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lune-moon-nuit · 8 hours ago

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This is definitely one of the best analysis of Mike Wheeler arc on the series I seen ! I love it, I love this character and his complexity so much

ok. look at these.

look. that's the same look. right?

let's take a closer look. to do that, i'm gonna have to zoom in a bit on the first one. because, as you can immediately see, the shots are slightly different. the first is a little farther away, showing both mike and el, walking next to each other, whereas the second is much more intimate, a closeup on mike's expression as he looks at will's face in the foreground. a minor but telling difference about the levels of emotional intimacy in each scene.

so, moving past that first element of contrast, let's look at each shot in full, because in both of these scenes, mike goes on a bit of a face journey before he gets to that final smiling expression, seen above.

personally, i think studying actors' body language and micro-expressions is inconclusive at best, but i won't deny that these look similar. however, it's pretty clear to me that they aren't the same.

toward el, i see confusion, intrigue, maybe pleasant surprise, followed by a glance down (to emotionally process and/or watch his step), and then a nervous but friendly smile.

toward will, i see awe, relief, and overwhelming affection, followed by a shy glance down and a slight schooling of his slack jawed expression into a warm smile.

but, again, that's just my interpretation, and i can't say with any certainty what the intention of all of finn's micro-expressions are. but from my perspective, even a surface level viewing of these two expressions depicts a very different emotional experience. however: there's no denying the connection between these two scenes. they clearly mirror each other, just like a lot of things about mike's relationships with el and will mirror each other. i don't think that's an accident.

whatever you think his sexuality is, mike is undeniably in a romantic narrative with el. beginning in season one episode three, when the concept of their romantic relationship is introduced, the narrative arc mike and el share is heavily focused on that relationship. the first scene above actually happens in that same episode (s1e3), not coincidentally almost directly afterward. and the former scene, with mike, lucas, and dustin behind the baseball field, provides very interesting context for several reasons:

first: bear with me, because we're going back to look at the context behind this context. this is only episode three of the show, but already there's a lot going on, both in text and subtext.

and since we have the entirety of their relationship so far presented to us on screen, when lucas accuses mike of looking at el romantically, we're easily able to go back and figure out where he got that impression: we can examine every time lucas has seen mike look at el at all.

the first night, after finding el in the woods instead of will, and while insisting that the next day she'd be gone and they could focus on will again, mike's behavior is directly reminiscent of benny's. taking el in, and providing her with shelter, food, and clothing.

the next day, after learning that she's in danger and changing his mind about pawning her off on his mother, mike infers that she might know something about will. when lucas arrives, he exclaims that she recognized him and knew he was missing.

later, when lucas tells her that will is their friend, she asks what that means and mike explains. a friend...

and then she displays that she might really be able to help them find will. and mike looks at her like this:

each and every one of these interactions is directly related to will. but lucas, through the omnipresent lens of heteronormativity that surrounds boys' interactions with girls (especially a group of boys who have no experience with girls... more on that in a bit), only seems to consider the fact that mike's behavior, which is undeniably about will, is being directed at el.

throughout season one (and beyond, in more subtle ways), will and el are repeatedly connected to each other through the trope of mistaken identity. will is abducted on the same night (and due to the same series of events) that el escapes the lab. hopper, in his investigation into will's disappearance, keeps running into clues about el. and mike, lucas, and dustin, sneaking out in episode one to search for will, find el instead.

later in the season, hopper eventually realizes the truth of his own more overt mistaken identity arc: while he was under the assumption that he'd been following will's trail, he'd actually been following el's. interestingly, the realization is triggered by one specific distinguishing difference, which tells him beyond a doubt that he's been looking for two different kids: their art.

though much more subtle (aka hidden in the subtext), mike's arc with his feelings about will and el follows a very similar pattern. the main difference, though, is that in season one, the swapping of places is eventually reversed but never acknowledged as such, and mike ends season one with el now missing and will back in his life, but a lingering sense of something yet unresolved.

second: (i'm not going to deep dive into this one here, because it's a whole analysis in and of itself, but i need to mention it because it is relevant) this scene introduces the recurring motif of superheroes being directly connected to mike's feelings for el, which is an association we see follow them all the way into season four and become a defining metaphor for their incompatibility.

third: lucas is the character who first introduces mike's romantic feelings for el into the narrative. and instead of giving any indication that lucas' interpretation is correct, mike's reaction is... difficult to read. his response is immediately defensive, both verbally ("what are you talking about?" "shut up, lucas,") and physically (leaning away and shielding himself when lucas hugs him). we can infer from the original character descriptions why mike might be defensive about this subject:

obviously, this description is only a vague impression of what Mike Wheeler became, but it's clear that the core elements of his character outlined here did come to fruition on screen. here, mike's insecurity is linked both to the bullying he undergoes, and to his inexperience/ineptitude with girls. and it's presented as key to his character motivation (the original concept of his character arc put forth here is very straightforward: at the start, mike has insecurity centered around bullying and is romantically inexperienced. by the end, mike has courage against monsters and romantic experience.)

in any case, this scene is the first hint of this aspect of mike's character in the show itself (the earlier scene of bullying in the show focusing on mike consoling dustin over what he’s being bullied for (“i think it's kinda cool. it’s like you have superpowers or something!”)... see my last point here… mike holds the idea of superpowers in high regard, and they are consistently connected with his feelings about el. something about the mistaken identity through-line feels apt here: mike mistakes his feelings of admiration for el as feelings of romance.) in this scene, mike is confronted with both romance (in direct relation to himself for the first time in the show) and bullying.

but due to the way this is shot, it's impossible to get a read on what mike is truly feeling. it reminds me a lot of another scene, actually...

in both of these scenes, mike's genuine emotional reaction is hidden from us. in the first, lucas forcibly hugs him, teasing him about how much he "loves" el, and in effect introducing the idea of el as a romantic prospect to mike. in the second, el hugs mike tightly, her hand still around his neck from their kiss and his arm trapped in between them, similar to the way he shields himself from lucas. we're then shown that he's signed the card on the flowers squished between them "from, mike." hm. so... not love, as lucas suggests.

we come to learn over the course of season four that this is something mike is actively struggling with: his inability to "love" el in the way that she wants, expects, and deserves. this scene, introducing that season-long arc, conceals mike's true emotional state and motivations from us, again, mirroring the first introduction to their entire romantic plot line way back in season one.

(an aside: lucas' "if you love her so much, [then] why don't you marry her?" aka the inciting event of their romantic arc, is a based on a conditional statement with the hypothesis that mike loves el. as mr. clarke might posit (in, say, season one, episode one): what's the difference between an experiment and other forms of science investigation? ...well, an experiment is a controlled test of two or more variables against a hypothesis. does that remind you of anything happening in mike's romantic narrative? something about...... [murray voice] experimenting sexually?)

anyway. then, after extracting himself from el's embrace, mike finally drops his bag(gage) and opens his now empty arms to will, before preemptively cutting himself short with a punch to the shoulder.

...did someone say internalized homophobia?

and then immediately upon being introduced to argyle, mike is called out for his presentation here not being genuine. ("it's a shitty knock-off,"/"i really thought it was ocean pacific...") we're being told that something about mike's performance is not what it seems (and may even be a case of one thing being mistaken for something else).

and speaking of homophobia...

fourth (and finally): this scene, of lucas' teasing mike about his "love" for el, which i'll remind you again is tied directly to lucas mistaking mike's behavior regarding will as being solely about el, is quickly interrupted by an onslaught of homophobia, during which mike is specifically targeted (read: tripped) by the bullies.

the juxtaposition is immediate and obvious: mike's friends lovingly teasing him, even embracing him, over a crush on a girl vs. bullies maliciously taunting them about will being killed for being queer and then physically harming mike.

(there's also something to be said about the later scene in which these bullies force mike to drop his bike in the woods and chase him to the edge of the quarry, mirroring exactly how the cops assume will must have died... and, to be clear, i'm not saying that mike himself is being bullied for being queer in the way will was. no, mike's queerness is invisible to those around him in a way that will's isn't, so his relationship with it and the ways it affects him are hidden in subtext.)

which brings us directly to the following scene in the woods. el asks about mike's injury (sustained from the aforementioned bullying, thereby linking these two scenes even more concretely) and with a little prodding ("friends don't lie"), he opens up to her about what happened, and about being bullied at school. she listens, tells him she understands (this also follows her recent flashback of brenner's abuse in the lab), and they share a "cool," "cool," and a smile.

so... let's quickly jump over from here to the van scene with will. something similar, yet notably different, is happening in this scene, leading up to that infamous smile at the end. mike is sharing his insecurities with will now, but instead of will prodding him to open up, mike, prompted only by will's "she's gonna be okay," begins rambling so much about his insecurities (while speaking in superhero metaphors) that he eventually cuts himself off, saying it's "stupid." will tries to placate him, ("of course she needs you,") but when that doesn't work, he gives him The Painting (a symbol of his love for mike) and a long speech about feeling lost and different, while insisting upon mike's value (you're the heart, leading us, inspiring us, etc). and then they share a "yeah?" "yeah," and a smile.

so we can see the similarity in the way the shots are set up, the progression of the conversations, and mike's visible reactions. but we can also see distinct differences, all of which together inform a significant difference in emotional weight between these two scenes.

while mike's conversation in the woods with el takes place in the third episode of season one, at which point mike has known her for less than 48 hours, the van scene is in the second to last episode of season four, and is the fourth of five heart-to-hearts mike and will have this season alone (and following three previous seasons and beyond that years of close friendship). it is also arguably the climax of their shared arc this season. on the other hand, mike and el's season one moment is part of the introduction to their storyline, and the introduction to their romantic arc. in this moment in the woods, mike is looking at el romantically (did you think i was gonna argue that he isn't? because no, he definitely is). in fact, this is the beginning of mike's entire romantic arc, which sets out to address the foundational insecurity that is key to his character. we, as an audience, right alongside mike, have just been told (by lucas) that mike has romantic feelings for el. and then we are presented with this scene. we are supposed to view this as romantic. because mike is starting to view it as romantic.

had stranger things been one season long, then the climax of their romantic arc would have been the kiss they share in the cafeteria, followed by the denouement of el's symbolic death (the gay implications of which i could write another whole essay on...). but the end of season one was not the resolution of mike's full romantic arc. by the nature of the five act structure (which is what stranger things has, being five seasons), the entirety of season one serves as exposition for our full narrative. which means, in effect, that the entire arc of mike and el's season one relationship is there to serve as groundwork, a foundation for mike's complete five season arc. season one, starting from before he even meets el, all the way through to when he eventually kisses her and then loses her, is only act one of that arc. the first act of five act structure is when the driving conflict is presented. so in the context of the entire show, for us as the viewer, mike's narrative arc surrounding the romantic aspect of his insecurity begins with his season one "romance" with el.

