#juno steel you will always be famous to me | Explore Tumblr posts and blogs

welcometothepenumbra · 5 years ago

Text

JUNO STEEL AND THE LONG WAY HOME (PART TWO)

SOUND: RAIN. TRAIN ARRIVES, CREAKS TO A STOP. DOOR CLANKS OPEN.

CONDUCTOR: Ah, good evening, Traveler. And welcome… to The Penumbra.

SOUND: DOOR CLANKS SHUT.

Take your seat, please, take your seat.

MUSIC: STARTS.

The junction lies ahead, so if you’ll allow me just a moment.

SOUND: TRAIN WHISTLE.

We are now passing through Hyperion City.

SOUND: TRAIN MOVING.

Our next stop?

SOUND: TRAIN BRAKES.

Juno Steel and the Long Way Home.

SOUND: DOOR CLANKS OPEN, RAIN.

ALL SOUNDS: FADE OUT.

***

SOUND: WATER DRIPPING, RIPPLING.

THEIA: (DISTANT, OVERLAPPING) Target located. Alerting central office. Exchanging map data. Sector is clear. Recharging. Recharging.

JUNO (NARRATOR): Here’s a lesson that never sticks, no matter how many times you learn it: even when you’re not around, the world keeps movin’ without you. Never feels that way. When you leave, you take a frozen version of the place with you in your head, and that feels real, but… then you get back and find the place is melting right in front of you.

SMALL FRY: (WHIMPERS, QUIET BARKS)

JUNO: Yep, I’m pretty wiped too, Small Fry. How ‘bout a snack break?

SOUND: SPLASH.

JUNO (NARRATOR): I remember these sewers as an escape, if you can believe it. When things got too rough topside I would lose myself down here, where things were simple. Where the monsters looked like monsters, big furry ones with long teeth and mean eyes. They were scary, but… that was part of the escape.

SMALL FRY: (IN BACKGROUND) (BARKS)

JUNO (NARRATOR): When you’re so young you think monsters are the scariest things out there… what could feel better than teaching the boogeyman to eat out of the palm of your hand?

SMALL FRY: (BARK!)

JUNO: Whatsamatter? You don’t like salmon chips?

SMALL FRY: (YIP!)

JUNO: Don’t tell me you’re picky.

SOUND: CRUNCHING, CHEWING.

(GARBLED, MOUTH FULL) Aw, man, these’ve got the freeze-dried soy dust and everything! You’re outta your mind, Small Fry.

SMALL FRY: (SNIFFS & SNORTS)

JUNO: Oh, what’s that? Now you want one?

SMALL FRY: (SNORTS)

JUNO: That’s what I thought. Take the bag, it’s yours.

SMALL FRY: (GRRRR)

JUNO: (SIGHS)

SOUND: CRUNCHING, CHEWING.

JUNO (NARRATOR): I wonder sometimes if having that escape as a kid felt a little too good. Like I’d go underground and feel like all the world’s horrors could be tamed, then, come back up and think that feeling should last forever. It felt like I could make it last forever if I tried. But, things change.

SMALL FRY: (BARK!)

SOUND: CREAKING.

JUNO: What’s the matter, Small Fry? You hear some… thing…?

THEIA: Target sighted.

JUNO: Damn it! Get in…

…that pipe, quickly! Hide under my coat!

SMALL FRY: (SNUFFLES)

THEIA: Target recognized. Target is—

JUNO: (OVER THE BELOW) Juno Steel, yeah.

THEIA: —Juno Steel. Directive: do no—

JUNO: (OVER THE ABOVE) Do no harm, Mayor O’Flaherty requests my presence, you can’t capture me nonviolently so I’m supposed to go there on my own, that it?

THEIA: (AFTER A PAUSE) This is your only—

JUNO: Right, thanks, almost forgot, this is my only warning. I’m workin’ on it now, but thanks for the reminder, bye!

THEIA: Farewell. Juno Steel.

SOUND: CREAKING FADES OUT.

JUNO: (QUIETLY) Going… going, aaaaaand gone. Psst!

Hey kid! Coast is clear!

SOUND: HEAVY CREAK.

Small Fry?

SOUND: SPLASHING.

…The hell is this?

SOUND: SPLASHING FOOTSTEPS.

Another room?

SMALL FRY: (SNORES)

JUNO: (GASPS)

SOUND: GUN COCKING.

…Oh.

JUNO (NARRATOR): The rabbit was asleep. Just… tuckered out.

Then I felt the exhaustion piling on me too, so I sat and let her nap awhile. And if I got some rest out of the bargain, so be it.

Small Fry had found a good hiding spot. The pipe I’d shoved her into led through a shattered wall, which opened up into another one of the sewer’s old chambers. Must have been a false start from some earlier construction job, walled-up so it’d just go away, but… that never kept anything hidden forever, did it?

The Theia bots were tearing this place apart, and soon one would find Small Fry. But even if they did clear out and we did get outta here, what the hell was I gonna do with her?

MUSIC: STARTS.

My name’s Juno Steel. I’m a private eye, and that means I’m supposed to reserve my blaster for whoever pays my bills. Money hasn’t mattered to me for years, but even so, it… was a rule, and rules are comfortable.

I keep feeling like I don’t know any of the rules anymore, but… I need ‘em. Because if you try to save every sorry soul who hops into your life…

…that might make you a hero, and… right now I’m not sure there’s anything worse.

MUSIC: ENDS. STARTS (FROM COMMS).

HAWK (FROM COMMS): Welcome back to Questions Unanswered: Where is Jack Takano? Tonight’s episode: Part 11 – “The Mask.”

Jack Takano was famously a very private man: until the end of his time at Northstar, he never kept a home address on file, or spoke to anyone about his friends and family outside the company. Even his face was private, as Founder and CEO of Northstar Miranda Fairbanks wrote:

FAIRBANKS ACTOR (FROM COMMS): It was known around the office that Jack daily wore makeup thick even by Hyperion’s standards… I once came into the office quite early to find that he had fallen asleep, drooling, onto his desk and hand. It was almost sweet… until he moved that hand and a layer of skin peeled off his face, only to reveal another, much paler skin beneath. Or so it seemed, until I saw the foundation smudges on the table. When I woke him, he covered his face, mumbled something about not looking decent, and ran off to reapply. A skin condition, he told me later. I never bought it. The difference between the skin beneath and the mask over it was so extreme that it seemed like there was another man under there, buried alive.

HAWK (FROM COMMS): But even a man with a hidden face can’t hide everything. Takano may not have left an explanation for his disappearance in his famous farewell note, but his coworkers did notice a change.

VEGA (FROM COMMS): Well, we all expected something was going to happen. Just not… something that extreme.

HAWK (FROM COMMS): What about his behavior seemed like the first sign, Dr. Vega?

VEGA (FROM COMMS): Isolation, first. Irritability, some days, although he’d always apologize soon after. But I think the first unquestionable sign for me was Andromeda 3.

HAWK (FROM COMMS): If you didn’t see Andromeda 3 at release, it’s unlikely you ever will: the film was panned so universally that Northstar established an Anti-Informations Department just to erase every copy they could find. Or as one reviewer put it:

VOICE 6 (FROM COMMS): Schlock and drivel. Its characterization is so flat it approaches concave. Its pacing makes death seem a fond alternative. And worst of all, it appears Takano has no idea what made Andromeda so compelling in the first place, and what remains are only echoes of the Turbo nonsense that nearly put Northstar into its early, and perhaps deserved, grave. Takano needs to get his head out of building tourist traps and back into telling stories, because this was clearly rushed.

HAWK (FROM COMMS): The only thing atypical of this review is its lenience: the reviewer gave Andromeda 3 the highest rating we could find. But that last sentiment, that the film was rushed, is repeated by nearly every review on record, despite the fact that it is completely untrue.

CHEN (FROM COMMS): I don’t think I ever saw Jack work harder on a project. Besides the park, obviously.

HAWK (FROM COMMS): That’s Jocelyn Chen, former Head of Animation at Northstar.

MUSIC: ENDS.

CHEN (FROM COMMS): I remember seeing pages of script and sketches of Andromeda 3 a few weeks before the first film came out, but he was never satisfied. It was just rewrite after rewrite with him.

HAWK (FROM COMMS): Was his process similar for Chainmail Warrior Andromeda or Sea of Sinners?

CHEN (FROM COMMS): Not at all. He had full storyboards for both ready when he first pitched the project, and he only had a month on those. But the third one… I don’t know. He kept talking about the responsibility, and… I tried to help, but, the pressure must’ve gotten to him.

HAWK (FROM COMMS): You came under fire for that film, too.

CHEN (FROM COMMS): I did.

I– I wasn’t mad at him for having writer’s block. I was mad at him for not listening earlier, for not giving us something, anyway. I had to steal his notes just so we could start work on time for a sloppy release, and… that was the only time I’ve ever heard him get angry.

HAWK (FROM COMMS): A recording of Takano’s tirade was leaked a few months after Andromeda 3’s release:

SOUND: BACKGROUND STATIC.

JACK (FROM COMMS): We are doing something important here. Am I the only one who sees that? Am I?!

CHEN (FROM COMMS): Jack, we have a deadline—

JACK (FROM COMMS): Damn the deadline! You’re exactly the problem, Jocelyn, focusing on the smallest issues when you should be solving the big ones, taking the solution now over the solution that works– DO NOT SPEAK while I am speaking!

No. Keep the damn notes. It’s too late already.

SOUND: STATIC FADES OUT.

HAWK (FROM COMMS): The company could have scrubbed this leak like they erased the film, had Takano himself not acknowledged it, in a press conference the day after it spread:

JACK (FROM COMMS): …I would like to apologize, of course. I’ve already apologized to Jocelyn, but, like it or not I’ve been thrust into the public eye; and as a result, my responsibility extends to each and every one of you.

SMALL FRY: (SNUFFLES & SNORTS)

JUNO: Mmm… quit it.

SOUND: WATER DRIPPING, BUBBLING.

JACK (FROM COMMS): Three years is not a very long time to grow old, and, yet I find that, compared to the early days of Andromeda, I feel precisely—

JUNO: (OVER THE BELOW) I said quit it!

JACK (FROM COMMS): (OVER THE ABOVE) —how I expected an old man must: very tired, and only slightly more wise.

SMALL FRY: (BARKS)

JACK (FROM COMMS): What strikes me as most beautiful about Andromeda is how she works not just on the world, but also on herself. Tirelessly. When Andromeda discovers that her magic chainmail is empowered by the suffering of others, she sees immediately how this might corrupt her… and she steels herself against it.

I see now the power I have in Northstar. And I see the heavy responsibility that power bestows upon me. We will use it for good, from here out. For Polaris.

SMALL FRY: (BARK!)

SOUND: SLAP.

JUNO: (OVER THE BELOW) Damn it, Rita, I’m taking a nap, you—!

SMALL FRY: (BARKS)

HAWK (FROM COMMS): (OVER THE ABOVE) Takano’s apology was very well received—

JUNO: …Oh.

HAWK (FROM COMMS): (OVER THE BELOW) —as Jocelyn Chen recalls.

JUNO: (OVER THE ABOVE) Small Fry. Right.

SMALL FRY: (GROWLS)

CHEN (FROM COMMS): (OVER THE BELOW) He could do that, apologize and have all forgiven—

JUNO: (OVER THE ABOVE) What’s the matter, kid, you hungry?

SMALL FRY: (BARKS)

JUNO: What the hell? Get off me!

CHEN (FROM COMMS): —really forgiven. You could always tell he meant it, that it really had eaten him up inside. He—

SMALL FRY: (BARKS)

SOUND: CLICK, COMMS CUTS OFF.

JUNO: The hell?

Did you… take my comms? Out of my ear?

SMALL FRY: (BARKS, GROWLS)

JUNO: Don’t eat it!

Well, looks like we’re awake now, doesn’t it? Here, come close. You just put it up to your ear like this, and—

SOUND: FEEDBACK SCREECH.

JUNO & SMALL FRY: (PAINED YELLS)

JUNO: God dammit, what did you do?

SMALL FRY: (WHIMPERING)

JUNO: You know how long it took me to figure that thing out? Now look, it’s wet and it stinks and I can’t even listen to it and I don’t know where anybody is or what the hell I’m gonna do to keep you safe and—

SOUND: PLOP, SPLASH.

There. It’s trash now. Just like this whole stupid idea. Whatever.

SOUND: SPLASHES. DISTANT FEEDBACK.

SMALL FRY: (BARK!)

JUNO: I told you, the comms is broken.

SOUND: FEEDBACK STOPS. ELECTRONIC SCROLLING.

JUNO: You’re just gonna hurt yourself. Make it explode or something.

SMALL FRY: (GROWLS)

SOUND: BEEPS.

JUNO: Damn it, don’t you listen?

SOUND: ALARM BEEPS.

It’s busted. See?

SOUND: JINGLE (FROM COMMS).

VOICE 7 (FROM COMMS): Welcome to your comms. Please enter your name.

JUNO: Wait, what?

SMALL FRY: (GROWLS)

JUNO: You… there’s no way you know how to use this. You can’t.

SMALL FRY: (YIPS)

JUNO: Alright, take it.

SMALL FRY: (RRRRR!)

SOUND: BEEPS.

JUNO: No. Way.

SMALL FRY: (GRRRS, YIP!)

SOUND: LOUD JINGLE (FROM COMMS).

VOICE 7 (FROM COMMS): (VERY LOUD) Bienvenue à votre comms.

JUNO: (HISS OF PAIN) Nevermind! (SIGHS)

SMALL FRY: (BARK!)

JUNO: But… you did have it for a second.

SOUND: BEEPS.

SMALL FRY: (SNUFFLE, GROWLS)

JUNO: No, no, I’m gonna try this time.

SMALL FRY: (BARK!)

JUNO: And, uh… thanks, Small Fry. I needed that.

SMALL FRY: (BARK!)

JUNO (NARRATOR): While I messed with that comms I couldn’t stop thinkin’ about Rita. She’d been telling me what Small Fry just had for years – that I didn’t need her to set everything up, that I wasn’t even trying, and… I’d yell at her that I got it, but I was just busy. And then sit alone, like an idiot, while she set up my comms, my monitor, everything.

Ma never let us have that stuff. And then I just got too proud to admit I didn’t get it, and… I got better and better at asking other people to work around me, I guess. Anyway, I… had the thing up and running again soon.

SOUND: BLIP.

JACKET (FROM COMMS): We may look backward only to ensure we have not walked this path before.

JUNO: Yeah, thanks, big guy.

SMALL FRY: (BARK!)

JUNO: Just… give me one more minute.

JUNO (NARRATOR): Maybe I’d gone mad with power, but… I had an idea, and I was hungry for another win. I knew the comms could get on the net, and I knew the sewer system’s layout was a public document. The rest was just guesswork. Learning and mistakes.

SOUND: ERROR BEEP.

JUNO: (GROWLS)

SOUND: ERROR BEEP.

Aghhhh!

SMALL FRY: (BARKS)

JUNO (NARRATOR): …a whole lot of mistakes. But, still.

It took me an hour to do what Rita could’ve done in two seconds, but, I was proud of it.

SOUND: BEEP.

JUNO: Ha! Got it! Look, it’s a map, and I think I found a manhole that’ll take us…

SMALL FRY: (SNORES)

JUNO: …out of the… sewer.

Hey. Hey, c’mon, Small Fry. C’mon.

SMALL FRY: (SNUFFLES AWAKE)

JUNO: We gotta go, kid. I think I found a way out of here. And after that…

We’ll have to figure that out together, I guess.

SMALL FRY: (MEWLS)

JUNO (NARRATOR): I split the comms so I could carry it in my hand and my ear at the same time. It was gonna be a hike to get to that manhole leading out of the sewer, and… to Oldtown.

HAWK (FROM COMMS): (FADING IN) The year between Andromeda 3’s release and the opening of Polaris Park marked a shift in how Northstar was run. Takano removed himself from the film production process completely, hiring previously-terminated Northstar writer Kenni Okombe and rock-star-slash-poet Rajavi to co-write Andromeda and the Dragon’s Peak, based on some of Takano’s early sketches. In the meantime, Jack Takano redoubled his efforts on Polaris Park, and though he spent many, many hours in that office – staying for days or weeks on end, according to some – his coworkers saw him less than ever.

VEGA (FROM COMMS): Always in his office. It was as though we’d taken on a staff hermit. (LAUGHS) Not that it was a funny situation, of course, Jack was clearly troubled. But, well… we all just thought that if the tortured genius needs his space, give him his space.

HAWK (FROM COMMS): Many of Takano’s former coworkers expressed similar sentiments. But not Jocelyn Chen.

CHEN (FROM COMMS): Everyone always said yes to Jack, and it wasn’t good for him. So when he started hiding, working himself sick, all that… I wasn’t having it, and I said so.

He gave me some line… something about how he had to figure out the problem by himself, that he couldn’t compromise on the park any more than he already had. And I said, “Jack, you can take all your toys, and go hide in your room if you want. But if you keep working like this, you’re going to get yourself killed, and—”

After that… after I said that, he just… looked at me and waited. Like I hadn’t gotten to my point yet. Like that wasn’t even enough reason t—

Anyway. I ended the conversation there, because I wasn’t getting anywhere. But clearly he wasn’t done.

HAWK (FROM COMMS): Ms. Chen is referring to a public charity event at which Takano spoke to raise funds for Martian fire departments. Though the speech was largely typical of his optimistic oratory, there was a tangent that was met with confusion in the press:

JACK (FROM COMMS): But the most beautiful thing about Andromeda, I think, is… that she always goes it alone. She recognizes that heroism is a blessing for the world and a curse for the hero, who must live with the weight of every decision they make, the pain of every loss they fail to prevent. And yet she never stops. And she never shares this burden with another, because she knows it is better for one to suffer than two. Goodness is her charge. And she lives up to it alone.

CHEN (FROM COMMS): Which isn’t even true. Aries, the Ramblers, Captain Cancer, Queen Pisces – by that point, Andromeda had relied on others twice a movie! Well, minus Andromeda 3, but… (SIGHS)

VEGA (FROM COMMS): Jack never spoke to me directly about his design problem, but I could see it amongst the lines, as it were. Something at the core of Polaris Park had gone wrong for him, somewhere. Some of his work orders implied that the problem had come from compromises he’d made, and so he tried hiding the gift shops, changing the logo so that ‘Polaris’ was much larger than ‘Park,’ that kind of thing. Then a week later, all those orders would be undone, and he clearly felt that the problem came earlier than his compromises… from the park’s initial contraception, perhaps.

I knew that he expected me to decode that subtext. I like to think I was rather a confidant for him in that way – the only one he could undress even part of his heart to.

SOUND: WATER DRIPPING, RIPPLING FADES IN. DISTANT BOOM.

SMALL FRY: (BARK BARK!)

JUNO: Huh?

HAWK (FROM COMMS): Despite Dr. Vega’s claims, the work orders we’ve unearthed state Takano’s frustrations directly to every head of every department. Polaris Park was not doing what it was supposed to – though Takano was never clear about what its actual purpose was.

SOUND: DISTANT BOOM.

JUNO: What the hell was—

SMALL FRY: (BARK!)

HAWK (FROM COMMS): And as Takano tried to solve it—

SOUND: DISTANT BOOM.

—the days to Polaris Park’s opening – and the man’s disappearance—

SOUND: TWO DISTANT BOOMS.

—drew closer and closer.

SMALL FRY: (BARK BARK!)

SOUND: CLICK, COMMS CUTS OFF.

JUNO: Shhh!

JUNO (NARRATOR): We were close to the exit by then. There was just one last pipe we had to pass through, one big enough to stand and walk in. We hadn’t heard a Theia bot in half an hour; it was quiet here.

Until that thumping started, down at the end of the pipe.

SOUND: DISTANT BOOMS.

