#—《 via. heroicisms. 》

[elfcollector]

I've been lied to my whole life. And I was gullible enough to just believe it.

[aingeal98]

I'm crying they resurrected Jason deliberately with lazarus fluid. How are you going to copy Steph's death in Batgirls but make it boring and pointless with zero emotional weight or acknowledgement of anything Jason has the right to be mad at Bruce about. He didn't even have a gay best friend kiss him as he died.

[mamawasatesttube]

i have to speak my truth. i think timkon clone baby aus fucking suck

[grimlocks-noodle]

Tumblr NERFED me the last time I tried to write this so clearly I just need to think about it

But one day I will write something about Sins of the Wreckers, and how I like to think that Tarantulas curing Verity from her radiation sickness was both a Massive Snub at Prowl for seemingly tossing away everyone once they're no longer useful to him, (including this wonderful organic who is risking her life to fix his mistakes) and also a Huge peacocking thing (aka Look Prowl, aren't I still so smart and clever?? Look, I fixed your useful organic, remember when I was useful??)

The whole thing boils down to Tarantulas, essentially bringing a bouquet of roses back from the dead for Prowl. Unfortunately for him, Prowl has the emotional availability and intelligence of an amoeba, thus rendering it a Moot Point.

[cosmicrhetoric]

i don't know if fishman island era sanji is genuine flanderization or im somehow giving him too much and too little credit at the same time. and maybe i was just frustrated that he regressed so bad after two years on Gender Island when i erroneously assumed (after watching iva + co at impel down express that queerness is as close to the ultimate ideal of freedom that one piece is about as you can get) that he would be better for the experience. and i know im going to turn around on him by the time i get to whole cake island but literally brother can we cut this shit out lmao

[innerchorus]

Okay ArSen fans what are the non-canonical duels you'd most like to see? Mine is currently Isfan vs. Zandeh!

[thenixkat]

so if we go with the alien Scarabs being alien tech AND magic as the Rebirth run, and the Egyptian scarab being a symbol of regeneration and rebirth then it would make sense if it could straight up revive fuckers from the dead.

thus Dan coming back from being dead. Whole ass zombie in like the actual real meaning of zombie (corpse reanimated with magic/rituals to do labor of the behalf of its summoner) and not the colonized ass rotting vampires that white people turned the concept into.

and also just being able to heal its host in general. Which we do see that Khaji Da can heal Jaime. If we go with it was also bonded to Ted just not able to do shit for him b/c broken (stated in the 2006 run) or going off of the Ted vs Dan fight in the 1986 run Ted being unwilling to actively use the thing that tried to take over his mind and revived his mentor back from the dead but evil I still think it should offer a healing factor for him. Like certainly not as quick as what it does to Jaime who it lives inside but something passive would be neat.

Like a backhanded, 'congrats for proving yerself worthy Ted! Here's a very minor power and better keep that will power strong or I will snatch yer body' kinda thing. Something he didn't want or need but now he's got it.

will be using the 1986 run stuff cause that's fun implications but altering the end of the fight to make Ted have to be the one to put his mentor back down using Khaji's power and very much not vibing with using the Scarab after coming back to himself fully. Idk i just think itd be fun. A dangerous last resort trump card. Also b/c I wanna turn Ted into a werebug. I just think it'd be neat.

[lavenderjiang]

finding shadowheart v relatable, im only at the start of act 1 so far in both my playthroughs, but i keep accidentally becoming besties w/ her bcos we agree on things

[weaverlings]

i hate capitalism so much it's unreal

[non-binary-laurie-strode]

It will never not be funny to me how they stripped all abilities from Arceus and then decided to specifically write in Slow Start for Regigigas so it can still be trash

Like girlies..... it's a single player game. There is no competitive format for this game. You cannot challenge anyone and there are no achievements for fighting. This was the one time no one would be bothered by Regigigas unleashed.

[newsbites]

Тhе Веlіzе Соаѕt Guаrd hаѕ dеtаіlеd іtѕ rеѕроnѕе tо аn іnсіdеnt thіѕ wееkеnd іn Соrоzаl Вау whісh lеft ѕеvеn іn thе ѕеа.

Тhе ВСG Соnѕејо раtrоl rеѕроndеd аnd rеѕсuеd ѕеvеn реrѕоnѕ whо wеrе іn dіѕtrеѕѕ аftеr thеіr vеѕѕеl сарѕіzеd 10 mіlеѕ оff Ѕаrtеnеја. Fоur wеrе drіftіng оn аn ісеbох аnd thrее wеrе hоldіng оntо thе vеѕѕеl.

https://www.breakingbelizenews.com/2023/04/16/coast-guard-team-rescues-seven-in-corozal-bay/

[musical-chick-13]

It is crying over Lizzie hours.

[idkhowtopickausername]

I think it’s interesting in rgu how Utena’s aspiration of being a prince is not only hurtful to Anthy but also serves a sort of double purpose in Utena’s life wherein it allows her to express aspects of her gender expression and sexuality without having to really confront them directly, and a lot of the most important moments in her character arc are moments where she has to confront those things without relying on it.

Utena saying at the end that the only times she was really happy was when she was with Anthy is so important because it’s not just her presence that changes Anthy’s life but the reverse is true as well, and the idea that she is acting solely on some sort of heroic noble mission separate from her own feelings at times allows her to kind of sidestep the vulnerability of admitting that. It’s after Dios has urged her to give up, saying that she’s done all she could and giving her a way out and into complacency that would still leave her ego and dream of keeping her promise to Dios partially intact, but it wasn’t ever really her promise to Dios that mattered but her promise to Anthy both as a child and once she knows her that matters.

