#“do you want it to be thematically good or do you want it to be done?” is definitely a question Jace asked at some point
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zyafics-recs · 2 days ago
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reblogging comment review by @zyafics
i’m alive i’m here (i’m fulfilling my duties bc damn a bitch went offline for 9 days and is behind on everything 😭) ⬇️
You drifted to your room, collapsing onto the small bed. The familiar scent of home did little to soothe the ache in your chest. It didn’t feel right. It never did, only when your brother was around, but now, not even that thought gave you faith as you closed your eyes, picturing Rafe’s face. His smile, his touch, his voice – they were all painfully vivid.
ugh i miss ur writing sm i love how this scene felt “slow” like u were navigating this lagged moment with her because nothing felt real
As you both settled in, the familiar warmth of his presence was a small comfort, a reminder that despite everything, you were still here together.
i don’t give a shit the one thing i love more than romance stories is sibling relationships 😭 they’re my heart n soul
"He’s facing several charges, but the severity of his sentence could depend on his cooperation. If he agrees to testify against his father, the authorities might offer him a deal."
i fear he won’t do it 😭😃
“You’re too good, y’know that? Personally, I don’t give a fuck if he dies.”
jj 😭😭😭 leave her alone 😭😭😭
"Complicated? Complicated is being stuck on an island, wondering if your sister is alive or dead. Complicated is dealing with the fact that the guy who put us through hell gets to play hero for a day and suddenly he's got your sympathy."
screaming into my pillow ur dialogues r too good
A carbon copy of your mother, your punishment.
okay pause ✋🏼 not the thematic parallel to abusive and neglectful parental figures i cannot handle this
You were just trying to find a shred of humanity in someone who had shown you a glimpse of it.
THIS LINE EATS SO HARD 😭😭😭
“Is that what you tell yourself to make you feel better?”
my jj would swing at ur jj for the way ur talking to ur sister
“Because I want to!” You screamed even though you hadn’t meant to. Tears of frustration fell as you raised your head, “And as far as I’m concerned, I’m still my own person and I can make my own decisions.”
PERIOD!!!!
 “He was good to me.”
girl *I* held my breath
Sarah never pushed you to talk, never demanded explanations. Instead, she just sat with you, shared a laugh or two, and let the silence speak for itself. It was a strange comfort; one you hadn’t realized you needed until it was there.
i love ur sarah sm mines a bitchhh 🙂‍↕️✋🏼
“No. Uh, a friend, I guess—” You were about to ramble, not too certain of what to say, but settled for, “Can you tell him Maybank’s calling?”
WHY DO I FEEL LIKE HIS PUNK ASS IS GONNA BE LIKE “i don’t know a maybank”
"I’m sorry. Mr. Cameron has requested not to speak with you," she said. "Is there anything else I can assist you with?"
YOU PUNK ASS BITCH
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You screamed until your throat was raw, until you had nothing left to give.
no i didn’t (personally cannot scream LOL)
Six months had passed since that day
what the actual fuck
You had spent the afternoon alone, lounging in the living room with a half-read book and a broken fan that did little to ease the stifling heat. 
such good imagery god i love this
Your words caught in your throat as you saw him standing there. 
my heart is pounding omg
“You had six months.”
YIKES 😬
You looked at him, searching for any sign of deceit. His eyes were clear, more focused than you had ever seen them. “Why should I believe you?”
i’m shaking rn pls give a girl some respite
Rafe looked offended, eyes zeroing in on your lips before his gaze met yours. That's when you felt it again, “I never lied to you.”
i’m throwing punches into my pillow rn biting my teeth ohmygod
Rafe’s expression softened, and he reached out tentatively, his hand stopping inches from your arm. “I’m sorry, baby.”
go away demon 👹 @ gigi
It’s only then, when your brain cleared slightly that you noticed he looked different. His hair had been buzzed, his skin looked tanner than the last time you’d seen him, he looked healthier. 
oh we’re in season 3 now ok
“I’m sorry,” he said, his voice barely a whisper. “I’m so sorry.”
i’m literally scraping my fingernails against chalkboards rn pls stop this madness 🛑🛑🛑
Rafe paused in the doorway, his back to you. His voice was barely above a whisper, but it carried clearly through the thick air. "I don’t regret it," he repeated, his shoulders tensing as he spoke.
gonna die ok 🪦
You had tried so hard to suppress your feelings, to deny the depth of your connection with him. But this…wasn’t something that could be easily forgotten or ignored. You had been so afraid to admit it, fearing that acknowledging would destroy you. 
You were in love with Rafe Cameron. 
oh my fucking god u did it again
final thoughts — ohmygod. i dont know why i kept putting off reading this? i think a part of me was scared because the literal content warning was “aka angst” and i said no. anyways, first and foremost u done it again gigi. what i was so impressed about this chapter was ur ability to create such flowing, strong and long dialogues. the one between jj and reader i read twice because i can’t believe how naturally-paced this story goes through that u don’t even realized it’s chunks on chunks of dialogues. that’s such an incredible feat and knowing now that ur from europe and english is probably a second language? the way u select the right words at the right time is an talent i strive to have. i’m like re-editing in my head being like “would i come up with that?” and being like “yeah i would’ve ended it there (bc i don’t know how to elongate a scene) but gigi knew how to keep it going.” gigi, when i tell u that’s one of the most impressive skills i’ve ever seen in my life i’m so serious. also, the way you structure and keep a consistent flow of emotions. the beginning of the story is stretched out in a way that i cinematically imagined a lagged moment. yk how in euphoria where it drags a scene from one part to the next? like that. and then the ending, when i said i was shaking, i was truly shaking. u had my heart clutched in ur hand and u just SQUEEZED IT 😭 💔 the way i felt everything and was so scared and panicking and my eyes wanted to read ahead because i wanted to know what happens but i also wanted to enjoy the writing 😭 u got me doing mental gymnastics trying to figure out how to read 😃 i thoroughly enjoyed this to the very end and ngl, i am so scared to read the next chapter i think imma hold off for a min…
THE OTHER SIDE OF PARADISE - rafe cameron (+18) - five
request: "a rafe enemies to lovers 🫣 the reader is jjs sister the whole drama before but then she gets left behind on the ship and rafe ends up comforting her and then yea that’s all I got you can do whatever else the rest 😛"
warnings: angst <3333333 for everyone <33; might need some editing bc im too tired to check everything but yeah
word count: 7.7k
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The ride back to home was a blur. The plane ride, the ferry.
Everything. 
Every mile that took you further from Rafe felt like a wound being reopened. The police officers tried to engage you in conversation, but your responses were monosyllabic at best. They eventually gave up, letting you stare out the window in silence.
When you finally arrived, the sight of the familiar streets of The Cut did little to comfort you. Your house felt alien, a place you barely recognized. The officers escorted you inside, their presence a reminder of the reality you were returning to. 
“Your brother and your friends were rescued from a remote island a while ago. He was informed of your whereabouts an hour ago, he’ll be here soon.”
Their words barely registered.
You nodded numbly; your mind still stuck between the events that had unfolded just two days ago.
What kind of sister had you turned into? Barely phased over the fact your little brother was thankfully alive and well? You were supposed to protect him. 
Sensing your detachment, they exchanged a look before retreating to the porch, giving you some semblance of privacy.
You wandered through the house, your steps heavy. Each room felt like a snapshot from another life. The couch where you and your brother used to bicker over TV shows when Luke spent days doing God knows what, the kitchen table where meals were shared and stories were told, only between you two– they all seemed like relics of a past you could no longer touch.
Things would never be the same, you knew that.
You drifted to your room, collapsing onto the small bed. The familiar scent of home did little to soothe the ache in your chest. It didn’t feel right. It never did, only when your brother was around, but now, not even that thought gave you faith as you closed your eyes, picturing Rafe’s face. His smile, his touch, his voice – they were all painfully vivid.
That must be your punishment. 
A soft knock on the door jolted you from your thoughts. You sat up, heart racing. Your body was still on high alert, every little noise sent shivers down your skin. The blasting of the gunshots was still deeply rooted in your brain. It hadn’t even been three days. 
The old wooden door creaked open, and your brother's face appeared, bright blue eyes wide with concern. He rushed to your side, pulling you into a tight embrace nearly knocking the air out of your lungs.
"Holy shit,” he whispered, his voice thick with emotion, “Holy shit.”
You clung to him, the dam breaking as tears streamed down your face. The sobs wracked your body as JJ held you like you used to hold him. It devastated you. It felt so disappointing. He was never supposed to be the one carrying the family burden, you were. After what felt like an eternity, you pulled back, wiping your tears. Your brother sat beside you, his eyes searching your face.
“You’re not hurt?”
You took a shaky breath, trying to find the words, but all you managed to blurt out was a small “No. You?”
“No,” JJ nodded, lips pursed into a tight line as if he was figuring out what to say next, “They told me about the shooting.”
Your heart sank further at his words. You had hoped to avoid talking about it, at least for a little while. But he was watching you like he used to when you would act as a human shield for him, you couldn't brush it aside.
“I’m fine, I promise.” You reached out and squeezed his hand. "What about you? How did you get off that island?"
