#whatever if it were up to her

[shakooo]

1/2 JAKSHAHA HIIIIII GUYS IT'S ME AGAIN here is the comic that i promised....just the day before yesterday i was able to advance this, school is killng me now hahaha and i definitely have to focus on it like never before, but well, about the comic AAAAGH I WANTED TO DO SOMETHING ABOUT ISABELLA you know, her design is very interesting and fun to draw for me

apart from the fact that in the conceptual art she has a much more sophisticated outfit AND that was the one that gave me the inspiration to do this hehe

this is what i'm talking about >:), the whole family has their elegant version and k love the concEEEPt

there are still 3 pages left to color so wait for it ª

Here is the drawing without text....AND I LOVE HOW IT LOOKED

[mabbbish]

s9 noodles and leftovers

[rystiel]

i feel like poolverine easily could’ve been one of those “they’re flirty but it’s mostly unserious” situations, and for most of the movie yeah they were extremely gay, but wade’s been like that with other guys and it was never treated as a serious type of relationship before. they’re willing to die for each other, but even then the romantic aspect of their relationship could be glossed over because it’s a superhero movie, that’s just what they do, and they’re working together to save a whole timeline—it’s not just about them. but then the movie doesn’t end with them saving the day and moving on. i think this’s really the part that sells poolverine as a genuine relationship to me… logan’s leaving, and wade calls for him. he can’t stand to let him go. then he introduces him to his family, and logan stays. he doesn’t really need to stay, but they’ve both decided they’re better off with one another than without

[surreal-duck]

some business to take care of

[citrusai]

taash said "they were doing it" and people ran with the interpretation of an npc that doesn't know solas or the history of the elvhenan even when bellara interjected and said, no, that's not right. that's not how it was for the elvhenan. they formed bonds before they had physical bodies. and people ran to doompost or create weird anti-solavellan shit even though mythal & solas refer to each other as old friends and when she releases him there is no tenderness or love in it. it is the act of unchaining a dog from his post, the stepping down of a general. but to each their own ig.

[aro-aizawa]

i like to think everyone has a colour associated with them, whether its just your fave colour or what you generally wear most of or what colour your bedroom walls are. i always associate the name sophie with dark blue, my mum is always a nice turquoise, i like to think my colour is a bright sunflower yellow.

if you have a specific shade pls tell me i adore when ppl have associated colours and tell me them, bc i think of them when i see that colour

[ruporas]

special operatives (silly interaction beneath read more)

[ID: Digital Art in color of Trigun Maximum, characters included are Wolfwood, Elendira, and Legato in a casual meeting situation. The piece consists of orangey yellow lighting and purple shadows. Wolfwood sits on the left side, facing Elendira who’s on the right. He’s seated on a plain wooden chair with one knee up and he’s holding the strap to his Punisher in his left hand while his right sits against his thigh, He has an irritated expression as he speaks to Elendira. Elendira is sitting in a fancier seat, her right arm rests against Wolfwood’s propped up knee, her left hand holds her suitcase. She’s sitting cross legged with an amused expression. Legato can be seen in the back at the center of the image in his mobile body case, one of his eyes shown to be glaring at Wolfwood. End ID]

[ID: Sketch, uncolored comic. Elendira says to Wolfwood, “I’m not telling you to dedicate yourself to him, but just accept the situation at hand. We could get along better if we were on the same page.” Wolfwood responds, “Don’t peg me me for an optimist. I’m not dumb. But, I’m also not going to just live in resignation. Plus, I don’t have any interest in getting along with ya.” Elendira coos, “Aw, you sure? I have a wonderful shoulder to cry on when the weak people you’re trying to protect eventually dies in the coming months. Though, I guess it’s fine. Someone like you might just die before then anyway...” She snickers in her hand while Wolfwood is speechless and just glares. Legato is faintly drawn in the back, glaring at Wolfwood, muttering “worthless” repetitively. End ID]

[trappedinafantasy37]

Minthara is a paladin of her word. She does not make promises, she makes vows. She makes oaths. Even as an oathbreaker, she heavily adheres to the tenants of it. Being an oathbreaker just gives her more flexibility and freedom to fulfill the oaths she makes. She never breaks a promise and she never breaks a vow, and when she says she's going to do something she is going to do it.

