#(and some validation lol)
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he's not a wet cat.
also we collectively summoned the life series guys. jeremyism is scientifically proven now so... uh yeah
#hermitcraft#smallishbeans#joel smallishbeans#hermitblr#trafficblr#life series#life smp#boat boys#ethoslab#etho#7 holy nights of jeremy#Sorry if I haven't posted too much#Been in a meh mood recently#It'll pass soon#geminitay#Too I spose#poor etho just wants some validation from his buddy lol#sadge#but relatable
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NICKELODEON/BACKYARDIGANS OFFICIAL HIRE ME I CAN HELP YOU!!!!
#ive fixated on this show since i was a fetus do u know how surreal it is to see it go viral again over some shit like THIS#the backyardigans#backyardigans#also /pos im about to cry cause these are blowing up on twitter and i feel so validated#shumm's art#digital art#nick jr#noggin#2000s nostalgia#medibang paint pro#redesign#pablo backyardigans#tyrone backyardigans#uniqua backyardigans#tasha backyardigans#austin backyardigans#artists on tumblr#being simultaneously excited to get new content for the first time in like 14 years for it to look AI generated is crazy (im not ok)#i said it on twit but it feels like they generated a prompt. then paid an animator/artist/whatever to model and design said prompt.#it also sounds...really weird????? i cant tell if it's ai singing or real kids but. it's lowkey unsettling to me lol#anyways i snapped on everyone esp austin#HIRE ME FOR A REBOOT HIRE ME FOR A REBOOT HIRE ME FOR A REBOOT
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I just can NOT get over the whole Sebastian wanting to do a play with Chris thing, you guys. I know it's just a hypothetical at this point, but even just the concept is just so incredible? Like, Sebastian wasn't even prompted into bringing up Chris, he just did, like he'd just been waiting for an opportunity to do so. And then he says he wants to do a Broadway play with Chris? Even implies he's talked to him about it, that he brought up the idea with him repeatedly and is just waiting for Chris to agree to do this with him? Like, it might actually happen?
And what I maybe love most is that this means Sebastian has given this a LOT of thought. He's been going about his life, doing his busy important movie star thing, and meanwhile he's been thinking about Chris, and about how much he wants to work with him again, and how he wants to do this specific play with him that he loves, because he thinks they'd be great in it together. But at the same time, he admits that he'd basically do any play with Chris, as long as they get to work together again. He could've said he wanted to work with anybody, any of his former co-stars, all those people we know he's still friendly with because anyone who works with Sebastian falls a little bit platonically in love with him and vice versa, but no, he specifically says Chris Evans. Out of everyone he's worked with, he wants to work with Chris again for this, he's trying to get him, they're doing this, goddammit.
And another amazing implication of all this, imo: even though Sebastian's been very vocal about rejecting the idea that some people have that they get to tell him what to do and influence his life somehow just because he's famous (about which is absolutely right, by the way) -- he just kind kind of seems to forget all about that in the moment he decides to call on people's help to convince Chris to say yes to his idea. As though achieving that particular goal is more important than all of that other stuff lmao.
And listen, I know he's just messing around, and deep down he knows full well that we don't have any means to contact Chris anyway, and Chris is very good at protecting his peace these days so he's not going to be seriously bothered by anyone about this, but still, the fact is that Sebastian literally told us all to bother Chris, text him, DM him, make posters and send them to him, anything to get through to him and make him see the light. Like, Sebastian wants this bad. AND he knows that there are lots of people out there who would love to see him and Chris reuniting, on stage this time, and he's cunningly using that fact to get what he wants. It's kind of incredible. I just can't get over it, guys.
#and I also know that if chris really doesn't want to do it for some reason#or if he'd told sebastian that he's conflicted about because of any serious reasons#then sebastian would respect and accept that#like I 100% believe their relationship is based on mutual love and respect and sebastian would never push chris into doing something#he really doesn't want to do#and vice versa#so I feel like so far it's just been an idea that's been floating between them and chris has maybe said something like he'd love to#but the timing has to be right or something like that#like I truly don't believe he outright doesn't want to do this with seb but I also think he could decide not to for reasons that#have nothing to do with sebastian#and that would be valid#if a crying shame lol#but yeah#I would respect that and I'm so sure sebastian would too#so basically what I'm trying to say is that I don't believe for a second that sebastian has been harassing chris about this#or that chris is going to be bothered by this development#or I wouldn't be talking about it so lightly#but yeah that is what I personally believe#anyway I need to get back to doing stuff#but I will continue to think about this for the foreseeable future#sebastian stan#chris evans#evanstan#my gif#minnie talks
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Initial drawings of that old man… I literally, I haven’t finished reading the book of bill yet!!! I had to stop and take a break for a week to feverishly draw fanart of myself petting fords floofy hair and giving him attention and shit…!!!! The urge was too great….!! I’ve literally. I had a crush on this guy the instant he was first REVEALED in the show, but I did not have the artistic prowess to draw good looking old men back then… but I do now… thank god… thank fucking god
#gravity falls#ford pines#stanford pines#self ship#self insert#si x canon#it me#doodles#I got a haircut! so my hair looks different now.. as haircuts tend to do lol#anyway… yeah… I LOVE HIM… GRAHHFJH#the confirmation that he rlly is just sad and lonely and insecure and craving attention and validation#OHH FORD BBY.. WE R THE SAME#like… ghghg i loved him already just w his prickly nerdy outer shell but knowing more about the vulnerable center is GREAT. ITS AWESOME#also hes a smart nerdy guy who can do science and expirements and shit which is ONE OF MY FAVORITE THINGS FOR A CHARACTER TO DO#u kno im all about scientists….#I couldn’t draw ship art back then 1 cuz I didn’t kno how to draw old men and 2 cuz I was like 13 lol… which would have been wierd#but I’m an ADULT NOW. GET OVER HERE FORD#also it didn’t even rlly cross my mind TO draw that stuff cuz even tho I did love ford#self ship and x reader sorta stuff was not NEARLY as popular back then.. like I specifically remember it like. booming in popularity#at some point. but being pretty rare before that. anyway. thank u passage of time and trends and new gravity falls book for introducing#me back to fictional man I love. so I can now draw myself smooching him and shit#hell yeah.#13 is probably not actually correct I do not remember exactly which year fords reveal was in…#but I was probably older then 13.. but still#the point remains lol.#also omg. the bit in the book w the goth moth. ‘ur probably into this sorta thing right?’#I AM INTO THAT SORTA THING FORD. thank u book of bill for being written specifically @ me. the immersion it’s great.#like ur so right ford I AM edgy and goth how’d u guess that tee hee. eyelash flutter#aLSO PLS IGNORE MY FINGER BEING IN FRAME IN THE LAST PIC. I was drawing in a tiny bound sketchbook#so I had to hold the paper down to keep it flat. and. I didn’t feel like censoring my fucking. pinkie finger out of the image
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Being asexual and possibly aromantic but also being a huge shipper and hopeless romantic is such a wild experience ngl. I'm always freaking out about my favorite ships and giggling internally reading ship fics, getting invested in characters finally kissing or reading about their pining and their love and I think "I want what they have!!"