and we know that this insecurity is an element of the full five-act narrative, rather than being presented and wrapped in the course of the mini "self contained" narrative of season one, because we can see plainly, three seasons later, particularly during mike's heart-to-hearts with will, that this insecurity has not yet been resolved. we know this, on a basic level, from having watched mike and el's relationship struggles progress, but it is still explicitly laid out for us in season four. and will is consistently the only person who genuinely hears mike out, encourages him to open up, and addresses his insecurities, instead of brushing him off, like most other people in his life (including will at some points) have done. will understands him in a way el only claimed to in season one.

looking back to the character outline: mike has now "kiss[ed] a girl" and even "had a girlfriend" and still hasn't resolved his insecurities even remotely. in fact, after the first season arc wraps up, this romantic relationship becomes the main source of that insecurity. his difficulty navigating a real romantic relationship with el is the basis of their arc in season three. and by season four, mike is consciously struggling with being unable to tell el that he loves her. despite will's reassurances that things will be okay (which stack onto lucas' constant relationship advice in season three), mike keeps circling back around to it. because he can't move forward on the path he is on.

he has reached a point of no return, like a “fight you can’t come back from.” he is unable to find the security he is searching for in his romantic relationship with el... and this is where we arrive back at the van scene with will.

if the scene in the woods marks the beginning of the introduction of mike's romantic arc, then the scene in the van marks the beginning of the conclusion of mike's romantic arc. if the introduction of his romantic arc (season one) presents his insecurity, then the natural conclusion of that arc (season five) is security. throughout season four, mike lays out for will the insecurity that his relationship with el still brings him. he is unable to find that security with el, and, in the van scene, finds it with will instead.

or, should i say, begins the journey to finding it. because, especially after the lie that brings them into that moment, and then traumatic pizza dough freezer incident, we're still at the beginning of the conclusion. there's still a lot to resolve, but season four (alongside mike, who now understands what he's been going through) finally began moving the subtext of mike's arc into the actual text. and this moment indicates that season five will take that next step to fully, textually, actualizing it.

so, getting back to the parallel we're looking at here: each of these scenes is a catalyzing moment in mike's romantic arc. in season one, when lucas suggests that mike has a crush on el, and then what follows is a conversation with el where she is (to quote lucas) "not grossed out" by him, he actively begins his journey toward resolving this character motivating insecurity. he looks at el and he sees the possibility of romance.

and just look at him. he looks excited. hopeful. a little nervous. but... i want to remind you again: mike has known el for less than 48 hours at this point. this is the first conversation they've had in which they've related to each other as equals. for their entire relationship before this and afterward, outside of their romantic interactions (and also. often. disturbingly. concurrent with their romantic interactions...), mike's role has been as el's protector, a makeshift father figure, the elliot to her E.T. here, though, el tells mike that she understands him.

in season one, mike is twelve years old (read: pre-pubescent). he has no personal understanding of or experience with romance. dustin starts to comment in s1e2, "you're letting a girl...?" and ted later scoffs "our son with a girl?" and outside of the queer coding, what we can take from both of these (which draw back to the original character description) is that mike has no experience with girls whatsoever. (outside of, you know. family. but that's not what this post is about.)

and again, this scene happens almost directly after lucas first introduces the idea of romance between them, both to the narrative, and to mike himself, who, very significantly, up until this point, has shown no romantic interest in el. the sequence of these events is not a coincidence. 1. lucas assumes mike has romantic feelings for el. 2. el and mike have a moment of personal connection and understanding 3. mike "boys only" wheeler puts these two together and assumes the connection between them must be romance. but the expression on mike's face here isn't a representation of already existing romantic feelings. there's no basis for those. again, this moment represents for mike the potential for romance.

which... makes his expression in the van scene hit even harder. because unlike el, will isn't a stranger he barely knows, but rather his best friend of ten years. and it isn't lucas telling mike how mike feels. it's will professing his own feelings about mike, in direct response to mike's self-professed insecurities. (ding ding ding, are your alarm bells going off?) mike's expression at the end of this scene, if we're viewing it as a reprise of his season one expression, is a representation of hope for his romantic future. but this time, heading into the resolution of mike's romantic arc, with all of the knowledge and context we (and mike) have gained over the course of the past four seasons, it's directed at will.

ok. so. with the basic connection between these two scenes established, i'm gonna move a little bit sideways here. at the end of their romantic arc in season one, el disappears from mike's life and will reappears in it, effectively swapping their places (remember that we've been dealing with the mistaken identity trope between these two), and leaving the question of mike's romantic security glaringly unresolved.

and we know why - this is a five act narrative we're watching - but just within the context of the season one arc... the climactic moment of mike finally asking the girl to be his sister kissing the girl was preceded by her locating will in the upside down (leading to his rescue) and followed by a resolution in which she disappeared... and will took her place. at the end of the season, mike is left in the same place he started: playing games in his basement with will, his first attempt to resolve his arc of romantic insecurity, with el, ultimately ending in tragedy.

after season one, this arc picks up again, but this time will the one present in mike's life. and mike's behaviors toward el in season one, during which they were undergoing a romantic story arc, begin showing up again in his behavior towards will. but unlike with el, mike's particular (read: romantic) behavior toward will happens without outside intervention, and in fact, often in spite of outside intervention. now, this isn't to say that all of mike's behavior with el was a result of others' influence. when el reveals to mike that she is on the run from "bad people," mike is immediately protective and caring toward her. however, as i've already explained, this caring behavior (which, again, we know right off the bat is not romantic because it directly mirrors the way both benny and hopper care for her) doesn't turn into romantic behavior until lucas introduces that idea.

on the opposite side of the spectrum, right from episode one of season one, mike's behavior toward will is fully self motivated, even in the face of opposition.

and as we move through season one and beyond, we can see that mike continues to rely on constant guidance in the way he cares about el (particularly and most consistently from lucas).

stranger things is, at it's horror filled core, a coming of age tale. like many of our other characters, mike's full character arc, romantic and otherwise, is about self-actualization. from the very conception of the show, his insecurity is presented as a central character flaw to overcome, while also being directly linked with his romantic fulfillment. the overcoming of this fatal flaw, the resolution of his romantic arc, and his final achievement of self-actualization are all inextricably intertwined.

the reprisal of this specific expression of romantic hope as we enter the end of mike's romantic arc is not an indication that mike is in the same place emotionally at the end of season four as he was at the beginning of season one, just with a different person now. instead, it is an indication of his romantic arc coming full circle. mike began in a position of hope for his romantic future with el, only to have the actualization of that hope (their romantic relationship) gradually degrade his romantic fulfillment and self-esteem. the longer mike and el are together, and the more serious their romantic relationship becomes, the worse mike's insecurities become. this is, i would argue, directly related to the fact that mike's pursuit of a romantic relationship with el is not due to his own genuine desire, but instead a combined result of heteronormativity (lucas assuming mike's feelings for el to be romantic), compulsive heterosexuality (mike's subsequent assumption that his feelings for el must be romantic), forced conformity (mike's attempt to resolve his insecurities firmly within these heteronormative boundaries, under the assumption that a rejection of these boundaries is unacceptable), and the trope of mistaken identity that has been following will and el since season one.

and of course i don't know with any concrete certainty what season five will contain, but based on the narrative so far, and optimistically expecting a satisfying resolution to his character arc, the actualization of his romantic hope regarding will is going to lead to true romantic fulfillment and coincide with his self-actualization (a big part of which is coming to terms with his sexuality).

now, i'm not going to conclude this whole analysis by saying, "and that's why mike is gay!" because while i think this all is a good indication of that, based on all of the context and my impression that this narrative is being presented in a way that focuses on the subtext and deeper symbolism of each of these relationships rather than being a case of specifically el vs. will, you might still have a different interpretation than me. that's fine. however, i am going to end by insisting (me when i argue with the wall), based on everything i've laid out, that this parallel and others like it (ie parallels between byler & miIeven's romantic arcs) are not evidence of mike's feelings, specifically whether they are genuinely romantic or not. this parallel serves as a narrative device in his romantic character arc... the conclusion of which is mike realizing and coming to terms with the fact that he is actually in love with will, and not el.

just to be very clear, i'm not saying these parallels alone are proof against mike being bisexual, but i am saying that they are not evidence in support of his being bisexual. again: they do not indicate that mike is romantically attracted to el. what they indicate is that will and el are foils in mike's romantic arc.

before i finish, i want to address a couple misconceptions:

1. the fact that mike actively and willingly participates in a romantic relationship with a woman means he can’t be gay. this is straight up homophobia. gold star bullshit. no.

2. mike and el being presented in a romantic light means that they have genuine romantic feelings for each other. this is a misconception of the way narrative tools are used to tell a story. going right back to my first point: it is an irrefutable fact that many gay people have romantic relationships with the people of different genders (read “the opposite sex”) before they come out/realize their true sexuality. it is also a fact that many of these gay people fully believe their feelings to be genuinely romantic before realizing that they are not. as i've already gone over, mike is twelve years old when his romantic arc begins. on the surface, his relationship with el is presented as romantic. he participates in (and even initiates) romantic behaviors because he believes that his feelings for el are romantic. in seasons one and two, mike is one of our main POV characters. we can see a romantic tilt to the way some of their scenes are shot because, to mike, while they are happening, they are romantic (keeping in mind what i said before about mike having no experience and therefore no personal knowledge informing his perspective, AND keeping in mind that many of these on-the-surface "romantic" scenes are also consistently subtextually linked (read: paralleled) to familial relationships for both of them... and i haven't even touched the cultural context surrounding homosexuality in 80's. there's so much nuance informing the way this story is being told). and we, as the audience, are supposed to read them as romantic on first viewing, because otherwise the season five plot twist, revealing the truth of mike's feelings, would not work.

it is not a coincidence that the active degradation of their romantic relationship (outside of all of the other context, parallels, symbolism, family coding, etc, that are there to hint along the way that things are not as they might seem) begins full force in season three, at the exact point when the two actually enter a real relationship for the first time, and also when our characters are entering puberty, the time during which a person's sexuality (in a general sense, but also in regard to sexual orientation) begins to fully emerge. after his season one arc with el, mike underwent another season-long romantic arc: this time, with will. it's more subtle, because (i believe) mike doesn't realize yet that it's romantic, but it's there. then at the end of season two, mike makes a choice: he encourages will to dance with a girl and he dances with el, re-writing their tragic ending from season one, but now leaving his romantic arc with will frustratingly unresolved, again mirroring the sense of unresolution from season one: mike has swapped out the end of each romantic arc with the wrong love interest.

and then in season three, now having had the experience of both romantic arcs, and now, for the first time, with both will and el right there beside him, all we can see anymore is the overt contrast between the two relationships, depicted most blatantly through the same type of visual and narrative "parallel" we've been looking at here.

