#[you only need to have a basic understanding of how the industry works to know how little control a screenwriter has over the end product]

[redwhale]

I maintain that you should critique the issue, not the role, and certainly not the person. Unless you were 'in the room where it happened', as it were, then you truly don't know the circumstances of who/what/why the element you either like or dislike came about.

I know there are some rare exceptions where someone has said 'this was my absolutely my idea and choice', but again, they are the exceptions, not the rule.

“Wait, there are people blaming the writers?”

Are you surprised? Fandoms have become notorious anti-writer spaces. Studios love you guys. They can cut the budgets, cut the number of writers, cut the wages of the writers, and you guys always blame the writers. “The writers ruined the show!” It’s never “the studios ruined the show.”

I hate to break it to you: more than half the shows you complain were “ruined by the writers”, were ruined by the studios. Studios cut the scenes and arcs you were excited for. Studios cut the budget of the show, or even raise the budget of the show and force a “bigger, louder, bolder” tone on shows that were unexpected hits (this is where we get “the Netflix look” on every show post-Stranger Things and Queen’s Gambit).

You guys do not do your research. Half your fanfics are tagged with bad faith digs at the writers, when a few searches would reveal how strapped that show was and how poorly the writers were treated. Writers are being given a single week to write each episode—I’m not kidding, one-week-per-episode is one of the reasons for the strike. How are good arcs and scenes supposed to happen under that time limit, with a max of only four writers?

Tumblr, the self-proclaimed “pro-union, pro-worker, pro-artist” site is also a major fandom site. You guys rarely practice good faith consumer etiquette for television and film writers, because your fandom salt always turns you against writers. And studios love you for it.

Yeah, individual writers do create bad writing from time to time. But so do painters, chefs, and musicians. Directors and actors sometimes refuse to film certain scenes or follow a show’s projected style and arc, and the writers always get the crap for a bad performance or a poorly directed episode. This isn’t to blame actors or directors; it’s to point out that you guys have one villain, and it’s always the writers. You guys never give writers the same grace you give animators, designers, directors, actors, composers, and editors.

Studios love you every time you say “the writers ruined the show.” Every single popular fandom is guilty of this. View any of the “why did the writers cut this scene, they hate my characters” talk when leaked scenes hit the internet. Writers barely get paid for what they do write. You think they’re writing scenes and then happily throwing them in the shredder? You guys just eat the talk that studios put out. Always have.

[alpaca-clouds]

Why the media CEOs will always learn the wrong lessons

Yesterday a friend and I talked about how the entire (AAA) game industrie looked at BG3 being as popular as it is and going: "Oh, we need to produce 100+ hour games, I guess! Those sell!" Which... obviously is not why it is popular. The game is not popular because it has 100+ hours of gameplay, but because it has engaging characters, that are well-acted and that work as good hooks for the players. Like, let's face it: The reason why I so far have sunken 160 hours into this game is, because I wanna spend time with these characters - and because I wanna give them their happy endings.

But the same has happened too, just a bit earlier this year, right? When Barbie broke the 1 billion and every Hollywood CEO went: "Oh, so the people want movies based on toy franchises! Got it!" To which the internet at large replied: "... How is that the lesson you learned from this?"

Well, let me explain to you, why this is the lesson they learn: It is because the CEOs and the boards of directors at large are not artists or even engaged with the medium they produce. They mostly are economists. And their dry little hearts do not understand stuff more complex than numbers and spread sheets.

That sounds evil, I know, but... It is sadly the truth. When they look at a successful movie/series/game/book/comic, they look at it as a product, not a piece of art or narrative. It is just a product that has very clear metrics.

To them Barbie is not a movie with interesting stylistic choices that stand out from the majority of high budget action blockbusters. It is a toy movie with mildly feminist themes.

Or Oppenheimer is not a movie to them with a strong visual language and good acting direction. No, it is a historical blockbuster.

And this is true for basically every form of media. I mean, books are actually a fairly good example. In my life I do remember the big book fads that happened. When Harry Potter was a success, there was at least a dozen other "magical school" book series being released. When Twilight was a big success there was suddenly an endless number of "teen girl falls in love with bad boy, who is [magical creature]" YA. When the Hunger Games was a success, there were hundreds of "YA dystopia" books. Meanwhile in adult reading, we had the big "next Game of Throne" fad.

Of course, the irony is, that within each of those fads there might have been one or two somewhat successful series - but never even one that came even close to whatever started the fad.

Or with movies, we have seen it, too. When Avengers broke the 1 billion (which up to this point only few movies did) the studios went: "Ooooooh, so we need shared universe film series" - and then all went to try and fail to create their own cinematic universe.

Because the people, who call the shots, are just immensely desinterested in the thing they are selling. They do not really care about the content. All they care about is having a supposedly easy avenue of selling it. Just as they do not care about the consumer. All they care about is that the consumer buys it. Why he buys it... Well, they do not care. They could not care less, in fact.

So, yeah, get ready for a 20 overproduced games with a bloated 100+ hours of empty gameplay, but without the engaging characters. And for like at least 15 more moves based on some toy franchise, that nobody actually cares about.

And then get ready for all the CEOs to do the surprised Pikachu face, when all of that ends up not financially successful.

Really, I read some interviews yesterday from some AAA-studio CEOs and their blatant shock and missing understanding on why BG3 works for so many people.

Because, yeah... capitalism does not appreciate art. Capitalism does not understand art. It only understands spread sheets.

[plaidos]

The craziest part of all that Dropout discourse about how they almost never feature transfems outside of drag is that dozens of people were saying shit like “Well, if you don’t have any recommendations of trans feminine comics, then you can’t complain and you’re just looking for something to whinge about and you’re just as bad as them”

like first of all, i don’t live in LA and neither to most Dropout fans — it’s their job to find interesting & exciting talent local to them, not ours. secondarily this complaint & belief basically implies that the reason Dropout barely ever features transfeminine talent is because they just haven’t “come across” any. I saw literally dozens of TME people asking “well how do we know any transfems are applying?” — first of all, transfems who applied for positions at Dropout personally reached out to me to tell me that real world staff members of Dropout agree with me & that all of the transfems who are involved behind the scenes in the company do feel like they are being undervalued and underrepresented.

but secondarily, this just implies that Dropout would’ve definitely had more transfems if only they knew about talented transfeminine performers or if ant had applied — and this betrays such an obviously transphobic understanding of this situation. There are not so few trans women comics in LA that it would not be incredibly easy for Dropout to find one, and the belief that we are is indicative that you see us as some niche incredibly rare minority. there are straight up thousands of trans people in LA. LA famously has an incredibly rich & diverse scene for transfeminine talent.

…but even beyond that, the fact that many Dropout fans can’t name any transfem comics to suggest Dropout hire (which, by the way, that’s not how this works, and the reason most of us weren’t doing this is because it doesn’t make any sense to, it would be ridiculous to demand Dimension 20 hire one specific person?) is not an indicator that they “just want to whinge and don’t actually care” — it’s an indicator that transfems are so underrepresented that many people outside of the industry haven’t seen any big popular transfeminine comedians/etc. like… isn’t that fucking sad? isn’t that tragic??? isn’t that absolute proof that we need more people like us highlighted?

it just seems like a good way to punish transfems for complaining. Like I really don’t understand why so many Dropout fans are so upset at the fact that trans women are saying “hey, it’s really disappointing how little we’re represented, could we have more?” other than because they fundamentally don’t want to see us outside of as a drag queen. Like sorry but us wanting more transfem comedians doesn’t make it our responsibility to name each one. It’s giving “if you’re a fan of this band, name five of their albums” Why? Why should transfems have to name ten counterexamples every time they felt underrepresented? It’s an objectively shitty double standard.

[athenathegoddess13]

Boycott SM

I hope this reaches the right audience, and that bigger creators write something about this to spread and help, even if you're not a Riize fan, please help us.

I want to say something about all this Seunghan's situation. To all the people who say "If you boycott the other 6 members you're not a true briize"

We're not fighting only for seunghan.

We're fighting for ourselves,  because KPOP companys want so badly to have an impact outside of Asia but don't do anything when the international fans ask for something. It took us 10 months to get seunghan back but 2 days for Asian fans to kick him out.

We're fighting for the other 6 members who were so happy to have their friend back in the group and their happiness has been taken away from them.

We're fighting for the other idols as well, Seunghan was wrongly bullied for having a girlfriend and smoking, basically for being human, and SM did nothing to protect him. And now that he left I can't help but wonder, how are other idols feeling now? Are they scared that they might be the next ones this happens to? Knowing that if they get caught even hanging out with someone of the opposite sex might end the career they've been working on for YEARS.

And we're doing this for all the people who suffer from bullying. SM left those funeral wreaths outside their building for idols to see, isn't that wrong? They should have done something. This situation is critical, SM basically proved that by bullying those people can obtain whatever they want, they're giving an example that encourages bullying, which is clearly wrong.

It's time for international fans to raise their voice. SM has been called out for this behaviour for YEARS and yet they've done nothing. I am tired of this agency, I'm not supporting any of its groups till they start protecting their artists.

PLS repost or make your own post, I don't care if you're a small or big creator, your help is needed, even if you're not a fan, please understand our situation and help us. We're trying to make a difference in that industry.

[bitchesgetriches]

Everything You Need to Know about How to Increase Your Income

Make more money at the job you have

One of the simplest ways to increase your income is to just make your current employer pay you more. But while it may be simple, it ain’t always easy.

Santa Isn’t Coming and Neither Is Your Promotion: How To Get Promoted

How I Chessmastered Myself Into a Promotion at Work

The First Time I Asked for a Raise

You Need To Ask for a Fucking Raise

Ask the Bitches: “Can I Quit With Unvested Funds? Or Am I Walking Away From Too Much Money?” 

The Ultimate Guide to Growing Your Salary

Make more money at your next job

All that said, you’re statistically more likely to increase your income faster by job hopping! So if your current employer doesn’t want to pay you more, leave that sinking ship behind in pursuit of a higher salary.

Job Hopping vs. Career Loyalty by the Numbers

The Fascinating Results of Our Job Hopping vs. Career Loyalty Poll

How NOT to Determine Your Salary

When It Comes to Salary Negotiations, Are You Asking for Enough?