But then sometimes you have a slamming realization that your sweet shipping scenarios you imagine in your head look totally different irl and that you are extremely aspec.
One time I went down a YouTube rabbit hole and stumbled across Vsauce's "Why Do We Kiss?" video and let me tell you. When I saw that stock video footage of two people kissing each other I was a little flabbergasted lmaooo
#i mean this doesn't apply to all aspecs obviously but like#that stock video footage#they were kissing but it was more sucking each others faces and i was like wait#do people actually do this#lmaoo#it lowkey repulsed me oops#it hit me so hard but it also kind of validated my asexuality a bit too lol#ace#asexual#asexuality#aro#aromantic#aromanticism#aroace#this also may be because i dont watch live action shows or movies that much but still#does anyone else feel like this#ill be hardcore shipping something but i see one minute of irl relationship stuff and feel extremely disconnected#idk if im making sense#id like to hear some thoughts#might delete later but just wanted to get my thoughts out there#someone's probably said something like this before#edit: adding tags#yeah for me imagination of my ships kissing 👍👍👍💖💖#vs#footage of irl people kissing/live action kissing scenes 🫠#fandom#fanfic#fanfiction#my rambles
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Tempted to write a replaced au twst fic where Yuu (or alternatively, I'll use my Yuu, Riyuu, who is basically who I'm writing this for) used to be the cutest girl around, the cheery one who's always around everyone, the one you can't seem to dislike even if your crush falls for her because she earnestly says sorry (even though it's not her fault) and will always help you out if you need her back in her old school. But one day, a new girl comes around and her whole reputation got destroyed. She helps the new girl adjust, tells her all the rumours and introduces her to all the popular kids. But the girl ends up backstabbing her, telling the popular girls rumours about how she intentionally plays up the act to steal their crushes to her, and lies to the boys, telling them she's just playing with their hearts and that she's a horrible person.
Yuu ends up alone and excluded, being seen as "annoying" and only having a few close friends who doesn't really interact with her in public in fear of their reputation being ruined. She ends up miserable at school, and wishes to not go anymore. But one day comes a saving grace, she gets whisked by a mysterious black carriage into Twisted Wonderland, or more specifically, Night Raven College. She doesn't mind working if it meant she doesn't have to deal with her old school, there was still 1 and a half years left of school and she doesn't want to deal with all ghe group projects to be assigned that will inevitably end with everyone not wanting to team up with her. Plus, as annoying Grim is, he's like the animal friend all of the anime and storybook protagonists she knows has, and she doesn't mind him too much.
Some things did change after she and Grim got officially enrolled, but she had no problem adapting to the social expectations of the world, part time jobs with Sam -- and occasionally the canteen -- paid enough to get her tools for cooking basic but delicious food, and new friends without the weight of her past helped her get settled comfortably.
The existence of Overblots stunned her for a bit, but a peek into Riddle and Leona's memories helped her understand the concept, even if just a little. However, things began to change eerily simlarly to her old school when a new girl comes, also in a similar position to her, getting transported to a new, unfamilliar world, and seemingly hailing from a similar world to the Earth she knows. She warmly welcomes her, eager to finally befriend another girl, but it seems that the girl does not share the same enthusiasm.
The girl only barely responds to Yuu's attempts at forming a friendship, and always seems to talk her in a condescending way, and often dismisses her, and especially so whenever there are any boys around.
Yuu will not deny any statements claiming she's an attention seeker or that she plays up her sweet innocent girl act, but she knows to never, ever sacrifice a bystander for it. But if someone insists on war with her... well that's another, different story. She's learnt her lesson of being overly optimistic, and she will not make the same mistake twice. She will not let her make her life a living hell more than it already is with Crowley's irresponsibleness.
Aaand thus begins the story. Or well, however you wanna continue it. I'm honestly in favour of most Housewardens (Kalim, Vil, and Idia in particular. I'll put my reasoning in a few paragraphs down) Adeuce, Tweels, and Ortho for team Yuu. Why?
Well, first of all, Adeuce. This is mostly because the duo is like. with Yuu since Day 1, as much of a bitch as Ace is, I think those two are the most likely to trust and know Yuu well enough to not believe the lies R (< Replacer) tells. Especially Deuce, he doesn't want to betray a friend he knew for quite a while, that would not be very honor student-like of him!! And she helped him out in a lot of situations too! He doesn't want to hurt you after all the trouble you go through to help him, and also knowing how horrible your living conditions are. Ace would most likely give in to peer pressure if the student body is overwhelmingly in favour of R, but as of now, he maybe enjoys your company just a bit more than R. Just a bit, promise.
Tweels I feel like is self-explanatory. Those two are perceptive as fuck istg it scares me. Jade especially. I feel like the two would just toy with R for a bit despite her facade and lies before dropping her after she bothers them for attention and favours one too many times.
(Ortho ties in with Idia so I'll explain him in Idia's paragraph)
Kalim is actually very emotionally intelligent. He can come off annoying and stupid, but from all the scenes I see of him, he's actually really good at dealing with people. Have you seen how he deals with the Scarabia residents after Jamil's OB??? The way he phrases his sentences?? He didn't force or even plead with them to forgive Jamil, he simply asks them to wait before making permanent judgements, and I think he's gonna be uncomfy with how condescendingly R talks to Yuu, and even if he's used to people going after him for money, I feel like R mostly eyeing him for money and how she "secretly" sighs in annoyance everytime she goes out of the party for a "bathroom break" will only solidify his dislike/discomfort, even if he doesn't show it.