JJ let out a bitter laugh, shaking his head.
“It was a mess. We were stuck there for weeks, trying to find a way out. Pope and Kie kept us sane, but it was rough. We finally managed to signal a passing boat, and they rescued us. But the whole time, I couldn't stop thinking about you."
You squeezed his hand tighter, guilt and gratitude warring within you.
"I'm sorry I wasn't there. I'm so sorry, JJ."
He shook his head vehemently. "No, don't apologize. None of this is your fault. I—I should’ve saved you on that ship, okay? It’s on me, not you.”
You’d cry again if you didn’t feel like your body was about to collapse, “You did everything you could. We both did. It's not your fault."
“The one time we changed places, and I couldn’t do it.”
"Jay—"
"I should have been there for you," He insisted, "I hated it."
It was your fault, not his. You pulled him into another hug, trying to convey with your touch what words couldn't express. The weight of your shared guilt and pain was almost suffocating, but at least you were together. You felt his body shaking, whether, from exhaustion or emotion, you couldn't tell.
When you finally let go, you took a deep breath, hoping to find some semblance of strength.
"We’re gonna be okay.”
JJ nodded, though you could see the doubt lingering in his eyes. "I know. It's just... hard."
"I get it. But we're both here, we're alive.”
A small, sad smile tugged at the corners of his mouth. "Yeah, I guess you're right."
The two of you sat in silence for a while, it was a fragile peace, but it was something. The familiar sound of the waves crashing against the shore outside the window was a reminder that life continued, even when it felt like your world had stopped.
"Do you think things will ever go back to normal?" JJ's voice was quiet, almost hesitant.
If he only knew. The one time you managed to close your eyes and sleep you were plagued by nightmares of JJ finding out what you’d done. About you and Rafe. It made you want to scratch your skin raw. 
“Yeah.”
You could see the exhaustion in his eyes, a mirror of your own fatigue. You knew you both needed rest, but the thought of sleep was daunting. The nightmares felt too close, the darkness too suffocating.
"Let's try to get some sleep," You suggested softly, though you weren't sure you could follow your own advice. "We both need it, ‘kay?”
JJ nodded, but you could see the wariness in his eyes. He laid down next to you, the bed barely accommodating the both of you.
As you both settled in, the familiar warmth of his presence was a small comfort, a reminder that despite everything, you were still here together.
The minutes ticked by in silence, the only sound being the rhythmic crashing of the waves outside. You focused on that, letting it be your anchor. Slowly, the tension in your body started to ease, the weight of the day’s events beginning to lift, even if just a little.
"Do you remember the first time we went out on the boat alone?" JJ's voice was a whisper in the darkness, a fragile thread connecting the past to the present.
A small smile tugged at your lips. "Yeah. You insisted you knew how to steer, and we almost ended up crashing into that sandbank."
He chuckled softly. "We were so scared. But you figured it out. You always did."
The memory was a bittersweet reminder of simpler times, a time when your biggest worry was navigating the boat, not navigating the chaos your lives had become. When you weren’t a complete fuck up.
Exhaustion finally began to overtake you, your eyes growing heavy. JJ's breathing evened out beside you, a comforting rhythm that lulled you closer to sleep. You wanted to tell him everything, but you couldn’t. Not without losing him in the process. 
Sleep came slowly, but when it did, it was deep and dreamless. Completely void, much like yourself these days. 
Morning came too soon, sunlight filtering through the curtains and casting a warm glow over the room.
You blinked awake, disoriented for a moment before the events of the past days came rushing back. JJ was still asleep beside you, his face peaceful in repose.
Carefully, you slipped out of bed, not wanting to wake him. The officer who comforted you after the shooting promised to call as soon as he got an update on Rafe’s condition. And so far? No call.
You wondered if the hospital or the police had contacted Sarah. She was Rafe’s closest family, aside from Wheezie who was still a kid, and Ward who was a sought-out criminal. It made sense that they would reach out to her.
If you rang the hospital, they wouldn’t disclose a thing, you weren’t family, and it wasn’t like you could ask Sarah. She would know something was wrong the moment you asked about Rafe. It was risky. 
The kitchen felt eerily quiet, the early morning light casting long shadows on the walls. You made yourself a cup of coffee, the warmth a small comfort against the chill that had settled in your bones.
Sitting at the table, you sipped slowly, trying to come up with some sort of tangible plan. You wanted to know if he was okay, needed to know, but every option seemed fraught with risk.
Your new phone buzzed on the table, jolting you from your thoughts.
You picked it up, heart pounding as you saw an unknown number flashing on the screen. You hesitated for a moment before answering.
“Hello?”
“This is Officer Thompson. I promised I’d keep you updated on Rafe Cameron’s condition.”
You closed your eyes, thanking God for finally giving you some piece of mind, “Yes, thank you.”
“He’s stable,” Officer Thompson continued. “The surgery went well, and he’s in recovery. It’ll be a while before he’s fully back on his feet, but he’s out of immediate danger.”
The knot in your stomach loosened slightly. “Thank you for letting me know.”
There was a pause on the other end.
“I know this is difficult, but you should focus on your own recovery too. There’s a chance the feds will contact you, they’re building their case on Ward. What happened to you is, unfortunately, considered a minor crime compared to everything he’s done, so maybe you’ll get some peace. If not, you might have to testify against him.”
The idea of having to testify against Ward made you uncomfortable to no end. Reliving those moments in front of a courtroom full of strangers seemed unbearable. 
“And Rafe? What are his charges?”
"He’s facing several charges, but the severity of his sentence could depend on his cooperation. If he agrees to testify against his father, the authorities might offer him a deal."
A deal. It was a slim chance, but it was something. You hated yourself for the weight that left your shoulders. He should be locked up, you knew that, back then you prayed for the day he paid for what he did and yet here you were, holding on to any possibility of freedom.
You thanked Officer Thompson again and ended the call, setting your phone down with a shaky hand. The coffee had grown cold, but you didn't have the energy to make another cup. You sat there for a long moment, staring into space, trying to gather your thoughts.
The sound of footsteps drew your attention, and you turned to see JJ standing in the doorway, his hair tousled and eyes still heavy with sleep.
“Who was that?” He asked, his voice still groggy.
“Uh—Officer Thompson. He was at the scene the other day and told me he’d keep me updated.”
JJ tilted his head, his messy bed hair following suit, “Updated on what?”
“Rafe’s condition,” You replied, the words feeling heavy on your tongue. It was a half-lie. At least you were giving him something. 
JJ stopped in his tracks, “And you care because…?”
“For closure, I guess.”
JJ’s gaze softened slightly as he walked over to the table, pulling out a chair and sitting across from you.
“You’re too good, y’know that? Personally, I don’t give a fuck if he dies.”
You winced inwardly. "JJ, you can't just say stuff like that.”
He leaned back in his chair, brows furrowed. "Why not? After everything he’s done, he deserves whatever he gets."
You couldn't argue with that, but part of you still felt the need to defend Rafe. He saved your life.
“He’s still a human being, okay?”
JJ scoffed, shaking his head. "Barely.”
You didn’t know why you suddenly felt so angry, so defensive. But it made its way up your body until your lips were moving again, practically spitting the words out.
“He saved my life.”
Your brother stared at you like you were speaking another language, “Saved your life? Are you serious? It’s his fault you were there in the first place!”
“He chose to help me. And I can't just forget that."
JJ ran a hand through his hair, clearly agitated.
"This is insane. One good deed doesn't erase all the bad he's done."
You reached for his back, “I know that.”
He pulled away from your touch, your fingers only brushing against his shirt, “Do you?”
His retreat felt like a knife to your heart. JJ had always been your rock, the one person you could count on. Seeing him look at you with such disbelief and anger made you feel more isolated than ever. He looked at you like you’d imagined in your nightmares, but the real thing felt ten times worse. 
"I’m not saying he’s a good person. I’m just saying… it’s complicated."
He paced around the kitchen table.
"Complicated? Complicated is being stuck on an island, wondering if your sister is alive or dead. Complicated is dealing with the fact that the guy who put us through hell gets to play hero for a day and suddenly he's got your sympathy."
"It's not sympathy," You insisted, your voice rising despite your best efforts to stay collected. You never raised your voice at him. "It's just... I don't know. I saw a different side of him. Maybe he can change. Or at least help put Ward away."
JJ stopped and spun around to face you, his eyes blazing. "And what if he doesn't? What if this is all part of some twisted game for him? People like Rafe don't just change, okay? They manipulate, they hurt, they destroy."
“JJ—"
“You sound exactly like her.”
You didn’t have to ask to know what he meant. Suddenly your entire soul felt like it was being drained out and slashed into pieces.
You spent a lifetime hearing it, from Luke.
A carbon copy of your mother, your punishment.
“Don’t say that.”
“That’s exactly the type of bullshit she would spit out about dad, wasn’t it? And look where it got her.”
Memories of your mother flooded back. The excuses, the false hope, and the endless cycle of pain and disappointment. You weren’t her, were you? Holding out for a man who was never going to change, who would only inflict pain upon your life? It couldn’t be. You spent your entire life making sure you were nothing like her.