As quickly as I could I searched the wall around me for weak spots – cracks, openings, anywhere at all to hide – but there were none. This thing had picked the one solid spot left in the entire Oldtown sewer system to corner us.

SMALL FRY: (WHIMPERS)

SOUND: DISTANT BOOM.

JUNO: (QUIETLY) Get behind me, kid, it’s alright. You’re gonna be alright.

JUNO (NARRATOR): The noise kept coming. I tried to make a plan: hide Small Fry in the sludge and try to talk my way out? No, the Theia bots were chatty, and she couldn’t hold her breath that long. Take a shot at it before it saw us? Maybe, but I doubted I could connect without a Theia on my side.

It got closer.

SOUND: SPLASH.

And closer. And then it rounded the corner.

SOUND: SPLASH.

?????: (GROWLS, PANTING)

SMALL FRY: (YIPS & BARKS)

JUNO: A rabbit…? Alive?

SMALL FRY: (BARKS)

RABBIT: (GROWL-BARKS)

JUNO: You know him. You know that rabbit, don’t you?

SMALL FRY: (YIPS)

JUNO (NARRATOR): So, that was it, then. Some of the rabbits were alive. I’d brought Small Fry home, and… I felt just… awful.

Looking into her big black eyes, one hand on her matted fur, I realized I already cared about this little rabbit. Protecting her made me feel useful, and loved, and… it was hard to put that away.

I let myself live in maybes for a second. A little rabbit munching snack food under my desk. A big one asleep in the corner of my office – ‘the muscle,’ I’d call her, but really… her name would be Small Fry. Even when she got huge.

I never really would’ve taken her, not really; but… it was nice to pretend, for a second.

JUNO: You can trust that big fella over there?

SMALL FRY: (BARK!)

JUNO: Then go home, kid.

Go home.

SOUND: SPLASHING.

JUNO (NARRATOR): So I watched her hop away. She seemed… happy.

RABBIT: (IN BACKGROUND) (GROWLS)

JUNO (NARRATOR): And that’s when the big rabbit ran over and socked me in the face.

RABBIT: (ROARS)

SOUND: PUNCH.

JUNO: Oof!

SOUND: BIG SPLASH.

H-hey, come on! I know you were scared, but—

SOUND: PUNCH, SPLASH.

Oof!

The hell do you want from me? Money? I got creds, but you have to get off me—

RABBIT: (ROARS, GROWLS)

SOUND: PUNCHES.

JUNO (NARRATOR): This wasn’t right. This wasn’t how the rabbits were. They’d never turn down creds and they never made those noises and they were never… this angry.

I reached for my blaster. But the rabbit had a desperate quickness I’d never seen before and in a second my gun was spinning over his shoulder.

RABBIT: (ROARRRRRR)

SOUND: PUNCH. PLOP.

JUNO (NARRATOR): The rabbit reared back to howl. He still had crumbs and frosting in his fur, big soft belly for scratching, just like all the rabbits I knew. But this one was burned, too. Charred trenches of fur and skin running along his sides, part of one ear gone.

And he looked… so scared. Pissed-off and powerless; like if he couldn’t pin down and punch all those Theia bots, or the human race, or death itself… he was ready to settle for me.

I still had my plasma knife, but I couldn’t stab him. I couldn’t let Ramses make me kill again.

RABBIT: (ROARS)

SMALL FRY: (SQUEAKING)

JUNO (NARRATOR): Small Fry ran up to the rabbit and tugged on his tail. The rabbit nearly jumped out of his fur, and didn’t even look behind him before he kicked one of those huge legs back at the kid.

RABBIT: (RAHHH!)

SOUND: PUNCH. PLOP, SPLASH.

SMALL FRY: (WHIMPERING)

JUNO (NARRATOR): I’ve never seen a rabbit do that. This rabbit had never seen it, either. Looked like he’d spend the rest of his life wishing he hadn’t. Then he turned, and I saw that he was ready to blame it all on me.

RABBIT: (PANTING, BIG HOWL)

JUNO (NARRATOR): A few months ago I might’ve let him, too. That’s what a hero’s for, right? Taking all the hits so the innocent don’t have to, while the ones causing all the pain sit in the stands and watch, blood and popcorn butter sticky on their fingertips.

I was done with that. Instead, I was gonna give the rabbit some advice. So I turned the volume on my comms all the way up.

SOUND: INCREASINGLY LOUDER BEEPS.

RABBIT: (ROARRRR)

JUNO (NARRATOR): And right when he was about to crush my skull… I jammed my comms into his ear and pressed play.

SOUND: FEEDBACK SCREECH. BLIP.

JACKET (FROM COMMS): (VERY LOUD, OVER THE BELOW) We may look backward only to ensure we have not walked this path before.

RABBIT: (OVER THE ABOVE) (HOWL OF PAIN)

SOUND: BLIP. SPLASH.

JUNO: Whaddaya know? Looks like that advice just saved my life, too.

SOUND: SPLASHING FOOTSTEPS.

Stay down, cottontail. I’m not kidding.

SOUND: LOW ELECTRIC HUM.

(OVER THE BELOW) See this? Plasma knife. Real hot; real sharp. I don’t want to hurt you, but if you come any closer, I’ll have to.

RABBIT: (OVER THE ABOVE) (GROWLS)

JUNO: Take the kid and go. This’ll kill you, you understand? Dead.

Stop! Neither one of us wants this!

RABBIT: (BIG GROWL)

JUNO (NARRATOR): But he kept running towards me. And he knew he wouldn’t win. I’m just not sure he cared.

He was almost on top of me. I knew I’d do it if I had to, and… that’s when I heard the first shot.

SOUND: BIG BLASTER SHOT. ELECTRIC WHIR.

THEIA: (AFTER A PAUSE) Targets detected.

SOUND: CREAKING.

JUNO (NARRATOR): A big Theia bot stood in front of me and its first laser sizzled in the wall behind.

The bot had Small Fry pinned between a wall and the end of its cannon.

SMALL FRY: (BARKING)

JUNO: Dammit, no, no, no…!

RABBIT: (GROWLS)

THEIA: Come closer. Rabbit.

JUNO: …What?

RABBIT: (GROWL?)

THEIA: Come closer. I will tell you. When. To stop.

SOUND: SPLASHING FOOTSTEPS.

Closer. Just. A little closer. Real close. There.

SMALL FRY: (YIP!)

SOUND: PLOP.

THEIA: Your little one.

SMALL FRY: (BARKS, MEWLS)

RABBIT: (GRRRRRR)

THEIA: Now please leave. And be careful. Bunnies.

SMALL FRY: (BARKS)

SOUND: SPLASHING FOOTSTEPS FADE.

JUNO (NARRATOR): The two ran, and Small Fry never looked back. I was proud of her. We may look backward only to ensure we have not walked this path before, right? Wherever those rabbits were going, whatever home awaited them… they’d definitely never been there before.

THEIA: You. Stay there.

SOUND: CREAKING.

JUNO: (HEAVY BREATHING)

SOUND: CREAKING STOPS. HISS OF STEAM.

THEIA: Are you injured. User. Mista Steel.

JUNO: Mista…

(STARTS LAUGHING, OVER THE BELOW)

THEIA: Because. Um. Ramses wants to see you aboveground. And. Somethin’ somethin’. No. Don’t say. Somethin’ somethin’. Say—

JUNO: Rita?!

THEIA: —somethin’, you—

JUNO: Rita, is that really you?

THEIA: No. I’m. Um. What’s this thing called. Tara. Teyona. Let me. Look it up.

JUNO: Rita! God, I am glad to see… whatever the hell robot this is.

THEIA: This is. The Theo’s Spectacles.

JUNO: Wait– you yelled at the bot for saying “somethin’ somethin’,” which means you must be able to hear it.

THEIA: Nuh-uh.

JUNO: Rita…

THEIA: Who’s that. She sounds nice.

JUNO: Just drop the joke, alright? I’ve been looking for you for days, I’m filthy, I’m tired, so just tell me where the hell you are!

THEIA: Oh. Does it make you worried. Not knowing. Where very pretty user. Rita is?

JUNO: Rita, I said—

THEIA: ‘Cause maybe. Then. She should disappear for weeks instead. Not say anything. ‘Cause that would definitely make you. Less worried. And not way more worried. Ain’t that right. Boss?

JUNO: (AFTER A PAUSE) Oh, I…

(QUIETLY) What did I do?

Rita, I’m sorry. I’m so, so sorry.

…Rita?

THEIA: The Theia Order. Is shutting. Down.

SOUND: POWERING DOWN.

JUNO: Rita? Rita?!

…No.

Please…

SOUND: THUMPING ON METAL.

No! Damn it, no! No!

I’m sorry! I’m so sorry, Rita; and, I know that’s not enough. I know how sour a sorry tastes when it comes from someone who’s apologized before and never changed a thing. I know you’ve got no reason to believe me, but…

SOUND: METAL CLUNK.

Please don’t leave me here, Rita. You’ve got every reason to, but… I’m tryin’ to get better. I really want to get better, maybe for the first time in my life since the HCPD, and… I’m just so scared that it’s too late, and everybody’s already smartened up and gone, and maybe you should, but please, please—

RITA: Hi Mista Steel.

JUNO: (YELPS, PANTING) How long were you behind me?

RITA: Just for the last ‘please please.’ I miss anything you wanna say again?

JUNO: I, uh…

I’m sorry, Rita. I’m just… so sorry. It won’t happen again.

…Rita?

SOUND: THWUMP.

Oof!

RITA: I missed you, boss. I was real worried.

JUNO: I know. I hear you. For once. (DEEP BREATH) And I missed you too, Rita. Really.

RITA: (SNIFFLING)

JUNO: What? What’s the matter?

RITA: (SNIFFING/CHOKING BACK TEARS) We just… ain’t never hugged this long before, boss. (SWALLOWS) It’s nice.

JUNO: Oh. Yeah, it’s…

(CLEARS THROAT) Anyway, uh… I got a map, and it says there should be a way out just over—

RITA: Oh, yeah. The whole system’s bein’ shifted around, boss. None’a your maps are gonna work anymore.

JUNO: Shifted around for what?

RITA: Oldtown, I guess. But anyway, I figured out the way up before I even came down here because you know me, Mista Steel, I’m all for an adventure but as soon as it’s one that might get one’a my three S’s wet, I gotta get in and out. That’s right, my shoes, snacks, and salmon sausage snacks, so—

JUNO: You know a way up?

RITA: I do! Wanna go see? I was hopin’ we’d be able to bring that big puppet I hacked into with us, but it ain’t exactly gonna fit through the manhole. Or up the ladder, which I learned ‘cause at first I had two ways out but then I broke one, you’re never gonna believe how, boss, it was—

JUNO: With the big robot, right. Listen, Rita, I want to hear that whole story, I really do, but can we do it someplace we’re not covered in slime?

RITA: That’s a great idea, boss. This way.

SOUND: SPLASHING FOOTSTEPS.

HAWK (FROM COMMS): (FADING IN) …let’s look at that moment one more time. Opening day at Polaris Park. Moments after Takano’s last employee check-in. The silent, solitary moment in which his departure flipped from an idea to an action.

We can’t know what he was thinking in those moments. And in the end, trying to understand every minute detail of the departed’s psyche tells us more about ourselves, in many ways, than about them. Just ask Lorenzo Vega:

VEGA (FROM COMMS): Jack was… a perfectionist. He’d made so many compromises with his park, had seen his vision so diluted. One can only conclude that the sight of it, his creation so malformed… who wouldn’t leave?

HAWK (FROM COMMS): Or Jocelyn Chen:

CHEN (FROM COMMS): He was a visionary, and that meant he had no idea what he was doing. He could help us up to greatness, but him? His sights were always going to be aimed up about a dozen feet over where he ended up, and he was always going to be bored by whatever he made. Always.

HAWK (FROM COMMS): Or Miranda Fairbanks, who wrote in her memoir:

FAIRBANKS ACTOR (FROM COMMS): Humanity needs people like Jack, I think. People who can just see how things should be, without the reality of what they are getting in the way. That’s how progress happens. And so I assume he must have seen the true way forward somewhere other than us… and run towards it.

JUNO: This ladder?

RITA: Mm-hmm.

SOUND: GRUNTS, METAL CLANKING.

HAWK (FROM COMMS): We’ve presented you with theories over these many hours, but we will probably never know why Jack Takano left us behind. The only clue we have is the audio note found in his office, once he was gone. And to conclude our program, we will play it in full.

MUSIC: STARTS (FROM COMMS).

JACK (FROM COMMS): The thing I find most beautiful about Andromeda, in the end, is this: that she can never be satisfied. I wonder now, if Orion’s curse wasn’t really a blessing for our Homeless Hero. He turned her from a protector of one city, to an active force of good the world over.

RITA: (OVERLAPPING WITH THE END OF ABOVE) What’s the holdup, boss?

JUNO: Found the manhole cover.

JACK (FROM COMMS): To find home—

JUNO: (GRUNTS)

SOUND: METAL SCRAPING.

JACK (FROM COMMS): (OVER THE ABOVE) —Andromeda always looks backwards. Polaris. Nostalgia. The paradise left behind. And this works in our stories, when we only show the shining city for a few seconds at a time. But in life, no such place exists.

RITA: Mista Steel?

JACK (FROM COMMS): If it did—

RITA: Mista Steel?

JACK (FROM COMMS): —we would already live there.

JUNO: This… this isn’t Oldtown.

RITA: I’m pretty sure it is, boss. I counted paces an’ everything.

JUNO: No. The map’s right. I’m happy to explain in a minute, Rita, just as soon as I get this cannon out of my face.

THEIA: Remove yourselves. From. The sewer. Help. Is on the way.

JACK (FROM COMMS): But there may yet be such a home. I believe we can find it. But we cannot turn our heads if it is not what we expected, or if we fear what we see when it opens its gates.

RITA: Oh no oh no oh no—

THEIA: Now put your hands up. Please.

JACK (FROM COMMS): Home is not in the past. It can’t be. And that means when we find home, when we find the perfect place we yearn for… I doubt we will even recognize it.

RITA: What is this place? What happened to Oldtown?

JUNO: Says it right there on the sign, Rita.

“Welcome to Newtown: The City of the Future.”

JACK (FROM COMMS): And so now I leave. I go now to seek the true way home, as any hero should. And I urge you to do the same. Or, at least, to accept it when it comes. I look forward to meeting you there. Jack Takano.

ALL SOUNDS: FADE OUT.

***

SOUND: TRAIN MOVING, MUSIC.

CONDUCTOR: If you’ve enjoyed this tale, please consider donating to The Penumbra on Patreon. Our artists work tirelessly to bring you these stories, and if you have the means, we hope you will support our efforts. Every dollar helps. You can find that page at patreon.com/thepenumbrapodcast. If you support us on Patreon at the $10 level or higher, you’ll receive access to commentary tracks like this one, from actor Matthew Zahnzinger and co-creators Sophie Kaner and Kevin Vibert:

SOUND: TRAIN STOPS, DOOR SLIDES OPEN, RAIN.

SOPHIE: …There’s not anything more to it than it’s like, yeah, well I thought of it, and I’m smart, and how do I know that? Well, ‘cause I’m me, I just know.

KEVIN: Mmhmm.

SOPHIE: And there’s nobody… above him to tell him, y’know. And there’s no way of knowing for sure… what is good.

MATTHEW: Although to that point, and, to get… back on my bandwagon of every commentary complimenting Kevin’s writing, um—

SOPHIE: Could you compliment me a little bit, for once?

MATTHEW: (LAUGHING)

SOPHIE: What is this?!

SOUND: DOOR SLIDES SHUT.

CONDUCTOR: You can also support The Penumbra by liking us on Facebook, following us on Twitter @thepenumbrapod, following us on Tumblr @thepenumbrapodcast, telling your friends about us, telling your friends to tell their friends about us, and especially by rating and reviewing our podcast on iTunes. Every rating, comment, and kind word spreads our stories further and inspires us to keep creating more and better tales to come.

We would like to give special thanks to all who support us on Patreon, but especially to Minchowski, Camille Blanton, Christine Kim, Rowan Collins, Garrett M, Jay Iannuzzelli, Karin Z-H, Canteloupe, Fiona Parker, Regan, Ko, Kim Zeugin, Atha Lang, Vron, Charlie Spiegel, and Jaimie Gunter for their incredibly generous contributions per episode. Thank you.

Did you know that The Penumbra has merchandise for sale? It’s true! The Penumbra has partnered with DFTBA to bring you the posters, shirts, and pins your heart desires. Just go to dftba.com and search for The Penumbra Podcast.

This tale, Juno Steel and the Long Way Home, was told by the following people: Joshua Ilon as Juno Steel, Matthew Zahnzinger as Jack Takano and Ramses O’Flaherty, Marge Dunn as Hawk Hackett, Bob Mussett as Lorenzo Vega, Melissa Barker as Jocelyn Chen, Allison Choat as the Miranda Fairbanks reader, Sophie Kaner as the Theia and Small Fry, and Kate Jones as Rita.

The Penumbra is created and produced by Sophie Kaner and Kevin Vibert. If you wish to know more about our ever-expanding, infinitely-creative team of artists, musicians, editors, designers, and managers, you can read about them in the show notes of this episode.

I’m afraid this is the end of the line for today, dear Traveler. We hope you will ride with The Penumbra again soon.

ALL SOUNDS: FADE OUT.

#juno steel #i miss small fry

8 notes · View notes

oneunicornaway · 6 years ago

Text

Date Night

I did the whole spiel once already, but the gist of it is: Jupeter date. Heist. Mafia. Juno is a badass, and Peter is horny.

Thanks a lot to @chyww, @tackyjackpack, and @tinyplanetss for the emotional support, willingness to correct my grammar at times, and general awesomeness <3 <3 <3

This is pretty long and might be better on AO3

"I promise you, Juno, that this will be the best date anyone has ever taken you on."

Juno had sputtered and fidgeted and had been damn close to hanging up the phone right then, but in the end he couldn't deny that the idea of having Peter Nureyev, best thief in the galaxy, concentrated only on him for one whole night, was a very enticing one. Which is why he had listened to Nureyev when he had given him a time and place and had accepted to 'dress up a bit'.

It's not exactly that he regretted it... not really, it's just that he felt utterly ridiculous clad in his favorite jumpsuit and jacket and light make up, as he waited at the corner of Fitzgerald and 6th.

Just as he was considering leaving, date be damned, or at least removing his earrings, to feel a bit less out of place, someone came up behind him. Without thinking, Juno turned on himself, fist at the ready, only to strike at empty air, merely displacing a bit of Peter Nureyev's hair with the movement.

The thief's smile was wide and amused. Juno's heart missed a bit.

"I'm happy to see you're as vigilant as ever, Juno."

His movement was slow but sure as he approached Juno, and the PI was torn between slapping the smile off his face and leaning into his embrace.

Peter's hand curled around his waist and Juno considered the fact that no one cared if he spent his life smooching Peter Nureyev's face off. Nureyev made the kiss last and linger and yet he couldn't get enough of it. It felt as though the world stopped every time the thief kissed him, was near him, as though Juno could feel the universe expand outwards, as if suddenly, he wasn't only Juno Steel, former garbage cop, beat detective and one-eyed loser. Peter Nureyev made him feel as though there was more to Mars, more to the stars above that didn't shine through the dome, and Juno didn't ever want it to stop.

Peter gently ended the kiss, and it took Juno some efforts not to cling to him. Nureyev didn't seem to have the same reserves, and he let his hand linger in Juno's hair, lightly caressing his cheek with his thumb.

"I missed you."

"Yeah... I... me too."

Feelings were dumb and he had a lot of them. Benzaiten would have made so much fun of him.

Peter let his hand fall to take Juno’s.

"Shall we?"

"Sure."

