#‘but we cured it!’ really. all of them. all of the disabilities. even the ones that weren’t harmful. like instead of dreaming up an

[disableddyke]

abled people will dream up a utopia where disabled people don’t exist and then get quiet when you ask them where the disabled people went

[cripplecharacters]

Futuristic Settings and the Erasure of Disabilities

The common theme in a lot of futuristic, sci-fi or not, settings, is the abundance of cure tropes that are thrown in there. Disabled people either don't exist, or aren't actually disabled - they get a magical device that undoes their injury, or get a mech suit that basically does the same thing.

Often the setting is treated like an excuse that can't be rebutted in any way: “but my story is set in the future where medicine is better!”

So: is that true? Does better medicine actually mean less disabled people?

Historical Accuracy

[large text: Historical Accuracy]

In 1900, the life expectancy of a person born with Down syndrome was 9 years. Try putting yourself there and imagining that 2024 is the Future - better medicine, basically sci-fi in comparison to what they had back there. In that future, what is true?

a) There's no people with Down syndrome.

b) People with Down syndrome live to be 60 years old on average.

Answer? B. The only countries with fewer people with Down syndromes are the ones engaging in widespread eugenics, which is a topic I will not be getting into in this post, but I'm mentioning because the only places without disabled people are eugenicist.

The “better medicine” of the future didn't make Down syndrome curable, it made people with it survive longer. 50% of people born with it today will live to be over 60 years old. In the future, there will be retirees with Down syndrome. In the past, 50% of them wouldn't have made it into their teens.

Why does that matter?

[large text: Why does that matter?]

Future medicine won't make disabilities disappear. It will make them more manageable. Less deadly. Easier to survive.

If you base your knowledge and perception of disability throughout the times on sci-fi novels by able-bodied writers, you're going to hate how it actually works in real life.

Have we magically- technologically gotten rid of diabetes? No, 11% of Americans have it. 103 years ago, diabetes were lethal. There aren't fewer diabetics compared to the past. They live longer. You probably know or heard of someone who has diabetes.

You need to expand your understanding on how disability and medicine work, because “future = no disability” is genuine nonsense. It doesn't work like that, and it really frustrates me how writers dead-set on “logic” in their setting fail to see this.

Are paralyzed people walking around in various mechs, or are they using better wheelchairs than those from 100 years ago? Wheelchairs that make it easier to be independent? That help with symptoms of their disabilities by preventing pressure sores, or providing alternative methods of maneuvering?

In the future, why would there suddenly be those futuristic transplant* spines instead of wheelchairs that can be used with one's brain or eyes, for those who can't move their hands, mouth, or head? Why wouldn't there be wheelbeds for those who are currently bed-bound because they can't manage being upright in any way?

*Also, how are all of these magic disability-fixing transplants never actual transplants? Receiving a transplant basically always ends up in being immunocompromised because of the very way the body works. If you're writing about humans, this isn't going to change?

Things like sign language or wheelchairs have been used for thousands of years, they're not going away anytime soon or not-so-soon.

Future = More Disabled People?

[large text: Future = More Disabled People?]

We already discussed that there are presently common disabilities that used to be lethal a century ago or even less. If we use this fact for a futuristic setting, you suddenly have a myriad of new possibilities.

There's vastly better medicine? A lot of people deal with post-rabies syndrome because it's finally survivable, but it leaves people with the effects of the meningitis that rabies cause. There's way more quadriplegic people because the survival rates are much higher. Cancer survivors are more common because people live longer. Physical therapy for people who had prion diseases because they aren't fatal anymore but cause severe disability. Head trauma is more treatable, so there's more people with TBIs and less people dying in vehicular accidents.

The technology is super advanced? People with locked-in syndrome can operate an AAC device with their eyes, fully customize its voice to their liking, and not have to worry about battery life of their powerchair because it has sonar panels. Canes that can fold themselves with the click of a button so that they can fit in one's pocket.

There could be so many more adapted sports! Tools and technology that can adapt a house exactly to one's needs! Wheelchairs that are actually affordable! A portable pocket sized device that makes ableds behave normally around disabled people!

The point of this post isn't to completely shit on sci-fi settings, but instead to urge abled writers to think a bit more and try to be creative in the way they go about speculative fiction. Write something new! There's one billion stories about how impossible it is for disabled people to exist in the future, and it's upsetting at best to read that constantly when you're disabled. As long as there are people, there will be disabled people.

mod Sasza

[chibidashie]

by the way July is disability pride month, so let's go over some things, shall we?

are you normal about incontinent folk needing aids such as diapers or catheters? if you think they're wearing one for fetish reasons or think they're inherently gross for something they cannot control, you're ableist full stop. stop assuming incontinent people are immediately sexual for having a disability aid! this can be applied for countless other disability aids that have been unfortunately sexualized (especially from people who have no idea what consent is) too!

are you aware about the fact that finding a good therapist can take a really long time, especially in the United States in which healthcare is seen as a privilege and we're still fighting for universal healthcare? if you don't like someone, especially if someone is mentally ill and struggling, stop weaponizing therapy towards them and acting like therapy will cure every mental illness ever instantly. you're not only ableist, but classist when you say "go to therapy" or "seek psychiatric help" towards someone you don't like for something VERY trivial. HEALING. IS. NONLINEAR. there are so many therapists that absolutely suck and will invalidate your struggles and finding the right one that will fit your needs is a literal treasure hunt that can take YEARS.

are you trying to reclaim the r slur? guess what! i hate you! even if you are disabled, you cannot reclaim a slur that people still use as a means to discriminate against intellectually and developmentally disabled folk, and you sound like a conservative dipshit! even if you say you are disabled and "reclaim" it, i do not trust you. a good chunk of people in the disabled community will gladly beat your ass.

are you autistic? if so, are you going to shame other autistics for having autistic traits that you don't have? if yes, you are 100% selfish. even comparing autistics you don't like to people like Chris-chan is also dehumanizing and adding to the stigma that we're dangerous and should be dehumanized and made fun of for having autism! Wow, sounds familiar, huh?

remember this too, that you cannot pick and choose around disability advocacy for your own comfort. Disability advocacy is about unity around all disabilities and we will fight tooth and nail for our rights to be respected and acknowledged. Even if you do not like someone who happens to be disabled and mock their disabili(ties), perhaps you should side with the oppressor with all the infighting you're doing.

(disabled folk feel free to add on, abled folk can reblog!)

[cvnt4him]

Reader who got hit w a bunny quirk during a mission w izu please smuttt I love yew💋

I love you too bbg💕

This is actually like a great idea and I had the EXACT same one except izuku was the bunny. Yeah this one is way fucking better.

"don't be amused, it's just the news! This just in; we have more details about pro heros deku and y/n's fight with the new and upcoming villain; sphinx. A local has given us amateur footage of y/n getting blasted with sphinx's quirk! They have the ability to turn others and themselves into animals! Y/n has been out of the hero scene for a while, as far as we know with the information her close friend and partner deku has given us, she's going to be out of hero work for a while, they haven't found a cure or much of a loophole with sphinx's quirk. Next in a cat stuck in a tre---"

You shut the TV off with a groan of annoyance. Why hadn't this gone away yet? You've been like this for a week. A long, miserable, insufferable, week. You weren't alone, even if you wanted to be, izuku wouldn't let you. He felt guilty, he felt as if you were like this because of him. During your fight together he pushed you out of the way when a flying car had come your way, you'd known nothing about the villain upon fighting them. Izuku however, knew everything about the villain, he pulled his mask up before the fight even began.

Izuku always got in a certain head space when fighting whether it be a measly robber, or a very experienced and high tech villain. He always made sure he was ready and that morning could take him out of this state. He just wishes he had warned you beforehand of what the villain was capable of.

You look at your reflection in the black TV screen with a frown. You hated the way you looked. Two fluffy bunny ears standing tall before falling to either side of your face. Izuku walks into your room going completely unnoticed, he spoke and sat down your cup of water but his words falling into deaf ears.

"y/n...?"

His voice nothing above a whisper, sitting beside you while patting your head lightly. People always shipped you two due to the way he treated you, don't get me wrong hes nice to everyone regardless of who they are or where they come from. People just liked to do stupid shit in their free time so you never really took it to heart, mostly because izuku always avoided and shut down all questions that surfaced about you two during interviews. Saying he only saw you as a friend.

You turn to him slowly your sad eyes staring up at him. He sighs while giving you a sad look back, putting your foreheads together. He hadn't left your side at all besides when he and to work, but he made sure to come right back to your apartment to assure that you were alright. It's not like you were sick or anything because you weren't. You could walk, talk, shower, cook, and do everything just fine, but he insisted you do nothing he felt far too guilty to even allow you to lift a finger. He once apologized for you telling him you thought about cooking on your own.

He whispers an "I'm sorry" while your heads are together, you simply chuckle and try to smile. Your quirk had been disabled due to being transformed. There's always a loophole in quirks so why hasn't anyone found one for sphinx's quirk? It was weighing on you far too heavily for either of your liking. Izukus heart ached for you to get better, he hated seeing you like this, all sad and unable to do anything for yourself. You can but for some odd reason he thinks you can't do you just let him take care of you.

Izuku pulls away, putting his fingers in your hair and scratching your scalp, the soothing motion making you sigh and lay your head on his shoulder. He hums with a smile that didn't meet his eyes, he grabs the remote from you and puts on a movie, grabbing your cup of water to ensure that you are hydrated.

You both had fallen asleep on each other, his head on top of yours while you laid on his shoulder. You got up and stretched making him get more comfortable and turn his head to lay on a pillow beside him. You looked at him closely, admiring each and every freckle that littered his cheeks and slightly down his neck his chest moving up and down in a smooth rhythm. He looked so peaceful not having to worry and feel guilty for your current state. Your body moved on it's own, one of your hands moving to his chest rubbing up and down his body. He was very toned, you knew this you could practically see it through his new skin tight suit. It hugged his body deliciously.

You couldn't take your eyes off of him, his shirt was slightly raised and scrunched up ending just above his v line, the way it looked like it was sculpted by gods. He looked like a Greek god himself. His body was fucking hot.

Your tail wiggled and twitched against the bed light noise coming from the way it moved. You bit your lip lightly while looking down where his shorts hugged his waist. Your eyes kept trailing down his figure landing on where a tent in his shorts sat. He was completely flaccid yet his thick cock made a very visible print. Fuck this was really turning you on, he was completely unconscious and unaware of how you were fucking him with your eyes. Your hand moved down to his dick print and gently rubbed over it making him take a deep breath and breathe out slowly, you noticed this and continued your movements while staring at his face, a pink hue forming onto his baby-like cheeks.

