#(but I was told about this part)

[poorly-drawn-mdzs]

Hey now, Let her cook!

[bixels]

In the past, people in the Animal Crossing community would make fun of Tom Nook as a sleazy landlord. Since then, he's really rehabilitated his image as this 'heart of gold' businessman (he's the one who puts bells and furniture in trees for you to find! he adopted orphans! he donates to charity!), but New Horizons genuinely paints the most devious version of him.

He's successfully privatized settler colonialism: you pay HIM to move to a "deserted island" (which apparently the oceans in the AC world are just full of) and start a colony that he is directly invested in. At best he's running a weird vacation package scam (you arrive on the island with no money and in debt for "using his services"). At worst, he's using you to set up company towns. For god's sake, he literally has his own fake currency that he forces you to use to pay off your debt. But don't worry, he's repackaged it in a way that definitely doesn't sound like an MLM scam: the Nook Mileage Program!

You're no longer just his tenant or his temporary part-timer, you're his business lackey. The entire tutorial section of the game has you spending actual weeks running around completing tasks and doing hard labor to set up his colony. You're even tasked with preparing his properties and finding buyers for them. No, you aren't a tenant anymore. You work for the landlord. You are directly responsible for finding tenants for him. And he doesn't even fucking pay you. Not for setting up town hall and museum, or his nephew's shop –– which is the ONLY store on the entire island that sells necessities –– or bringing KK Slider to town, or helping populate his town. Not a single cent. No, actually, you have to pay HIM to BUY infrastructure like bridges and stairs and park benches. And all the while, he's telling you're the "resident representative"; you get to call the shots! That the reward is the community's progress. That what you're doing is in everyone's best interest (but most importantly, his).

Since NH's release, people have done a lot of legwork to say that Tom Nook isn't a capitalist while the game shows him at his very worst. He owns the only general store in town. You're forced to use a phone that he modified and branded as his own. Buy Nook-branded furniture and merchandise at the self-serve kiosk in the town hall, a governmental building! There's no conflict of interest here!

But hey, if you're tired of being the landlord/business mogul's goon, you can also find work as a deluxe resort home designer for a company that also pays you in their special company currency that can only be used to buy their products instead of a real salary! Because that's what the Animal Crossing franchise needs! More vacation homes!!!

[stil-lindigo]

the fox god.

a comic about a trickster.

--

creative notes:

–

all my other comics

store

[xxplastic-cubexx]

Marvel Meow (2021), Nao Fuji | Professor X and Magneto

Bonus:

[egophiliac]

swipes everything else off of the table to yell about diasomnia flower bookmarks

(I gave Silver one too :D)

[bet-on-me-13]

Danny as a member of Metahumans Anonymous

So, Gotham has a fairly strict No Metas Rule. Not because Batman hates Metas or because the people do, but because it isn’t safe for them to live there with so many Rouges looking for powerful Henchmen. Rogues that will do anything to them or their families to get them to obey.

The few Metas that do live there do so in secret, hiding their powers from everybody else and trying to live a normal life.

Then comes in Danny Fenton. He just recently moved to the City for work, and he just so happens to move in across from one of these hidden Metas. His neighbor accidentally reveals his powers to Danny, and starts to panic because even one person knowing could lead to more people knowing and soon enough he would be stuck in a henchman position being ragdolled by the Batman for the crime of using his Fire Breath to heat up his coffee in front of his neighbor.

Before his neighbor can panic anymore and run away, Danny uses his powers to freeze the doorknob shut. Seeing that Danny is also a Meta, his neighbor calms down a bit.

They start hanging out together, a sort of Metahuman solidarity, and eventually meet another Meta, and another, and another, each time sharing their contact info to keep in touch and make sure everybody else is safe. They eventually meet a couple dozen Metas living on Gotham in secret, creating a group chat to keep in touch and talk.

This eventually culminates into weekly meetings to hang out and discuss their lives, talk about the ways that being Metas affected their lives, explain the various way they unlocked their powers (lab accident, car crash, naturally as kids, etc.), and even play some sports while using their Powers in a hidden warehouse.

It’s a sort of freedom that none of them have experienced since moving to Gotham, a way to let loose and confide in people who understand their lives and struggles. It becomes therapeutic in a way, and it does help that Danny knows a little about Psychology from his sister, so he can help his new friends calm down during a panic attack or talk about tough subjects more easily.

He can also use his Technical Know-How build them some trinkets, as little souvenirs or gifts. But he is also a Ghost, and the love-language of Ghosts is violence, so he makes them little weapons as “Toy Gifts”. He makes a Flamethrower for his Fire Neighbor as a joke, a Blowgun for the guy with Wind Powers, a Water Gun for the guy who makes acid, all that.

They even use the toy weapons in their Games, and it helps that some of their members have healing powers so their don’t have to worry about being hurt too bad.

All in all, it’s a really fun place to hang out with their Meta buddies.

Their Safe Haven.

...

Then one day, Robin sees some people using their powers from a skylight of the Meta Sports Warehouse.

[trash-and-trash-accessories]

Constantly citing this article and the studies it uses.