What To Do When You’re Asked About Your Salary Requirements in a Job Interview

If Your Employer Refuses To Negotiate Salary, Try These 11 Creative Counteroffers

Season 4, Episode 9: “I’m on the Wrong Career Path. How Do I Convince a New Industry To Take a Chance on Me?” 

Invest your way to more money

Of course there are some who say the true path to wealth is passive income: when you stop working for your money and instead let your money work for you. And they’re not wrong! Here’s how we recommend you increase your income passively.

When Money in the Bank Is a Bad Thing: Understanding Inflation and Depreciation

Investing Deathmatch: Investing in the Stock Market vs. Just… Not 

What’s the REAL Rate of Return on the Stock Market?

Dafuq Is a Retirement Plan and Why Do You Need One? 

Procrastinating on Opening a Retirement Account? Here’s 3 Ways That’ll Fuck You Over.

Season 4, Episode 1: “Index Funds Include Unethical Companies. Can I Still Invest in Them, or Does That Make Me a Monster?” 

Small Business Investing: A Kinder, Gentler Alternative to the Stock Market 

The Dark Magic of Financial Horcruxes: How and Why to Diversify Your Assets 

Make more money through side hustles

When it comes to side hustles, we have traditionally advocated caution. The last thing you want to do is burn out in pursuit of a second income stream. But with enough wits and fortitude, a side hustle could help you increase your income by leaps and bounds.

Romanticizing the Side Hustle: When 1 Job Isn’t Enough

Season 2, Episode 9: “I Use My Free Time to Volunteer. Should I Focus on Making Money Instead?”

Stop Undervaluing Your Freelance Work, You Darling Fool

Freelancer, Protect Thyself… With a Fair Contract 

Season 4, Episode 10: “I’m a Freelance Artist. How Do I Price My Work Fairly Without Losing Clients?”

Ask the Bitches: My Boss Won’t Give Me a Contract and I’m Freaking Out 

“Independent Contractor” My Ass: How to Stop Wage Theft Through Worker Misclassification 

Becoming a Millennial Entrepreneur (In the Midst of a Pandemic) With Katelyn Magnuson 

11 Awful Mistakes I Made as a Self-employed Freelancer, and How You Can Avoid Them

The Magic of Unclaimed Property: How I Made $1,900 in 10 Minutes by Being a Disorganized Mess

I Am a Craigslist Samurai and so Can You: How to Sell Used Stuff Online

What to do when you make more money

Once you increase your income, you might find yourself… not quite bored, but finding you have a little more bandwidth to handle the stuff that matters. It can be a jarring transition! Here are our thoughts on the matter.

Season 3, Episode 7: “I’m Finished With the Basic Shit. What Are the Advanced Financial Steps That Only Rich People Know?” 

Season 3, Episode 4: “The More Money I Save, the More I’m Scared To Lose It. Can I Break the Cycle of Financial Anxiety?” 

How to Avoid Lifestyle Inflation … and When to Embrace It

Ask the Bitches: I Know How to Struggle and Fight, but I Don’t Know How to Succeed

Update: I Know How to Struggle and Fight, but I Don’t Know How to Succeed 

The FIRE Movement, Explained 

I Was Happy to Marry a Poor Man. Then Things Changed.

I Have Become the Rich Relative I Always Wanted 

Believing in Miracles: A Conversation with Chris Dane Owens on Money, Creativity, and Self-Funding Art 

I Now Make More Money Than My Husband, and It’s Great for Our Marriage 

Season 2, Episode 1: “I’m Financially Stable, but My Friends Aren’t. The Guilt Is Crushing!”

The Resignation Checklist: 25 Sneaky Ways To Bleed Your Employer Dry Before Quitting

Advocate for systemic change

We don’t endorse an attitude of “I got mine.” So once you increase your income, there are lots of ways to use your newfound financial breathing room for good! Lift as you climb, my friend. Here are a few ways to do so:

Wallet Activism: Using Your Money for Good with Author Tanja Hester 

Woke at Work: How to Inject Your Values into Your Boring, Lame-Ass Job 

Raising the Minimum Wage Would Make All Our Lives Better

Post a Salary Range in the Job Description, You Fucking Cowards

1 Easy Way All Allies Can Help Close the Gender and Racial Pay Gap

The Truth About Unions: What Has Organized Labor Done for You? 

How To Support a Labor Strike with 3 Simple Steps

Everything in moderation

One last thing, my lambs: don’t crush your spirit while chasing the goal of a higher income. Working hard is hard work. If you find these tactics are leaving you exhausted and demoralized, you might be on the road to burnout. And that road leads nowhere good!

That’s why we just released our glorious new Burnout Workshop. Click the button below to take a peek!

Get the Burnout Workshop Here!

[band--psycho]

Vander x Reader - 5 Years Later...(Part 2)

Please be kind, reblogs are always welcome and greatly appreciated!

Requests are still open so if you have any ideas/requests, you're more than welcome to send them over (thank you to everyone who's requested a story so far, I'm working my way through them!)

Part 2 to my Vander x Reader series - Part 1

I hope you all enjoy this! 💛

Thank you all for the continued support!💛

I do not give permission for any of my works to be copied or translated onto this site or other platforms!

Vander Masterlist / Arcane Masterlist / Join My Taglist

Warnings: Mentions of death, mentions of grief, feeling of dega-vu

You knew the Undercity wasn’t the safest of places to go, at least that’s what your father had always told you. 

So why were you down here? 

Because as much as you appreciated your fathers protectiveness, what type of friend would you be if you let one of your closest friends go down there alone? 

A pretty shit one. 

Which is why, despite the risks, you went with Jayce down to the Undercity. 

Besides, seeing as you were training to be an Enforcer and Jayce was just a student at the academy it was basically your job to escort him and make sure that nothing happened to him; that’s at least what you’d tell Greyson if she asked where you’d been…and your parents, if they asked which you hoped they wouldn’t. 

“Remind me where we’re going?” You asked in a slightly hushed tone as the two of you turned a corner walking down a dimly lit alley, before 

“I need to get some supplies for a project I’m working on,” Jayce answered simply; with an optimistic gleam in his eyes. 

“What project?” you inquired, unable to keep your curiosity at bay; it had certainly been a while since you’d seen Jayce this excited about a project.

“It’s best I don’t tell you, until I can get it working,” he replied; his answer only furthering your curiosity, but perhaps it was for the best for you to know as little as possible…especially if the academy wasn’t aware of it, which by the seams of things, they weren’t. The less you knew the better; though it still played on your mind as the two of you continued walking through the Undercity.  

To most people the Undercity was just an underdeveloped land across the river, deep in the canyons,  beneath Piltover, filled with misfits and thugs; but as you walked through the lanes of the Undercity, you couldn’t help but admire the beauty of it. 

The beauty of how vibrant the lights atop of the shops shone in the darkness; the difference of industrial architecture, making each building its own, if only in a little way.

It was different from Piltover, of course, but beautiful nevertheless. 

Since you'd arrived down here you couldn’t shake this feeling of deja-vu…like you’d been here before. 

It was odd. 

You’d never been down here; not once; so why did it feel so familiar?

You were so lost in your own thoughts that you hadn’t realised Jayce had stopped walking until you walked into the back of him. 

“Sorry,” you whispered, hearing a small chuckle fall from his lips. 

“Lost in your own world again?” he teased, turning around to look at you. 

You simply rolled your eyes at his comment and looked at the building you’d stopped outside; a pawn shop. 

You shot Jayce a confused look; you didn’t understand what this place had that any of the shops in Piltover didn’t; except from some anonymity. 

Down here no one knew him. 

But that only caused the curiosity you had about his project to grow. 

“Stay out here, I won’t be long,” he said before disappearing inside the shop. 

You went to follow him, before you heard a song in the distance, that halted your steps. 

You knew it. 

But you were certain you’d never heard it before…

How did you know a song from the Undercity? 

You turned on your heel, following the sound of the song; you knew it was risky, venturing off into the Undercity alone and you knew Jayce would be worried if he came back outside and noticed you gone, but you couldn’t help it. 

It was like your feet had a mind of their own and before you knew it, you’d come to the source of the music, it was a bar, or at least that’s what you assumed it was seeing as it was called ‘The Last Drop’ and had a logo of a tankard in the middle of the name. 

‘Why does this place seem so familiar?’ you thought to yourself, your eyes narrowing as you stared at the building in front of you. 

You were about to take another step, before you felt someone grab ahold of your wrist; instinctively your training kicked in and your guard went up, ready to fight. 

That was until you saw that it was Jayce who was holding your wrist; he was panting slightly with a worried look in his eyes, “I thought something had happened to you.”

“I’m sorry,” you apologized, guilt washing over you, “I didn’t mean to worry you,” 

“It’s okay,” he answered softly, tugging on your wrist slightly, leading you away from the bar, “Let’s just get out of here.”

And with that the two of you made your way past the pawn shop Jayce had been in, passing a little boy with white hair leaning against the wall, he had a proud smile on his face that was until he saw you. 

You waved at him politely, confused about why he was staring at you; but the little boy said nothing, he just continued to stare at you, his mouth hanging slightly agape as you vanished out of his view. 

All you could think about as you made your way back to Piltover was how strange today had truly been. 