You watched as he gulped and turned his head in your direction with a breathy and quick sigh, he was getting bothered by how you teased his semi erect cock. His brows slightly furrowed while you stopped your hands movements completely, his cock twitched against your hand making your eyes shoot down to his cock, seeing it fully erect and leaking slightly against his thin shorts. God this was such a sight, it was so fucking hot and lewd, you felt guilty for getting him all hot and bothered but seeing the way his cock twitched and bobbed up and down for your touch was hypnotizing.

Without thinking you hopped onto his lap you weight sitting on top of him making him shift under you, that was almost enough to snap you out of whatever trance he put you in but the way he put his hands on your thighs and rubbed them out you right back into the daze you never got out of.

Your tail wiggled against his thigh as you slowly grind into him, rubbing your clothes pussy against his clothed cock in a slow yet rough manner. a moan accidentally slipped out of your mouth when his cock rubbed against your clit in the best way.

You panted lightly as the grind of your hips started to quicken in pace, you dug your hips down into his to feel his cock press against you. A noise left his throat as he gripped your waist tightly, his grasp bruising your skin while pushing you down more into him. You didn't think about the fact that he might've woken up due to your moans and the way you moved helplessly on top of him. He rubbed his cock up into you to feel that light friction that had him dizzy.

You grabbed onto his shoulders and rode him like you were actually riding his cock. The thought alone of actually getting to ride his cock getting you to that building release. He moaned deeply before his eyes slightly opened and peered up at you, you were too busy in your own haze to acknowledge the way he looked at you, your fucked out face contorting in such a pretty way.

He couldn't believe you were using him while he was asleep, riding his clothed cock for all that it's worth. He bit his lip and flipped the both of you, a scream ripping right out of you as you look up at him with wide scared eyes. He could only look down at you with lust filled ones. His emerald orbs looking at every feature that painted your body, the way your thighs looked more plump because of your shorts. Your boobs spilling out the top of your tank top. You looked so good and the way you looked at him with those scree and glossy eyes went straight to his aching cock. He was so ready to split you in half on his thick cock, he knew you'd have a struggle but it'd be worth it just to be inside of you. He'd wait as long as he'd have to just to feel your pussy squeeze around his cock.

No words were said as he went in to kiss you, lightly pressing his dry but soft lips against yours. A moan left you as your tail wiggled underneath you, you were so horny and you could feel the way it ate you alive from the inside out, you were so close to crying from how much it burned inside of you.

"please.. please fuck me, I need it."

You whispered up to him with a raspy voice, whining as your eyes moved down to his cock, it looked like it was going to burst out of his shorts with the way it stood up proudly.

He smirked at you with lidded eyes while he kissed you neck, you closed your eyes and fell into the soft kisses being planted on your sensitive neck, he moved his kisses up to your bunny ears blowing on them lighting, the soft feeling of it all making your pussy throb and a whimper leave you lips.

He chuckled lowly to himself as he flipped you over into your stomach. He pressed his chest and his hard cock against your ass cheek as he whispered in your ear.

"using me while I sleep? naughty thing. poor bunny, must need it badly, hm?"

You nodded your head aggressively while rubbing your ass against his hard on, earning a low groan from the muscular man above you.his weight on you felt so good and it wasn't even sexual at all.

He slipped your shorts and underwear down in one swift move, he pulled his own down as he teased your dripping hole, slipping his engorged cock head in and out of your lips. Your eyes roll as you lift your ass in the air and wiggle against his cock. he's surprised by this, a chuckle leaving him while he pulls you back by your ears, a squeak leaving you while he slaps your ass.

"you're so fucking needy huh? this sopping wet cunny of yours dripping around my cock, hm?"

You nod again, not being able to speak due to your throat getting rather dry. He hums and slips his cock in halfway before taking it out quickly, this went on for about 5 minutes, the torture was so funny to him yet painful for you. You felt as if you were going to die, the heat forming inside of you burned badly. You needed release, finally being def up with his teasing, the second he tried to do it again you slammed your ass back onto him taking his cock fully, a choked moan leaving his pink lips.

He groaned loudly while lying his head on your shoulder with a smile, he was out of breath from you taking his cock fully. He chuckled against your skin while kissing it, he bit harshly on the skin of your shoulder making you scream while he thrusted vigorously into your soaked pussy, the squelching noises clouding his mind while he moaned into your ear and grabbed onto your bunny ears. The sensitive muscle being pulled painfully hard went straight to your throbbing cunt, the way he slammed his hips into you and hit that spot repeatedly was just enough to make you cum, but he knew you were going to by the way you started squeezing his cock for all he was worth, milking him and slicking his cock up with your fluid.

“A-Agh fuck don’t stop- don’t fuckin stop.”

You command him while throwing your ass back, you were feeling too good you felt as if you weren't even in control, the way your body moved lewdly against him was inhumane and unlike you. You'd never felt the need to be near someone like this, like you yearned for his very touch, for him to cum inside of you. Oh. God that sounded so good, the thought of his warm thick cum spilling and spreading inside of you made you squeeze around his cock even more.

Just when you felt as if you were going to cum you felt the need leave. He had pulled out of your cunt with a groan, his cock twitched from the cold ajr hitting the leaky tip. He looked down at your pussy squeezing around nothing, god you were so fucking needy and that made him go feral. He could practically smell the delicious scent you released. Your tail twitched fastly, catching his attention. He had asked you before questions about your body and if anything felt different, he hadn't asked about your tails however, he was curious if it was sensitive. Out of pure curiosity he pushed his thick cock back inside of you, and yanked at your tails, his tight grip on your ears never leaving.

He used them to bring you back more into him. You let out a high pitched moan as your arms gave out, your body felt like it was on fire, throwing your ass back against him while your thighs burned from the work.

“fu— m'cum— cumming!!“

You couldn't control it, it just ripped out of you. The feeling was far too strong to hold back or even pretend not to acknowledge you groaned while sobbing, tears falling from your face due to the extra stimulation. He cooed in your ear, coaxing you through your orgasm while never letting you in the way he fiddled with your tail, his other hand leaving your floppy ears to go to your clit, rubbing it slowly while speeding up his hips.

"nngh~ izu— Izu-"

You couldn't speak from the immense pleasure, it began to hurt due to overstimulation. You sobbed and hiccupped against the pillows as he drilled his cock into you, he groaned and grunted behind you moans leaving his lips as well.

"shit...- fuck— god dammit, u/n I'm gonna cu- cum again.. shit take it, fucking take it all.."

Again?! He'd already came?? Maybe that's why you thought about his warm cum spreading and claiming every spot inside of you. Because he already did.

You couldn't move or even speak, the way he bucked his hips into yours, stuttering and rhythm becoming uneven. He threw his head back with a moan as he came again, tears welling at the corner of his eyes. He felt so good, your fluttering walks squeezing and convulsing around his soft turning cock.

He collapsed beside you without a word. His eyes closed as he tried to steady his breaths, he hasn't felt this good in so long, it's been a while since he'd last been with anyone. He took pride in his job, he'd wanted to be a hero since he was a kid, however it did take him away from a lot of things, including interacting with people and making new friends.

He needed this and he's glad you gave It to him. He turned to check on you to see you had already passed out, he rubbed your back lightly making you shiver underneath his touch. He got up to assure you were alright, making sure you water was refilled and that you could be clean, he grabbed a warm damp towel to clean you but before he did he got a good look at the two loads that were fucked into you, slowly oozing from your still convulsing lips. Fuck this was a sight to see, he was afraid he'd never get to see it again. He hates what he did but, he had to save this moment forever! A picture to remember this morning by! After all, you won't be a bunny forever.

AN: this was very fun to write actually, I've recently been in a chokehold w top!izuku there's something ab him being mean or js taking care of me that gets to me.

Dividers by @anitalenia

[bogleech]

I have to say it does make me really depressed and even more worried for the future that any human being is actually capable of thinking we should eliminate all forms of violence from all wild animal species. The first time I saw someone saying this I thought they were satirizing PETA or something, inventing an extreme conclusion to animal rights as a joke. Now I know it's a real philosophical movement increasingly popular with a bunch of rich tech people who go around giving speeches at universities about how we should just flood the natural world with GMO's to try and "herbivorize predators," wipe out all parasites, cure all disease, eliminate aging and remove just all forms of pain or even competition from all ecosystems. "But that will just DESTROY those ecosystems" you say. Yeah they know and they want that too. They call nature things like "The Darwinian House of Horrors" and dream of a future where the entire planet is a tightly controlled, deathless biotech zoo. "But we shouldn't worry because that's impossible anyway" yes, yes it is, but it's entirely possible to release genetically altered organisms into the wild and these people already talk about "starting small" with CRISPR experimentation. There's already corporations testing GM mosquitoes that can't bite anymore. As soon as any of these fuckoffs get access to enough money and backing they're going to attempt that with an eagle or a shark or a big cat, and they're probably going to find out the hard way that their idea won't work the way they want it to but in the meantime they'll quite possibly cause an extinction or two, and then they're going to just keep trying it again. This is in their little ted talks and thinkpieces. They think everything's already doomed anyway and that if they accidentally wipe out a species it just won't matter because extinctions are natural and at least that species is no longer suffering. They call their movement things like "compassionate biology" and "effective altruism," in case you're wondering what to look out for. They've got all sorts of web communities for it, like this one. but before you go thinking they're just animal rights fanatics, DON'T WORRY! They do in fact include humans in their plans! They think gene editing should also be put towards the eradication of all disability, neurodivergence, or maybe even "capacity for cruelty" in humans! They sit around wanking all day about their eugenicist dream zombie utopia :) :) :) did I mention lots of them are actually rich with actual corporate and academic connections lololol

[cy-cyborg]

Disability Tropes: The Miracle Cure

The miracle cure is a trope with a pretty negative reputation in disability circles, especially online. It describes a scenario in which, a disabled character, through either magic, advanced technology, divine intervention or some combination of the three, has their disability cured throughout the course of the story. Sometimes this is literally, as in the disability is completely and entirely cured with no strings attached. Other times, it looks like giving an amputee character a prosthetic so advanced that it's basically the same as "the real thing" and that they never take off or have any issue with, or giving the character with a spinal injury an implant that bypasses the physical spine's break, or connects to an exoskeleton that allows them to walk again. Sometimes, it can even look like giving a character some kind of magic item or power that negates the effects of the disability, like what I talked about in my post about "the super-crip" trope. Either way though, the effect is the same: The disability is functionally cured and is no longer an "issue" the author or character has to worry about.

But why would this be a bad thing? In a world with magic or super-advanced tech, if you can cure a character's disability, why wouldn't you?

