#✨Hermes✨ (and Jay) | Explore Tumblr posts and blogs

poppitron360 · 3 months ago

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@cometmoons so for some reason tumblr has glitched and isn’t letting me respond to the ask you sent me so I’m just gonna do it like this.

OK OK OK OK OK OK SO-

There is SO MUCH to talk about with Wouldn’t You Like. I feel like it’s hard to describe on a written post so I took the liberty of downloading a music notation app and transcribing the bits I wanted to talk about (This took me aaaages. But it was a really fun process and taught me a lot.)

Be warned this is a LONG post.

Firstly, here’s my overall take on the narrative of this song:

Odysseus is one of the smartest heroes of Greek Myth. He’s a mentee of Athena. He’s tactical. Yes, he is a fighter, but he’s for the most part a strategist and he uses diplomacy and cunning and his words to defeat his foes. Big Slytherin energy. Up until this point, that’s all he’s ever used. Eurylochus has doubted and challenged this approach, and has now come to him, saying that Circe is too powerful to defeat and that they should just run away. Odysseus “Pride is my fatal flaw” of Ithaca is insisting on fighting Circe, but is realising that he might not be able to talk his way out of it.

Hermes has now shown up like “hey ✨dAhLiNg✨how about you try something different? DRUGS!”, offering him a taste of something he’s never had before… power.

This, in my opinion, is a big step in Odysseus’ fall from man into monster, and Jay uses music in so many different ways to convey that, so let’s start with a break down of the song one section at a time:

Intro:

For most of the song, you’ve got the Lyre/Harp playing- Hemes’ signature instrument, which is significant to him because according to myth he invented the Lyre. This is the first thing we hear in the song, immediately setting up the things you need to identify his character.

Harps and Lyres are typically used in film and videogame music to give a mystical, magical atmosphere. I love how Jay blends modern (1980s) Synthpop with more classical, eclectic instruments that don’t normally fit the style. I’m assuming for budgeting reasons he’s using a VST or some kind of sample pack and not a real harp (session musicians are EXPENSIVE), but still- you hardly ever hear a harp in this kind of music but it WORKS.

The introduction played by the harp also lays out something that is shown throughout the whole song:

AEOLIAN MODE!!!!

Modes are hard to explain bc I barely understand them myself (I said music theory was my special interest, not that I was any good at it) but according to the Wikepedia article I’m reading about them right now, they were used a lot in ANCIENT GREECE. The Aeolian mode specifically was used a lot back then. The word “Aeolian” comes from… you guessed it- the Islands of Aeolus!!!

Aeolus, being the God of the wind- Aeolian mode is this mystical, free-flowing mode that simulates the feeling of wind.

You know when you hear a high wind through a telegraph pole you get this whistling sound? That’s basically a rudimentary, naturally occurring Aeolian Harp. There’s a whole Physics lecture about sound frequencies and microtones and shit in here that I am not yet qualified to give but this kind of stuff FASCINATES me about music.

I found this 60sec short that explains Aeolian mode really well from a channel I really like: https://youtu.be/bJ6TRQ3k45Q?si=sksSz4xyf_96uMrp It’ll give a much more concise explanation than I could, but basically all you need to know is that the melodies are in this special scale.

Aeolian mode is the natural minor scale. It��s often used to feel spooky and mystical- perfect for a song like Wouldn’t You Like where this magical character is singing about a magical plant. It’s not the standard G minor scale, but something a little more twisted and not really something we’re used to hearing, giving it a mysterious quality.

This is established immediately by the harpline, and sets the entire tone of the song. We then hear his trademark giggle, and so in the first 3 seconds we know everything we need to know about who Hermes is and what he’s like.

Speaking of the giggle- I briefly mentioned Panning in my post about Scylla, and while I can’t discern any use of it just by listening, but I imagine Jay’s probably used a subtle amount of it to give the sense of Hermes flying overhead.

Panning is a thing done in audio production where you can choose how much of the sound is heard on the left or the right.

Verse 1 (“I must say”… etc.):

It’s very gentle at this point, the orchestration and vocalisation is calm and lilted. It’s very beautiful, although the minor tonality gives it a slightly uneasy feel. (Often the minor key is described as sounding “sad”, but that’s not always the case. This is a great example).