but at the end of this season, instead of making a choice, mike's choice is made for him. he has a romantic moment with will, and then el kisses him, confusing the resolution of these two romantic arcs once again.

mike's season four arc closely mirrors his season one arc (searching for one love interest with the other by his side, mistaken identity trope abound), but with important distinctions: 1. mike is a little older, a lot more experienced, and has a better understanding of both the context of romantic relationships and the scope of his feelings for both el and will. and 2. mike's only real guidance in season four comes from will, and he doesn't simply listen and act based on will's advice, as he did with lucas' in seasons 1&3. now, he fully engages with will's input, pushing back against it when he doesn't agree, and accepting it when he can acknowledge its truth (up until, of course, our fourth (and hopefully final) tragic, incorrectly resolved ending). mike is finally taking control of his romantic narrative in a way he hasn't previously, and the direction it's heading in now is toward security, self-actualization, and will.

so the point of all of this is: nothing is as simple or straightforward as it may seem on the surface. the narrative has always been deeply complex and layered with subtext and symbolism. and most of all, when interpreting the meaning of anything presented directly to us on screen, context matters.

also uh. yeah, mike gay

#you dropped this 👑#byler #mike wheeler #mike wheeler run!#the emphasis on Mike’s name and the word run in s1 #can be something so terrifying #no but this is so great #ppl don’t realize that every part of a queer persons journey is relavent #a gay boy dating a girl before he realizes his sexuality #CAN AND SHOULD be analyzed with nuance bc Mike himself had the assumption they had to be romantic based on so many factors #that doesn’t just go away once it’s revealed he’s gay #it’s still a very important part of his journey and what led him to this point #most queer people don’t always look back on first relationships with the opposite sex as completely separate from their romantic experience #bc that was back in a time when they were still figuring it out #i also think what’s sooooo interesting is the parallel of understanding between these scenes presumably #Mike is upset and doesn’t know how to explain to el his situation #and el makes a point to just say she understands and leave it at that #with mike looking relieved #so… in the van scene #we again have mike upset and not knowing how to explain how he’s feeling to Will #only for Will to figure out instantly how Mike is feeling #to the point where mike looks in love bc Will understands exactly how he feels…#it’s… insane actually #stranger things #mike wheeler core #mike wheeler analysis #byler endgame #byler tumblr #will byers #mike wheeler is gay

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my-castles-crumbling · 21 hours ago

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traitor - January 8th - jegulus, platonic prongsfoot - @black-brothers-microfic - word count: 382

As soon as James walked into his flat, he got the odd sense he should leave. The very air was thick with anger, and he knew it could only mean one thing. Turning to tiptoe quietly back out the door, he managed to make it all the way to the entrance before-

"James!"

Fuck.

"Will you tell your fiancé what a traitor he is?" Sirius screeched, standing in the door of the kitchen with his arms crossed and looking furious.

Before James could ask why, another, equally scary voice replied from within the room.

"James, will you tell your best friend he's an idiot?" Regulus called, voice full of both annoyance and amusement.

James considered calling Remus for help, but he knew it was too late. "What happened?" he asked wearily, shucking his jacket and walking into the warzone.

"Regulus told me I can't be his Best Man!" Sirius shrieked, throwing his hands in the air. "The audacity! I'm his only sibling and-"

"Because you're James's Best Man, you dumbarse!" Regulus interrupted, giving James a look that demanded he speak. "You can't be Best Man for both!"

"Why not? I damn well should be! I'm the most important person in both of your lives!" Sirius yelled, eyes wild.

James sighed, finally stepping in. "Regulus, did you tell Sirius what he would be doing instead of being your Best Man?" he asked the younger man gently, trying not to cause any more blow ups.

"No," Regulus grumbled. "He wouldn't let me." But he turned to Sirius and took a deep breath, as if trying to calm himself. "You're going to walk me down the aisle, Sirius. Give me away, and all that."

Immediately, Sirius's demeanor changed. His crossed arms fell to his sides and his furrowed eyebrows lifted as his eyes filled with tears. "Wh-what?" he asked, voice trembling.

"Oh, fuck, he's going to cr-" Regulus said fearfully, looking aghast and turning to get away from is brother.

But it was too late. Sirius pulled Regulus into a bear hug, sobbing hysterically. "I- l- lo- love y- you s- so m- mu-" he stuttered, tears streaming down his face and onto Regulus's expensive jumper.

"James, help!" Regulus hissed, looking like a trapped animal.

"Nah, love, that's all you," James grinned, turning to leave.

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darlinluxx · 3 days ago

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𝐇𝐞𝐚𝐝𝐜𝐚𝐧𝐧𝐨𝐧𝐬 | 𝐊𝐚𝐧𝐠 𝐒𝐚𝐞 𝐁𝐲𝐞𝐨𝐤 ౨ৎ

pairing : kang sae byeok x fem!reader

warnings : nsfw

warnings for sfw : tiniest mention of sickness

warnings for nsfw : dom!saebyeok, sub!reader, tiny mention of knife play, degradation, strap

a/n : just thought i’d start off with some headcannons <3 if you have requests, feel free to message me <3

- Saebyeok probably wouldn’t be the first one to say “i love you”

- when she did say those three words, she would feel relieved. after all, she has been holding it in since she laid eyes on you

- and she doesn’t say it much, instead, she shows her love through different ways

- like remembering the smallest details — like how you take your coffee (or if you don’t like coffee), which side of the bed you prefer, or your favorite movies

- she has a habit of “borrowing” things of yours and never returning them

- she absolutely loves seeing you in her clothes

- the first time Saebyeok fell asleep on the couch with your head on her chest, it’s a bigger milestone than your first kiss

- Saebyeok struggles with accepting help or care when she’s sick. she’s used to acting like she’s fine. the first time she calls you because she has a fever is a huge moment of trust

- gives you a spare key for her apartment

- she’s not big on pet names, but i think from time to time she would call you, “darling,” “baby,” or “princess”

- always saying things like “i missed you,” “did you eat?” or “are you warm enough?”

- she expresses worry more through actions since she’s not the most comfortable with saying things. she’ll fix the bow on the back of your hair when you’re walking ahead of her

- when she’s upset, she goes quiet rather than angry

- Saebyeok’s love language is 100% quality time

- i think we can call come to an agreement that she’s not a fan of pda

- she will hold hands with you while walking though

- in private, she would like physical contact though. she’s always finding small ways to touch you

- loves to give you hugs — her arms wrapped around you as she holds you in her embrace, resting her chin on your head as she murmurs sweet words to you

- her favorite form of physical affection is playing with your hair while you lay on her chest as you two watch movies

- we can also all come to an agreement that this woman is PROTECTIVE !!

- is always near you out in public like a personal bodyguard

- carries her pocket knife everywhere

- while walking together, Saebyeok always positions herself on the street side of the sidewalk

- and what if i said she memorizes your schedule (without meaning to) just to know you’re safe ??

- the first time you meet Cheol, she’s more nervous than either of you

- Saebyeok doesn’t even realize that she leaves things at your apartment

- the first time she calls your apartment “home,” she doesn’t even notice—it feels natural

- she has a specific spot on the couch in your living room that becomes “her spot”

- Saebyeok is always the first to wake up. she’ll make coffee for herself and attempt to make toast but burns it. so once you wake up you’ll have to help her with cooking

- she keeps track of important dates, she never needs a reminder for your anniversary or your birthday

- she’s surprisingly good at domestic tasks. years of self-reliance made her practical

- she stress cleans when anxious. you can tell when something’s bothering her

- she loves late night talks. whether it be sharing goals in life or random thoughts, she’ll always enjoy it

- Saebyeok’s protective but not possessive, having learned the difference between love and control

- has trouble accepting gifts but puts incredible thought into giving them. no matter how many people she has to pickpocket, she will get you something she knows you’ve been wanting for a long time

- never makes promises she’s not absolutely certain she can keep

- she always keeps her promises

- Saebyeok keeps a journal of things that make you smile (she won’t ever admit it)

- is secretly good at video games but pretends to be bad so you can “teach” her

- loves sharing airpods with you when you two are on the subway or walking

- has a (secret) playlist of songs that remind her of you

nsfw ౨ৎ

- she’s a top / dom !!! anyone who says different is a liar

- okay and what if i said she’s lowkey into knife play ?? then what

- Saebyeok really focuses on making you feel good. gets satisfaction on seeing you cum

- she’s usually more on the rougher side, but if you want her to be gentle, she will be no questions asked

- “don’t get all shy now. it’s just me.” when you’re getting shy or nervous with her

- mix of praise and degradation !! “you’re so dirty for me.” “you look so pretty cumming on my fingers.”

- could eat you out for the rest of her life

- loves when you wear dresses or skirts cause it gives her the opportunity to slide her hand closer and closer to where you need her. and she knows. but she can’t resist teasing you

- loves fucking you with a strap just because ?? especially in front of a mirror

- sweetest aftercare, so so gentle with you. as if you’re made out of glass

#i need her #kang sae byeok #kang saebyeok #sae byeok #saebyeok #kang sae byeok x reader #kang saebyeok x reader #sae byeok x reader #saebyeok x reader #headcanon #squid game x reader #squid game

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mclacedes · 2 days ago

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Father Complex (LH44)

summary: in which lewis is your slightly older boyfriend and it reminds you of your father

wc: 2.5k

warnings: fluffy, angsty, daddy issues (freud mention), bad family dynamics mention

a/n1: i'm obsessed with writing lewis recently so here's a little something... also, sorry for the amount of age gap in this blog, i'm also obsessed with that :)

a/n2: also... HAPPY BIRTHDAY LEWIS

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

A long time ago, a guy named Freud, often dubbed as the father of psychoanalysis, came up with this idea he called "the father complex." Basically, it says that the need for approval from an absent father sticks around into adulthood, leading into some questionable relationship decisions.

You frequently—although sporadically—thought about that when you looked at him: Lewis.

That was the man with whom you found entangled in the hush of summer nights because he kept finding his way into your bed.

That Ferrari driver who's got 7 (or maybe 8) championships under his belt.

The man whose arms held you tight when you sought solace; whose fingers would melt into your skin when your walls wrapped around his flesh just right.

His eyes had seen the world long before yours—16 years before, to be precise. He’d raced through continents, dealt with pressures you could only imagine, and faced challenges that would make most people crumble whilst you were in your mother’s womb.

And yet, here he was, playing his role perfectly and being the boyfriend you had dreamed of for so long—cooking for you, looking after you, making you feel like the most important person in the world.

In those moments, it was as if the years between you disappeared, as if the world outside didn’t exist. All that mattered was the quiet, stolen time you shared, wrapped up in each other’s warmth, letting everything else fade into white noise.