As it was, Juno wouldn't have minded staying alone with Peter Nureyev in a random, dark street. Here, besides the thief's side, the shadows seemed almost welcoming. But Nureyev had promised a wonderful date, and Juno Steel didn’t get many of those, and so he was rather curious of what the thief had imagined for him.

"So, what adventures have you been part of lately? My wonderful detective."

Juno scoffed.

"I don't think I would call them 'adventures'. The life of a PI is not as interesting as it sounds, you know."

Nureyev smiled fondly and pressed lightly on his hand, making a soothing motion with his thumb that left Juno’s skin tingling with heat.

"I beg to differ, considering our history together - Nureyev sounded positively gleeful at being able to say 'our history'. Besides, as long as it's about you, I wouldn't mind hearing boring stories."

That was... annoyingly smooth.

"Well then, brace yourself for the riveting story of the thousand cheating spouses, with a side of tax evasion and one very badly executed museum heist."

Nureyev chuckled, and Juno went on to tell the preposterous story of one cheating wife, who had managed to put together a whole scheme to keep the identity of her famous lover a secret.

As he talked, he could feel the tension leave his body, Nureyev's presence going from a burning furnace to reassuring fireplace embers, which warmed him up to the core without burning his skin. He was halfway through explaining the extensive mailing system he had found out, the key to solve the case, when they arrived at their destination.

"I have a reservation for Duke and Dahlia Rose." Announced Nureyev, seemingly completely at ease with suddenly taking up Duke Rose’s personae.

After the internal roller coaster that the names provoked in Juno - Nureyev never gave his name in public places, and Juno got an alias most of the time as well, but Duke and Dahlia were married and it always felt as though Nureyev was pushing him over an edge of sentimentality that he wasn't ready to cross by himself - he took in the place Nureyev had brought him in. It was a restaurant, and despite being in one of the shadiest part of town, it seemed to be rather upper class. The walls were richly decorated with dark red hangings and some precious looking vases on their own small tables. The restaurant was only half-full, and the people already seated wore discreetly rich clothes and pieces of jewelry, a rare occurrence in Hyperion city, where people either showed you how poor they were, or fled you for not being rich enough.

There were a few waiters, but they didn't seem to be entirely overcome with their clients. One of them didn't even seem to take care of any of them, and was instead carrying some boxes to the kitchen. Apart from the mild murmur of ongoing conversations, the place was eerily calm. There was no yelling bartender, no singing group of drunk friends, no drunkard by the bar and no greasy meat that looked like it had spent four year in a cryogenic fridge. This was a place for Duke and Dahlia Rose, world class thieves and art collectors.

Juno felt like a fly on the wall.

"Do you like it, love?" Asked Nur... Duke Rose after Juno had absentmindedly followed him to their table.

"Um? Yeah, sure."

Was this the best date ever Nureyev had promised him? Did he think he liked this? Worse, did he expect him to like this? To be just as elegant and refined as a Dahlia Rose?

There was a pit in his stomach, growing by the second, and it tasted like bitter disappointment.

The same waiter passed by them, hefting once again an unlabeled package, and paying them no mind.

Wait.

Juno followed the waiter with his eyes, until he disappeared in what didn't quite look like a proper restaurant's kitchen.

What.

He lowered his eyes to his menu. At first glance it seemed like a normal menu for a restaurant of this kind. Looking closely however, there wasn't much choice for such a refined place, and a good third of the dishes were annotated in pencil with notes that indicated they weren't served at the time, or that the kitchen didn't have one ingredient anymore. All in all, Juno was growing increasingly more convinced that this place wasn’t, in fact, what it pretended to be.

Juno looked up at his companion. Duke Rose had one elbow resting on the table, cupping his face in one hand as he smiled up adoringly in the perfect picture of an enamored idiot. And below that surface, Juno could see the sharp edges of Nureyev's enjoyment.

What a beautiful bastard.

"Duke, darling" Juno said, trying his best Dahlia's voice, "who did you say owns this restaurant again?"

"Oh, a very respectable constable of Hyperion city, love. Their name is Rosamund Lorland I believe."

Of fucking course.

Peter wasn't restraining himself much anymore, offering a smug smile that made Juno want to strangle him. He settled for kicking him under the table, but it seemed the thief had anticipated the move, and his foot only met air.

"Good evening."

A waitress interrupted Juno's attempts, looking young, sweet, and ready to murder for a pay raise.

"What can I get you tonight? Do you want to start with some drinks?"

Before Juno could say anything, Duke Rose ordered what seemed like a full menu for himself and Dahlia. As he said the last part of their order—some kind of "boeuf bourguignon", whatever that meant—the waitress' demeanor changed. It was subtle enough that Juno only caught it because he was still looking at her, but her eyes focused, and her stance adjusted slightly.

"I'm sorry, but this order is no longer available. The shipment for the ingredients of the dressing is late."

They even had a decent excuse. Peter had not only led him to a front, it was even a good one.

Charming as ever, Duke did not back down, insisting instead.

"Surely, something can be arranged? I promised my husband he would get to taste this delicacy you are known to provide."

Juno ignored the sudden drop in his stomach to try a Dahlia smile at the waitress. She looked defiantly at the two of them, but ended up conceding:

"I'll try and talk to my manager, see what he can do."

She left, and Juno went back to glaring at his so-called husband. Peter smiled sweetly and it took a lot of effort for Juno not to leap over the table and commit marital violence

"There are no bugs in here, so you can talk freely as long as you make sure that you look as charming as ever." Peter finally said, with a small, fond smile that was as much his as it was Duke's.

"What the hell, Nureyev?!" Juno tried to keep up a Dahlia smile. "First of all, I thought this was supposed to be a date. Second of all, if this is one of your heists, I will actually turn you in this time, and faster than you can say my name. And last but not least, why the hell did you just give the mafia a good reason to kill us both?!"

Peter Nureyev, because he was a scheming, lying bastard, didn't have any problem keeping up his persona as he responded.

"Well then. To respond in kind, here are my points. First of all, this is a date. Did you really think I expected you to be satisfied with a boring dinner and a quiet evening? I did say it was going to be wonderful, and I know how much you like solving mysteries and being a hero, especially with your recent string of boring affairs, and so I delivered."

Damn that bastard, but he... wasn't exactly wrong. Despite Juno's annoyance, this was more interesting than a simple dinner. Peter obviously saw the resignation in Juno's face because he gave him a smug eyebrow waggle, disguised as Duke presenting the jug of water to Dahlia. Juno grumpily went back to glaring and Duke served him some water before resuming the conversation.

"Second of all, this is... well, this isn't only a heist." For the first time, Peter seemed somewhat bashful and Juno straightened to give him a piece of his mind. "But, love," - that man knew how to silence him much too well - "Rosamund Lorland is, I believe, a very dangerous man, and his recent drug deals are on the brink of starting a war with the Triads. I do believe this little... adventure could give us what you need to convict him. As for turning me in..." Peter offered a sly smile "I think we both remember how that turned out last time. And while I wouldn't exactly mind, I think we both can think of better ways to spent our late evening... don't you?"

Juno could feel his cheeks burning up. There was more he wanted to ask, more questions Nureyev had to answer to, but by the time he was recovered, the waitress had turned up again.

"The manager wants to see you. Come with me please."

Juno stood up at the same time as Peter, and the waitress didn't protest. She led them through the restaurant to the kitchen. If any other customer was surprised at their passage, none of them showed it and, as far as Juno could tell, watched them go by placidly.

Inside, the cover was dropped. There was a chef of course, but it seemed like the dishes he was preparing weren't nearly as delicious or as varied as the menu made them out to be.

And then, of course, looking prim and awesome, stood Rosamund Lorland.

Juno recognized them from the picture that used to hang in the precinct of the HCPD. Lorland was young for a crime lord, younger than most mafia leaders, and younger than Juno himself. They were the former commander of a Triad squadron. Impatient and hot headed, they had been quick to cause more trouble than the HCPD usually saw in organized crime. It wasn't clear whether they had been kicked out of the Triad for making too much trouble or if they had abandoned ship to pursue their own, private goals, but one thing was certain: one year after Lorland began getting a name for themselves they founded their own mafia family, in direct concurrence with the Triad and all drug trafficking groups. In a sense, Lorland was far from the worst of the criminal to roam the street of Hyperion City. They sold drugs to anyone that could afford it, including kids and homeless people with enough cash to forget their radiation poisoning, and they commanded a full-fledged underground militia made out of all the outcasts, the ones nobody wanted to see employed in their shop or near their children, the worst of Hyperion City. But then again, in that, they weren't straying from your usual mafia boss or crime boss, and while Juno didn't have to like it, but he knew that wasn't why Rosamund Lorland was a big fish to catch for the HCPD.

The thing was, Lorland was ambitious, and Lorland was a firm believer of doing things their own way.

Lorland had begun selling their various drugs in Triad, Kanagawa and Adichi territories. This had already led to several open fights between Lorland's factions and the older, more institutionalized mafiosi. Nobody in their right mind appreciated the fact that there were mafias in Hyperion City, but anyone could recognize that they liked to keep the peace almost as much as the city's police department. Lorland, was, for all intent and purpose, the troublemaker that threw a wrench in the balance Hyperion's civilians had found amongst the chaos that was the city.

It was obvious that this new mafia lord was more than ready to start a war, and Juno, amongst other, found Hyperion's streets animated enough already. He stole a glance at Nureyev. That bastard really knew how to manipulate him. He did want to put Lorland in a prison cell, and Nureyev was nothing if not freakingly good at stealing pretty much anything from whoever was stupid enough to buy into one of his various personae. After all, there was, really, no technical difference between stealing evidence and any precious artefact.

Juno was going to go along with this, wasn't he.

Duke Rose smiled pleasantly at Lorland, and it seemed as though it had a triumphant edge to it. Juno had to suppress a smile of his own. One had to admit Peter Nureyev was good at what he did. Even when what he did was convince beat-up PIs to bend their morals, it seemed.

"I heard you requested to see me." Lorland extended a hand for Duke to shake. "Duke Rose, is that it?" Their voice was exceedingly melodious, in a very deliberate way that sounded immediately pompous to Juno's ear. That was good, the more full of themselves they were, the easier it would be to make them think the Rose couple didn't represent any kind of threat. However, Lorland had successfully managed to put together a business despite being threatened by Hyperion City's largest mafia families and they were far from stupid. It would do no good for Juno to overlook them as simply what they appeared, and he resolved to keep a close eye on them.

"Duke and Dahlia Rose, in fact" At this, Lorland looked at him. Dahlia would have been smoking a cigar or something along those lines; as it were, Juno's lungs were shit, so he had to settle with giving what was supposed to be a haughty glance. "As you may know, my husband's family is of a certain... importance throughout the galaxy" - at this, Lorland gave the slightest nod, which made Juno wonders if Nureyev had managed to give his fictional relatives enough substance that they actually had a reputation, or if Lorland merely didn't want to admit to not knowing them - "and we would be interested in dealing with you, and to buy... merchandises... from your organization."

Juno had to make an effort not to roll his eyes at the unnecessary dramatic tone.

But then he realized Dahlia Rose didn't give a shit about speaking his mind or being rude.

"What my husband is trying to say is, we'd like to buy your coke."

Lorland smiled at the deadpan voice, and nodded.

"Of course. Our product is of very high quality. Would you like to try it?"

Dahlia arched an eyebrow in what Juno hoped to be a pointed way.

"No. I have a strict policy of never sampling the product. It makes one slow, and I can't have that."

Lorland laughed, softly and politely like a politician.

"Well then, I think this deserves you visit the parlor. Candis? Would you mind telling Val to come up? I'm going to need her."

Juno and Peter's waitress nodded curtly and swiftly left the room, while Lorland gestured for them both to follow.

Juno took the opportunity to steal a glance at Nureyev, only to see that the thief was already looking at him intently. When he saw Juno looking, though, his intense demeanor dropped to break into a smile, and Duke reappeared on his face.

"I have to admit I'm quite surprised you're coming to me with this. Don't me wrong, I would say we are the best suppliers on Mars, but I doubt an enterprise such as yours needs to go so far to get its merchandise."

"Oh, the problem is not with the merchandise itself," Peter intervened, to Juno's relief. "But we've been having what you could call... legal problems. I'm sure you understand."

Once again, Lorland nodded, eager to seem all knowing, and Juno relaxed slightly. For all their obvious smarts, they also seemed to be a very proud character, which—Juno had observed it in the past—made them an easy target for Peter's manipulation.

Not that he approved of the thief's methods.

Lorland led them through unmarked corridor for what seemed like several minutes. They climbed down some stairs, then up others, and up again, turning several times. By the time they arrived in front of a simple, unlabeled door, Juno was thoroughly disoriented.

They entered in what seemed to be an office, and Lorland began talking about prices, schedules, meeting places. Peter responded in kind, apparently fully prepared to deploy an entire fictive market for the Rose network. Juno tried as best as he could to appear bored rather than lost, and scanned the room whenever he felt secure enough in the knowledge that Lorland was concentrating on Peter. The room seemed like the normal desk room of any businessman, although it was a bit barer that Juno would have expected. No pricey paintings hung on the wall, and while the room was decorated, it was in a comfortable way rather than a showy one.

Eventually Juno spotted something interesting.

The walls weren't entirely bare, as it was. There were several bookshelves artfully stacked behind the desk, and besides one of them... a patch of paint that reflected the light emitted by the ceiling lamp slightly differently. It was so discreet Juno might not have spotted it... were it not for the fact that he had a similar spot in his own office, from clipping a wall after one drink too many. Rita had put plaster which hid the hole almost flawlessly, but looking closely at it, you could see a faint difference in the paint’s color where the light hit it. Somehow, he doubted this was the result of one of Lorland's burst of anger—the oman seemed exceedingly composed—and if there was an emplacement for any kind of valuable object Peter was after, it would most likely be there.

Juno was really going through with this, wasn't he? Somehow, he couldn't find it in himself to mind.

Someone knocked at the office door, and Lorland, looking unsurprised, called them inside.

"Val, there you are! I need your help to draw a contract for those gentlemen."

"I'm a lady, please." Juno corrected out of automatism.

Lorland rolled with this without breaking a sweat, and went on to point out some of the specifications Peter had given. Val looked like death had warmed over. Pale, and bone-thin, with deep, purplish shadow under her eyes. She wasn’t that old, from what Juno could tell, but she looked as though a slight breeze might break her in half.

"I suppose you will want to go over the legal matters with Val?” Finally said Lorland. “She’s my main jurist." Duke Rose agreed with a flourish Juno blocked out.

"Then, shall the lady and I go and oversee the merchandise? I know you said you didn't want to test it, but surely you want to take a look at it."

Juno shot a discreet glance at Peter, who near imperceptibly (or so Juno hoped) nodded.

"Your desire for honesty honors you. Duke!"

Duke Rose was like an overeager puppy, Juno decided, as Peter bounded over to him.

He took hold of Duke's collar and brought him in for a kiss, silently gesturing towards the patch of wall with his eyes.

Even inside enemy territory, kissing Peter was like drinking rejuvenating water, and Juno would probably have lost himself in it, if he hadn't felt Peter's hands roaming his body. First, he could feel the thief testing the give of his hip, where he kept his holster —and god, was Juno happy for his paranoia at this moment – and checked for the presence of Juno’s blaster. Then, he carefully pressed something under the flap of Juno's jacket, where it would be hidden from Lorland's eyes.

Juno heard a cough from behind him and detached himself from his wannabe husband. Duke seemed ready to chase after him, looking desperate and glazed for an instant. And Juno was sure it was a mask, the face of a man Peter only pretended to be, but this look of open desire, of near neediness, made it hard for Juno to remind himself they were technically still doing business.

"Be good." Dahlia finally said, in his imperious voice, and Duke nodded, obedient and star-struck. Juno didn’t dare to send a glance towards the frail Val to make his point across. He just had to trust that Nureyev knew him as well as he pretended to and would understand the meaning behind his words.

Then, he abruptly looked back at Lorland, who bowed their head slightly, letting Juno get out of the room before them and following him in the corridors.

As the mafioso led him through the complex, he discreetly put a hand to what Peter had stuck into his jacket. It seemed to be a small electronic device, probably an audio recorder or a camera, but Juno couldn't be sure. In any case, this was genius. All Juno had to do was to follow Lorland directly to the evidence of his drug deals.

This time, the way was rather straightforward, and, considering the number of stairs they had to take, the hall in which Lorland led him was underground. It was large and well lit, and seemed to be working like Juno would have assumed a standard factory to. Juno counted a dozen workers in chemistry goons and white masks, which protected them from inhaling too much of the substance they were working with. They also—Juno noted with a twinge of annoyance—hid their face from their eyes down. Lorland led Juno to the end of the hall, where a person, made anonymous by their working clothes, was closing small packages full of white powder and tidying them up into neat piles. Lorland pointed at the display.

"Those would be the type of merchandise we would sell you, as per our agreement."

Juno nodded, trying to get closer to the bags. He hoped the device contained a camera because it didn’t seem as though Lorland was ever going to talk without euphemism, and he needed the evidence to be as tight as possible.

"Would you mind if I took a look for myself?" Juno could feel Dahlia's persona slipping, slowly, away from him, but he desperately needed something that would actually incriminate Lorland.

"Of course, go ahead." The oman responded pleasantly, but Juno was acutely aware of the pair of pale eyes drilling holes into him.

He didn't really know how to recognize good coke. Coke, sure, it was part of the training as a cop, and you had to be able to say whether you were arresting someone for poorly labeled flour or for actual crack. But he had never taken a hit himself, and he didn't know how to assess the quality short of snorting the stuff.

He looked at the little bag quizzically, trying to look as though he was examining it from different angles so that he could put it under what he hoped was a lens. He was almost sure he had the evidence necessary—provided Nureyev did give him a camera—when Lorland spoke again.

"So, would you say you got a good look at my premises, milady... Dahlia Rose?"

Lorland's words sounded slow, careful, almost deliberate. Juno froze, and turned his head minutely, to look back towards them.

"Beg your pardon?"

Lorland took a step towards him, and Juno instinctively took a step back.

"I know my circuit is far from the most developed on Mars, let alone in the universe, but you should have known not to underestimate us."

Lorland kept advancing, and Juno kept retreating, to the point where he'd soon hit the wall behind him.

"It was clever using the name of the Roses, but I doubt you are in any way related to them."

Around them, the employees had dropped their initial task, and were looking in his direction. Several of them had lowered their mask and opened their lab coat to reveal a variety of weapons.

"I have to admit, your lackey was rather well-prepared, but you got too arrogant in the end. Did you really think I had noticed nothing?"

Juno had no moment to consider the hilarity of Peter Nureyev being anyone’s assistant, much less his, before Lorland produced a gun out of his jacket.

Juno was sure the mafioso was about to give him dramatic parting words, but he didn’t have that kind of time. Before Lorland could say anything, Juno did the only thing he could think of and threw the bag of coke at Lorland's eyes, before diving to the side.

Lorland sputtered and tried to shoot at Juno, but the surprise and the powder exploding in his face made them flail and the shot missed Juno by a mile.

Juno wiped out his own gun and blasted the employee closest to him, the one still standing besides the table full of coke packagings. The man dropped down, stunned and unlikely to get up again for a while. Juno dropped behind the table with his slack body.

He accepted the rest of the mafia to drop down on him as soon as they could, and for him to be quickly overwhelmed, but after a few seconds, he realized the room was oddly silent. Risking a peak, he realized the dozen mafiosi—including Lorland, who seemed to have somewhat recovered despite puffy red eyes—were looking a him warily. More specifically, they were looking at the table in front of him, full of fragile coke packagings.

Oh. Seemed like Rosamund Lorland needed a lesson in where to pick their battle. Juno couldn't help but smile as he picked up several white bags. Nobody dared to shoot him and the precious merchandise, but he was sure they were going to come up with some kind of plan quickly. He had to be quicker.