The harp melody is repetitive, giving a sense of persistence, this adds to the sense of unease. It also has elements of hip-hop, as a gentle beat comes in as the chorus starts.

Chorus 1:

Now the harp cuts out and you’ve got that synth bass-line coming in- the repetitive, insistent beats and this “four-on-the-floor” drum pattern where the bass drum (which sits on the floor) kicks on every beat (in a four-beat bar). This feeling of it almost pounding in your head on every thump.

The instrumentation is very stark, you’ve just got the vocalist, the bass, and the bass drum. This technique is used by Taylor Swift in both the songs “Look What You Made Me Do” and “Vigilante Shit”- this really makes you listen to the lyrics as there’s nothing distracting you. As this is the first time we’re hearing these words, it draws you into what he’s saying.

On the line “Wouldn’t you like to have some of the magic?”, the Lyre comes in, playing this repetitive line that goes up and down and up and down. It’s a repetitive, almost hypnotic sound.

Verse 2 (“She can turn you to an animal”… etc.):

This is when this bluesy piano comes in.

The piano is used a lot in different points of Epic- it’s an essential part of any musical orchestra pit or just a song in general, and crucial in every composers instrumentation arsenal (and was also the first instrument I ever learned to play and my first real taste of music, so it’s not like I’m biased or anything)- but it’s mostly associated with Athena as it’s her signature instrument. It’s a stretch, but my interpretation is that Hermes is trying to appeal to something familiar to Odysseus. So far the only God he’s interacted with at length is Athena, who taught him this idea of being strategic and tactical. Hermes is acknowledging that this is Odysseus’ main way of fighting, while also showing him that there could be something more to it.

The piano plays these low-octave chords in this syncopated rhythm, which adds a layer of intensity that you didn’t have in verse one. This continues into the second chorus.

Chorus 2:

The orchestration is much more intense, pulling the audience (and Odysseus) in.

I’m gonna talk a lot about the musical “language” that Jorge has established for the universe- bits of music theory he’s tied in with themes that don’t necessarily have the same connotations anywhere else, because I think it’s genius.

Jay has said that the mythical beings (Gods, monsters, Odysseus when he kills the suitors) are all able to summon non-diagetic backing vocalists to back them up. Interestingly, Hermes doesn’t use this the first time round, speaking to Ody on his level, and is now rising up and displaying the power he’s tempting him with.

This is when we first hear the backing vocalists. There’s now a group of voices, so there’s more people urging you to taste the flower. Musically speaking, the harmony moving in the same rhythm with the same words as the soloist creates a sense of movement, congruent with Ody’s temptation.

Here is where we get to how this harmony works. This is the section that will actually answer your question.

First of all, I also struggle with overstimulation so I totally get what you’re talking about. There’s a right way and a wrong way to do backing vocals, and I know from experience that writing harmonies as complex as this takes skill and practice.

I think that’s why music is so special to me. The sensory calm certain sounds and songs give me, the good kind of stimulation and the bad kind. It has always made me so curious as to why and how the choices made in music can impact a person psychologically, make the listener feel immersed in a story, inflict specific emotions.

This is what fascinates me about music theory. Yes, it should overwhelm you. Yes, it should sound wrong. But it doesn’t. It WORKS. And what’s so interesting to me is why.

Jorge describes it as “crunchy and punchy” which is honestly perfect.

He is of course, referring to dissonance.

I have been studying music most of my life, and pretty much every music teacher I’ve ever had describes dissonance as just “sounding smushy”. It’s actually “a lack of harmony among musical notes”, usually two notes next to each other played at the same time.

But why does this sound “crunchy” and not “smushy”?

The Melody remains modal, as it has done the entire song. This is our grounding, our “Home”, but the harmony does something different. It’s moving down and up, flowing like wind, like the sea. And it’s doing this chromatically- using notes from the G minor key instead of the Aeolian mode- which creates clashes. Also known as dissonance. Also known as “smushy”.

And this is where we break out the good ol’ notation! I transcribed this myself by ear, so it might not be perfect. I can sight read tablature but not sheet music, so if this is wildly off then I’m sorry. I find it easier to explain music through annotations, but in order to make this screenreader accessible, I’m just gonna cite the lyrics and explain it in the text underneath.

