#☆ arc ┊ season one.

[popuplee]

the thing that drives me sooo crazy about the jinx/isha/cait/vi confrontation is that for vi, it was a lose-lose situation. either caitlyn misses & accidentally hits isha (child witnesses enforcer violence), or caitlyn kills jinx in front of a child who cares for her (child STILL witnesses enforcer violence). Either situation parallels vi’s own past trauma. In that moment, it wasnt about jinx (at least not entirely). It was about vi’s catalyst for violent change about to be recreated and forced upon this child. Caitlyn said she understood how vi felt seeing her parents die, but demonstrated in this moment that she doesnt and literally CANT. caitlyn has never been on the other side or enforcer violence. the child didnt even compute to her—isha was just an obstacle to be avoided, not a person that will carry this experience forever. But vi’s been on the wrong end of a gun. She understood that no matter what, no matter who got hit, if she allowed caitlyn to shoot, vi would be recreating her own trauma. And THATS why she stopped cait

[dyleeart]

How s4ep11 should have ended

[deanlenzart]

a home youve outgrown, the fear that you havent changed at all. decided to overpaint the original piece from 2021 and add juno to the scene. felt only right, now that he has returned home

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[gabbyp09]

[russell-crowe]

S08E21: Holding On

[consultingfujoshi]

some thoughts wrt the two established "romances" in severance so far (burt/irving and helly/mark) inspired by @figmentof who pointed out how irving had to find out mark and helly kissed from the corporate video in s2 e1 and how he must have felt seeing his co-workers' love affair like portrayed like that, and how it ties into the queer narrative at play here which uses workplace dynamics and policies as very clear analogues for real-life prejudice against queer couples. I mean, just look at this:

it's not just documented, but celebrated. used as propaganda for how the conditions on the severance floor have improved. proof that the severed workers are happy. and how even though he is unaware of the sociopolitical meaning of all this, lumon is very not-subtly telling him that what he had with burt is inherently lower and less valuable than this.

irving doesn't even know homophobia exists and yet he is still affected by it, it still seeps into every corner of the way his and burt's romance progresses. burt is positioned as an unacceptable love interest from the jump. irv is actively discouraged at every turn from pursuing it. their friendship is viewed with disgust and apprehension from their coworkers. burt working in a different department that's hated by MDR. dylan himself not being homophobic in the sense he opposes their relationship because they're both men but his attempts to keep them apart still has a parallel sort of prejudice behind it and still ultimately has the same effect as if it WERE driven by homophobia. irving is made to feel perverse for wanting contact with burt. he's told this is for his own good.

and then, just as they manage to overcome that immediate resistance from their peers and escape to a place where they can explore this blossoming romance on their own terms, burt retires. for all it matters to irv, he's dead. and then irving is given the option to live the rest of his life with grief that will never heal, or kill himself too, because there is no reality where they get to be together. that's just the way things are. of course they wouldn't get to be together. he was unreasonable and childish for ever hoping that could happen. this is just the way it goes for innies. he's told to get ahold of himself and not make a scene.

but the thing is, the standards are not the same for all. a heterosexual romance gets upheld as the shining example of success and fulfilment for the severed employees, whilst a homosexual romance is ridiculed and invalidated, and written off as something that was simply never meant to be. and even more importantly to irving, a heterosexual romance is APPROVED OF by lumon, and by extension, by kier. irv held back from allowing himself to even call his and burt's relationship a romance, because his god had told him it was wrong, he followed the handbook, thinking this was what kier wanted, and then finding out after suffering the worst heartbreak imaginable because of it, that this WASN'T EVEN TRUE. it's simply just that someone like HIM doesn't get to have something like this. his love is not the kind of love god wants. he does not approve of irv's love. cynical and manipulative though that approval may be (even within the context of the corporate video, the helly/mark romance is only being celebrated to further the narrative that lumon care for their workers, but the point still remains that it was THEIR romance specifically used to suit this end), when your entire life has been in pursuit of that approval, it must be devastating to learn it was never on the cards for you.