Vil is also kind of self-explanatory if you read into his character and not just the shell the official English localization makes for him. (I could rant for hours about how the official tl portrays his character istg. He's hardworking and he actually didn't attempt to poison Neige out of pure jealousy, he did it because he felt like all his efforts to be beautiful will never be able to surpass Neige, who, in his eyes, always seemed to be innocent and naturally beautiful. He feels like the villain in Neige's story. He feels like he is reduced to what he often plays as, a snobbish, overconfident villain obsessed with overthrowing the hero. And because of it, it became a twisted self-fulfilling prophecy, pushing him to, in a fit of despair, be that same villain everyone sees him as.) I really don't think he will take well to R's condescension to Yuu, who genuinely wants to befriend R. (I actually have a whole thing in my head where Yuu and Vil occasionally have sleepovers where they do skincare together after the whole VDC thing happened. I feel like this is also a "vent sesh" of sorts for the both of them, just to air out their grievances without much seriousness, and I think Yuu would admit to wanting a fellow girl in the school that she could befriend, since no matter what, being the only girl can be exhausting.) Ik Vil's not a girl but he is such a girls' girl istg.
Idia... this mostly ties into Ortho and The STYX Incident, but like,, I think we can all agree on this one,, Idia is smart and capital V Very pessimistic. Would you rather trust the girl you've known for a while, who saw your memories, who helped you in awkward social situations when she can and is besties with your brother or some random new girl who trash talks said girl behind her back? The former, right? Plus, even if Yuu did only hang out with him and his brother because she likes to secretly laugh at him behind his back, there's mo guarantee R wouldn't do the same, given his experience. And he would rather have someone who actively helps him and his brother out than someone who wouldn't.
I didn't put Malleus in because of how canon him actually treats Yuu. I feel like the fandom kind of put on rose-tinted glasses on with his character, and kind of ignored some things like, idk... him just leaving them to fend for themselves homeless during Octavinelle... maybe he thought Crowley would offer them a place to stay but like... I'm still bothered by how didn't atleast offer a spare room in Diasomnia. He's a housewarden goddamnit. He's not as distant or scary as the rumours say but like. still rubbed me the wrong way.
Anyways I don't think my attention span will let me write it to completion so if anyone likes this and wants to write it feel free. Pls tag me if you do tho. I would love to read it :3
#was listening to all eyes on me while writing this btw#You can also insert an Obey Me crossover with Replaced AU on that end that also ended horribly#“First' the worst; maybe third's the charm!”#I don't play Obey Me though so I can't rlly construct the narrative for that one#Also I don't hate Malleus nor Malleyuu I swear#I just think we're a bit biased with his actions sometimes...#Anyways if anyone wants to just ditch the school for RSA#Valid. You're 100% valid#I just got attached to Adeuce Kalim and Vil lol#I would just run to RSA if I ever get the chance tho#Fuck Crowley noone likes Crowley 🙂😇#twisted wonderland#twst#Do I tag twst x reader???#fuck it why not it's literally based on an entire angst au anyways#twst x reader#twisted wonderland x reader#replaced au#twst replaced au#twisted wonderland replaced au#okay enough tags I'm tired#I'm not gonna tag the specific characters mentioned#I'm too tired and I don't wanna :3#Also R is used for Replacer for this entire thing sorry#I haven't played twst for a long; looooong while but I like some of the boys too much to let go [sigh]#Also just bc it's fun to think about#Waiting for Limbus or HSR to get updated so take some twst brainrot in the meantime#I love Villainess manhwas#Ofc I would love Replaced AUs
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[[ All Croissant Adventures (chronological, desktop) ]]
[[ All Croissant Adventures (app) ]]
#Keep thinking about the Gravity Falls part where Mabel goes “I trust you” except it's the opposite.#bg3#baldur's gate 3#bg3 spoilers#act III spoilers#croissant adventures#tav#the emperor#comics#I went and looked up some alternate ending stuff to see if this is part of its plan#and let's just say there's..../some/ amount of validity in this speculation lol
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Happy Birthday to Ferdinand von Aegir!
I actually made 33 emotes, affectionately known as Aegirglyphics to some, for my own personal use on discord. However, I figure why not share some of them! They're free to use for discord servers/icons/pfps or whatever. However, my only request is Do NOT use them as subscriber emotes on Twitch. You can make them free follower emotes but you are not to make them locked behind a paywall.
#fe three houses#ferdinand von aegir#discord emotes#i thought long and hard about this bc idk the actual want for emotes i made ages ago but#i still love my son and its his bday ad so i should be nice and share#since i no longer have nitro and can no longer use them myself#the fact i can technically post 30 at once was tempting but#some of them arent living up to my standards and also just might not be easy to use in most contexts#so those im gonna skip on lol#whoever wants 21 aegirglyphics tho have at em#i think i might have posted some before? but only 10 and i dont recall which ones#if you want a secret the last three and the middle on the second row are my favorites to use#i used concernednand (the upper one) so much#the internet concerns me guys it was a valid use every time#debated sharing heartnand but honestly the world could benefit from it imo because gotta spread that love#fun lil trivia i love making emotes and so when i was in a server and people knew me as the ferdinand fan and artist#someone was like why hasnt salmon made a ferdinand emote yet#and im like bc i dont run the server and i cant just demand they add my art#and then a mod was like i didnt wanna put pressure on salmon but i thought about it so i was like bet#and then drew a server exclusive happy ferdinand emote#and that was the start of me somehow being able to have like.... ten emotes in that server#some of them were just me joking and then mods encouraging me#cause i used to use felix for every single art prompt theyd give and one week someone said the prompt was pog#and i just was so upset because dude why would i wanna draw felix for that hes not pog#so a mod was like hey if you make a pog felix emote we ill add it to the emotes here#so i once again was like bet and then posted it and then they really added it lmao#anyway sorry for so many rambles please feel free to use them on discord in whatever server#i cant really expect everyone to credit me but also im not really concerned since i fear people know my nands a mile away
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well hunter i think your scar is really cool!
Hunter: Oh… thank you.
younger Hunter: Really?
You get two different responses! The reaction modern-day Hunter has to this, and the reaction he would have had if someone had said this to him when he was still a kid.
#Rw siblings au#Rw Hunter#I know the angst is bad when it’s even making ME sad lol#Poor baby Hunter#he just wanted some sort of validation or love#(to bad he never got any)#I’M SORRY#i just really like angst lol
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My Personal Headcanon On Why Amy's Love For Sonic Died Down Lately (and their dynamic)
When they were younger, Amy's love for Sonic was pretty extreme, and Sonic was, understandable, uncomfortable for the most part. He knows she means well, but that girl needs to calm down.
She can fight, but sometimes her hammer could only stun her enemies for a while. (It took her a long time to get rid of that robot that has been chasing her around Station Square.) She wasn't fully independent yet, even if she fought on her own a couple of times.
She often follows Sonic and his friends around. She is part of the team, but she was not a strong as she is now at the time yet.
She admires Sonic. A LOT. And Sonic knows that. Obviously, he could only run away from something like that, since he is NOT ready for that kind of thing, and whether Amy takes the hint or stop, she still loves him.