[ID: a screenshot of Roy mustang from Full metal alchemist Brotherhood, a white man with short black hair in a hospital gown. In the corner of the screen is the hand of another person holding a small red gemstone. /End ID]

Well there's a few reasons. First, lets talk about the purely writing related ones. If you've been around the writing or even media critique communities for a bit, you've likely heard people voicing their frustrations with tropes like "The fake-out death" where a character is either implied to have died, but comes back later, or is explicitly shown to be dead and then resurrected. Often when this happens in media, it leaves the audience feeling cheated and like a character's actions and choices don't really matter if even the worst mistakes and consequences can be undone. In the case of the latter situation, where they die and are brought back, it can make the stakes of the whole story feel a lot lower, since even something like death is shown to be reversible, so the audience doesn't really have to worry about anything bad happening to their favourite character, and once you've used this trope one time, people will constantly wonder why you wouldn't use it every time it comes up.

The same is true for "fixing" a character's disability. It sets a precedent that even things as big and life-changing as disability aren't permanent in this setting. We don't have to worry about anything major happening to the characters, there's no risks associated with their actions if it can all be undone, and it will lower the stakes of the story for your audience. Personally, I also feel like it's often used as a cop-out. Like writers wanted to include a major injury the leads to something big like disability for shock value, but weren't sure how to actually deal with it afterwards, so they just made it go away. Even in cases where the character start the story with a disability and are cured, this can still cause issues with your story's stakes, because again, once we've seen you do it once, we know its possible, so we won't feel the need to worry about anything being permanent.

Ok, so that's the purely writing related reasons, but what if that situation doesn't apply to the story you're writing? What if they're "fixed" right at the end, or the way they're cured is really rare, so it can't be used multiple times?

I'm glad you asked, because no, this is far from the only reason to avoid the trope! In my opinion, the more important reason to avoid it is because of how the a lot of the disabled community feels about the miracle cure trope, and the ideas about disability it can perpetuate if you're not very, very careful.

You might have noticed that throughout this post, I've put words like "cured" and "fixed" in quotes, and that's because not every disabled person wants a cure or feels like their ideal to strive for is able-bodied and neurotypical. For many of us, we have come to see our disabilities as part of us, as part of our identities and our sense of self, the same way I, as a queer person might see my queerness as a part of my identity. This is an especially common view among people who were born with their disability or who had them from a young age, since this is all they've ever really known, or who's disability impacts the way they think, perceive and process the world around them, how they communicate with people or in communities who have a long history of forced conformity and erasure such as the autism and deaf communities. Many disabilities have such massive impacts on our lives that we literally wouldn't be who we are today if they were taken away. So often though, when non-disabled people write disabled characters, they assume we'd all take a "cure" in a heart-beat. They assumed we all desire to be just like them again, and this simply isn't the case. Some people absolutely would, and there's nothing wrong with that, but it's not as universal as media representation makes it out to be.

Another reason it's so heavily disliked is because this trope is often used in conjunction with other ableist and harmful tropes or it's used in ways that perpetuate misinformation about living with a disability and it can have ableist implications, even if that's not what the author necessarily intended.

If the miracle cure is used right at the end of the story for example, as a way to give characters a happy ending it can imply that the only way for a disabled character to be happy in the long run, is for them to be "fixed", especially if they were miserable all the way up until that point. If it's used earlier in the story as a way to get said character back into the action, it can also be read as the author thinking that disabled people can't be of use to the plot, and so the only way to keep them around is to "fix" them.

Of course, there's also the fact that some authors and writers will also play up how bad being disabled is in order to show why a cure is justified, playing into the "sad disabled person" trope in the process, which is pretty much what it says on the tin. Don't get me wrong, this isn't to say that being disabled is all easy-breezy, there are never any hard days and you should never show your character struggling, not at all, the "sad disabled person" trope has it's place (even if I personally am not a fan on it), but when both the "sad disabled person" trope and the miracle cure trope are used together, it's not a great look.

This is especially bad when the very thing that cures the disability, or perhaps the quest the heroes need to go on to get it, is shown to be harmful to others or the disabled person themselves. Portraying living with a disability as something so bad that it justifies hurting others, putting others at risk, loosing yourself or killing yourself in order to achieve this cure perpetuates the already harmful idea that disability is a fate worse than death, and anything is justified to avoid it.

I've also noticed the reasons the authors and writers give for wanting to cure their characters are very frequently based on stereotypes, a lack of research in to the actual limits of a person's disability and a lack of understanding. One story I recall reading years ago made sure to tell you how miserable it's main character, a former cyclist, was because he'd been in a car accident where he'd lost his arm, and now couldn't ride bikes anymore, seemingly unaware of the fact arm amputees can, in fact, ride bikes. There are several whole sports centred around it, and even entire companies dedicated to making prosthetic hands specifically for riding bikes. but no, the only way for this to resolve and for him to be happy was to give him his arm back as a magical Christmas miracle! It would be one thing if the story had acknowledged that he'd tried cycling again but just had difficulties with it, or something was stopping him from being able to do it like not being able to wear the required prosthetic or something, but it really did seem as though the author was entirely unaware it was even possible, which is an issue when it's the whole point of your story existing. This happens a lot more often than you'd think, and it's very clear when an author hasn't even bothered to google search if their character would be able to do something before deciding the only solution is to take the disability away.

There's also the frustration that comes from being part of an underrepresented minority, finally seeing a character like you on screen or in a book, only for that representation to be taken away. Disabled people make up roughly 16% of the population (though many estimate these numbers are actually much higher), but only about 2.8% of American TV shows and 4.1% of Australian TV shows feature explicitly disabled characters. In 2019, around 2.3% of films featured disabled characters in a speaking roll, and while it's slowly getting better as time goes on, progress on that front is very slow, which is why its so frustrating when we do see characters like ourselves and so much of their stories focus on wishing to be, trying to become or actually being "cured".

An finally, there's the fact this is just a really common trope. Even if we ignore the issues it can cause with your story's tone and stakes, the harm it can do to the community when not handled with care, the negative perceptions it can perpetuate and everything else. It's just a plain-old overdone trope. It shows up so often that I, and a lot of disabled people, are just getting tired of seeing it. Despite everything I've said, there are valid reasons for people to not want to be disabled, and just like how I made sure to emphasise that not everyone wants a cure, it's important to recognise that not everyone would refuse it either. So long as it's not done in a way that implies it's universal, in theory, depicting someone who would want and accept a cure is totally fine. The issue is though that this trope is so common and so overdone that it's starting to feel like it's all we ever see, especially in genres like sci-fi and fantasy (and also Christmas movies for some reason).

[ID: A Gif of a white man in a top hat nodding his head with the caption "Merry Christmas" down the bottom. /end ID]

Personally, because it's so common, I find even the few examples of the trope used well frustrating, and I honestly feel that it's at the point where it should be avoided entirely where possible.

Ok but Cy, you mentioned there are ways to use this trope well, what are they?

So, like I said, I'm of the opinion that this trope is better off not being in your work at all, but if, for whatever reason, you can't avoid it, or it's use is really that important to the story you want to tell, there are less harmful ways to implement it.

Don't have your only disabled character take the cure

If you really must cure your disabled character's disability, don't make them the only disabled person in the story. Show us another character who, when offered the same cure, chooses not to take it. This at least helps push back a little against the assumption of "of course everyone would want this" that these kinds of stories often imply and doesn't contribute (as much) to disability erasure in the media.

Don't make it a total cure

In real life, there are cures for some disabilities, but they rarely leave no trace. For example, an amputee's limb can sometimes be reattached if it was severed and they received medical treatment fast enough, but it usually results in at least a little nerve damage and difficulties with muscle strength, blood flow or co-ordination in that limb. Often times, these "cures" will fix one issue, but create another. You might not be an amputee anymore, but you're still disabled, just in a different way. You can reflect this in your fictional cures to avoid it feeling like you just wanted to avoid doing the work to write good disabled representation.

Do something interesting with it

I got a comment on my old tumblr or possibly Tik Tok account ages ago talking about their planned use for the miracle cure trope, where their character accepts the cure at the cost of the things that made her life enjoyable post-disability. Prior to accepting the cure, she had found other ways to be independent to some extent and her community and friends helped her bridge the gaps, but they were all taken from her when she was "cured" forcing her into isolation. Kind of like a "be careful what you wish for" sort of thing. The story was meant to be a critique on how society ignores alternative ways of getting the same result and how conforming to other people's ideas of "normal" isn't always what you need to bring you happiness. This was a genuinely interesting way to use the trope I think, and it's a perfect example of taking this trope and twisting it to make an interesting point. If you must use a trope like this, at least use it to say something other than "disability makes me sad so I don't want to think about it too much". Alternatively, on a less serious note, I'm also not entirely opposed to the miracle cure being used for comedy if it fits the tone. The Orville has some issues with it's use of the Miracle Cure trope, but I'd be lying if I said Isaac amputating Gordan's leg as a prank, knowing it could be reversed in a few hours did get a chuckle out of me.

If your villain's motivation is finding a cure for themselves, don't use it as justification for hurting people

Disabled villains need a post all their own honestly, but when a villain's motivation for doing all the terrible things they do is so they don't have to be disabled anymore, it's especially frustrating. Doubly so if the writer's are implying that they're justified in their actions, or at least that their actions are understandable because "who would want to live like that?" Honestly, as a general rule of thumb, avoid making your villains disabled if you aren't disabled yourself (especially if they're your only disabled character), but if they are disabled, don't use the disability as a justification for them hurting people while finding a cure.

So are there any examples currently out there to look at where the trope is used, if not well, at least tolerably?

Yeah, I'd say so, but they're few and far between. Two examples come to mind for me though.

The Dragon Prince:

[ID: A Gif of Ava the Wolf from the Dragon Prince, a light brown, fluffy wolf who is missing her front right leg. /End ID]

The Dragon Prince on Netflix uses the miracle cure twice, but I still really enjoyed the show (at least I did, up until my Netflix subscription ran out, so I've only seen up to season 4). The first time the trope is used in the series, it's actually a fake-out. Two of the main characters, while looking for someone to help them heal the dragon egg they're carrying, encounter a young girl named Ellis and her pet wolf Ava. The two explain their egg is not looking good and they need to find someone to help it, but no one they've found had the knowledge or ability to do anything to help. Ellis says she knows a healer who can help them, and tells them that this healer even restored Ava's amputated leg when she was a pup. When we actually reach this "miracle healer" however, she is revealed to be simply an illusionist. She explains that Ava is still missing her leg, she simply made it look as though she had restored it because Ellis's parents were planning to throw the puppy out, believing it would not survive with its disability and would only be a drain on supplies. This was not actually true and Ava adapted to her amputation very well, she simply needed more time, and hiding her disability and making her appear abled gave her the time she needed to fully recover and adjust. When they return to the healer with the main characters, she removes the illusion and explains why she did it, emphasising that the real problem was never with Ava, but with how people made assumptions about her.