In this section, “Wouldn’t you like to have some of the magic? Wouldn’t you like your outcome preferred?” The melody pretty much remains on C this whole time, only changing at the end of each two-bar phrase. This gives a forceful, repetitive, driving feeling. Hermes is being very persistent here.

For the first two-bar phrase- “Wouldn’t you like to have some of the magic”- both harmonies are the same. They then split at “Wouldn’t you like your outcome preferred?”

“Wouldn’t you”- The harmony starts on G, which is the root of G minor (the key that we are in). This is diatonic (using the notes from the key)- so it sounds nice, not “smushy”.

“Like to”- We then go down to F sharp, which is dissonant to the Aeolian mode, even though it’s the major 7th of G minor. This is why it sounds “smushy”

“Have some of the”- And here is where the “crunchiness” kicks in. It’s resolving down to the flattened 7th, which is F natural. The flattened 7th is the modal note.

“Magic”- The first two-bar phrase ends in E natural, which is dissonant to the mode. The melody also ends in D, which provides a lot of dissonance with the E as they are right next to each other, which can create clashes.

“Wouldn’t you”- This is where the two harmonies split. Harmony 1 goes back to G, which is the root of the mode. Harmony 2 goes down to E flat, which is also consonant (not dissonant).

“Like your”- Harmony 2 goes down to D, which is dissonant with the note in the melody (C) because they are next to each other. Harmony 1 goes to F sharp, which is dissonant to the Aeolian mode, as said before.

“Outcome”- Harmony 1 resolves to an F, and Harmony 2 goes back to an E flat.

“Preferred”- The last two notes “smush” as F natural (Harmony 1) and E natural (Harmony 2) are a semitone apart, then both harmonies join at E natural, which clashes with the D in the melody.

So the pattern goes from “nice” to “smush” to “nice” to “smush” to “nice” to “smush” to “nice” to “even more smush” and then when the next part of the harmony starts “deep in the night” you resolve back to the G, which is the tonic note.

Why does the dissonance work in this song?

It’s passing. Going down by step and resolving to a modal note. Passing notes that resolve don’t have that smushyness. They crunch.

Dissonance is a funny thing. Often musicians stay away from it because it sounds muddy and awkward and not great, but it can at times sound quite sweet, and with skill and knowledge you can learn how to use it effectively.

It also works here because it fits with the aesthetic and Hermes’ character. We’re already in this spooky, mysterious mode. We’re in a minor key. And Jay is using all these other musical techniques to give a slightly uneasy, hypnotic feel. The dissonance feels strange- not the sweet, diatonic harmonies we’re used to hearing. This is what makes this song stand out, and what makes Hermes such an intriguing and appealing character.

There’s this “up and down” melodic pattern that occurs throughout the song in several places. While Harmony 2 is doing that, Harmony 1 is just going down, repeatedly. I find it interesting that Odysseus isn’t rising to this power, but falling to it. It hints at Hermes’ trickster nature. These musical motifs (harmony, the harpline, the synthline, etc.) go up and down and up and down and up and down like gentle waves. We’re on the ocean. It’s lulling, compelling, hypnotic. “Come hither” whispering in the ear. It’s creepy, to be honest, and shows a darker side of the song that I will talk about later.

Bridge (“Here in the root of this flower”…etc):

Jorge has talked about how this is one of his favourite bits to sing, and musically that makes perfect sense.

Firstly, you’ve gotta hand it to Troy Doherty’s amazing performance. Hermes is so expressive even without seeing him.

Quick note about vocal techniques- YOU CAN HEAR SMILES. The act of smiling changes the shape of your mouth and thus changes the quality of your voice. You can HEAR Troy break out into a smile on the line “Though it’s only for a moment, ‘til you’ve beaten your opponent”. This is also my theory as to why the line “Penelope Whyyyy, you know I’m too shyy” is so stuck in everyone’s mind. Try singing it without smiling and then try singing it while smiling. Do you think it would’ve been that catchy if Jay wasn’t such a cutie pie?

Smiling is contagious, even if you’re only subconsciously noticing it. Hearing a smile gives you that little hit of dopamine.