It wasn’t fair.
You weren’t making excuses for Rafe as your mother did for Luke. You were just trying to find a shred of humanity in someone who had shown you a glimpse of it. You stood there, feeling the weight of his accusation like a leaden cloak.
How could he think you were blind to Rafe’s faults? You knew them all too well. Standing there in the kitchen, under the harsh morning light, you felt exposed, vulnerable, and fiercely defensive.
“I’m not her,” You finally managed to say, your voice cracking, “I’m not defending him like she did.”
“Is that what you tell yourself to make you feel better?”
Your eyes narrow into slits, “I’m not doing this with you, not right now.” 
You turned away, your fists clenched at your sides as you fought to regain your composure.
He followed you hot on your trail, "Don't walk away from me.”
"I'm not defending him," You insisted, your back still to him, “I’m just trying to understand, okay?”
“Understand what? Jesus, Rafe is who he is.”
"And maybe he can change," You shot back, the words spilling out despite the tightening knot in your chest. "Maybe he saved my life because he wants to change."
"He's manipulating you," JJ retorted, his jaw clenched. "Just like he always does. You went through some traumatic shit together, but that doesn't mean you owe him anything."
You stopped dead in your tracks, turning to face him again. Your head was tingling, the headache already forming itself, and you felt hot all-over. 
“Some traumatic shit?” You repeated, “Are you fucking serious?”
JJ raised both his hands, tangling them in his hair in frustration, “You almost died, and now you're here defending the guy who put you in that position?"
The accusation stung. You felt the heat rise in your chest. You hated fighting with your brother. You were letting your feelings for Rafe get between the two of you.
He shook his head, disappointment oozing from him in waves, "Good luck with that. Just don't expect me to sit here and act like everything's okay."
You blinked away the dryness in your eyes, "I'm not asking you to. Can't you see that maybe things aren't as black and white as they seem?"
“All I know is what he's done to us, to you."
"And what about what he did for me?" You shot back, the words bitter on your tongue.
“And what did he do exactly?" Your lips parted to speak, but words continued to spill from his mouth, “What did you do?”
You gave no reply, unblinking, short breaths escaping you. His accusation lingered in the air, challenging you to defend the indefensible. The truth was there, clawing at your mind, but you couldn't bring yourself to voice it. 
Not to JJ, not yet.
"I don't expect you to understand," You finally said, voice strained, "But I’m not turning my back on him.”
JJ's eyes narrowed; frustration etched on his face. "Why?”
“Because I want to!” You screamed even though you hadn’t meant to. Tears of frustration fell as you raised your head, “And as far as I’m concerned, I’m still my own person and I can make my own decisions.”
He opened his mouth to respond, but the words seemed to evaporate. For a moment, the kitchen was filled with nothing but the sound of your heavy breathing and the instant regret that filled your bones.
Finally, JJ spoke, his voice low and strained. "Fine. Do what you want."
You watched as he turned away, his shoulders tense with anger or disappointment – perhaps both. His footsteps echoed loudly in the quiet kitchen as he stormed out, leaving you standing there, feeling raw and exposed. It was the first time you had ever raised your voice at him, and the aftermath left a bitter taste in your mouth. 
Alone in the kitchen, you sank into your chair again, your energy completely drained. Part of you wanted to run after him, to explain, to make him understand. But he never would. None of them would.
Because unlike you, they weren’t stupid enough to sympathize with Rafe Cameron.
Sitting there, you couldn't shake the feeling that you'd crossed a line, one you might not be able to uncross. You stared at your hands, still trembling from the argument, and let out a long, shaky breath. What was it about Rafe that had such a grip on you? 
You heard the front door open and close, a clear sign that JJ had left the house. Maybe it was for the best, giving you both time to cool down. You got up to pour the coffee down the sink, the sound of the liquid swirling away a tiny comfort.
You spent the entire day locked away in your room, avoiding any kind of social interaction, or the sun. Your phone buzzed again, and for a moment, you considered ignoring it.
You picked it up, expecting another call from Officer Thompson, but the name on the screen made your heart skip a beat.
Sarah.
With a deep breath, you answered. “Hey sweets.”
“Hi,” Sarah’s voice was almost unsure. “JJ and the police called earlier, told us what happened. Are you okay? I’m on the mainland with John B, we’re taking the next ferry back home.” 
You closed your eyes, somewhat relieved that you wouldn’t have to face them yet.
“Yeah, I’m…Managing. I'm okay.”
“Good, that’s good,” There was a pause, and then she asked, “Have you heard anything about...Rafe?”
Had the hospital not called her? The question hung in the air. You had, but you didn’t know how much to share. 
“He’s stable. The surgery went well.”
Sarah sighed, “Good. That’s good to hear I guess.”
“Sarah,” You began, hesitating. “Did the hospital call you?”
There was a long silence on the other end before she replied, “Yeah. But I…I don’t know. I just couldn’t bring myself to answer. I knew it was coming after the police called. But—Yeah, it’s just, it’s really hard.”
You didn’t know what to say, “I’m so sorry.”
“You’re the only one not giving me shit about still…caring? I guess. He’s my brother, you know? And I want to hate him, so bad, but I can’t.”
"I get it, Sarah. He's your brother. It's okay to feel conflicted."
"Yeah," She exhaled heavily, "But I don't know how to deal with it. He's done so much harm, and yet. I keep hoping there's still some good left in him. I know there's no hope for my dad, but Rafe..."
She had seen him before Ward turned him into this. She still carried the guilt of reveling in their father’s approval, the clear favoritism that she never stood against for her brother, even though she could see her father’s fingers printed on Rafe’s cheeks. 
Her words echoed your inner struggle. You understood her—how love and hate could coexist in such a tangled mess when it came to family. 
 “He was good to me.”
There was a long pause.
You expected her to hang up on you, to call you a list of degrading names, all of which you felt you deserved. She had suffered deeply at the hands of her brother— the same brother you had come to care for, despite knowing the full extent of what he’d done. 
But you underestimated her.
Caught between your own anxiety and the dread of truth being exposed, you momentarily forgot just how compassionate and noble Sarah was. She possessed a goodness that mirrored your own—loyal, forgiving, and endlessly understanding.
Both lovers and fighters.
 "I know, the feds told me about the shooting," Sarah finally said, "And I think that's what makes it so hard. Picturing him as the same monster from before was a lot easier.”
You nodded even though she couldn't see you, feeling a deep ache in your chest. "Yeah."
"I don't know what to do," She confessed, her vulnerability cutting through the distance between you. "Part of me wants to see him, to talk to him. And part of me wants to never look at him again."
"I think... whatever you decide, it's okay," You offered tentatively, not entirely sure if your words were comforting or just empty platitudes.
“John B disagrees.”
“Yeah, so does JJ.”
"I appreciate you telling me about Rafe," Sarah continued, her voice softer now, more vulnerable. "I... I don't think I could have handled hearing it from anyone else."
You felt a pang of guilt. "I'm sorry you had to hear it like this, sweetheart. I wish things were different."
"We all do," she replied softly. "Thank you.”
“Of course," You said, "Take care of yourself.”
"You too. We'll see you soon, okay?"
"Yeah. See you soon."
The call ended, and you stared at your phone for a long moment, the screen dark and lifeless, much like yourself lately. 
You spent the next few days in a haze, avoiding JJ and the rest of your friends as much as possible. You’d only seen Sarah. Somehow her presence didn’t make you feel as nervous as you thought. It weirdly calmed you down. You’d always been close, ever since she joined the group, but now you felt like she was the only one who understood your point of view. 
You knew Pope and Kie wouldn’t, and you couldn’t blame them.
Sarah never pushed you to talk, never demanded explanations. Instead, she just sat with you, shared a laugh or two, and let the silence speak for itself. It was a strange comfort; one you hadn’t realized you needed until it was there.
The small house felt like a prison. It wasn’t until a week later, as you sat on the beach watching the waves crash against the shore, that your phone buzzed with a message. It was the officer: "Rafe’s awake."
Your heart leaped into your throat. You still hadn’t told anyone the full extent of what had happened between you and him, and you weren’t sure you ever could. They knew he was in the hospital, that you two had gotten caught in a shooting, that he’d somehow saved your life. That was it. But now, with him awake…You didn’t know what to do.
With trembling hands, you dialed the number the officer had provided. After a few rings, someone answered.
"Hello, this is St. Michael Hospital. How can I help you?"
You snap out of your daze, "Hi, I'm calling to check on a patient, Rafe Cameron. I was told he’s awake."
There was a pause, the sound of keyboard keys clicking. "Yes, Mr. Cameron is awake. Are you a family member?"
“No. Uh, a friend, I guess—” You were about to ramble, not too certain of what to say, but settled for, “Can you tell him Maybank’s calling?”
“Okay, just a minute please.”
The hold music was the only thing keeping you centered on the moment, each note heightening your anxiety. When the nurse returned, her tone was pitiful, and you knew then that you weren’t going to like her answer.
"I’m sorry. Mr. Cameron has requested not to speak with you," she said. "Is there anything else I can assist you with?"
You wanted to hurl the phone into the ocean, plunge your head underwater, and only resurface when the ringing in your ears ceased.