he and burt even used the fact kier met and fell in love with his wife in the same circumstances as them to justify this to each other - and they were RIGHT, god does approve of falling in love with your coworkers - this simply just doesn't apply to them specifically. and if irving needed any more proof that he no longer has a place at lumon, that he's better off not existing at all than existing with this pain that cannot be remedied, pain that won't even be acknowledged for what it is, a symptom of a sickness which plagues the entire severance system, pain that he is simply expected to choke down and get over - this is that proof.

and that's the POINT. they're TELLING us that this is unjust, and there's a double standard. they're using the ways the innies experience romance and the difference in lumon's reaction (lumon being the collective of all the management we've seen, lumon as a singular entity) to burt/irving vs helly/mark to comment on how queer people are not afforded the same level of respect or validation IN REAL LIFE, for their attachments, their love, their pain, their suffering. it is NOT just incidental that irving's romance is with a man. it would not WORK if his love interest was a woman. the POINT is that they are both men and how that puts them at a disadvantage, even if they aren't aware of the prejudices of the outside world, even if they don't TECHNICALLY apply on the severance floor, there are very clear analogues which still end up oppressing them in equivalent ways that they would be suffering if this were a normal workplace in the outside world.

it genuinely sickens me to my stomach that even in a world so divorced from reality and the sensibilities of regular society, a queer couple is still made to suffer and feel inferior in a way that perfectly mirrors their real-life counterparts. how they will never, EVER be allowed to exist in a world where their love could thrive freely and uninhibited - they never get to taste the joy our world has to offer people like them, but they are still somehow subjected to all the pain it has to offer them regardless. it's such horrifically devastating writing. it makes my skin crawl. I can't stop thinking about it

[chrissiewatts]

SEX EDUCATION (2019-2023)  | 4.06

[elbdot]

I love you Arcane Jesus, can't wait for your resurrection EDIT: Also uhm. I guess I needed to clarify that this is a PAINTINg

[unknown-cold]

"Her mother was just the final nail in the coffin. She tried so hard to do things right, and all she got in return was pain and heartbreak"

Literally!! I can't believe people are saying Caitlyn is overreacting, her mom is dead you idiot!! What do you mean she's overreacting!? You people have never seen a character go through such stages of grief, despair, and devastation. Caitlyn has been through the worst experiences of her life because of Jinx's attempted murder, kidnapping, torture, and now the death of her mother. I mean, Caitlyn's personality change and her intense hatred for Jinx and loss herself are completely understandable.

Look how scared she is, we don't know what hell Caitlyn went through when Jinx kidnapped her, but that expression on her face says it all.

And let's not forget that Caitlyn in episode 1 refused the order to invade Zaun. Even after her mother's death she still didn't want to use violence, and we later saw that she would go there for only three goals.

And indeed she did, she attacked those gangs present in Zaun "Gangs that were hurting people and children in Zaun".

(And of course we shouldn't forget that she didn't suddenly change her mind, but rather because of the attack caused by Ambessa that made her reach this level of anger)

And now Ambessa will definitely play an important role in Caitlyn's character change by inciting her to seek revenge.

Ambessa manipulates everything and puts someone in power she can easily control

Another thing I found weird is how some people think in this ridiculous way to say that Caitlyn wants to kill the child or that Caitlyn wants to kill Vi. Are you really serious? Literally, you have never seen in any show or movie a character who is angry and loses control after that, don't you know when a person is angry they don't see it in front of them especially since she didn't want to make Jinx run away again, this was her chance to take revenge on the person who ruined her life completely (Caitlyn's actions are logical and her anger and sadness did not come from nothing or came from her mother's death only, but came from other things that were piling up on Cait which led to her explosion)

And as I was saying Caitlyn just wanted to kill Jinx, anger and sadness at that moment took over her. Jinx had NO mercy with Caitlyn, there is nothing that softens her actions.

And I hope you guys remember the true core of Caitlyn, she was trying to do what is good and she gets bombed, kidnapped, and her mom dead now.

[astronomodome]

I think it’s kind of crazy how Skizz’s arc in the life series is so integrally defined by his being a loyal soldier of the Red Army in third life, a position in which he felt comfortable and confident in his value to the server. The archetype he sees as the ideal team, one that not only protects each other but works for the wellbeing of the server, that template that he follows is the Red Army. Every season since, he falls into a leadership role whether he intends to or not, and every time he tries to recreate that formula with the team he leads. And here’s the thing: it never works.