While I do feel it was drawn out a bit too long, I do appreciate the use of the trope as the set up to an overall positive twist. Disability does come with down-sides, it's part of the deal and it would have been nice to see a bit more of that, but for disabilities like amputation in particular, the worst of our problems often come from a lack of adequate support and people's pre-conceived ideas about us, and it was nice to see this reflected, even if it is a little overly simplified.

The second time this trope comes up in the series is when one of the antagonists, Soren, is injured during a fight with a dragon, becoming paralysed from the neck down. His sister, Claudia is absolutely beside herself, believing it was her fault this even happened in the first place, but Soren actually takes his new disability very, very well, explaining that he understands there are things he can't do now, but that there's a lot of things he can still try, that his previous job as a soldier just didn't allow time for. It's possible this reaction was him being in denial but it came across to me as genuine acceptance. He is adamant that he doesn't want a cure right from the beginning because he knows that a cure would come at a cost that he doesn't want his sister to pay, and that he is content and happy with this new direction his life will be going in. Claudia, however, is not content. It had been shown that she was already using dark magic, but this event is what starts her down the path of using it in earnest, disregarding the harm it will cause to those around her. She ignores Soren's wishes, kills several animals in order to fuel the healing spell that will "fix" him, and Soren is pretty clearly shown to be horrified by her actions. What I like about this use of the miracle cure trope is that it touches on something I've seen happen a lot to disabled people in real-life, but that rarely shows up in media - the fact that just because we accept ourselves, our disabilities and our new limits, doesn't mean our friends and family will, unfortunately. In my own life, my mum and dad were always accepting of my disability when I was younger, but as I got older and my support needs changed, my body took longer to heal and I stopped being able to do a lot of things I could when I was little, they had a very hard time coming to terms with it and accepting it. I'm not alone in this either, a lot of disabled people end up cutting contact with friends and family members who refuse to accept the reality of our situations and insist "if we just try harder maybe we won't be so disabled" or "Maybe you will get better if you just do [xyz]". Unfortunately however, some disable people's wishes are ignored completely, like Soren's were. You see this a lot in autistic children who's parents are so desperate to find a cure that they hurt their kids through toxic and dangerous "treatments" or by putting them through abusive therapies that do more harm than good. Claudia has good intentions, but her complete disregard for Soren's decision still harm them both in the long run, leading to the deterioration of their relationship and causing her to spiral down a very dark path.

Full Metal Alchemist: Brotherhood

[ID: A Gif of Ed from full metal alchemist, a white boy with blond hair, staring angrily at a jar of milk on the table. His brother Al, a sentiant suit of armour, is in the background looking directly at the camera. The caption, spoken by Ed, says "So we meet again you little bastard" /end ID.]

The show does begin with Ed and Al looking for a way to cure their disabilities (which they gave themselves when trying to resurrect their mother as children went horribly wrong). However, when the boys discover that the object needed to do that - a philosopher's stone, can only by made through absolutely abhorrent and despicable means, and using one, likewise, comes at the cost of potentially hundreds or thousands of people's souls, they immediately stop, and shift their focus on finding the stones that had already been made so it can't fall into the wrong hands, and preventing the creation of new ones. The core theme of the show is that everything has a cost, and sometimes the cost is simply too great.

However, right at the end of the show, several characters are healed in a variety of ways. Ed gives up his ability to do alchemy to get his brother's body back, as well as his arm so he can save his friends in the final battle, but neither of the boys come away from this completely "healed". Al's body has not been used since he was a child, and so it is shown he has experienced severe muscular atrophy that will take a long time and a lot of work to recover from, acknowledging that he has a pretty tough road ahead of him. When we see him in the epilogue, he is still on crutches despite this being several months after getting his body back. Likewise Ed is not fully healed, and is still missing one of his legs even if he got his arm back.

The more... interesting use of the trope, however, is in the form of Colonel Mustang who was blinded in the final season. Mustang is shown to take to his blindness pretty well given the circumstances, finding a variety of ways to continue doing his job and reaching his goals. When other characters offer to let him use the philosopher's stone to heal himself however, he takes it, acknowledging that this is a horrible thing to do and that Ed and Al would be extremely disappointed in him if they ever found out. He uses it both to cure his own disability, and to cure another character who was injured earlier in the show. While I'll admit, I did not like this ending, I can at least appreciate that the show made sure to emphasis that a) Mustang was doing fine without the cure, and b) that this was not morally justified. The show spent a very long time drilling into the viewer how morally reprehensible using the stone was, and it didn't try to make an exception for Mustang - you weren't supposed to like that he did that.

When I talk about these tropes, I do try to give them a fair chance and discuss the ways it can potentially work, but I really do want to reiterate that this particular trope really is best avoided. There are ways to make it work, but they will still leave a bad taste in many of your viewer's or reader's mouths and you have to be exceptionally careful with your wording and framing, not just in the scenes where this trope is used, but in the lead up. If you really must use it, I highly recommend getting a few disability sensitivity readers and/or consultants (yes, even if you are disabled yourself) to help you avoid some of the often overlooked pitfalls.

[sepublic]

Alright, let's talk about some details from the TOH pitch bible;

A lot of the stuff is what we've already seen and/or in line with the show. What's interesting is that King WAS a former King of Demons at one point, and we would've had an episode where he runs into his old gang and chooses Luz and Eda over them. It makes me wonder if he even had a connection to the Titan in earlier drafts, if he wasn't recognized as one back in the day because he just wasn't big enough, etc. Eda makes a deal to help remove the collar, which IS the source of King's woes, placed by a 'mysterious wizard', I wouldn't be surprised if it was Obron AKA Proto-Belos.

What gets me is that Tibbles originally started off as a friend to the protagonists, while Bump was an antagonist! Coupled with Tibbles being re-elected as mayor after Bump is deposed for corruption. I like the detail of Bump being a parasite controlling a body from the head, because it carried over into his final design with Frewin, and before we got confirmation Frewin was a separate entity, I loved the joke theory that the imp on Bump's head was the REAL Bump!!! Seems that was always the implied story of the design, I love it. Tibbles being the demon fan of human stuff would eventually become Gus instead, so this is technically Proto-Gus too…?

Interesting how Bump and Tibbles' alignments switch completely with one another, and it makes sense that with Lilith no longer the principal in the final draft, it goes to Bump, who ends up being really chill and a subversion in his own right! Interesting, but I do prefer the final Bump we got, and that's fine by me, because when the concepts aren't as interesting as the final product, it means we got the best possible version.

I've already discussed Obron and William in a separate post, and Pupa is someone we've been told about in a previous livestream. Lilith would've been both head of all covens (and not just the Emperor's Coven) AND principal at the same time, and she seems much more of a jerk to Eda in general; She has no qualms with cursing Eda because of a direct order from Obron.

Apparently the curse would've been an AGING spell, which settles my questions on how it would've been portrayed in earlier drafts! This goes along with Eda's older look. Likewise, there would've been a subplot of Eda considering Luz's sacrifice as a way to restore her youth, which likely goes hand in hand with Obron's orders to bring Luz to her, etc. The 'Bloom of Eternal Youth' quest, which Eda and Lilith go through together as their sisterly relationship is explored, feels like a carryover from this past idea.

I think I prefer the final draft; I like that the curse isn't just aging Eda, but also takes away her magic, makes her turn into a beast, etc. I like Lilith being a lot more complicated in her relationship with Eda, instead of just hating her and cursing her without hesitation. The redefining of the curse makes it less about age, and more a chronic illness metaphor, and I like how Eda in the final draft is upfront about having to learn to live with it, deal with it, on her own terms. She isn't trying to find a cure (although Lilith being promised one by Obron feels like a carryover of Eda's moral dilemma with Luz), and that adds another nice dimension to her conflict with Lilith, as well as Gwen. It's pretty frank in its own right about normalizing disability, and those who play an antagonistic role (however brief) are the real weirdoes for making such a fuss about it.

The Bat Queen would've had more of a recurring role based on the description, which saddens me; I always got the vibe she was planned for more, but between all of the other stuff the show had to juggle, plus the shortening, she ended up getting shafted despite being one of the earlier characters. Sashley, Pasha, and Bruno are also interesting, with Pasha in particular giving me freaking Philip Wittebane vibes with his grossness, beard, and anti-demon attitude; He even starts off as a potential friend to Luz because fellow human, only for his true bigotry to show. Makes me wonder if Philip ended up incorporating Pasha, we also have bodily transformation because of consuming magical stuff... P-names.

(Also, I like how in the drawing of typical Demon Realm denizens, I can see an eye demon who resembles a past drawing of Dana's!!!)

Eda was actually a late bloomer, which creates a parallel with Luz in one way, and their relationship is referred to as sisterly (in the final draft it’s explicitly maternal). So Eda wouldn't have been the talented youth, in fact things may have switched between her and Lilith; Lilith's disdain may have partially come from Eda not being as innately talented as her.

Luz and Amity's dynamic seems like it would've had Amity retain a lot of her more stand-offish, pragmatic personality even as a friend with Luz, and this would've come up more; So basically, she'd remain more like S1 Amity. That, or this part of their relationship would've lasted longer, and then we would've seen character development as Amity unlearns a lot of the issues her parents passed on. I also wonder if the Willow who cameos in the pilot was originally supposed to just be an extra separate from ‘Paulina’, but then they combined the two together.

The themes are exactly as I expected, glad to see they're still there, nothing changed! Luz becoming a witch and defying all odds to do so, putting in real work and passion. Celebrating individuality amidst conformity, plus Luz trying to impose her own fictional tropes onto the world, only to have to put that aside... Just like Wing it like Witches. It seems Amity would've had more involvement with Luz's journey to become a witch, though we still do have a carryover of that disconnect with her rant near the end of Covention.

I love the Demon Realm being situated BELOW the Human Realm, way to be subtle about being Hell you guys lol... Apparently portals to the human world are a lot rarer to find and use, which makes me wonder if the pilot's 'dimension port' doesn't have access to the human world; Meaning Amity is Luz's only way back, so her improved relationship with her is linked to getting back home. There's a gag about the Knee having service with the human world, but I can see how that didn't make the cut, for dramatic purposes; It seems like the premise for a S1 episode or at least a B-plot. Would Luz have struggled to communicate with Camila through this, or would her search for wi-fi be for mundane reasons?

Apparently Luz's magic would've required a lot more steps to complete, and I see why the show simplified things down to just glyphs. I wonder if there was always going to be the connection of glyphs as a gift from the Titan, or if the Titan and her story was going to be less intertwined in the overall narrative. There also don't seem to be nine main covens, just the many, many covens, some of which are pretty ridiculous, and Covention's sub-covens seem a callback to that.