...BUT, I think things were slightly starting to change between her and Sonic after Lost World.
Remember this line?
You remember that? Okay, okay. Here's another totally unrelated question:
Before the events of Lost World, when was the last time Amy said "I love you" to Sonic out loud?
...YEP. 😈 (Unless I'm missing something, let me know lmao)
As more games and adventures come out, the characters get slightly older, and Amy is 12 to 13 now, and she is most certainly at that age where her body starts to change, but especially on how she views Sonic.
She knows she loves Sonic, but it was this moment during her change where she actually wanted to admit that she loves him.
I believe that Amy was all about sharing her affection to him not through confessions, but through obvious hints. Sonic totally got it, and there was no need to confess. Sonic knows she loves her.
...But she never said it. And she almost did, but she never did again for a while.
I think this was the moment in her life where, oh, God, she actually loves Sonic. SHE LOVES HIM, WHAT.
And she was looking back at all the times she had with Sonic that she can now see were unpleasant to Sonic (At least that's what she thinks) and that's probably why she isn't so expressive about her love to him than how she used to back then.
She wasn't sure what to do with this realization, and sets aside it for a while, and nearly stayed as her casual, peppy self... until the Eggman War happened.
During the 6 months of being with the Resistance, fighting Eggman's army all day and all night, all she can think of was Sonic.
She dreams that he still with not just her, but with her friends. She just wanted to see Sonic again, she just wants to be with her hero again.
But I'd like to think that she was also thinking about how she used to treat Sonic back when they were younger, how Sonic would almost always run away from her whenever she asks him out, or always look so uncomfortable whenever she gets so close to him.
Cringing at those memories big time, she wanted to change and hopefully when Sonic is okay and comes back, she can be better for him.
...Or will he still find her uncomfortable regardless? Would he even be happy to see her at all if he did survive?
But, hold on! She can't just give up her love for Sonic! He made her who she is today! A peppy, nature-loving, hammer-swinging, confident, brave... loud-mouth... annoying... Sonic obsessed... weak... pathetic... lonely little girl.
If she gives up on Sonic, it'll be like she gave up on the one hedgehog who saved her life. If she didn't she'll still be the same ol' Amy.
I also like to think she had parents a long while before she met Sonic, and was even expecting a little sister, but a robot invasion happened from where she was and attacked her parents and instead of trying to save them, after getting hurt, she ran away, hoping that they'll come back okay. But they never did.
She was all alone, and needed someone, a friend, a new family, someone who will hold her hand, anyone, to be there for her. But she was ignored by lots, and at that point, she's better off by herself, but still longed for company.
Eventually though, her tarot cards told her her future hero, and there might be hope after all. She encountered Sonic, held onto the belief of the cards tight, and the rest is history.
So, with that headcanon in mind, not only did Amy loose her parents that she didn't save because of her cowardliness (she was only so little at the time that happened) and also Sonic, who she thought will be her only hope, but now gone.
She doesn't even care if he did come back, he'd probably hate her now after everything she did to him, always talking about their "future wedding" or forcing him to go to Twinkle Park.
For the last few months of the war, it was nothing but Amy mentally beating herself up for either refusing to change or moving on, and they are both not fine choices.
She loves Sonic, but he does not love her, and she finally, finally realized it. And it's probably for the best if no body loved her at all.
But of course Sonic did survive and all of her worries wash away in an instant, she's just not expressive about her love for Sonic AT ALL now, since she's still worried about it but rather not mention it to Sonic because it doesn't matter.
If Sonic doesn't love her, then her feelings don't matter to him, and according to Amy herself, that is okay.
But also, I'd like to think that Sonic was thinking about his friends a lot up in the Death Egg for the past months, sometimes it's Tails (worried for his safety), sometimes it's Shadow (because he's wondering why he would join Eggman.) At some point, for a few days, Amy was in his mind the longest, and he felt bad about how he thought he was rude and pushy to her.
He wondered if she's not thinking about it too much, and if she is, will she give up on him? Yeah, he doesn't feel the same and still not looking for a relationship, but it's so strange but interesting how anyone could ever like someone like Sonic the Hedgehog. Amy was never afraid to show that, and she probably might be now.
He couldn't help but feel guilty. They were kids when she was like this, but he was so... arrogant at the time too. Not a lot happened at the time yet. He'd always have trouble expressing how much he value his friends, until he shattered the Paradox Prism. (I'd like to think Prime took place before Forces. It makes sense.)
She is such a sweet girl, and he probably made her believe that he didn't care for her. Just because he doesn't feel the same, that doesn't mean he hates her at all.
He wished he never ran away from Amy... Worrying for his little bro and wishing to be a good person for Amy was when Sonic cried in the Death Egg for the first and only time.
Frontiers, in my opinion, is kind of confirming their dynamic now. Sonic is a lot more sincere and kinder to Amy and she is not all hyperactive and lovey to Sonic. There is probably a real reason for this now.
They are both hiding their feelings from them, and they are both unaware of this. Amy, hiding her mental issues from Sonic, and Sonic, hiding his guilt away from Amy.
None of those things are important now. Sonic is with Amy and Amy is with Sonic. They are here with each other. They can be finally be better for each other now.
They don't care if they'll ever be something more when they get older. None of that matters anymore. They are here with each other. They can be finally be better for each other now.
Maybe someday they'll both talk about it, but for now, the present is important. They care about each other too much to think about it right now.
It's the kind of love that is unbreakable. It doesn't even have to be romantic. It's just love. Love is important for everyone, in any form. It's something Sonic and his friends need. And especially Sonic and Amy.
Amy Rose is the living embodiment of love, and without her, a lot would go downhill for Sonic and co. Heck, if it weren't for her, Shadow wouldn't have never remembered Maria's promise, which lead him to save the world with Sonic, before he temporarily disappeared from their lives for a while.
She is always there to lend a helping hand for anybody, even bad guys like Metal Sonic, and despite what she had been through, both in Forces and headcanon wise, she still fights back, even without her hammer.
She will pick you back up on your feet, reminding you that you are important and that you are loved, and that you should never give up. It's pretty much the words of encouragement she herself needed also...
She is still the happy, hyper, butt-kicking hedgehog we all know and love, but she still need someone to pick her back up on her feet after so long. Thankfully, she has her friends and her blue hero. The hero who made her who she is today.
I think Amy has no idea how important she thought she is, but Sonic does. Sonic knows fully well how important she is to a lot of people. It's about time he returns the favor to her. It's his turn to remind her how much a lot of people love her.