Here's a quote:

"That study shows that transmasculine individuals were actually more likely to be victims of childhood sexual assault, adult sexual assault, dating violence, domestic violence, and stalking than were transfeminine individuals (as shown in the chart below).

The only category in which trans women were more likely to be victimized was by hate violence, and even there the difference was small: 30 percent of trans women reported having experienced hate violence, compared to 29 percent of trans men."

[carouselunique]

They had a bit of a chance encounter on a day where Blueblood was dealing with something that was very difficult and was so caught up in his emotions he didn’t even care that he was in the garden getting grass stans on his coat and Ditzy, with her natural impulse to cheer ponies up, didn’t even notice or care that she was flying into the palace gardens when she saw someone sat in the rain.

At first he was definitely going to call the castle guards to come apprehend this strange filly with the odd eyes who was intruding when this was the last moment he’d want to entertain any desperate debutantes, however she surprised him by not fawning or anything, not even caring about his status, just putting one of her fluffy wings up and asking if he needed somepony to lend an ear.

“Don’t let my eyes fool you, my ears work just fine!”

She was incredibly disarming and while he didn’t reveal everything about why he was upset, he found himself talking about his feelings to her. And she made such cheerful remarks, and was very comforting. In the end, he felt better and she came to check on him the next day, even sharing a blueberry muffin with him. He remarked that he’d never seen her around before, and that he wouldn’t mind terribly seeing her more often.

The rest, as they say, is history.

[fallen6253]

Not sure who has talked about it yet (prbly everybody) but I love how Cale was a bit more capable of letting people from Roan in than in Korea as TL.

Like he seems like the same person, and he is, but it's visibly easier to get close to him from the perspective of Choi Han, the Molans, everybody. And I love that the reason is because they, to Cale's knowledge, had nobody. Choi Han has nobody from Korea or Harris, the children have no parents, neither do the wolves, the Molans lost their home, Rosalyn left her home and faced assassins, Alberu was scorned his whole life, and the list goes on.

It's pointed out that he tried to distance himself from the members of his Team after he became leader because they all had families and he did not. And that he, Choi Jung Soo, and Lee Soo Hyuk became close because they were people who already lost everybody. Then those people died, and he couldn't do it again.

Then he arrives in a world, surrounded by people who lost their parents, their homes, their whole worlds, and.

There is no family they have to go home to. So. Couldn't he help them have that? So he doesn't push them to leave, he just grumbles.

And I love how it's awkward for him (at first) to interact with the Henituse family. Not just because they were supposed to know Cale better than anyone else, but also that they were already their own family and he had to consider if he should be there at all, both as an 'outsider' and as 'Cale the Trash'. But then the Henituse household does that thing where they look at him, and no matter who they see past the eyes, it's a member of their own ranks. So even if they knew from the beginning about it or not, whether there is somebody else there or if a person truly chose change, this person is in their family and he is welcome in their house. Especially after all he's done, they have to chain him down somehow so he doesn't kill himself like a moron.

Anyway, I went back a couple of arcs to reread and catch up on part 2 cuz I haven't gone past Murim yet, how are u guys doin

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[shakooo]

1/2 JAKSHAHA HIIIIII GUYS IT'S ME AGAIN here is the comic that i promised....just the day before yesterday i was able to advance this, school is killng me now hahaha and i definitely have to focus on it like never before, but well, about the comic AAAAGH I WANTED TO DO SOMETHING ABOUT ISABELLA you know, her design is very interesting and fun to draw for me

apart from the fact that in the conceptual art she has a much more sophisticated outfit AND that was the one that gave me the inspiration to do this hehe

this is what i'm talking about >:), the whole family has their elegant version and k love the concEEEPt

there are still 3 pages left to color so wait for it ª

Here is the drawing without text....AND I LOVE HOW IT LOOKED

[bixels]

I've been watching Teen Titans for the first time with my partner. Saw the "Apprentice" arc and "Haunted."

[homielander]

like yeah of course tom thinks shiv is a scorpion because he doesn't know she compromised her position and sacrificed her brother so he wouldn't go to prison. he doesn't know she refused to divulge any information about cruises to gil in season 1 before she was certain tom would walk away unscathed. he doesn't know she shut down her brothers' offer to fire him, doesn't know she ensured he'd have a place in the company post-acquisition, doesn't know that the first time she indelicately interrogated matsson about whether she'd have any power and influence at waystar gojo was literally immediately after matsson brought up the idea of firing tom. and it's her fault he doesn't know that she's protected him at nearly every turn because she won't tell him. and it's looking more likely with every passing episode that he'll never know 😔🔫

[somegrumpynerd]

Killer's nightmare

He has many, but the one he has most often is of coming out of stage 3 and finding he's killed his new family too alone again. Or maybe worse, that he'll never quite be without someone from his past.

Luckily, it is just a nightmare, and he has a different Nightmare he can see to help him calm down.

[al-luviec]

coming back with really mid art of middle aged businessman yaoi </3

[infinityinakiss]

lokius is so funny, because here's this middle aged dad that loves key lime pie and wears the same outfit everyday, and there's loki, the god of mischief and chaos, arguably one of the most unpredictable characters, looking at mobius like everything he says is surprising.