Luz's first spell would've been levitation, and THEN she would've infiltrated Hexside, with Amity being a lot subtler about exposing Luz, though in the final draft she does figure that out as the way to go in I was a Teenage Abomination. Yeah, I prefer Light being her original spell, feels so much more symbolic and personal, etc. I wonder if the Titan is even as much of a character in early drafts, and if there's still the whole connection/relationship with the land and learning to respect it aspect. Some of these hypothetical episodes push the idea of Amity as a more episodic, typical popular kid antagonist, though in the final draft, the show goes through her character development and explores Amity's romantic relationship with Luz and its complications.

It seems the idea of the Mirror Ghost was split into Adegast and Vee, with Adegast being the one who offers the easier narrative for Luz to believe in about becoming a witch (only to be a fraud who uses uncanny puppets), and Vee being a doppelganger whom Luz communicates through with mirrors. Interesting how Yesterday's Lie was born from this. We saw the test animation from Spencer Wan for TOH, so I guess we know what Luz's puppet-doppelganger is called! And we can safely call her Proto-Vee. I wonder if she also would've been a sympathetic character, I always thought she reminded me of Lake from Infinity Train (and speculated her to be as such since Enchanting Grom Fright), and now the similarities are even MORE apparent!

Alas, The Good Witch Azura, or 'The Unassuming Princess' seems like it'd have been a lot less dear to Luz's heart, as the pilot also reflects; In the end, it turns out the author is just Eda's ex using her adventures as basis, and including private information. I remember when I once speculated that Raine, before we saw their face, would've been just like this as the author of Azura... Again, I think I prefer Azura as being a lot less mean-spirited in the final draft, and instead a celebration of who Luz is as a person, her relationship with fantasy and fiction, etc. We also would've had a Luz birthday party, the Quincenera we've been hoping for since S1...! In the final draft (and episode) we still get that Human-Demon Realm disconnect, though by that point, Luz is much more attuned and chill with the isles.

There’s definitely more of an episodic, sitcom feel to this pitch bible, especially when you compare Proto-Yesterday’s Lie to its final version. Makes sense, Dana is pitching this to Disney executives, though her statement on Understanding Willow feeling truly like her show makes me wonder if she always intended to push TOH in that more serious, emotional route we got.

[pretense-pence]

Rufus Shinra Physical Disability Headcanons

So, I don’t know if this is headcanon, partially canon, or canon, but I believe that Rufus, after the events of On The Way To A Smile, is permanently physically disabled. And I decided to write some headcanons about it. 

(For reference, I’m physically disabled. I have chronic pain in my right knee that causes me to have to use a mobility aid. I don’t always use a mobility aid but I do when I’m having a bad pain day. So far, I’ve only used a cane due to the fact that other mobility aids are extremely expensive. These headcanons are based on what I’ve learned from other physically disabled people, along with my own experiences.)

Rufus, if I remember correctly, had injured his foot, ribs, and neck. Due to the fact that he ended up being kidnapped and mistreated multiple times, his injuries never properly healed. And even though he was cured of geostigma, he still had it for a while so it probably took a toll on his body. So, nowadays, he’s left with injuries that aren’t properly healed, chronic pain, chronic fatigue, and all sorts of other issues. 

He doesn’t always use the same mobility aid. On bad days, he’s more likely to use a wheelchair. Or if he’s going anywhere long distance. But on better days, he’s more likely to use a cane or forearm crutches. And, not as often, he does have days where he doesn’t use any mobility aids.

If there’s ever a time where he gets a sudden flare up and he doesn’t have the proper mobility aid with him, he will have one of the Turks, preferably Tseng, carry him. Look, he may not be President of Shinra anymore, but that doesn’t mean he doesn’t want to be treated like he still is.

At first, Rufus was really self conscious of his disabilities. In his eyes, they were a weakness. A way of showing that he needs help from others. Which is something he always insisted he didn’t need. It took a while for him to accept that it isn’t bad he needs help with his disabilities.

Actually, this acceptance of his disabilities was because of the Turks. They always treated him like he was the same Rufus. They didn’t look down on him. They still took him seriously. 

In canon, we know that Rufus helps fund the WRO. I like to think that him and Reeve set up a program for disabled people. After the end of the world and geostigma, there was a definite increase in disabilities. So Rufus and Reeve decided to set up a program to help those people.

Rufus, as we see in Advent Children, isn’t afraid to be on the frontlines. Even if he can’t fight the same as he used to, he’s still quite the foe to face. I mean, he jumped out of an exploding building and shot Jenova in the head.

Due to geostigma, he’s developed chronic fatigue. He tends to take short naps throughout the day to help him. Rufus typically takes these naps by laying on Darkstar. 

Rufus tends to keep his mobility aids plain. He never decorates them. This is for a few reasons. One, stuff to decorate mobility aids with is rare to come by. Two, he likes the look of plain things. He wears very basic colors. And three, having a lack of individuality is safer if he ever needs to go out. Most of the world thinks he’s dead and it’s better if it stays that way.

[kitthenameless]

I made this other post about the Emperor and Ansur once, but I had more things I wanted to say and couldn't quite fit in without muddying my point.

This is perhaps a bit of a reach, but this is not the first time I've found a portrayal of turning into a monster that I relate to as a chronically ill / disabled person who became ill later in life. It has nothing to do with feeling monstrous (I don't feel monstrous) or even body horror, and everything to do with how disabled people are treated by society and even those closest to us.

Obviously disabled people don't go around eating brains. We are not dangerous any more than abled people are. But becoming a mindflayer (or whatever monster) is comparable in the sense that, it can happen suddenly, and then your whole life is different, your body is not what it used to be (maybe visually, maybe the way it works or doesn't work now), and you need certain accommodations in order to thrive or even just survive. But people treat you differently now, you're not really given any help, and truthfully a lot of people would rather you just be dead. You're abandoned by society to figure out your new life and all its difficulties on your own. If you're lucky, you have some people who care enough to help you. If you're not lucky, you do the best you can in your desperation.

And that's why it feels so messed up to me that Ansur just gave up on Balduran/Emperor once he couldn't cure him. He clearly believes this is still Balduran, as shown by how he speaks to him when you meet him. So in his mind, he wasn't even trying to kill some creature that just had Balduran's memories. He was trying to kill Balduran. Who forcibly underwent a change to his body and accepted it and decided he still wanted a chance at living.

Edit to add: I'm pretty sure the Emperor even says it wasn't easy at first, so he didn't immediately embrace being a mindflayer. He came to accept it with some time, and that feels even more significant to me.

Like I said, I know becoming a mindflayer is not exactly the same as becoming disabled because mindflayers are dangerous. But also like I said, in my other post, the game shows us there are options to living ethically as a mindflayer. It's just that no one even helped the Emperor try to find them. And even so, he did his best on his own by eating criminals (which there is proof of, in a transcript).

I don't even blame him for disguising himself to the player at first. Look at how society treats freed mindflayers. Look at how the Emperor's own best friend and lover treated him. It makes perfect sense to assume we would hurt him or refuse to help him too.

Some people are so quick to forgive the companions for all the messed up things they've done because they have trauma. The Emperor has been through shit too though. He wouldn't admit to having trauma, but he was kidnapped, had his body forcibly changed, had his mind enslaved, had his lover try to kill him, had to kill his lover in self-defense, and was enslaved a second time. Sounds pretty traumatic to me.

Anyway. It's probably random to end this by talking about books, but that's what I do (literally, I also have a book blog), so. The other stories I also related to in this way were Dead Collections by Isaac Fellman (vampires) and Bored Gay Werewolf by Tony Santorella (werewolves). Maybe look 'em up, if you like that sorta thing.

[camille-lachenille]

Was thinking about just how much characters in the Silm and LOTR deal with pain an injuries on a daily basis. It’s not always said plainly but they exist in the story, they live, they are important, and I wonder how much of them are inspired by Tolkien’s own experience of war injuries/illness. How many of his fellow soldiers came back home disfigured and disabled and were faced with disgust or contempt?

Sure, there’s the whole fairy-tale/mythic aspect of loosing a limb in your heroic quest to get the Magic Object, but what about Gwindor, who was captured by Morgoth and, when he finally managed to escape, was so changed by his sufferings that his beloved rejected him? Gwindor’s not a hero, he’s a simple soldier who suffered through war and captivity and became disabled because of that. How much pain did he live with daily even if it’s never said on the page?

And, still in the CoH, there’s Brandir the Lame. He was born disabled, couldn’t be a warrior, yet held a position of power until his people wanted action and scorned him. Brandir is a healer, a man of wisdom and lore; how much of it is because he tried to cure himself? To ease his pain but also try to "fix" himself in the eyes of his people and be the worthy leader he thought they wanted.

There is Sador ‘Labadal’ too, who chopped his foot off in an accident and is looked down for that by several character (not the least of them being Morwen).

These three characters are all disabled and looked upon with pity, contempt or outright disgust. They did not become disabled in the doing of great deeds, their stories aren’t heroic, and so their disability makes them worthless in the eyes of many.

If you take Maedhros, on the other hand (pun fully intended), he is seen as made greater by his disability. He suffered unthinkable torments and was freed at the price of his right hand, and did many great and terrible things after that. It is similar for Beren, who also lost his hand (arm chopping is not a love language!) but it always portrayed as a good and heroic character, because his disability is the direct result of him taking part in the great designs of the world rather than a banal accident.

And that’s only for the Silm characters, because we don’t want to forget about Frodo of the Nine Fingers, who bore the One Ring to the very fires of Mt Doom. Frodo who returned home sickly and traumatised, plagued with chronic pain, nightmares and a poor health and was only looked at down by the hobbits who did not take part in the quest if the ring. Frodo may be a hero for Men and Elves but he has little to no recognition in his homeland.

Another character I nearly forgot (shame on me!) is Celebrían, She was captured and tortured and despite her physical wounds healing she was never the same again, to the point she had to leave her family to seek healing elsewhere. I see this as a form of mental illness, probably depression and PTSD. And Celebrían is not thought as lesser because of her disability. She is seen as a tragic story, yes, but it’s better than most of the other disabled characters in the Silm.

Anyway, I don’t really know what my point is here, just that I noticed a pattern in the representation of disabled characters in Tolkien’s works, first of all that they exist at all, and second that how they are treated certainly reflects the views of society on disabled people during Tolkien’s lifetime. The way he writes disabled characters isn’t perfect, far from it, but they are here, and I, as a disabled reader, am immensely glad for their existence and I play in the gigantic sandbox of the Legendarium with these characters and others whom I imagine as disabled in any way.

[aglimmeroflightrefusingtofade]

☆ Will because WE NEED HAPPY WILL IN OUR LIVES!

WE DO! Buckle up!

When Will laughs really hard, his face turns red, and when he smiles super wide, he gets dimples. Mike loves both, and both end up with him grabbing Will's face and peppering it with kisses.