When we hit the bridge, the piano, bass, and backing vocals cut out. Again, it’s just drums, harp, and lead vocals. This signifies a new section of music and also does the same trick as before- drawing you into the vocalist- but this time making you focus on the melody instead of the lyrics.

This whole bit is solely in Aeolian mode. The downward motion of the bridge increases the intensity of the song, dragging you into his words, falling into the power of the root. It’s sort of a callback to the downward motion to the second harmony line.

The constant quaver rhythm of this rising and falling conjunct “stepwise” melody gives a spiralling feeling, leading downwards. The rhythm is almost conversational, which fits with a mode like Aeolian that flows like the wind. It’s also why it’s so catchy and fun to sing. I love how Jorge composes in this uncommon scale in this particular pattern to reflect this idea.

There’s also one particular detail about the rhythm of this riff that compositionally shows something even deeper:

THIS IS IN TRIPLETS.

DO YOU KNOW WHAT TRIPLETS SYMBOLISE IN EPIC???

RUTHLESSNESS.

Ruthlessness is usually a theme reserved for Poseidon, Act 1 Athena, and Act 2 Odysseus. You wouldn’t expect a “friendly” God like Hermes to be using it. But he is. He’s being persistent, constant. He is trying every trick in his bag to persuade Ody to take the flower.

Jay is VERY deliberate about his arrangements and his composition, so this is not a coincidence. He has established this “language” of musical voices, rhythmical voices, and motivic voices to symbolise all his characters and themes. It’s fascinating to me that he made this choice for Hermes. Ever so subtly hinting that the God might not be as benevolent as he seems.

Chorus 3:

The instrumentation of this new chorus is pretty similar to Chorus 2, except…

These DRUMS.

I asked my dad about these while I was staying with my parents over the Xmas holidays, and it resulted in a 5-minuite-long infodump about a specific type of drum used in 80s pop music (yeah I totally definitely don’t see the family resemblance at all /sarcasm). Any Brit in the audience might recognise this drum sound as sounding almost identical the intro to a show called East Enders (which I never watched, but was aware of) and idk if that was Jay’s intention, but the drums apparently have a long and complicated history, which I will give you the abbreviated version. (If this is too much information you can skip the next paragraph if you so wish, I realise this can be overwhelming)

Bass drum called the Simmons’ drum- electronic drum pad- famous for being hexagonal- they were radical in that they gave an electronic palette to modern dummers- they weren’t well-built and the very earliest ones were made from the same composite materials as police riot gear- caused repetitive strain injury that became known by session drummers as “Simmon’s wrist” because it was a bit like using your drumsticks on concrete (What’s that? You don’t think music is as intense as sport? Musicians get injured just as much as footballers do)- the sound is one of the most distinctive sounds in 80s music and entirely synthetic, generated through synthesis so some poor technician had to sit and programme a synthesiser to sound like a tom-tom- in the 90s and early 00s it was seen as cheap and over-the-top but is now looked on with a sense of love and nostalgia.

This is, of course, a sample of the Simmon’s drum as I doubt Jorge owns a real one.

So what does that do for Hermes? It grounds the song it its 80s retro aesthetic, creating Hermes’ unique stylistic voice. Jorge has described how he got the idea for Hermes’ sound when he saw a retro, multi-coloured lamp that made him think of 80s music. Each character in Epic has their own soundscape, and this very particular drum sound adds to it.

It also adds intensity to this final chorus. These loud, heavy drum sounds give that adrenaline rush that the previous verses and choruses have been building to, when Odysseus finally takes the flower.

Then we get Odysseus singing the “oOOOooOoOOhHHHhs” as he eats the holy moly, then the chorus ends, and we get a repeat of the harpline from the intro as he thanks Hermes for the help.

My conclusion:

Odysseus has made a Faustian pact with Hermes, the trickster god. While Hermes’s words are friendly with no ill-intent, the composition and orchestration lean more towards this idea of “making a deal with the devil”. Gods know the game, and how it’s played. You, mere mortal, do not. When they entreat mortals to do their bidding will offer riches, money, fame, success, magic, power, but very rarely are their motives sound.

This is Odysseus’ first taste of the magic that separates gods and monsters from mortals. He is able to fight Circe as an equal, and this new development teaches him that he doesn’t always have to be strategic and diplomatic, but ruthless and relentless as well.