So when she says she will go to Avernus with or without Karlach, she means it. She will personally throw hands with Zariel, and the only thing that will stop her is Zariel's death, or her own. And it is one thing if Karlach does go with her, but a whole other thing if Karlach dies on that pier.

Not only will Minthara be grieving, she will be wrathful. And she's going to channel that wrath to the front to avoid feeling the grief (cause she doesn't always approach her emotions in the healthiest way). And she's going to take some of Karlach's rage and Karlach's fury with her. She will kill any demon or devil that gets in her way. There will be no distractions, unless the side quest gets her closer to Zariel or increases her chances in the fights to come.

Minthara is not doing this for power, she is not doing this for glory, she does not care for a crown or a throne. She is down there in Avernus to avenge the love that burned out too soon.

[hecksupremechips]

Honestly shoutout to Steven Universe for the representation of malachite and abusive relationships because it holds up really well and is still like one of the only abuse narratives I’ve seen that portrays how like. Abusive relationships aren’t as simple as “evil abusive person was constantly Mean and Bad to nice victim” like. Lapis is a realistic victim. She refused to leave the relationship because she longed to have connection with someone and she liked feeling as though she could have control for once, even though she really didn’t. She wasn’t nice and innocent, she felt anger and resentment and liked taking it out on Jasper. And despite how horrible it was, she deeply misses Jasper because it was the longest and deepest relationship she’s ever had with anyone and she didn’t know how to function without it

But Lapis is still a victim and we’re meant to care for her and understand where she comes from. She chose to stay with Jasper to keep others safe from her harm, and because she thought she herself deserved the abuse as a way of making up for everything bad she’s done. Jasper reminds Lapis over and over that she is a monster and that’s why they should be together, because Jasper is the only one who understands her. And when Lapis finally rejects their relationship, she mostly states it through what she herself felt and has done, saying that she didn’t like the person she became in that relationship and she never wants to feel like that ever again. It’s messy and complicated, just like how actual abuse is

Anyways yeah talk about a very good abuse narrative thanks steven universe

[pepperf]

Pop quiz, hotshots! Which would you rather have:

A relationship that, when it goes wrong, you can tell the other person that you need a break to reassess your relationship, and they will discuss this calmly, let you go, and then go away and think about what you said, agree that they were in the wrong, and start working on ways to fix their own behaviour;

OR

A relationship that, when you want to leave, they tell you that you don't really want to go, that you're happier with them, that you should isolate yourself from your family and friends so you can stay with them - and when you disagree and tell them the relationship is just a matter of necessity, they start in on your other relationship (which they have apparently decided is the reason you're going back, despite you making no mention of it), telling you that it's broken, that you shouldn't go back to him - and when you tell them to butt out of your personal business, they tell you they're entitled to have an opinion because you've been stranded alone together for a long time...

Is that or is that not what happened? Because I remember Lila making herself pretty clear on these points, but apparently a bunch of people think we should disregard a woman's expressed opinion about her own life, and go with what she's being told. Because Five knows best, amirite? Gosh he's so smart and clever! And he deserves this - he deserves Lila, no matter what Lila herself says. He's owed it by the universe, because he had a bad life.

Lila did have another relationship like that, where she was told what to do, kept in the dark, told that the other person knew what was best for her...and it wasn't Diego.

