#( verse ❀ deus ex machina )
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Ir de distrito en distrito es algo normal para él, tomando diversos trabajos sin importar qué tan arriesgados sean, tal vez porque en el fondo desea encontrar la muerte -sin importarle si es dolorosa o no- y así, detener los latidos de su corazón. Encuentra calma al caminar por las diferentes ciudades bajo las luces que decoran tiendas clandestinas, donde se puede encontrar des locales de comidas hasta prótesis robadas. Cada humano sobrevive a su manera, tomando trabajos que podían acabar con la poca humanidad que les queda, mientras otros esperan pacientemente cerrar los ojos para siempre entre la basura o escombros de edificios abandonados. Bulyeong ha encontrado tantos cuerpos que dejó de contarlos hace tiempo, al principio sentía incomodidad al tocar la fría piel de los cadáveres, teniendo malos recuerdos de quienes fueron su familia hace cientos de años y debió despedir para siempre, guardando en una pequeña cajita bajo su cama el juguete favorito de cada uno, siendo el único objeto que se llevó consigo cuando decidió huir con Haneul y Sooan.
Los colores neón del Distrito 5 parpadeaban, dando un aspecto más terrorífico a las calles y podía jurar escuchar gritos entre los callejones. Quizás eran pandillas enfrentándose por el territorio, o los soldados de la luz de Ciudad Luminosa buscando nuevos sujetos de pruebas, sea quién sea no iba a recibir ayuda, porque Bulyeong mantiene la vista en un cuerpo que yace en un montón de chatarra, con sangre y heridas a su alrededor. Se inclina hacia adelante para tocar la piel y comprobar si sigue respirando, sin embargo una extraña pero familiar sensación recorre por su espalda y está seguro que su rostro palidece. ¿Por qué? ¿Por qué ese chico le recuerda a Sooan? No se parecen en nada físicamente, pero la calidez que transmite es la misma a la de su amado a pesar que hay un agujero en su pecho. No tiene mucho tiempo para dudar pues percibe pasos a la distancia y en su dirección, así que carga al joven en sus brazos y se dirige corriendo al único lugar y persona en quién confía. Conoce cada distrito como la palma de su mano, por lo que trazar una ruta hacia el 1 no es tarea difícil, logrando camuflarse entre las sombras y asustando con la mirada a cualquier intruso que se sienta atraído. “¿Quién eres…?” pregunta en vano, el muchacho estaba al borde de la muerte y lo sabe por la forma que respira. Bulyeong se muerde el labio de la angustia, apresurando la marcha hasta llegar a unos suburbios que no conoce pero que su amigo describió con lujo de detalles en las cartas. Nunca creyó que volvería a él y si lo hacía, es porque fue capaz de enterar el amor para siempre. Se para frente a la puerta, dudando si habla, podía tocar, dejar al chico e irse antes que lo descubriera, no obstante su cuerpo se rehúsa a marcharse, diciéndole a gritos que hay algo especial en el humano que carga, algo que los conecta. “Sooan, soy yo, abre la puerta, es urgente.” Sus manos tiemblan y un dolor nace en su pecho, acompañado del mismo miedo que no ha experimentado desde que escaparon del laboratorio y su única preocupación era proteger a Sooan. “Alguien te necesita— yo te necesito, María, por favor.” La desesperación le obliga alzar la voz, sujetando con fuerza el cuerpo del humano y sintiendo cómo va perdiendo su calor.
#que empiece el dolor y bondeo? que empiece el dolor y bondeo 😭#estoy lista para llorar como si no hubiese un mañana jsdgfsdfsfd#PERO ES QUE SON UNOS PEDACITOS DE LUZ 💔#PORQUÉ TUVIERON Y TIENEN QUE SEGUIR SUFRIENDOOOOOO 💔#sullyto por favor. abre los ojos y ayuda a tus papis a bondean en el futuro(?) 👀fsdfsdfs#( dialogue: gyeong bulyeong )#( dynamic ♡ sooan & bulyeong )#mikrokosmcs#( verse ❀ deus ex machina )#cualquier cosita me dices. te amito 💜
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funny when, in inheritance, there’s a moment when saphira tries to help eragon by lending him her power, and he says she can’t help him because it’s “his mountain to climb”. she tries to argue but he replies with “besides, if i were flying, it would be on borrowed wings, and i would gain nothing by it other than the cheap thrill of an unearned victory”
i totally agree with the sentiment and i’d think it’s great of him to say so, if it wasn’t for the fact that that’s exactly what the blood oath celebration has done for him. i understand that, narratively speaking, the main reason for making eragon into an elf is because, otherwise, it would’ve been insanely hard for him to acquire the abilities necessary to defeat galbatorix, but i sitll think it’s a very cheap way of making him get the upper hand, or, if not that, a chance to win. i mean, in the end, paolini makes his own villain so impossible to defeat that he needs to fundamentally alter his main character in order to allow the story’s climax to take place.
and then the fact that having eragon say this now makes him into a bit of a hypocrite. like, he has such a problem with saphira helping him now, “because it just wouldn’t be an earned victory” but he didn’t seem to mind when the elves made him look like them and have their abilities, even though he obviously hadn’t worked to achieve them by himself in the first place. i’m the first one that finds the whole “eragon gets a few months of learning x and suddenly he’s really good at it” a bit annoying, but i’d rather have that than him being an elf for all intents and purposes.