Tonight, Lewis had cooked your favorite meal, a perfect blend of comfort and decadence, all while he indulged in white wine. The rich aroma of garlic and herbs lingered in the air, mixing with the faint scent of the beverage he kept sipping on between stirring the sauce.

He absolutely fell in love with what he had ended up with, and smiled to himself. There was something undeniably satisfying about getting everything just the you liked—the way you always smiled at the meal he carefully plated, the way your eyes would light up when you tasted the flavors, as if it was a secret he only confided in you. And in those moments, when he saw that little spark of happiness in your eyes, it felt like all his worries melted away.

He left the kitchen, drying his hands on a dishcloth, intending to call you for dinner, but the scene in the living room stopped him in his tracks.

Beneath the soft, golden light of his Monaco penthouse, you stood with a glass of white wine in hand, your eyes closed, brows furrowed slightly, and your body swaying effortlessly to the rhythm of the music playing in the background.

You were utterly lost in the song, humming softly and singing along to the lyrics with a kind of reckless abandon. It didn’t matter that you weren’t trained to sing or that your voice wavered slightly here and there. What mattered was the unguarded joy in the moment, the kind of pure, unfiltered expression that made Lewis’ chest ache with something he couldn’t quite name. You hadn’t noticed him yet, so deeply immersed in your own little world, a world that radiated warmth and vulnerability.

A slow, almost involuntary smile spread across his face as he leaned against the doorway, arms crossed, taking in the sight before him. The way your hair cascaded in soft waves down your back, the way your hips moved naturally to the beat, and how your silk nightgown delicately enveloped your frame—it was all so completely and effortlessly you.

Lewis’ gaze softened, his heart swelling as he took in the scene before him. There was a kind of fragile beauty in moments like this, a glimpse of the unguarded you that felt like a privilege to witness. You weren’t performing for anyone, not trying to impress or hide—you were simply existing, lost in the rhythm of the music and the comfort of the space you shared together.

It hit him, as it often did in quiet moments like these, just how lucky he was. Lucky to know you in ways the rest of the world never would, to be the one who got to see you when the walls came down and the noise of the outside world faded away. These little moments, the kind that seemed inconsequential to anyone else, were what he treasured most. They were what made everything worth it.

He walked deliberately, the soft creak of the floorboards under his barefoot steps betraying his soft approach. When he reached you, he stopped for a moment, simply taking in the way the music seemed to pulse through you, the way the room felt warm and intimate. Without a word, he positioned himself behind you, his presence filling the space just enough to make you aware of him without breaking the magic of the moment.

He gently placed his hands on your hip dips, his touch light but sure. The movement of your body slowed, and you turned your head to look at him, a playful glint in your eyes, the faintest trace of surprise in your smile.

“Oh, hi,” you said, the words slipping out with a mix of amusement and affection.

He smiled back at you, that warm, easy smile of his. “Hello, angel,” he replied, his voice soft and teasing, as if he were enjoying the sight of you in this moment just as much as the music. “Care if I join in?” he asked.

Without waiting for an answer, he slid his hands from your hips to your waist, pulling you gently closer.

The music continued to flow around you both, and for a few seconds, you let yourself melt into him, throwing your head back to rest against his chest. The warmth of his body surrounded you as both of you moved in sync, caught up in the quiet connection of the moment. It was just the two of you, the soft flicker of light from the living room lamps dancing on the walls, creating shadows that seemed to mirror the ease between you.

“Dinner’s ready, love,” he muttered, lowering his head closer to yours. His lips brushed against your ear as he spoke, the words carrying a softness that made you smile involuntarily. “Made your favorite meal.”

And it was moments like these that reached that fragile part of you that had never fully healed from growing up neglected by your own father. Every time Lewis made it clear that he cared—that he truly listened to your words, that he understood who you are and why you are—there was an ache that would rise in your chest, a bittersweet pang of something you didn’t even know you were starving for.

Every time he loved you, you were transported back to your childhood home, where love was a distant, unreachable thing, locked away behind a thousand doors you could never open. It wasn’t that you were unloved—it was that the kind of love you needed, the kind that wrapped around you with warmth and security, was always kept just out of reach. The love that touched you, held you, saw you. The love that would have made you feel safe. It was always missing.

But with him—with Lewis—it felt like you were being given that love in every little thing he did. It wasn’t just the grand gestures, the moments that shouted “I love you.” It was in the quiet, tender things—the way he made sure you were okay and comfortable, the way he noticed the small things, the way he never made you feel like you were too much or too little. He loved you like he knew exactly who you were, even when you still hadn’t figured it all out yourself.

You tried your hardest to keep it together, but under the weight of it all, you unraveled completely, breaking apart against his chest as if letting go of him might make him vanish into the air.

The tears came fast and unrelenting, sinking in his shirt, but he didn’t flinch or pull away. If anything, he held you closer, his hand stroking your back in slow, soothing circles as you let go of everything you’d been holding in. It wasn’t just about the love he gave you now; it was about everything you had missed, everything you had buried, everything you were afraid to admit you needed.

“Hey, hey,” he said softly, his voice a gentle anchor in your storm. His arms tightened around you, pulling you closer, as if to shield you from whatever was breaking inside. “I'm here. I've got you, love. I've got you.”

The steady rhythm of his heartbeat pressed against your cheek, grounding you in the moment, even as your tears soaked into his shirt. You wanted to say something—to explain, to apologize for the way you were falling apart—but the words wouldn’t come.

All you could do was cling to him.

He didn’t rush you. He didn’t ask for an explanation or try to fix what couldn’t be fixed at that moment. Instead, he simply stood there, rocking you gently, one hand tracing slow, soothing circles on your back. His touch was warm and steady, a quiet reassurance that it was okay to feel everything, that it was okay to let him carry some of the weight.

“You don’t have to say anything,” he whispered, his lips brushing the top of your head. “You don’t have to hold it all in. Just let it out, baby. I’m not going anywhere.”

And somehow, those words—so simple, so full of certainty—broke you even further, because they were everything you’d longed to hear your whole life—words that promised safety, security, and an unwavering presence. Words that no one else had ever said and truly meant.

another two minutes, your sobs began to taper off into quiet hiccups, your breathing still uneven but slowly steadying. You stayed pressed against him, your head tucked under his chin, feeling the warmth of his body seep into yours. The silence between you wasn’t heavy or awkward—it was soothing, the kind of silence that made you feel safe, like you didn’t need to fill the space with words.

Lewis shifted slightly, his hand moving to cradle the back of your head, his thumb brushing gently along your hairline. “You okay?” he asked softly, his voice low and careful, as though speaking too loudly might shatter the fragile peace that had settled over you both.

You nodded against his chest, not trusting your voice just yet. His fingers lingered in your hair for a moment longer before he leaned back slightly, just enough to tilt your chin up so he could meet your eyes.

“I hope you know you don’t ever need to hide with me, right?”

You pulled away enough to look back at him. There was no judgment in his expression, no pity—just quiet understanding. It was as though he could see every crack in your armor and chose not to comment, but instead, to hold you together without saying a word.

Your lips parted, but the words caught in your throat. You could only nod again, the weight of his gaze anchoring you.

One of his hands moved to your cheek, caressing it as he looked back at you with nothing but love glossing over his eyes.

“You’re safe with me,” he said, his voice soft but steady, like a promise he intended to keep forever. His thumb brushed away the remnants of your tears, and the warmth of his touch settled deep in your chest, easing some of the ache. “Whatever it is, whatever you’re feeling, you can let it out. I’m not going anywhere.”

You closed your eyes and leaned into his hand, drawing strength from his presence. The way he stood there, unwavering and patient, made you feel seen in a way you rarely allowed yourself to be.

“I know,” you finally whispered, your voice trembling but sure. “I know.”

And you did. You knew it with every part of you, even the parts that still resisted the notion that someone could love you this completely, this unconditionally.

For a moment, you just stayed like that—his hand on your cheek, your bodies close, the world around you quiet and still. The scent of him—clean and warm, tinged with the faintest hint of the cologne he always wore—was comforting in a way that made you want to stay in his arms forever.

“I didn’t mean to fall apart like that,” you admitted softly, the words slipping out before you could stop them. “It’s just…sometimes it’s hard to hold it all together.”

Lewis’ lips curved into a gentle smile, and he tilted his forehead to rest lightly against yours. “You don’t have to hold it all together, love. Not with me. You’re allowed to fall apart. I’ll catch you every time.”

The sincerity in his words made your throat tighten all over again, but this time, it wasn’t from pain—it was from the overwhelming sense of safety and love he gave you, love that wrapped around you like a protective cocoon.

He pressed a soft kiss to your forehead, lingering there as if trying to transfer some of his strength to you. “Come on,” he murmured, pulling back just enough to take your hand in his. “Dinner’s going to get cold, and I worked way too hard on that sauce for it to go to waste.”

You laughed, a small, shaky sound, but it was genuine, and you saw the way his face lit up in response. It was as though your laugh, however small, was all he needed to feel like everything was right in the world.

He led you to the dining table, his fingers laced with yours, and pulled out your chair for you before settling into his own. The meal he had prepared was as perfect as you expected it to be, every detail thoughtful and deliberate, just like him.

As you ate, the conversation flowed easily, moving from lighthearted topics to deeper ones, the way it always did with him. By the time you finished, the heaviness in your chest had lessened, replaced by the quiet comfort of knowing you weren’t alone.

Later, as you lay together in bed, his arm draped protectively around you and your head resting on his chest, you felt something shift inside you—a small but powerful realization.

With Lewis, you didn’t have to be perfect. You didn’t have to have it all figured out. You didn’t have to hide the parts of yourself that felt broken or messy or incomplete. With him, you could simply be.

A long time ago, Freud coined the term "father complex”.

You thought about that when you were laid in Lewis’ chest at night.

Freud suggested that the need for approval from an absent father often lingers into adulthood, shaping questionable relationships

Yet, with Lewis, it didn’t feel like a need or a wound being tended to—it just felt right, as though for once, you were exactly where you were meant to be.

And that, you realized, was the kind of love you had been searching for all along.

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brenatto-apothecary · 2 days ago

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I am a very vocal hater of the whole "the game is just for the cast you can't criticize it ever!!" mentality, to the extent that even when it's in response to a take I think is awful, it will always bother me more than the original take. After some reflection, I've broken it down to five key reasons why it upsets me so much.

1) The obvious one is that the idea that the show is only being made for the cast is false. If they didn't intend to make a piece of entertainment, they wouldn't have posted it online. A lot of creative works are made with the creators enjoyment as the highest priority. That does not mean that's all it was made for.

2) The way these posts commonly focus on how the cast isn't obligated to do what other people want is a fundamental misunderstanding of what criticism is and why we make it. I assure you the vast majority of people do not think their complaints should be met with the cast personally kneeling before them.