The deja-vu, the song, the bar, the little boy….none of it was making any sense….

~~~~~~

Vander hated seeing Vi hurt; he also hated that she was a mirror image of how he was when he was younger, so eager to rebel against the topsiders…but it wasn’t that simple. 

That’s what he was trying to get her to understand.

Every action had a consequence. 

He knew that better than anyone. 

He was the one who was too stubborn to call off the uprising, because he wanted to show Piltover that they were worthy of not being left behind on all the grand new ventures Piltover were indulging in; and because of that, he lost so many people that were close to him. 

But no ones ghost was more haunting than yours. 

He just needed Vi to understand that violence wasn’t the way to play this. 

He knew Greyson would probably be paying him a visit soon; the kids, unintentionally, broke an agreement that he’d made with the current sheriff of Piltover, to keep a peace between topside and the Lanes. 

A peace that was now hanging by a thread. 

Once he was sure Vi’s injuries were clean, he rose from the table and began putting away the supplies he’d used to clean her cuts. 

“Vander…there’s something else,” Vi began, halting Vanders movements and making his attention focus back on her. 

“Go on,” he  said calmly, though in his mind he was dreading the next words that were going to come out of her mouth; she’d just been part of blowing up a building in Piltover, what more could there be.

“Ekko said….he said he saw Y/n,” 

Her words short-circuited his mind at the mention of your name.

“What?” he asked; thinking that maybe, somehow, he’d misheard what Vi had said. 

“He said he saw Y/n walking with that topside guy that came into the shop,” she repeated, noticing how Vanders eyebrows furrowed together as he tried to process her words. 

“That was partly why I went up there….to see if she was there,” she continued, rising from her seat, walking over to Vander and placing her hand on his arm. 

She knew how much Vander loved you. 

She knew how much losing you broke him. 

She knew how much losing you hurt both her and Powder; who’d grown so close to you in the few years prior to the uprising. 

That’s why she wanted to be sure that Ekko wasn’t wrong; she’d barely believed him herself when he first told her, but before the explosion happened, she was sure she heard your voice; but without actually seeing you, she couldn't be sure if it was you or if it was just the wishful thinking in her mind.

“She’s dead, Vi,” Vander stated; his voice remaining balanced; although the look in his eyes showed a growing sadness. 

“You’ve never believed that,” 

It wasn’t a lie; he didn’t believe it. 

He might’ve said that you were dead; but Vi knew that deep in his heart, he had never believed it.

He never found your body; and without your body, he could still cling on to the hope that you were alive. 

Vi never really understood why he couldn’t believe your death was real; but now she knew that he was right all along. 

“Ekko got it wrong, it can’t have been her.”

“Vander, he knows what she looks like….” Vi tried to counter, they all knew what you looked like from the photos Vander kept of the two of you; but Vander just went back to putting away the medical supplies before heading to the stairs. 

“He got it wrong,” he answered back, slightly harsher than he’d intended to,before leaving the basement entirely and heading to his own room. 

He all but collapsed onto the side of your bed; his eyes landing on the photo of you he kept on his bedside table. 

You were dead.

That’s what he kept telling himself. 

That’s what he'd had to tell himself for the last five years to keep his own sanity. 

But there was a little voice in the back of his head, a voice that reignited his failing hope…what if you weren’t…what if what Ekko said was true…?

Vander didn’t know what to believe….the memories from that day flooding back into his mind as the pain he’d felt re-entered his heart, tears fell from the Hound Of The Undergrounds eyes, as he tried to work out what to believe. 

What if all these years you’d been alive? 

Why were you in Piltover? 

Why hadn’t you come back to him? 

Did you blame him for what happened on the bridge….did you blame him for the deaths so many people had succumbed to…? 

Is that why you never came home?

So many thoughts were running through his mind; but even if his mind hadn’t settled on a decision, his heart had; he needed to find out the truth. 

And he would; just as soon as he’d smoothed everything out with Greyson about today's incident.

Taglist:

@xacatalepsyx @the-lone-librarian @conretewings @barbersjoy @eternallyvenus @trixiex2 @newlosadventures @eternalgoddessofart @cass-brightwood @fortune-fool02 @arielpanda1 @mothratic @simping-ella @stickyrice5096 @levis-butterfingers @lesbianinyourarea @nagislemontea @dazecrea

I apologise in advance to those who have asked to be on the taglist and aren’t - I’m not ignoring you, I just can’t tag you in it for some reason :(

[seraphont]

are you in school for art? if not, or even if, how did you push yourself to improve? or get past a “wall” where it felt like there was no improvement happening? you’re a big inspiration for me so i wanted to see if there was any advice you have

No I’m not, I’m several years out and I’ve worked in the animation industry!

I find when I’m in this sort of spot I go back to the basics, which for me is usually life drawing/cafe sketching -u can find channels that cater to this on youtube! Doing studies of poses/artists I like as well, always helps out. When I’m struggling with a certain aspect of my art, I look to an artist I know who does it well. I look through their work and I try to break down/study how they do it, so I can try to implement into my own.

If you have a strong understanding of art basics, you’ll know where you can break the rules, and that’s where a lot of growth and fun comes in!

I also think becoming too focused on improvement is sort of a hindrance of its own, for one it can be very demotivating, and it’s a little hard to see how much you’ve improved if you’re only ever looking forward. in this sort of mindset you’re less likely to take risks with your art, which imo is sort of a requirement to improve.

Take a look back at some of your older work every once in a while too, remember where you were when you drew them, appreciate how much you’ve improved/changed!

One last piece of advice, you need moderation. Try to have fun on the side of all the studying. Draw silly on purpose, make stuff ‘ugly’ on purpose, some of my favourite artworks are the ones where I purposefully made them ‘ugly’.

Take risks!!! You’ll be surprised by how wonderful it can turn out! Hope this helps

[coco-loco-nut]

We Can’t Be Friends

Pairing: George Russel x Reader

Summary: George’s girlfriend, a former child actor, is not well liked by the public

TW: mentions of alcohol and drug abuse, implied child exploitation

A/n: going off of the more popular interpretation of the song (ari vs the public)

requests open!🫶 masterlist

———————

You just finished filming a short interview in a docuseries with some of your former colleagues, those who fell into the same trap and downfall as you did. You prefer not to air everything out, but you knew your statement would support the others.

The industry basically forced you into a drug and alcohol addiction, one that you thankfully beat, but you went from someone who was once loved to someone hated, just from how the media spun your name.

You met George at a hospital event -you now work as a biochemist and bioengineer- and he immediately recognized his childhood crush. You dated for a year before feeling strong enough to go public, but ever since he posted a very cute picture of you, the hate has started again.

“I’ll make a statement asking them to leave you alone,” George offers but you shake your head no. He hates seeing you upset, but both of you didn’t expect the backlash on you.

“They won’t understand, they could never even try. They will never know what it was like to grow up like that, even the docuseries won’t help,” you start to dismiss the thought.

“We can’t do nothing,” he tries to reason, wanting to protect you.

“I don’t want to tiptoe around the public, but I don’t want to hide, either way I’m feeding this fire,” you groan, running your hand through your hair as you pace the room. You had to call off of work today, the entrance to your townhome being blocked by paparazzi.

“The story is gonna die, and we’ll be alright,” George stands up and pulls you into a hug. In your mind you picture the public liking you again, waiting for their love again.

A few days later, George drags you out of the house for lunch, you had only been leaving for work. The two of you step out, a reporter immediately coming up to you. You ignore the first few, sitting in your silence.

“It’s just me and you, Baby girl,” George whispers to you, supporting you however you choose to respond.

“Y/n, is it true that you have been in and out of rehab for the past year? You are in and out of hospitals,” one reporter, who always hounds you, asks causing you to whirl around. You don’t want to argue, but you don’t want to bite, so you choose a confusing answer.

“You’ve got me misunderstood, but at least I look this good,” you smirk, watching their face scrunch in confusion, gripping their paper and pen, before continuing your walk.

The next day a clip of one of your short interviews drops, taken while you were in college, as a trailer for the docuseries release the following week.

~-~-~-

I don’t like how this industry painted me, but I’m still here hanging, just not what they made me. It’s almost like a daydream sometimes, finally leaving that world. I feel so seen, I am everything that I defined myself as, not all that the industry made me be. My truth and I may always sit in silence, but one day I hope I am brave enough to say it out loud. For now, it’s only me on the road after recovery, but maybe that’s all I need.

~-~-~-

buzzfeed.com/uk

A list of every child actor we need to apologize to after watching “Drugged: The Truth Behind the Lives of Child Actors”

1. Y/n Y/l/n

~-~-~-

“Are you sure you want to go out there?” George asks, looking at the crowds of journalists. You nod, tired of being silent and waiting for things to be better, not caring about feeding the fire anymore.

“Let’s go,” you release a shaky breath, stepping out behind your boyfriend as he walks you to work.

“Y/n! Anything to comment regarding the documentary that’s been released and the allegations made by your former colleagues?” A journalist asks, the rest hoarding, pens at the ready.

“Actually, I do. You owe us an apology. Villainizing children who needed someone like you to expose how awful our working conditions were, that’s sick and cruel. You wrote lies about us, and instead of apologizing, you want to ask us for statements and exploit our names more? You’re sick. We can’t be friends,” you chem them out before continuing on your way to work. A part of you will always wait for their love, but you are tired of waiting for them to like you.

“You’re a badass. I hope they will see you are the biochemist and bioengineer, not the child actor. You’ve come so far and I’m so proud,” George says once your breathing steadies from the adrenaline.

“Thank you, Georgie,” a small part of you wants to flip them off behind you, just like you would’ve done ten years ago, but you don’t, finally moving forward.

[ironunderstands]

Topaz appreciation post because she’s been rotating around my brain like a rotisserie chicken and I need y’all to get her like I do 

Genuinely, I believe her to be the most underrated limited 5 star in the game everything wise, because she is so damn interesting and nobody talks about it ever and it drives me nuts.

So, I’m going to make you understand why exactly I love her and what makes her so amazing in the first place.

Her lore 

Topaz’s lore is rather simple, at least compared to other characters in the game, but simple ≠ bad and her story serves her perfectly.

Long before Topaz was Topaz, she was a girl named Jelena, living in a desolate planet at the edge of the galaxy. The economy of this planet was based around mining and industry, which resulted in her home becoming more and more polluted as time went on. The wildlife almost completely disappeared, people had to wear masks to breathe, and it seemed like her planet was reaching a hopeless, dismal end.

Until the IPC came. They promised to fix everything, and heal her planet of its environment problems, in exchange for every person on the planet signing a contract of indentured servitude to the IPC. Seeing no other way out, Topaz’s home accepted, forever tying her and the rest of the planet to the IPC.