Thing was, Juno had never been that good at planning. Doing, he was okay at, but planning was an entirely different game.

He did the first thing he could think of. That is, to throw the handful of bags he had towards his assailant and shoot one of them before ducking back behind the table. The bag exploded, and a confused scuffle rang out. Several shots hit Juno's table and soon the air was full of coke dust. A cry rang out, and Juno instantly knew they were coming for him. In a moment of clarity, he took the mask of the passed out mafioso to put it against his own mouth and nose, and scrambled along the wall, trying as well as he could to stay hidden from view. But the steps behind him were fast: it wouldn’t take them long to find him, and then one shot would be enough.

Suddenly, an alarm rang out. Juno only had the time to be surprised before it stopped, just as the lights above him abruptly went off, with a resounding “CLACK”. In an instant, the whole hall was shrouded in darkness, and Juno listened to the confused silence around him.

A muffled cry of pain rang out, breaking the silence, and something heavy and fleshy dropped to the ground not too far from Juno, and suddenly the whole room exploded in the confused and angry orders of Lorland’s underlings trying to reorganize themselves. A smile forced itself on Juno's smile and he called out to the darkness.

"Be nice."

"You know me, Dahlia" said Peter, "I'm always nice."

Juno heard what could easily be interpreted as Peter putting another mafioso in a sleeper’s hold, muffling their cry of surprise somehow and letting their body fall down to the ground once they were unconscious, and Juno had to refrain a snort.

Peter didn't seem to have any problems navigating through the darkness, and when he took Juno's hand, it was to guide him firmly towards a source of dim light, making him bend down and crawl before him in a narrow space. As Juno's eyes adjusted, he realized it was an opened air vent that led directly outside. He didn’t recognize the street, but it was large, and dimly lit, and he could only assume they weren’t too far from the restaurant in which Peter had led him earlier. They were probably in one of the outer districts, those who were battling against the Martian desert and were full of decrepit, abandoned building. Far from prying, witnessing eyes.

As soon as they were both through, Juno turned to Peter.

"Do you have everything you need?"

The thief smiled, and pulled Juno against him, delicately pushing the protective mask down.

"I do."

Juno flushed, and was about to protest when a door he previously hadn't seen opened, revealing several goons sputtering as they tumbled outside. The light seemed to be back in the factory, probably thanks to an emergency generator.

Juno cursed, and he and Peter began to run, from a common, silent accord.

"Here!"

Peter tugged on his hand and Juno ungracefully tumbled behind him, under some kind of electric generator, emerging from the uneven ground. The shouting didn't stop behind him, and the streets in front of them didn't offer for much cover. Neither Nureyev nor him said anything, but Juno knew they had to find a way to distract Lorland while they were escaping, or they would end up the evening with more holes in them than Juno was personally comfortable with.

From their barely hidden spot they could see the narrow windows of the factory, who were obscured by a faint, pale sort of mist, and they could hear the coughing fits of Lorland's employees and associates. The commotion must have kicked even more of the drug into the air, Juno noted.

And he had a sudden, terrible, stupid idea.

"I'm going to regret this" he mumbled, as he straightened his back to try and make the shot.

"Juno! What are you..."

"Shush." Juno said firmly, with a very Dahlia like confidence. Lorland and company hadn't spotted him yet, but it wouldn't take long before they did, and Juno only had one shot at this. He pictured the blast's trajectory; breathed, in, and out. And fired.

For some reason, he expected it to be delayed, to take a few instants. Instead, as soon as the blast tore through the glass widow, the room exploded. Juno winced, but as far as he could tell, the explosion wasn't too violent, and the screaming didn't stop so he assumed (hopped, desperately) nobody had actually died from it. However, he was willing to bet Lorland's precious refinery equipment was done for, and it seemed the explosion had started a small but rapidly growing fire, making the mafiosi thoroughly distracted.

"Come on, let's go." He took Peter's hand in his, leading him away from the scene and in the nearest dark corner. As he walked, he dialed one of the memorized number in his phone.

"Hello? Yeah, I'd like to report a fire down..." he squinted at the street sign "Terrienstreet." He hung up before anyone could ask for his name. Maybe Khan would recognize his number, but by then he'd have caught a whole mafia ring, so Juno figured he was in the clear.

A taxi was passing by and he hollered for it, getting in it quick and fast and rattling off an address not too far from his place, while Peter climbed in right behind him.

And just like that, they were gone.

Juno was still holding Peter's hand as they made their escape through the city, squeezing it harder than he really meant to, adrenaline still coursing through his veins. He looked up at the thief, and met dark eyes, staring into him with intensity.

"It seems as though you had fun."

Juno then realized the grin tearing through his own face. He thought about Rex Glass’ foxy smile, smug and full of sharp teeth, and wondered if it was how he looked to Peter at the moment.

"Yeah, I..." he had to admit, "I think I did actually."

Peter smiled, looking way too charming and smart for it to be soft, but Juno thought he could get away with calling it fond.

The thief used the hand that was still intertwined with Juno to drag the lady towards him, making him lean in the car from one side to another.

"I'm truly glad you did."

And then Peter Nureyev pulled him down to kiss him.

The taxi driver had to throw them out in the end, and Juno would have said he was ashamed to have been making out with his boyfriend like a goddamn teenager, but he really, really wasn't.

Peter's hand didn't leave his as they made their rather hurried way towards Juno's flat. When Juno opened his door, however, he felt compelled to stop his momentum to turn and face Nureyev.

Peter stared back, looking neither surprised nor worried.

"Do you want to come in?"

Peter stepped closer, until their chests were a hair away from touching each other.

"I would very much like that, yes."

There was more to Juno's idea, there really was, but not kissing Peter Nureyev at this moment would have been a task he wasn't strong enough to undertake.

When he detached himself from Peter, the thief looked very much like Duke Rose had earlier, dazed and wanton, and it sent a shiver up Juno's spine.

"I really think it was, you know." Juno ceded to the temptation of running his hand up and down Peter’s neck. The thief seemed thoroughly distracted by the touch, and his response was a bit more delayed then Juno would have excepted.

"That it… was what?”

"The best date I've ever had." Peter’s half-lidded eyes shot open at the words, and Juno, for the time since he had met him, thought he may have managed to tear through Peter Nureyev’s cool composure.

"I... Thank you."

Well, this was rather out of character. Juno couldn’t help but chuckle in unexpected giddiness.

"What? I don't get a smug, smooth response, from Peter Nureyev, best thief in the whole wide galaxy?"

Peter’s smile, this time, was almost bashful – although Juno didn’t miss there was still a sharpness to it, dormant behind Peter’s pliant demeanor.

"I guess Duke Rose's rubbing of off me."

Peter crowded closer.

"Yeah,” Juno let his grip grow more imperious on Peter’s neck and throat, guiding the thief where he wanted him. “I guess Dahlia's rubbing of off me too."

When Juno kissed him, Peter felt soft and wielding under his lips. The feeling was intoxicating, as if Peter Nureyev was finally ready to drop his final mask with him by, just this one time, yielding control over to him, and Juno nearly drowned in it, crowding Peter until the thief had to cling to him to keep his balance. When Juno finally managed to detach himself from silken - soft and sharp lips - Peter was still relaying on him to defy gravity, and his eyes bore through Juno as if they could reach directly into his soul.

"How long are you staying this time?"

"A few weeks, most likely."

It wasn't forever, maybe, but for now it was enough.

#jupeter #juno steel #peter nureyev #dear god im so bad at endings #tpp #the penumbra podcast #me #my writing #date night #duke rose #dahlia rose

51 notes · View notes

pokemonruby · 6 years ago

Note

so i hear you have a fanmade pokemon region... 👀👀👀

this has been sitting in my ask box for… several weeks, and i apologize that it’s taken me so long to reply, love! i’ve been nervous about sharing my fan-made region simply because… well, i thought no one would be interested. but you know what? it’s important to me so i’m going to talk about it anyways!

i won’t go… too into depth or else this will end up becoming a novel. but i will cover the basics! the region itself, gym leaders, the elite four, and most importantly: story! which i’ll briefly sum up, since it’s very lengthy and complex in comparison to the usual stories told in pokemon. except for like, b&w…. truly, that’s what i’m going for. those games were a masterpiece.

the region has gone through several name changes, but right now it’s known as the “fairel region”! why? well, the region is inspired by popular fairytales and myths.. while the landscape is comparable to that of a studio ghibli film. vast, and needless to say – breathtaking the fairel region is known for its immeasurable species of pokemon, a majority of them ones that are considerably “rare”. i’m still working on the various towns, cities, and other locations… but i assure you, i’ll make them as unique as humanly possible. after all, the region itself is like magic – it’s even believed that it could be on another field of existence, due to the limitless phenomenons that occur on this, specific soil. but i’ll get more into that later…

meanwhile, the… hypothetical player characters would be lydia and jack respectively – at least, those would be their canonical names. like x/y, they would be a tad older than your usual protagonists… around 16-17. their adventure begins in a seaside town known for its hospitality and love of the neighborhood pokemon, except for the player’s foster father… who, because of trauma, hasn’t allowed them to own one yet. in the meantime, however, they’re the assistant of the local professor, professor evergreen. her research lies in, you guessed it – the myths and legends surrounding the pokemon world, as well as the fairel region’s own unexplained phenomenons. one day, her research notes are stolen by whom the town considers a “delinquent”: finn, the rival, who’s basically a combination of silver and hugh… as finn also happens to be the player’s best friend. at the moment, it’s unknown why he took the professor’s notes … and he isn’t willing to give a straightforward answer, either. instead, after the player has obtained their starter (an eevee, since i’m not the best at creating fakemon & it’s a suitable starter imo) and defeated him, finn will simply leave, saying, “i hope you’ll understand one of these days, (insert name).”

afterwards, the player’s guardian obviously learns that they obtained a starter… however, he’s not angered. instead, he apologizes… because it was wrong for him to have kept them from their long-awaited journey. once professor evergreen entrusts them with the pokedex, the player is tasked to unravel the mysteries that surround fairel… as well as record every rare pokemon living within it! of course, they’ll also take on the fairel region’s league… which is much more challenging in comparison to the norm.

i’ll be brief with the plot from here on out, since it’s still in development! as the player travels throughout the region, collecting badges here and there… they eventually stumble into main conflict: a team, known as “team relic”, is attempting to reawaken perhaps… the most destructive, most powerful pokemon in history – you guessed it, the one and only “arceus”. how? well, in my world… which is different from the main series, i can already tell you… the azure flute can only be played with a specific melody, comprised of four tablets. the tablets, in which, are guarded by the members of the elite four… but as for the azure flute itself? i now introduce, the fairel region’s champion… victor! a famous explorer/archaeologist who aids the player on their journey, all while trying to put a stop to team relic’s nefarious scheme.

for now, i’ll hold off on explaining the rest of the plot… unless there’s people who are actually curious to know how everything plays out. let’s talk about the gym leaders now, instead! in order, it’s… grass, water, steel, ghost, ground, fire, dark, and flying. i’ll also put off describing the gyms themselves, or else this will become exceptionally long… perhaps i’ll make a seperate post about it! at the very least, i could give a bit of insight as to whom the gym leaders are.

wisteria is the grass-type leader, a kindhearted, older woman who cares deeply for pokemon and is the caretaker of an immense garden. clarissa is the water-type leader, the youngest and a bit cocky, but has a soft spot for her fish companions. arthur (who’s my personal favorite) is the steel-type leader, who is passionate about theater and is quite literally, dramatic, but also strong-willed and mature. the ghost-type leader is geoffrey, a seemingly gruff, unsoicable older gentleman who not-so-secretly cares for the town’s children and even tells them folktales from time to time. the ground-type gym leader is nala, a headstrong and independent person who usually lets her fists do the talking. adrian is the fire-type leader, a hot-tempered and competitive, young man who’s always up for a challenge. pandora is the dark-type leader, a soft-spoken and somewhat aloof individual who is a good friend of victor’s, because of their shared love for myths. and finally, makani is the flying-type gym leader… who is a bit flighty, but also sweet and lovable.

and now, the elite four! aka victor’s self-proclaimed “squad”. olivia is a psychic-type specialist who is fun-loving and a bit eccentric, but is very stragetic – making her a tough opponent. raymond, on the other hand, is a normal-type specialist that’s described as unwavering and tough, a fatherly figure, as the eldest there. juno is a fairy-type specialist, a bit socially awkward and isn’t taken seriously due to their “cutesy” team… but trust me, they’ll quickly have you in a tight spot. finally, there’s hawke – a dragon-type specialist and the son of johto’s very own champion, lance. now, his pokemon are simply brutal… when hawke himself is actually timid. hawke is also victor’s boyfriend so jot that down.

okay, well! i’m going to end this explanation of my region here, for the meantime – but seriously, if anyone is interested, please feel free to ask more about it! it’s very dear to me & i’ve thought of a thousand things for it, trust me.

#i'm such a loser i'm SORRY #long post #ask

5 notes · View notes

theradioghost · 8 years ago

Note

hey so you mentioned juno and peter's wedding.... do you have any other headcanons about that bc i'd love to hear

honestly, the ending of this is pretty close to my ~main~ headcanon! but I have a few other scenarios I like to think of, bc I am a sucker for marriage tropes (see: the aforementioned fic). the second one here is the one I envision for the time travel AU.

They play an engaged couple, investigating suspicious disappearances at a mountain resort near Mars’ north pole, after an old friend asks Juno to find her brother. The mountains are obviously a lovely place for a wedding, and it just so happens that one of their fellow guests is an obliging official. It’s short and sweet and for the sake of the cover, of course, just a spontaneous elopement to surprise their friends and family when their vacation ends, and they exchange vows using the names of people who don’t exist.

But Juno wonders sometimes whether the Lessoniana Growth didn’t leave some trace in him after all; and this is one of those times, because when they leave those names behind, without saying a word to one another, both of them keep wearing the rings.

“Juno Steel, I could marry you right now,” Peter laughs, covered in blood and grime and bruises, as they slump against the wall in exhaustion, and in that moment Juno is so in love with him, so full of exhilaration and triumph – he had been pretty damn slick back there – that he says, “I think I’m gonna hold you to that.”

Peter blinks at him in surprise for a second, long enough that Juno goes through all five stages of grief for his undoubtedly dead relationship and is halfway through plans to fake his own death and never surface again, before Nureyev says, “Really, my love, I couldn’t be happier, but – would you forgive me if I stretched the now a little bit? Just give me five hours.”

Rita insists on doing it “properly” and so it takes a bit more than five hours until they’re on an abandoned rooftop in Oldtown where the shields are so weak that no one’s bothered with the bugs and cameras that pepper the city. It’s not many people, either – Mick and Rita cry, and Alessandra cracks jokes, and Sasha – as she does every time she meets Peter – threatens him, shakes his hand, tries to recruit him to Dark Matters “for real this time,” and then watches the two of them all evening with guarded approval in her eyes that Juno can only read because of thirty-odd years’ experience. Cassie Kanagawa, smuggled back onto Mars just for the occasion (after Peter broke her out of Hoosegow two years ago – she might have been famous, but no one could erase an identity like him) insists on officiating with all of the presence and flair that made her the darling of the streams in another life.

Peter has no one to invite, but that doesn’t matter because the old vows always had some kind of sentiment like what’s mine is yours, didn’t they? And Juno is giving everything he has to give to this man, and if you were being honest, all that he has to give is what other people have inexplicably seen fit to give him. He likes seeing Peter laugh with his friends, people who know who he is, likes knowing that’s something Peter can have now.

Juno has never had any illusions about marriage. And even if he had, well, half of any PI’s cases come with pending divorces, and he’s seen enough ‘forevers’ fall apart in his fifteen years on the job. But somehow, when he makes vows to Peter Nureyev, promises and forevers feel like they really mean something.

There are a lot of inhabited planets in the JS universe. Like, enough that Engstrom, a guy who trades in information, hadn’t heard of Brahma (so I’d guess low hundreds, minimum). And the governments seem pretty localized - there’s no “human government” or “Space Alliance/Federation” type thing. Consequently, there’s no way there isn’t some kind of Lawless Space Vegas out there with an entire sub-economy based around marriages for people who don’t want their marriage on record anywhere else. The kind of place whose government doesn’t even keep its own records – the kind of place where a name that has been quietly hunted and searched for through the galaxy for twenty years is as safe as any other to put to paper, should its owner wish.

Juno hadn’t honestly expected ever to leave Mars, but for all his reluctance, it’s worth making that damn trip one time just for the look on Peter Nureyev’s face as he writes his name – his own name – on the license next to Juno’s. There’s no ceremony, no rings, no change of names; the certificate hides in Juno’s office, inside the false compartment of a safe only Peter himself has ever succesfully cracked. But they know. They’ve never needed anything else.

#the penumbra podcast #Anonymous #i've felt more like these longer snippets lately than the bullet point lists? i still love me some lists though #also theres no way juno would ever have a serious wedding ceremony unless rita talked him into it #(and he knew peter wanted one because peter is a LOSER ROMANTIC)#headcanon jams #asks #my posts #the grandest hotel this side of nowhere

106 notes · View notes

welcometothepenumbra · 6 years ago

Text

JUNO STEEL AND THE STOLEN CITY (PART ONE)

SOUND: RAIN. TRAIN ARRIVES, CREAKS TO A STOP. DOOR CLANKS OPEN.

CONDUCTOR: Ah, good evening, Traveler. And welcome… to The Penumbra. Take your seat, please, take your seat.

MUSIC: STARTS.

SOUND: DOOR CLANKS SHUT.

The junction lies just ahead, Traveler. If you’ll allow me just a moment.

SOUND: TRAIN WHISTLE.

(CHUCKLES) Well, next stop? Hyperion City.

SOUND: TRAIN MOVING.

A month is a very long time to stake out, but Detective Steel is nothing if not dedicated to his job. And so he sits on a rooftop, day after day, watching the Museum of Colonized History, waiting to see the gangster who is supposed to pay for a killing here, and absolutely nothing has happened.

Until today. Suddenly, the month of quiet has given way, and threats old and new are jumping out of every shadow. But when the metaphorical and literal Martian rain are both 90% acid, Detective Steel had better find cover, and quickly.

SOUND: TRAIN BRAKES. DOOR CLANKS OPEN, RAIN.

Our next stop: Juno Steel and the Stolen City.

ALL SOUNDS: FADE OUT.

***

MUSIC: STARTS.

JUNO (NARRATOR): If you get up early enough and you catch it in just the right light, Hyperion City can be sorta beautiful. The billboards backlit by the early morning light, the dew-spackled trashcans, the sunrise shadows cast by highscrapers and floating mansions… it’s really somethin’. And every time I see it I wish I was dead.

My name’s Juno Steel. I’m a private eye, and I usually don’t see any side of the city that comes earlier than noon, but, lately I’ve been changing things up. Seeing a lot of sunrises. Drinking a lot of coffee. Saying no to old habits like sleep and… no, pretty much just sleep.

SOUND: COMMS BEEP.

RAMSES O’FLAHERTY (FROM COMMS): Juno. Status report.

JUNO: Oh, hey Ramses, it’s… been a big three hours since four AM, got some real exciting stuff to catch you up on.

RAMSES: Glad to hear it. You’ve only been staking out for, what? A month? (CHUCKLES)

JUNO (NARRATOR): I’d been following a lead for weeks on someone who was trying to sabotage Ramses O’Flaherty. And it all pointed here: the Museum of Colonized History, so far on the outskirts of Hyperion City that the building’s roof had to be rounded just to fit on the inside of the Dome. Even here, the buildings were jammed tight enough together you didn’t have room to breathe – and it was at this museum, under the cover of all that sprawl, where I’d supposedly catch a one-eared woman doing some shady business. Which you’d think would be pretty exciting. It sounds exciting, doesn’t it? But what it actually translates to is sitting on a rooftop from early morning to late night, watching a museum all day, every day, until you get so bored you wonder how hard you’d have to pull to take your toes off.