 What the hell? 
You had spent weeks on edge, consumed by thoughts of him, hoping he would survive, praying for him despite not believing in that sort of thing. You didn't have it in you to put up a fight.
"No, that's all. Thank you." You ended the call and stared at your phone. 
Rafe didn’t want to speak with you.
You felt foolish, as if you were just now glimpsing the bigger picture and recognizing that maybe he didn’t care after all. Perhaps, on the island, you were the one thing keeping him grounded, but now? Now you were back to being a nobody, just a pogue.
It felt like everything you had shared was for nothing.
Had you imagined it? No, you knew you hadn’t.
Rafe had kissed you and touched you with the tenderness of a lover, as if you were precious and any rough movement might break you.
The moments you had shared, the way he had saved your life—maybe they didn’t mean as much to him as they did to you. The bond you thought you had formed with Rafe was, perhaps, a desperate attempt to find something good in the chaos.
The waves crashed against the shore, the sound a distant roar as you sat on the sand, a storm brewing inside. You tried to hold it together, to keep the facade of normalcy for a little longer, but it was getting harder with each passing day. This felt like it was the final straw.
Without warning, a scream ripped from your throat, raw and unfiltered. It echoed across the empty beach, a primal release of everything you had been bottling up.
The anger, the confusion, the hurt—it all came pouring out in that one moment. Tears streamed down your face, mixing with the salty sea breeze.
You hadn’t cried properly in weeks. 
You screamed until your throat was raw, until you had nothing left to give. The sun cast long shadows on the sand, the beach deserted except for you. Collapsing back onto the sand, you let the tears flow freely. 
There was no one to judge you, no one to see you fall apart. You’d spent a lifetime pulling yourself together, it was only fair you finally got to breathe properly. When the tears subsided, you wiped your face with the back of your hand and took a shuddering breath. The tightness in your chest began to ease, replaced by a hollow ache.
You were many things, but none of them were weak and yet...It was almost unbearable, the way your mind replayed every interaction, every look, every word, searching for signs you might have missed, clues that would have warned you not to get attached.
The sound of footsteps in the sand pulled you from your thoughts.
You turned to see JJ approaching. Your heart sank; you weren’t ready to face him after the argument. He sat down next to you, silent for a moment as he followed your gaze out to the horizon.
When he finally spoke, his voice was softer than you expected.
“I’ve been thinking about what you said.”
You nodded, unsure of what to say.
“I’m sorry for what I said about Mom,” he continued, his tone filled with regret. “I shouldn’t have compared you to her. That wasn’t fair.”
You swallowed hard, the tension easing slightly from your shoulders. “It’s okay, JJ. I know you didn’t mean it.”
“I did, and I didn’t,” he admitted. “I just... I don’t want to see you get hurt. I don’t trust him, and I hate that you’ve been caught up in all this.”
“He doesn’t want to talk to me.”
He glanced at you, eyebrow raised. “What do you mean?”
“I called the hospital. They said he’s awake, but he doesn’t want to speak with me.”
Your brother frowned, his protective instincts flaring up. “That fucking asshole. After everything—”
You shook your head, cutting him off gently. “Maybe it’s for the best. Maybe he’s right.”
JJ’s expression softened, and he reached out, placing a hand on your shoulder.
“Hey, don’t do that. Don’t blame yourself. You did nothing wrong.”
A lump formed in your throat, but you nodded, trying to believe his words. “I just... I thought there was more to it. That maybe he could change.”
“People like Rafe... it’s hard to change.”
“Yeah.”
 “But that doesn’t mean you’re wrong for wanting to see the good in him.”
He spoke with such gentleness and wisdom. You forgot he wasn’t a kid anymore. That he’d also done his fair share of growing up way too fast. 
You leaned into his touch, “I know.”
“We’ll get through this,” JJ said firmly. “Together. You and me, like always.”
 “Love you.”
“Love you too.”
As the sun began to set, casting a warm glow over the beach, you and JJ sat there in silence. The waves continued to crash against the shore, a reminder that life moved forward, even when it felt like everything was falling apart.
Maybe things would never go back to the way they were, but you had your brother, your friends, and a resilience you hadn’t known you possessed. 
⋆ ✧・゚: *✧・゚⋆ ✧・゚: *✧・゚⋆ ✧・゚: *✧・゚⋆ ✧・゚: *✧・゚⋆ ✧・゚: *✧・゚⋆ ✧・゚: *✧・゚
Six months had passed since that day.
Life had settled into a fragile semblance of normalcy. The days were longer now, summer heat pressing down on The Cut, making the air thick and heavy. You had spent the afternoon alone, lounging in the living room with a half-read book and a broken fan that did little to ease the stifling heat. 
You were lost in your book when a loud, insistent banging on the door jolted you from your reverie. Few people would knock with such urgency.
The forceful banging on the door didn’t stop and you jolted upright.
Without thinking, you got up and flung the door open, irritation flaring. "What the f—"
Your words caught in your throat as you saw him standing there. 
"Rafe?" You blurted out. You immediately tried to close the door in his face, but he was quick. His hand shot out, holding it open, "Are you kidding me?" You hissed, pushing harder against the door.
"Maybank—"
"If you don't get off my property, I swear to fucking God—"
"Wait!" Rafe's voice was strained, his hand trembling as he held the door open. "Just listen for a second."
You glared at him, every instinct telling you to push harder, to shut him out. But something in his eyes—fear, desperation, a flicker of the Rafe you once knew—gave you pause.
The last time you saw him, he was bleeding out and terrifyingly pale.
The last update you had on him was from Sarah, months ago. He had left the hospital and kept sporadic contact, reaching out to her only every few weeks.
You never asked her about his well-being or what he was doing; despite guessing that he was cooperating with the police. At least you hoped he was. 
You were determined not to care anymore.
He leaned his weight against the doorframe, “You look good.”
You were going to slap the lack of common sense out of him. 
You scoffed, not letting your guard down. “What are you doing here?”
He looked down, struggling to find the words as he scratched the back of his head, “I... I needed to see you. To talk.”
“And I need you to crawl back to whatever hole you just creeped out of, have a good day.”
You tried to push the door shut again, but his grip tightened. “Please, just give me a minute.”
“You had six months.”
“I know, and I’m sorry. I was— It’s messed up, okay? I’m still working with the feds. I was losing it. Still am, probably. But I need to explain. Please, Maybank, just a minute.”
You hesitated the anger and hurt battling against the small, lingering part of you that still cared.
Finally, you stepped back, letting the door open just enough for him to enter.
“Talk,” you said, your voice icy.
Rafe stepped inside, looking around your small living room as if seeing it for the first time, which you now realized he'd never been in your house.
He turned to face you, his expression earnest. “I didn’t know what to say. I felt—“, He took a deep breath, cheeks puffing, “Ashamed. I don’t know.”
You crossed your arms over your chest, keeping a safe distance between you.
“Ashamed? You’ve done a lot of things to be ashamed of. You can’t just show up after six months and expect everything to be fine.”
“I know,” He admitted, taking a deliberate small step closer to you, “I wasn’t expecting that. I just... I wanted to tell you that I’m trying. I’m in therapy and rehab, trying to get clean. I’ve been going to meetings. It’s been hell, but I’m trying.”
You looked at him, searching for any sign of deceit. His eyes were clear, more focused than you had ever seen them. “Why should I believe you?”
He took a deep breath, visibly struggling to find the right words.
“Because you’re the only person who ever saw anything good in me. And I can’t forget that. I don’t deserve it, but I need you to know that your faith in me wasn’t for nothing.”
The vulnerability in his voice took you by surprise. You had expected anger, arrogance, manipulation—but this was different. Genuine. It felt like you were back in that motel room, in his arms.
You let out a scoff, focusing your gaze on the couch you were just resting on, as you shifted your weight on your feet. “Is that all?”
Rafe's eyes darted to the floor, “No, it’s not all. I just—Shit. I need to make things right. With you. I don’t know how, but I need to try.”
You took a deep breath.
Part of you wanted to believe him, to give him another chance, but the other part of you—the part that had been hurt and abandoned—was screaming not to fall for it again.
“You didn’t even want to talk to me when you woke up.”
He looked up, guilt etched across his features. “I didn’t know how to face you after everything that happened. I was a mess.”
“So you shut me out?” You snapped, “You made me feel like I meant nothing.”
“That’s not true,” He snapped back, head whipping up, then immediately softened his tone, taking another step closer. “That’s not true. You mean more to me than you’ll ever know. I was getting better for you."
“Don’t lie to me.”
Rafe looked offended, eyes zeroing in on your lips before his gaze met yours. That's when you felt it again, “I never lied to you.”
“Cameron.”
Another step closer. His eyes pleading with you to understand. 
You were staring up at him now, the look on your face completely unreadable. You were waiting for an answer, but he had a feeling that no matter what answer he gave, it wouldn't make a difference.
"I never lied to you," He repeated, his voice shaking slightly. "I was scared and confused, but I never lied.”
You felt your anger rising again, every muscle in your body tensing as you tried to keep control. “Scared and confused? That’s your excuse?”