Topaz is was (and still is) incredibly talented and competent, excelling in science, economics, finances, math, etc. Her exceptional talents caused her mentor  and parental figure Dvorski, who works in the Strategic Investment Department to recommend her to Jade, one of his superiors. Presumably, this is how she started her climb up the corporate latter, eventually becoming the Topaz we know and love today. 

Throughout this, she maintained her friendly and headstrong attitude, and never abandoned her love for animals or the people in her life like Dvorski, a trait which will be important for later. 

So, I’ve established the basics, so what makes this interesting?

Topaz’s trauma and how it affects her character 

I feel like a lot of people ignore just how much trauma she really has, and how it affects the way she behaves in the present.

For starters, her love of animals. Sure, Numby is adorable and in general this is a rather fun trait for a character to have, it’s not something you would consider to be a sign of something darker. 

However, remember that Topaz’s planet almost lost all of the life on it, and she witnessed firsthand almost every creature she knew and loved either go extinct or become severely endangered. 

So, when you view her love for animals through this lense, it’s easy to see that she’s so attached to animals because Topaz almost lost them forever, and this trait manifests in a lot of the behavior she exhibits.

According to Topaz herself, her efficiency goes up 27% when Numby is with her, and it seems to be blatantly obvious that being around animals give her at the very least a peace of mind/sense of comfort. I mean in game she is Topaz and Numby for a reason, and her relationship with them is a core part of the way she behaves. When Topaz can’t ground herself, she has Numby to help her with that, which hurts even more considering she is likely going on these missions alone 90% of the time, meaning her literal only friend is a pet/animal. 

Considering Topaz’s biological parents never get mentioned, it’s not hard to assume she is orphaned or at the very least estranged from them, likely due to the disaster on her planet, leaving her only loved ones to be her pets and Dvorski. Losing one half of the only support system she has would be devastating for Topaz, which is likely why she brings Numby everywhere (also considering I don’t think she has mentioned him in the present, her pets might literally be the only things she has left). 

In her own home, Topaz collects a myriad of species from across the galaxy, as if to preserve them so at least even if they disappear on their home planets like hers did, they won’t go extinct entirely. 

Personally, I think her fixation around them cooperating and coexisting also reflects on how she feels about other people. If animals from completely different planets can get along, so can people. If she can convince creatures lacking in intellect work together, then she can do the same for ones that possess it, as ultimately Topaz is a massive people person, and believes what she’s doing is best for the galaxy. 

It’s almost like an experiment, with every little change to their ecosystems, every new organism added, every new abiotic feature taken or removed, Topaz can simulate what that might be like in reality. In a way she wants to take care of humans  like she does her pets, however instead of doing it through her own means, she uses the IPC and her power as a Stoneheart as a vector for that.

But why is she so confident? What makes Topaz wholeheartedly believe that what she’s doing really is the best for the galaxy, even if we know it isn’t perfect, even if only ~80% of the planets she works on are “saved”?

Well, like always, it’s her trauma again.

Imagine you’re living on a planet slowly dying due to its people’s greed and ignorance, in which everything you know and love is falling apart, and absolutely nothing can be done about it. But you don’t need to imagine this, I mean this is a situation we are all going through, as it’s already what’s happening to our planet right now, so perhaps instead picture what it might be like to live here in a few decades if nothing changes. How miserable that would be, how upset you would be at those in power, how disappointed you would be in humanity for doing Nothing when we had so much time and already knew the consequences almost a century in advance (seriously we have known about climate change since like the 50s). 

So you give up hope and accept your fate, accept that everything is going down in flames and the humanity, the planet you know and love is going to be snuffed out forever.

Only to get saved when an outside influence comes to your assistance. Sure, they make everyone sign a contract binding their lives to them, but you wouldn’t have a life to give had they not helped. Besides, you owe it to every other thing that shares your planet with you, every plant, every animal, every organism has been utterly wiped out by human greed, so it’s only fair to pay them back, right? 

I mean it’s your whole world at stake, so how could you say no? How could you deem their terms unreasonable if clearly your own people didn’t deserve the responsibility they had over their own lives? If their situations could only be fixed by giving it to others who could guide them? By giving it to the IPC? The Preservation ?

This is the mindset Topaz grew up on and has known for her entire life. She has seen humanity utterly fail itself and is unwilling to allow that fate to befall others. She doesn’t trust other people to make the right decisions, she doesn’t think they know what’s best for them, because the people she was closest to, her very own people couldn’t do that, so how could she ever expect strangers to do the same? 

How could she ever give the leaders of these planets the benefit of the doubt, knowing that doing that for her own almost caused it to be wiped out completely? How could she see them as anything more than the selfish bastards who ruined everything? How could her heart not ache thinking there were people on the planets she helps who would be doomed to experience the fate that almost fell upon her had Topaz not stepped in. 

How could Topaz feel guilty over the planets that don’t succeed? The ones she can’t save? As after all, she thinks they were lost from the get go? Does it eat her up at night knowing she failed them? That she couldn’t prevent the folly of humanity this time, so the next planet she must work harder, be more stubborn, push back even more, so nobody ever experiences what she did instead?

I mean being an indentured servant hasn’t been that bad for her, she’s succeeded in every endeavor she’s set her mind to after all. Sure, she’s entirely alone, and sure, if the IPC no longer deems her or her people useful, they could cast them aside once again. 

But Topaz is smart, she climbed to the top of the latter, she’s been praised to hell and back, she’s known far and wide through the department for her efficiency and drive, surely she hasn’t done anything wrong?

Sure she’s heard whispers, rumors and projects of other departments, of the deep dark secrets of the company she owes her life too. Inwardly she wonders how those who follow the Preservation would even be willing to commit such atrocities, inwardly she hopes they are just rumors. The IPC saved her planet, so how could they destroy others? 

The Preservation’s power will protect all, will save them from their miserable existences. Nothing else matters in the process, no dissenter understands this as like Topaz does. She will save them, she will protect them, even if it means she is detested by everyone she encounters, it must be done. All for the Amber Lord.

I find it very compelling how despite the fact that Topaz has become a Stoneheart, she is still dressed in the fashion of an average IPC worker. As if she is an equal part of the puzzle as them. Equally useful, equally disposable, equally biased, equally ignorant, and equally foolish. 

I mean, how could she be anyway else?

Her future

Belabog was just as important for Topaz’s development as she was to it.

She was wrong. 

As stubborn as Topaz is, she is not arrogant, and when Bronya proved to her that the people of Belabog can and would fight for their future, Topaz did everything in her power to help them.

As that’s what she really cares about, people. 

I think Topaz the determination she has in Bronya and it shook her to her core. 

Because so far, the only way Topaz has seen real progress is from the hands of the IPC.

But Bronya doesn’t give into them, and she puts everything she has into saving her people. Moreover, Jarilo-VI follows the Preservation as well, but they don’t agree with the IPC’s method of it. 

Is the IPC wrong?

That is the question Topaz is faced with, what is the thing she has to grapple with once she leaves the planet. When they demote her for not getting the debt back immediately, does Topaz wonder why they were so concerned about that in the first place? Shouldn’t they be happy that a world blessed by their very own deity managed to pick itself up without their help? Isn’t that the point?

Does she think back to her previous projects, the planets she saved and the planets she failed, and wonder how it would have worked out without the IPCs involvement? 

Did Aventurine teasing her about “failing” the Jarilo-VI project confuse her, because they were still saved like Topaz wanted them to be in the first place? How could they ever be considered a failure?

She believes debts and payback are what holds planets together, but it only ever seemed to cause Belabog to fall apart.

This is the first time Topaz really is forced to reevaluate her priorities, to question if her methods are justifiable, if she’s really doing the right thing.

Belabog didn’t break her, it didn’t topple her worldview and turn everything on its head, but it did plant some seeds of doubt in her brain, seeds of doubt that will grow into a new mindset. 

HOYOVERSE IF YOU ARE LISTENING HOYOVERSE, GIVE HER THE MENTAL BREAKDOWN + PRIORITY REEVALUATION ARC SHE DESERVES!!! DO THAT AND MY LIFE IS YOURS PLEASE.

Like you don’t get it you don’t get it what do you mean they set all this up and they might not go anywhere with it. Please hoyo please please please let her break away from the IPC’s condition and warped perspective, please let her truly follow the Preservation, please make her turn away from them, please make her an emanator of Preservation after she does this. Topaz stoneheart form, Topaz emanator form. Please please please let her save the crew let her save her subordinates let her save the people she failed previously let her save Aventurine and Ratio let her save Numby let her save herself.

Her instability 

I have already somewhat touched on this in point #3, but Topaz just cannot exist in the state she is now permanently.

Like a radioactive element she’s going to slowly decay over time until she ends up in a more stable form, and who that will hurt in the process, and how long that will take, we will have to see.

Hypocrisy is not something that can exist for long within characters, as due to its inherent contradictions, it messes with the way they are characterized until they are eventually forced to either eliminate it themselves or have the story do it for them.

Topaz is a hypocrite, desiring to do good and help people, but she ends up hurting them in the process. 

However, she has only just begun to realize this, and as more and more of the IPC’s atrocities get revealed, it gets harder and harder for both the audience and her herself to justify her behavior as we witness the extent of their crimes.

So how has she remained this stable for so long?

Well, the IPC has done everything in their power to keep her that way. From a young age she was involved with them, as they not only saved her planet, but her only known parental figure worked in the Strategic Investment Department. Soon, he recommended her to Jade due to Topaz’s exceptional talent, and presumably the other Stoneheart quickly picked her up and took her under her wing, causing Jelena to rise fast within the ranks and become one herself.

The IPC has been Topaz’s only frame of reference for how things should be done, her only perspective on write and wrong for so long. The only hints she gets of other points of view are that of the people who destroyed her planet, her own people. Unintentional or not, Topaz has been made to feel her whole life like the IPC are heroes and the common people are foolish and greedy and evil, and only now has that worldview started to crumble piece by piece.

Sure, we have always known how terrible the IPC was, a perception that has only gotten more and more true over time. However, Topaz is not the audience, and in universe the IPC presents themselves in a very positive light.