Will constantly wears a ton of bracelets - some gifts from Mike, others friendship bracelets, one's just rainbow - and he loves them all. He wears hairties on his left wrist, too, because he likes giving them away to his long-haired friends (and sister).

Will and Max are both disabled, and they hang out a lot. Their service dogs like to play with each other, and they frequently go to Will's favorite flower shop, their favorite coffee shop, the park, the mall, etc. Will tells Max what's going on around her (especially what stupid thing Mike's doing so she can properly make fun of him) and she holds his arm and lets him lead them around places, and she signs what she hears at Will when he takes out his hearing aids. She taught him to skateboard, and he learned a style of 3D painting so he could give her art. He also drew her D&D character in this style and made a Braille character sheet. (She cried.)

Will and Hopper get along great. They hang out regularly, Hopper attends the parent function thingamabobs, and they become close. They even come up with a scheme to sneak in a stray kitten and hide it from Joyce at one point - it lasts for less than an hour, but Joyce lets them keep the cat, so they're still happy. El names him Whiskers. Their real bonding moment came with music - Hopper was blasting Steely Dan, and Will came in and made him listen to Fleetwood Mqc, Queen, The Clash, and The Cure.

Mike joins a band, and he and Eddie cajole Will into learning an instrument. Will ends up trying bass and he fucking loves it. Eddie says he's a natural - it's in no small part because Will takes out his hearing aids when he's playing, and he just feels the vibrations of the notes and can tell what note it is just by vibration. He loves it, because music can sound weird through the hearing aid, and he's able to feel it playing bass. (He plays for Jonathan when he visits him at NYU.)

When the Party start 11th grade, they start school at a Montessori K-12 school, which they all do well in, especially Will. With a less structured school, minimal homework, disability aid, and shortened hours (8:30-3:00), he's able to get straight A's and pack his schedule, too. He has talk therapy on Tuesdays and Thursdays (3:15-4:30 PM) as well as physical therapy (5-5:30 PM), art club on Wednesdays (3-3:45 PM), science club on Mondays (3-4 PM), D&D on Saturdays, family pizza and movie nights every Friday, and volunteers at his synagogue on Sunday (a lot of the older ladies adore him). He works at a flowershop with El during the summers, and frequently goes to gay speakeasies and immerses himself in Deaf and LGBT+ culture (he starts to take out his hearing aids more the longer he spends with other Deaf people, as he learns sign language and starts to find his place without hearing) and makes a lot of gay friends.

Will gets a service dog. His name is Charlie, a rescued Burmese Mountain Dog, who adores Will. He takes a minute to warm up to the idea, but when he does, Will fucking loves that dog. I'm talking sneaks-him-extra-treats, that-dog-sleeps-in-Will's-bed-every-night, Mike's-cuddle-position-might-get-replaced loves. He's thrilled that Charlie gets to go with him everywhere after a bit, and with the dog around, Will's a much calmer, happier person.

Will becomes a lot less reserved as he gets more comfortable with himself, happily sassing people, flopping down in Mike and his friends' laps, signing more often, being less ashamed of his sexuality and scars and disability, becoming more comfortable with his body, wearing nice clothes, etc, etc, etc.

(Tried to think of enough to come to 11 😭 didn't work though)

[vodkabodies]

Invisible String

Summary: An endless search for a remedy comes to a halt when Harry realizes he’s been tied to it, to her, all along.

Pairing: Harry Styles x Musician gf

WC: 475

Warnings: If you're NOT a fan of romanticrry, this is not the post for you ;)

A/N: Can you tell I’m a sucker for fluff? Here’s a little ‘thank you’ for the love you’ve given over my previous post <3 This is a really short one but still, enjoy!

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You were there all along, hidden in plain sight. At award shows, at after parties, even at our mutual friend’s wedding ceremony. Sometimes I wonder, what took us so long, then? For years you were always just a friend of a friend, an artist under the same record label, and now you have your own mugs in my kitchen cabinet and a side on my bed that will always smell of you.

Whenever I get lost in my thoughts like this though, as if by instinct, a connection only you and I are tied to, a brush of your fingers through the curly strands of my hair always wipes the questions away. As I lay here, sulking in your gentle yawning and the scent of your shampoo, there wouldn't have been a more perfect time than now. Not seven years ago when you were getting out of a toxic relationship, and I from a boy group I’ve been in for years to pursue my own endeavours.

We were meant to cross paths, eventually. At the perfect place, and at the perfect time.

I was scheduled for a meeting the very night of your opening show. I ran into my good friend, your manager at the time, who was on his way to support you. At that very moment, I received a call that our meeting was postponed. He invited me to join him instead, and so I did. With no intentions of coincidentally meeting my twin flame that same evening.

Ever since then, it’s been you.

As if tied to an invisible string, distance from you started feeling like hell. Like being pulled by rip currents, away from the safety of the shore.

I started to fear that every song I'll ever write from that day onward would be about you. And how you snorted a laugh when my voice pathetically cracked the moment I introduced myself to you, your hands that fit perfectly in mine as you shook it, and that voice, the one that grew a bed of flowers over the barricades that disabled me from running directly to you, the same one that now hums me lullabies.

You are the cure to my sleepless nights, the remedy for my mundane days, and extra lonely drives. I, a hopeless romantic, an artist, the product of loving and losing, has fallen deeply in love with you in a way that only words can explain, and only lyrics can describe. 

I’ve written about finding no antidotes for curses, been convinced that loving someone else in the past was the cure, and thought another person had it all along. But it was you. Not a pill I could swallow, an action I could do, or something someone could possess. All along I was tied to the one I’ve spent lifetimes searching for.

“You are the antidote.”

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A/N: Hope you guys caught all the references I snuck in here. If you did, feel free to comment them below! I appreciate the support and feedback for my first work <3 More to come! (possibly a new fic??) As always, thank you for reading!

Twitter: @vodkabodies

[cripplecharacters]

The Mask Trope, and Disfiguremisia in Media

[large text: The Mask Trope, and Disfiguremisia in Media]

If you followed this blog for more than like a week, you're probably familiar with “the mask trope” or at least with me complaining about it over and over in perpetuity. But why is it bad and why can't this dude shut up about it?

Let's start with who this trope applies to: characters with facial differences. There is some overlap with blind characters as well; think of the blindfold that is forced on a blind character for no reason. Here is a great explanation of it in this context by blindbeta. It's an excellent post in general, even if your character isn't blind or low vision you should read at least the last few paragraphs.

Here's a good ol’ tired link to what a facial difference is, but to put it simply:

If you have a character, who is a burn survivor or has scars, who wears a mask, this is exactly this trope.

The concept applies to other facial differences as well, but scars and burns are 99% of the representation and “representation” we get, so I'll be using these somewhat interchangeably here.

The mask can be exactly what you think, but it refers to any facial covering that doesn't have a medical purpose. So for example, a CPAP mask doesn't count for this trope, but a Magic Porcelain Mask absolutely does. Bandages do as well. If it covers the part of the face that is “different”, it can be a mask in the context used here.

Eye patches are on thin ice because while they do serve a medical purpose in real life, in 99.9% of media they are used for the same purpose as a mask. It's purely aesthetic.

With that out of the way, let's get into why this trope sucks and find its roots. Because every trope is just a symptom of something, really.

Roughly in order of the least to most important reasons...

Why It Sucks 

[large text: Why It Sucks]

It's overdone. As in — boring. You made your character visibly different, and now they're no longer that. What is the point? Just don't give them the damn scar if you're going to hide it. 

Zero connection with reality. No one does this. I don't even know how to elaborate on this. This doesn't represent anyone because no one does this.

Disability erasure. For the majority of characters with facial differences, their scars or burns somehow don't disable them physically, so the only thing left is the visible part… aaand the mask takes care of it too. Again, what's the point? If you want to make your disabled character abled, then just have them be abled. What is the point of "curing" them other than to make it completely pointless?

Making your readers with facial differences feel straight up bad. I'm gonna be honest! This hurts to see when it's all you get, over and over. Imagine there's this thing that everyone bullied you about, everyone still stares at, that is with you 24/7. Imagine you wanted to see something where people like you aren't treated like a freakshow. Somewhat unrealistic, but imagine that. That kind of world would only exist in fiction, right? So let's look into fiction- oh, none of the positive (or at least not "child-murderer evil") characters look like me. I mean they do, but they don't. They're forced to hide the one thing that connects us. I don't want to hide myself. I don't want to be told over and over that this is what people like me should do. That this is what other people expect so much that it's basically the default way a person with a facial difference can exist. I don't want this.

Perpetuating disfiguremisia. 

"Quick" Disfiguremisia Talk

[large text: "Quick" Disfiguremisia Talk]

It's quick when compared to my average facial difference discussion post, bear with me please.

Disfiguremisia; portmanteau of disfigure from “disfigurement” and -misia, Greek for hatred. 

Also known as discrimination of those mythical horrifically deformed people.

It shows up in fiction all the time; in-universe and in-narrative. Mask trope is one of the most common* representations of it, and it's also a trope that is gaining traction more and more, both in visual art and writing. This is a trope I particularly hate, because it's a blatant symptom of disfiguremisia. It's not hidden and it doesn't try to be. It's a painful remainder that I do not want nor need.

*most common is easily “evil disfigured villain”, just look at any horror media. But that's for another post, if ever.

When you put your character in a mask, it sends a clear message: in your story, facial differences aren't welcome. The world is hostile. Other characters are hostile. The author is, quite possibly, hostile. Maybe consciously, but almost always not, they just don't think that disfiguremisia means anything because it's the default setting. No one wants to see you because your face makes you gross and unsightly. If you have a burn; good luck, but we think you're too ugly to have a face. Have a scar? Too bad, now you don't. Get hidden.

Everything here is a decision that was made by the author. You are the one who makes the world. You are the person who decides if being disabled is acceptable or not there. The story doesn't have a mind of its own, you chose to make it disfiguremisic. 

It doesn't have to be.

Questions to Ask Yourself

[large text: Questions to Ask Yourself]

Since I started talking about facial differences on this blog, I have noticed a very specific trend in how facial differences are treated when compared to other disabilities. A lot of writers and artists are interested in worldbuilding where accessibility is considered, where disabled people are accepted, where neurodivergence is seen as an important part of the human experience, not something “other”. This is amazing, genuinely.

Yet, absolutely no one seems to be interested in a world that is anything but cruel to facial differences. There's no escapist fantasies for us.

You see this over and over, at some point it feels like the same story with different names attached.

The only way a character with a facial difference can exist is to hide it. Otherwise, they are shamed by society. Seen as something gross. I noticed that it really doesn't matter who the character is, facial difference is this great equalizer. Both ancient deities and talking forest cats get treated as the same brand of disgusting thing as long as they're scarred, as long as they had something explode in their face, as long as they've been cursed. They can be accomplished, they can be a badass, they can be the leader of the world, they can kill a dragon, but they cannot, under any circumstances, be allowed to peacefully exist with a facial difference. They have to hide it in the literal sense, or be made to feel that they should. Constantly ashamed, embarrassed that they dare to have a face.

