats are cynics.

you read my thoughts, my love.

the woods enclose. the wood swallows you up.

all will fall still, all lapse.

it is easy to lose yourself in these woods.

i thought that nobody was in the wood but me.

there are some eyes can eat you.

sometimes the birds, at random, all singing, strike a chord.

eat me, drink me.

dive in and fetch it for me.

now you are at the place of annihilation.

and she is herself a cave full of echoes, she is a system of repetitions, she is a closed circuit.

can a bird sing only the song it knows or can it learn a new song?

beauty is a symptom of disorder, of soullessness.

a single kiss woke up the sleeping beauty in the wood.

be he alive or be he dead.

coffee. you must have coffee.

welcome. welcome to my chateau.

i rarely receive visitors and that's a misfortune since nothing animates me half as much as the presence of a stranger.

this place is so lonely.

now the village is deserted.

often i am so silent that i think i, too, will soon forget how to do so and nobody will ever talk any more.

i must apologize for the lack of light.

you have such a fine throat, like a column of marble.

i am condemned to solitude and dark.

i do not mean to hurt you.

i will be very gentle.

and could love free me from the shadows?

i've been waiting for you in my wedding dress, why have you delayed for so long.

you will feel no pain, my darling.

so delicate and damned, poor thing. quite damned.

the end of exile is the end of being.

it is a northern country; they have cold weather, they have cold hearts.

the devil is as real as you or i.

do not leave the path.

you are always in danger in the forest.

they are as unkind as plague.

fear and flee the wolf; for, worst of all, the wolf may be more than he seems.

besides, aren't you afraid of the wolves?

actions :

clasp. from behind, the sender places their hands over the receiver's eyes.

opera. through opera glasses, the sender watches the receiver.

choker. the sender fastens a gemstone necklace around the receiver's neck.

carriage. the sender locks the receiver in with them in their train compartment.

spine. the sender presses a kiss to the back of the receiver's bare neck.

cigar. the sender leans in and blows smoke in the receiver's face.

ermine. the sender wraps the furs around the receiver tighter as the snow falls.

keys. the sender silently enters the room and listens to the receiver play piano.

harem. the sender undresses the receiver before a collection of mirrors.

lazy. the sender brings the receiver breakfast in bed.

call. the sender calls the receiver and bursts into tears upon hearing their voice.

note. the sender discovers a love letter sent to the receiver from a previous lover.

death. the sender finds the receiver with the body of their latest victim.

hospitality. the sender watches from the shadows as the receiver take refuge from a storm in the sender's seemingly abandoned home.

servant. invisible, the sender feeds/washes/cares for the receiver.

hearth. the sender and the receiver talk past midnight by the fire's light.

hands. the sender falls to their knees before the receiver and kisses their hands.

bouquet. the sender has a hundred white roses sent to the receiver.

reunion. the sender lays eyes upon the receiver for the first time in an age.

bad luck. the sender hangs their head having lost a bet to the receiver.

voice. the sender sends their valet to speak their desires to the receiver.

powder. the sender dresses/makes up the receiver before an important night.

stallion. the sender grabs the reins of the receiver's horse and leads them away.

weep. the sender cries at the sight of the receiver in such a state.

dry. the sender brushes a tear from the receiver's cheek.

flush. the sender pinches the receiver's skin, watching it redden with blood.

prey. the sender guides the receiver's hands as together they skin a rabbit.

song. the sender sings and the receiver is spellbound, their feet following their song's command.

caught. the sender locks the receiver into a cage.

green. by the sender's command, the growth begins to take over the receiver.

tarot. the sender tells the receiver they are doomed to a sad fate.

stain. the sender touches the bloodstain on the receiver's white negligée.

wild. the sender rides hard through the night, chasing the receiver.

thirst. the sender sinks their teeth into the neck of the receiver.

china. the sender pours tea for the receiver and offers them biscuits.

blemish. the sender explores the receiver's skin and finds the mark of a witch.

wolf. the wolf reveals themself to be the sender before the receiver.

muzzle. the sender kisses the monstrous mouth of the receiver.