Rafe flinched at your words, but he didn't back down. “I know how it sounds. I handled it all wrong. I’m trying to fix it.”
“You think saying sorry and showing up out of the blue makes it better? It doesn't erase the months of silence.”
His hands reached out, his palms open as if he was dealing with a wounded animal. “I’m not asking for forgiveness right away. I just want a chance to make things right.”
“You don’t get it, do you?” You spat, your voice trembling with emotion, “How it felt, watching you almost die. I spent days wondering if you were going to be—” 
You stopped yourself, knowing that if you continued your voice would crack and the tears would start pouring down your cheeks.
You already cried enough for him. 
Rafe’s expression softened, and he reached out tentatively, his hand stopping inches from your arm. “I’m sorry, baby.”
You took a step back, putting more distance between you, needing the space to think clearly. “I needed you to be sorry six months ago.”
It’s only then, when your brain cleared slightly that you noticed he looked different. His hair had been buzzed, his skin looked tanner than the last time you’d seen him, he looked healthier. 
Rafe noticed your eyes wandering to his head and ran a hand through his short hair, a hint of a self-conscious smile flickering across his lips. “Yeah, I uh, made some changes. Trying to start over, I guess.”
You nodded slightly, not quite trusting yourself to speak. Finally, you broke the silence, your voice steadier now.
“I’m happy for you, but I can’t do this.”
“Pretty—"
You sighed, rubbing your temples as you cut him off, “I feel guilty enough as it is around everyone else.”
“I told Sarah.”
His words hit you like a punch to your gut. 
“What?”
“About us.”
You felt your stomach drop and your vision narrow, the world tilting sideways as the reality of what he just said sank in. “You what?”
“I told her.” 
“You absolute fucking—” You hissed, your voice rising without warning, “Are you serious?!”
“I thought it was the right thing to do,” His tone faltered to one that could’ve fallen on deaf ears if not attentive enough. “I needed someone to talk to, and she’s…my sister.”
“You thought it was the right thing to do?” You were shouting now, unable to contain your anger. “You think spilling everything to Sarah was the right thing to do? Did you ever consider how that might affect me? Or her?”
Rafe flinched, taking a step back. “I didn’t think it would be this bad.”
“Of course you didn’t,” You nearly growled, pacing the small living room. “You never think about anyone but yourself, do you?”
“Listen— “ He opened his mouth undoubtedly to fire back with another half-assed apology - but you barreled forward, letting the months of bottled resentment continue to burst open.
“You’re so selfish.”
“She promised she wouldn’t tell anyone,” His throat bobbed in an audible gulp, “It’s okay.”
“You really believe that?” You stopped pacing and turned to face him, your hands clenched into fists at your sides. “This is too much for her to keep to herself. It’ll eat away at her until she tells someone. And when that happens, my life here is over.”
Rafe looked stricken, his face pale. “I just—I needed someone to understand what I’m going through.”
For the first time, he took the time to explain what was going on in his head instead of letting his frustrations take over and kissing you.
“And what about what I’m going through?” You demanded. “Did you ever stop to think about that? I’ve been trying to move on, to rebuild my life, and you just waltz back in and blow everything up.”
“I’m sorry,” he said, his voice barely a whisper. “I’m so sorry.”
You spotted his sun-kissed freckles. They wouldn’t be noticeable if you hadn’t looked at him so closely before.
“Sorry doesn’t fix this,” Bitterness began to overpower the pit of your heaving chest, “Sorry doesn’t make it go away. You can’t just undo what you’ve done.”
“I know,” One shaky hand scrubbed over his face, refusing to meet your wide-eyed stare., “But I’ll do whatever it takes to make it right. I swear.”
“Make it right? You can’t make this right, Rafe.”
“I don’t know what else to do,” he said, his voice breaking. “I’m trying, pretty. I really am.”
You felt a smidge of sympathy despite your anger. You could see the pain and desperation in his eyes, the same pain and desperation you had felt for the past six months. But that didn’t change the fact that he left you hanging for so long.
“I need you to leave,” you said finally, your voice cold and distant.
You expected him to put up a fight, to lash out, hide his emotions with empty threats and petty names. But he didn’t.
Instead, he nodded, his shoulders slumping slightly as he turned to leave. You watched him go in silence.
Part of you wanted to run after him, to give him another chance, to believe that he could change. But another part—the part that had been wounded and left to heal on its own—knew that it wasn’t that simple.
You had to protect yourself, even if it meant shutting him out for good.
Rafe paused in the doorway, his back to you. His voice was barely above a whisper, but it carried clearly through the thick air. "I don’t regret it," he repeated, his shoulders tensing as he spoke.
You blinked, taken aback. "What?"
He turned slightly, just enough for you to see the raw honesty in his eyes. "I don’t regret what happened. Between us. I regret how I handled it, how I hurt you, but I don’t regret feeling something real for once."
The words hung in the air, and for a moment, the suffocating heat seemed to dissipate, replaced by a cold clarity. You crossed your arms tighter around yourself, trying to hold onto your anger, your resolve. But his words had hit a nerve, bringing back memories you’d tried so hard to bury.
You looked away, unable to look at him, "It doesn’t change anything."
"I know.”
With that, he turned and walked out the door, the door clicking shut behind him, leaving you standing there. The room felt emptier than it hand in months as you leaned your forehead against the cool wood over the door.
You pushed away from the door, needing something to distract yourself. 
You picked up your book, but the words blurred on the page. You tossed it aside, your thoughts too chaotic to focus. Instead, you paced the small living room, replaying the conversation in your mind.
You eventually collapsed onto the couch, staring blankly at the ceiling. You did the right thing, so why did it hurt so bad? 
You felt like a wound had been reopened, and you hated him for it.
But you hated yourself more for letting him get to you. The hours dragged on, the sun dipping below the horizon and casting long shadows through the windows. You tried to lose yourself in anything—TV, reading, cleaning—but nothing could shake the gnawing feeling of unresolved problems that clung to you.
You only saw Rafe's face, his desperate eyes, his trembling hands.
You remembered the feel of his skin, the sound of his voice when he was vulnerable. The memories were too real, too persistent. You couldn't bring yourself to explain it to yourself. Your eyes begin to itch, warning you to think of something else.
Anything else but Rafe.
Was this heartbreak? No—it couldn't be. 
You weren't in love with Rafe Cameron.
 At least, you didn't think you were.
You had never allowed yourself to consider it, to dwell on what you felt for him. But now, in the stillness of your small living room…it was different. You never had a good parental figure to teach you these things.
All you knew was destruction, violence, and heartbreak. And although you’d done pretty well for yourself, all things considered, this was new to you.
The thought hit you like a tidal wave, overwhelming and inescapable.
You had tried so hard to suppress your feelings, to deny the depth of your connection with him. But this…wasn’t something that could be easily forgotten or ignored. You had been so afraid to admit it, fearing that acknowledging would destroy you. 
You were in love with Rafe Cameron. 
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jojotichakorn · 3 hours ago
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i started penning a post about how i always find it narratively unsatisfying when an arc ends with a conclusion the following arc breaks, regardless of how realistic the repetition of the same mistake might be, which is still true, but i actually want to talk about something else right now.
i feel like, at least at this stage, jack is in a position that is both generally unrealistic and untrue to the specific events of the series. 'jack and joker' has a clear focus on poverty and money and class issues, but it seems to treat jack in a very special way. he somehow manages to stand on the moral high ground above other characters. specifically, other poor characters. which is, first of all, a little ridiculous, since he was indeed a debt collector and, in fact, almost became the boss's son. and, second of all, is generally Not Great, because it does idolise the idea that if you "just try hard enough", you won't "allow" yourself to be backed into a corner and therefore won't have to do bad things.
now, don't get me wrong, i am not saying that our characters who have made mistakes are completely blameless. tattoo did shitty things (and hoy followed suit), safe did shitty things, hope frankly admitted to enjoying doing shitty things. however, if we zoom out a little, we will see that all these characters are in a situation that is inherently unfair to them. we have all of these poor people in immense amounts of debt and then we have this disgusting rich motherfucker whose entire wealth is literally based on making their lives as miserable and unfair as they are. and i think that, in this particular case, the series would have actually benefited from a dichotomy. don't get me wrong, i'm usually absolutely brimming with nuance and also asking "what lies outside of it?" but this shall be my exception. (though you could say that joke already brings some nuance to it - he is initially from a well-off family and he actively makes choices to the benefit of poor people, despite it resulting in him being ostracised from said family and its riches).
jack walks the line of being poor and managing not to do anything "too bad" like he is a fucking circus performer on a wire. and, don't get me wrong, he is genuinely a selfless character. he makes choices that a lot of other characters in the same circumstances wouldn't make. he remains in debt and continues working for the boss because he keeps trying to help people and pay off their debts first - that is admirable. however, he himself was already set up for more success than others. sure, being forced to become a debt collector isn't a walk in the park, but most other debtors didn't even have that choice. jack has to work for the boss in order to stay afloat - that is an undeniably hard task. the other people the boss collects debts from, however, have to come up with a lot of money out of thin air - that is not simply a hard task, that is an impossible one that is designed to trap them in the cycle of doing this impossible task forever. that being said, ultimately, jack is still poor. his own hamster wheel should be somewhere around the corner, that's always the case. this idea is where i wish they would have taken jack's arc.