How much he loves her.
And I feel like The Murder of Sonic the Hedgehog was the moment where their dynamic really shined, but also the starting point of their relationship not only healing, but also the next chapter of what's to come for them.
Everyone, friends old and new, gathered around for a special birthday. A birthday for the confident, unshakable, and radiant Amy Rose.
It was such a special moment in Amy's life. After years of chasing and following the people she look up to, she is part of the team, but most importantly, she is part of the family.
She is fully realized as someone more than just a fangirl, but someone strong, courageous, creative, kind and a big inspiration for others.
I feel like this moment here...
-is where Amy is eternally grateful to call her friends her family. A family she thought she'll never have again. She's not alone anymore, and as long as they're by her side, she'll never will be again.
Her chasing days are over. She's finally caught up to them. She's finally home.
And it's all thanks to Sonic.
If it weren't for him, she'd probably be alone forever. Her past moments with Sonic might be embarrassing to look back on for a while, but they are good memories regardless, because they involve him.
Sonic saved her life in more ways than one, and despite everything, he's grateful to have her too.
He cares about her. He really does... And in her eyes, that all she needed to know. As long as Sonic loves her in his own way, she'll be happy.
Amy hasn't given up on Sonic. As long as Amy always supports him, he'll be happy.
Maybe sometime in the future, they can talk about their problems, but that's a story for another time. At this point, they need to. Right now, they are happy. They are okay.
They are here for each other. They are finally better for each other now.
"You guys won't ever leave me, right?"
"Wouldn't dream of it."
#piko rambles#sonic the hedgehog#amy rose#Meant to be platonic but I don't care if you tag as ship lol#I've been meaning to post something like this for the longest time now but never really got into posting it-#-because you guys REALLY hate seeing these two together for some reason.#Well not for SOME reason. There are valid reasons why you don't ship them. Everyone has valid reason why they don't ship this or that.#But sometimes those reasons can just sound so petty to me. Like the reason why is because Amy is a stalker or Sonic hates her which is FALS#Also those age gap arguments are understandable but so goddamn annoying sometimes. Maybe when they hit their late teens or early twenties-#then they can be together if they want to. Besides a good percentage of Sonic ships are better off if they waited til they're old enough im#I love them regardless of whether they're just friends or an awkward older cringe fail couple lmao#But them being just friends and hiding away all their emotions towards each other just to keep them safe and happy with them- 😭😭😭#Son/adow is my favorite ship of all time and sonamy is my favorite childhood ship/platonic ship because they both have one thing in common.#ANGST 😀#I've been thinking about Sonic and Amy's dynamic as of late and MAN-#Mixed with some personal headcanons of mine and their dynamic as of late just makes me so emotional.#Sonic and Amy have gotten so close now and it's so sweet but so heartbreaking at the same time when you think about it.#I'm so happy they are getting along better and being there for each other but there is so much to dissect here. So much to think about.#I might be a little silly but Amy losing her parents and being alone for so long and being the reason why she's always hanging onto Sonic-#-explains SOOOOOOOOO much about her. At least that's my headcanon for WHY that is.#Amy with abandonment issues speaks to me on a personal level. I'm always afraid of being forgotten or left behind by my family.#I sometimes feel like I'm not good enough no matter how hard I try. I do not blame Amy. I relate to her a lot. It's one of the many reasons#-why Amy is my favorite character besides Sonic and Shadow.#She fights hard to prove she's a valuable member of the team and hates getting left behind but despite all that she wasn't afraid to-#-express herself and her love for people. But after the Eggman War there was some changes that made her less expressive about her love.#Yeah she still loves Sonic but she doesn't admit it because none of that matters anymore and she thought that not being loved by Sonic#-is better than being loved since she nearly wasted her life loving someone who she thought has constantly bothered. 🥲#But I think after TMoStH I think she'll be less afraid of being expressive about it. She and Sonic are just so caring for each other 😭#I love these two way too much that when I think about them for too long I'll start SOBBING 😭😭 I'M EVEN SOBBING RIGHT NOW LMAO
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Being an extreme radfem/terf blog sounds miserable
#I think there are a lot of issues that should be discussed and having a blog focusing on that is very valid and good#but to constantly talk about how horrible being a woman is 24/7#like huh maybe the reason some people don’t want to be women is because they are told how horrible of an experience it is#and that we are doomed to a painful existence and being socially tortured by men#which ok is not completely untrue there is a lot of women’s rights issues everywhere#but doesn’t it get too draining at some point?#the most miserable I’ve been about existing was taking in nothing but that#and don’t get me started on their weirdness about trans stuff#at least there’s like one or two occasional posts about something positive about women#like an important figure and such#but it’s really just a depression hole#or at least it feels like it#I note extreme since radical feminism could be more than just getting mad about trans people and kink#and also I don’t want to incur their wrath lol
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heartbreaking! one of your favorite artists makes fun of y/n fics!
#never not a whiplash 😀#like i get they're not for everyone ofc but it often feels like reader inserts are such an easy target and it's tiring tbh#treated as something that often doesn't get taken serious in fandom spaces#which you can argue how serious fandom should be to begin with but making fun of someones creation is such a big no for me#just really shows that you're a shitty person imo LOL#there's a difference between bitching to your friends in private (valid thing to do) and doing it in public#with the intention of kicking someone down for something YOU don't like. something YOU can just close the tab on. skill issue#like why don't you indulge in a little maladaptive daydreaming and enjoy the whimsy of the world instead of spreading negativity#this and some of the most lifechanging fics i've ever read were reader inserts#idk. reader inserts ily. you can pry them from my cold dead hands#don't wanna go on a full on rant in the tags i guess i'm just really sad over getting disappointed by someone i admired#gonna hit that block button and show some love to my fav writers instead <3#if you're a y/n writer reading this please know that i love you and everything you do. write your heart out get your freak on just live ok#-`♡´- tulip mail
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i do NOT like the Timeless Child plotline but at least it gave us Fugitive
#antagonist originals#doctor who#the fugitive doctor#repost because i realized the screenshot i used had some redditor's watermark on it and that was confusing#one of the rare cases where editing out a watermark is valid lol#(not because they were a redditor. just because they didn't actually have anything to do with this meme)
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2023 september - rock sound #300 (fall out boy cover) scans
transcript below cut!
WHAT A TIME TO BE ALIVE
With the triumphant ‘So Much (For) Stardust’ capturing a whole new generation of fans, Fall Out Boy are riding high, celebrating their past while looking towards a bright future. Pete Wentz and Patrick Stump reflect on recent successes and the lessons learned from two decades of writing and performing together.