Question one to ask yourself: why is disfiguremisia a part of your story?

I'm part of a few minority groups. I'm an immigrant, I'm disabled, I'm queer. I get enough shit in real life for this so I like to take a break once in a while. I love stories where transphobia isn't a thing. Where xenophobia doesn't come up. But my whole life, I can't seem to find stories that don't spew out disfiguremisia in one way or the other at the first possible opportunity.

Why is disfiguremisia a default part of your worldbuilding? Why can't it be left out? Why in societies with scarred saviors and warriors is there such intense disgust for them? Why can't anyone even just question why this is the state of the world?

Why is disfiguremisia normal in your story?

Question two: do you know enough about disfiguremisia to write about it?

Ask yourself, really. Do you? Writers sometimes ask if or how to portray ableism when they themselves aren't disabled, but no one bothers to wonder if maybe they aren't knowledgeable enough to make half their story about their POV character experiencing disfiguremisia. How much do you know, and from where? Have you read Mikaela Moody or any other advocates’ work around disfiguremisia? Do you understand the way it intersects; with being a trans woman, with being Black? What is your education on this topic?

And for USAmericans... do you know what "Ugly Laws" are, and when they ended?

Question three: what does your story associate with facial difference — and why?

If I had to guess; “shame”, “embarrassment”, “violence”, "disgust", “intimidation”, “trauma”, “guilt”, “evil”, “curse”, “discomfort”, “fear”, or similar would show up. 

Why doesn't it associate it with positive concepts? Why not “hope” or “love” or “pride” or “community”? Why not “soft” or “delicate”? Dare I say, “beauty” or “innocence”? Why not “blessing”? “Acceptance”?

Why not “normal”?

Question four: why did you make the character the way they are? 

Have you considered that there are other things than “horrifically burned for some moral failing” or “most traumatic scenario put to paper”? Why is it always “a tough character with a history of violence” and never “a Disfigured princess”? Why not “a loving parent” or “a fashionable girl”, instead of “the most unkind person you ever met” and “total badass who doesn’t care about anything - other than how scary their facial difference is to these poor ableds”? Don’t endlessly associate us with brutality and suffering. We aren’t violent or manipulative or physically strong or brash or bloodthirsty by default. We can be soft, and frail and gentle and kind - and we can still be proud and unashamed.

Question five: why is your character just… fine with all this?

Can’t they make a community with other people with facial differences and do something about this? Demand the right to exist as disabled and not have to hide their literal face? Why are they cool with being dehumanized and treated with such hatred? Especially if they fall into the "not so soft and kind" category that I just talked about, it seems obvious to me that they would be incredibly and loudly pissed off about being discriminated against over and over... Why can't your character, who is a subject of disfiguremisia, realize that maybe it's disfiguremisia that's the problem, and try to fix it?

Question six: why is your character wearing a mask? 

Usually, there's no reason. Most of the time the author hasn't considered that there even should be one, the character just wears a mask because that's what people with facial differences do in their mind. Most writers aren't interested in this kind of research or even considering it as a thing they should do. The community is unimportant to them, it's not like we are real people who read books. They think they understand, because to them it's not complex, it's not nuanced. It's ugly = bad. Why would you need a reason?

For cases where the reason is stated, I promise, I have heard of every single one. To quote, "to spare others from looking at them". I have read, "content warning: he has burn scars under the mask, he absolutely hates taking it off!", emphasis not mine. Because "he hates the way his skin looks", because "they care for their appearance a lot" (facial differences make you ugly, remember?). My favorite: "only has scars and the mask when he's a villain, not as a hero", just to subtly drive the point home. This isn't the extreme end of the spectrum. Now, imagine being a reader with a facial difference. This is your representation, sitting next to Freddy Krueger and Voldemort.

How do you feel?

F.A.Q. [frequently asked questions]

[large text: F.A.Q. [frequently asked questions]]

As in, answers and “answers” to common arguments or concerns. 

“Actually they want to hide their facial difference” - your character doesn’t have free will. You want them to hide it. Again; why.

“They are hiding it to be more inconspicuous!” - I get that there are elves in their world, but there’s no universe where wearing a mask with eye cutouts on the street is less noticeable than having a scar. Facial differences aren’t open wounds sprinkling with blood, in case that's not clear.

“It’s for other people's comfort” - why are other characters disfiguremisic to this extent? Are they forcing all minorities to stay hidden and out of sight too? That’s a horrible society to exist in.

“They are wearing it for Actual Practical Reason” - cool! I hope that this means you have other characters with facial differences that don’t wear it for any reason.

"It's the character's artistic expression" - I sure hope that there are abled characters with the same kind of expression then.

“They’re ashamed of their face” - and they never have any character development that would make that go away? That's just bad writing. Why are they ashamed in the first place? Why is shame the default stance to have about your own face in your story? I get that you think we should be ashamed and do these ridiculous things, but in real life we just live with it. 

"Now that you say that it is kinda messed up but I'm too far into the story please help" - here you go.

“[some variation of My Character is evil so it's fine/a killer so it fits/just too disgusting to show their disability” - this is the one of the only cases where I’m fine with disability erasure, actually. Please don’t make them have a facial difference. This is the type of harm that real life activists spend years and decades undoing. Disfiguremisia from horror movies released in the 70s is still relevant. It still affects people today.

"But [in-universe explanation why disfiguremisia is cool and fine actually]" - this changes nothing.

Closing Remarks

[large text: Closing Remarks]

I hope that this post explains my thoughts on facial difference representation better. It's a complicated topic, I get it. I'm also aware that this post might come off as harsh (?) but disfiguremisia shouldn't be treated lightly, it shouldn't be a prop. It's real world discrimination with a big chunk of its origins coming out of popular media.

With the asks that have been sent regarding facial differences, I realized that I probably haven't explained what the actual problems are well enough. It's not about some technical definition, or about weird in-universe explanations. It's about categorizing us as some apparently fundamentally different entity that can't possibly be kind and happy, about disfiguremisia so ingrained into our culture that it's apparently impossible to make a world without it; discrimination so deep that it can't be excised, only worked around. But you can get rid of it. You can just not have it there in the first place. Disfiguremisia isn't a fundamental part of how the world works; getting rid of it won't cause it to collapse. Don't portray discrimination as an integral, unquestionable part of the world that has to stay no matter what; whether it's ableism, transphobia, or Islamophobia or anything else. A world without discrimination can exist. If you can't imagine a world without disfiguremisia in fiction... that's bad. Sad, mostly. To me, at least.

Remember, that your readers aren't going to look at Character with a Scar #14673 and think "now I'm going to research how real life people with facial differences live." They won't, there's no inclination for them to do so. If you don't give them a reason, they won't magically start thinking critically about facial differences and disfiguremisia. People like their biases and they like to think that they understand.

And, even if you're explaining it over and over ;-) (winky face) there will still be people who are going to be actively resistant to giving a shit. To try and get the ones who are capable of caring about us, you, as the author, need to first understand disfiguremisia, study Face Equality, think of me as a human being with human emotions who doesn't want to see people like me treated like garbage in every piece of media I look at. There's a place and time for that media, and if you don't actually understand disfiguremisia, you will only perpetuate it; not "subvert" it, not "comment" on it.

I hope this helps :-) (smile emoji. for good measure)

Mod Sasza

[theflyindutchwoman]

You can choose to see that tattoo as your greatest failure. But I see it as proof that you're a survivor. It wasn't your day of death, Officer Chen. It was the first day, of the rest of your life. And no one can take that away from you.

| ANATOMY OF A SCENE - CHENFORD EDITION 2.12 - Now and Then

This has to be my favourite moment, along with Lucy making an audiobook for Tim… Maybe it is because these two scenes have a very similar vibe… both of them taking place in the gym… with both Tim and Lucy working through their frustration in the same fashion… and making the other feel more empowered… Back then, she was fiercely telling him that his 'learning disability' was nothing to be ashamed of, and instead, was a strength… And here he is, saying something akin, just as passionately : that her tattoo isn't a sign of weakness or failure on her part, but one of strength. Of resilience. It's more than just reassurance : it's really about empowering the other… And this is genuinely a beautiful and powerful message, that epitomises their relationship perfectly...

The way the camera focuses on Lucy's DOD tattoo, with Tim appearing in the background, before he fully comes into focus, is brilliant. Him looking away, pretending he hasn't seen it, out of respect for her and complimenting her instead, is such a simple, but meaningful thing. Just like how he refuses to take any credit for the way she is. The reverence and pride in his voice are all for her. He's trying to drive his point home, but Lucy is not hearing him. Or at least, not entirely. He's about to leave before changing his mind. You can see the moment he decides to go for it and really talk to her. Something he has been trying to do already, like after he heard she was involved in a shooting : only, he kept it light in that moment, not daring pushing her out of her comfort zone. But his conversation with Nolan made him reconsider his approach, once he realised that her friends were too focused on her tattoo, treating its removal as a magical cure to her emotional wounds. No matter how well intended they are, it doesn't work like that. Something he knows all too well.

So instead, Tim opens up about his own traumatic experiences, share his own history and scars to help her… And this is huge for him. Lucy might have known about Isabel, but this is the first time he mentions his childhood and his dad to her (at least, as far as we know : he did it once while playing football with AJ, but she wasn't around). It's a very personal and intimate topic and the fact that he willingly shares this vulnerable part of himself with her says a lot on how much he trusts her. And it also feels natural : they were already getting closer, but regardless, this is the same man who opened up about his personal life on her second day. He has seen how she was there for him time and time again, with Isabel of course, but even recently, with how she made him feel safe after discovering he was a kinesthetic learner. So now, this is his turn to do the same for her, to respond in kind. And it parallels what Nyla was trying to do with Lucy when she shared her very own experience in the shop… and with Tim when she shared pieces of it in order to convince him to let her ride with Lucy for the day. He took a page from Harper's playbook, understanding that it might help Lucy more.