#like. the books try oh so hard to make eragon seem like murtagh's swordfighting equal#or at least very close to his talent#i can accept it after eragon has trained with the elves but before?#murtagh was raised as a warlord. tornac was the best swordsman in the empire. he'd been teaching murtagh since he was a kid#that can't be comparable to brom teaching eragon for a few months#regardless of how talented eragon is. it's just not really all that plausible#BUT i'd rather keep this idea that eragon is just intrinsically good at things#like sworfighting. reading. learning the ancient language. suddenly he's well-versed in inner turnings of politics#to have him turn into the biggest deus ex machina of all time#because there's no other way to call his turning into an elf#fes reads inheritance#you can tell i have a big issue with the blood oath celebration lmao#it's just that i hate it :)#i think it was a mistake for a varied number of reasons#and tbh i think the elves get away with too much in terms of the story and the narrative
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Yojeong, ¿qué es lo que piensas honestamente de tu hermano Yohan?
❝ ¿Qué pienso de Hannie? Que es un tonto ❞ Nadie en sus cinco sentidos podría pensar eso de uno de los creadores del cerebro del Adán, pero ella, su hermana mayor y por ende persona con más experiencia en la vida, lo creía. ❝ Tuvo un berrinche y abandonó su trono solo para bajar a una tierra perdida y prontamente controlada, creo que no puedo sentir otra cosa más que lastima por él y su querido amigo… ❞ Los Ji tenían controlado y observado al doctor, sabiendo que vivía ahora con una chica rescatada de un laboratorio, su conejo experimentado y que su mejor amigo no era más que un orgánico cualquiera. ❝ Pero a él le gusta maldecir a Dios y jugar contra la corriente, será interesante cuando los días del apocalipsis lleguen. ❞
#ji yojeong ; thread#deus ex machina ; verse#los ji estarán a favor o en contra de yohan en ese momento?#io no c#seguro a favor porque aman a su pequeño renacuajo#lo hice en el DEM porque aquí están más trastornados#en el canon solo piensa que es muy bonito y un silly autistic boy(???)
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Luego de las respectivas charlas con sus mecánicos y de que Suyeong reflexionara sobre todo lo que Karel estaba pasando y él, no estaba siendo un buen amigo o compañero al intentar entenderlo, las cosas entre los dos se calmaron notablemente. No debía ser fácil para Karel lidiar con toda esa información nueva, con todas esas personas que sabían más de su propio futuro que él mismo y claro estaba, el estrés de no estar en su lugar seguro y en la luminiscencia que traía la ciudad, estaba cobrándole factura. Suyeong intentó no agregar más estrés obligándolo a probar bocado, sabiendo lo mucho que lo aborrecía ahora, solo dejando ciertos batidos preparados antes de salir a los basureros a patrullar. Se movieron a varias bases de NIMDA, queriendo acabar con las prodiciones de una antes de moverse a otra. Esos lugares eran tranquilos, pero por lo poco que Morris lograba recabar al conectarse con servidores de la ciudad, las cosas no estaban mejor y ahora los pro-androides estaban detrás de la cabeza de todos los miembros de NIMDA. Pronto estarían buscando esos escondites en medio de la nada y es cuando realmente, estarían en problemas. Por ende, el más bajo ideó una estrategia nueva, un plan diferente y aunque era muchísimo más riesgoso, si se consumaba, podrían tener más seguridad que en aquellos escondites. Fue en ese instante, donde colocó todas sus monedas en la apuesta.