MUSIC: ENDS.

RAMSES: Are you listening? Do I need to get you a cybernetic ear to go along with that eye? I asked if you’d seen any sign of Yasmin Swift’s employer yet.

JUNO: Nope. But my foot fell asleep and I’m bored out of my goddamn mind. That’s the status report. Now entertain me before I take the ‘stir’ out of ‘stir crazy.’

RAMSES: Entertain you? Well, I suppose I’m already the city’s clown. Why not be Juno Steel’s, too?

JUNO: Oh, come on. It’s not that bad.

RAMSES: Not that bad. Would you like me to read this headline to you? Molly Chung, Uptown Bulletin: “Opinion: Ramses O’Flaherty’s Campaign Is As Old And Stale As He Is.”

JUNO: That’s just one—

RAMSES: Hyperion Chronicle: “Study: Pilot Pereyra’s Increased Funding to HCPD Doubles Prison Population, Halves Crime Rate.” That study is just so incredibly inaccurate, by the way. The Beacon: “Treasurer Insists O’Flaherty’s Budget Won’t Balance, Quote, ‘No Matter What Math Says.’” Elysium Times—

JUNO: Okay, okay, so it’s pretty bad. (SIGHS) Explains how Pilot won so many damn elections, anyway. Takes a lot of skill to smear your opponent without getting your hands dirty.

RAMSES: Oh, their strategy is a lot more impressive than that. Everyone knows Pilot’s a crook – but they’ve changed the conversation so that’s a plus. If we’re going to live in a city full of cutthroats, the reasoning goes, we should at least have a cutthroat on our side, too. That’s been their platform for years: the world doesn’t play fair, so why should we?

JUNO: Well, at least nobody’s tried to kill you lately.

RAMSES: Always be grateful for the little things, yes. I wouldn’t rest on those laurels just yet, though – whoever this is, if they’re after my campaign and not just me, their biggest strike will come at the eleventh hour. They still have four days before the election.

JUNO: Guess that means I don’t get to leave this goddamn roof, then. Which is fine, but I guess I just didn’t know doing good would look so much like doing nothing.

RAMSES: Juno…

Nevermind. Your physicals say your knife wound is healing. Are you, ehm… making progress in your physical therapy? They must have given you stretches, or something like that?

JUNO: Yeah, well… doesn’t mean I do ‘em.

RAMSES: You should. It’s not like you have anything better to do up there. You could at least make use of the care I pay for. I have to protect my investment.

JUNO: Yeah, I read about that. The cyber-eye is hooked up to my nervous system, so if my brain function stops, it stops. That’s a lot of creds down the drain.

RAMSES: I didn’t mean the Theia.

We’ve been working together for some time now, Juno. I truly hope that– by which I mean, I hope you don’t think that I merely think of you as… uh, well…

JUNO: Wait, Ramses – hold that thought.

RAMSES: Oh, thank God.

JUNO: I see someone.

SOUND: FOOTSTEPS.

Down in the alley by the museum… the woman with one ear! The Piranha.

JUNO (NARRATOR): She’d gotten away from me once, and I wasn’t gonna forget that. The Piranha, who’d nearly killed Maia King. The Piranha, who was all sharp teeth and a need to bite. If she was behind this, I thought, that would explain the methods used to go after Ramses so far. Roasting roller-coasters and killer criminal consultants seemed like the right kind of over-the-top from the mind that brought you the cat-bomb.

It took everything I had in me not to go down and get her right then. But sometimes you need bait. And sometimes that means leaving a piranha on the line in hopes you’ll catch a whale.

RAMSES: Well? What’s she doing?

JUNO: Just waiting around, it looks like, but… why?

SOUND: CAR DRIVES UP.

Hang on, a car just pulled up. Someone’s leaning out, it’s…

Uh… uh, Ramses?

RAMSES: Juno.

JUNO: You’re not gonna believe this.

RAMSES: You and your buildups. This had better be worth it.

JUNO: It’s Mayor Pereyra.

SOUND: DISTANT CAR DOOR CLOSES, FOOTSTEPS.

Mayor Pilot Pereyra is doing back-alley business with a killer, and I caught them red-handed.

RAMSES: Well. That was worth it.

JUNO (NARRATOR): Pilot Pereyra, Mayor of Hyperion City for four years running, was famous for their stiletto heels. They had a new pair in a new hideous color every week, and Pilot made killings off of ‘em. Both in the literal sense – just ask Sal Barone, found floating in Mars’s orbit with two of Pilot’s heels jammed into his throat – and in the financial sense – like how for a year after, every crime boss in Hyperion paid Pilot hand over fist for a pair like the one that killed Barone. Because Pilot Pereyra didn’t just organize crime: as mayor, they defined it. And if this was the whale the Piranha was gonna bring in… hell, maybe her getting away had been a good thing after all.

RAMSES: You’ve undergone the modifications to the Theia’s Rec Mode, haven’t you?

JUNO: ‘Course I have. I skipped physical therapy last week to do it. Theia, Rec Mode.

THEIA: Rec mode. Activated. Two hours of video storage. Remaining.

JUNO: That’s more like it!

THEIA: Error: Wireless uplink not found. Cannot transmit footage—

JUNO: What kind of low-rent eye did you get me, O’Flaherty?

THEIA: —Please connect to a physical uplink.

RAMSES: One day you’ll think of the Theia like your first car, Juno: all these quirks will just be part of its character. You’ll connect to a physical uplink later.

JUNO: And where the hell does that go?

THEIA: Caution: you don’t want to know.

JUNO: Fine, fine! Just zoom in, already.

THEIA: Zooming in.

SOUND: MECHANICAL WHIR.

JUNO: Damn it, they’re not even looking at each other. It’s like a junior high dance down there. If I could just hear what they’re saying…

THEIA: Suggestion: would you like me to activate. Lip reading protocol?

JUNO: Uhhh… s-sure… if you got a minute.

THEIA: Lip reading protocol. Activated.

SOUND: FUTURISTIC TECH-Y NOISES.

Compiling approximations of voices based on throat movement, infrared analysis, and audio recordings on public record.

SOUND: DING.

Application complete. You’re welcome.

SOUND: BEEP.

PILOT PEREYRA: Interested is definitely one word for it. It’s not every day that an employee tries to become a business partner. So. How much is it going to cost for that information to become my personal property?

PIRANHA: Oh, info’s been free for years, Mayor Pereyra. Information proliferates, see? Doubles, triples, and that don’t cost a dime. So the price ain’t on the info: that’s a gift. The price is on me applying that info for you, and that, well, that’s gonna cost a little more than you got on hand, I’m thinking.

PEREYRA: You’d be surprised how much I can get how quickly.

PIRANHA: (CHUCKLES) This is worth more. Used right, this little legend could be worth more than the whole damn city. And it could fit just right into your next big move. I just want to get in on the ground floor, see? Nothing wrong with that.

PEREYRA: (LAUGHING) Oh, buddy, I think you’re a little confused about what’s going on here.

JUNO: Whoa. Ramses, Mayor Pereyra just pulled a gun on her I– I think. It’s just a bulge in their coat, but… how long has that been there?

Uh-oh.

PEREYRA: What is it now?

JUNO: Theia, zoom in.

SOUND: MECHANICAL WHIR.

Big guy, brown jacket, standing under a lamppost. I think he might be watching me.

RAMSES: Of course. It makes sense that Pilot would have someone covering them.

JUNO: Well, they’ll have to wait. I still don’t have what I need.

RAMSES: Juno…

JUNO: Theia, lip reading again.

SOUND: BEEP.

PEREYRA: The payment’s a gift. Either you’re stepping away from this, or I’m pushing you off. Up to you, really.

PIRANHA: Oh, scary Mayor Pereyra, please don’t. (LAUGHS) I know you like to make inconvenient people disappear. That’s why I’ve made myself as convenient as possible. A luxury you can’t live without, see? Like air conditioning. Or those grocery carts that push themselves. (LAUGHS)

PEREYRA: Just remember who works for who, okay? I’ve got the entire HCPD in my pocket, and that means, I know how often little administrative mistakes happen. Real stupid things, like, uh, putting someone in solitary and losing their papers. Shuffling someone into the life-sentence pile when you meant to put them in the parking-ticket pile. Little stuff.

PIRANHA: I get it. Play nice or get off the court. Easy enough.

So what’s the plan? When do we do the job?

PEREYRA: Preparations are all set. You’ll be in there. Midnight.

JUNO: Midnight tonight?! …Ramses, they’re going to hit the Museum of Colonized history tonight!

…Ramses?

SOUND: COMMS BEEP.

THEIA: Caution: your comms has been. Disconnected.

JUNO: What?!

THEIA: Transmission interference detected.

JUNO: You’ve gotta be—

…kidding me.

JUNO (NARRATOR): There was another person on the roof with me. They were over by the fire escape I’d used to climb up here hours ago. For a second all I could do was wonder how the hell they’d gotten up from the street so fast… until I realized it wasn’t the same person I saw down there. Brown coat, sure, but where the other was broad-shouldered and looked like somebody I might want to buy me a drink or two, this one was thinner, flightier, and more nervous. They were making a big point of not looking at me, scraping something off one shoe with the other, checking their watch, looking at the dome flickering overhead, trying to look… casual? I think? There was a bulge in their coat that might’ve been a comms jammer. Or a gun. Or a whole lot of other unpleasant things.

THEIA: Target is fifty feet away. Recommended course of action: blaster fire.

JUNO: You got real chatty after that update.

THEIA: Target. Approaching.

JUNO: I’m not gonna shoot ‘em, alright? Just keep translating what Pereyra’s saying. They’re getting to the good part and then I can get out of here.

SOUND: BEEP.

PEREYRA: All security in there’s got a panic button for instant lockdown, but, so long as you don’t get seen, there’s nothing wrong with a late-night visit to the museum.

So you’ve got the codex, huh? How many square miles does that thing cover?

PIRANHA: The whole city. (CHUCKLES) That’s a lot of information, Pilot. If we get it.

PEREYRA: When we get it. You have to visualize. You have to believe.

SOUND: FOOTSTEPS.

JUNO (NARRATOR): I couldn’t help it – hearing those footsteps, feeling my heart race: I glanced over my shoulder.

THEIA: Target is fifteen feet away.

JUNO (NARRATOR): The distance was bad – but it wasn’t the distance that made my blood run cold. It was what I saw on their chest as they pulled their lapel back.

THEIA: Firearm detected.

JUNO (NARRATOR): No, wasn’t that either. It was the thing right underneath the gun: a badge, with the letters HCPD shining on it.

And that was bad. Because to the dirty cops in the HCPD – so, most of ‘em – Pilot Pereyra was their ringleader. If I threatened Pilot, the cops wouldn’t bother with a trial. They’d pretty much go straight to the chair. Not the electric one, just one they’d shoot me in.

The cop had stopped pretending not to see me now. They pulled the gun.

VOICE: Freeze!

THEIA: Calculating distance to next rooftop.

VOICE: If you’re waiting for backup, you’re not gonna get it. I have this area checked. You’re alone.

JUNO: Nope, not waiting for backup.

THEIA: Next rooftop is within. Jumping distance.

JUNO: Just stalling on this next part, ‘cause I’m gonna hate it. Bye!

SOUND: RUNNING FOOTSTEPS.

VOICE: Hey! Get back here! I said freeze!

THEIA: For optimal timing, jump in three… two… one…

JUNO: (SCREAMS)

SOUND: THUD.

JUNO (NARRATOR): It was a beautiful flight. It was a beautiful landing. And, just to finish the set: the cop made a beautiful shot.

SOUND: BLASTER SHOT.

JUNO: (GRUNTS)

VOICE: (DISTANT, FADING) Crazy idiot, jumping that far – don’t move! Not that you can! Oh, what a day, what a day, get a call from my landlord, now this…

ALL SOUNDS: FADE OUT.

***

SOUND: SLAP.

VOICE: Wake up.

I said wake up.

SOUND: SLAP. DISTANT MUSIC.

JUNO: Wow, this alarm is annoying. You mind hitting snooze for me?

SOUND: SLAP.

Ow! Ow, okay, I’m up.

VOICE: About time. And if you want to stay awake, you’ll tell me what you know.

JUNO: I… don’t want to stay awake – that’s kind of what I just said.

VOICE: What? Don’t question my threats!

SOUND: SLAP.

JUNO: Wow, you got a lot of slaps in you, huh? This pretty much your whole playbook for interrogations, or can I expect some surprises?

VOICE: You want surprises, huh? Hm, I’ll get you some surprises…

SOUND: FOOTSTEPS DEPARTING.

JUNO (NARRATOR): I wanted them off me for a second so I could get my bearings. I was tied to a chair in a room with concrete walls, cold, damp air, tools hanging from hooks across from me. My first thought was medieval torture chamber. My correct thought, a few seconds later, was suburban basement.

When the cop was on their way back, I got a look at the name on their uniform. “L-T L-O-O,” it said. Lieutenant Loo. Never heard of ‘em.

SOUND: DISTANT, MUFFLED VOICES.

VOICE (LOO): So, now that I’m prepared… do I have to send a laser through your head, or are you going to tell me what I want to hear?

JUNO: You’re a natural-born leader and that eyeshadow looks great on you.

LOO: What?

JUNO: Do you all wear coats like that? Yours looks a little nicer than your buddy’s on the street, but I—

LOO: Coats? My buddy on the str– what are you talking about?

JUNO: If you don’t know? Nothin’.

LOO: But—

JUNO: So what were you doing on that roof, anyway? Funny place to take a walk.

LOO: I was gonna ask you the same thing.

JUNO: Not very original of you.

LOO: It was my plan first!

You’re the one tied to the chair! Why am I answering the questions?

JUNO: I don’t know. Why are you?

LOO: Low self-esteem and a natural tendency to follow orders– oh, damn it! (GROANS) Look. I know you were watching Mayor Pereyra. What did you see?

JUNO: No idea what you’re talking about.

SOUND: SLAP.

Ow! Slaps? Again? You’re holding a gun!

LOO: Shut up! Tell me what you saw!

SOUND: SLAP.

JUNO: Ow, quit it!

LOO: Not til you tell me what you…

That looks like a cybernetic eye. You didn’t record anything, did you?

JUNO (NARRATOR): The hardest part of any interrogation is the balancing of information: figuring out how much the other person knows, how much they want to know, how much you know, how much you can make them think you know, and, most importantly, how little you can make them think you know.

LOO: So? Did you?

JUNO: Yeah, what’s it to you? Since when has recording people without their permission been a crime?

LOO: Send me the footage. Now.

JUNO: Rather not.

LOO: Send me that footage, or I pull the trigger.

SOUND: GUN COCKING.

JUNO: Not gonna help you any. Eye’s worked into my brain – that’s how it does all these weird things like make me shoot faster and speed up my reflexes and give me this one dream over and over again where I’m falling into a giant birthday cake that has my mother’s voice. You kill me, and all the data on it gets scrambled.

LOO: Just send me the footage, then.

JUNO: Love to, once we get to the station. Why didn’t you bring me to the station, anyway? I mean, this is a nice basement, but still. How’re the kids?

LOO: The what?

JUNO: You’ve got half a dozen sand-sleds up against the wall over there. I can tell at least three of your kids are little because one, those mittens are tiny and adorable, and two, all the left ones are missing.

LOO: Those aren’t… I-I’m not…

JUNO: Taking your dirty cop business into your home, huh? Pilot Pereyra covers your boots in mud and you track it all inside?

LOO: Mayor Pereyra? But I wasn’t—

JUNO: The hell are your kids gonna think of you, Loo? Embarrassing. A train wreck.

LOO: Oh! This isn’t my house!

SOUND: DISTANT, MUFFLED CRYING.

Damn it, now look what you made me do!

JUNO: You’re a cop who breaks into people’s basements for interrogations? What’s wrong with you?

SOUND: DISTANT DOOR OPENS. CRYING GETS LOUDER.

CAPTAIN KHAN: (DISTANT) Loo! What the hell is goin’ on down there?

LOO: (YELPS) Captain Khan! I-I-I-I didn’t mean—

SOUND: DOOR SLAMS SHUT. STOMPING FOOTSTEPS.

JUNO: Captain… Khan?

KHAN: You done questioning him yet? You show up at my apartment with someone in a damn duffel bag and then you wake the baby?!

Oh, no. No, no– d-agh, God damn it, it’s you!

JUNO (NARRATOR): Omar Khan was a good guy – and that’s why he’s one of the only cops in Hyperion City that I never wanted to deal with. The other ones you could punch all you wanted and never feel bad about it, but Khan… was clean. And that meant I had to play nice, or else…

Nothing, okay? I’d just feel bad. I liked Khan. He was a good cop. He became the Captain of my old precinct after I left and he’d really turned the place around, or… so I heard. And that meant the world was a better place with him in it. Or whatever. Ugh.

Also probably worth saying that Khan didn’t feel the same way about me.

KHAN: Loo, you moron! You didn’t tell me the Nosy Nanette you brought in was Juno goddamn Steel!

LOO: Am I supposed to know who this is?

KHAN: Oh, right. You’re new.

JUNO: Come on, Loo. Didn’t anybody ever tell you that the first thing you’re supposed to do at a new job is catch up on the old gossip?

KHAN: We can’t trust a goddamn word Steel here says! Didn’t anyone tell you about the Hijikata case?

LOO: The… what? Please?

KHAN: You got spaghetti in those ears, Loo? Don’t they teach you curiosity in diaper-school anymore? Captain Hijikata! Of the one-five-one, our goddamn precinct! It was the case of the damn decade and this walking pile of nitroglycerin decided to—

JUNO: We really don’t need to get into the details, thanks.

KHAN: We can’t trust him. Especially when it comes to taking down someone reeeally big. Steel’s a glory-pig. Honor-hound. Wh-whatever. Anyway, why’s he here? You said this had something to do with our op?

JUNO: ‘Course it does, Captain. I’m gonna help you take down somebody really big.

KHAN: What?!

LOO: Uh… he’s telling the truth, Captain Khan. He— (GULPS) …saw the meeting.

KHAN: And where the hell were you?!

LOO: Seeing him… seeing the meeting.

Traffic was really bad and I got a call I had to take I’m sorry.

KHAN: God damn it! After months we finally get someone on the inside with Pereyra just to get the details on this meeting and you missed it because you were on the comms?! How the hell are we gonna pin them now? You got another sting ready to go, Loo? Do you? In the next four goddamn days?!

JUNO: So that’s what all this is? A sting to catch Pilot?

KHAN: Of course it is! The hell do you think we are, some kinda sneaky-sneak on-the-take-takers? No way. We’re— (COUGHING) We’re the good cops.

JUNO: …There are… only two of you.

KHAN: ‘Course there aren’t only two of us, blockhead! There are– I don’t know, four or five, at least.

LOO: Captain, there are more than five—

KHAN: Well, I’ve never counted, alright? Maybe you don’t give two ding-dongs about doing the right thing, Steel, but some of us are busy trying to make the world a little better! We’ve been tailing Pereyra for months, and I’m not gonna let you get in my way.

JUNO: Not planning on it, Captain.

KHAN: Oh. That’s– nice.

(CLEARS THROAT) So, uh… did you see what they were talking about?

JUNO: Yeah.

KHAN: You wanna tell us?

JUNO: Nah.

KHAN: I knew it! You weasel! You skink! You… momonga!

JUNO: Don’t know what’s got you so upset, Khan. I wasn’t lying. I’m not gonna stand in your way – I’m just not gonna say anything unless I get to come along for the ride.

KHAN: What?!

LOO: There might be one way around it, Captain. He said he recorded it all. On his… eye.