from the moment when he refused to marry rose, there was no escape for him. finally, much like our other poor characters, he found himself stuck between a rock and a hard place. (and i think that it's very thematically appropriate for jack's particular "i can't do this anymore, i deserve to live a full life" sentiment to be connected to love, since he is, after all, a lead of a romance drama). he made the decision to say "no" and from that point on, he was completely and utterly fucked. because, realistically, that conversation that he had with the boss after refusing rose was insane. i don't know what he would have done to jack exactly, if that was a genuine conversation and there was no exchange of jack's freedom for the ring, but it would not have been anything good.
so i wish jack had to make the actual tough call there, instead of having joke save him all on his own (and later take the fall for it). and if it was, at least in some capacity, jack's decision to steal that ring, he would finally be placed in a situation where every other poor character already inevitably found themselves in. because the entire system is rigged against all of them and they are eventually always forced to do things that they should have never even had to consider in the first place. but they deserve better than living a life set up for them by evil rich people who literally live off of their suffering and they are allowed - no, at some point they simply have no choice but to - fight for a better life.
this, in my opinion, would have been a much more powerful message and - not to circle back to my personal preferences - would have also not left us with joke making the very same mistake that we decided we should never make again at the end of the previous arc.
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multifandumbmeg · 3 days ago
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How many times now have I said "I'm never opening Netflix again"? I love to just not take things too seriously and enjoy what I get when it comes to shows, all too often I've seen fans talk mad shit or abandon ship over perceived slights or minor infractions, but the past couple years I have been utterly gobsmacked by the egregious shit they have done. Incredible shows like Lockwood and Co getting cancelled after one season with zero explanation. Spin-off for Six of Crows being in massive demand, fucking stellar cast, COMPLETELY WRITTEN and then dropped. A multitude of multi-season shows taking a meteoric nosedive in writing quality that has me genuinely wondering, did they switch to AI for this?? Did they hire a wattoad teen from off the street??
Everyone's got their favorite cancelled show, but the recent trend of just absolutely sabotaging your most beloved shows on the way out instead of ending strong to keeping to ANY sort of character arcs or thematic consistency? Agonizingly heinous. If you saw my blog earlier this year you'll know how I felt about the final season of Umbrella Academy, one of the best shows the platform ever put out (viewers know. Not a soul was anything less than heartbroken, and it's rare to see universal opinions online) and today they crippled Outer Banks by writing off the most popular character- and in doing so the ship he was a part of- by killing him. A character once again (TUA reference, once again my fucking favorite ofc) who was abused in childhood, fucked over every moment in life until finally, finally having a chance at peace and then having it nonsensically ripped away for a completely devastating, unecessary, and thematically inappropriate to the show and arc reason. If they're trying to save their platform, they're sure as hell not gonna do it by annihilating every good thing they have.
And on a final note, the particular trend of taking abuse victim characters who have been nonstop shit on by life and then giving them equally tragic, miserable endings no matter what the earlier writers had clearly set up is so fucking disheartening, disrespectful, and dangerous. I can't recall one show they've put out that chose to tackle abuse, especially childhood abuse, that didn't end in a miserable person who was never able to meaningfully connect long term dying horribly. The message that sends to those of us who have actually experienced it- and are statistically prone to harming ourselves as a result- is that there is no hope. You are permanently broken. And sooner or later you will die a miserable death just like every moment you lived- there's no point. Why bother extending your suffering? Just get it over with. Meanwhile those responsible act like the response should be, "Oh yeah, and sad claps, how misfortunate. Just the way it goes I guess. We all love a good tragedy 😘". No. We don't. We are tired of it. We are exhausted. Society and reality fucking sucks right now, we don't need every single bit of media, regardless of tone or themes, to be "gritty" with its most vulnerable and beloved characters.
It's painful, it's personal, and it's not even a good business model! People love these characters BECAUSE we're rooting for them!! We want to see them win after all the suffering!! To remind us in our real lives it is possible, and life is worth it!!
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b4kuch1n · 2 years ago
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same teacher, different lessons
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#sonic the hedgehog#dr. ivo eggman robotnik#miles tails prower#sonic frontiers#SPOILERS. THERE ARE SPOILERS IN THIS COMIC BY THE WAY.#SONIC FRONTIERS SPOILERS#smiles gently I can not believe I let sonic the fuckign hedgehog ruin my life#(I can I totally can)#hi <3 if you follow me because I drew this sonic comic. don't!#don't do it! follow me bc I'm funny and hot and devastatingly smart don't follow me bc I draw sonic stuff. bc it won;t happen again#I mean it. not bc I dont like or want to do sonic stuff. but bc I am literally in the middle of a job rn#one that I want to invest 100% of my time and brain in#this comic is actually an effort to win my brain back so I can do my job lol#because I finished miss penny snapcube's streams of this game and it force fed me emotions#I just! I just thought sonic would come tell eggman abt sage!! idk seems like something he'd do!!!#and also the whole thing abt letting the characters move on and have a future and change and develop#vs Killing My Baby Little Guy Daughter For Like Ten Minutes#thematically interesting! also for some reasons I had. a pretty easy time drawing this#I was mouthbreathing galloping like a horse to finishing this. Because I Need To Work#I didnt expect to have a good time with these designs tho idk why. probably bc I most suck shit at drawing animals#but to be fair yet again sonic and tails are little guys. theyre animal but theyre also like dudes. also sonic's design is kinda perfect#as far as character design goes he's really pretty goo- wait I made a continuity error hol on#okay. okay I fixed it. no problem. no matter 's all good now#okay. I go sleep now. today has been very noisy. but this actually got me through it okay#thank you sonic the hedgehog. that was pretty cool of u#have a good night guys! absolute freedom is probably really really sad#long post
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adaines-furious-feast · 5 months ago
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Buddy making Bakarath real make the fact Porter couldn't just make his own god even funnier.
Like, ok maybe Kristen is just the most gifted cleric of her age and she spoke to the void and created a god (that she almost immediately ditched). But Buddy almost certainly didn't get banished to the void. Buddy created Bakarath out of pure belief. If Porter just had a really dedicated cleric (who he didn't have to kill first) he could have had his god of war without having to do all this messy shit. But no.
And I get thematically conquering the last god of conquest is great but do you want it to be thematically good or do you want it done?
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hypermascbishounen · 3 months ago
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There's a deep irony in Berserk being so admired by people who really really hate what Berserk is about on an emotional level, but especially when writers want to take influence from it. Because Berserk is very strong thematically, and someone who can't acknowledge subtext is going to whiff on emulating anything good.
#And by that I mean that like many of its influences and descendants the plot is fundamentally driven by toxic gay shit lol#Listen there's just no beating around the bush here: you either understand this type of story is super emotional#That the softness and hope and love for humanity is vital connective tissue between the edgy violent dark setting#And that at its core the queerness is *central*#Or you will just end up creating something toothless and cynical with tokenizing bullshit at best#You cannot make that lightning strike twice if you're too scared to even write that shit as ACTUALLY core to the plot#You don’t have to make your shit gay to be good you just have to understand if your major influence was gay and why#So that you respect subtext and thematic writing and emotional resonance in writing in general#And maybe understand that if you also want credit for pushing the envelope you get where the real standard is#This is one of those things I see in equal measure in dudebro homophobes and supposedly progressive queers#No that wasn't “bait/delusion” it was barely subtext and if you go into writing with that attitude you're going to write shallow shit lol#I genuinely believe when people lament about reading comprehension they're actually talking about willful ignorance#Because willfull ignorance *does* cause a need to deny reality to a point where it warps your ability to understand information#Having difficulty comprehending text from a learning disability or improper teaching#Has fucking nothing on someone whose deliberately trained themselves to rationalize away anything uncomfortable#Tag rant over but this shit really is a plague and you can see it so starkly when it comes to Berserk#An undeniably respectable work from a place many envious little goblins that covet it do not actually respect
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necrotic-nephilim · 2 months ago
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Hello! New to comics and I don't really feel like the New-52 comics are for me and would really like to read and understand Pre-flashpoint and all the dark and good stuff there. Is there an order or starting point you would recommend? Thanks for your time, and I hope you have a great day!
hi! i'm so glad you want to get into comics! i'd love to help with some recs! since you're here, i'm going to assume you're a Batfamily fan and most of my recs will cater to that, but i will try to encompass a bit of everything to help you just understand some big moments and all this mess that is DC canon. adding a cut bc jesus this got long.
so your starting point for pre-Flashpoint is going to be Crisis on Infinite Earths. the TLDR of this event is: DC had a big multiverse in the 70s and early 80s that wasn't friendly to new readers. to try to push their titles more and become a proper competitor to Marvel, they created an in-universe storyline that nuked the multiverse and gave a solid entry point for new fans going forward. this is why you hear terms like Pre-Crisis and Post-Crisis. it refers to the comics canon before and after this event, in 1985. some characters had some big changes (for example: pre-Crisis Jason Todd was a circus kid whose parents were killed by Killer Croc) but most remained largely the same, just simplified. you don't *have* to start with Crisis on Infinite Earths if you don't want to. it's a *good* storyline, but it's a big one and a lot of big multiverse-scale stuff happens. so as long as you understand it as "big event that nuked DC's multiverse and gave the world a clean slate in 1985", then you've basically got the gist. also Barry Allen dies during it, but he comes back so don't worry about it.