WORDS: James Wilson-Taylor PHOTOS: Elliot Ingham
You have just completed a US summer tour that included stadium shows and some of your most ambitious production to date. What were your aims going into this particular show?
PETE: Playing stadiums is a funny thing. I pushed pretty hard to do a couple this time because I think that the record Patrick came up with musically lends itself to that feeling of being part of something larger than yourself. When we were designing the cover to the album, it was meant to be all tangible, which was a reaction to tokens and skins that you can buy and avatars. The title is made out of clay, and the painting is an actual painting. We wanted to approach the show in that way as well. We’ve been playing in front of a gigantic video wall for the past eight years. Now, we wanted a stage show where you could actually walk inside it.
Did adding the new songs from ‘So Much (For) Stardust’ into the setlist change the way you felt about them?
PATRICK: One of the things that was interesting about the record was that we took a lot of time figuring out what it was going to be, what it was going to sound like. We experimented with so many different things. I was instantly really proud. I felt really good about this record but it wasn’t until we got on stage and you’re playing the songs in between our catalogue that I really felt that. It was really noticeable from the first day on this tour - we felt like a different band. There’s a new energy to it. There was something that I could hear live that I couldn’t hear before.
You also revisited a lot of older tracks and b-sides on this tour, including many from the ‘Folie à Deux’-era. What prompted those choices?
PETE: There were some lean years where there weren’t a lot of rock bands being played on pop radio or playing award shows so we tried to play the biggest songs, the biggest versions of them. We tried to make our thing really airtight, bulletproof so that when we played next to whoever the top artist was, people were like, ‘oh yeah, they should be here.’ The culture shift in the world is so interesting because now, maybe rather than going wider, it makes more sense to go deeper with people. We thought about that in the way that we listen to music and the way we watch films. Playing a song that is a b-side or barely made a record but is someone’s favourite song makes a lot of sense in this era. PATRICK: I think there also was a period there where, to Pete’s point, it was a weird time to be a rock band. We had this very strange thing that happened to us, and not a lot of our friends for some reason, where we had a bunch of hits, right? And it didn’t make any sense to me. It still doesn’t make sense to me. But there was a kind of novelty, where we could play a whole set of songs that a lot of people know. It was fun and rewarding for us to do that. But then you run the risk of playing the same set forever. I want to love the songs that we play. I want to care about it and put passion into what we do. And there’s no sustainable way to just do the same thing every night and not get jaded. We weren’t getting there but I really wanted to make sure that we don’t ever get there. PETE: In the origin of Fall Out Boy, what happened at our concerts was we knew how to play five songs really fast and jumped off walls and the fire marshal would shut it down. It was what made the show memorable, but we wanted to be able to last and so we tried to perfect our show and the songs and the stage show and make it flawless. Then you don’t really know how much spontaneity you want to include, because something could go wrong. When we started this tour, and we did a couple of spontaneous things, it opened us up to more. Because things did go wrong and that’s what made the show special. We’re doing what is the most punk rock version of what we could be doing right now.
You seem generally a lot more comfortable celebrating your past success at this point in your career.
PETE: I think it’s actually not a change from our past. I love those records, but I never want to treat them in a cynical way. I never want there to be a wink and a smile where we’re just doing this because it’s the anniversary. This was us celebrating these random songs and we hope people celebrate them with us. There was a purity to it that felt in line with how we’ve always felt about it. I love ‘Folie à Deux’ - out of any Fall Out Boy record that’s probably the one I would listen to. But I just never want it to be done in a cynical way, where we feel like we have to. But celebrating it in a way where there’s the purity of how we felt when we wrote the song originally, I think that’s fucking awesome. PATRICK: Music is a weird art form. Because when you’re an actor and you play a character, that is a specific thing. James Bond always wears a suit and has a gun and is a secret agent. If you change one thing, that’s fine, but you can’t really change all of it. But bands are just people. You are yourself. People get attached to it like it’s a story but it’s not. That was always something that I found difficult. For the story, it’s always good to say, ‘it’s the 20th anniversary, let’s go do the 20th anniversary tour’, that’s a good story thing. But it’s not always honest. We never stopped playing a lot of the songs from ‘Take This To Your Grave’, right? So why would I need to do a 20-year anniversary and perform all the songs back to back? The only reason would be because it would probably sell a lot of tickets and I don’t really ever want to be motivated by that, frankly. One of the things that’s been amazing is that now as the band has been around for a while, we have different layers of audience. I love ‘Folie à Deux’, I do. I love that record. But I had a really personally negative experience of touring on it. So that’s what I think of when I think of that record initially. It had to be brought back to me for me to appreciate it, for me to go, ‘oh, this record is really great. I should be happy with this. I should want to play this.’ So that’s why we got into a lot of the b-sides because we realised that our perspectives on a lot of these songs were based in our feelings and experiences from when we were making them. But you can find new experiences if you play those songs. You can make new memories with them.
You alluded there to the 20th anniversary of ‘Take This To Your Grave’. Obviously you have changed and developed as a band hugely since then. But is there anything you can point to about making that debut record that has remained a part of your process since then?
PETE: We have a language, the band, and it’s definitely a language of cinema and film. That’s maintained through time. We had very disparate music tastes and influences but I think film was a place we really aligned. You could have a deep discussion because none of us were filmmakers. You could say which part was good and which part sucked and not hurt anybody’s feelings, because you weren’t going out to make a film the next day. Whereas with music, I think if we’d only had that to talk about, we would have turned out a different band. PATRICK: ‘Take This To Your Grave’, even though it’s absolutely our first record, there’s an element of it that’s still a work in progress. It is still a band figuring itself out. Andy wasn’t even officially in the band for half of the recording, right? I wasn’t even officially the guitar player for half of the recording. We were still bumbling through it. There was something that popped up a couple times throughout that record where you got these little inklings of who the band really was. We really explored that on ‘From Under The Cork Tree’. So when we talk about what has remained the same… I didn’t want to be a singer, I didn’t know anything about singing, I wasn’t planning on that. I didn’t even plan to really be in this band for that long because Pete had a real band that really toured so I thought this was gonna be a side project. So there’s always been this element within the band where I don’t put too many expectations on things and then Pete has this really big ambition, creatively. There’s this great interplay between the two of us where I’m kind of oblivious, and I don’t know when I’m putting out a big idea and Pete has this amazing vision to find what goes where. There’s something really magical about that because I never could have done a band like this without it. We needed everybody, we needed all four of us. And I think that’s the thing that hasn’t changed - the four of us just being ourselves and trying to figure things out. Listening back to ‘Folie’ or ‘Infinity On High’ or ‘American Beauty’, I’m always amazed at how much better they are than I remember. I listened to ‘MANIA’ the other day, and I have a lot of misgivings about that record, a lot of things I’m frustrated about. But then I’m listening to it and I’m like ‘this is pretty good.’ There’s a lot of good things in there. I don’t know why, it’s kind of like you can’t see those things. It’s kind of amazing to have Pete be able to see those things. And likewise, sometimes Pete has no idea when he writes something brilliant, as a lyricist, and I have to go, ‘No, I’m gonna keep that one, I’m gonna use that.’