El rugido de la motocicleta se apaga dentro de un edificio abandonado, cubriéndola con plásticos negros que encontró en los alrededores para cuando llegase el momento de volver a usarla o si una emergencia sucedía. Suyeong pasó su capucha por encima de la cabeza y ayuda a Karel a acomodar la propia, al igual que la máscara sobre su rostro que le brindaba uno nuevo, Morris había liderado el camino susurrando en su oído si es que había personas o seguridad publica alrededor, moviéndose como en un laberinto hasta que alguien le abrió las puertas traseras de Crystal Heart. Su brazo se mantiene alrededor de Karel en todo momento, la otra mano está lista para desenfundar el arma en su muslo. Caminan en silencio por pasillos de metal, subiendo un elevador hasta la parte más alta del burdel donde la Madam esperaba. Las puertas se corren y Sonia aguarda en sus propios aposentos en la cabeza de una mesa baja rodeada de sake y té caliente, dos cojines les esperan a él y Saem como invitados. Suspira, por fin pudiendo destensarse y quitarse la capucha del rostro. - —Ha pasado tiempo, gracias por permitir que nos quedemos — -la mujer, con una pipa larga y uñas rojas cual carmín parece inmutable por el tiempo, su negro cabello está en un recogido y algunos mechones caen alrededor de su rostro, los ojos de un color similar a sus uñas indican que son un obsequio dado por alguien antes de desecharla hace muchos años atrás. Exhala el humo de su tabaco, moviendo la mano restante como si quitara importancia. “Eres como mi niño, Suyeong. ¿Una madre la cierra las puertas de su casa a su propio hijo?” No sabe si son las palabras o es la frustración ��de todos esos días inciertos que le hacen tener un nudo en la garganta, inclinándose para tomar aquella misma mano y besar como siempre, las joyas en sus dedos. Suyeong se queda apoyando su frente en la extremidad, necesitando esos segundos de consuelo de alguien a quien respeta y admira. “Estoy feliz de saber que estás con vida”.
#* ⠀ 🍒 ⠀ ╱ ⠀ dialogue ⠀ 、 ⠀ ❪ ⠀ yang suyeong ⠀ ❫#* ⠀ 🍒 ⠀ ╱ ⠀ dynamic ⠀ 、 ⠀ ❪ ⠀ suyeong & karel ⠀ ❫#xwishingscar#* ⠀ 🧁 ⠀ ╱ ⠀ plot ⠀ 、 ⠀ ❪ ⠀ deus ex machina ⠀ ❫#* ⠀ 🧁 ⠀ ╱ ⠀ verse ⠀ 、 ⠀ ❪ ⠀ i am seeking a voice that is lost beyond our sight; i go further to follow your light ⠀ ❫#alguien dele unas vacaciones a sullyvan dklsñdsds#mira lo que ocasionas#me dejas sola y la labor del starter#y hago un fic(???)#s*
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@viikingwitch | continued from here.
That's a thought Davina's been avoiding. Their loved ones, while the list is relatively small for them both ( as well as she knows ), do have a few overlaps. It's what she has always hated about fighting Mikaelsons. Until she broke that damned sireline, the lives of most of the people she loved were connected to that of her enemy.
Even after it was broken, she was presented with a new problem. Kol's plans for Klaus had never once been to put him down permanently, not like how Davina always wanted to. For better or worse, no matter how much he used him and abandoned him when he was done, Klaus was Kol's brother, and he did love him. Even Marcel loved him. They all did, and she never understood why.
She faces a similar dilemma, even now. What if she had wanted another fight? One to end things once and for all? With such a close circle of loved ones, lines would have to be drawn in the sand, and she was only truly confident about one person being on her side.
And she never, ever wanted to force them to face Freya. As much as Davina isn't afraid ( will never admit to being afraid ) of them anymore, a part of her holds a healthy wariness around them all. They are old and powerful and cruel in a way that she probably isn't hopes she isn't.
If she has to put down old grudges to keep herself, and her people safe, she will. From the surety with which Freya declared herself a protector, she would have to.
There is still one thing that bothers her. “I don't get you. Why are you so willing to throw away your life, and everyone else's, to protect them?” Even still, there's a more personal question at the forefront of her mind, and has been for a while. “Are you gonna give up your magic to be a vampire and protect them for the rest of your life?”
#slowly but surely figuring out how to use tumblr before it inevitably updates again rip#sorry for the late reply!!#also ngl i thought if davina came back that the mikaelsons would've brought her back?????#but hey why not deus ex machina while we had the hollow#viikingwitch#iii. writ. — in character.#iv. verse. — free.#freya my beloved <3#freya davina's loathed
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Agnes Montague, the villain Phoenix :33
I used a stained glass filter on this one, looove how it looks. Also here are a few versions without as much editing so you can see the details.
Agnes is one of my favorites in this AU. And in general too I guess lol. So I made her entirely too overpowered! She's obviously based off Dark Phoenix/Jean Grey/The Phoenix from Xmen. Without as much of the hero-turned-villain vibes Jean has, Agnes can be nice but she's mostly a wrong-doer.
I'd probably say she's the most powerful super-human in the 'verse, or at least where the story takes place. Her and Magnus are buddy-buddies because. Um. I just want them to be.
So, her powers, right. She can control and
produce fire, lots of it. She can fly. The wings only appear when she wants them to btw. I think she has some form of telekinesis, sure why not plus I don't have a lot of people like that in the verse (and I'm quickly running out of canon characters anyways loool). I don't think I'll give her too many psychic powers? Maybe just some ability to block psychic attacks. Oh well nevermind lets just make her cooler let's say she can attack people psychically, as in not quite read their thoughts (even if I think she could grasp on some of the things you're thinking while she's there) but like, cause intense pain to her victim and maybe even kill them by hitting them with her mind.