[vynnyal]

Turns out Sunlit Trail isn't quite done just yet, so after all that they just send you to a dead end 😂

[sukibenders]

Is it just me or does the way Hera is portrayed in the PJO/HOO series feel out of touch? By that I mean, while it plays into the idea of Hera's relationship with her husband's children and ideals of family, it seems like Rick just took that and ran with it without actually wanting to dive into those aspects and develop them more (ngl, his writing for his female characters, especially the goddesses, could use some work even if I do enjoy them). The reason Hera is the way she is with her husband's children is because she can't punish him [Zeus] directly due to him being more powerful (and the last time she turned against didn't he literally hang her from the sky)? And even while I'm not justifying her actions, there's a method to them, so why would she go after other random demigods like Percy and Annabeth? Or at least in a way that was written better than her falling into a trope (I enjoy this series with my heart, but the criticism about how the gods are written holds some value that shouldn't just be ignored either). Like, I don't know, it just feels like there was more that could've been done with her character instead of just immediately writing her off as the cruel, cold-hearted, evil stepmother (a trope that's overplayed, especially when not even bothering to give them any depth). I could write ideas, but then we'd be here all day.

[pulsingvoid]

i'll literally never be convinced crystal/kristen was not a figment of misty's imagination, a friend she invented for herself that the others played along with because at least misty was occupied. i know she reads so fake to me just because she was poorly integrated into the rest of the wilderness plot (as in - not at all lol), she's a half-assed attempt at giving context to misty's anxious attachment style, which was almost immediately undermined anyway by her deciding to like walter. crystal/kristen never appears until misty is socially iced out for accidentally poisoning the soup and suddenly there's a second incredibly annoying theatre kid everyone wishes would go away? that dresses in misty's exact color palette? and they've been on the same team this whole time while misty was so ostracized and lonely? nobody even wanted to look for her when she "vanished"! the wilderness even magicked away her body so they'd have to hunt each other! crystal isn't even her name. i'm sorry, but she's about as real as akilah's mouse.

not being able to suspend my disbelief long enough to accept this subplot as real cheapened it a lot for me as it happened, but i have since decided her not being real could be plausibly-canon, and suddenly it's so compelling. misty invented herself the perfect friend that accepted everything about her and daydreamed little playdates and slumber parties, and even so, when she confessed to destroying the black box, her daydream turned on her. misty's own (quite vivid) imagination couldn't stretch enough to allow her a friend who accepted her wholly. she plays out what would happen if she told her closest friend this dark, fucked up secret, and it ends bloody. she convinces herself she'll never be fully accepted and loved, and ultimately it doesn't matter if crystal/kristen was real or not. i'm honestly fine with this theory never being confirmed (again, i don't think they intended it this way, crystal's place in the story was just criminally unearned and underwritten), but i'm much more compelled by a version of events where misty is so lonely and confused and guilt-ridden that her mind (or, if you'd like, the wilderness) gives her the kind of friend she was unlikely to find even under better conditions, and there's still betrayal and death at the end of it. misty's adolescent brain is already self-aware enough to know her hands will be bloodstained and unholdable for the rest of her life.

[lord-squiggletits]

One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).

And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?

Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.

Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.

And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.

Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP

[tackykachowch]

What's so funny about Jinx smelling Vander's jacket to me is not even that it's inconsistent with the story at this point (i. e. Vander is alive so there is no reason for her to smell his jacket, plus she didn't have a close relationship with him anyway), but because we already had a coat for her to interact with that was established IN SEASON 1 FINALE. SHE TOOK SILCO'S COAT OFF OF HIM. WHERE DID IT GO????? And most importantly why Jinx doesn't care about it at all despite her still coming to his office to "talk" with him? Like. You would think that Jinx, who still keeps keepsakes of her lost loved ones, would take some of Silco's things to remind her of him, but nah. We need a stupid thing with Vander and Silco's jackets where she doesn't even properly interact with the right one.

[fantasticgothicpeachsludge]

Something something Agent Haldwell being from Jennifer’s movie something something probably her love interest something something they probably had weird “you’re coming with me little missy” kind of banter written by weird male writers something something Jennifer changing the misogynistic script something something drowning him in his own piss