in general, if DC has some big timeline/canon-altering event, they're going to call it a Crisis Event. the only Crisis Events that will matter to you, trying to get into pre-Flashpoint are
Crisis On Infinite Earths - the above, starts the Post-Crisis/pre-Flashpoint timeline
Zero Hour: Crisis In Time - an event in the 90s that sought to fix some of the kinks that the above Crisis caused, like fixing the origins of the Legion of Superheroes and other Golden/Silver Age characters, not *super* important tbh
Infinite Crisis - this was a big event that brought back some characters who got nuked by Crisis on Infinite Earths, unfucked Power Girl's backstory, and set the groundwork to bring back the multiverse. if you've heard "Superboy Prime punched a hole in reality and it brought back Jason Todd" yeah, this is the story where it happened
Final Crisis - a big event that was partly meta commentary but heroes fought Darkseid, Batman died for a hot second, it was all a big deal about evil winning and all that
Flashpoint - the event that nuked this timeline, a big storyline to do with Flash and the timeline that would result in the New-52 in 2011
are you confused yet? good embrace the confusion it's going to become second nature of a comic fan. you don't need to read these events as a beginner. you really don't i promise. they'll sound big and important, but besides Crisis On Infinite Earths and Flashpoint, the start and end of this era, the rest you can just kind of breeze by so long as you understand the big plot points like Batman dying or Superboy Prime punching reality. unless you really care about a character central to these stories, skip 'em for now.
now for any character, if they have a Year One comic? that is a very safe bet as a place to start. it is what it sounds like. Batman: Year One is going to be Bruce's first year as Batman. same as Green Arrow: Year One, Batgirl: Year One, etc. when in doubt, if there's a Year One, start with Year One. (note: for Superman, his "year one" type story is called Superman: Birthright and it is worth reading if you like Superman)
for Batman, i am holding you by the shoulders when i say this: people will tell you to read The Killing Joke. they're liars. do not listen to them. it's a bad story. you don't need it. do not let the Joker fanboys lie to you. people will also say Dark Knight Returns. don't listen to *them* either. i *like* DKR, i talk about it a lot here. it's not a good intro to Batman. it's an AU story, it's not canon, ignore it for now.
now where you *should* start with Batman, imo, is as followed
Batman: Year One - as said above, Year Ones are good, this is solid to start with
Batman: The Long Halloween - this is an iconic story and it's a followup to year One
Batman: Dark Legacy - the followup to Long Halloween, also a very good story
Batman: Hush - this story is a solid starter if you want to understand the general vibe of Gotham, the typical characters you see in the Batfamily, and a good Batman villain
once you've got the basics down, you *can* get into the big boy storylines like Batman: Knightfall and Batman: No Man's Land, but don't worry about those right now. they're long and complicated and shouldn't really be your starting point no matter how good they are.
other very good pre-Flashpoint comics that are easy to pick up and iconic storylines
Death of Superman - this is a long arc in the Superman run that if you collect in trades, goes Death of Superman, Funeral For A Friend, Reign of the Supermen, Return of Superman, Doomsday. it's long, but a very iconic storyline
Wonder Woman by George Perez - this the run that helped define modern Wonder Woman within the pre-Flashpoint era
JLA: Year One - if you want a good Justice League story where you get characters besides Batman, Wonder Woman, and Superman taking the shine, this is a great place to start
Green Arrow by Mike Grell - start with Green Arrow: The Longbow Hunters and then go into Green Arrow (1988). this has the darker, very 80s vibes that gets a bit gritty and very realistic with the issues it faces bc Green Arrow comics tend to be more rooted
The New Teen Titans by Marv Wolfman - this technically starts before pre-Flashpoint, don't worry about it it's fine. a good run for all of these characters, can get a little confusing, it is okay to be confused do not be afraid to google shit
so, some big stories out of the way i'm just. honestly going to run down the line of the major pre-Flashpoint Batfamily members and give you comic recs for them that you can start with. (besides Bruce obviously, bc well. see above)
Dick Grayson
NIghtwing: Year One
Robin: Year One
Nightwing (1995)
Tim Drake
Batman: A Lonely Place of Dying
Robin (1990)
Robin II: Joker's Wild
Robin III: Cry of the Huntress
Robin (1993)
Barbara Gordon
Batgirl: Year One
Birds of Prey (1999)
Jason Todd
Batman: The Cult (as Robin)
Batman: Death in the Family (as Robin)
Batman: Under The Red Hood
Red Hood: Lost Days
Cassandra Cain
Batgirl (2000)
Batman: No Man's Land
Jean-Paul Valley
Batman: Sword of Azrael
Batman: Knightfall
Stephanie Brown
Huntress/Spoiler: Blunt Trauma
Batgirl (2009)
Selina Kyle
Catwoman by Ed Brubaker
Helena Bertinelli
Batman/Huntress: Cry For Blood
Huntress: Year One
Birds of Prey: Manhunt
Damian Wayne
Batman & Robin (2009)
there are other very important pre-Flashpoint stories for all of these characters, but these are starting points more than anything. figure out what characters you're interested and go from there. understanding the universe at large helps, do not get me wrong. but at the end of the day, comics are a choose your own adventure of who you want to give a shit about. you're *never* going to read everything "important" and you're probably not going to understand everything. that's okay. don't treat it like a media you need to "complete" like a tv show or a movie, but more like an open world game where you decide what characters/teams/stories you like the most.
pre-Flashpoint covers a lot of ground. some stuff will be darker and grittier, some stuff will be more light-hearted. it will all be about what titles you pick up and what characters you decide you want to read about. you're obviously going to get a much more grounded storyline out of Green Arrow than you are say, a JLA comic. i prefer the more grounded, "street level" sorts of characters. (if you like gritty detective stories, i will be biased and highly recommend the Question (1987) just because. i love him okay.) but you might find you like sometimes more worldly and big scale. at the end of the day: don't force yourself to love a comic you're not enjoying, even if you like that character. you can put that shit down. sometimes, "important stories" are by shitty writers that you won't enjoy reading and you shouldn't make this hobby a chore. i don't care how "critically acclaimed" it is, you don't have to like it if it doesn't click for you. and on the flipside, a comic might be considered "bad" but you may enjoy it (a personal example: Robin III: Cry of the Huntress is considered a very weak comic. don't care. i love it anyway.) accept the cringe, have fun, and enjoy yourself at the end of the day. none of it will make sense anyway so just read what sounds cool to you.
this was all over the place and rambly, but i hope it helps at least a little! welcome to comics anon! if you or anyone else would like more character-specific recs, feel free to ask! if i don't know, i can at the very least hopefully point you in the right direction <3
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timeausterrors · 6 months ago
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i had the most infuriating interaction on twitter. so i want to have more productive and interesting conversations about homestuck now. tell me things you find unique or interesting with homestuck's writing/characters/themes etc! or tell me criticisms you have about it, its character choices or writing choices, etc! (pls dont come in to just say act 6 is bad or vriska did nothing wrong etc ! you can have those opinions but i want to spark conversations and debates around new and interesting topics or topics that don't get brought up as much!!) ALSO PLS NO HS2 i just want to talk about Homestuck as it is because i think there's still so much to dissect and explore!