Her hands are more like talons or claws, with tough nails and strong, too. She can rip someone's face off or hold herself up with them.
The nature of her powers make them somewhat incontrollable and ill-suited for precision work or limiting damage/casualties.
Despite all of that, Agnes is very tired and looks as such. Her abnormal body warmth makes her sleep poorly and not very much, if she isn't setting the room on fire or throwing objects around when she's having nightmares. She holds off from getting intoxicated in any way because she might level off the whole island if she did.
And the cherry on the cake... She can ressurect herself. AND others. Let the holy cleansing fire engulf you and be reborn anew with your sins scrubbed clean yadda yadda you know the deal. It resets people to a younger age and cures any ailment they have, so that's a rather extreme form of healing too if you will.
Naturally, with that sort of powers the Cult Of The Lightless Flame (named like that because Agnes hoggs all the light) treats her as a goddess. Which isn't that far from the truth actually.
Suffice to say in the story she is not the big bad our heroes have to take down because that would be straight-up impossible.
Design notes and misc:
-I usually imagine her with dark hair, but for this AU she really just had to be a redhead I feel.
-Yes, in the art she doesn't have feet but that's just because I got lazy.
-She wears practical gloves, a guilded shiny supersuit, impractical shoulder pads and a white flowy skirt and shoulder sash that both get set on fire very frequently. This is meant to evoke how she mostly doesn't care or need to be dressing appropriately for fighting, she's too powerful to need to.
-She doesn't carry anything on herself either, no pockets no bags no nothing, she has goons for that. She's just there to look impressive and deus ex machina everyone's asses to the ground if they get too annoying.
-She's lived a long life, done a lot, was in the military at some point which influenced a lot of how she thinks. Again, she CAN be unfrivolous and practical, she just doesn't want to and has to remain a symbol. She can shoot a gun pretty well.
-Her "crown" (it's a paper crown) is something children that admired her gave her. She's very very careful not to burn it, but can't wear it everywhere either
-She's not much of a strategizer or a long-term planner unlike Magnus, she just doesn't see the point in that and she already has everything she could ever want. She could have the potential to rule the city instead of having everyone vaguely follow her lead, but she's just not much of a tyrant.
Oh, yeah, and Jude. Jude Perry is Agnes' right hand woman and closest friend, her villain name is Lampadarius and she can make anything that isn't organic matter melt/heat up (like those cans in MAG012: First Aid). One of her favorite tricks is heating up her gloves and burning people like that. It pisses her off when you call her Agnes' guard dog. She's been ressurected a few times by the Phoenix, so been around for a while too.
#agnes montague#dark phoenix#tma#the magnus archives#tma art#my art#art#magpod#tma fanart#fanart#the lightless flame#the desolation#klm-zoflorr#jude perry
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Look rationally I know that in the world to the Silt Verses, the evidence suggests that gods are primordial forces of chaos without conscious thought (or at least not conscious thought that's intelligible to human beings) but that's only half the equation. That's the in-universe Watsonian reading of the text.
From a Doylist perspective, though, the actions of the gods frequently serve as plot devices (though post modern audiences generally scoff at deus ex machina, I don't intend that as a criticism fwiw - beautifully told, deeply meaningful stories can feature divine intervention at regular intervals, eg: the works of Homer).
So while it's debatable if the Trawlerman is capable of loving humans or picking favorites, one fact is abundantly clear: Carpenter is quite transparently Jon Ware's blorbo. Anyway. Who said that.
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SGE Characters as Literary Things
(Not all of these are actual literary or rhetorical devices; some are just writing techniques, forms, genres, mediums, etc.)
This is a bit abstract, so I’m curious about how subjective these might be. Does anyone agree or disagree? And feel free to make additions if you think I left anything out, or request another character that isn’t here.
Hopefully this makes (intuitive?) sense. As always, I'm willing to explain my thought process behind any of the things I've listed.
Also, anyone can treat this like a “Tag Yourself” meme, if you want. Whose list do you most relate to, use, or encounter?
⸻
LANCELOT (I know—how odd that I’m starting with a minor character and not Rafal, but wait. There’s a method to my madness. Also, watch out for overlap!):
Metonymy, synecdoche (no, literally, to me, these are him.)
Zeugma
Analogy
Figures of speech
Slang, argot
Colloquialisms
Idioms
TEDROS:
Simile
Metaphor
Rhyming couplets
Rhyme schemes
Sonnets
Commercial fiction
Coming-of-age genre
Line enjambment
Overuse of commas
Cadence, prose speech
Waxing poetic, verse (not prose)
Alliteration
Kinesthetic imagery
Phallic imagery/sword sexual innuendos (sorry)
The chivalric romance genre
AGATHA:
Anaphora, repetition
Semicolon, periods
Line breaks
Terse, dry prose
Semantics (not syntax)
Elegy
Resonance
Consonance, alliteration
Pseudonym
Narrative parallels
Realism
Satire
SOPHIE:
Sophistry (yes, there is a word for it!)