3) It implies that something being made with love automatically makes disliking any element of it wrong. Which is a belief that is impossible to hold without becoming a hypocrite. There is no way in hell you have never disliked a piece that the creator(s) had fun making. I'm writing this post for my personal enjoyment. Have fun with that paradox.

4) There's this weird belief that all complaints are about specific desires that weren't met. There are actually a whole lot of posts about whether the story succeeded in doing what it intended to do, but I guess I can't expect people to read things.

5) This is my big one. Art deserves to be criticized. It's one of if not the most important way of interacting with a work. I don't believe saying actual play is uniquely exempt from critique is respectful of the medium. You are treating it as though it shouldn't be engaged with in the way we engage with all other art and is, therefore, lesser.

#i want it to be clear this is about a wide spread opinion not a specific post or person #also good critique (good in the sense of thoughtful and well structured not necessarily correct) prompts discussion #and those discussions can help you figure out what it is you personally enjoy about the show #it is not inherently a negative #i keep going back and forth on whether to main tag this and if the way i worded it was too pretentious #but yknow what fuck it being annoying is okay actually #critical role

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endearng · 20 hours ago

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Out of reach

Pairing: earlyseasons!Spencer Reid x hotchner!fem!reader Summary: You pull away from Spencer because of your jealousy. You go back to him after a few drinks in. WC: 9k A/N: fluff! pining! idiots/friends to lovers! alcohol consumption; spencer is a bit mean; reader doesn't communicate; hotch is a little older to have a daughter around spencer's age (do not come at me this is fiction). If I missed anything, please let me know! I had so much fun writing this one and it's now one of my favorites <3 masterlist

The jet was quiet as you and the BAU team made your way back from Los Angeles after successfully finding Lila Archer's stalker. The case had been a bit draining, after all, you've only been working with the FBI for a couple of months, and seeing dead bodies and all those other displays of violence was something you were still trying to get used to. Despite your sensitive nature, being Aaron Hotchner's daughter meant that you had mastered the art of a poker face through the years, not that it meant that your inner feelings were any less important. This is how you found yourself sitting all alone in a corner of the jet as everyone minded their own business. On any other day, you'd be sitting next to Dr. Spencer Reid, talking about whatever it was that could get your mind off the case you had just wrapped up. Spencer and you were friends, some would even say the best of friends, but you didn't mind about naming things — what mattered the most is that you got to be yourself around him and you didn't bother hiding behind the Hotchner glare, as he once put it.

Despite being unknown territory for you, after all, feelings and all that were protected by a deeply analytic and practical mind, you knew what you were feeling. Well, you were analyzing your reactions to check what had actually happened — and the thing is, you couldn't admit, not even to yourself, what that sinking feeling in your chest when you watched Spencer saying goodbye to Lila was. Amid your analysis, Spencer quietly approached you, silently motioning to the seat next to you. You nodded, shutting every single thought of him. Or at least, trying.

"Hi."

Hotch glare. "Hi, Reid."

Spencer felt nervous. He had never been on the receiving end of your… wrath before, so it was unknown territory and he didn't know how to act. His racing heart and clammy palms weren't helping him, either. Taking a deep breath, he said, "Listen, um, you... can... can we talk?" The stammering. Way to go, Spencer.

Glancing at him, ignoring the skip in your heartbeat, you nodded. "Yeah. Is everything alright?" A firm, secure tone. You mentally patted yourself on the back.

"You're a little distant... and—and I got a bit worried. Did... Did something happen?" He wanted to kick himself. What kind of person can't hold a serious conversation without stuttering like an idiot? Get a grip, Reid.

"No, Reid. Everything is alright. I'm just... thinking." You said.

Bullshit. You both knew that. Spencer, on the other hand, didn't know why it was bullshit. But he knew it was.

"Are you sure?" He asked, leaning towards you, almost invading your personal space and he shut his eyes before delivering the next question, "Is... I haven't done anything to upset you? Right?"

You took a second to answer him, willing your voice to stay still and the knot in your throat to go away. "No. It's nothing you've done. It's just... it's on me." You gave him a small smile that didn’t quite reach your eyes — that's when he knew something was definitely wrong.

He nodded, but he was still worried by your sudden change of behavior, especially towards him. It was like he was anyone else, again. And, God, he didn't want that. "What is it, then? You can talk to me, you know. We're best friends."

Best friends.

The words felt bitter on his tongue. The sound of them broke your heart all over again.

Best friends. "Right. Yeah. I know." You said, quietly, and it felt a little lifeless to him. He clenched his hand, fighting the urge to touch you, to ask you what was truly bothering you. "Thanks for offering."

Spencer felt conflicted. If he didn't say anything and didn't push you to speak, you would probably bury whatever it was that you were feeling and it would lead him into being even more worried about you. If he did, you would probably snap at him because of his undesired, bothersome insistence. "It's nothing." He said, defeatedly. "Can you just... Do you promise it's not me?"

Your heart ached and you smiled at him, a tiny, faint, barely there smile. He was so adorable, sometimes. "I'm just upset over something else. Don’t worry. You didn't do anything wrong." You finished, trying to convince yourself that he had not, indeed, done something wrong.

And he didn't. He didn't. You and Spencer, despite your proximity and sometimes incredibly ambiguous relationship, hadn't said anything about deeper feelings towards one another. You let yourself admire him, lovingly, from afar, and were happy with the snippets of attention you had from him when you two had some free time. You two were regulars in the coffee shop near his apartment and, by now, the local librarian, Mrs. Jones, could probably fake your signature from how often you two went there to borrow books. She would watch you two behind the bookshelves, whispering excitedly and curiously to each other about whatever suggestions you were getting from each other. As you missed Spencer's longing glances to read a summary, Mrs. Jones smiled to herself, both at how adorable you two were and how oblivious you were. In museums, you would sit down after some time walking around to his explanations of art and historical movements that impacted the expression of a certain age — you pretended to not know a few things, just so he could speak his heart away and not be interrupted by your own contributions.

You kept silent to make him happy.

Which was exactly what was happening now.

Spencer knew, for sure, that you were hiding something from him. But he also knew that he had no right to force it out. He fidgeted awkwardly, not knowing what to do with his hands, his heart still clenching. “But, but... you’d come to me if you needed help, right?”

You nodded, unable to speak. You knew you were wrong, omitting things from him. Just as the guilt was starting to weigh in your heart, Derek passed by you two with a magazine in his hands, throwing it at Spencer, exclaiming, "My man!"

You looked down, already knowing what it was. Spencer was a mess beside you: blushing, stuttering, avoiding your and Derek's gaze and throwing the magazine as far as he could, like it had burned him. Your reaction was a subtle twitch of your lips, not in amusement, but in need to disguise the pang in your heart. You both spent the rest of the flight sitting in silence, simply being in each other's orbit. You, guiltily. Spencer, worriedly.

Your reaction — or lack of — was staggering to Spencer. He thought you two were getting somewhere, despite your closed off nature and demeanor, he thought he was finally cracking you up. Everyday was torture, seeing you walk through the bullpen's glass doors with your professional clothes and your composed figure. It was torture to see you walk around so prettily and serious, holding his bare heart in your hands, and not even realizing it. By now, he lived and thrived on those rare opportunities you had to spend time together as he became more and more covered in you.

As the jet landed and Spencer walked out to talk to Derek, you pettily made sure to step on Lila Archer's face when leaving the jet in sheer frustration.

Back to the bullpen, you had gone to the restroom to splash some water on your face in order to calm your nerves and to tell yourself that it was only a matter of time until things got back to normal — until you got back to normal. Glancing at your reflection in the mirror, you wondered if Spencer could tell that there was something wrong with you, if you had let any of your feelings slip during your short conversation. The version of you that stared back was as impassible as you ever were. As you made your way to your desk in the dimly lit sea of desks, you caught Spencer and Derek talking, both having their backs to you.

Sighing, you just left the headquarters, not wanting to know what they were discussing, or rather, knowing what they were discussing, but unwilling to stay, even if it would quench your curiosity as to what Spencer had been thinking.

Maybe you didn't want to know the answer.

—

The days went by, cases coming left and right, flights making you almost dizzy — not that you would admit, but you were terrified of heights. Between those and your training, you barely had time to think about Spencer and the entire Lila occasion. You spent your days busy with work, studies and physical training in order to keep your mind away from that, but as you lay awake at night, the memories would come back to haunt you relentlessly to the point you had recurring dreams of them. Together, as you watched from the sidelines. You kept to yourself, slipping further and further away from Spencer.

Reid, on the other hand, felt your absence more than anyone. You took a rain check on all the invitations he made, even when he invited you to movie night, when he would definitely choose a Russian movie because you mentioned once how you liked how the language sounds. There wasn't any more donuts on his desk as he arrived in the morning (he would always joke that you and your father secretly lived in the headquarters and that someday he would see Haley bringing your groceries to the secret house), and there was no one for him to throw his paper airplanes, small flashcards with the Russian phonological alphabet, at. The change in your behavior was absurdly clear to everyone: you barely called or texted him anymore, you didn't look his way when someone told a joke to check if he thought it was funny... He was sulking, to say the least. Upon questioning you, you blamed your lack of free time and as he was going to question you further, you said in a teasing tone that not everyone was like him and that the FBI was actually making you go through all the training phases.

Finally, during the end of a particularly frustrating workday, he finally snapped, grabbing your arm before you could enter the elevator. It was only you and him in the otherwise empty hallway. "Ok. What's been going on? And don't," he said, closing his eyes, "don't dance around the subject. Don't say it's the Academy. Don't say you have to work. Don't. Please, be honest with me."

The exasperation in his eyes and in his tone almost broke the wall that hid your true feelings, but as you glanced at him, you figured you couldn't do it. Be honest? What for? To hear that you're nothing more than his best friend? Losing said friend was not an option, not to you, at least. But you also knew that you weren't treating him right, that keeping him out was not at all fair to him, that leaving him in the dark was as hurtful as it would be to lose him.

Breathing deeply, you answered with the same stoic expression you wore every single damn day. "I told you, Reid. People go through different, busier times in their lives." The lie tasted like acid.

Spencer clenched his teeth, frustration and confusion beginning to override some of his social anxieties. “That! That!” He asked through clenched teeth, his gaze intense.

"That what?" You asked, puzzled.

"You... you stopped calling me 'Spence'—not that you did it often, you did it more when we were all alone, and it... it sucks! It sucks because I don't know what happened or what I did that was so wrong to make you stop liking me!"

Come on, just say something! Get angry, get sad, get something!, his mind screamed.

"I never stopped liking you," you said, looking away from him. His words hit a particular spot that you were totally willing to discover later, but the mere thought that he knew that you liked him more than as a friend made you shiver.

"That's not the point! Or—or rather, it is! Because if you didn't stop liking me, why would you act like you did?" He asked, his tone rising a bit.

"Calm down."