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seventeendeer · 5 months ago
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just watched the barbie movie everyone was discoursing about last year and I can't help but feel like a lot of the problems in its execution could have been avoided if the kid character's arc had been about learning to embrace girly stuff as an act of rebellion against the adultification of teen girls while barbie went full butch transmasc
#deerchatter#i know why they didn't do that obvs the writers haven't a fucking clue what a feminism is and the bosses prefer it that way#but it's fun to think about what a good version of the premise could have looked like. there were interesting pieces on the board#the kid character could have been interesting if her arc had been about rejecting barbie bc of increasing awareness of the association#between femininity and weakness. but in wanting to gain respect she started acting and dressing like a young woman because she's at that age#where girls begin to be rewarded for being a more subdued and quote-unquote natural kind of feminine.#she could have become friends with barbie as a symbolic way to heal her inner child#meanwhile barbie takes the you-can-be-anything message to its logical extreme and decides what she wants to be is the one thing mattel will#never let her be: gender non-conforming#these 2 character arcs and where they intersect could have told the same story much better i think#emphasis on personal choice/growing up/social rebellion/embracing what will really make you happy#while also covering multiple ways to handle gendered expectations. pick out the parts you like or throw the whole gender out. both r good!#anyway i have to admit this movie was disappointing. i knew it wasn't gonna be woke but i thought it would still be a bit more fun ....#was hoping for a guilty pleasure kind of experience but even setting aside that hard thematic fumble it's underwhelming :(
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planet4546b · 6 months ago
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ffvii: rebirth, 2024/spoiler, hala alyan/@.arthoesunshine/season: a letter to the future, 2023/untitled, mark rothko/outer wilds, 2019/what will you miss about the earth?, megan fernandes/george sand, to gustave flaubert, june 1870/perhaps the world ends here, joy harjo/drawing, kyutae lee/ffvii: rebirth, 2024/disco elysium, 2019/rawk tawk: q&a with philly's hop along by phawker/my god, it's full of stars, tracy k. smith/you're the beginning and the end of all things, sung hwa kim/the conditional, ada limon/eschatology, eve l. ewing/season: a letter to the future, 2023/no good al joad, hop along/a small collection of things @.poetryoutloud/i know the end, phoebe bridgers/ffvii: rebirth, 2024
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popsicle-stick · 1 month ago
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foolish though it may be i am once again thinking a lot about self-sacrificial character arcs resulting in memory loss.........bring out the gin
#something about this as a culmination of a character arc is just so uniquely devastating. an arc never completed. good god.#when it happened in artemis fowl i remember being devastated. but i was also pretty sure that it was a temporary thing from-#-being woken up in the body of a clone of yourself after having been dead for six months. you know the drill. and i think i was right#even if it was permanent though - he still /did/ get to complete his arc & his sacrifice was in line with where his development was headed#where as in w359 eiffel's loss just Killed me in a way that i dont think fiction has....done before?#i saw it worded really well somewhere else. his 'end' is more of a typical /mid arc/ development where the 'improving' character must-#-now see their past from the outside and 'change their ways' based on this. or whatever. and the kicker with eiffel is that it happens-#-right at the end. we barely see him after it happens and we don't know what he chooses to do. it's definitely hinted at. but it's left-#- ultimately up to us‚ which works thematically. and it's powerful but i can understand the beef that some listeners have with it-#-bc of the way it's all just cut off. anyway this is not a post for my specific post canon theories but they're there. and highly specific#some things can really. clenches fist. make you relive the emotions you felt when you finished the entire artemis fowl series aged 15#and i do think there's a lot of overlapping themes in both af and w359 that are worth comparing but that's another post lmao#god i wish i had the eloquence to say what i want!!!!!!! and for it not to be a tag essay!!!#spoilers#just. in general
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fiona-fififi · 17 days ago
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The way people sometimes refuse to acknowledge that writing choices that clearly go against established canon should mean something is endlessly frustrating to me. We don't have to agree on the interpretation, but these writing choices SHOULD mean something.
Otherwise, it's shitty writing.
#'the ga wouldn't even notice'#'the character doesn't seem to mind'#'you're reading too much into things'#no actually the fact that so many people think writing doesn't have to involve any stylistic or thematic choices to build meaning#and that writers just do stuff and as long as the character doesn't say anything it couldn't possibly mean anything is absurd#like y'all can pick up any classic piece of literature and think the writing just manifested on the page#and nothing is any deeper than some author saying what happened to a character like the character's just recounting real-life events#and that nothing really means anything except exactly what is said outright or some shit#but that's not how good writing works#in any form of media#and if the blatant contradictions are not being addressed then maybe the writing is shitty actually#and also even IF something wasn't intended to mean anything by the author directly doesn't mean that no meaningful connotations exist#for the audience like jesus christ y'all#i get enough of this bullshit from my students i don't need it in fandom too#let people analyze things and dig into them and spec and 'look too deeply' it's fun#and also it's okay if someone has a different interpretation than you and wants to talk about the possibilities behind that interpretation#or about other possible interpretations#it is not hurting you to see someone 'read too much into something' let people have their opinions#without trying to shut down everything you disagree with goddamn#anyway#911 discourse#fandom negativity#and actually i do think it's mostly shitty writing at this point#but that doesn't make it not mean anything that it's shitty writing actually#and it shouldn't be viewed as some awful character flaw for someone to point out why certain choices don't make sense#and to talk about what they would like to see addressed because of that
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metanarrates · 1 year ago
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orv scratches that good gamer itch in my brain because i learned about the term "ludonarrative resonance" once in class and now every time i see a mechanic that serves as storytelling fuel i start screeching with delight
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I do think Withers has a really subtle background character arc in bg3. Because at the start it is really clear he doesn't want to be here and he's being forced to clean up his mess by Helm and probably Ao. He doesn't really care either. Everything ends so nothing really matters, he'd like to go back to his paperwork now please.
Except he's stuck babysitting a bunch of traumatized dumbasses as they stumble into dealing with the most recent bad idea of his three fuck-up disappointments. So he brings them back when they die for a pittance, lets them pay for some vengeful ghosts to come back as flesh and blood to wreak bloody vengeance on the Absolute, and starts to... comment, on what's going on, as he follows them on their adventure.
Next thing you know Withers is like, doing things unprompted. He refuses to bring back Alfira (or Quil) but that's an act of compassion, keeping the poor girl from the Urge and letting her rest, his actual duty as a god of death. He tells Arabella to follow her destiny and does that thing to make her grief go away which honestly freaks me out but seems to be him trying to help her. He shows up at Moonrise and prompts us to consider why the Dead Three would want a bunch of soulless illithids that would give them no power, getting us to think of the big picture.
And by the end (especially if you do a resist!Durge playthrough) Withers is actively interfering and seems genuinely invested! He brings Durge back from the dead, free of their father! He encourages us before the final fight with the Netherbrain! He's real fucking smug that the Dead Three lost when he never seemed to care about the destruction they caused before! He throws a reunion party and many of his lines are genuinely touching or kind! Especially if a companion died permanently! He has tea with Gale's mom and Tara! He's like, socializing and shit! Yes, everything is temporary and we all die, but there's great beauty in fighting for that precious time and living it to the fullest!
Basically Wither's character arc is this meme, all because Helm made him go outside and touch grass.
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#bg3#like... thematically the characters are bg3 are all struggling with mortal frailty and meaninglessness in the grand scheme of gods#several of them are on a ticking clock to immediate death. the tadpoles themselves are a death sentence. others are being actively#hunted by their abusers or will be drawn back into a life that's no real life at all or told to kill themselves or seen as nothing but#disposable pawns in the game of the gods to be used and discard as if nothing#or are destined for objectively shitty afterlives#and what do they do? they fight it! tooth and nail! and try to live their best life here and now! they form bonds and fall in love#and help strangers or each other and have fun even for only the moment and cling to life by their fingernails#while also accepting death could be tomorrow or next week or decades from now because we all die but that's no reason to lie#and meekly accept it because some god said so#they care! they all care SO SO MUCH ABOUT LIVING! even if its tempting to give in to the nihilism they all try so goddamn hard#even on evil routes there's something so deeply human and vulnerable to how it all comes from caring so deeply#about wanting to live and survive and be loved and safe#listen to Wither's lines about the companions if they died. especially Karlach. do you get it? they made the GOD OF DEATH#JERGEL HIMSELF! feel something about the beauty of the mortal life in all its fleeting incandescent glory!#but also I think it's just that Jergel needed to leave his sad little crypt more and talk to people other than kelemvor#and Helm accidentally made Jergel less terrible by forcing him to socialize with the mortals#it's like never leaving your room as a teenager. it makes you depressed and sad and full of despair like an understimulated parrot#and like is Wither's being more invested in the affairs in mortals necessarily a good thing? maybe. maybe not. but he clearly is#so good on him. I think more gods should hang out with mortals in non-worship contexts. might give them some perspective#just pretend to be some random helper NPC#and this is all especially poignant when we remember Jergel’s past as Neutral Evil and the genuinely horrible things he’s done
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tyrannuspitch · 6 months ago
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thinking about the specifics of loki's sexuality for the first time in aaages and like... while i am personally not too fussed and tend to go with the flow here. i've decided i think it's fair to argue that the loki show is so far removed from the original character that you don't have to accept what it says on the subject.
obviously SOME people will be doing that maliciously, especially (but by no means exclusively) if their alternative is that he's cishet. it's def worth watching out for (and reflecting on a little in yourself.)
but at the same time - there are genuinely zero datapoints on mcu loki's orientation while he has his original characterisation. he's never visibly attracted to anyone, and he never expresses any personal feelings on sex or romance. (i mean, overtly. you can read anything into anything if you go looking for it, but nothing is canon.) loki is queercoded, but his queercoding in the first three films is entirely about gender presentation. so, if you accept that this era of canon is separable from the rest, then by the same logic it follows that loki's actual orientation is a blank slate.
so yeah. obviously if you like seeing loki as bi that's great, vive la bisexualité. but also. if you see loki as gay or aroace or whatever else, especially if you've been doing so since the 2010s, who are any of us to tell you you're wrong.
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timeausterrors · 6 months ago
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i had the most infuriating interaction on twitter. so i want to have more productive and interesting conversations about homestuck now. tell me things you find unique or interesting with homestuck's writing/characters/themes etc! or tell me criticisms you have about it, its character choices or writing choices, etc! (pls dont come in to just say act 6 is bad or vriska did nothing wrong etc ! you can have those opinions but i want to spark conversations and debates around new and interesting topics or topics that don't get brought up as much!!) ALSO PLS NO HS2 i just want to talk about Homestuck as it is because i think there's still so much to dissect and explore!
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