Imagery
Italics, emphasis
Em dash
Aphrodisiac imagery
Unreliable narrator, bias
Rashomon effect
Syntax (not semantics)
Diction
Chiasmus (think: “Fair is foul and foul is fair.”)
Rhetorical purpose
Provocation, calls to action
Voice, writing style
Rhetorical modes: pathos, logos, ethos
Metaphor
Hyperbole, exaggeration
Sensationalism, journalism
Surrealism
Verisimilitude
Egocentrism
Callbacks (but not foreshadowing or call-forwards)
Narrative parallels
Paralepsis, occultatio, apophasis, denial
Hypothetical dialogue
Monologue
JAPETH:
Sibilance
Lacuna
Villanelle (an obsessive, repetitive form of poetry)
Soliloquy
ARIC:
Sentence fragments
RHIAN (TCY):
Unreliable narrator
Setup, payoff
Chekhov’s gun
Epistolary novel
RHIAN (prequels):
Multiple povs
Perspective
Dramatic irony
Situational irony
Chiaroscuro (in imagery)
Endpapers
Frontispiece
Deckled edges
Narrative parallels
Foreshadowing
Call-forwards
Foil
Death of the author
RAFAL:
Omniscient narrator
Perspective
Surrealism
Etymology
Word families or 'linguistic ecosystems'
Latin
Verbal irony
Gallows humor
Narrative parallels
Call-forwards
Circular endings
Parallel sentences or balanced sentence structure
Narrative parallels
Foil
Juxtaposition
Authorial intent (“return of the author”)
HESTER:
Protagonist
Allusions
Gothic imagery
ANADIL:
Defamiliarization
Deuteragonist (second most important character in relation to the protagonist)
Psychic distance
Sterile prose
Forewords, prologues
Works cited pages
DOT:
Tone
Gustatory imagery
Tritagonist (third most important character in relation to the protagonist)
KIKO:
Sidekick
Falling action
Dedications, author's notes, epigraph, acknowledgements
Epitaph (Tristan)
BEATRIX:
Pacing
Rising Action
Climax
HORT:
Unrequited love
Falling resolution
Anticlimax
Malapropism
Innuendo
Asides
Brackets, parentheses
Cliché
EVELYN SADER:
Synesthetic imagery
Villanelle
Foreshadowing
AUGUST SADER:
Stream of consciousness style
Imagery
Foreshadowing
Coming-of-age genre
Elegy
Omniscience
Rhetorical questions
Time skips, non-linear narratives
Epilogues
MARIALENA:
Diabolus ex machina
Malapropism
Malaphors, mixed metaphors
Slant rhyme
Caveat
Parentheses
Footnotes
MERLIN:
Deus ex machina
Iambic pentameter
Filler words
BETTINA:
Screenwriting
Shock value
#school for good and evil#sge#sfgae#the school for good and evil#tsfgae#the camelot years#rise of the school for good and evil#rotsge#rotsfgae#fall of the school for good and evil#fotsge#fotsfgae#my post#tedros#tedros of camelot#agatha of woods beyond#sophie of woods beyond#rafal#rafal mistral#rhian#rhian mistral#rhian sader-mistral#japeth#japeth sader-mistral#japeth of foxwood#merlin of ginnymill#marialena#I can't tag everyone#there's too many
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Max's memories are forshadowing: ElMax & Lumax
Inventive foreshadowing creates a sense of unity in a story even when the audience may not be consciously aware of the foreshadowing and payoff., David Trottier
Sort of. The happy memories actually give us the basic structure of Max's character arc in regards to relationships in Season 5. (As far as there is scene material because I think there's something else.)
Now the first thing is Lucas & Max from S4, but then they start to show us several scenes but completely out of order.
Lucas "I'm right here" (at her bedside - S4 or 5?), Swallowing the red Skittle/the ghost like Pac-Man mid flight ("You were wearing that yellow benny's burgers t-shirt and it was so big it almost swallowed you whole")=consumption of a ghost, followed by the linking sequence, going back to S2 apso out of order, the boys meeting the killer & Lucas and Dustin teaming with Max, the ghost trap, photos of ElMax, like frozen in time (Doctor Who=single moment in time). Lucas and Max when he calls her Madmax (like Mad Max Rockatansky), again ElMax together ....
...even Mike appears (a talk between him & Max like Kota and Lucy having a conversation?), foreshadowing the movie date, ElMax hugging, Lumax not unhappy and, Highfive! Winners.