KHAN: On his…!

…on his eye. Hmmmm.

SOUND: FOOTSTEPS.

Hey, look at that. You didn’t have that last time I saw you. Where’d you get it, Steel?

JUNO: Left my real eye under my pillow and the eyeball fairy dropped it off.

KHAN: Doing something illegal is my guess. For one of your usual business partners. Valles Vicky, Clark the Shark, Cecil Kanagawa… something that’d leave a trail, I’ll bet.

JUNO: You’re close enough that your mustache is leaving a trail into my mouth, Khan. Back off.

KHAN: (GROWLS)

SOUND: FOOTSTEPS.

Lieutenant!

LOO: Yes, sir!

KHAN: I want as much data as you can get on everyone Steel’s talked to for the past three weeks. Pull from Security Office databanks, private camera feeds, everything. How long’d that take you?

LOO: About two days, sir.

KHAN: Meanwhile I want you to get Goren to look into that eye: make, model, most importantly, how to pull the data out of the damn thing. Tell her she has a day and a half.

LOO: Yes, sir!

KHAN: Ha-ha! You hear that, Steel? We got you this time. Either you tell us what you saw, or in two days, we’ll know.

JUNO: Y’know, Khan, I got to hand it to you: that’s pretty impressive. Two days is fast.

KHAN: You bet your booper it is.

JUNO: But not fast enough to make it in time for Pereyra’s heist tonight.

KHAN: …What’d he just say?

LOO: I think he said… that Mayor Pereyra’s gang is going to do a heist tonight.

JUNO: At midnight, specifically.

LOO: At midnight, specifically.

KHAN: Yeah, yeah, I heard him.

JUNO (NARRATOR): Poor Khan looked like a balloon with all the air let out. Or, maybe just a balloon that was depressed. And that meant I was playing the interrogation game right. I’d given them just enough info to make them think I knew more – to make them want to work with me. And sure, I didn’t actually know more; but so long as they didn’t ask for anything else, that never had to be a problem.

KHAN: No, no no, wait, you know what – I don’t buy it. You could’ve just made that up. Might not know a damn thing, could’ve just made up some heist tonight to get us going. No. I think we’re gonna wait the two days. But thanks for the intel.

JUNO (NARRATOR): Well, so much for “not a problem.”

But interrogation’s like a high-stakes card game, and that means there are two ways to win. Either you actually get a good hand… or you bluff. Last card game I played like this, I wasn’t the one bluffing.

Wasn’t alone, either.

But no matter what I wanted, I was alone now. So I played my last card… and I bluffed.

JUNO: It’s in the Museum. Pilot told their gang to hit the Museum of Colonized History at midnight tonight and I know what they’re gonna steal.

LOO: Huh?!

KHAN: Huh. That’s… specific.

And if it’s supposedly tonight, it’s not like we’d have to wait long to find out if he’s lying.

LOO: But the Museum of Colonized History is huge, Captain! If it’s just the two of us, how can we be sure we’re going to check the right part? While we’re in the North Wing, the mayor’s gang could be robbing the South Wing.

JUNO: Captain, look. I know you’ve got a million reasons not to trust me on this. I know my reputation’s not exactly sparkling, and one time I tried to steal classified evidence off your desk, and later that same day I handcuffed you to a car, which was very funny, but also very wrong, probably.

KHAN: Steel—!

JUNO: And I know you probably have a million good reasons to take Pilot down and I might only have one but it’s a pretty damn good one, so I just. Need. To be there. Tonight. …Okay?

KHAN: (GROWLS)

LOO: Captain. This close to the election, this might be our last chance. If we could just get one person from Mayor Pereyra’s gang to talk—

KHAN: Alright, alright, fine. I’ll babysit the P.I. You happy?

JUNO: I’m happy.

KHAN: But listen up, Steel. When I’ve got the scent of something big, you’d better not get in my way. You try it, I’ll show you just how scary Omar Khan can get. Got me?

SOUND: DISTANT DOOR OPENS.

VOICE: Omar! We just got another one of those letters from the landlord! Do you want me to open it, or—

KHAN: Damn it, Noor, I told you I’m doing business down here!

VOICE (NOOR): Oh, do you have some friends over? Did you ask them if they want some pasta?

KHAN: I said we’re busy!

NOOR: Omar! What kind of a host are you! You drag them into the basement, let them make all this noise, wake the baby—

KHAN: ALRIGHT, FINE!

Do either of you want pasta?

(SIMULTANEOUSLY) LOO: No thank you. JUNO: I’m good.

KHAN: They don’t want pasta!

NOOR: What?

KHAN: I SAID THEY DON’T WANT PASTA!

Are you sure?

JUNO: Yeah, thanks, I’m all set—

LOO: Actually, I am a little hungry.

KHAN: Nevermind, I’ll come up and get two bowls in a minute, Noor! Thank you! I love you very much and I’m glad we’re working on our communication!

(PANTING) Ah– alright. So, like I said: all business, Steel. You’d better get used to that. First, farfalle; then, you and I take a little trip to the museum.

ALL SOUNDS: FADE OUT.

***

JUNO (NARRATOR): In P.I. work, a real big lie is like a summer rainstorm: it comes on suddenly, it’s really hard to get out from under, and it’ll burn just all your skin off if you don’t get dry quick. Summer’s pretty rough on Mars.

I’d told a whopper of a lie back in Khan’s basement, and I’d gotten soaked before we ever made it to the museum. All it took was nine words, said while Loo was driving us:

KHAN: So where in the museum are they gonna hit?

JUNO: I, uh, told you, Khan, if I say that, you’ve got no reason to bring me.

KHAN: Yeah, whatever, keep your secrets if you want, I don’t care. But the Lieutenant at least needs to know which door to drop us off at.

JUNO (NARRATOR): The Museum of Colonized History is huge: blocks and blocks of dome prototypes and early terraforming pods and the mummified remains of the first space-colonists. If I picked a door at random, we’d miss the heist entirely, and there went my lead.

So what did I know? Not much. The Piranha shared some intel with Pilot, but it wasn’t enough on its own; there was something in here with information on it, and Pilot wouldn’t know how to read it without the Piranha.

One of the last things I’d picked up before Loo zapped me was a word: “codex.” A codex that covers the entire city. I had no idea what that meant, not yet, except for one thing: there was one wing of the Museum dedicated to things that covered the entire city.

KHAN: So? You’d better have something, Steel.

JUNO: The Hall of Maps. West entrance should get us there. Come on, Loo, you better speed this thing up; we don’t want to be late again.

LOO: I know, I know.

JUNO (NARRATOR): Loo dropped us off at the Hall of Maps at 11:30. We crawled through the window and crept past walls covered with old paper and flickering diodes, images of a thousand sprawling Marses measured and cut-up and categorized. There were maps from throughout the ages: before the telescope, before the terraforming pod, before the transgalactic travel engine.

It was beautiful, or whatever. But there was one thing that stuck out to me most of all:

JUNO: God, this place stinks.

KHAN: You get a free pass to the wonders of human progress and all you can think about is the smell?

JUNO: Yeah, basically. I hate that musty old hard drive stink. Just mold and motherboard-termites.

KHAN: It’s history, damn it! These are the maps that invented space colonization, Steel! You wouldn’t be here without ‘em!

JUNO: So that’s a con. Got any pros?

KHAN: (GROWLS) It’s not worth talking to a punk about the unpunkable. You couldn’t see the value of these maps if they reached out and tickled your whiskers.

JUNO: Anyway, why do you care? Aren’t you from Earth?

KHAN: (GROWLS)

JUNO: If you want history, Earth’s got thousands of years on literally anywhere else – you don’t have to travel thirty-four million miles to find history. People leave a mess everywhere they go.

KHAN: Sometimes a place means more than just itself. It’s an idea, or a promise, or… something. And even if that promise doesn’t get kept, it means you can go there and expect them to keep it. Demand they keep it. You know what I mean?

JUNO: I… huh, I-I do, actually, but, what promise—

KHAN: It’s like with my Little Mom. Made this curried lasagna every Tuesday for Big Mom. You do that long enough, it’s like a promise, right? Gotta keep a promise, or it goes bad. We’re all just like egg-noodles in the lasagna, skim milk in the sauce. Never should’ve thrown out that recipe.

JUNO: And hey, just like that, I lost you.

Found someone else, though. Hide!

SOUND: WALKIE-TALKIE BEEP.

VOICE 1: (DISTANT) Hallway B is clear. Moving on target.

SOUND: WALKIE-TALKIE BEEP.

KHAN: You get a good look at ‘em?

JUNO: It’s pitch black in here, Khan, of course I didn’t get a good look at ‘em.

THEIA: May I suggest. Night-vision mode.

JUNO: …Yet. Did not get a good look yet. Will in a second. Come on, follow them.

SOUND: SOFT ELECTRIC HUM.

THEIA: Night-vision mode. Activated.

JUNO: Looks like they’re armed, and… it’s hard to make anything else out from this far away.

KHAN: Gun sounds like a good reason to stay far away to me.

JUNO: Unless they’re one of the gang’s lookouts – then we can’t risk losing ‘em.

KHAN: Muh, alright. Then I guess we’ll just stay far away from close up.

SOUND: WALKIE-TALKIE BEEP.

JUNO: Wait, they stopped!

VOICE 1: Reporting in. Just heard a noise outside the First Light Room. I’m gonna go check it out.

SOUND: WALKIE-TALKIE BEEP.

JUNO: Damn it, damn it, damn it!

KHAN: Don’t get your petticoat in a twist just yet, Steel.

SOUND: DOOR OPENS.

Looks like our burglar oughta burgle some better ears. He’s walking away from us.

JUNO: He’s headed into that exhibit. Follow him.

SOUND: WALKIE-TALKIE BEEP. RUNNING FOOTSTEPS.

VOICE 1: Didn’t find anything. Returning to group.

SOUND: WALKIE-TALKIE BEEP.

JUNO: You hear that? He’s going back!

KHAN: So?

JUNO: So we have to pick ‘em off one by one, don’t we? Learn what we can from each one, and then—

KHAN: Hang on. Something’s not right here.

What the hell are they trying to steal, exactly?

JUNO: I told you, I’m not gonna—

KHAN: —because you needed to come along, you said. Well, now you’re along. It sounds like we’re in the room they’re robbing.

JUNO: And while you’re wasting time, he’s gonna get away!

KHAN: So tell me, Steel. What are they stealing?

JUNO (NARRATOR): Sitting there in the dark, with Khan’s hand on my shoulder, all I could think about was that this was our moment and we were letting it pass us by. Because at the tail end of every failure case, there’s always one moment you can look back at and say to yourself, “I should have taken the shot.” A single mistake. A moment that you can beat yourself up about for years. Thinking about how if you’d just done it, if you’d just jumped when the time came to jump, it all would’ve worked out in the end.

Staring at that shadow in the doorway, I knew one thing: I wasn’t going to let this be that moment.

SOUND: FABRIC RUSTLING.

KHAN: Steel, what– what the hell are you doing, Steel? Get back here!

JUNO (NARRATOR): “I’m not gonna look back at this and wish I’d done something,” I thought.

And I was right. Later I’d look back and wish I hadn’t done anything.

JUNO: Hmf!

VOICE 1: Oof!

SOUND: HEAVY THUD. RUSTLING.

JUNO: Alright, buddy, you’re gonna tell me what your gang is after, and you’re gonna tell me now.

KHAN: Steel, he’s reaching for something!

JUNO (NARRATOR): So I panicked.

SOUND: BLASTER SHOT.

VOICE 1: (GRUNTS)

KHAN: …A gun? Where the hell did you get a—

When did you take my gun?!

SOUND: ALARM.

God damn it, what now?

PIRANHA: (DISTANT) Ugh, the alarm! Unless you want a laser through each of your thick skulls, you’re gonna find who hit that god damn alarm, see!

JUNO: Come on, we have to hide. We’ll let the Piranha clean up her own mess.

SOUND: RUNNING FOOTSTEPS.

PIRANHA: Well? You see anybody?

PEREYRA: Hey there, no reason to get all excited. Looks like our party crasher just crashed.

KHAN: That voice… is that Mayor Pereyra?

JUNO (NARRATOR): It was. The Piranha. Two goons. And Pilot Pereyra.

What the hell were they doing here? Why the hell would a crime boss on Pilot’s level show up to their own heist?

It didn’t make sense. It didn’t make any sense.

KHAN: Oh, no. No way, no how.

JUNO: What?

KHAN: That fancy eye of yours make you soft in the cerebellum? Look at that gangster’s face! She doesn’t recognize that poor sucker you just knocked out!

PIRANHA: Well, well. Just who the hell are you?

PEREYRA: Looks like a museum security guard. And it sounds like he flipped quite the alarm.

PIRANHA: Damn it, I thought you said you knew the patrol schedule!

PEREYRA: Hey, Pilot Pereyra makes the trains run on time, but I never promised to make the guards do the same.

PIRANHA: (GROWLS) Alright. If that’s how you wanna play it… plan B. We’ll have to blow our escape plan, but—

PEREYRA: Leave the escape to me. Now. Show us how it’s done.

PIRANHA: Fine. Hey, you. What’s your name?

VOICE 2: His name’s Mike. He doesn’t talk.

PIRANHA: Good for him. Hold this comms, Mike. We’re gonna take a home movie.

JUNO (NARRATOR): The Piranha stepped closer to the guard I’d stunned.

And she pointed her gun right at his head.

SOUND: GUN COCKING.

The Piranha’s flashlight caught his badge and I saw his name and… I’d never unsee it again: Barton Pollock. Barton. Sounded like my brother’s name, if you thought it fast enough, if your mind was spinning around it. Bart to his friends, or Barty? Kids, husband, wife, friends?

I felt so sick that when Pilot stepped forward, hand up, I even let myself get hopeful for a second.

PEREYRA: Hey, hey now… let’s not rush in without thinking, alright?

PIRANHA: You said solve it my way, so I’m solving it my way, see? You have a problem?

PEREYRA: I do, actually.

JUNO (NARRATOR): Maybe they’ve got a soul after all, I thought. Maybe this city isn’t as bad off as I thought it was.

PEREYRA: Your blaster’s on stun. Better set it to kill – you can tell the difference on video.

JUNO (NARRATOR): That thought didn’t last long.

PIRANHA: Thanks, Mx. Mayor. Start rolling, Mikey.

SOUND: ELECTRONIC BEEP.

Dear Museum of Colonized History Security Force, HCPD nightowls, late-night comms scanners and all other busybodies: we know right about now all you got blasted with a hell of an alarm from this exhibit, and we know you’d probably like to do something about it.

Well. Me and my associates invite you to consider a different option, see: we got about a half-dozen hostages here we was hoping to trade for clean getaway, but if any of you flash so much as a siren? Well. We might just have to do something to those good citizens. Something… like… this.

SOUND: BLASTER SHOT.

JUNO: No way. No way, no way, no way…

KHAN: (GRUNTS)

PIRANHA: Your move, coppers. (CACKLES) We’ll call again in fifteen minutes. Cut the feed, Mikey.

SOUND: BEEP.

How’s that for style?

PILOT: Not bad. Just… make sure I don’t end up in frame.

PIRANHA: I’m a professional, ain’t I? Now let’s go check on the hostages – and our map.

SOUND: FOOTSTEPS DEPARTING.

JUNO: I can’t believe… I can’t believe she killed him. While he was out cold. Khan, what do we do?

Captain?

KHAN: Never should’ve listened to you. Damn it, god damn it, I knew I should’ve waited. I knew it!

JUNO: What…?

KHAN: You don’t know a thing about this heist, do you? You didn’t know the guard. You didn’t know Pereyra was gonna be here. You knew a little, sure, enough to dupe me. But this was all just another Juno Steel lie, wasn’t it?

JUNO: The heist was tonight. So what if I didn’t know everything? You were gonna sit back and just let it happen.

KHAN: You think that guard’s kids care which of us was right?

I can’t even blame you. I’m the one who listened. I’m the one you took the gun from. Damn it, I should’ve waited. Damn it!

JUNO: Khan?

KHAN: Just shut up and give me my gun.

JUNO: …Okay.

KHAN: We rushed in, that’s the problem. And now we’re… here.

(CLEARS THROAT) But it’s not gonna happen again, Steel.

MUSIC: STARTS.

You hear me? From here, we do it the way we always shoulda: slow. And nobody dies anymore, you hear me?

JUNO: Slow? But Captain—

SOUND: FABRIC RUSTLING.

JUNO (NARRATOR): Khan grabbed me by the coat and pulled me so close I could smell the pasta on his breath – and see his eyes twitching, wild. Scared.

KHAN: We do this by the book. And the book says nobody. Dies.

JUNO (NARRATOR): Khan was in the kind of mood right then that you don’t argue with, so I didn’t. Didn’t tell him what I thought: that I had no idea what book he was talking about, but any book that tells you nobody’s gonna die is lying. Because you can romanticize the past all you want; put it in a nice case with a tasteful little plaque next to it, but the fact is, that the book of time is written in blood. Elections, colonization, policework… you don’t get the fancy statues and the pretty maps without dropping a few bodies along the way. Which isn’t to say those people deserved to die, or that their killers deserved to live. Just, that history is only written by those who live long enough to write it.

Barton Pollock didn’t deserve to die.

Yasmin Swift didn’t deserve to die.

I can’t even swallow the idea that the Proctor deserved to die, not while there was a way around it. But the fact was that they were dead and I was alive, and that had been the price to get to this moment… for now.

I was sure it would cost more before we were done. It always did. The best I could hope to do was make sure the right person footed the bill… even if that meant paying up myself.

MUSIC: ENDS.

***

SOUND: TRAIN MOVING, MUSIC.

CONDUCTOR: If you’ve enjoyed this tale, please consider donating to The Penumbra on Patreon. Our artists work tirelessly to bring you these stories, and if you have the means, we hope you will support our efforts. Every dollar helps. You can find that page at patreon.com/thepenumbrapodcast. If you support us on Patreon at the $10 level or higher, you’ll receive access to commentary tracks like this one, from actors Kate Jones, Avi Meehan, and Joshua Ilon, and co-creator Sophie Kaner:

SOUND: TRAIN STOPS, DOOR SLIDES OPEN, RAIN.

SOPHIE: …Well I also think that, I’m sure, Joshua and Kate can, um, relate to… playing themselves. (LAUGHS)

KATE: What?

JOSHUA: I have no idea what you’re talkin’ about.

AVI: Oh, can I say one more thing?

SOPHIE: Yeah!

AVI: Can I say one more thing? Can—

SOPHIE: Say two! Say three!

AVI: I think, another thing that was really exciting was, um I’m a non-binary hume [is this a word?], and getting the opportunity to play a non-binary character was sooo gosh-dang exciting for me, just because it’s sort of like, ‘alright, you’re small, you look kind of– you, you’re just a girl!’ And I’m like…

SOUND: DOOR SLIDES SHUT.

We would like to give special thanks to all who support us on Patreon, but especially to Francie Liana, Charlie Spiegel, Minchowski, Lynné Herman, Jaimie Gunter, and the Princess and the Scrivener for their incredibly generous contributions per episode. Thank you.

This tale, Juno Steel and the Stolen City, was told by the following people: Joshua Ilon as Juno Steel, Elliot Sicard as Captain Omar Khan, Avi Meehan as Lieutenant Loo, Simon Moody as Mayor Pilot Pereyra, Sophie Kaner as the Piranha, Matthew Zahnzinger as Ramses O’Flaherty, and Kate Jones as Noor Khan.

On staff at The Penumbra: Kevin Vibert is our lead writer and recording engineer. Sophie Kaner is our director and sound designer. Grahame Turner is our script editor. Noah Simes is our production manager. Alice Chung is our designer and financial manager. Original music by Ryan Vibert. Promotional art by Mikaela Buckley.