Think of the Myriad Celestia trailer and how it portrays the IPC; that’s quite literally how they want to be viewed in game, how they market themselves to other people. If Topaz has only ever known them to be that great, shining, progressive company who vows to follow the Preservation and improve the universe, how could even begin to criticize them? After all, she had never known any other perspective. Even when she did fail in the past, Topaz viewed it as a strike on her own record and an unfortunate situation in general, not as a demonstration of the IPC’s misdeeds. 

The IPC is good, the IPC saves people, the IPC follows the Preservation, Topaz is a good person, Topaz does good things, Topaz helps people, Topaz saves people, there is nothing wrong, there won’t ever be anything wrong.

Until Belabog

They don’t want to cooperate with the IPC. To roll over and let themselves be gutted for all they are worth. 

Well that’s fine, that’s happened before, at least that’s how Topaz justifies it to herself. She thinks of their massive debt, it must be paid after all, otherwise how could the galaxy remain stable?

But the weapons the IPC gave Jarilo-VI were never used in its defense. The thing they owe the IPC for never ended up being valuable. Belabog stood on its own, without the help of IPC in its defense.

They saved themselves.

As if it couldn’t get worse, they did it with the power of the Preservation.

And it didn’t come from the IPC, it came from them.

The Interastral Peace Corporation, who claim to be followers of the Preservation, standing against people who really do have their blessing and being proved wrong.

Do you know how that would feel to Topaz.

She’s wrong, and she’s proven wrong by the very deity she claims to follow, she believes she follows.

So Topaz makes her choice.

Stick with the IPC’s plan, or stand with the people of Belabog 

And she stands with them.

Topaz’s character never changes. I hate when people act like she switched up on them and changed her whole worldview, but in reality that was the most in character thing Topaz has ever done in her entire life.

Because she cares about people, so when the opportunity presents itself, she will always stand with them. 

This is the first time Topaz goes against the IPC’s wishes, and it won’t be the last.

She made her choice, she demonstrated who and what she truly cares about, and that will only drive a wedge between her and the IPC further and further until she snaps.

I find it funny how Topaz is a fire type character, when the song core to Belabog’s themes is “Wildfire” 

However, maybe it isn’t just about them. I think it’s about the Preservation, about what the game in general is trying to tell its players.

How fighting for your right to exist will hurt, but it is not impossible, and that pain will be the only way to enact change.

Well, Topaz,

you made your choice

go fight against your fate 

Thank you so much for reading! I really enjoyed making this and I hope you at least understand why I think Topaz is such a compelling character. I need an arc centered on her in the future and if I don’t get one then trust me things will be dealt with. She will get her just desserts.

[thrashkink-coven]

Genuine Red Flags in Spiritual Books, Grimoires, Occult Teachers or Mentors

Very often I see folks talking about things they consider to be red flags for beginners when entering witchy or occult spaces. Here are a few of the things that I’ve noticed over the years that will immediately make me put down a book or step away from a practitioner.

1. Claiming they know every thing about every sect of spirituality / occultism or witchcraft

Simply put, there is no one person who knows the deep inner workings of every craft, of every philosophy, of every practice. The guru that claims to know everything from Reiki to Jewish Mysticism to Native American Spirituality to Voodoo to Acupuncture to Chakra Healing, Tarot, Herb Wizardy, Alchemy, etc etc etc. No. They are lying. Even the most dedicated and wise practitioners devote years into understanding a philosophy or spiritual practice. And especially in regards to closed practices, it is impossible for one person to have read and done it all. Either they are straight up lying or presenting brief skimming over texts or conversation as “years of experience and practice”. No.

2. Constantly trying to convince the reader that they are a God, deity or some inhuman creature like a cosmic elf, mermaid, or angel

Now I don’t mean to confuse this with the idea that some Luciferian or Satanic spaces may adopt that all humans are gods in their own right, or you are the god of your own existence. I’m talking specifically about books that try to convince you that you’re actually a lost race of alien who has been trapped in a human body, or has been mistaken into believing they are human. I’m not going to get into my opinions on star seeds or deity ancestry, what I will say is that very often, and I mean uncomfortably often, these ideas are intrinsically tied to supremacist or xenophobic rhetoric You do not have to be an angel to be special and cosmically significant. You don’t have to be an elf to explore herbal magic, people who push these ideas are very frequently praying on those with delusions of grandeur or other dissociative mental disorders and that’s not cool.

3. Using pseudoscience to push miracle remedies. This includes denying things that are provable to push a narrative, like the fact medication can help the mentally ill.

My dears, please fact check what you read. Please see what educated people have to say about these authors before you take everything they say at face value. As many problems and rightful distrust as there is in the medical industry, usually, if a concoction is commonly dismissed by 99% of medical professionals, it’s usually not because they’re trying to cover up the holy grail, it’s because they know it’s… probably not that good for you or simply doesn’t do what it claims.

4. Trying to convince the reader that with enough practice, willpower, and a donation of $9.99 per month, you too can obtain some incredible power that will allow you to airbend, waterbend, firebend, and basically defy all the laws of physics in general!

The point of most occultism, spirituality and witchcraft is not to defy the laws of physics or to obtain some godly power. There most certainly exists the belief in many sects of spirituality that one can influence their reality through training, but I promise you, anybody that is promoting that they can walk on water is trying to make a fool out of you

5. Inability to disagree, contest, or dissent from the opinions of the mentor, teacher, high priest(ess) or leader

This is how cults form, guys. Confirmation bias is a hell of a drug. If the presentation of different ideas or even questions are met with harsh backlash and censorship, you need to get the fuck out of there.

6. Them automatically making the assumption within a very short time of meeting you, usually presented as psychic intuition, that you are suffering and have a “deep sadness” or energy blockage in your soul that only they can fix.

I understand that damaged people often seek mediums and whatnot for help, and sometimes it genuinely brings them ease, that’s fine and good. But so often I have been approached by people online that claim that “the angels have a really important message for me that they can only give after they’ve received an epayment of just a few dollars”. These are obviously scams, but often people who have been trusted for a reading or service in the past will fabricate these stories to trap a costumer in a loop of service. Some of these claims may be genuine but I guarantee you most are not.

7. Sprinkles of Fascism

No you are not superior to other people because you’re spiritually “enlightened”. No you should not separate groups of people or decide who should and shouldn’t procreate. No mainstream society is not being being deceived by the devil, and the devil is not more prevalent in any one group of people, sex, sexuality, gender, or race. You are not the only enlightened one in a world full of lost people. Mentally ill folks are not demons and trans people aren’t energetically unaligned. You will not inherit the Earth while everyone else dies. Uuuuhhhhhhhhhhhhhh shut the fuck up.

8. The claim that ancient societies of people were aliens. Presenting hoaxes and proven scams as evidence of a conspiracy.

This includes things like using documented hoaxes as evidence that aliens built the pyramids. I’m going to be so for real with you guys rn. This is just racism. It’s insane to think the Egyptians were smart enough to build the society they literally lived in, but nobody doubts the validity of the Roman Empire. Crazy concept but maybe Indigenous people of color aren’t savage idiots. And maybe white people aren’t the only ones capable of having societies and interesting architecture. The thing about this that annoys me the most is that… Egyptians still exist today, and the ancestry that dates back to ancient Mesopotamia and Canaan still exist today too. These were human beings, just like us. The alienation of black and brown people proves how little some people see us as normal people.

9. The promotion of practices that are directly harmful. Self mutilation, disorderly eating, or rituals that can induce psychosis or states of mania.

Guess what you actually don’t have to sit on a mountain naked and eat nothing but sunlight to be enlightened. You can definitely do religious or devotional things like fasting within a healthy degree, but I so so often see people promoting things that will very obviously lead to mania and hallucinations just by design. Starving yourself for two weeks while constantly blasting mantras and doing a bunch of psychedelics isn’t enlightenment… it’s a manic episode. While some devotees may feel comfortable offering blood to deities, this should always be in very small ways, a needle poke, not self mutilation.

10. Trying to do business with minors or promote occult topics to children specifically

Just no. I really dislike the idea of selling spells or promoting deity communication to kids still in grade school. They’re trying to manipulate a young mind into believing their dogma or spending their parent’s money. If a parent wants to share their craft with their child, that’s cool, but people who specifically target a younger audience are suspect to me. This isn’t to say spirituality isn’t for kids, it’s just that content that is created for kids is often created to be surface level and profitable in the algorithm.

11. Shitting on New Age Spirituality

Yeah I said it. This to me feels very much like a let’s hate on anything women, especially young women enjoy. Let’s delegitimize their experiences and paint them all as ditzy girls just clanging their crystals together.

There are some things that New Age Spiritualists do that I’m not a fan of, all of the things in this list. However, that doesn’t make this form of spirituality and witchcraft any less legitimate just because it’s somewhat trendy right now. Go fucking howl at the moon and have bon fires with your besties while you do tarot and talk about angel numbers, I don’t give a fuck.

New Age spiritualists aren’t inherently doing anything wrong or different than what ancient cultures have been doing for centuries, it’s just trendy and profitable now. But anything that young women enjoy will inevitably be exploited by the capitalist machine and that is not their fault. Wicca is still a legitimate form of spirituality and witches are not inherently doing anything wrong by being young women. So much of the criticism against NAS is literally just misogyny.

“I’m not into new age spirituality I’m a REAL witch”

omg please shut up

[yaksha-lover]

may i request vil, idia, azul and malleus with a reader (reader is their s/o) that is yuu but decided to stay in twisted wonderland and in their second year at nrc they participated in the vdc singing bc, surprise, they have an amazing voice! (i have this thought that maybe they were also in the pop music club with kalim, cater and lillia)

after the vdc many companies contacted them and after graduating at nrc they became a really popular artist

basically the boys reaction to their s/o singing at the vdc and then becoming famous, how would they react and how would they support them

thanks for the request!! sorry i took some time with it! hope you enjoy :)

Vil

Vil probably knew you were a decent singer considering you were in the pop music club

But you’ve never really sang in front of him, so your performance at the VDC definitely takes him by surprise (in a good way)