Lover in the mind - lover in the physical world.
Lucas speaks to the dying (physical), El speaks to the going (mind).
Both have patterns that need another verse in order to rhyme bc of a tiny change midway through (similar to a certain D&D bridge puzzle😉)
Elumax Endgame.
Byler on the left, ElMax on the right, both when Will or Max respectively, have their possession phase.
Oh, and the movie date scene is a basic story writing technique: a promise. And this needs a payoff. The question isn't IF but HOW. (And how you get abilities is been established in Season 4.)
It's you and me won't be unhappy.... Promise, progress, payoff.
So, they made a promise, are now (with the revival) in the process of a progress which will be added through the way how Max will wake up....
...and this will get a payoff. Simple. Right now, most can't imagine how, given the circumstances even though the writers gave us the rules for doing it and every foreshadowing possible that will lead to a payoff. Max can't feel nor see - both! So, either both will be mended or none. Excluding one is bad writing. - So, its both. We learned how, therefore it's not a Deus ex machina, and we will learn why. Max only needs to take his, I mean her medicine. Darn pronouns.
That payoff is only possible through ElMax and note how they use sequences with them in which they are physically close to one another after the mall scene in which they link, like they are...inseparable.
Here separated...
...after this they are combined. Linked. "Love goes through the stomach"
It's all One and One for all = 11
A bit dated (admittedly)
#max mayfield#elmax#stranger things#el hopper#elmax nation#elmax my beloved#elmax supremacy#elmax is endgame#stranger things analysis#elmax is real#elumax#lumax#lumax endgame#max x eleven#eleven and max#byler
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I still think Dawntrail could have benefited from a time skip of a few years. First so the twins could grow up but also in a way to 'solve' off screen some stuff to give them more leeway with the story.
I'm pretty sure they couldn't because they were working on the graphical update and that would have asked them to actualize so many NPC dialogues, etc. that they just couldn't be everywhere all at once.
But still, I'm tempted to have a time skip in my WoL verse regardless.
This way, the twins would be done with Garlemald and that's why they're looking for a change of path; Y'shtola wrote the book she said she wanted to write and kept studying shard travel so that when she inevitably finds the solution to what took one century in the Doomed Timeline, she doesn't find it in three months top, etc. (I know, there's the deus ex machina Azem's key, but still.); the Scions would have actually disbanded at least for a few years, etc.
And that'd also mean Aïcha's daughter would be older and this way I can use the children models to pose her (priorities).
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"¿Vienes por más información?" no le fue difícil entrar a las cámaras de seguridad de la zona, esa mañana despertó con la sensación que tendría una agradable visita y no estaba seguro si era la policía de aquella ciudad que le arrebató todo o la persona con quien está trabajando. Afortunadamente fue la segunda opción, alegrándose de no tener que manchar sus manos de sangre. "La buena noticia es que tengo la ubicación de un Apostol, la mala es que su distrito está sumido en la violencia y será complicado acercarnos."
#mi amor quería dem. yo le doy dem 💞#nunca lo estrenamos acá porque recuerdo que la uni me estaba superando(?) sdjfgsdfs#enfin <3#creo que para ese entonces sullyto ya se lo comió(?) sdfsdfs 😋#ofc el apostol que hablan es minjae(?) sdfgsdfs#but they dont know que pronto entraría en modo loco porque le hicieron m word al papá(?)#dios tengo que agregarlo antes que se me olvide sdfgsdf /huye a releer el chat de telegram/#( dialogue: song dohyeon )#( dynamic ♡ suyeong & dohyeon )#( verse ❀ deus ex machina )#mikrokosmcs
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I am curious is Aphrodite the origin of all love and can people fall in love without the influence of Aphrodite because these verses
May pure Artemis look upon this band in compassion, and may marriage never come through Cytherea's (Aphrodite's) compulsion. -Aeschylus: The Suppliant, 1030ff.
May sovereign Zeus spare me cruel marriage with a man I hate, that very Zeus who mercifully freed lo from pain, restoring her with healing hand by kindly force. - Aeschylus: The Suppliant, 1062ff.
Seem to imply that you can fall in love without the influence of Aphrodite, In one verse it is asked that the band of women find marriage without Aphrodite's compulsion, and then a few verses later they are asking Zeus that they not be stuck in a marriage with someone they hate… which seems to imply that Aphrodite can force people to but she is not the origin of love itself
Hmm, I don't think that's what this speech of the Danaides implies or even outright says.
I am not (really, really not lol) going to claim I know/have read enough to say anything at all authoritative here! The question, especially, of the... degrees? of Aphrodite's possible direct influence is still very murky and confusing to me.
But.
For the Suppliant Women specifically, the situation for the play is that the Danaides are fleeing marriage with their cousins because they don't want to marry them. And, even their father doesn't want them to marry their cousins. Some scholia (to the Iliad and Prometheus Desmotes) say that Danaos was given an oracle that said he'd be killed by one of his brother's sons, though in addition there's also a quarrel with Aigyptos himself.