I know that the fandom see Troy Doherty’s performance of Hermes as “omg babygirl so slayyyy!!!” But there’s actually a deeper level to what he’s doing here. He’s a trickster God, tempting and teasing Odysseus down a path of magic and power- giving him the first taste of something that will later drive him into becoming the Monster. Hermes is almost seducing him to the dark side, using rhetorical questions, waving the Holy Moly in front of his face and saying “Come on. You know you want it. Wouldn’t you like a taste of the power? Wouldn’t you like to be victorious for once?” In his lyrics describing a “taste” of the power being something almost like a temptation. Odysseus is breaking from his norm- using magic and might instead of logic, diplomacy and reasoning. While he’s doing it to save his men, this is a major step in his descent into monsterhood, and it’s fascinating how Jay does this not only lyrically, but musically as well, using what’s called “word painting” (music and words working together) to create the sense of hypnotism and manipulation.

Hermes is being:

Ruthless (triplets),

Ceaseless (repetition),

Persuasive (rhetorical questions),

And hypnotic (lilting, lulling melody).

He’s drawing you in, forcing you to listen to him (stark instrumentation focusing on the vocals, then increasing the instrumentation as the intensity progressively increases, culminating in this big, expressive final chorus with this pwerful drum sound)

Overall Jorge uses all these techniques to show Hermes manipulating Odysseus into taking the flower. By subconsciously making you feel the temptation that Ody- the Narrator- is feeling through music and orchestration.

So anyway, those are my thoughts on “Wouldn’t you like”. I didn’t even have time to talk about “Dangerous”- perhaps I’ll make a separate post about that but no promises. Thank you so much for reading if you made it to the end!

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daughterofthemuse · 4 months ago

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Jay yaps abt the 'Vengeance Saga'

youtube

Loved this video, and I have some thoughts!

Jay says Διάκτορος (Messenger) is his favorite of the characters

I thought that a fight would start between the gods

In the comments, this happened:

terry.oficial "Hermes is my favorite character in epic" Meanwhile Hermes (Troy) with a gun pointed to Jay "say I'm your favorite" Fantasy_idaatje After: WELL DONE ✨DAWLING✨

Jay said he likes Δωτορ Εαων (Giver of Good Gifts) because "he's one of, if not the only character that shows up and just helps. both times."

And, well, fair

#musesdaughter speaks #epic the musical #epic #jorge rivera herrans #epic the vengeance saga #vengeance saga #hermes epic #Youtube

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unsightlymuse · 1 year ago

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Hermes: “Higher, Jay, ✨higher✨”

Jay: “Hermes, can we stop? My arms are tired.”

Hermes: “Would you like me to ✨tear them off✨”

Jay: “…No!”

Hermes: “Well then, stop crying, ✨you daffodil✨, and push!”

*slightly unhinged giggle*

Hermes: “I ✨love✨ the park!”

#epic the musical #jorge rivera herrans #troy doherty #the odyssey #odyssey #the circe saga #greek mythology #odysseus #hermes #✨Hermes✨ (and Jay)#THESE TWO #Holy Moly #hermes making drug jokes #HIGHjinks #Wouldn’t You Like #my overuse of sparkles #✨✨✨#hermes is fabulous #jay is so done

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deaths-chosen-one · 4 months ago

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Thanks?

I have a question and I feel like your the only one who can answer it

@deaths-chosen-one

Go ahead

#you know Hermes and jay series?#it's that but with ✨ Henry ✨ and Hephaestus

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spineless-lobster · 6 months ago

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MY THOUGHTS ON THE VENGEANCE SAGA HOLY SHIT!!!!!!

(Spoilers under cut)

Okay I took like half an hour to yell about this with my brother so I have a few thoughts in order here we go!

1. Not Sorry for Loving You

First of all this song is absolute bop like calypso they can never make me like you BUT they can make me like your song.

“I’m angry and tired and restless and sad” honestly me too girl welcome to the club (also the flow in this verse is crazzyyy)

Odysseus is a braver man than I if I was him I could never tell her I love you in any capacity lmao

The ending is 😭👌

2. Dangerous

LETS FUCKING GO I’VE BEEN WAITING SO LONG FOR THIS!!!!