He’s super happy for you when you start getting offers from recording labels and such

Although he would’ve helped you out with his own contacts in the industry if you’d wanted

He loves that you can relate to each other even more than before

Now you understand what it’s like to be a celebrity as well, both the good and bad, bringing you two closer together

He’s super proud of you and not afraid to show it, hyping you up on all his socials and surprising you with flowers after your concert performances

He’s also very protective of you, knowing how mean and judgemental people can be, and he’s not afraid to stand up for you whenever he can

You two are definitely the celebrity power couple that all the fans love and find super cute

Idia

As much as he didn’t want to go to a social event, Idia was willing to attend just to see you perform

He starts malfunctioning as soon as he hears you sing; he can’t believe he’s with someone so talented and amazing

He’s happy for your success and knows how much you deserve it, even though it can be hard for him considering his antisocial inclinations

He absolutely becomes your biggest fan, no exaggeration

He’s the first to buy all of your merch, wears it proudly and puts up posters of you in his bedroom

Idia is a bit insecure about dating someone so famous and talented and beautiful and kind and every other amazing things that you are

So you’ll need to reassure him sometimes that you still love him and that he’s good enough for you

He’s super shy when you talk about him in interviews, but secretly it makes him so happy for you to acknowledge him as your boyfriend

If you want it, he’ll even offer to help you out with things like editing for music videos or building a website for your brand

Will force himself to go to your concerts, as long as he can sit in the vip box alone with Ortho as the two of them cheer you on

Azul

The first time he hears you sing at the VDC, he’s of two minds about it

First and most obvious, he’s excited for this new opportunity for the both of you

Determined to help you get famous (not just so you can help promo his businesses)

Encourages you strongly when you start getting offers from companies

He’s also just very proud of you for how far you’ve made it just by yourself (you refused his resources, much to his dismay)

He does love how hard you work and truly feels you’re one of the only people who match his drive

At the same time

You’re his partner, and it’s hard for him to watch all these people thirst after you, once you become famous lmao

He loves you and it’s a bit difficult to feel like he has to share you with the rest of the world

Lowkey a bit scared that one day you’ll meet another cool celebrity and decide they’re a better match for you than an octopus

He’ll be okay once you reassure him that you’re not going anywhere

Azul supports you every step of the way, still taking time out of his busy schedule to come see you at your shows or making dinner reservations at his own restaurants

Malleus

Lilia would always speak of you being a great singer but Malleus had never actually heard you sing until the VDC

Immediately fell more in love (if that was even possible)

Your voice and demeanour were so captivating, you were truly lovely in that moment (not that you weren’t always in his mind)

He knows you’ll get offers from companies, he’s so sure of your talent and absolutely wants you to get all the recognition you deserve

He’s happy when your music starts to become more and more famous because people are finally seeing you as wonderfully he does

You deserve to be admired, as long as no one gets too close

No matter how famous you are, you’re still his after all - though few rarely test their luck with you, your boyfriend is Malleus Draconia after all

You’re quick to tell them off, anyway

Being busy with Briar Valley, Malleus doesn’t always have time to come see you in concert

But he does when he can, and he’s sure to make his visit extra special

You definitely become a beloved celebrity of Briar Valley, with all the people loving you as the royal consort, but also because of your talent and music

[maxdibert]

Feelings around Snape now are so, so different to how they were in 2007 when the final book was released (though there was a fair amount of infuriating sexual assault apologia on LiveJournal back then too). I do think that the predominant factor in the baffling online discourse around Snape over the last decade is the American cultural disconnect with Britain. Anglophone countries, but totally different societies. Current American dominance wins out on the internet platforms used for fandom. The unwillingness to consider the nuances in a ostracised boy who flirts with a fascist cult while looking for purpose definitely seems rooted in America’s extraordinarily polarised political environment. The ‘incel’ label incorrectly applied to Snape is based entirely on American archetypes of the male school shooter who couldn’t get a girlfriend.

I saw infinite dismayed reactions to the rumoured casting along the lines of ‘but if they cast Snape as a black man I’ll have to sympathise with him!’ which basically sums the disconnect up. The industrial history of 1970s Britain isn’t on mainstream fandom’s radar, everything is seen through the prism of America’s particular flavour of identity politics.

I completely agree, and in fact, this is something I’ve been thinking about for a while. It’s not at all a coincidence that the most fervent Snape haters I encounter online—or at least those who fail to understand how class dynamics work—are primarily from the States. And I say from the States because this doesn’t seem to be the case with people from Latin America, whose societies were colonized under a strong framework of social classes and strata due to the influence of Spanish imperialism at the time, in addition to being victims of multiple dictatorships, authoritarian regimes, and narco-governments. This gives people in Latin America a broader social perspective.

The States' people ones (because United States is not America, America is a whole continent and as a spanish person with a lot of Latin American friends i find quite disrespectful to call United States people Americans as if they where the only americans in the world lol) operate under a neoliberal worldview that is very different from this and also very different from Europe’s perspective on class struggle. Europe experienced fascism, and it’s Europeans who understand how fascism rose to power—not as something driven purely by economic elites suddenly deciding to start killing people, but as deeply populist political movements widely accepted by the social majority and even by much of the working class. These movements used propaganda to push rhetoric that fed into people’s needs and promised to address their economic and social problems.

This provides an objective perspective on how voting for Hitler or joining the Hitler Youth didn’t automatically make someone an inhuman monster. It was something that regular people, everyday individuals, did—people who didn’t necessarily have a vile or ruthless intent toward anyone but believed in a particular discourse and rhetoric. Understanding this is crucial for grasping how a character like Snape could end up joining the Death Eaters. But if you’re, I don’t know, living in a small town in Wisconsin and all you know is that it’s trendy to call any Trump supporter a Nazi and that everything is “Nazi” without having the slightest idea of what a Nazi really is, then you end up buying into a ridiculously simplistic narrative without any critical thinking or thorough analysis of the social and economic contexts that drive a society toward far-right ideologies.

I’m sorry, but they’re living in parallel realities. At the end of the day, the Harry Potter series, no matter how politically clueless Rowling is or how much her worldview is utterly bourgeois and biased, is still British. Britain is in Europe, and fascism was experienced in Britain just as it was in the rest of Europe. Similarly, Britain remains a parliamentary monarchy with a class system that isn’t based solely on economics and where a person’s value isn’t measured solely by their wealth but also by their lineage. It’s an aristocratic society, and aristocracy will always rank above the bourgeoisie. These people truly don’t understand this, nor do they make the slightest effort to try. And if they don’t do their homework, honestly, their opinions are worthless garbage.

[fairestwriting]

*KICKS YOUR DOOR DOWN*

IT'S 8 AM AND I HAVENT SLEPT. I FOUND THE WORD DOCUMENT SO HERE HAVE THE FIRST ONE IT'S THE SIMPLEST ONE I'VE GOT I'M GOING TO BED

Maybe Vil finding out MC is basically his equal in their world? A famous actor/actress, model, makeup artist, etc? Maybe they're super casual in this world so it's not obvious until it gets bright up what they did in their world?

MAYBE i am really simple maybe i will see a vil request and black out and go crazy.......anon please go to bed at regular times (<- guy who does not do this either)

Vil Schoenheit

He's not completely clueless, he does put in the effort to keep up with trends after all-- But it's exactly because of this that he ends up not really recognizing you.

The entertainment industry has no shortage of people, and in the end, Vil is still only human, no matter how much of an eye for detail he has. It's hard to remember other artists' names.

He does get a feeling that he might have seen you before, but he can't really figure out where. It sort of gets on his nerves for a bit. If you pay attention you can catch on to this hint of odd curiosity every time you talk to each other.

There's no way he misses your charisma, either. Still assuming you're not in the position you actually are, Vil is genuinely surprised at how good you are at dealing with people. Even when you seem tired or out of it, you still keep a smile on your face and a pleasant tone to your voice.

Of course, though, he'll still be stern sometimes, even as you grow closer. Maybe he ends up even being a little bit harsher than usual because he sees all that potential in you. At the same time, though, he's a lot more gentle outside of things like school projects. If you show that you know a thing or two about fashion or performing, he's absolutely willing to discuss.

Then, he eventually finds out. Maybe he stumbles upon one of your posts in social media. Maybe you straight up run into each other when he's doing a photoshoot. Later he'll think he should have seen this coming, but in the moment, you're getting the privilege of being one of the few people who really shocked this man.

He'll keep it together if you're both in public, but the second you're not, he's kind of a mess? He doesn't want it to show, but obviously now there's this whole new concern about your relationship hurting his or your career, and wondering if anyone's seen you two together already, and just how the hell did you fly under the radar for so long, he's not mad, he just really needs to know--

Of course, you talk, calm down, and it works out. And deep down, he's happy about being with someone who can really understand the specific struggles he goes through, besides being able to trade work tips and share stories. It feels comfortable.

Honestly though? He's not getting over how you just did that. He's too proud to say it, but he's forever baffled at how insanely good you are at blending. Sometimes you catch him staring. Mostly it's just out of fondness. Other times he's trying to figure out how to pull off your totally-not-a-celebrity aura so he can go to the mall in peace.

if you wanna support my work, you can buy me a ko-fi or commission me!

[lullydoesstuff]

- TOP DYSTOPIAN BOOKS -

Well, since I want to use this blog for personal stuff too and not just for requests or stuff concerning my MANY Demon Slayer AUs, here we are talking about some of my favourite books ever.

I love dystopian ones so these three will be very hard-core, I love the Hunger Games, I love Maze Runner, I love 1984 but these three just hit different.

Let's not lose time and let's begin!

3 - Tender is the Flesh (Augustina Bazterrica)

I decided to start with a book that has arrived in my country just this year, I didn't know about it before and I'm so glad I red it, even if it really disturbed me... do you know what the Promised Neverland is? Well, take it but make it Supersayan. And this is the less disturbing one here.

Plot: Marcos works in the meat industry, he always did but recently a virus started spreading, and animals couldn't be edible anymore so what does the government do? They start searching for vegan replacements? NO! They legalize cannibalism. Marcos has a troubled life, his father has gone mad since this "transition" from animal meat to human meat and his wife left him after they lost their son. He works in the meat industry but he swears to himself that he's not like the others, because he doesn't eat meat.