"Calm down? I will not calm down!" He almost yelled. His eyes widened slightly, disbelief clear in his features and tone, not to mention the frustration. "Just. Please.” He said, closing his eyes, willing himself to tone it down, not that it worked... “Tell me what you're thinking, what happened to you! For once! Any normal person would react and stop acting like an emotionless robot!"

You gaped like a fish out of water, taking a small step back, his words digging a hole in your heart. Upon hearing his own words and noticing you distancing yourself from him, all the anger vanished from his body. The widened eyes were a sign of realization of what he had said to you. During the early months of friendship, you had confided in him that you struggled with portraying emotion like others normally did. Maybe it had something to do with growing up with a father who did it so perfectly when he was out of the house. When he wasn't actively playing the ‘dad’ part, Aaron Hotchner would wear an unreadable mask like it was his armor, his defense from the outer world, but as soon as he got home, he was back to his main role. You would watch him with his coworkers and mimic him perfectly to make him laugh. At some point, making fun of and imitating his demeanor had become some serious form of self-defense for you. Spencer, then, joked that you were making your way to the perfect job, but then he had gotten serious and told you that it wasn't a flaw. That it wasn't a problem that you kept deeply to yourself sometimes — that it was okay to be yourself around him. You had felt safe by his side since then.

But now, what did those words mean? Were they lies?

He breathed out your name, softly, "I... I... I'm sorry."

"Just drop it," you replied, pushing the elevator button. Your dismissive tone and your action of leaving made Spencer feel utterly desolate, like he had done the wrongest thing in the world and perhaps he had, but he just wanted you to let him in. For once, he wanted to have the answers from your lips, not spend any more time analyzing your every single action and words...

"I'm sorry, I didn't mean to..."

"You know, Spencer…" he looked up at you when he heard his name, as you held out an arm to hold the elevator doors open. As if thinking better than to say anything, you sighed and turned to enter the elevator, shaking your head with the most disappointed look he had ever seen on your face.

Spencer tried looking at you one last time before the elevator doors closed, and despite your face being as unreadable as it often was, he saw a flicker of sadness that stung his heart more than he liked to admit. If he hadn't done anything wrong before, now he had utterly fucked everything up.

—

The drive home, for Spencer, was a torture. He knew that he had to pay attention to the road ahead of him, to the other vehicles and drivers, but his mind kept drifting to the last glimpse of you back in the headquarters. Your empty eyes appeared behind his eyelids every time he pressed his eyes closed. He willed himself not to cry, to not blur his vision, taking his frustration out on the steering wheel, where his grip was so tight that his knuckles turned white. As he parked his car and looked up to one of his windows, he remembered you. Because of course he would remember you.

The sight was almost comical, to be honest. You, clad in one of the suits that fitted you so well, sitting on his windowsill, a cup of green tea in hands as you stared out the window, trying to analyze every single drop of rain before it reached somewhere outside your vision range. The funny thing was that you had no shoes on, instead, Spencer lent you a mismatched pair, not being one used to having people over, he didn't have a pair of spare slippers. Then, you sat there with a dinosaur-pattern sock on one foot and a striped-pattern sock on the other.

Spencer, sitting on his sofa and holding his own cup (he had let you choose your mug and stayed quiet when you pointed quietly at his favorite), smiled to himself. It was weirdly calming seeing you out of your character, doing something so... human.

"I can feel you staring, you know," you said. And your tone was almost... teasing?

"Right. Sorry." He said, looking down at his steaming tea.

"I'm not scolding you," you said, turning to look at his direction with a grin.

"Right, no—heh..." he replied, bashfully, cheeks reddening at the sight of your smile.

If only you knew... how many hours he would lay awake at night, as thoughts swirled in his head, how everything seemed to shut down at the thought of you. How he would fall asleep to the wish of being on the receiving end of one of your rare smiles, how he appreciated that you were always the first one he talked to upon his arrival at the headquarters. How... how he would do anything for you to look at him under a different light.

Seemingly out of nowhere, you giggled. Everything stopped.

Spencer.exe has stopped working.

"Heheh—I guess... It's not everyday you get to see a Hotchner so out of its—heheh—habitat." You quipped, looking at him with a smile on your face.

Suddenly, Spencer lost his voice. The connection between his brain and his tongue, which felt heavy, disappeared. Completely speechless, eyes slightly wide at the sound of your laughter. It made you laugh a bit more, but when his stare and open mouth got too much to handle, you looked down at your feet, wiggling your toes to distract yourself from the intensity of his gaze full of awe. Then, Spencer got back to his senses, smiling at you as you missed it to look away in embarrassment.

Spencer blinked away the tears and left his car, entering his apartment. As he took off his shoes, he let the tears fall at the sight of your windowsill.

—

Meanwhile, you were getting wasted at some bar. Not just any bar, but the one you usually went with Spencer when you were feeling daring and wanted a change from the places where you both used to go to. You were a bit of a lightweight, so a couple of drinks were enough for you to start playing trivia with Spencer and let your gaze linger for longer, basking in the sight of him so carefree, having fun with you.

Upon your arrival, the bartender that usually took care of your orders, MJ, greeted you with a smile. When she saw no one was joining you, she frowned. "Good evening, Hotch. Where's loverboy?"

You sent her a look, but since you were letting your guard down, after all, there were no acquaintances or friends around, you didn't know if the look came out as a glare or if you looked like a kicked puppy. She snorted. "Gee... That bad, huh?" She asked, and you didn't answer again, though you muttered a soft thanks, MJ when she gave you your go-to drink.

And it turned into two drinks. Three. Four...

(MJ was now giving you alcohol-free drinks, too worried for your well-being. You and Spencer started to grow on her as you two kept coming back.)

You rested your chin on your left hand while you traced patterns with your right index finger on the counter. MJ was eyeing you suspiciously, drying a few glasses with a washcloth. "He kissed another girl." You admitted, quietly.

"No way." She gasped.

"Way."

"But... I thought you two were a thing." MJ was baffled, placing down the objects she was holding in sheer shock. "I always thought you two were like... together for years."

"We were a thing.... I think, at least... I don't know, MJ." You sighed, tucking a stray of hair behind your ear. Looking up at her, hazy eyes taking in her focused expression, you sniffled, "we were on this case and then he met a girl and then the next moment the two of them were making out in a pool. In a freaking pool."

She tsked, anger flashing in her eyes, "I swear, those nerdy guys are the worst."

"Yeah..." You muttered, fiddling with your straw. "Can I have another one?"

She pursed her lips, but she relented. Then, as she handed you the liquid, a guy sat next to you. Did he look like Spencer or were you already hallucinating?

"Hi. I'm Dave. Can I buy you a drink...?" He asked with a small smile, wanting to know your name.

No, not Spencer. It’s cool.

"Hi, I..."

MJ cut you off. "Hey, Dave, I think she had too much to drink already."

They exchanged looks and it took you a minute to feel offended by her interruption and knowing you were perfectly capable of speaking for yourself, but realizing you would probably have to entertain a stranger, you felt grateful for it.

Dave left with a sour smile. "Thanks." You muttered, again, looking at MJ.

"Do you need me to get you a cab, honey?"

"That would be great." You said, placing money bills to pay for your drinks and the tip.

MJ looked around to spot someone to keep an eye on the bar as she led you out of the place, hand never leaving your shoulder. As she called a cab, she made you stand on only one leg to make sure you weren't gonna need her to go with you. You scoffed, but obeyed her all the same, with a low snicker. As you two waited for the cab driver, a woman who MJ trusted with her life (and her favorite regulars), you tried to make conversation to make up for embarrassing yourself by talking about Spencer with someone. How pathetic.

"So, what does MJ stand for?"

She chuckled, shaking her head at you and at your dazed eyes. "That's classified information."

"I'm familiar with that."

The cab driver, Paula, arrived. She greeted the both of you with a smile and a cheerful good evening! As you entered the vehicle, you rolled the windows down and pressed the subject further, "Seriously, is it Mary Jane or were your parents more creative?"

She rolled your eyes at you, shaking her head. "It's Mary Jane. MJ because who would take me seriously?"

You smiled. "I like the shoes!"

Paula started driving slowly, just to let other drivers drop their own passengers, as you were lost in your own little world, serious expression taking over your face again, not wavering, as you delved deeper into the whirlwind of thoughts plaguing your head. Paula, looking at you through the rear-view mirror, asked, "Is everything okay, honey?"

You buckled your seatbelt. "Yes, yes. Just... keep driving slowly, please."

"Where to?"

Only then you realized you never gave her an address. Closing your eyes and taking a deep breath, you gave her Spencer's, telling her you were going home.

—

An unknown number had sent Spencer a couple of messages.

[8:32 p.m.] Lovergirl is here, drinking all by herself.

[8:32 p.m.] Water, but still. I'm not having her passed out without you here.

[8:40 p.m.] Sent her home, people were starting to approach.

Throughout the time he had spent with you at the bar, the two of you exchanged numbers with MJ in case she needed your help — you know, being FBI agents and whatnot. But Spencer didn't need to see her name to know it was her and she was talking about you; 'lovergirl' and 'passed out without you here' gave him clue enough. His stomach tied in knots when he read that people were starting to approach her, the nagging feeling that the image conjured in his mind was making him feel almost sick, then, it hit him like a truck: Lila Archer.

Their… case? was as fleeting as a careless glance. To be honest, Spencer accepted her advances to spite you for having such power over him, even if unknowingly so. The young agent felt like you were so out of his league, so out of reach — you were all that pile of confidence and stoicism and pure lusciousness and everything to him. And he was a young guy who truly had barely been kissed so far. How could he approach you, charm his way into your heart, especially when you barely bared it? With Lila, it was... nice. Easy, even. It was nice being wanted, to be able to read her intentions and desires like a children's book. With you, it was a tantalizing challenge, one he was, for the first time, struggling with. It was not like having a high-school crush, not like pining over the untouchable girls that would catch his interest as he grew older. No. This was something new. You had hit him deeper than ever or anyone before.

Plus, as much as he hated to admit it, he gave room to the anxious thoughts regarding your father as well. Would it affect his relationship with his superior? Would it affect your relationship with your father? Spencer felt dizzy just by the mere thought of ruining something uniquely yours. No, he couldn't impose himself on your life like that. It was mean, it was wrong, it was immoral.

To want, to desire, is to be selfish.

It was a bold assumption. To think you were jealous of him. Nevertheless, the signs were all there, had been all along. He was just dumb and scared enough of making assumptions.

A barely there, faint sound of a knock on his door made Spencer fly out of his bed, dropping his phone on the bedroom floor, but he didn't pick it up. He had a suspicion as to who could be knocking on his door, but he was too scared of assuming anything. Again. Opening the door, he saw you, breathing a bit heavily. The stairs, he supposed. You always complained about them. Once you exchanged looks, Spencer’s surprised one and your earnest one, you asked, "Do you really think I'm a robot?"