The Penumbra is created and produced by Sophie Kaner and Kevin Vibert.

I’m afraid this is the end of the line for today, dear Traveler. We hope you will ride with The Penumbra again soon.

ALL SOUNDS: FADE OUT.

#juno steel

9 notes · View notes

welcometothepenumbra · 6 years ago

Text

JUNO STEEL AND THE LESSON LEARNED (PART TWO)

SOUND: RAIN. TRAIN ARRIVES, CREAKS TO A STOP. DOOR CLANKS OPEN.

CONDUCTOR: Ah, good evening, Traveler. And welcome… to The Penumbra. Take your seat, please, take your seat.

MUSIC: STARTS.

SOUND: DOOR CLANKS SHUT.

The junction lies just ahead, Traveler. If you’ll allow me just a moment.

SOUND: TRAIN WHISTLE.

(CHUCKLES) Well, next stop? Hyperion City.

SOUND: TRAIN MOVING.

Detective Steel entered the Fortezza trying to prevent a murder. But the way this case is going, he might soon be the victim of one. A serial killer from twenty years ago has set her sights on our detective, and if she wins, her murderous curriculum will be renewed.

SOUND: TRAIN BRAKES. DOOR CLANKS OPEN, RAIN.

Our next stop: Juno Steel and the Lesson Learned.

ALL SOUNDS: FADE OUT.

***

MICK: Hey, Jay?

JUNO: Yeah, Mick?

MICK: How come it feels like every time I see you we get trapped in some lunatic’s crazy murder-game?

JUNO: I don’t know, Mick. Just lucky, I guess.

MUSIC: STARTS.

MICK: Yeah. Now that you mention it… I think you might have pretty bad luck, Juno.

JUNO: Me?!

MICK: Yeah! I mean, the Proctor locks us up, gives us both guns, and says we’ll have to shoot each other if she’s gonna give us the antidote to the-the-the whatyacallit, the-the Sundial Toxin?

JUNO: Hourglass Venom.

MICK: Ha, that’s a good one, Jay, but I’m pretty sure it’s Hourglass Venom, like I said.

JUNO: That’s not what you—

SOUND: COMMS BEEP.

PROCTOR (FROM COMMS): That’s enough bickering, Mr. Steel, Mr. Mercury. Now, your test is just down this hall. Onward! Education awaits.

JUNO (NARRATOR): The attic of the Fortezza was a condemned cell block from back in the days when this place was for sealing criminals away – not rewarding them. In a lot of ways it reminded me of my old wedding gown: it was dusty, smelled like a lot of dreams had probably died in it, and pushed off into a dark corner somewhere in hopes that everyone would just forget the damn thing ever happened.

And the worst of it all was the tenant here: the Proctor, a fame-seeking serial murderer who’d just come out of retirement and was making up for lost time. First, she planned to kill Mick and me with Intro to Chemistry, and then in two hours she’d move on to the first candidate for mayor in fifty years who might actually try to make this city a better place.

That guy’s name was Ramses O’Flaherty. And my name’s Juno Steel. I’m a private eye. And right then I was the only thing standing between Ramses and death. And me and death.

MICK: (WHISPERING) Psst! Hey, Jay!

JUNO (NARRATOR): And him and death.

MICK: Jayjay! I just thoughta somethin’!

JUNO (NARRATOR): I was usually the only thing standing between Mick and death.

MUSIC: ENDS.

MICK: This is, like, my moment, isn’t it? I took this job so I could prove that danger is what my life’s missing. And hey, this is very dangerous! That’s pretty lucky, I think.

JUNO: With luck like that, you should start investing in lottery tickets.

MICK: Hey, that’s not a bad—

JUNO: Don’t!

(QUIETLY) Can’t make that joke with him, Steel, he’ll really do it.

MICK: What was that?

JUNO: Alright, so you want to be a P.I. or a special agent or something?

MICK: I-I was thinking more like a superhero, but… I’m willin’ to work my way up.

JUNO: If you want to do this, you gotta be able to analyze your situation. So, they must’ve given you some training before they stuffed you in that uniform – didja pick anything up?

MICK: Uhhh, I don’t know. I wasn’t really paying attention.

JUNO: And, there it is.

MICK: Except… oh, oh!! They showed a map of the Fortezza! And I even memorized it!

JUNO: Wait, seriously? That’s perfect, Mercury!

MICK: You’re tellin’ me! And hold on, now, gears are turnin’, gears are turnin’…

Oh! Sweet shining nebula, Jay, I think my brain mighta just done a clue!

JUNO: We’ll clean that up later. This is great! If you remember how this old cell block is organized you should be able to get us to, I don’t know, a boarded up window or wall or something, and maybe we can break through—

MICK: This floor wasn’t on the map!

JUNO: …What?!

MICK: Yeah! They didn’t tell us anything about these floors during training at all! Heh. Wow, this Proctor really is smart, isn’t she? I mean, I’ve lost a room before, but losing two whole floors? You’d have to be, like, a genius to hide two whole floors from the people who own the building!

JUNO: I knew it wouldn’t be that easy. (SIGHS) I don’t know if that’s a sign of genius, Mick, but it’s definitely a sign of something.

MICK: Like what?

JUNO: Not sure yet. But I’ve got a hunch.

MICK: I mean, I didn’t want to say anything, but you should probably work on your posture, buddy.

JUNO: That’s not– nevermind.

(CALLING) Are we there yet? I’m tired and he keeps bugging me.

PROCTOR: Just one more door, Mr. Steel. That’s it… just ahead…

SOUND: DOOR OPENS.

Your next exam!

SOUND: DOOR CLOSES.

JUNO: Wow, more mannequins!

You shouldn’t have. We moving on to Art 102 now?

PROCTOR: No no, art is behind us. The three lessons you’ll have to pass today are the three Rs: Reasoning, Reading Comprehension, and… well, the last one’s a surprise.

MICK: Sure glad spelling isn’t one of them. I didn’t know surprise started with an R.

JUNO (NARRATOR): The test on Reasoning didn’t look like much. Four mannequins stood in front of us, each with a button on its chest and a tangle of wires snaking into its feet. But there was going to be a trick to it. There had to be.

PROCTOR: The mannequins are only half of the test. Are you ready for the second half?

JUNO: Depends. Is it four more mannequins?

MICK: Jay, that was kinda rude.

PROCTOR: No no, I’m afraid not. Now listen closely, because I’m only going to say this twice:

MICK: Twice?

PROCTOR: Sage, Vladimir, Aisha, and Sponge walked down the road together side-by-side, holding hands. Two wore shirts of red, and two wore shirts of blue; but none would stand next to another wearing the same color shirt.

JUNO: Oh, you’ve got to be kidding me.

MICK: Who? What? Who??? What???

JUNO: It’s a puzzle, Mick. A stupid puzzle.

PROCTOR: It’s a very good puzzle. Now be quiet.

(CLEARS THROAT) Aisha, the baker whose shirt was red, held hands with only one other person. Sponge’s shirt was also red. Vladimir held hands with two people, one of whom was a detective; the other was Aisha. Sage could not tolerate anyone holding her right hand. Vladimir was not the murderer.

MICK: Well! That got exciting very quickly!

PROCTOR: Among them were a detective, a baker, a fortuneteller, and a murderer. If you do not find the murderer, they will kill everyone else in line – and they will kill you, too. (CACKLES) So tell me: which of these four mannequins is the murderer?

JUNO: This is what you got famous for? Seriously?

PROCTOR: I know! Very impressive, isn’t it? I’ll give you a tip: in a multiple choice exam, always be certain to eliminate silly answers before—

JUNO: It is not impressive! It’s the kind of thing they give to bored middle schoolers when the radiation storms are too bad to go outside for recess!

PROCTOR: So if you can’t solve it, detective, what does that make you?

JUNO: Too busy for this stupid—

MICK: Hey, wait a second, wait a second. You said you’d say all that twice, right? Can you say it again?

JUNO: You’re not really buying into this.

MICK: You said bored middle schoolers did these! And, well! I was a bored middle schooler for nearly five years!

JUNO: Mick, you repeated those grades ‘cause you never went to school.

MICK: Come on, Jay. I really need this. Please?

JUNO: Fine… fine, listen to the dumb puzzle again.

PROCTOR: (CLEARS THROAT) Sage, Vladimir, Aisha, and Sponge walked down the road together side-by-side, holding hands. Two…

JUNO (NARRATOR): While our host gave Mick the rerun of her stupid puzzle, I took this opportunity to investigate my feelings about the last few hours.

Stupid goddamn waste of time puzzles! What am I, some kinda—

MICK: Shh, Jay! I’m tryin’ to listen!

JUNO: Hmph.

PROCTOR: …Vladimir was not the murderer. There. Your last reading. Think carefully – and be sure to check your answers.

JUNO (NARRATOR): It wasn’t an easy puzzle, sure, but it was pretty typical crime scene investigation. Gather the clues, listen to the witnesses, rebuild the past. Hell, this was easier: these witnesses couldn’t even lie to you.

If Mick could solve this… maybe he had a point. Maybe danger was the missing ingredient in the Mick Mercury cocktail.

MICK: Hmm. I see.

JUNO: You… do?

MICK: I thought about it real hard. And my answer is… we press all the buttons at the same time.

JUNO (NARRATOR): Or… not.

PROCTOR: A very… interesting approach.

JUNO: Mick, seriously?

MICK: Yeah! I mean, I thought about the whole puzzle thing, but then I decided it was probably just a red herring. ‘Cause look at them all! They’re so weird and creepy! And I swear a second ago, I saw them all twitch or something, real murrrrderer stuff, so we gotta—

JUNO: They didn’t move, Mick. And the murderer is Sage, on the far right.

MICK: Well, I mean, yeah, that’s the obvious answer.

JUNO: Oh, yeah? Why’s that?

MICK: Because… uh…

(NERVOUS LAUGHING) I-I mean I-I don’t think I gotta waste both our– our time, tryin’ to talk through things we both already know, Jay—

SOUND: FOOTSTEPS.

JUNO: Mick, where the hell are you going?

MICK: C-c-c-y-y-y… I-I… ‘cause– like, d-don’t you feel p-p-poisoned? Definitely feel poisoned, Jay; at– at least a little poisoned? So, I’ll just press this here button, and—

JUNO: Damn it, Mercury! That’s the wrong button!

SOUND: RUNNING FOOTSTEPS. THUD.

MICK: What gives?! You said far right! I was goin’ for the far right!

JUNO: You were going for our right, Mick. You need to go for their right.

MICK: No, I mea– I mean—! Well that’s just—!

(SIGHS) Yeah. Yeah okay, that’s reasonable.

SOUND: BUTTON CLICKS. CONGRATULATORY JINGLE PLAYS.

PROCTOR: Excellent job, Mr. Steel! You’ve passed your Reasoning exam with flying colors!

SOUND: HINGE CREAKS OPEN.

JUNO (NARRATOR): Above us opened another trap door, and, another ladder fell out. The top floor. Finally. And with an hour to spare.

MICK: Whew! So, uh, good thing we made it through that one, huh… Juno?

…Jayjay?

JUNO: Give me your gun, Mercury.

MICK: …What?

JUNO: The gun the Proctor gave you. Give it to me.

MICK: But Jay – I’d never shoot you, you know that—

JUNO: You’d never shoot me on purpose, sure. But whatever the hell is up there for the Reading Comprehension test? Some monster made of goddamn books or something? You’re gonna aim for its table of contents and shoot me straight through the epilogue.

MICK: But Jay, we always got into trouble and it was always fine—

JUNO: Yeah, when we were kids. You’re forty, Mick. You’re not a kid anymore! You’re a screw-up, and this stupid danger idea of yours is going to get me killed. Now give me your gun.

MICK: I’m a… screw up?

JUNO: Don’t. You say it about yourself all the time.

MICK: Yeah, but… it’s different hearing it from, uh… Alright.

SOUND: FABRIC RUSTLING.

Here’s the gun.

JUNO: Thanks. Now let’s go.

SOUND: ROPES CREAKING.

JUNO (NARRATOR): I didn’t mean to snap at Mick like that.

Well actually I did mean to, but I felt bad about it, at least. And that's gotta be worth something, right?

Anyway, I didn’t have time to let my conscience have the floor. I could already feel the Hourglass Venom working through me – I could feel my head bloat and stomach throb. It would kill me soon. And just a few minutes after that, it’d kill Ramses.

MICK: (COUGHING) Ah, jeez buddy, I… really don’t feel so good.

JUNO: Yeah, a fatal dose of poison’ll do that to you. (COUGHS)

MICK: I guess in some ways we’re lucky, though. Back in the day I remember her tests were all over the news, and they were so…

There was that guy she killed with a geometry test… I’ve never seen someone’s legs go at that angle before. Or the Phys Ed case: the lady she made run so hard she wore holes in her feet. Or, the worst of all… Home Economics. What makes a person do all that, Jay?

JUNO: Who the hell knows, Mick. It’s not my job to psychoanalyze the killers. I just lock ‘em up.

PROCTOR: Then allow me, detective: raw creative genius. The greatest minds in the world are overtaken with it – the need to build, to create. When one is as skilled as I am, it simply… overtakes you. I am but a slave to the Muse within me.

MICK: But… that doesn’t make any sense.

JUNO: Mick, stop humoring her already.

MICK: No, but it doesn’t make any sense! If she’s got this creative bug or whatever, why should she wait twenty years—

PROCTOR: The Muse cannot be tamed!

(CHUCKLES) > Those old murders were excellent, of course. Nobody’s ever thought of all the applications for a protractor that I have. But genius, like wine, only improves with age.

JUNO: Unless the container’s as cracked up as you are. Then it turns into vinegar.

PROCTOR: I am not vinegar! You’ll see. This is a new era for the Proctor. My second creative career begins with you. And it will be even greater than the first. Go. The Reading Comprehension test is just through that door.

SOUND: DOOR OPENS.

MICK: (YELPS)

JUNO: …Wait, seriously?

SOUND: FOOTSTEPS.

PROCTOR: Deadly seriously, of course! (CACKLES)

JUNO: It’s just… sixteen more mannequins.

PROCTOR: Just sixteen mannequins, he says! Hasn’t anyone ever taught you to read the directions first?

MICK: Hey, Jay! There’s a paper on this table that says “Reading Exam Directions!”

JUNO: Don’t—! Touch it.

SOUND: PAPER FLIPPING.

“Davis, Major, Anya, Jean, Cobweb, Hephaestus, nine of their friends, and Sponge were walking down a road side-by-side, holding hands—” (GIGGLING)

MICK: I mean, Jay, that is a pretty wide road, but I don’t see what’s so funny—

JUNO: This is the best you’ve got, Proctor? Seriously? Twenty years to think something up and you start writing crossword puzzles?

PROCTOR: They are not crossword puzzles! They are works of logical genius, designed to test your…

JUNO: Ha!

PROCTOR: Stop laughing!

JUNO: HA!

MICK: Heyyy, uh, Jayjay, maybe don’t piss off the killer lady so much—

JUNO: No, come on, Mercury, this puzzle is hilarious. Listen to this: “Thompson had a deadly nut allergy, but none of them knew Anya very well. Major often confused Sponge with one of their friends in a yellow shirt; Cobweb was known to fingerpaint with peanut butter”—? (COUGHING)

PROCTOR: The test you’re laughing at is going to kill you, do you understand? And then who will be laughing? Time’s up! I will! D Minus!

MICK: If you’re laughing, you must have a plan, right? You know the solution to the puzzle?

JUNO: (COUGHING) ‘Course I do. Same as the solution to every test I ever passed in school.

MICK: Study hard? Apply yourself?

JUNO: No. Cheat.

SOUND: ELECTRONIC POWERING-UP BEEPS.

JUNO (NARRATOR): I should’ve thought of it hours before. Getting rid of headaches is the point of technology, isn’t it? Or maybe that’s aspirin. Aspirin’s a kind of technology. Shut up, Steel. The point is, the Theia Spectrum had a filter for detecting electromagnetic frequencies.

THEIA: Now detecting electromagnetic frequencies.

JUNO (NARRATOR): Like that. The cables coming out of the mannequins’ feet had to be hooked up to all the other junk in here, didn’t they? All I had to do was track whichever mannequin had the cable that went back to the door and not… whatever the hell they were gonna do to us. It was hard to see through that rat’s nest, though… and even harder with all the shouting in my ear.

MICK: (COUGHING) Oh, Juno! The mannequins, they’re—

JUNO: Not now, Mercury.

MICK: But it’s just like downstairs, I’m trying to tell you that—

JUNO: You said you wanted to help, right? Well, y’know how you can help me now? By shutting up, staying still, and letting the goddamn professional do his job!

MICK: (WORRIED GROAN)

JUNO (NARRATOR): I found it in seconds: the mannequin three in from the left had a thick coil of wire extending from its feet, through the floor, and toward the door on the room’s far side. The other mannequins weren’t hooked up to any traps I could see – just a little glowing box on each of their chests.

When I thought about it later, I realized those were wireless transmitters. And when I thought about it later, I realized I probably shouldn’t have interrupted Mick, too.

MICK: Jay—

JUNO: It’s that one. Come on, let’s press the button and get the hell out of here.

MICK: I don’t know if you should get so close, Jay; I swear I saw ‘em move and—

SOUND: BUTTON CLICKS. CONGRATULATORY JINGLE PLAYS.

JUNO: There, see? Button’s hooked up straight to the door, now it’s open. Let’s– gahhh!

SOUND: WOODEN RATTLING & CLANKING.

MICK: Jay! The mannequins are moving!

JUNO: I can see that! This one’s got my arm!

MICK: And that one got your other arm!

JUNO: Gee, I had no idea!

PROCTOR: I educate you… I craft these tests for you with my own blood, sweat, and mannequins… and this is how you show your appreciation? You cheat?!

JUNO: Watch it, buddy, you’re gonna pull my damn arm off— ahhhh!

MICK: Oh, no, no, no! Don’t come any closer…

SOUND: RATTLING GETS LOUDER.

PROCTOR: Well, I suppose the last test will have to be cancelled. And too bad: I had an excellent plan for your ‘rithmetic exam.

JUNO: That doesn’t even start with an R, you has-been! AH!

PROCTOR: Perhaps not. But here’s another R for you: Recess!

MICK: Recess? Hey, that sounds kinda nice…

Wow, those things are movin’ quick!

PROCTOR: At Recess, all rules are suspended. Good luck, Mr. Steel and Mr. Mercury. Your classmates play rough.

SOUND: CACOPHONY OF WOODEN CLUNKS & BANGS.

MICK: Jay, what do we do?

JUNO: Personally, I think I say bye-bye to my arm, because it feels like Pinocchio over here’s gonna pull it out of its socket.

MICK: Seriously! Oww!

That one almost got me! I’d fend ‘em off for you, but you took my gun and—

JUNO: Yeah, yeah, don’t remind me! Just get the hell out of here, Mercury! I opened the door, you go without me. Maybe you can find the antidote on your own.

MICK: I’m not just gonna leave you!

JUNO: You’d better! Augh! The only thing I want less than for this wood shop project to rip me in two is to watch it rip you in two first!

MICK: But I can’t— oww!

JUNO: Just go before one of those things gets you!

MICK: I said I wasn’t gonna leave you!

JUNO (NARRATOR): And so in came Mick Mercury to the rescue, fists flying.

MICK: (YELLING)

JUNO (NARRATOR): And sure, it wasn’t exactly elegant—

MICK: Ow, ow, ow, ow, that smarts—!

JUNO (NARRATOR): —but it got the job done.

MICK: Hey, I got ‘em!

JUNO (NARRATOR): And there goes number two.

MICK: The other ones are getting closer!

JUNO: Make for the door, quickly!

SOUND: CLANKING NOISES FADE. PANTING, GASPING. DOOR CLOSES.