I know what you're thinking, "but this is a book to bring people close to veganism, it's the whole point"... no, congratulations, you didn't understand ANYTHING. This book is way more complex, this because it's about the line that divides humanization/objectification, and this will be a recurring theme in this post.

This book is full of gore (what did you expect?), graphic descriptions, violence, sexual violence so I don't know if I recommend this book to everyone, it's very short but be aware of this if you decide to read it. In any case, the plot is very interesting and it's very well written.

2 - The Handmaid's Tale (Margaret Atwood)

I'm sure many of you have seen the TV series, I've seen it too and it's one of the few cases I say that the series is better than the book, maybe because the series has a more modern setting and so I can actually be terrified by it.

Plot: the world has been almost destroyed by wars and this caused the birth to decrease to 0, and what happens in America? After a coup a new government is instituted... a totalitarian theocracy where religious confessions that aren't Christianity are banned, let's fucking go, this new country's name is Gilead. In this new world women have an only job: being literal baby machines given to rich families to have children.

This is so damn disturbing because, the insemination thing is wild, the man reads a Bible verse from Genesis, and then he just... does it. It's gross, go check for yourselves, human butchering was nothing compared to this.

We follow June, an Handmaid and we just see how things work in this new... amazing... world... I guess.

1 - Unwind (Neal Shusterman)

This deserves the first place, I've never stopped reading a book I loved because it disturbed me too much. I wanted to support the author, he's very good, so I bought all the other books from the Unwind distology... but I finished the first one and never red the second one, please tell me in the comments if it isn't as disturbing as the first one so I can give it a chance or not.

Plot: in the USA a second civil war is fought, but that's not a war where you shoot people from aontoher country to conquer it, or to oppose the government (well... kinda), it's about reproductive rights, many discussions, many things but in the end people decree that you can't abort in any case (*Lully already screaming and tearing off her hair*) BUT you can... well... Unwind your child if you don't want them anymore. But just when he's from 13 to 18.

What does unwind mean? Basically you give your unwanted child to some clinics that literally vivisection them (yes, the person is awake during the process BY LAW) and give thier organs to people that need transplants.

Now you can easily understand why this is the number 1 in this list, it's the destructive combo between "Tender is The Flash" and "the Handmaid's Tale".

We'll follow the story of Risa, Connor and Levi (and this last one oh my God, I wanted to punch his family so bad), escaping their fate of being unwind.

And yes, that scene comes, yes, you will see a vivisection, and yes... you will feel physically sick and need to throw up after, you'll probably have nightmares and life crisis. Also because... the unwind isn't exactly one of the "good guys".

Ah, dear pro-life people that care about a bunch of unborn cells and can't distinguish a human embryo from a dolphin embryo... Read this book, then change your mind about other people's body and take choices just for yours, because it seems we're going back and not aiming foward as we should.

[siflshonen]

The Greatest Robot on Earth: Astro Boy and Pluto Part I

So you’ve just watched Pluto on Netflix, but you didn’t know that it is the best Astro Boy fanfiction ever made. Great! Or maybe, hypothetically, you’ve read classic Astro Boy but don’t know about Pluto, or, as it was called for the Viz release, Pluto: UrasawaXTezuka. Well, awesome, because I’m about to give you all the details behind their creators and creation and give you a side-by-side of the classic Astro Boy and this new(ish)-fangled Pluto.

C'mon. Look under the read more line. You know you want to.

If you want to skip to the manga side-by-sides, check out part II and part III. Or, you can read the whole thing in one go on Ao3.

Context and Background

Tezuka, Urasawa, and the Showa Era

So, let me start with the basics: What is Astro Boy? What ain’t Astro Boy?

Tetsuwan Atom, known in the west as Astro Boy, is the most well-known manga created by the “Godfather of Manga/God of Manga” Osamu Tezuka in the 1950s, but it metastasized into multiple anime series, games, merch, spin offs of various types, and that one CGI movie in 2009. The series follows the adventures of robot hero Atom (called Astro in the west) as he fights for the benefit of humans and robots to create a harmonious future for both.

Here’s a timeline of Astro Boy- and Pluto-related events to help you visualize what came out when and why there were multiple runs of the Astro Boy manga. For our purposes, the most important thing to understand is that, even though Astro Boy was a kids’ series, its attitude and themes, as written by Tezuka, reflected the incredible shifts in Japan after World War II and the ever-present shadow of it still left in the minds of its citizens.

But before we get into all that, let’s talk about Osamu Tezuka himself.

Osamu Tezuka's Legacy and His Monster

If you, sweet reader, are a self-appointed weeb and you don’t know the name Osamu Tezuka, I’m personally scandalized. Still, here’s the short version: he was a workaholic mangaka that many hail as the creator of modern shonen manga (historians get heated about when, how, and if Japanese comics made the jump to modern manga, so do your own research, but Astro Boy is definitely the most famous worldwide contender for this title instead of, say, Tezuka’s first work Shin Takarajima/New Treasure Island), and he’s the guy who created the world’s first serialized made-for-TV anime with a sequential plot and sold it as a loss leader to get it on the air.

Arguably, the precedent he set in order to get the anime-ified Astro Boy to screens everywhere is a major reason that the anime industry is so unsustainable, but we’re not here to talk about that.

Tezuka-sensei was a prolific, passionate, and deeply beloved artist from Osaka who tackled damn near every manga genre and arguably created some of them before he died of stomach cancer (and overwork, if we’re being honest here.) I’ve only shown a few of the 400-plus titles he created to give a brief overview of the scope of his work. Since I’m talking to you as a fan, not a historian, I specifically chose titles I own or have read most closely.

Message to Adolf, which was also published as Adolf, is about Nazis. Okay, that’s only part of what it’s about, but we’ll revisit this one in more detail later.

Black Jack is probably Tezuka’s second most famous work, and yeah, it’s broadly categorized as a shonen. It follows the adventures of underground doctor and genius surgeon Kuroo Hazama who dresses like a vampire, acts like a black-hearted and preachy douchebag, and endears himself to everyone who interacts with him.

Dororo is a historical fantasy thriller about a guy regaining parts of his sacrificed-upon-his-birth body by slaying demons and uncovering the mysterious past of his companion, the child thief Dororo.

On the flipside, Princess Knight is a shojo for younger kids about a princess with the heart of a boy and the heart of a girl who uses her two hearts to genderbend as needed to maintain her claim over her kingdom and keep it out of the hands of the wicked.

Meanwhile, Ode to Kirihito is an extremely mature medical fantasy drama that questions when and how a person still maintains their humanity and when they become a beast in their own eyes and the eyes of others. As I’m sure you can tell, such themes exploring what humanity means are almost as common to Tezuka’s works as a medical professional featuring as a main character. He needed to use his degree for something, I suppose.

In fact, the common conflict between Tezuka’s bright, young, optimistic, passionate, independently-minded, and opinionated doctor main characters and the corrupt, constricting, slow-moving, old-fashioned medical institution probably offers the most insight as to why Tezuka chose to pursue manga over medicine. I don’t think this was the only reason, but from reading his manga, I feel founded in asserting that the stifling status quo of established medicine was a contributing factor.

Tezuka never made any bones about putting himself and his feelings directly in his work. He spoke what was on his mind throughout his manga, and his introductions to various Astro Boy stories are no exception. He was also transparent about his struggle to make sure his works maintained popularity even when he resented any changes others suggested he make  in pursuit of this goal. In general, Tezuka-sensei didn’t take kindly to the idea of others influencing the direction of his creative visions basically ever, if the story of the Jungle Emperor: Onward, Leo! anime is any indication. (He’s just like me for real.)

If Tezuka-sensei wanted to write about war, he did. If he wanted to write about rape or trauma or abortion or racism, he did. He jumped on the chance to write about sex ed and, well, several of those other topics in Apollo’s Song.

If that scares you, don’t worry. Most of the time, Astro Boy was usually about the nature of war, human rights, the nature of humanity, and robots. It was also written for grade school kids.

Tezuka’s penchant for frank honesty wasn’t limited to commentary made within his manga, but also about his manga, and his statements on Astro Boy are some of his more standout claims on that front. That he called Atom a “monster” and said he created him “for the exposure and the money” doesn’t paint a flattering picture of his attitude towards his most famous work.

But, in truth, his distaste for compromising the truth of his characters at others’ suggestions probably betrays his real feelings about Atom. As much as he may be Tezuka’s monster, he is also his pure-hearted hero of justice and beloved creation. And, by his own admission, his feelings towards his work during the creation of “The Greatest Robot on Earth”, the Astro Boy story on which Pluto is based, were distinctly positive (even if at one point the background characters remark that Atom is a monster!)

The readership’s opinions on “The Greatest Robot on Earth” were likewise pretty positive. Among those readers was Naoki Urasawa, who credits the story with inspiring his deep love of manga. (His recounting of the impression the story left on him in this interview with Netflix Anime is incredibly sweet.)

Naoki Urasawa and His Monster

Who is Naoki Urasawa, besides the guy who co-wrote and illustrated the 2003 Pluto manga? Well, Urasawa-sensei is my favorite mangaka, so jot that down, and he’s known for his suspense thrillers, layered narratives, melodramatic showstopper moments, and also stories about cute girls doing sports. He is also a musician and guest professor alongside his editor and Pluto co-writer, Takashi Nagasaki.

20th Century Boys, named in part for a T.Rex song, is arguably his most famous work and it is heavy on the 1960s-1970s nostalgia, but in a good way! The inherent optimism, kindness, hope, and passion (and sometimes outright cheese) of every Urasawa character and title never feels insincere. The series is a seinen with the heart and whimsy of a shonen (and personally, I feel like such a description holds true for even Uraswa’s darker works.) 

If you don’t want to read 20th Century Boys or its sequel, 21st Century Boys, you can watch the live-action movie adaptations.

Meanwhile, Monster is my favorite manga and anime. Herr Doktor Tenma (yeah, like Astro Boy’s Tenma), a Japanese brain surgeon practicing in 1980s Germany, saves the life of a little boy only to learn years later that the kid is a mass murderer, his murdering ways continue into his adulthood, and he will likely never be caught. Only Tenma knows the truth, so he embarks on a quest to stop the “monster” he revived. 

I have less familiarity with Yawara! and Happy!, but the first is a sports comedy about a girl struggling to balance an athletic career and a normal life, and the second is a sports drama about a girl pursuing tennis to avoid becoming a prostitute. 