Shit. He could feel his heart breaking in a million little pieces. The insecure edge of your voice and words made him squeeze his eyes shut; in his mind, he was kicking himself simultaneously as he sank down to his knees, on your feet, begging you to forgive and forget his dumb, stupid, frustrated, unrealistic words.

"No," he breathed out, wincing, almost as if he was in physical pain. "I—I didn't mean to talk about you like that. I was..."

"Frustrated?"

He nodded, silently, eyes never leaving your face. Your speech, albeit way out of the ordinary that he was used to, was flawless. If not by the dilated pupils and the faint smell of alcohol, not to mention MJ's texts, he would dare to say you were perfectly sober. "I was, too." You admitted, looking down.

Spencer made way for you to enter his apartment. He watched as you kicked your shoes off. The sight, that had become as common as the act of breathing, made his way flutter. You intended on staying. Or so he hoped. You walked further into the place, noticing everything as it ever was, as if you hadn't been to his apartment for some time now. "You must be thinking why I'm here," you said, moving to sit on the couch and mentioning him to sit on the small coffee table in front of you, as if you owned the place, and not him.

Perhaps it was true.

He closed the door once you were inside, hesitating for a moment before joining you. He kept noticing things about you; the way you were walking, the way you could barely look him in the eye, the way you looked… “How much did you have to drink?” He asked, quietly.

"Not much. You know I don't usually drink because I can’t hold my drinks. And I'm sure MJ was giving me plain water at some point." You said, looking up at him. Well, at least, your speech flawlessly delivered, even though you were moving a bit more… disoriented than usual. She's totally a Hotchner.

"I... I am," he started, sitting in front of you carefully. "I... I'm sorry. It's just... You've never been so distant. I guess that I was mean to you to elicit some reaction."

Your analytical gaze softened upon his confession. You needed to give him some break, be a little easy on him. Well, easier than you were being as of lately. Nodding lightly, you added, "I'm here to apologize, too. I know... I know that I pushed you away and I made you think that... that that was your fault. It's not."

He froze. No, he wouldn't have you taking the blame for how his actions caused you to react. He looked up at you, reaching out a hand to touch your intertwined ones, "It is."

"Hear me out. Please." You said, lowly, not breaking eye contact. This was so hard, and you had never felt so afraid before. How ironic — to be afraid of being brave. "I... I guess that by now you know why I pulled away."

"I do," he admitted, nervously. "It took me some time, but I... I think I figured you out."

You looked down, embarrassed. It was overwhelming for him to see you portray such different and so many emotions all at once. To you, it was as agonizing as it was freeing. "Well, yes. So... It, um, it wasn't fair. We... we are not something. We are not a thing."

His heart, doing all the thinking and feeling, nearly stopped. As if it wasn't enough, you kept on going, "I'm sorry, I truly am, for how I behaved and how I made you feel by being absent. It's... it's not my place. You have your own life, Reid. I can't be upset with you for making decisions. You're a grown man..." you sighed, glancing at every direction but at him. "I know that I'm wrong, okay? And I know that I shouldn't have pushed you away, nor should I have kept my feelings from you."

Spencer drew in a long breath. He didn't know what to say, but you couldn't be more wrong. All at once, he wanted to scream, but he didn't know what ro say; he wanted to run, but he didn't want to leave you alone — not for a second. He didn't ever want you out of his sight; he didn't want to be the one you were apologizing to, hell, he wanted everything to be okay between them, but it was nice that she was talking to him, finally.

"I..."

Every time he thought he could say something, words failed him. Then, you took it as another opportunity to word-vomit everything you've been feeling. "I was... I was jealous. I didn't like to see that. I didn't like that it happened. But I also know that I have no right to be upset with you because you're single and she's attractive and you're both consenting and willing to do whatever you please, so..." You shrugged as if speaking those words aloud didn't stab new holes in your heart.

Spencer looked at you, totally speechless. It made you snicker. And speak further. Shut up, you idiot. Please, please, please! "And, ah—hahahah—I guess I am, indeed, a bit of a robot because it took me a bit of alcohol to pluck up the courage to come here and totally—hic—destroy our friendship by telling you I love you so much; that I'd hate to see you with anyone other than me. It happened and I hated it. It still stings."

Spencer's heart threatened to fail once again. Your giggles, your words, your confession... His mind completely short-circuited. She loved him. She loved him? She loved him?!?!???!!! That’s what she’d just said, apparently. Okay, calm down. And she’d been jealous. She didn’t like him kissing another woman, because she fucking loved him. Say something, you dumb idiot, his brain shrieked. Say something!

You parted your lips to say something else, but apparently decided against it. Another beat of silence of Spencer staring dumbly at you. "I'm going," you blurted out, standing up.

Spencer, at breakneck speed, stood up as well to stop you from walking away, placing his hands tentatively on your shoulders. Your bodies were now apart by mere inches. "No." His voice was so small and pained that you sat back down.

Despite your apparent willingness, your next words told him about your turmoil. "Why would I stay, Spencer? I've been pouring my heart out to you and you haven't said a thing."

Looking at you, so bare and so vulnerable, Spencer suddenly had flashbacks from when he had lashed out on you earlier and simultaneously fought the feelings that were bubbling inside of him upon your confession. Couldn't you see the sheer shock on his face? Couldn't you see that he was battling against every single bit of self restraint not to pull you into his embrace and make you believe him when he would tell you that you were the only woman for him?

Sure, he had dreamed of you saying those words to him countless times as time went by and you two got closer. Shit, he literally dreamed of it. Of you. Speaking sweet nothings to him... He broke out of his daze, realizing that he was deadly silent, "Don't go..."

"Then say something. I'm here. Not as Hotch's daughter, not as your coworker, not as a part of the team you work with. I'm here as the woman in whose heart you've grown over the last few months. I'm terrified of your answer and you keep depriving me of it." There was a hint of annoyance and hurry on your voice, and he could understand you, he truly could. He just didn't... he lost his voice when he looked at you.

Saying your name softly, he beginned, “I said stupid, untrue things, and I’m sorry. I’m a jerk, and I know that I’m a jerk and—" You quirked your eyebrow and he took a deep breath, trying to cut his rant. "Just... don't sit there and think that I have nothing to say."

"Have you said it?" You pressed it, quirking an eyebrow.

"No." He admitted, widening his eyes a bit as he realized his mistake.

At the same time, you shot, "Not saying something is also an answer for me—"

"—but not for the reasons you're thinking! Do you know how hard it is for me right now?" Spencer was starting to sound very desperate and pathetic, not to mention the fact that he wasn't answering your questions.

Deep breaths (from both ends).

"Look, Reid..." He glared at you upon hearing his last name. "I think I should go home. You and I clearly need some space—"

"What we need to do is talk."

You sighed. "Then why won't you give me an answer?"

Silence.

"You won't even remember this in the morning."

At that, you deemed yourself utterly defeated. This was useless. "I'm sorry I came over. I'm... I'll just go, okay? Please, don't be upset about tonight. I apologize in advance."

The sight of her, once more shying away from him and turning to escape from him, was making Spencer frustrated, with himself, to no end. His heart clenched at your apology, to which he shook his head vehemently. The thing is, he wanted to get ready to answer you, properly, just like he always had some trick up his sleeve or some funny or curious fact to blurt during the most random moments. Spencer was good at speaking, but only when the speech was already ingrained into his mind, something he had read or rehearsed before. Plus, he was sure your state of drunkenness would stop you from remembering that moment.

Spencer dashed to his door, barely stopping you. No, no, no, no, no... She can't leave. This might be my only chance. "You're not going anywhere."

"Excuse me?"

"Stay with me. I don't want you to go." He said, softly, slowly, looking straight into your eyes. It made you dizzy. Either that or the alcohol.

"No?"

"Y-you're drunk and I... I don't think it's safe for you to go by yourself and it's late and... and..." he trailed off, nervously, desperate to get you to stay.

"I'm not drunk."

"You're not fooling me. You might be as concise as ever but you're not sober. Stay."

"Promise... promise you won't be upset with me?"

His heart dropped, heavy with guilt. And with love for you. "I promise."

Spencer silently led you back to the couch, gingerly holding your hand. He felt dazzled, speechless, desperate, frustrated, all at once. But your touch was starting to ground him back to reality, where you were real, having confessed your feelings for him, and he was a mess, not even being able to say anything back. Without much thinking, he said, "You should stay over tonight."

"Okay... I'll take the couch."

"As if I'd let you sleep on the couch."

"It's okay."

"Stop... stop acting like I sent you away."

You kept silent. You felt like he did. Through his touch, he hoped to get you to understand that his feelings were a mess, but they existed, and they were real, and they were yours. "That'd be alright with me, you know. Taking your couch. I think I would sleep better on your floor than I would ever in my bed. To... to say that anything is better if you're somehow involved."

His stomach made a flip-flop. Brain short-circuited again. You yawned, as if you had just made an annoying comment on the weather.

"Are you tired?" He managed to mutter.

"I am."

"Come on. Let's get you to bed."

"No."

"What do you mean 'no'? I'm not letting you on the couch. Come on."

"I can't go to your bed with outside clothes." You booped his nose.

He chuckled lowly, confused a little by your words. "Are you seriously worried about clothes?"

"You don't like germs. That's why I removed my shoes."

Okay, he thought, if I manage to put her to sleep without having a heart attack, I definitely don't need a cardiologist's appointment because it would mean I'm that strong.

"Y-you... remembered?" Damn it, Reid. Stop stuttering.

You sighed, tiredly, and rested your head on his shoulder, looking down at his hand holding yours. "I remember everything about you."

"You do?"

"Yes. Fortunately or unfortunately."

Spencer was too stunned to speak. Too stunned, too dumb, too afraid. Damn it. Damn it. He couldn't stop cursing internally. He forced himself to pull you towards his bedroom and even though he still sensed some uncertainty, he kept going. Reaching for a pair of sweatpants and a big t-shirt, he gave those to you. "You can change into these," as he left the room to make you more comfortable.

"Wait!" You almost shrieked.

"What happened?" He prompted, worriedly, reaching a hand out to touch your arm.

"I don't want you to go."

He bit back a sigh. "I'll be just outside."

"Just... stay here?"

"I can't—" he interrupted himself, just turning around so his back was to you instead. At that, he looked up at his ceiling and prayed to any deity to let him survive that night.

He could hear the sounds of your movements. The zipper being undone, the soft ruffling of the fabric as you tugged your shirt up your head... He was imagining your exposed skin, every perfect inch, how would you look without all those clothes that suited you so nicely, how would it be to touch you, to run his fingertips all over your heated skin, how would it be to kiss every freckle on your body, to—"Done."