Throughout the play, the Danaides are appealing to Zeus as Zeus Xenios (they are suppliants and guests in Argos), and to Artemis, noted sworn virgin, so they can avoid marriage with their cousins specifically, but, given Artemis' involvement, also marriage entirely. Marriage is as much part of Aphrodite's domain (through, well, sex) as plain desire. "The pleasurable works of marriage" as Zeus says in the Iliad.
However, even with their rejection of marriage, there's also this bit in the middle of the speech you've quoted parts of:
"Yet there is no disdain of Cypris in this our friendly hymn; [1035] for she, together with Hera, holds power nearest to Zeus, and for her solemn rites the goddess of varied wiles is held in honor.
And in the train of their mother are Desire and she to whom nothing is denied, [1040] winning Persuasion; and to Harmonia has been given a share of Aphrodite, and to the whispering touches of the Loves."
Aphrodite also is in the single fragment we have of the Danaides play, arguing for marriage as a cosmic principle, and Gantz in his Early Greek myth suggests Aphrodite might have had part as the deus ex machina in the resolution of the footrace that will see the Danaides married to various Argive youths.
Then we have the fifth Homeric Hymn, too, the "big" one to Aphrodite. This hymn isn't straightforward, since Aphrodite is shamed as well as exalted, her power extolled as well as circumscribed (and once, by Zeus in this one instance, usurped). But aside from Hestia, Athena and Artemis, mortals, gods and animals are all tamed/broken/yoked by Aphrodite (damazo), like a husband tames/breaks/yokes a wife; there is no other (source of) power in love/desire but Aphrodite.
So no, I don't think there's an idea that Aphrodite isn't actually the source of all attraction, whether she literally "forces" someone into it or not.
That "force"/compulsion, too, is part of how Ancient Greek culture conceived of love/desire at all; the lover is "compelled" into love/desire, and the source is Aphrodite (or Eros, but that, again, means Aphrodite). You see it a lot in lyric poetry about desire/love, whether for a boy or a girl/woman.
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Just listened to the new Second Citadel episode....
First of all
WHAAAAAAAT THE FUUUUUUUUUCK FUUUUCK YOUUUUU HARLEY AND KEVIN
WHAT DO YOU MEAN GALLAHAD IS THE ONLY REASON ALE'S BEEN TRAVELING WITH THEM FUUUUUUCK YOUUUUUU SO MUCH FOR THAT
Ok, now
CAN WE TALK ABOUT UNHINGED QUANYII???
I love them even more now! That evil laugh! No "YoU cAn'T cHoKe DaMiEn AnYmOrE"
THEIR EYES ARE OPEN NOW
No power in the verse can stop them now
Although it's very deus ex machina and kinda lazy? to just throw them in and *poof* we can pilot a plane... 🙄
Though I do love what they did with the pilot xD
✨Juust gonna take this✨
He was an asshole and needed to shut up
So, thank you Quanyii :3
so, are we gonna go after Caroline and Olala down there, and see the rest of the land?
And wtf do you mean monsters and traitors?
And now
WHAT THE FUCK DO YOU MEAN YOU'RE SEPARATING THE RAD BOUQUET AGAAAAAIN????
FUCK YOU AGAIN FOR THIS (I hope you stub your toes on EVERY corner of your house)
My baby Arum is gonna be alone 🥺
Don't you dare kill him T.T
*angry screech*
#this episode actually made angrier that sad#im already heartbroken from good omens#this just made me rage#the penumbra podcast#tpp#the second citadel#amaryllis of exile#damien the pious#lord arum#quanyii#sir talfryn#tpp ale#sir angelo
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you didn’t think i’d just let you get away with all this teasing, right ? + [VIBRATION]
Noah siente el primer pinchazo de placer en el centro de su ser, es una descarga que le corre desde dentro hacia afuera y no puede evitar reírse a pesar de que la vulnerabilidad del momento, le tenía en completa desventaja ante el pelirrojo. Había sido un juego divertido que iniciaba como todo lo que ellos hacían, de forma salvaje y descontrolada, decidiendo agregar pequeñas cosas a sus encuentros que, aunque dispersos, para Noah significaban que seguía teniendo valor y que Taekyung seguía gustando de su persona. El juguete descansaba perfectamente bien dentro de su ser, seguramente tibio y probablemente completamente humedecido por la preparación que sus propios dedos hicieron en su persona. Envió un enlace entre la conexión personal del hacker y él, junto con un mensaje escrito desde “m3l1ss4” que como su nombre código indicaba, era un mensaje sugerente y que abriese el adjunto cuando creyera que estaba listo para usarlo. Noah era un mocoso, uno que gustaba de la atención y no era para menos que luego de su actuación sobre el escenario, decidiera probar su suerte y tentar su valía yéndose a otra mesa con un cliente que no era ni por asomo, Taekyung. Lo provocó, se ganó que le castigue y, aun así, se sentía emocionado por el vibrar del juguete que podía ir de cero a cien en cualquier momento. Su lado masoquista quería saber que tan cruel podía ser Taek con él. - —¿No lo has pasado bien? — -cuestiona, apretando sus brazos en torno a los hombros del otro, pegándose aun más a su espalda y besando su oreja. La diestra baja por su pecho, acariciando su torso, las uñas pintadas de negro y sutilmente más largas arañan un poco el camino. - —Me has dejado entre chatarra y putas baratas que se creen costosas, me he sentido solo.