“Six hundred deaths under my command” okay that’s just fowl you can’t say that

The acoustic guitar in the beginning is amazing actually

NO BECAUSE WHEN HE SAID “Cause I had one goal in mind” AND WE HEAR THE SILENCE WHERE THE CREW USED TO BE????? THAT SHIT BROKE ME DUDE!!!!!

HERMES WITH THE AEOLUS LYRICS/MOTIF/WHATEVER THE WORD IS I SEE YOU GIRL I AM A BIG FAN!!!!!!

Everyone who was like “aeolus and hermes would be besties” YOU WERE ALL RIGHT!!!!!

GROOVY!!!!!!!!! TIME TO FUCKING GROOVE BABEYYYYY!!!!!! ✨✨✨✨

“Wash it away like the blood your hands have known” that is such a raw line to come from such a funky character hermes girl you did NOT have to read him like that

WELL IT’S A LITTLE BIT ✨DANGEROUS✨ MY FRIEND!~

Windbag ex machina

To quote my brother: “the windbag is such a broken item” 😭

HERMES X WINIONS LETS GOOOOOOOO

SING IT ODY!!!!!! YOU’RE GONNA USE RUTHLESSNESS BABE!!!!!!

“Don’t thank me, friend, I’m not the one that fought for you” AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAthena

3. Charybdis

This one is another banger!!!!

The ody monologue as he is talking to charybdis is really cool actually

OHHHHH BRING IT ON!!!!!!!!

“My love” what if I just died violently

Ohhh fuck here we go lads

That “NOOOOO!!!!!!” is so fucking visceral oh my GOD when jay said voice acting he MEANT Voice Acting

4. Get in the Water

The erratic piano!!!!!!! That’s so cool!!!!!

Ohhhhh fuck wet hades is here

The way he says “get in the water” is so cold. It’s like You Don’t Have An Option. Get in the fucking water.

“I’ll take your son and gouge his eyes” okay I know we were cheering on ody when he was doing it to your son mr poseidon but have you considered that telemachus has never done anything wrong in his life ever?

Poseidon: I’m going to fucking kill you and your gay little island

Odysseus: have you considered greeting the world with open arms?

Lads how many fucking years has it been I don’t think ody knows how to count

THE EDITING OF STEVEN’S VOICE HERE AAAUUUUGGGGGHHHHH ITS SOOOO GOOOOD!!!!!

I KNEW IT!!!!! I FUCKING CALLED IT!!!!! I KNEW POLITES WOULD COME BACK I KNEW EURYLOCHUS WOULD COME BACK I KNEW WE’D HEAR THE CREW!!!! (Tbh I should’ve expected anticlea but ssshhhh) AAAAAAAAAHHHHHHHHH I FUCKING LOST MY MIND HERE!!!!!!

I see you draw your final breath~

Okay but literally in this moment I think this is where we see everyone forgive odysseus. Whether they lost their lives to mistakes like with polyphemus or a conscious decision like with zeus. Here we see everyone odysseus has loved who has passed away stand by him, telling him that they’re waiting and ready to greet him with (pardon me) open arms in the underworld.

ALSO I JUST NOTICED THAT POLITES SAYS “we can tell you’re getting nervous” not “I” and THAT’S how I know ody died (or at least was on the edge of death) for a few seconds in that moment and interacted with the shades of everyone

5. Six Hundred Strike

Oh my god oh my god oh my god oh my god oh my god oh my god oh my FUCKING god

I said this song would break me and I was fucking right

ODYSSEUS HAS THE POWER OF FRIENDSHIP ON HIS SIDE MOTHERFUCKERSSSSSS

THE INSTRUMENTAL GOES CRAZY!!!!! THE METAL FUCKS SO HARD!!!! THE ELECTRIC GUITAR!!!!!!

Bro the hades soundtrack called they said they want their fucking music back

The deliver of “MY WIFE!!!” DUDDDEEEEEEEE

Literally if you don’t get yourself someone like odysseus don’t even try to get anyone else never settle for less okay the gods created men and then sent odysseus as an apology

STORM MOTIF!!!!!

FULL SPEED AHEAD TUNE!!!!!!!