Turning around, the sight was adorable, which made him somewhat guilty of his early impure thoughts. "I feel like Alice when she shrunk into a tiny human."

He couldn't fight the smile at your words. He led you to his bed, where you laid on your back on top of the covers, staring at the ceiling. Spencer left you briefly to get you a glass of water and some painkillers to leave by the bedside table. You thanked him with a silent glance. As he turned to leave, once again, you said in a small voice, almost phrasing it like a question, too afraid of the answer. "Stay."

"I'll take the couch."

"You asked me to stay, thrice, I guess… And I did. I asked you once and you did. I still have a few requests left. I'm keeping tabs."

He relented, laying next to you and placing a pillow between you two. You breathed out a chuckle and he shook his head, clearly knowing where your mind had gone to. He placed his hand on top of the pillow, offering his comfort, and then you tentatively placed yours on top of his. He grinned to himself.

It was hard for him to wrap his head around what had happened that night. He knew his words — or lack of — could be read the wrong way and you possibly did, but he also hoped that his actions were speaking louder. Just as he was getting lost in thought again, he heard your voice once more.

"Spence?"

That damned nickname.

"Thanks for, um, being so respectful. Not that I don't think you'd be. But, um, as you've said, I'm drunk. And I told you I love you. And you're simply holding my hand." He gulped. He was keeping count, too, of how many times you said you loved him. Twice, so far, but he wanted so much more, endlessly. He wanted to lose track. "I guess... that makes me love you even more," you finished, crushing his heart between your palms, voice thick with sleep.

When he finally turned his head to look at you, your eyes were closed and you looked peaceful, drifting off to sleep. Then, when he was sure you were actually asleep, he stood up from his bed, grabbing a pillow and a spare blanket to lay on the floor.

"I'll gladly sleep on my floor if it means I get to have you around, too..."

—

Spencer didn't get any sleep.

He tossed and turned on the floor all night long, both because his carpet was not the most comfortable spot to sleep on, but also and mostly because there was no way in hell his mind stopped working. All through the night, Spencer fought the urge to shake you awake to ask if this was real, if you really loved him, if the words that slipped through your lips were in fact your feelings towards him. Despite his curiosity and eagerness, he let you sleep, figuring that he had already put you through too much already. As you slept, a movie played on his mind: your moments together, your confession of love, and overthinking the words we are not something. We are not a thing. He feared that you would wake up and realize how badly he had screwed up and decide not to want him anymore. Yes, he was that anxious.

You, on the other hand, even though confused by his lack of answer to your heart’s words, felt lighter than ever by speaking out your truth (the booze did help you a lot, though). Being as analytical as you were had its perks. One of them is that you never let yourself suffer too much for too long, too attached to reality to care much about the rest. So what if he rejected you? Life goes on — and that’s what you thought with every other loser that you caught yourself thinking too much of. Spencer, though… Who were you kidding? Spencer was Spencer. And that meant the world… It wasn’t so bad, if he actually rejected you… you’d only have to face him every day, until the rest of your lives, doomed to work together, cursed to think and rethink all over again small, fleeting moments such as an exchange of longing glances.

(You felt strangely calm due to your touch with reality. Maybe, just maybe, you were hoping for the best based on his care with and for you. But boy, were you ready to give him a piece of your mind.)

As your eyes fluttered open, you stretched your limbs on an unfamiliar bed with too much space. Upon your confusion, the memories came back with full force. You jolted, sitting down, searching for him — and, to be honest, not wanting to find him. The house was deadly silent, so you tried to trick yourself that you were sure he wasn't there. You dashed to the bathroom, taking a quick shower to get rid of the shame and the faint reek of alcohol. As you moved around his stuff, you couldn't help but think that you were so familiar with his things that it was almost like you belonged there. Sigh. It turns out that hiding emotions is easier than feeling them, especially their extremes.

As soon as you finished putting on your own clothes, you stopped dead in your tracks as you heard footsteps outside the bedroom. You froze, not knowing what to say. Or do.

Spencer entered the room, holding a tray meticulously organized with some food on it. “Morning. I, um, made you breakfast.” Because of course he would make you fucking breakfast.

“Morning,” you replied awkwardly and hoarsely. Maybe you cried a little bit, who knows… “Thanks, you didn't have to.”

“I did.”

You take your time to get a good look at him. He had bags under his eyes that appeared to be tired. The sight made your heart drop. “I'm sorry…”

“Don't be.”

“But I was wrong.”

“So was I.”

“But—”

“Last night you said some things. Do you, uh, do you remember what you told me?” You nodded, unable to speak. “Do you remember what you told me?” He repeated, trying to get a verbal answer from you.

“Yes, Spencer. I remember.”

“Can you listen to what I have to say now?”

You nodded, weakly.

“I didn't say anything because… because everything had gone in the most opposite direction they could've gone.” He said, approaching you calmly. “I was up the entire night, hoping to find the right words to tell you that would make you believe me after I… was stupid. I… First, I'm sorry I made you feel that way. I know you said that we're nothing, that we weren't something, that we didn't have anything… but… but you're everything to me.” At that, your eyes finally met his. The intensity of your gaze made him shudder, but he kept going. “All the time we've spent together was nothing compared to what I want to have with you… and… and… God! Do you have any idea of the torture I was put through with you? Constantly thinking of what we could be, what we should be, too scared of your reaction or that—that—that Hotch decided to chop off my neck because he found out that I was crushing on his only daughter!”

At the mention of your dad, you burst out laughing. Seriously? That was such a cliché! “Hey! I'm serious!”

“I'm sorry…” You bit your bottom lip, fighting the urge to laugh at him some more. He was adorable.

“As I was saying,” he continued, trying to sound annoyed, but a hint of a smile threatened to break on his lips, and he didn't pull away when you approached him nor he did when you wrapped your arms around his waist, resting your chin on his chest, looking up at him, adoringly. He looked down, meeting your gaze, “I… I love you. I love you too. God, it just feels so good to say that!”

You giggled, again. God, he could never get used to that sound.

“And I’m sorry for being so mean to you when I was frustrated. I should have been more patient and my unthoughtful words hurt you.” You kept silent, remembering his words. “I—I’ll spend the rest of my life apologizing if you’ll have me.” He added, intimidated by your gaze.

Silence. “Well, I accept your apologies. I was unfair to you as well. And you know where I stand when it comes to you. My feelings, I mean.”

“I do… But…”

“But?”

“I'd like to hear you say it.”

“Say what?”

“That you love me?”

“I don't know. Do I, really?” You joked.

He blushed furiously, ready to stutter himself out of that situation. “No, I mean… you—you said that—that you remembered what you said last night and… so… putting two and two…”

Another giggle interrupted him. You traced his jawline, leaning up to kiss his right cheek. “I really, really love you.” A kiss to his left cheek. He chuckled. “I love you.” A kiss on the tip of his nose, to which he snorted, totally lovestruck. “So much.” A lingering, tender kiss to his forehead. He closed his eyes, already anticipating the next spot you would press your soft lips to.

As you made your way to finally kiss his lips, you decided to tease him and let him wait for a bit longer. Spencer groaned in protest and you chuckled a bit, finally deciding that it was enough. Pressing your lips to the corner of his mouth, making him sigh, you were thrilling on making him more and more eager. His grip on you tightened just slightly as he let out a shaky breath. You wanted to laugh, but instead, you poked fun at him. “Now you know what it's like to be teased.”

“I love you. Oh, Jesus… You're driving me insane. You're here… And you, you're you…”

You grinned, looking up at him, finally, finally pressing your lips to his. As you let out a small sigh, his breath hitched, both of you utterly drowning in relief and satisfaction. You pulled back a bit, grinning, going back to kissing him. Spencer's hands found your jawline, sliding back to tangle in your hair as he sucked your bottom lip into his mouth. Parting your lips slightly, you granted him full access to kiss you properly, and he moaned at the taste of you, gripping your hair rougher than before. You groaned softly, and he proudly heard and swallowed all your small sounds.

The ring of a phone broke the urgent atmosphere that was building between you two. Spencer ignored it, letting it ring until you pulled away, gasping for air. As you did, the noise stopped and you met his lost eyes, totally dumbstruck, and you laughed because you probably looked the same way. He gave you a charming, lopsided grin, too stupid, too hypnotized to say anything.

The phone began ringing again. “Son of a…!” he cursed, picking up the phone. “Hi, this is Dr. Spencer Reid and unless this is an absolute emergency, I'm kinda busy—”

“Reid.” Aaron Hotchner's firm voice hit Spencer like a bucket of cold water. Widening his eyes, he gulped.

“Yes… sir?” You smiled at that. Of course you knew who he was talking to.

“We have a new case.” Hotch announced.

“Oh… okay… I, um, I—I'll be there in 20.”

Silence.

“Is everything okay, Reid?” Hotchner could read anyone, Spencer was now sure of that. Even through the goddamned phone.

“Wh—yeah, yeah… Everything's… totally f—fine.” He cursed under his breath as you gripped his vest, trying not to laugh.

“Do you know where she is?” Hotch inquired after another moment of quietness.

“Who?” He squeaked. You chuckled silently.

“My daughter.” Of course it was his daughter.

Playing dumb is not a good look on you, you mouthed.

“N—no… I haven't… heard from her.”

“Sure.” Hotch said, skeptically. Spencer could feel the sweat on his forehead. After a moment, your father finished the call with an unreadable “We need to talk.”

Once the phone call ended, you burst out laughing at Spencer's reaction. “Not funny.” He protested, a frown on his face and a soft smile betraying his faux frustration.

“Come on, it is funny.”

He glared at you. “What do you think he wants to talk about?”

“I don't know. Men talk. I wouldn't want to get involved.” You said, grinning, pulling him by his vest.

He squeezed his eyes shut, relishing in the feeling of having you so close. “Do you think he knows?”

“Of course he knows.”

“How are you so collected?”

“Because I'm not the one he's going to scare to death, apparently.”

“He said ‘we’ need to talk. Emphasizing ‘we’. If he knows you’re here, then it probably—” you cut him off with a kiss.

“Well, then… Are you ready to face your biggest fear? The frightening Aaron Hotchner?”

Glancing at you adoringly, he chuckled. “I’d face him and whoever, whatever, a thousand times, if it meant that I could get you in the end.”

—

A couple days after the case, you and Spencer meet again, in your apartment. Sitting down on the couch, you ask him, amusedly, “Do you think he noticed?”

“Totally. I could barely look him in the eye for the first moments,” He said with a fond smile, hiding from you the fact that he had awkwardly and bravely spoken to your dad about your relationship. You laughed, placing your legs on the top of his legs. “I guess we should thank Lila, after all.” He joked, and you laughed out loud.

Leaning him closer to him, grabbing his chin and looking deep into his eyes, you muttered, “Don’t ever say her name again, Spence.”

Your wish was always his command. It would always be.

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