On ‘So Much (For) Stardust’, you teamed up with producer Neal Avron again for the first time since 2008. Given how much time has passed, did it take a minute to reestablish that connection or did you pick up where you left off?
PATRICK: It really didn’t feel like any time had passed between us and Neal. It was pretty seamless in terms of working with him. But then there was also the weird aspect where the last time we worked with him was kind of contentious. Interpersonally, the four of us were kind of fighting with each other… as much as we do anyway. We say that and then that myth gets built bigger than it was. We were always pretty cool with each other. It’s just that the least cool was making ‘Folie’. So then getting into it again for this record, it was like no time has passed as people but the four of us got on better so we had more to bring to Neal. PETE: It’s a little bit like when you return to your parents’ house for a holiday break when you’re in college. It’s the same house but now I can drink with my parents. We’d grown up and the first times we worked with Neal, he had to do so much more boy scout leadership, ‘you guys are all gonna be okay, we’re gonna do this activity to earn this badge so you guys don’t fucking murder each other.’ This time, we probably got a different version of Neal that was even more creative, because he had to do less psychotherapy. He went deep too. Sometimes when you’re in a session with somebody, and they’re like, ‘what are we singing about?’, I’ll just be like, ‘stuff’. He was not cool with ‘stuff’. I would get up and go into the bathroom outside the studio and look in the mirror, and think ‘what is it about? How deep are we gonna go?’ That’s a little but scarier to ask yourself. If last time Neal was like a boy scout leader, this time, it was more like a Sherpa. He was helping us get to the summit.
The title track of the album also finds you in a very reflective mood, even bringing back lyrics from ‘Love From The Other Side’. How would you describe the meaning behind that title and the song itself?
PETE: The record title has a couple of different meanings, I guess. The biggest one to me is that we basically all are former stars. That’s what we’re made of, those pieces of carbon. It still feels like the world’s gonna blow and it’s all moving too fast and the wrong things are moving too slow. That track in particular looks back at where you sometimes wish things had gone differently. But this is more from the perspective of when you’re watching a space movie, and they’re too far away and they can’t quite make it back. It doesn’t matter what they do and at some point, the astronaut accepts that. But they’re close enough that you can see the look on their face. I feel like there’s moments like that in the title track. I wish some things were different. But, as an adult going through this, you are too far away from the tether, and you’re just floating into space. It is sad and lonely but in some ways, it’s kind of freeing, because there’s other aspects of our world and my life that I love and that I want to keep shaping and changing. PATRICK: I’ll open up Pete’s lyrics and I just start hearing things. It almost feels effortless in a lot of ways. I just read his lyrics and something starts happening in my head. The first line, ‘I’m in a winter mood, dreaming of spring now’, instantly the piano started to form to me. That was a song that I came close to not sending to the band. When I make demos, I’ll usually wait until I have five or six to send to everybody. I didn’t know if anyone was gonna like this. It’s too moody or it’s not very us. But it was pretty unanimous. Everyone liked that one. I knew this had to end the record. It took on a different life in the context of the whole album. Then on the bridge section, I knew it was going to be the lyrics from ‘Love From The Other Side’. It’s got to come back here. It’s the bookends, but I also love lyrically what it does, you know, ‘in another life, you were my babe’, going back to that kind of regret, which feels different in ‘Love From The Other Side’ than it does here. When the whole song came together, it was the statement of the record.
Aside from the album, you have released a few more recent tracks that have opened you up to a whole new audience, most notably the collaboration with Taylor Swift on ‘Electric Touch’.
PETE: Taylor is the only artist that I’ve met or interacted with in recent times who creates exactly the art of who she is, but does it on such a mass level. So that’s breathtaking to watch from the sidelines. The way fans traded friendship bracelets, I don’t know what the beginning of it was, but you felt that everywhere. We felt that, I saw that in the crowd on our tour. I don’t know Taylor well, but I think she’s doing exactly what she wants and creating exactly the art that she wants to create. And doing that, on such a level, is really awe-inspiring to watch. It makes you want to make the biggest, weirdest version of our thing and put that out there.
Then there was the cover of Billy Joel’s ‘We Didn’t Start The Fire’, which has had some big chart success for you. That must have taken you slightly by surprise.
PATRICK: It’s pretty unexpected. Pete and I were going back and forth about songs we should cover and that was an idea that I had. This is so silly but there was a song a bunch of years ago I had written called ‘Dark Horse’ and then there was a Katy Perry song called ‘Dark Horse’ and I was like, ‘damn it’, you know, I missed the boat on that one. So I thought if we don’t do this cover, somebody else is gonna do it. Let’s just get in the studio and just do it. We spent way more time on those lyrics than you would think because we really wanted to get a specific feel. It was really fun and kind of loose, we just came together in Neal’s house and recorded it in a day. PETE: There’s irreverence to it. I thought the coolest thing was when Billy Joel got asked about it, and he was like, ‘I’m not updating it, that’s fine, go for it.’ I hope if somebody ever chose to update one of ours, we’d be like that. Let them do their thing, they’ll have that version. I thought that was so fucking cool.
It’s also no secret that the sound you became most known for in the mid-2000s is having something of a commercial revival right now. But what is interesting is seeing how bands are building on that sound and changing it.