But unlike Nyla, Tim goes a step further. The reason why Lucy wasn't quite as receptive with her is that she needed more than empathy. It helped her of course, but what she requires even more is seeing her trauma in a different perspective. To see it through someone else's eyes. Tim's eyes. They already have a special bond and his opinion matter a lot to her. She can get through to him like no one else and so can he. But this is even more important since they haven't been able to ride together since that fateful day. She thought at first that the change in TOs for the day was a Tim Test. So it is primordial that she knows he doesn't think less of her. Just like he probably also doesn't want someone else he cares about to believe they're not living up to his standards… And at first, Lucy was getting frustrated with him as well. Even angry that he wasn't getting it. Until he started to emphasise on the fact that she didn't die, that she's still very much alive and therefore won, just like she defiantly warned Caleb in her last words to him. He's trying to get her to focus on that victory. That what she sees as a sign of failure, is instead a sign of resilience. Of her own strength. And I absolutely love how going forward, she will rub her tattoo whenever she's getting nervous, as a reminder of this. Because this is such an earnest and powerful message. At no point does he tell her what to do with this or how to feel about it - which was inadvertently what Jackson and Nolan were doing. It's simply about pushing her to see things under a different prism so she can make an informed decision. One that will bring her peace. To help her see herself the way he does : as a survivor, as someone who saved herself. Not a victim. It's about her retaking some control of her own story. And this time, she gets his message… The way she is clearly moved by his words, tearing up, just shows how much she needed to hear these words. Especially from him.

The tone of the scene instantly changes after that, becoming much lighter… Without undermining the core message either. This is a much needed respite, after that intense conversation. Tim looks so self-conscious and bashful when Lucy thanks him, like he's suddenly feeling under the spotlight. His whole demeanor - hands in his pockets, rocking on his feet, asking her if she's riding with him - feels very much like a teenage boy asking the girl he has a crush on to go on a date with him, while trying to be nonchalant about it. His beaming smile when she agrees is adorable. Her laughter as well… It's clear he has missed riding with her. They both have.

And that leads us to that last part : Tim giving Lucy back her ring. The one she left behind for him to find… There are so many symbols here… Like the fact that he had it in his pocket the whole time, even though he was about to leave her alone at first… The implication that he kept it with him, that he hung on to it, as a reminder that she was safe now, that he found her… It's how he's playing with it as well, as if a part of him is a bit reluctant to part with it… It's the way they don't even need words : they both understand the underlying message… It's in his smile before he leaves, the admiration he feels for her shining bright in his eyes… Or her surprise and delight when she catches her ring, having the confirmation that she was right to have so much faith in him… And how overwhelmed she is, to know that this tiny piece of jewellery, thrown as a last-ditch effort, saved her… That she saved herself. This moment encapsulates everything he has previously said in a very poetic manner… It was the perfect conclusion. Melissa deserves all the credit here for pitching this idea to the showrunners and writers, who, then, turned it into this wonderful scene. And hopefully, there will be a follow up one day on this...

[toastofthetrashfire]

My Top Shows 2023

Doing this at the last minute but here goes--the top 10 shows I watched in 2023!

*Note: I rate my shows on a letter scale cause I don't like narrowing it down to a specific number. (S-standout As-Strong Bs-Fine Cs-There's some problems Ds-ooof)

1. Oh No! Here Comes Trouble

This one instantly became an all time favorite. It covers themes about grief and loss in a deeply empathetic and humanizing way along side the supernatural elements. I don't know if it's because I've experienced loss myself or because it's a universal experience, but I love shows like this that help you understand what it means to grieve and heal in a familiar yet new light. It reminded me a lot of Natsume Yuujinchou (another favorite) in that respect.

Aside from the larger themes, you have a distinct directing style, quirky sense of humor, well-rounded cast of characters, and excellent acting (the lead actor was also in Your Name Engraved Herein and he's just as standout here). In addition to all that, the show gives us a main trio of characters whose strengths are deliberately not their wits. This is used for humor but also to make more meaningful points about connection, empathy, and different ways of thinking (yes, I headcanon the main trio as neurodivergent).

Rating: S+

2. The Eighth Sense

This show! Another piece that is deeply rooted in exploring trauma and loss. This time within the framework of a romance. I'm usually pretty hesitant with stories that bring disability into romance, especially mental illness. There's a tendency to lean into the idea that love cures all and other not so great tropes. The Eighth Sense does a great job balancing that line, giving us romantic beats without wading into them uncritically. In the end, healing and love are things we choose not something guaranteed, but there's still an immense hope in that. I'm an giant sucker for shows that tackle both queer and crip experiences with nuance and grace, and the Eighth Sense hit that mark for me (so much so it even had me writing a little meta). On top of that it has beautiful cinematography and visual choices.

Rating: S

3. Moonlight Chicken

A beautiful show all around! P'Aof constantly knocks it out of the park with every show he directs, but I felt particularly strong about Moonlight Chicken. I adore the way it centers on themes of home and community. It even inspired some meta and a bit of personal reflection for me on what it means to choose home as someone who is queer and disabled. The show gives us the messiness that comes with navigating new and old relationships and somehow also the simplicity of it all. And of course, the show includes a Deaf character and handles his story with nuance and clear care.

Rating: S

4. Shadow

Singto, Fluke, and Fiat in a queer horror show--sign me up! It wasn't as scary as I expected, more psychological (which is good because I am so picky about what types of horror are too much for me vs what I enjoy). I loved the way the show played with time and reality and drew upon various religious practices to create a unique atmosphere. I also adored the attention to small details that make the piece ripe for analysis. I will probably be eyeing clocks and tech in many shows to come. It's also a show that is bringing up themes about queerness, mental illness, domestic violence, and historical trauma. I'm continually drawn to pieces that are queer and crip, so I suppose it's no surprise that this one drew me in too.

I know this show was divisive, about as many people thought it stuck the landing as didn't. I happen to land in the former category. I adore media that makes me stop and think, and given the amount of meta the show had/has me writing, I'd say it well and truly tickled my brain. The show didn't always go where I most wanted or expected but I think that challenged me even more to really think about what the show might be trying to do (my thoughts on that here, spoilers though).

Rating: S

5. Our Dining Table

Japan does a lot of things well, but I'm particularly fond of their slice-of-life. Our Dining Table fits right in there with food and found family at the center. It's warm and cute, but has a depth beyond it's soft exterior, delving into loss, loneliness, and what it means to be fully seen by those around us. All of this tied up in a queer bow. It was easily the show I was most excited to watch each week when it was airing.

Rating: S

6. Mysterious Lotus Casebook

Another one I fell in love with this year! While it has plenty of tropes, cutting through the core of all of this is the growing friendship between the main trio, especially between Li Lian Hua and Fang Duo Bing. Their relationship and personal growth as characters was really beautiful to watch, on top of it just being a fun show with a great balance of humor and drama. Plus Fang Duo Bing's mom 😍

Rating: S

7. One Room Angel

Another solid entry out of Japan. As much as I love Japan's bright slice-of-life offerings like Our Dining Table, they also excel at stories that don't shy away from heavy or complex emotional themes. And I'm noticing as I tackle this post that I really resonate with heavy themes. One Room Angel has it's lighter moments and own quirky humor. But it also tackles depression and suicide as it explores the journey of finding enough connection and meaning in life to keep moving forward.

Rating: S

8. I Feel You Linger in the Air

I Feel You Linger in the Air was such a beautiful show! I'm so happy we got a historical thai bl this year and that it was so so lovely. I really liked last year's To Sir With Love but it does have it's Lakorn/soap style that is a bit more of an obstacle for me. IFYLITA certainly has it's drama, but it feels more tightly drawn. Throw in a little time travel and beautiful love scenes and it was a delight to watch.

Rating: S

9. My Beautiful Man S2, Eternal

When I watched the first season of My Beautiful Man I liked it but wasn't exactly sold. I read a bit of meta from the community which changed my tune a bit. But it wasn't until watching season 2 and Eternal that something really clicked. I immediately went back and watched season 1 after finishing the film and oh boy did I fall in love. Not only do S2 and Eternal give us great character growth and forward motion to Hira and Kiyoi's relationship, and they feel like a natural expansion of the first season in the best way possible. What can I say, I love the whole series!

Rating: A+

10. Kiseki: Dear to Me

Kiseki: Dear to Me feels like an outlier to me. It's hard for me to put my finger on just what made it click for me, but I was so into it when it was airing. I recognize that plot wise this show is a bit of a mess, but at the same time it hit something just right in my brain. Perhaps it was the emotional intimacy the actors portrayed? They did a fantastic job drawing me in. Apart from that I couldn't take my eyes off of Ai Di's impeccable fashion choices, and the many many cameos were quite fun.

Rating: A+ YMMV

A few close contenders:

My School President (S) *split airing 22' and 23'

Tokyo in April Is... (A+)

Laws of Attraction (A)

Bed Friend (A)

The End of the World with You (A)

Me, My Husband, and My Husband's Boyfriend (A)

If it's with You (A)

Our Dating Sim (A)

Love Tractor (A)

The Warp Effect (A) *split airing 22' and 23'

The New Employee (A) *split airing 22' and 23'

La Pluie (A-)

Midnight Museum (A-)

[dearinglovebot]

my nonverbal person's guide to respectfully handling the handler

disclaimer: we aren't a monolith, we have different nonverbal experiences, etc. this is mostly meant to give basic information for non-mute fic writers or other creatives

is the handler nonverbal/mute? as far as we know, yes. she is a nonverbal character ergo canonically "mute". it would be disrespectful to erase this.

but she whispers. some mute people can do that. particularly elective mutes (those who can speak, but generally do not) and selective mutes (an anxiety disorder which prevents speech in certain cases). though, even those with one of the physical causes (brain injury, nerve damage, etc.) might be able to. it's deeply personal.

but if she can speak, how is she mute? mutism is defined by abnormally limited speech in daily life, not complete inability. someone who is silent 90% of the time is still mute. total mutism and partial mutism are part of the same nonverbal spectrum. however, we do have different lived experiences because of this. just like how two autistic people may have different support needs.

what causes mutism? in short, it is either a physical impairment like a TBI, stroke, neruological disorder, etc or it is psychological. often, psychological mutism is comorbid with other mental disorders. a large portion of elective mutes are autistic! it can also be a PTSD trauma response where you feel "blocked" from speaking. there's lots of ways mutism can occur.

what kind of mutism does she have? we don't know! we'll need her backstory to really know this. all we know is that she is primarily nonverbal with the ability to whisper short sentences/single words. this implies she doesn't speak often, though, as strained speech is a symptom of vocal disuse.

how do i respectfully portray her limited speech? my general rule is, what canon says goes. don't make a mute character speak more than they would in canon. does this character not speak at all? do that. does this character only speak in dire circumstances? do that. does this character occasionally whisper? do that. making a character speak less is alright, but an absolute no no is making a mute character speak more. this is ableist thinking. for example, part of ABA therapy for autistic elective mutes is making them "learn" to speak against their will. mutism is a disorder which will often be "cured" in media. like many other disabilities, we don't want magic cures. we want accommodations and acceptance.

how can i portray her communicating? look at canon! she uses facial cues, physical cues, and her whistle. those are all ways she canonically communicates with others nonverbally. maybe she and her raptors communicate different things by how long she blows the whistle or by making multiple whistle noises at once. maybe there's more than one whistle and that's simply her attack whistle. get creative!