In Last Life, team BEST’s first objective is to not only secure the enchanting table, but to make it free to use for everyone. Their goal here is to become the “heroes of the server” through this, and Skizz openly says that. However, any victories they achieve are plagued by the fact that… well… there never really was a team BEST. There’s a team BE and a team ST and they work together in theory, but as soon as there’s cracks in the foundation- a boogeyman here, an accidental death there, it falls apart (never all the way while Skizz is alive, but still). Skizz dies a lonely failure of a red life, wearing the initials of his team on his head and haunting them after he dies.

In Limited Life, he gets a chance to try again. Bdubs was the most obvious point of failure for BEST, so why not replace him with sweet and reliable Impulse? And yes, as a group, TIES works much better. Unfortunately, this season doesn’t go well for Skizz, and he’s in the weeds so to speak pretty much the whole time. But one of their crowning achievements- blowing up Bread Bridge- is rationalized by Skizz to his team as a heroic and charitable act. Another set of heroes. But not the strongest players out there. Skizz dies to keep it going just a little longer.

In Secret Life, he has the Heart Foundation, which differs a lot from what Skizz claimed it to be. On paper it’s three people, but in practice it’s just him and Tango (I love BigB but he really was not the most engaged with the group here). On paper Tango’s the leader, but Skizz can’t really keep from taking charge. Again, we get a charitable motive: using the heart-giving system for good (and profit, of course). And Skizz even has plans for when it goes south: they turn the heart’s smile upside-down and start killing. But even this plan fails; as in Last Life, people take advantage of the team’s kindness, and then the heart itself burns down before they get a chance to change it. Skizz dies trying and failing to right this wrong, even by proxy.

What makes this so so interesting is how formulaic it is. I don’t even mean that in a bad way. It’s fascinating how Skizz always, always falls into this pattern. Icarus reaches for the sun and, for his hubris, falls the same way every time. And Tango is there

[here-comes-the-moose]

Okay but imagine being Hunter during the Clone Wars Bad Batch arc (in my and some others’ headcanons at least)- you have this closed-off, bratty little brother who hates most clones, is constantly bitching and picking fights with the clones assigned to your mission, and did not care about this mission in the first place, and all of a sudden he’s imprinted like a duckling on this crazy ARC trooper who was cracking jokes and fighting after just being rescued from being a POW and asking you with big puppy eyes if you can keep him before you yourself trust said ARC trooper yet.

[ladyblack]

I loved his purple eyes so much...what a shame they changed them in the last arc.

[ultipoter]

Pokemon Legends Arceus fan comic, where Jirou has disappeared and Volo has complicated feelings about it. (And maybe figures out that there's a bit of a God in that little phone of Jirou's)

[aardvaark]

i’ve said already many times that The First David Job is one of my favourite episodes for sophie in Leverage, usually in reference to the scene with her, nate & sterling on the rooftop. BUT i also love that episode for her relationship with parker! when sophie says "what would parker do?" and follows the knowledge she’s learnt from parker, it’s a very good almost-end to their season one arc.

over the course of season one, sophie’s gone from saying the same thing as eliot about parker - "there’s something wrong with you" (pilot) - to acting as a maternal figure (feeling parker’s forehead in The Two Horse Job) and mentoring her (The Juror #6 Job). she’s started to get some insight into parker’s past (The Stork Job) and has a rather unique way of seeing parker, noticing the vulnerability and loneliness under her fairly spiky exterior. however, appreciating parker’s expertise is a different thing entirely. The First David Job makes it clear that sophie’s actually been listening to parker and that she trusts parker’s expertise!! sophie takes a very literal leap of faith off the building, lol.

it’s important to me because it shows sophie doesn’t simply pity parker, doesn’t write her off. she’s learnt to appreciate that parker is indeed a very competent, analytical, knowledgeable professional in her field. she sees that same passion for the craft (the craft of crime, yes lol) in parker that she experiences herself. and this all mirrors how sophie comes to appreciate and trust parker’s ability to talk to the mark in The White Rabbit Job towards the end of their whole-series arc. gah!! this First David scene, it’s a good moment. it’s a great moment!! and notably there’s a similar thing between nate and hardison there, likely between nate and parker as well since he’s masterminding this plan.

[thebadhalfofafandom]