PATRICK: I love when anybody does anything that feels honest to them. Touring with Bring Me The Horizon, it was really cool seeing what’s natural to them. It makes sense. We changed our sound over time but we were always going to do that. It wasn’t a premeditated thing but for the four of us, it would have been impossible to maintain making the same kind of music forever. Whereas you’ll play with some other bands and they live that one sound. You meet up with them for dinner or something and they’re wearing the shirt of the band that sounds just like their band. You go to their house and they’re playing other bands that sound like them because they live in that thing. Whereas with the four of us and bands like Bring Me The Horizon, we change our sounds over time. And there’s nothing wrong with either. The only thing that’s wrong is if it’s unnatural to you. If you’re AC/DC and all of a sudden power ballads are in and you’re like, ‘Okay, we’ve got to do a power ballad’, that’s when it sucks. But if you’re a thrash metal guy who likes Celine Dion then yeah, do a power ballad. Emo as a word doesn’t mean anything anymore. But if people want to call it that, if the emo thing is back or having another life again, if that’s what’s natural to an artist, I think the world needs more earnest art. If that’s who you are, then do it. PETE: It would be super egotistical to think that the wave that started with us and My Chemical Romance and Panic! At The Disco has just been circling and cycling back. I remember seeing Nikki Sixx at the airport and he was like, ‘Oh, you’re doing a flaming bass? Mine came from a backpack.’ It keeps coming back but it looks different. Talking to Lil Uzi Vert and Juice WRLD when he was around, it’s so interesting, because it’s so much bigger than just emo or whatever. It’s this whole big pop music thing that’s spinning and churning, and then it moves on, and then it comes back with different aspects and some of the other stuff combined. When you’re a fan of music and art and film, you take different stuff, you add different ingredients, because that’s your taste. Seeing the bands that are up and coming to me, it’s so exciting, because the rules are just different, right? It’s really cool to see artists that lean into the weirdness and lean into a left turn when everyone’s telling you to make a right. That’s so refreshing. PATRICK: It’s really important as an artist gets older to not put too much stock in your own influence. The moment right now that we’re in is bigger than emo and bigger than whatever was happening in 2005. There’s a great line in ‘Downton Abbey’ where someone was asking the Lord about owning this manor and he’s like, ‘well, you don’t really own it, there have been hundreds of owners and you are the custodian of it for a brief time.’ That’s what pop music is like. You just have the ball for a minute and you’re gonna pass it on to somebody else.
We will soon see you in the UK for your arena tour. How do you reflect on your relationship with the fans over here?
PETE: I remember the first time we went to the UK, I wasn’t prepared for how culturally different it was. When we played Reading & Leeds and the summer festivals, it was so different, and so much deeper within the culture. It was a little bit of a shock. The first couple of times we played, I was like, ‘Oh, my God, are we gonna die?’ because the crowd was so crazy, and there was bottles. Then when we came back, we thought maybe this is a beast to be tamed. Finally, you realise it’s a trading of energy. That made the last couple of festivals we played so fucking awesome. When you really realise that the fans over there are real fans of music. It’s really awesome and pretty beautiful. PATRICK: We’ve played the UK now more than a lot of regions of the states. Pretty early on, I just clicked with it. There were differences, cultural things and things that you didn’t expect. But it never felt that different or foreign to me, just a different flavour… PETE: This is why me and Patrick work so well together (laughs). PATRICK: Well, listen; I’m a rainy weather guy. There is just things that I get there. I don’t really drink anymore all that much. But I totally will have a beer in the UK, there’s something different about every aspect of it, about the ordering of it, about the flavour of it, everything, it’s like a different vibe. The UK audience seemed to click with us too. There have been plenty of times where we felt almost more like a UK band than an American one. There have been years where you go there and almost get a more familial reaction than you would at home. Rock Sound has always been a part of that for us. It was one of the first magazines to care about us and the first magazine to do real interviews. That’s the thing, you would do all these interviews and a lot of them would be like ‘so where did the band’s name come from?’ But Rock Sound took us seriously as artists, maybe before some of us did. That actually made us think about who we are and that was a really cool experience. I think in a lot of ways, we wouldn’t be the band we are without the UK, because I think it taught us a lot about what it is to be yourself.
Fall Out Boy’s ‘So Much (For) Stardust’ is out now via Fueled By Ramen.
#the cover is so funny. like theyre cute but that is genuinely bug angle. that is bugs under a rock angle. THEYRE ALREADY SHORT KINGS#fall out boy#pete wentz#patrick stump#andy hurley#joe trohman#time capsule#read the charts#ANYWAY GO HERE. GO READ HERE. BECAUSE I SPENT A LONG TIME TRANSCRIBING EVEN THO TRNASNCRIBING SUCKKSSS#i looped the spell soundtrack like 5 times and got jusmpscared by track9 every time. and then i put on smfs<3#patrick's comments about the mythologising of fob lore is so interesting#listen baby i know ur fed up and it's not ur fault but u have to understand. the story of ur band is on some genuine fanfic ass other level#the way they talk about neal avron is sooo funny#imagine being producer for this young band. and theyre brilliant but theyre also twentysomethings(derogatory)#also the way pete talks abt swift. lol. also why does he answer the q when patrick was the one in the studio lol???#ALSO also. pete being afraid of british ppl (valid and true)#and patrick pretty much taking to the uk like a duck to water (also valid and tru) is sooo funny#i rlly liked this interview i wiiiiish i got the bundle w the photobook and whatever but i was way too late :(((((((((
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yeah taimizu IS toxic and off putting actually ‼️‼️🗣️🗣️🗣️
EDIT: TO BE CLEAR THIS IS A POST IN FAVOUR OF TAIMIZU!!! I AM A DIRTY TAIMIZU SHIPPER!!!!!
#it's funny because that was my FIRST thought about them but then i realised wait this is scratching some itch in my brain#people are all very correct about this btw and their discomfort and dislike of the ship is valid#but it's so interesting to me and that's why these days I'm leaning further into that toxic aspect of their rship in my art#that whole “strangles you with the red string of fate” drawing i did was meant to capture that as well#like this equal amount of aggression and twisted affection/attraction they have for one another#like it's very fucked up#and people are not wrong to think so but i enjoy it LOL#one of the theses of my fic is literally “theyre fucked up but they make it work”#like i dont want them to be perfectly healed and normal by today's standards#i want them to be crazy and murderous but work through their shit individually AND together and make things work#and have feral nasty sex bcs mizu deserves to be a pillow princess (TO MEEEEE)#i still have a meta drafted that actually goes in depth on their rship and why we “”“should”“” root for them#but my brain is goop rn and cramps are KILLING MEEEEE so have this first instead#taimizu#blue eye samurai#fandom.rtf#shut up haydar#wank.mp3
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what do you do when you meet a neutron star and it wants to watch television with you
#my art#ive been meaninf to sit down and paint this. for weeks#the murderbot diaries#murderbot#murderbot diaries#this is named start (star art) in my files lol#anyways. been thinking about feed presence and#the intimacy of knowing someone could kill you with no effort and still finding them comforting to have looming over your shoulder#and also i wrote my final term paper on the r-process and had to look at pictures of neutron stars for ages. and also that one screenshot#of the star and the cat and the cat says yeah im okay i just need some burgers to validate my gender identity#u know what im talking about#anyways
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