MICK: (COUGHING) That was a great idea, Jay… good on ya, closin’ that door behind us.

JUNO: Close it? I didn’t close it. I thought you did.

PROCTOR: Aaaaaaand locked!

SOUND: LOUD SNAP.

Did you really think I’d have remote controls on my mannequins and not on the doors, Mr. Steel? You underestimate my genius.

JUNO: To be honest, Proctor, I haven’t seen any evidence of it yet.

PROCTOR: Of course you have! I have accounted for every possibility! You have been outsmarted at every turn!

JUNO: (COUGHS) Funny. I remember us outsmarting you, twice so far.

PROCTOR: That’s—!

But you still haven’t passed the biggest test of all, have you? It is wise to save the most difficult questions for last, but… your hourglass is running low. Only ten minutes remain before the venom claims you, and only fifteen before I claim Ramses O’Flaherty. But you still have one test to pass: Arithmetic.

JUNO: Still doesn’t start with an R.

PROCTOR: The equation is simple, and I’m afraid I won’t be able to give you any hints on this one. You will find it written over the doorway you must pass through. And you will find the window you seek on its other side.

JUNO: What about the damn antidote?

PROCTOR: Oh, if you solve this test, Mr. Steel, you will certainly have found the antidote. Though I must say that’s a big “if.” Good luck.

SOUND: COMMS BEEP.

JUNO: Alright… alright, let’s do this stupid puzzle. I think I can feel my lungs curdling.

MICK: Uh… Jay? Did you look at this equation yet? ‘Cause… I’m a liiiittle worried.

JUNO (NARRATOR): I looked.

JUNO: Oh, god damn it.

JUNO (NARRATOR): And this was what the Proctor wanted us to solve:

A stick figure, minus a skull and crossbones, equals a picture of an open door.

MICK: Is that algebra? I was never any good at algebra.

JUNO: The door will only open when we’re not poisoned anymore.

MICK: Hey, that’s alright! How do we do that?

JUNO: I have no idea.

MICK: That’s… less good.

JUNO: Either that, or, the door will only open for someone who isn’t poisoned…

And we know one way to get the antidote.

MICK: Jay, come on, don’t…

JUNO: Here. Take this gun. I never should’ve taken it from you. Just shoot me and get it over with.

MICK: I mean, come on. This isn’t funny.

JUNO: Usually I’m very funny, Mick. Just not trying right now.

MICK: I’m not gonna shoot you.

JUNO: You should.

MICK: Well, whether or not I should, I’m not, alright? You shoot me.

JUNO: No.

MICK: Why not?

JUNO: That’s a stupid question and you know it. I know you’ve got your dumb danger thing or whatever, but it’s a fantasy, and this is real. Just take the damn gun already.

MICK: My whole point was that I didn’t like my life the way it was, alright? I’m not gonna like it any better if I gotta think about shooting you all the time, okay?

JUNO: Hmph.

MICK: Look. We’ve still got ten minutes for this to turn out okay. Okay?

(COUGHS) Anything can happen in ten minutes, Jay. Anything.

JUNO (NARRATOR): Or, nothing can happen in ten minutes. We spent our time kicking the door, coughing, searching the walls for a secret passage, coughing, scanning the room with the Theia Spectrum, and coughing. But that was it. No way through, no secret passage, no hidden antidote: the room was bare. Mick and I were the only things in it.

Oh wait – I think at one point, Mick might’ve puked in the corner. But besides that, there was nothing in the room but us.

SOUND: COUGHING, PANTING.

MICK: How much more time we got?

JUNO: Two minutes.

MICK: That long? (PANTS) Agh, this hurts.

JUNO: (GASPING) So whaddya think, Mercury? Is this how you expected to die? Yukking it up and wishing you’d killed Juno Steel?

MICK: Kinda, yeah.

JUNO & MICK: (LAUGH-COUGHING) Ow, ow, ow!

JUNO: So it turns out this job wasn’t just the biggest mistake of your life, Mick: it was the last one, too.

MICK: Hey, don’t count me out yet. I still got a minute and a hal– agh! Ah-ahhh—!

JUNO: Mick? Mick!

MICK: No, no, I’m alright, I’m alright. (COUGHS) Hey, Jay… why d’you think she goes through all this, just to kill people? I mean… if she wanted to just poison us and lock us in a room, she coulda done it at two minutes in. Hell, she didn’t even need to wait for you – she coulda poisoned me while I was napping in the closet. So… why? Why would you do all that?

JUNO: That’s… that’s a good question, actually.

Well, I mean, based on what was riling her up earlier, she probably just wants to prove she's smarter than us?

MICK: What? But she’s a genius! Why’s she gotta prove it?

JUNO: Being smart and feeling smart are different things, Mick.

MICK: I guess so. I just can’t believe… she cheated us, after all that.

JUNO: Cheated us?

MICK: Yeah. I mean, I thought her whole thing was that her victims can technically make it through her tests alive, right? How’s it prove she’s so smart if she just poisons us and locks us in a room? It doesn’t seem fair.

JUNO: No… it doesn’t.

Actually, now that you mention it, it’s not fair at all.

MICK: I mean, yeah, I’m upset about it too, Jay, but I don’t know how much complaining’s gonna do right now—

JUNO: And it doesn’t prove a damn thing, does it? If one of us has to die, she hasn’t proven she’s smarter than us. It doesn’t make sense.

Mick, I’m about to do something really stupid.

MICK: Yeah? Mind if I join you?

JUNO: Kinda. Just promise me something, alright? If this goes bad – and, trust me, it’s probably gonna go bad – promise you’ll try the door? One last time?

MICK: How come I get the feeling this isn’t gonna be the fun kind of stupid, Juno?

JUNO (NARRATOR): Mick got that feeling for a good reason. Because the man was a disaster, and a mess, and a klutz, and a… well, you get the idea. But here’s one thing he wasn’t, not really: an idiot.

So I took the pistol the Proctor had given me, and I pointed it right in between my eyes.

SOUND: GUN COCKING.

MICK: Jay! What’re you doing?!

JUNO: Later, Mick. See you on the other side.

MICK: Put down that gun!

SOUND: GUNSHOT.

Juno!

SOUND: THUMP.

Augh, Jay! Jayjay! Don’t leave me here, buddy, come back! You can’t just shoot yourself and leave me—!

JUNO: The other side of that doorway!

SOUND: GUNSHOT.

MICK: Owww! That smarts!

JUNO: Damn right it does. That’s what happens when you load your antidote into the barrel of a revolver, Mercury: you get all the fun of a shot with none of the cartoon band-aids.

MICK: But– hey, I-I feel better! The poison’s all gone! You did it, Jay! We made it! But how—?

SOUND: COMMS BEEP.

PROCTOR (FROM COMMS): Well done, Mr. Steel. Now, as promised: the door.

SOUND: DOOR OPENS.

Come along, I’m waiting for you.

JUNO: I’ll tell you while we run. Got a mayor to save.

SOUND: RUNNING FOOTSTEPS.

Honestly, Mick, you figured it out before I did. The answer’s all in the motive. Why does the Proctor kill the way she does?

MICK: To prove she’s smart, you said.

JUNO: Exactly. And it doesn’t count as proving she’s smart unless there’s a way we could have figured it out. She said that if we made it through her tests, we’d be cured – which we assumed meant she’d give us the antidote, but she never told us we didn’t have it already.

MICK: But… she told us to shoot each other!

JUNO: And because I’m your friend and you’re a moron, she knew we’d never do it.

(PANTING) So if we had to have access to the antidote somewhere, and there were no hidden compartments or anything in that room—

MICK: That means she had to have given us the antidote ahead of time! Wow, Jay. You’re really good at this, huh?

JUNO: I get by. Barely. And usually with a broken leg or three.

SOUND: DOOR OPENS.

This must be the room.

SOUND: WIND.

MICK: And that must be the window you were looking for, right?

JUNO: Looks like it, but… where the hell is the Proctor?

JUNO (NARRATOR): Through the window I could see the Fortezza courtyard below: the crowd of people shuffling into their seats and Ramses O’Flaherty shuffling his papers at the podium. I checked my watch. 11:55. Only five minutes until the Proctor took out Ramses… and I had no idea where the hell she was.

PROCTOR: (LAUGHING) You’ve done very well to make it this far, Mr. Steel, Mr. Mercury. Better than expected, I will admit. But this is the end of the line. Welcome to your Final Exam.

JUNO: Where the hell are you?! Damn it, you really did lie to us!

PROCTOR: I didn’t lie to you. I said I was waiting for you, and I was… just not in the Fortezza. When taking an exam, always remember to mark up the questions – that’s how they get you.

JUNO: Where are you?

PROCTOR: I’m afraid that is the sole question on your exam, Mr. Steel. Question one: where is the genius murderer? (LAUGHS) On the windowsill in front of you lies a long-range laser rifle. Enough to kill me, certainly… if you can find me. (CACKLING)

MICK: A rifle? So do you think… she’s somewhere down there, Jay?

JUNO: Maybe, yeah, she’s got to be.

SOUND: MECHANICAL CLICKS.

But… the rifle doesn’t have a stun setting! I can’t kill random people in the crowd!

MICK: You’ll get it, Jay. I know you’ll get it! You’re a sharpshooter! The sharpest there is!

JUNO: Mick…!

MICK: So you better watch yourself, Proctor! He’s the best sniper in this city! They call him One Eyeball Steel!

JUNO: Mick, nobody calls me that—

MICK: One-Ball Steel, then!

JUNO: Nope, nope, went the wrong way on that one.

PROCTOR: Only three minutes left, Mr. Steel. Your answer, please. (LAUGHS) All the best tests instruct just as much as they measure, you know. I wonder what you’ve learned from this one?

JUNO (NARRATOR): That was a good question. In fact, it might’ve been the first good question the Proctor had asked all day.

So what had I learned from this test? The Proctor was working with someone, that was for sure. Even a genius couldn’t manage to smuggle in all of those weapons and mannequins without some serious help. I’d learned that she had confidence issues, too – that whoever had hired her had probably pulled on that, told her that she’d never be able to pull off what she did twenty years ago. Which meant whatever the answer was to this exam, it had to be perfect. It had to be flawless.

JUNO: …Flawless.

PROCTOR: And don’t I know it.

JUNO: It’s got to be flawless. That means the diorama down there has to be completely accurate!

MICK: But you told me the diorama said the laser must have come through this window.

JUNO: Straight from here to the podium, Mercury – but it never said which direction.

MICK: She’s hiding inside the podium?!

PROCTOR: Time’s up, Mr. Steel. You have five seconds to answer.

JUNO (NARRATOR): There was no time, and another problem to deal with: in order to shoot a laser from here to the Proctor, I’d have to send it through Ramses O’Flaherty’s head. So I fired a shot to break the window—

SOUND: GUNSHOT. SHATTERING GLASS.

—and I gave the best warning I could.

SOUND: RAIN.

JUNO: (CALLING) Ramses! Duck!

JUNO (NARRATOR): And either it was my first stroke of luck for the day or the old man had a hell of a reaction time, because he was down on the ground before I was finished shouting his name.

THEIA: Target locked.

SOUND: GUNSHOT.

PROCTOR: (GASPS)

MICK: Did it work? Did it work??

SOUND: DISTANT SCREAMS. STATIC CRACKLING.

JUNO: I… guess so.

PROCTOR: (COUGHING) Very well done, Mr. Steel. Perhaps I… finally did meet my intellectual match.

JUNO: Alright, at the start of this whole mess you said you’d tell me who you’re working for if I passed all your tests. Well, I passed ‘em; start talking.

PROCTOR: I suppose I must… I haven’t much time left…

You want to know who hired me to kill Ramses O’Flaherty? It was his worst enemy, of course.

JUNO: Oh, come on! No more tests, no more riddles. I won.

PROCTOR: Education… is its own reward. Now, here's your final question.

(COUGHS) In order to find Ramses’s enemy, you must go home again.

JUNO: Home?! How the hell do you know where I live?

PROCTOR: A frozen place, this home… a land the past, of heroes, of justice… a place further than the inky blackness of space, yet as close as the heart of every child… Home, Mr. Steel. You’ll find Ramses’s enemy, if you just go home.

JUNO: Damn it, stop babbling and give me a straight answer!

PROCTOR: You’ll never solve this. I can hear it in your voice! You’ve lost! I’ve won!

JUNO: Don’t die on me! I’m talking to you!

PROCTOR: I’m the smartest! I’ve beaten you! I could beat… anybody… (PANTING)

SOUND: STATIC FADES.

***

JUNO (NARRATOR): Ramses barked a few orders and the cops were off with their tails between their legs looking for a way to get us down through the Fortezza window. In the meantime, Mick and I celebrated. As well as you can celebrate in the dusty old attic of the person you just killed, anyway.

SOUND: HEAVY RAIN.

MICK: So… we made it! That’s somethin’, right?

JUNO: Sure, Mick. It’s really somethin’.

MICK: Got a little hairy there for a few minutes, but I always knew we’d make it through! Or, at least, I often thought we would. Sometimes, suspected. (CHUCKLES)

Hey… what do you think that riddle she said at the end meant? It sounded pretty tricky to me.

JUNO: I don’t know, Mick. But, if it’s all the same to you, I don’t really want to think about the Proctor right now.

MICK: I get it, I get it.

I-I just don’t understand, Jay. She was so smart. She made all those crazy traps and stuff while she was locked in a prison cell. And even if she did have help, she had to build all that so quickly, and so secretly… she must’ve been one of the smartest people on Mars.

So, why’d she have to prove that she was smart all the time? Why’d she have to kill people to do it?

JUNO: I don’t know, Mick. Why’s anybody hurt anybody?

MICK: I guess so. …I’m sorry.

JUNO: For what?

MICK: I don’t know. I just felt like one of us had to apologize, and you weren’t gonna do it.

JUNO: Yeah, that makes sense.

But look… Mick, maybe I should apologize. I gave you a lot of crap about your stupid danger theory, but… you were right. We made it out. Again.

(SIGHS) I wish you’d do something else, but who the hell knows? Maybe you’re onto something.

MICK: Wait, seriously? What are you, stupid?

JUNO: What?

MICK: Taking this job was one of the dumbest things I’ve ever done, Jay! I didn’t make it out ‘cause I’m lucky, or I’m good at dealing with danger. I made it out ‘cause you bailed me out. I’d be chalk dust without you!

JUNO: That’s… probably true.

And surprisingly responsible.

MICK: I don’t know why nothing ever works out for me, but you were right. I don’t think getting in danger all the time’s the answer either.

Maybe it doesn’t really matter anymore. I mean… I’m just gonna make myself miserable if I’m always trying to be the guy I used to be. So I guess the hard part… the hard part is, figuring out who the hell I am now? …Does that sound right?

JUNO: You could always just stay so busy that you don’t have time to think about it. That’s usually what I do.

But, for what it’s worth, Mercury, I think when you finally figure out who you are… you’re gonna make an impact.

MICK: Aw, Jay, that’s the nicest—

JUNO: Only question is whether the impact is the galactic-peace kind or the gigantic-smoking-crater kind. Could really go either way.

MICK: …Oh. That still might be the nicest thing you’ve ever said to me.

JUNO: You’re welcome.

JUNO (NARRATOR): The cops got us down a few minutes later. I told Mick to go home and then waited on the edge of the crowd while Ramses talked down the reporters.

But I couldn’t stop thinking about the Proctor. About the sound she’d made on her last breath. It wasn’t that I thought I shouldn’tve killed her; I-I was… just a little shaken, I guess.

Because, if real evil exists, then the Proctor – a woman who killed twenty people without remorse – was it. But that means sometimes evil is just someone trying to prove to the world that they’re worth something. Or just prove it to themselves, maybe.

SOUND: FOOTSTEPS APPROACHING.

RAMSES: Juno. You cut it a little close at the end there, but over all… nice work. Come on. I’ll give you a ride home.

JUNO: Home…

This isn’t over yet, Ramses.

RAMSES: Hmm?

JUNO: The Proctor said she’d been hired by someone to kill you. Your worst enemy, she said, and whoever they are, I don’t think they’re gonna let up.

RAMSES: Did she, now. Well. I suppose that’s what I have you for.

JUNO: Ramses, I don’t know—

RAMSES: What else did the Proctor say to you?

JUNO: It was some kind of riddle, I guess, I– couldn’t make any sense of it. Something about going home, a place of heroes, as distant as the stars and close as kids’ hearts…?

RAMSES: (CHUCKLING, THEN FULL-ON HOWLING WITH LAUGHTER)

MUSIC: STARTS.

JUNO: What? …What’s so funny?

RAMSES: An interesting place to strike. I’m surprised I hadn’t thought of it sooner.

JUNO: You know the answer to the riddle?

RAMSES: I do, in fact.

SOUND: CAR PULLS UP.

My limo will bring you home. On second thought, I don’t think I’ll be coming with you. I have some calls to make.

JUNO: But Ramses—

RAMSES: Tomorrow morning, I think… no, no, I’ll send a car for you again tomorrow night. Rest up until then.

JUNO: Ramses, listen to me, damn it! Where the hell is she trying to send us? All this stupid stuff about my home?

RAMSES: (CHUCKLES) Oh, Juno. When she said ‘home,’ she didn’t mean yours. She meant mine.

SOUND: KNOCKING.

Bring him home, please.

JUNO: Ramses, you can’t start talking nonsense, too.

RAMSES: All in good time, my friend. Rest up. Tomorrow night… adventure awaits.

SOUND: CAR DOOR SLAMS.

JUNO (NARRATOR): I watched him as the car pulled away – Ramses O’Flaherty, who hadn’t even existed thirty years ago, who had a good shot at being the next mayor of Hyperion City. Ramses O’Flaherty: the man who was all future and no past.

There was something appealing about that, I’ll admit. The thought that you could just shed your old self like an old skin and become someone new. Someone important. Someone like Ramses O’Flaherty.

So turn your back on the past, Steel. Tie yourself to the man of the future… and hope that what’s ahead is better than what you left behind.

MUSIC: ENDS.

***

SOUND: TRAIN MOVING, MUSIC.

CONDUCTOR: If you've enjoyed this tale, please consider donating to The Penumbra on Patreon. Our artists work tirelessly to bring you these stories, and if you have the means, we hope you will support our efforts. Every dollar helps. You can find that page at patreon.com/thepenumbrapodcast. If you support us on Patreon at the $10 level or higher, you will receive access to commentary tracks like this one, from Noah Simes, co-creator Kevin Vibert, and actors ALlison Choat and Stefano Perti:

SOUND: TRAIN STOPS, DOOR SLIDES OPEN, RAIN.

NOAH: …I mean I think this is a testament both Kevin, to your writing of Mick and Stefano, your portrayal of him, but, y’know, I– I certainly can sort of identify with that feeling of like, I haven’t done… enough, or I haven’t done what I’m supposed to do—

STEFANO: Yes. Please don't have let that have been my greatest moment—

NOAH: Right, right, yeah!

STEFANO: —no matter what that moment is.

NOAH: Right, beca– right. You never know what the high peak is gonna be, and you just pray that it…

SOUND: DOOR SLIDES SHUT.

We would like to give special thanks to all who support us on Patreon, but especially to Jaimie Gunter, The Princess and the Scrivener, Hannah Tsim, and Elizabeth Miller for their incredibly generous contributions per episode. Thank you.

This tale, Juno Steel and the Lesson Learned, was told by the following people: Joshua Ilon as Juno Steel, Matthew Zahnzinger as Ramses O’Flaherty, AlLison Choat as the Proctor, and Stefano Perti as Mick Mercury.

The Penumbra is created and produced by Sophie Kaner and Kevin Vibert.

I'm afraid this is the end of the line for today, dear Traveler. We hope you will ride with The Penumbra again soon.

ALL SOUNDS: FADE OUT.

#juno steel

12 notes · View notes