Poseidon: fuck you

Odysseus: whatever, go my six hundred strike

“You’re going to call off that storm.” The amount of BALLS this man has HOW DOES HE WALK AROUND WITH THOSE

Odysseus said “if I can’t kill you I guess I’ll torture you forever” literally that’s my favourite war criminal

ODY’S MONOLOGUE AS HE’S STABBING POSEIDON HOLY FUCKING SHIT THIS IS THE RAWEST SHIT EVER!!!!!

Literally the animation for this was so good it felt illegal to watch like is this allowed???? Can I stomach this??? This is the most fucked up thing I’ve ever seen????? In a good way????

“I’m still the same” in keep your friend close vs. “Look what you turned me into” in six hundred strike <3333

“Look what we’ve become.” It’s reminding me of how ody and scylla harmonized “we are the same you and I” godddd he truly has become the monster rawr rawr rawr

The way poseidon says “NOO” and “STOP!!!” is so crazy actually

POSEIDON SINGING MONSTER WHAT IF I JUST FUCKING DIED ON THE FLOOR!!!!!

“After everything you’ve done. How will you sleep at night?”

“Next to my wife.”

LITERALLY I SCREAMED INTO MY FUCKING PILLOW WHEN HE SAID THAT!!!!!! THAT IS THE COLDEST MOST RUTHLESS FUCKING LINE EVER HOLY FUCK ODY I THINK YOU ACTUALLY JUST FUCKING KILLED HIM!!!!!! THERE IS NO COMING BACK FROM A LINE LIKE THAT!!!!! LITERALLY THE BEST WAY TO END THIS SAGA!!!!!!!

Closing thoughts

JAY WHEN I FUCKING CATCH YOU JAY!!!!!!

When he said vengeance saga he meant Vengeance with a capital V

Bro all I’m saying is that if I was penelope and I heard all of this go down… let’s just say telemachus would no longer be an only child

Also! In the midst of my boisterous reaction I uhhhhh broke my vengeance saga bracelet so I’m gonna have to fix that eventually

Uh… yeah… I’m gonna go like….. lay down for a bit or something…

#bro holy fuck #I am in shambles #no one talk to me ever again actually #wake me up when the ithaca saga releases #epic the musical #epic the vengeance saga #epic the musical spoilers #the vengeance saga #jorge rivera herrans #the man that you are

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madrone33 · 6 months ago

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I have been CHILLING this week post-Vengeance saga release! I managed to avoid debilitating stress and anxiety from the onslaught of fan stuff by simply avoiding all social media for the first two days, so it's been good!

However, I am now BACK, dumping my immediate reaction of the saga from a week ago. I thought I was ready. I was not ready. 600 Strike blew my mind. I was left staring blankly at my ceiling. Jorge please rest sometime, I'm begging you. The amount of talent beaming through my screen is exhausting even me.

Also, to every cast member and collaborator and behind the scenes person: y'all are amazing. Like seriously. I hope you all get a yummy drink and a cozy blanket and just. Bask in the satisfaction of a job well done. Hats off to y'all fr.

Anyways! I keysmashed the following at around midnight, 14 hours before the livestream ('cause australia is the superior timezone /j). Be warned there's LOTS of swearing 'cause sleep deprivation + incoherent excitement lol

AHHH IT'S GO TIME

Ok it's starting the same as the Goodspeed festival showed. Tho, the first lead in sound thing reminds me of Lucids.

Gorgeous vocals. Hate Calypso, love Wangui fr

"Let me speak!" She really doesn't care about his feelings huh. I noticed in LIP as well, she always makes it about her, which is absolutely in character.

Those ensemble harmonies tho!!

"... You do?" Girl you literally told him to lie smh

"Why in the world won't you love me too?" 'Cause he has a WIFE

IT'S HERMES TIME

FSA melody? YO??

"Cause I had one goal in mind..." the silence where the crew's chorus would come in is PAINFUL

BAG?? HERMES!!

"Hello old friend!" Grinning so hard rn

"Well it's a little bit ✨dangerous✨" AHHH IT'S HAPPENING

Fingertapping and headbopping to this chorus

"Put your whole braiin in it!" I love how he says that sm

"And lastly the wind bag" NEW STUFF

WINIONS

Wow ok I did not expect the wind bag to show up again. Tho it makes sense; this is probs the storm that Ody told Sirenelope kept blocking the way home

ODY SINGING THE CHORUS!!!!