Pineapple Army is about an ex-merc’s adventures working as a self-defense instructor. Urasawa illustrated this one, but did not write it. I suppose I could have included Billy Bat as a representative work instead, but I honestly didn’t want to start unpacking that—though I will say that Billy Bat is probably the closest answer Urasawa has to Tezuka’s Message to Adolf since they both spin around the concept of a rumor or idea causing the world to lose its collective mind.

So what motivated Urasawa to add Pluto to his body of work? Mostly his editor/producer and co-writer, Takashi Nagasaki, probably. Er, that’s not very flattering. Let me try again.

Japanese media loves to emphasize passing its passions and convictions to the new generations (source: have you ever read or watched a mainstream action shonen in your life? If you’ve been paying attention to anything I’ve written about My Hero Academia or read the manga itself, I’m sure you think as much as I do that pointing out such a thing feels like beating a dead horse), and Urasawa’s (and later, the M2 team’s) motivation in creating Pluto is no exception. As Urasawa put it in his Netflix interview, “It’s like we received the baton from Tezuka-sensei, and would pass it on to the new generation."

And Osamu Tezuka-sensei’s son, Macoto Tezka (who probably spells his name that way so people don’t get him mixed up with his dad) let Urasawa and Nagasaki do it so long as they made sure the new retelling was something new, exciting, and unique when compared to the original! And while the pressure to succeed in this endeavor probably damn well near killed Urasawa-sensei, I think Tezka made the right call!

But if the goal was to pass on this Astro Boy story, which was written by a REALLY old dude, beloved by kinda-old dudes to the new generation, and practically unheard-of by today’s anklebiters, what kind of direction was the damn thing meant to take?! And why was the answer “fantasy Gulf War Astro Boy fanfiction”?!

Astro Boy in the Eyes of the New Breed

Astro Boy may be a series meant for younger kids, but it didn’t exist in a vacuum separate from the climate of the world from which it came. Tezuka would probably roll over in his grave if it did. The work, its messages, and its sensibilities were grade-A, postwar Showa stuff—particularly its reflections on pacifism, war, and power. 

Nagasaki’s summation from the postscript of Pluto: UrasawaXTezuka volume 8 sums up Tezuka and his generation’s outlook pretty handily, but I think it’s helpful to show exemplify this outlook and contrast it with the outlook of Nagasaki and Urasawa’s generation through manga!

Please observe this key moral-of-the-story panel from “The Greatest Robot on Earth” published in 1964 alongside this panel from late-1980s Dragonball featuring Muten Roshi stating the core idea of his series. I’ve chosen Dragonball as a point of comparison not just because of its notoriety as a big shonen title created for a similar audience as the original Astro Boy, but because creator Akira Toriyama was born in 1955 and, much like his contemporary Urasawa, who was born in 1960, “The Greatest Robot on Earth” left a deep impression on him. (Despite what the caption implies, the photographed page in this tweet actually features Toriyama’s admiration of Tezuka, though I don’t doubt the article from which it is pulled also includes Tezuka’s feelings about Toriyama. I ran it through Google Translate a few times and then laughed when I realized Toriyama made a self-deprecating joke about his poor reading skills, since he points out that he was in third grade when he read “The Greatest Robot on Earth” in the magazine Second Grader.)

To Astro Boy’s Ochanomizu, strength ain’t all that great, and strength for strength’s sake is foolish and vain. In fact, Professor Ochanomizu, who is the moral compass for most Astro Boy adventures, doesn’t value the pursuit of strength the way modern shonen, and several other characters within his own series, do. Hell, he doesn’t give Uran any superpowers even though Atom, the robot boy with nuclear power fueling his 100,000 horsepower (later 1,000,000 horsepower) and seven special powers is her brother! 

At the time of Ochanomizu’s creation, real-life Japan still freshly remembered World War II and the bombings of Hiroshima and Nagasaki; no the fuck Ochanomizu (and Tezuka, through him) wasn’t about to endorse or create robots that doubled as weapons. That nonsense was for other, “more violent” robot manga, or the slew of other misguided and corrupt roboticists within the Astro Boy canon. Well, except there was that one time Ochanomizu helped create the artificial sun, but he didn’t ever intend for it to become a weapon.

Meanwhile, while Roshi also does not believe in strength for strength’s sake, he absolutely pursues it and encourages his pupils to do the same while fostering their awareness of the hardship, dangers, and fun of their path. Even with his warning, the Dragonball cast’s pursuit of strength is portrayed as alluring despite the double-edge, much like promoting national pride (and power) increases a nation’s convictions in its unity and identity but also draws the negative attention of other, possibly more powerful nations. Andy Yee succinctly frames this still-impending crossroads about how Japan might use its nationalism—its “pursuit of strength” in Dragonball lingo—in his 2013 article “The Twin Faces of Japanese Nationalism”. In it, he quotes this 2012 Project Syndicate article by Joseph S. Nye, Jr. pointing out that nationalism could be a force for positivity if tempered with reform and control, but could also cause the country to start conflict with its neighbors and shit the bed if left to run wild. (The conversation surrounding the topic of Japanese nationalism continues beyond 1980s manga or the 2013 socio-political scene, of course.)

Unlike Atom or Ochanomizu, Dragonball’s Goku finds such attention alluring: his heart’s desire is to fight strong opponents. It is his ikigai (“reason to live”) and at the end of the Cell Games, it becomes his, uh, shinigai (“reason to die”), if you will.

Did I lose you? I just asserted that the messages in these shonen about acquiring strength = messages about acquiring national pride and power. At its best, the Dragonball-esque attitude towards increasing national pride (and combat strength) is empowering, inspirational, and bolsters the good-hearted. At its worst, it could feed into a cycle of toxicity, unproductive self-importance and, ultimately, flat-out Japanese nationalism and war (and at its stupidest, it just becomes Let’s Fighting Love. Protect my balls.) Since classic Dragonball is a gag manga, I doubt Toriyama was ever thinking this hard about the messages of his work in regards to world history, but that’s sort of the point: Toriyama and his generation likely weren’t thinking this hard about it. Dragonball’s authorship lacks the crushing, firsthand memory of the consequences of unbalanced and misused power that the authorship of Astro Boy has.

In other words, Astro Boy’s cast pursued scientific advancement while lamenting the inevitable folly and destruction mankind brought forth with it so that Son Goku could fish naked, kick ass, get his ass kicked, meet god, kick ass, ghost god, ghost his family and friends, come back, kick more ass, repeat this cycle like twice, and get everyone to thank him for it. Dragonball’s more optimistic, power-fantasy-ish outlook broadly categorizes the outlook generation of New Breeds (shinjinrui) born around the 1960s like Toriyama, Urasawa, and Nagasaki before the reality introduced in their emerging adulthood hit them like a fucking truck.

The New Breed generation earned its name because their outlook and values, which were developed during a time of economic plenty and peace, seemed totally divorced from the values of the generations that lived during or immediately after World War II.

“They might as well be a different species,” snarked their elders, probably, though not necessarily out of bland hatred—Yoshiyuki Tomino’s Gundam series portrays his Newtypes, who are meant to be at least somewhat analogous to the real-life shinjinrui, in a generally more sympathetic light and occasionally a positive one (if they aren’t being used by someone else, that is.)

Tomino, who was born in 1941, also worked on Astro Boy at Mushi Pro.

Baggage between generations is not unique to any one country, obviously. But in this case, it seems Urasawa and Nagasaki decided to tap into it and incorporate the core beliefs, hopes, and grief of their generation and those of the generations before them into Pluto. 

Taking this approach was also the perfect excuse for Urasawa to distill everything he knew and loved about Tezuka’s works into one transformative manga. And don’t just trust Tomohiko Murakami on that—trust me as a fan of both Tezuka and Urasawa. It’s very noticeable that Urasawa and Nagasaki pulled from all things Tezuka to create Pluto even as it incorporated new ideas, including criticism of the Gulf War.

…So it’s probably a good thing I took the time to explain all this stuff to you so that you can now start to see it too! You can thank me later. Let’s see how the classic “The Greatest Robot on Earth” compares to Pluto.

[bitchesgetriches]

{ MASTERPOST } Everything You Need to Know about Investing for Beginners

Fundamentals of investing:

What’s the REAL Rate of Return on the Stock Market?

Do NOT Make This Disastrous Beginner Mistake With Your Retirement Funds

The Dark Magic of Financial Horcruxes: How and Why to Diversify Your Assets

Dafuq Is Interest? And How Does It Work for the Forces of Darkness?

Booms, Busts, Bubbles, and Beanie Babies: How Economic Cycles Work

When Money in the Bank Is a Bad Thing: Understanding Inflation and Depreciation

Investing Deathmatch series:

Investing Deathmatch: Managed Funds vs. Index Funds 

Investing Deathmatch: Traditional IRA vs. Roth IRA 

Investing Deathmatch: Investing in the Stock Market vs. Just… Not 

Investing Deathmatch: Stocks vs. Bonds 

Investing Deathmatch: Timing the Market vs. Time IN the Market

Investing Deathmatch: Paying off Debt vs. Investing in the Stock Market 

Investing Deathmatch: What Happens in a Bull Market vs. a Bear Market 

Now that we’ve covered the basics, are you ready to invest but don’t know where to begin? We recommend starting small with micro-investing through our partner Acorns. They’ll round up your purchases to the nearest dollar and invest the change in a nicely diversified portfolio of stocks, bonds, and ETFs. Easy as eating pancakes:

Start saving small with Acorns

Alternative investments:

Small Business Investing: A Kinder, Gentler Alternative to the Stock Market 

Bullshit Reasons Not to Buy a House: Refuted

Investing in Cryptocurrency is Bad and Stupid

So I Got Chickens, Part 1: Return on Investment

Twelve Reasons Senior Pets Are an Awesome Investment 

How To Save for Retirement When You Make Less Than $30,000 a Year

Understanding the stock market:

Ask the Bitches Pandemic Lightning Round: “Did Congress Really Give $1.5 Trillion to Wall Street?”

Season 3, Episode 2: “I Inherited Money. Should I Pay Off Debt, Invest It, or Blow It All on a Car?” 

Money Is Fake and GameStop Is King: What Happened When Reddit and a Meme Stock Tanked Hedge Funds

Season 3, Episode 7: “I’m Finished With the Basic Shit. What Are the Advanced Financial Steps That Only Rich People Know?”

Wait… Did I Just Lose All My Money Investing in the Stock Market?

Season 4, Episode 1: “Index Funds Include Unethical Companies. Can I Still Invest in Them, or Does That Make Me a Monster?” 

Retirement plans:

Dafuq Is a Retirement Plan and Why Do You Need One?

Procrastinating on Opening a Retirement Account? Here’s 3 Ways That’ll Fuck You Over

How to Painlessly Run the Gauntlet of a 401k Rollover

Ask the Bitches: “Can I Quit With Unvested Funds? Or Am I Walking Away From Too Much Money?”

Workplace Benefits and Other Cool Side Effects of Employment

You Need to Talk to Your Parents About Their Retirement Plan

Season 4, Episode 5: “401(k)s Aren’t Offered in My Industry. How Do I Save for Retirement if My Employer Won’t Help?” 

Got a retirement plan already? How about three or four? Have you been leaving a trail of abandoned 401(k)s behind you at every employer you quit? Did we just become best friends? Because that was literally my story until recently. Our partner Capitalize will help you quickly and painlessly get through a 401(k) rollover:

Roll over your retirement fund with Capitalize

Recessions:

Season 1, Episode 12: “Should I Believe the Fear-Mongering about Another Recession?”

There’s a Storm a’Comin’: What We Know About the Next Recession

Ask the Bitches: How Do I Prepare for a Recession?

A Brief History of the 2008 Crash and Recession: We Were All So Fucked

Ask the Bitches Pandemic Lightning Round: “Is This the Right Time To Start Investing?”