#* ⠀ 🍒 ⠀ ╱ ⠀ dialogue ⠀ 、 ⠀ ❪ ⠀ kim noah ⠀ ❫#* ⠀ 🍒 ⠀ ╱ ⠀ dynamic ⠀ 、 ⠀ ❪ ⠀ noah & taekyung ⠀ ❫#xwishingscar#* ⠀ 🧁 ⠀ ╱ ⠀ plot ⠀ 、 ⠀ ❪ ⠀ deus ex machina ⠀ ❫#* ⠀ 🧁 ⠀ ╱ ⠀ verse ⠀ 、 ⠀ ❪ ⠀ in darkness i flee like a ghost; but you find me; stretch out both hands to catch me ⠀ ❫#fdkjdlsdsds there they are#the nasty boys(?)#no me especificaste nada so me fui con el au que me dio la idea primero fdjksdld#s*
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Can totally understand that and i want to say sth since i read through doku‘s blog🤭becuz as far as I remember Core never intend to interfere any story and they only provide a choice for people to choose.
Doku clearly states that in any story if au creator want Core to interfere the original timeline, it will automatically produce and progress into a new one. That is to say, a sample, in one Error comic where Core offer to help the underswap!papy, there would also exist a timeline where no Core come to help and there would be someone else to contact with papy or he would rescue sans by his own or other choices.
The omega timeline is not a saving bubble that core would drag anyone who is “suffering” into. The entrance or being called the door would only open if the people truly need and want help.
Through any canon brief about them I didn't recon anything that Core offer to play as a savior role. Reading through every multi verse stories that contain Core, I think they is just a deus ex machina through the plot for creator who don't want the character to be deadly dead(no chance to revive).
Also didn't see any canon or fanon work where Core would harm anyone.
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Yeah I was also thinking about what deus ex machina thing I could have someone pull to yoink Andy from the finale and to another world to save him at the cost of leaving his world behind and I was like "damn what other series am I going to have to do a crossover with what do I even know well enough that'd fit the criteria" but. Game Falcon is literally right there. I've already written him reaching across the universes to save Andy before. It wouldn't be set in TF or ATFS verse bc I'd want to do a separate thing but post GX Falcon feeling a ripple in his soul...? or something and instinctively reaching out to this resonant feeling and suddenly an alternate universe Falcon comes tumbling out on him lmao. And he lets Andy stay with him bc he kind of is responsible for dumping the man in a foreign world with nothing and no one familiar when that man was fully embracing death. I think I could even pull a very slow burn Falcon/Falcon out of it as they learn to live together and about each others' quirks, hopes, dreams, regrets, the things they show to no one else, the things no one else has ever understood so well...but it wouldn't necessarily have to be shippy lmao I just think it would be very funny as a ship or queerplatonic or situationship or weird alternate universe bffs.
Andy probably doesn't go out a lot initially especially if he's recovering from getting blown up again and probably putters around Doug's house curled up with a book or drawing or cooking and cleaning and welcoming him home. Very domestic. Weirdly domestic for Doug and it takes him a while to get used to having home cooked food that someone else prepared waiting for him and the chores done and the evidence of someone else's presence seeping throughout his living space. I think one of the ultimate signs of Doug coming to trust him and accept him in his life would be letting him drive his Blue Falcon just to see the depth of emotion that's been missing from Andy ever since they met show itself if only for a few fleeting moments. Exhilaration, wild joy, all things that he never knew if the muted, melancholy adriftness hanging around Andy would ever let him experience again.
For Andy's part he's very caring and emotionally perceptive as we know so to have that kind of personality right up in Doug's personal space...I feel like he'd pick up on a lot of the insecurities and buried desires that Doug represses even from himself. He knows intimately well that Falcon is a performance, an ideal, even as a part of yourself. And caring for someone again would give him a sense of purpose after the uncertainty of being dragged back from death after giving his life to fulfill his life's purpose. I think at some point the question could finally be raised of what Andy actually wants to do with his life when he isn't tied to being Falcon anymore, when he isn't tied to anyone or anything and is just thinking about himself.
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