RUTHLESSNESS MENTION

"Hermes! Thank you" AHHH THE CALLBACK! He sounds so tired and like down to his bones grateful this time 🥺

"I'm not the one who fought for you!" MY EYES WIDENED SO FAR. WE ALMOST GOT AN ATHENA NAMEDROP. I'll settle for the reference to her

Okeee. Charybdis!!

Oooh it's just like in the reference vid. No lyrics for this start part!

The 5/4 is amazing. And the electric guitar!!

God this song is SO BADASS

LETS GOOOO ODY!!!

ahhh I KNEW there'd be some sort of soft KYFC esque "I can't wait to make some new memories" type verse AND I WAS RIGHT

he sees ithaca!! Oh god poseidon's gonna show up isn't he

my heart's beating so fast i'm scared

PENELOPEEE

the ELECTRONIC DISTORTION OH NO IT'S HIM

RIGHT INTO GET IN THE WATER AHHH

"Coward" AHHHH I CAN'T BELIEVE WE'RE FINALY HEARING THIS FOR REAL

"That's when our paths collide!" THE RASP

"Now get in the water" Oh shiiiit here we go

the choir is so eerie

"GET IN THE WATER" THE GROWL

"aren't you tired poseidon" ooh it's this part!!

ha he changed it to ten years instead of eight like the demo had XD

"maybe you can learn to forgive" the line from that one snippet!

"No" oop

"DIE" DAMN that deep echo!!

*underwater sounds* oh shit ody's fucking dying

NO! FUCKING POLITES

EURY

ANTICLEA

FUCK YOU JORGE

THE CREW

WAITING??? EXCUSE ME WTF

AHHHHHH WHY TF DOES JAY LOVE HURTING US SO

HUH? HUH??? WHAT WAS THAT! AND THERE'S A FUCKING AD. Probs good, I need the break but WAHT. I KNEW he'd do another fucking polites reference gods damnit jorge WHEN I CATCH YOU

Ok time to hear 600 strike. Holy shit we're here

ELECTRIC GUITAR LETS GOOO

Aeolus theme. IS HE GONNA OPEN THE WIND BAG AGAIN??

600 MEN MOTIF HOLY SHIT

ANIME SCREAM

HOly shit there's magic sounds happening. I'm really curious about whatever Jorge's cooking up for the animatic in the livestream, 'cause I have no clue what's happening rn 👀

"For every comrade!" FSA melody!

"all those _ who were slaughtered by your hand" hmm I can't quite hear what he's saying there?

wait wait wait he's ACTUALLY using the power of his 600 men!!

"You idiot" damn lol

DIFFERENT BEAST ODY HOLY SHIT

is that a blade sound effect?

WAIT DID HE JUST STAB HIM WITH HIS OWN TRIDENT

HOLY SHIT ODY

HOLY FUCK

POP OFF ODY

OMG "MONSTER" AND THEN "RUTHLESSNESS"

BRO HE'S BEGGING??

*trident drops* hot damn ody

"Next to my wife." OHHHHHHH MIC DROP

Holy FUCK that was crazy

I'm gonna listen to it again.

Ok but holy shit Odysseus literally just tortured a god until he gave in?? Daym ody

Tho I like how he tries using open arms first, and then ruthlessness. He's kinda found a balance? I say kinda, 'cause he went hard on the ruthlessness, but since he sincerely tried to ask Poseidon to just drop the whole thing already, his later actions in 600 Strike feel more warranted.

I honestly don't know how Jorge keeps doing it. He just keeps topping himself! Like! Thunder Bringer? And then God Games?? And now Six Hundred Strike??? They just keep getting better! Banger after banger, like!! How.

Wait I just wanna. Sit with it. Imma lie down and stare at the ceiling for a bit, aight?

... I am shooketh.

But BRO THAT WAS INSANE! ODY FUCKED HIM UPPP

AMAZING BRAVO EXTRODINARY INCREDIBLE SHOWSTOPPING GORGEOUS WONDERFUL HOW DARE YOU

#long post #my posts #epic the musical #epic the vengeance saga #immediate reaction #jorge rivera herrans #pay for my therapy

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