It’s also really interesting that the first time she says no to Akio she says it’s because she wants to stay true to her prince—it’s an idea that gives her a way to momentarily reject his advances without acknowledging that her own feelings should be reason enough, and shows how she feels that appealing to (even an abstract) patriarchal figure gives validity to her own feelings that they wouldn’t have on their own.

Episodes 12 and 37 are also really interesting in that they both begin when Utena has realized that she does not truly know or understand Anthy and feels betrayed by her, and she temporarily renounces her role of “protecting” her only to realize that her relationship with Anthy is deeply important to her personally even outside of that dynamic, as is her masculinity/gender expression, but in order to express this realization she ultimately returns to that dynamic (trying to protect Anthy via the dueling system) in both cases because she cannot yet imagine another way. It’s not until she fails at being a prince that she succeeds in expressing her true feelings and escaping the academy/the structure it represents (and inspiring Anthy to do the same) because those things were never truly compatible to begin with.

[llovelymoonn]

on feeling

anne carson red doc (via @metamorphesque) \\ kazuo ishiguro never let me go (via @liriostigre) \\ franz kafka the diaries of franz kafka, 1910-1913: "january 3, 1912" (via @dailykafka) \\ jeanette winterson why be happy when you could be normal (via @strykerlancer) \\ søren kierkegaard (1839) (via @tamsoj) \\ cameron awkward-rich the child formally known as _________ \\ jean-paul sartre nausea (via @metamorphesque) \\ adam wolfond the ripples are ongoing acts \\ catherine gildiner good morning, monster: five heroic journeys to emotional recovery (via @weltenwellen)

buy me a coffee

[lemonhemlock]

the thing is i don't care about how hard it must be for the hotd writers to adapt from book to screen with budget and time limitations (even though i am historically sympathetic enough to these difficulties and i do understand the need to make changes to fit the story in a different medium)

but what i see as understandable excuses would be shoddy cgi or costumes and less impactful action scenes or even fewer action scenes/battles. which we already got anyway, the only battle (rook's rest) is humdrum and rather spiritless. to a certain extent, i can even excuse cutting out characters or merging them or simplifying storylines.

be that as it may, the fact of the matter is that, even the scenes which should have cost the least amount of money in this whole production, i.e. the sitting-around-in-rooms-talking genre of scenes for which GoT became famous, SUCK. the politics in this show are non-existent. the characters' motivations are so wishy-washy to the point of parody. the character arcs look like they were settled via a game of russian roulette. the S2 version of characters doesn't make sense as a progression of their own S1 canon.

and this has nothing to do with money OR time constraints. it plainly only has to do with bad writing. a talented writer can absolutely have a canon-divergent vision and an understandable desire to adapt their own vision. but they have to recognise if they have the TIME or the BUDGET to bring that canon-divergent vision to life, if they can sufficiently commit to integrating those changes in a way that feels organic to the characters. IF NOT, THEN DON'T DO IT.

i get it if they're big rhaenicent stans or if they really, really like this version of alicent that lives in their heards, the one that would ditch her kids in favour of rhaenyra or if they're so enamoured by the idea of heroic rhaenyra (and that's just scratching the surface when it comes to all the points the show fumbled). but if they don't and can't fit those changes in a way that doesn't destroy the logic of the narrative, in a way that doesn't leave other characters hanging dry with no motivation left to carry out the plot points they have to hit, they should have had the maturity to drop those ideas and settle on something else that could have been easier to film with the resources available.

i said it before and i'll say it again: 1) whether fans are satisfied with the changes made to the source material and 2) whether those changes make sense in the context of the show are two separate issues that apologists sometimes try to merge in other to muddle what the actual problem is. "oh you're just mad because it's not book canon" or "you're mad because your headcanons diverge" or "we had logistics limitations" are not pertinent responses to critiquing the integrity of the show's storyline!

so i hope the writers and executives see all these criticisms and choke because they did a piss-poor job of everything and turned S2 into a goddamn hack operation

[hollow-keys]

War Games and Under the Red Hood being right next to each other makes me lose my shit. There is no gap between these stories and Judd Winick even wrote part of War Games but he doesn't seem to realise how wild it is to follow that up with UTRH.

War Games is about Batman trying to gain control of Gotham's gangs as harm reduction, not stopping their activities but monitoring and controlling them via his ally, Orpheus, who is propped up to lead all the gangs in a coalition. He is unable to do this and it all ends in disaster.

5 seconds later, Jason returns to Gotham and gains control of most of the gangs real quick and then takes out his competitors. He does what Bruce was unable to do and for the same reason, to reduce harm.

But Bruce's actions are framed as heroic and Jason's aren't. Judd Winick himself said "Along with handing out his own brand of justice, he does believe that crime can be controlled. Batman had said it makes you a crime lord. Jason doesn't think it makes him a crime lord at all. He thinks it makes him a much more effective Batman."

I must ask how is it that this makes Jason a crime lord but Bruce wasn't one when he was trying to control the Gotham gangs five seconds ago. How is Bruce on his high horse like "Jason is a crime lord in denial"? What was he five seconds ago then?

And yeah, Jason is more violent than Bruce was of course, but instead of trying to work with him and get him to his side/to be less violent like he did with the other gang leaders, he immediately goes on the offensive.

Then Bruce slits Jason's throat to save Joker right after firing Stephanie because "We don't use potentially lethal force." What Steph did was markedly less dangerous than slicing someone's throat. The hypocrisy of it all.